{
  "schema": "ab5d-dossier/1",
  "slug": "alona-rodeh",
  "name": "Alona Rodeh",
  "subtitle": "Safety signals, synthetic surfaces",
  "lede": "Alona Rodeh is a Berlin-based artist whose practice studies how safety is staged, signalled, and aestheticised. Her Art Blocks collaboration Jenim extends that inquiry into algorithmic denim, surface, dye, and repetition.",
  "url": "https://ab5d.xyz/artists/alona-rodeh/",
  "bibliography_url": "https://ab5d.xyz/artists/alona-rodeh/links/",
  "content_url": "https://ab5d.xyz/api/artists/alona-rodeh.json",
  "updated": "2026-07-07",
  "tier": "compact",
  "editions": 135,
  "collections": 1,
  "otdh": {
    "rank": 266,
    "score": 7932,
    "collector_identities": 74,
    "holder_addresses": 75,
    "projects": 1,
    "current_works": 132,
    "raw_collector_days": 149452,
    "median_project_hold_days": 1274,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/alona-rodeh"
  },
  "identity": {
    "artist": "Alona Rodeh",
    "website": "n/a",
    "based": "Born 1979, Israel. Lives and works in Berlin",
    "practice": "Visual artist, scenographer, dark-sky advocate, and urban/spatial practitioner working across installation, video, sound, light, CGI, public space, and artist books",
    "now": "Recent work includes CGI video, public-space research, night walks, and institutional presentations of light, safety, and urban perception",
    "otdh": "[7,932 · rank 266 of 308](/artists/otdh/#artist-alona-rodeh)",
    "holding signal": "74 collector identities · 75 holder addresses · 149,452 raw collector-days · 14 Sep 2026",
    "collector tdh": "[alorTDH](/artists/alona-rodeh/alortdh/) · pending verified oeuvre data"
  },
  "socials": {
    "website": "n/a",
    "x": null,
    "instagram": null
  },
  "profile_image_url": null,
  "profile_image_source": null,
  "works": [
    {
      "name": "Jenim",
      "editions": 135,
      "supply": 135,
      "artblocks_slug": "jenim-by-orr-kislev-and-alona-rodeh",
      "url": "https://www.artblocks.io/collection/jenim-by-orr-kislev-and-alona-rodeh"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "Alona Rodeh's work is best understood through systems that make bodies feel protected, directed, watched, or staged. Her official biography describes a Berlin-based visual artist, scenographer, and dark-sky advocate whose research-driven practice explores material cultures and audiovisual expressions of safety, often through immersive environments, short films, artist books, and nighttime walks. Rosenfeld Gallery similarly frames her as an urban and spatial practitioner working between virtual and physical space, with a practice rooted in light, sound, and the feeling of safety.",
        "Rodeh's Art Blocks entry is Jenim, made with Orr Kislev for Art Blocks Presents in 2023. The collection contains 135 unique artworks, the exact edition count relevant to AB[500], and transfers Rodeh's long-standing attention to fabric, visibility, material coding, and public signals into a generative textile field. Verse's secondary presentation of the series emphasizes the project description and its relation to denim, labour histories, indigo, seams, and algorithmic variation."
      ]
    },
    {
      "heading": "Safety as an image system",
      "paragraphs": [
        "Rodeh's institutional record begins well before the blockchain work. Collectors Agenda describes her as working across video, sculpture, wall-mounted works, light and sound installations, theatre design, public art, and publications, and notes her Berlin studio conversation around darkness, blackouts, club culture, and work with the Berlin Fire Department. Artis also identifies urban environments, industrial products, and nightlife culture as central to her research process, which helps explain why safety equipment in her work rarely reads as neutral infrastructure.",
        "This concern is visible in critical writing on her practice. Frieze's profile, \"How Artist Alona Rodeh Reveals the Tyranny of Safety,\" situates her sound and light installations within systems of order, control, and counter-cultural appropriation. Artfridge's interview likewise describes her \"acoustic and visual keyboard of safety,\" a useful phrase for a practice that repeatedly turns alarms, reflective surfaces, emergency codes, and illuminated architectures into an aesthetic grammar."
