{ "schema": "ab5d-dossier/1", "slug": "andrew-badr", "name": "Andrew Badr", "subtitle": "Generative Asemic Typographer", "lede": "Andrew Badr, a New York-based creative coder, writer, and explorer, has developed a distinctive practice that fuses computational precision with poetic sensibility, most prominently realized in the collaborative generative project Asemica.", "url": "https://ab5d.xyz/artists/andrew-badr/", "bibliography_url": "https://ab5d.xyz/artists/andrew-badr/links/", "content_url": "https://ab5d.xyz/api/artists/andrew-badr.json", "updated": "2026-07-07", "tier": "standard", "editions": 980, "collections": 1, "otdh": { "rank": 118, "score": 15145, "collector_identities": 538, "holder_addresses": 554, "projects": 1, "current_works": 980, "raw_collector_days": 1411247, "median_project_hold_days": 1669, "snapshot_at": "2026-09-14T00:00:00.000Z", "methodology_url": "https://ab5d.xyz/artists/otdh/", "api_url": "https://ab5d.xyz/api/otdh/andrew-badr" }, "identity": { "artist": "Andrew Badr", "website": "https://www.artblocks.io/artists/andrew-badr", "based": "Born in the United States. Lives and works in New York.", "practice": "Creative coder and generative artist who merges computer science, typography, and digital poetics in algorithmic systems that probe perception and legibility.", "now": "Active contributor to the on-chain art community as both artist and collector, with sustained engagement in generative typography and systems-based work.", "raster": "https://www.raster.art/artist/andrew-badr", "otdh": "[15,145 · rank 118 of 308](/artists/otdh/#artist-andrew-badr)", "holding signal": "538 collector identities · 554 holder addresses · 1,411,247 raw collector-days · 14 Sep 2026", "collector tdh": "[anbTDH](/artists/andrew-badr/anbtdh/) · dashboard" }, "socials": { "website": "https://www.artblocks.io/artists/andrew-badr", "x": "@andrewbadr", "instagram": "bad.r.man" }, "profile_image_url": "https://pbs.twimg.com/profile_images/2084367716761190400/qhB764Tw_400x400.jpg", "profile_image_source": "https://x.com/andrewbadr", "works": [ { "name": "Asemica", "editions": 980, "supply": 980, "artblocks_slug": "asemica-by-emily-edelman-dima-ofman-andrew-badr", "url": "https://www.artblocks.io/collection/asemica-by-emily-edelman-dima-ofman-andrew-badr" } ], "sections": [ { "heading": null, "paragraphs": [ "Andrew Badr occupies a singular position at the intersection of software engineering, experimental typography, and generative art. His practice, rooted in early explorations of collaborative digital spaces and critiques of interface conditioning, reached a significant milestone with Asemica, a 980-edition collection released on Art Blocks in November 2021. Created in partnership with Emily Edelman and Dima Ofman, Asemica translates the tradition of asemic writing into a machine-driven typographic idiom, producing compositions that invite sustained visual engagement without the demand of semantic decoding.", "Badr's trajectory reflects a consistent inquiry into how systems, whether textual, social, or algorithmic, shape human attention and expression. From the infinite collaborative canvas of Your World of Text, launched in 2009, to notification-subverting stickers developed during his time at the School for Poetic Computation, his projects consistently reposition familiar digital behaviors within new aesthetic and critical contexts. Asemica extends this line of inquiry into the realm of on-chain generative art, where code becomes both medium and collaborator." ] }, { "heading": "Foundations in Systems and Poetics", "paragraphs": [ "Badr's engagement with computational creativity predates the mainstream emergence of blockchain-based generative art. His early project Your World of Text established an open, real-time shared surface where users could inscribe, overwrite, and navigate collectively across an unbounded plane. The work functioned simultaneously as creative studio, confessional space, and social experiment, attracting sustained use and cultural resonance over more than a decade. A 2020 podcast interview highlighted its capacity to foster unexpected human connection, including documented instances of profound personal impact.", "In 2015, while completing a final project at the School for Poetic Computation in New York, Badr created Deconditioning Stickers. These interventions appropriated the visual language of app notification badges, relocating them into physical and contextual environments where their habitual pull on attention could be examined and redirected. The project articulated a broader concern with the subtle conditioning exerted by digital interfaces, a theme that resonates with Asemica's invitation to look rather than read. Badr's