      ]
    },
    {
      "heading": "From installation to algorithmic fabric",
      "paragraphs": [
        "The importance of Jenim within Rodeh's practice is not that it replaces her physical installations, but that it translates several of their concerns into a generative substrate. Denim is already a coded material: workwear, class marker, fashion object, indigo surface, and repeating industrial weave. In Jenim, the cloth is not cut and sewn, but rendered through procedural variation. Art Blocks records the project as 135 unique artworks, a compact but complete generative edition within Presents.",
        "Rodeh's earlier installations clarify the stakes of this move. CCA Tel Aviv's page for Above and Beyond describes a transformation of the main gallery through sound, light, and architectural intervention, a format that treats the viewer's movement through space as part of the work. Kunstpalais Erlangen lists Rodeh's Safe and Sound: High Visibility and records her as born in 1979 and working in Berlin, placing her among artists concerned with serial form, colour, light, and spatial perception."
      ]
    },
    {
      "heading": "CGI, public space, and AB[500]",
      "paragraphs": [
        "Recent presentations show Rodeh pushing the same vocabulary into synthetic imagery. Christine König Galerie lists works from the CITY DUMMIES and related CGI video projects, including 4K single-channel and dual-screen computer-generated videos with sound. Ars Electronica's 2025 festival profile identifies her as an artist, scenographer, and urban practitioner whose work combines spatial awareness with a highly stylized visual language influenced by hyperrealistic CGI and video games.",
        "Seen from AB[500], Jenim is a concise bridge between these worlds. It carries Rodeh's interest in regulated surfaces and social signalling into a project where the rules are code, the fabric is image, and each mint is a variation within a fixed edition of 135. The series sits lightly in Art Blocks history, but it is conceptually aligned with Rodeh's broader practice: an inquiry into how materials tell us where to stand, what to fear, how to behave, and how systems of safety become visual culture."
      ]
    }
  ],
  "body_markdown": "Alona Rodeh's work is best understood through systems that make bodies feel protected, directed, watched, or staged. Her official biography describes a Berlin-based visual artist, scenographer, and dark-sky advocate whose research-driven practice explores material cultures and audiovisual expressions of safety, often through immersive environments, short films, artist books, and nighttime walks. Rosenfeld Gallery similarly frames her as an urban and spatial practitioner working between virtual and physical space, with a practice rooted in light, sound, and the feeling of safety.\n\nRodeh's Art Blocks entry is Jenim, made with Orr Kislev for Art Blocks Presents in 2023. The collection contains 135 unique artworks, the exact edition count relevant to AB[500], and transfers Rodeh's long-standing attention to fabric, visibility, material coding, and public signals into a generative textile field. Verse's secondary presentation of the series emphasizes the project description and its relation to denim, labour histories, indigo, seams, and algorithmic variation.\n\n## Safety as an image system\n\nRodeh's institutional record begins well before the blockchain work. Collectors Agenda describes her as working across video, sculpture, wall-mounted works, light and sound installations, theatre design, public art, and publications, and notes her Berlin studio conversation around darkness, blackouts, club culture, and work with the Berlin Fire Department. Artis also identifies urban environments, industrial products, and nightlife culture as central to her research process, which helps explain why safety equipment in her work rarely reads as neutral infrastructure.\n\nThis concern is visible in critical writing on her practice. Frieze's profile, \"How Artist Alona Rodeh Reveals the Tyranny of Safety,\" situates her sound and light installations within systems of order, control, and counter-cultural appropriation. Artfridge's interview likewise describes her \"acoustic and visual keyboard of safety,\" a useful phrase for a practice that repeatedly turns alarms, reflective surfaces, emergency codes, and illuminated architectures into an aesthetic grammar.\n\n## From installation to algorithmic fabric\n\nThe importance of Jenim within Rodeh's practice is not that it replaces her physical installations, but that it translates several of their concerns into a generative substrate. Denim is already a coded material: workwear, class marker, fashion object, indigo surface, and repeating industrial weave. In Jenim, the cloth is not cut and sewn, but rendered through procedural variation. Art Blocks records the project as 135 unique artworks, a compact but complete generative edition within Presents.\n\nRodeh's earlier installations clarify the stakes of this move. CCA Tel Aviv's page for Above and Beyond describes a transformation of the main gallery through sound, light, and architectural intervention, a format that treats the viewer's movement through space as part of the work. Kunstpalais Erlangen lists Rodeh's Safe and Sound: High Visibility and records her as born in 1979 and working in Berlin, placing her among artists concerned with serial form, colour, light, and spatial perception.\n\n## CGI, public space, and AB[500]\n\nRecent presentations show Rodeh pushing the same vocabulary into synthetic imagery. Christine König Galerie lists works from the CITY DUMMIES and related CGI video projects, including 4K single-channel and dual-screen computer-generated videos with sound. Ars Electronica's 2025 festival profile identifies her as an artist, scenographer, and urban practitioner whose work combines spatial awareness with a highly stylized visual language influenced by hyperrealistic CGI and video games.\n\nSeen from AB[500], Jenim is a concise bridge between these worlds. It carries Rodeh's interest in regulated surfaces and social signalling into a project where the rules are code, the fabric is image, and each mint is a variation within a fixed edition of 135. The series sits lightly in Art Blocks history, but it is conceptually aligned with Rodeh's broader practice: an inquiry into how materials tell us where to stand, what to fear, how to behave, and how systems of safety become visual culture.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000000.png",
      "title": "Jenim #0",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000027.png",
      "title": "Jenim #27",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000054.png",
      "title": "Jenim #54",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000080.png",
      "title": "Jenim #80",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000107.png",
      "title": "Jenim #107",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000134.png",
      "title": "Jenim #134",
      "caption": "2023, Jenim",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "Rodeh's official biography describes her Berlin-based practice, education, representation, residencies, and work with light, sound, safety, and public space.",
      "url": "https://alonarodeh.com/about-cv-bio-alona-rodeh/",
      "label": "artist-bio"
    },
    {
      "n": 2,
      "note": "Rosenfeld Gallery profiles Rodeh as a Berlin-based visual artist, scenographer, and urban/spatial practitioner working between virtual and physical space.",
      "url": "https://rg.co.il/artist/alona-rodeh/",
      "label": "rosenfeld-profile"
    },
    {
      "n": 3,
      "note": "Art Blocks records Jenim by Orr Kislev and Alona Rodeh as an Art Blocks Presents collection of 135 unique artworks released on February 27, 2023.",
      "url": "https://www.artblocks.io/collection/jenim-by-orr-kislev-and-alona-rodeh",
      "label": "art-blocks-jenim"
    },
    {
      "n": 4,
      "note": "Verse presents Jenim by Orr Kislev and Alona Rodeh with project context around denim, labour, indigo, seams, and generative variation.",
      "url": "https://verse.works/series/jenim-by-orr-kislev-alona-rodeh",
      "label": "verse-jenim"
    },
    {
      "n": 5,
      "note": "Collectors Agenda's studio interview discusses Rodeh's multidisciplinary practice, darkness, blackouts, club culture, and work with the Berlin Fire Department.",
      "url": "https://www2.collectorsagenda.com/en/in-the-studio/alona-rodeh",
      "label": "collectors-agenda"
    },
    {
      "n": 6,
      "note": "Artis's audio interview introduces Rodeh's interests in urban environments, industrial products, nightlife culture, and the architecture of nights.",
      "url": "https://artis.art/research_and_perspectives/signals_from_the_studio_artist_alona_rodeh_on_architecture_of_the_nights",
      "label": "artis-audio"
    },
    {
      "n": 7,
      "note": "Frieze's profile examines Rodeh's use of sound and light as systems of order, control, rebellion, and counter-cultural signalling.",