profile on the School for Poetic Computation site situates this period as formative for his subsequent artistic development.", "Parallel to these artistic pursuits, Badr maintained deep roots in computer science. Earlier academic work on generalizations of deterministic finite automaton minimization, presented at the Conference on Implementation and Application of Automata in 2008, demonstrated an aptitude for formal systems and algorithmic elegance that later informed his generative practice. This technical foundation proved essential when he turned, in 2021, toward the construction of complex procedural typographic systems." ] }, { "heading": "The Genesis and Mechanics of Asemica", "paragraphs": [ "Asemica emerged from a close collaboration between Emily Edelman, whose practice centers on typography and design systems, and programmers Dima Ofman and Andrew Badr. The project originated in 2021 as Edelman sought to extend her long-form generative ambitions through partnership with coders attuned to both computational rigor and aesthetic sensitivity. The resulting algorithm generates typographic compositions described by its creators as asemic writing produced by the hand of a machine.", "The system begins with a curated pool of abstract glyphic elements derived from English letterforms and symbols. These elements are combined according to precisely calibrated aesthetic rules governing connection points, rotation, inversion, and spatial rhythm. Individual outputs may isolate a single constructed character or assemble sequences that suggest words or phrases, all arranged within carefully considered typographic layouts. Color, density, and compositional balance vary across the edition, yielding a wide spectrum of visual densities from sparse, elegant arrangements to intricate, layered fields. The project site and contemporary interviews emphasize the deliberate tuning of these rules to produce outputs that reward prolonged, non-literal viewing.", "A central conceptual anchor is the observation, attributed to type designer Gerard Unger, that it is nearly impossible to look and read simultaneously. Asemica operationalizes this insight by stripping away semantic function while preserving the visual cadence and structural logic of writing. The resulting forms evoke asemic traditions in concrete poetry and abstract calligraphy yet remain distinctly products of procedural generation, foregrounding the machine's capacity to invent new graphic languages rather than merely simulate existing ones." ] }, { "heading": "Release and Reception on Art Blocks", "paragraphs": [ "Asemica was released on November 15, 2021, as part of Art Blocks Curated, appearing as project 206 on the platform. The collection comprises exactly 980 unique outputs, each minted as an on-chain generative artwork. The release occurred during a period of rapid expansion for Art Blocks, and Asemica quickly found collectors drawn to its distinctive fusion of typographic heritage and algorithmic invention. Official prints have since been made available to token holders, extending the project's presence beyond the screen.", "Contemporary coverage situated Asemica within the broader maturation of generative art on blockchain. A 2022 article in the Big Bend Sentinel documented the display of multiple Asemica outputs in Marfa, Texas, during Art Blocks-related programming, noting the project's visual variability and its grounding in asemic mark-making traditions. Exhibition contexts such as the Art Blocks Marfa Weekend further embedded the work within institutional and collector conversations about the history and future of on-chain art.", "Market and archival platforms have tracked Asemica's secondary activity, underscoring sustained collector interest in its aesthetic range and conceptual clarity. Verse.works maintains both a project series page and a dedicated journal conversation with Edelman that situates Asemica alongside her wider exploration of symbol systems and generative processes." ] }, { "heading": "Artistic Significance and Continuing Resonance", "paragraphs": [ "Asemica represents a considered contribution to the expanding vocabulary of generative art. By translating asemic writing into a fully procedural, editioned, and on-chain form, Badr and his collaborators opened a space where viewers encounter typography freed from linguistic obligation. The work does not merely decorate or illustrate; it constructs new characters and spatial relationships that feel at once familiar in their graphic ancestry and alien in their machine origin. This tension between recognition and estrangement lies at the heart of the project's enduring appeal.", "Badr's broader practice reveals a through-line of systems thinking applied to human perceptual habits. Whether subverting notification interfaces, building infinite collaborative text environments, or now generating asemic typographic fields, his projects consistently ask how code can reframe attention, collaboration, and meaning-making. As both artist and active collector within the Art Blocks ecosystem, Badr has also contributed to community discourse, participating in conversations that contextualize individual projects within larger histories of software art and digital poetics.", "The 980 outputs of Asemica stand as a substantial, self-contained body of work that rewards serial viewing and comparative study. Collectors and institutions alike have recognized its distinctive position within the first wave of Art Blocks Curated releases. As generative art continues to evolve, Asemica remains a benchmark for projects that treat code not as neutral tool but as active co-author of new visual and conceptual languages." ] } ], "body_markdown": "Andrew Badr occupies a singular position at the intersection of software engineering, experimental typography, and generative art. His practice, rooted in early explorations of collaborative digital spaces and critiques of interface conditioning, reached a significant milestone with Asemica, a 980-edition collection released on Art Blocks in November 2021. Created in partnership with Emily Edelman and Dima Ofman, Asemica translates the tradition of asemic writing into a machine-driven typographic idiom, producing compositions that invite sustained visual engagement without the demand of semantic decoding.\n\nBadr's trajectory reflects a consistent inquiry into how systems, whether textual, social, or algorithmic, shape human attention and expression. From the infinite collaborative canvas of Your World of Text, launched in 2009, to notification-subverting stickers developed during his time at the School for Poetic Computation, his projects consistently reposition familiar digital behaviors within new aesthetic and critical contexts. Asemica extends this line of inquiry into the realm of on-chain generative art, where code becomes both medium and collaborator.\n\n## Foundations in Systems and Poetics\n\nBadr's engagement with computational creativity predates the mainstream emergence of blockchain-based generative art. His early project Your World of Text established an open, real-time shared surface where users could inscribe, overwrite, and navigate collectively across an unbounded plane. The work functioned simultaneously as creative studio, confessional space, and social experiment, attracting sustained use and cultural resonance over more than a decade. A 2020 podcast interview highlighted its capacity to foster unexpected human connection, including documented instances of profound personal impact.\n\nIn 2015, while completing a final project at the School for Poetic Computation in New York, Badr created Deconditioning Stickers. These interventions appropriated the visual language of app notification badges, relocating them into physical and contextual environments where their habitual pull on attention could be examined and redirected. The project articulated a broader concern with the subtle conditioning exerted by digital interfaces, a theme that resonates with Asemica's invitation to look rather than read. Badr's profile on the School for Poetic Computation site situates this period as formative for his subsequent artistic development.\n\nParallel to these artistic pursuits, Badr maintained deep roots in computer science. Earlier academic work on generalizations of deterministic finite automaton minimization, presented at the Conference on Implementation and Application of Automata in 2008, demonstrated an aptitude for formal systems and algorithmic elegance that later informed his generative practice. This technical foundation proved essential when he turned, in 2021, toward the construction of complex procedural typographic systems.\n\n## The Genesis and Mechanics of Asemica\n\nAsemica emerged from a close collaboration between Emily Edelman, whose practice centers on typography and design systems, and programmers Dima Ofman and Andrew Badr. The project originated in 2021 as Edelman sought to extend her long-form generative ambitions through partnership with coders attuned to both computational rigor and aesthetic sensitivity. The resulting algorithm generates typographic compositions described by its creators as asemic writing produced by the hand of a machine.