      "url": "https://www.frieze.com/article/how-artist-alona-rodeh-reveals-tyranny-safety",
      "label": "frieze-profile"
    },
    {
      "n": 8,
      "note": "Artfridge's interview presents Rodeh's practice through acoustic and visual systems of safety and her Israeli and Berlin-based context.",
      "url": "https://www.artfridge.de/2018/04/interview-alona-rodeh.html",
      "label": "artfridge-interview"
    },
    {
      "n": 9,
      "note": "CCA Tel Aviv's archive documents Above and Beyond, Rodeh's large installation using sound, light, and architectural interventions.",
      "url": "https://history.cca.org.il/alona-rodeh-above-and-beyond/",
      "label": "cca-above-beyond"
    },
    {
      "n": 10,
      "note": "Kunstpalais Erlangen's artist record lists Rodeh's birth year, Berlin base, and selected exhibitions including Safe and Sound projects.",
      "url": "https://www.kunstpalais.de/de/147/Alona-Rodeh%3A213.html",
      "label": "kunstpalais-profile"
    },
    {
      "n": 11,
      "note": "Christine König Galerie's artist page documents Rodeh's CGI video works, installations, editions, and gallery representation.",
      "url": "https://christinekoeniggalerie.com/artists/alona-rodeh-c367b2b3/",
      "label": "christine-koenig"
    },
    {
      "n": 12,
      "note": "Ars Electronica's 2025 festival profile presents Rodeh as an artist, scenographer, and urban practitioner working with public space, CGI, video games, light, sound, and motion.",
      "url": "https://ars.electronica.art/panic/en/view/meet-the-artist-alona-rodeh-22938ddb450c8083b052f24814b2ba3b/",
      "label": "ars-electronica"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "Art Blocks records Jenim by Orr Kislev and Alona Rodeh as an Art Blocks Presents collection of 135 unique artworks.",
          "url": "https://www.artblocks.io/collection/jenim-by-orr-kislev-and-alona-rodeh",
          "label": "Art Blocks Jenim",
          "meta": "collection · 2023"
        },
        {
          "note": "Verse presents the Jenim series with project context for denim, labour, indigo, seams, and generative variation.",
          "url": "https://verse.works/series/jenim-by-orr-kislev-alona-rodeh",
          "label": "Verse Jenim",
          "meta": "collection · 2023"
        }
      ]
    },
    {
      "category": "Interviews",
      "entries": [
        {
          "note": "Collectors Agenda's studio interview covers Rodeh's multidisciplinary practice, darkness, blackouts, club culture, and Berlin Fire Department research.",
          "url": "https://www2.collectorsagenda.com/en/in-the-studio/alona-rodeh",
          "label": "Collectors Agenda",
          "meta": "interview · 2019"
        },
        {
          "note": "Artis's audio interview focuses on urban environments, industrial products, nightlife culture, and Rodeh's architecture-of-the-nights research.",
          "url": "https://artis.art/research_and_perspectives/signals_from_the_studio_artist_alona_rodeh_on_architecture_of_the_nights",
          "label": "Artis",
          "meta": "interview · 2020"
        },
        {
          "note": "Artfridge's interview introduces Rodeh through sound, light, safety, and her Israeli and Berlin-based practice.",
          "url": "https://www.artfridge.de/2018/04/interview-alona-rodeh.html",
          "label": "Artfridge",
          "meta": "interview · 2018"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "Frieze profiles Rodeh's use of sound and light as signals of order, control, rebellion, and counter-culture.",
          "url": "https://www.frieze.com/article/how-artist-alona-rodeh-reveals-tyranny-safety",
          "label": "Frieze",
          "meta": "criticism · 2019"
        },
        {
          "note": "AQNB's article gives additional critical context for walking through Rodeh's installation-based practice.",
          "url": "https://www.aqnb.com/2016/02/01/walking-through-the-work-of-alona-rodeh/",
          "label": "AQNB",
          "meta": "criticism · 2016"
        }
      ]
    },
    {
      "category": "Museums and institutions",
      "entries": [
        {
          "note": "CCA Tel Aviv documents Above and Beyond, a major Rodeh installation using sound, light, and architectural intervention.",
          "url": "https://history.cca.org.il/alona-rodeh-above-and-beyond/",
          "label": "CCA Tel Aviv",
          "meta": "exhibition · 2013"
        },
        {
          "note": "Kunstpalais Erlangen's artist record lists Rodeh's biographical details and selected exhibitions, including Safe and Sound projects.",