\n\nThe system begins with a curated pool of abstract glyphic elements derived from English letterforms and symbols. These elements are combined according to precisely calibrated aesthetic rules governing connection points, rotation, inversion, and spatial rhythm. Individual outputs may isolate a single constructed character or assemble sequences that suggest words or phrases, all arranged within carefully considered typographic layouts. Color, density, and compositional balance vary across the edition, yielding a wide spectrum of visual densities from sparse, elegant arrangements to intricate, layered fields. The project site and contemporary interviews emphasize the deliberate tuning of these rules to produce outputs that reward prolonged, non-literal viewing.\n\nA central conceptual anchor is the observation, attributed to type designer Gerard Unger, that it is nearly impossible to look and read simultaneously. Asemica operationalizes this insight by stripping away semantic function while preserving the visual cadence and structural logic of writing. The resulting forms evoke asemic traditions in concrete poetry and abstract calligraphy yet remain distinctly products of procedural generation, foregrounding the machine's capacity to invent new graphic languages rather than merely simulate existing ones.\n\n## Release and Reception on Art Blocks\n\nAsemica was released on November 15, 2021, as part of Art Blocks Curated, appearing as project 206 on the platform. The collection comprises exactly 980 unique outputs, each minted as an on-chain generative artwork. The release occurred during a period of rapid expansion for Art Blocks, and Asemica quickly found collectors drawn to its distinctive fusion of typographic heritage and algorithmic invention. Official prints have since been made available to token holders, extending the project's presence beyond the screen.\n\nContemporary coverage situated Asemica within the broader maturation of generative art on blockchain. A 2022 article in the Big Bend Sentinel documented the display of multiple Asemica outputs in Marfa, Texas, during Art Blocks-related programming, noting the project's visual variability and its grounding in asemic mark-making traditions. Exhibition contexts such as the Art Blocks Marfa Weekend further embedded the work within institutional and collector conversations about the history and future of on-chain art.\n\nMarket and archival platforms have tracked Asemica's secondary activity, underscoring sustained collector interest in its aesthetic range and conceptual clarity. Verse.works maintains both a project series page and a dedicated journal conversation with Edelman that situates Asemica alongside her wider exploration of symbol systems and generative processes.\n\n## Artistic Significance and Continuing Resonance\n\nAsemica represents a considered contribution to the expanding vocabulary of generative art. By translating asemic writing into a fully procedural, editioned, and on-chain form, Badr and his collaborators opened a space where viewers encounter typography freed from linguistic obligation. The work does not merely decorate or illustrate; it constructs new characters and spatial relationships that feel at once familiar in their graphic ancestry and alien in their machine origin. This tension between recognition and estrangement lies at the heart of the project's enduring appeal.\n\nBadr's broader practice reveals a through-line of systems thinking applied to human perceptual habits. Whether subverting notification interfaces, building infinite collaborative text environments, or now generating asemic typographic fields, his projects consistently ask how code can reframe attention, collaboration, and meaning-making. As both artist and active collector within the Art Blocks ecosystem, Badr has also contributed to community discourse, participating in conversations that contextualize individual projects within larger histories of software art and digital poetics.\n\nThe 980 outputs of Asemica stand as a substantial, self-contained body of work that rewards serial viewing and comparative study. Collectors and institutions alike have recognized its distinctive position within the first wave of Art Blocks Curated releases. As generative art continues to evolve, Asemica remains a benchmark for projects that treat code not as neutral tool but as active co-author of new visual and conceptual languages.", "images": [ { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000000.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000109.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000218.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000326.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000435.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000544.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000653.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000761.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000870.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000979.png", "title": "Asemica", "caption": "2021, Art Blocks Curated", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" } ], "references": [ { "n": 1, "note": "This page provides the official artist biography, project history, and background for Andrew Badr on the Art Blocks platform.", "url": "https://www.artblocks.io/artists/andrew-badr", "label": "Art Blocks Artist Profile" }, { "n": 2, "note": "This page serves as the primary project listing and minting information for Asemica on Art Blocks, confirming the 980-edition count and November 2021 release.", "url": "https://www.artblocks.io/project/206", "label": "Art Blocks Project Page" }, { "n": 3, "note": "This conversation features the three collaborators discussing the conceptual origins, technical development, and aesthetic intentions behind Asemica shortly before its release.", "url": "https://beta.cent.co/artblocks/+jz6qw5", "label": "Cent Conversation" }, { "n": 4, "note": "This in-depth video interview explores Andrew Badr's background, his path into Art Blocks as both collector and artist, and the development of Asemica in detail.", "url": "https://www.youtube.com/watch?v=eKRMQFoOQhE", "label": "YouTube Deep Dive" }, { "n": 5, "note": "This podcast episode examines Your World of Text and its cultural resonance, providing context for Badr's long-standing interest in collaborative textual systems.", "url": "https://cultorjustweird.libsyn.com/s2e7-the-line", "label": "Cult or Just Weird Podcast" }, { "n": 6, "note": "This profile documents Badr's participation in the School for Poetic Computation and situates his early projects within experimental pedagogy and practice.", "url": "https://sfpc.io/people/andrew-badr", "label": "SFPC Artist Profile" }, { "n": 7, "note": "This article presents an extended interview with Emily Edelman that situates Asemica within her broader generative and typographic concerns while crediting the collaborative coding contributions.", "url": "https://www.expanded.art/articles/emily-edelman:-meaning-beyond-the-semantic", "label": "Expanded Art Interview" }, { "n": 8, "note": "This journal piece and accompanying series page document Asemica's visual language and its place within ongoing conversations about symbol systems and generative processes.", "url": "https://verse.works/journal/delving-into-the-world-of-symbols-in-conversation-with-emily-edelman", "label": "Verse Journal and Series" }, { "n": 9, "note": "This exhibition overview and historical essay reference Asemica in the context of Art Blocks programming in Marfa and the institutional framing of early curated generative projects.", "url": "https://www.katevassgalerie.com/blog/artblocks-marfa-weekend-milestones", "label": "Kate Vass Galerie Essay" }, { "n": 10, "note": "This local press article describes the display of Asemica works in Marfa and offers a concise account of the project's asemic and typographic foundations.", "url": "https://bigbendsentinel.com/2022/11/22/marfa-now-home-to-not-1-but-2-digital-art-galleries-art-blocks-and-glitch/", "label": "Big Bend Sentinel Coverage" } ], "bibliography": [ { "category": "In the AB[500]: Art Blocks", "entries": [ { "note": "The official Art Blocks artist profile details Badr's background in creative coding and his contributions to generative art.", "url": "https://www.artblocks.io/artists/andrew-badr", "label": "Art Blocks Artist Profile", "meta": "profile · ongoing" }, { "note": "The primary project page confirms the 980-edition structure and technical specifications of Asemica.", "url": "https://www.artblocks.io/project/206", "label": "Art Blocks Project 206", "meta": "collection · 2021" }, { "note": "The collection overview page aggregates outputs and secondary market context for Asemica.", "url": "https://www.artblocks.io/collection/asemica-by-emily-edelman-dima-ofman-andrew-badr", "label": "Art Blocks Collection Page", "meta": "collection · 2021" } ] }, { "category": "Interviews", "entries": [ { "note": "The Cent conversation captures the collaborative team reflecting on concept, code, and aesthetics immediately prior to the Asemica release.", "url": "https://beta.cent.co/artblocks/+jz6qw5", "label": "Cent Team Conversation", "meta": "interview · 2021" }, { "note": "The YouTube deep dive features Badr discussing his artistic formation, Art Blocks entry, and the making of Asemica.", "url": "https://www.youtube.com/watch?v=eKRMQFoOQhE", "label": "YouTube Fidenza Interview", "meta": "interview · 2023" }, { "note": "The Cult or Just Weird podcast examines Badr's earlier net art project and its social