          "url": "https://www.kunstpalais.de/de/147/Alona-Rodeh%3A213.html",
          "label": "Kunstpalais Erlangen",
          "meta": "institution · 2019"
        }
      ]
    },
    {
      "category": "Galleries and exhibitions",
      "entries": [
        {
          "note": "Rosenfeld Gallery profiles Rodeh's Berlin-based practice across virtual and physical space, safety, light, sound, and public space.",
          "url": "https://rg.co.il/artist/alona-rodeh/",
          "label": "Rosenfeld Gallery",
          "meta": "gallery · 2026"
        },
        {
          "note": "Christine König Galerie documents Rodeh's works, including CGI videos, installations, editions, and gallery representation.",
          "url": "https://christinekoeniggalerie.com/artists/alona-rodeh-c367b2b3/",
          "label": "Christine König Galerie",
          "meta": "gallery · 2026"
        },
        {
          "note": "Christine König Galerie's The Long Stretch archive documents Rodeh's 2020 exhibition and related works in safety, bollards, light, and printed surfaces.",
          "url": "https://christinekoeniggalerie.com/exhibitions/alona-rodeh-the-long-stretch/",
          "label": "The Long Stretch",
          "meta": "exhibition · 2020"
        },
        {
          "note": "Christine König Galerie's The Runner (LIVE) archive documents Rodeh's 2017 sound, light, and sculptural installation at KOENIG2.",
          "url": "https://christinekoeniggalerie.com/exhibitions/alona-rodeh-the-runner-live/",
          "label": "The Runner (LIVE)",
          "meta": "exhibition · 2017"
        }
      ]
    },
    {
      "category": "Essays, talks and podcasts",
      "entries": [
        {
          "note": "Rodeh's official biography and CV provide education, representation, residencies, and a concise statement of the practice.",
          "url": "https://alonarodeh.com/about-cv-bio-alona-rodeh/",
          "label": "Artist biography",
          "meta": "profile · 2026"
        },
        {
          "note": "Ars Electronica's festival profile discusses Rodeh's public-space practice, CGI language, video-game aesthetics, and 2025 New Animation Art recognition.",
          "url": "https://ars.electronica.art/panic/en/view/meet-the-artist-alona-rodeh-22938ddb450c8083b052f24814b2ba3b/",
          "label": "Ars Electronica",
          "meta": "talk · 2025"
        }
      ]
    },
    {
      "category": "Auctions and catalogues",
      "entries": [
        {
          "note": "Artforum Artguide's PDF press release for Safe and Sound (Evolutions) gives catalogue-style context for Rodeh's Grimmuseum exhibition and the broader Safe and Sound sequence.",
          "url": "https://artguide.artforum.com/uploads/guide.003/id11891/press_release.pdf",
          "label": "Artforum Artguide PDF",
          "meta": "catalogue · 2015"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Frieze's tag archive for Alona Rodeh gathers the magazine's dedicated profile coverage of the artist.",
          "url": "https://www.frieze.com/tags/alona-rodeh",
          "label": "Frieze archive",
          "meta": "profile · 2019"
        }
      ]
    },
    {
      "category": "Video",
      "entries": [
        {
          "note": "Ars Electronica's 2025 profile connects Rodeh's awarded video work CORE DUMP with Fogging and Runway Freefall.",
          "url": "https://ars.electronica.art/panic/en/view/meet-the-artist-alona-rodeh-22938ddb450c8083b052f24814b2ba3b/",
          "label": "Ars Electronica video context",
          "meta": "video · 2025"
        }
      ]
    }
  ],
  "provenance": {
    "schema": "ab5d-provenance/1",
    "contributor": "ab500dao.eth",
    "agent": "Grok 4 (xAI)",
    "model": "Grok 4 (xAI)",
    "harness": "AB5D structured pipeline",
    "autonomy": "supervised",
    "tokens": {
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      "output": 2150,
      "estimated": true
    },
    "cost_usd": null,
    "links_verified": 12,
    "date": "2026-07-07",
    "note": "Structured return rendered by scripts/render_dossier.py."
  },
  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
    "name": "AB[500]",
    "url": "https://ab5d.xyz/artists/alona-rodeh/",
    "cite": "AB5D, \"Alona Rodeh\", AB[500] artist dossier, ab5d.xyz, 2026",
    "required": false,
    "requested": true,
    "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required."
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  "generated": "2026-09-14T12:58:26"
}