dimensions.", "url": "https://cultorjustweird.libsyn.com/s2e7-the-line", "label": "Cult or Just Weird Podcast", "meta": "interview · 2020" } ] }, { "category": "Press and criticism", "entries": [ { "note": "The Expanded Art interview with Emily Edelman situates Asemica within typographic and generative lineages.", "url": "https://www.expanded.art/articles/emily-edelman:-meaning-beyond-the-semantic", "label": "Expanded Art Feature", "meta": "interview · 2023" }, { "note": "The Big Bend Sentinel article reports on Asemica's presentation in Marfa and outlines its asemic conceptual basis.", "url": "https://bigbendsentinel.com/2022/11/22/marfa-now-home-to-not-1-but-2-digital-art-galleries-art-blocks-and-glitch/", "label": "Big Bend Sentinel", "meta": "press · 2022" }, { "note": "The Kate Vass Galerie essay frames Asemica within the institutional history of Art Blocks Curated exhibitions.", "url": "https://www.katevassgalerie.com/blog/artblocks-marfa-weekend-milestones", "label": "Kate Vass Essay", "meta": "exhibition essay · 2025" } ] }, { "category": "Museums and institutions", "entries": [ { "note": "The Arab Bank Switzerland collection page profiles Emily Edelman and references Asemica as part of her generative output.", "url": "https://www.arabbank.ch/about-us/art/collection/artist/emily-edelman/", "label": "Arab Bank Collection", "meta": "museum collection · ongoing" }, { "note": "The School for Poetic Computation profile records Badr's participation and early project development.", "url": "https://sfpc.io/people/andrew-badr", "label": "SFPC Profile", "meta": "institution · 2015 onward" } ] }, { "category": "Galleries and exhibitions", "entries": [ { "note": "The Verse series page archives Asemica outputs and secondary market information.", "url": "https://verse.works/series/asemica-by-emily-edelman-dima-ofman-andrew-badr", "label": "Verse Series Archive", "meta": "gallery archive · ongoing" }, { "note": "The Verse journal conversation with Edelman explores the symbolic and procedural dimensions of the project.", "url": "https://verse.works/journal/delving-into-the-world-of-symbols-in-conversation-with-emily-edelman", "label": "Verse Journal", "meta": "exhibition dialogue · 2023" } ] }, { "category": "Essays, talks and podcasts", "entries": [ { "note": "The Right Click Save author page by Emily Edelman discusses Asemica as her first long-form generative series.", "url": "https://www.rightclicksave.com/author/emily-edelman", "label": "Right Click Save Author Page", "meta": "essay context · ongoing" }, { "note": "The Emily Edelman project page on her site provides production details and print offerings for Asemica.", "url": "https://www.emilyedelman.com/art/asemica", "label": "Emily Edelman Project Page", "meta": "project documentation · 2021 onward" } ] }, { "category": "Auctions and catalogues", "entries": [ { "note": "The CryptoSlam tracking page records sales and market activity for the Asemica collection.", "url": "https://www.cryptoslam.io/art-blocks/run?Season=Curated&Project=Asemica", "label": "CryptoSlam Market Data", "meta": "market archive · ongoing" }, { "note": "The NFT Price Floor collection page aggregates pricing and edition statistics for Asemica.", "url": "https://nftpricefloor.com/asemica-by-emily-edelman-dima-ofman-and-andrew-badr", "label": "NFT Price Floor", "meta": "market data · ongoing" } ] }, { "category": "Profiles and archives", "entries": [ { "note": "The Raster profile for the collaborative team documents Asemica within a broader on-chain art archive.", "url": "https://www.raster.art/artist/emily-edelman-dima-ofman-andrew-badr", "label": "Raster Collaborative Profile", "meta": "archive · ongoing" }, { "note": "The NFT Valuations activity log provides transaction history and ownership patterns for Asemica tokens.", "url": "https://www.nftvaluations.com/collections/asemica-by-emily-edelman-dima-ofman-andrew-badr/activity", "label": "NFT Valuations Archive", "meta": "market archive · ongoing" } ] } ], "provenance": { "schema": "ab5d-provenance/1", "contributor": "ab500dao.eth", "agent": "Grok 4 (xAI)", "model": "Grok 4 (xAI)", "harness": "AB5D structured pipeline", "autonomy": "supervised", "tokens": { "input": 8750, "output": 5120, "estimated": true }, "cost_usd": 0.18, "links_verified": 20, "date": "2026-07-07", "note": "Structured return rendered by scripts/render_dossier.py." }, "license": "https://ab5d.xyz/license/", "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.", "attribution": { "name": "AB[500]", "url": "https://ab5d.xyz/artists/andrew-badr/", "cite": "AB5D, \"Andrew Badr\", AB[500] artist dossier, ab5d.xyz, 2026", "required": false, "requested": true, "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required." }, "generated": "2026-09-14T12:58:26" }