{
  "schema": "ab5d-dossier/1",
  "slug": "marcelo-soria-rodriguez",
  "name": "Marcelo Soria-Rodríguez",
  "subtitle": "Code as a vessel for time, memory, and care",
  "lede": "Across code, painting, sound, and writing, Marcelo Soria-Rodríguez treats a generative system as both an image-making instrument and a field of relationships.",
  "url": "https://ab5d.xyz/artists/marcelo-soria-rodriguez/",
  "bibliography_url": "https://ab5d.xyz/artists/marcelo-soria-rodriguez/links/",
  "content_url": "https://ab5d.xyz/api/artists/marcelo-soria-rodriguez.json",
  "updated": "2026-07-11",
  "tier": "standard",
  "editions": 1200,
  "collections": 2,
  "otdh": {
    "rank": 138,
    "score": 14227,
    "collector_identities": 501,
    "holder_addresses": 514,
    "projects": 2,
    "current_works": 1195,
    "raw_collector_days": 1473567,
    "median_project_hold_days": 1284,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/marcelo-soria-rodriguez"
  },
  "identity": {
    "artist": "Marcelo Soria-Rodríguez",
    "website": "https://www.iillucid.com",
    "based": "Born 1977, Almería, Spain. Lives and works in Madrid, Spain",
    "practice": "Generative systems, digital and physical images, sound, writing, and experiments in human-machine perception",
    "now": "*variaciones del yo* remains available through Art Blocks Studio, while *entretiempos* is on view in *EMULATION* through August 16, 2026",
    "raster": "https://www.raster.art/artist/marcelo-soria-rodriguez",
    "otdh": "[14,227 · rank 138 of 308](/artists/otdh/#artist-marcelo-soria-rodriguez)",
    "holding signal": "501 collector identities · 514 holder addresses · 1,473,567 raw collector-days · 14 Sep 2026",
    "collector tdh": "[marTDH](/artists/marcelo-soria-rodriguez/martdh/) · dashboard"
  },
  "socials": {
    "website": "https://www.iillucid.com",
    "x": "@msoriaro",
    "instagram": "msoriaro"
  },
  "profile_image_url": "https://pbs.twimg.com/profile_images/1554892401906524160/YtPTTOeI_400x400.jpg",
  "profile_image_source": "https://x.com/msoriaro",
  "works": [
    {
      "name": "entretiempos",
      "editions": 1000,
      "supply": 1000,
      "artblocks_slug": "entretiempos-by-marcelo-soria-rodriguez",
      "url": "https://www.artblocks.io/collection/entretiempos-by-marcelo-soria-rodriguez"
    },
    {
      "name": "siempre en mí, siempre en ti",
      "editions": 200,
      "supply": 200,
      "artblocks_slug": "siempre-en-mi-siempre-en-ti-by-marcelo-soria-rodriguez",
      "url": "https://www.artblocks.io/collection/siempre-en-mi-siempre-en-ti-by-marcelo-soria-rodriguez"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "Marcelo Soria-Rodríguez approaches generative art through a question larger than visual variation: what kinds of knowledge, feeling, and agency become possible when humans and machines make things together? Born in Almería in 1977 and based in Madrid, he studied Telecommunications Engineering and Signal Processing before working in innovation, strategy, and data. That technical history matters, but it does not reduce his art to an illustration of computation. His systems are constructed as spaces of encounter, places where programmed constraints meet contingency, cultural memory, and the viewer’s own habits of recognition.",
        "His account of becoming an artist moves between early encounters with twentieth-century abstraction, experiments with oscilloscopes and Matlab, photography, Processing, and a return to sustained creative coding during the 2020 lockdown. The resulting practice is deliberately porous. Painting informs software; music supplies models of repetition and counterpoint; code produces images that can become prints or moving works; essays provide another medium for testing ideas. What joins these activities is an interest in the “total cognitive space” of a system, the full but never entirely graspable range of forms and interactions latent within a set of rules.",
        "> Soria-Rodríguez does not ask code merely to multiply pictures. He uses it to make relationships visible: between moments, between people, and between human intention and machine behavior."
      ]
    },
    {
      "heading": "Between modernism and machine time",
      "paragraphs": [
        "*entretiempos* began with the visual language of Sonia Delaunay: circles, intersecting geometries, juxtaposed colors, and the rhythmic construction of abstraction. Soria-Rodríguez has described the work as emerging from concentric rings and the shapes produced where they overlap. Yet the project is not a digital imitation of a historical style. It takes modernist abstraction as a vocabulary that can be stretched across a computational parameter space. Rings vary in scale and grouping; surfaces can appear solid, lined, or outlined; palettes, backgrounds, precision, and spatial organization shift from output to output.",
        "That translation changes the status of the image. A painted composition presents one resolved arrangement. A generative program holds many possible arrangements and makes each visible through execution. The official Art Blocks record identifies *entretiempos* as an Art Blocks Curated release comprising 1,000 unique artworks, released on 14 February 2022. Its scale is therefore both numerical and conceptual: 1,000 editions disclose only selected positions within a much larger field of potential outcomes.",
        "The title, meaning “between times,” directs attention away from the final frame and toward the intervals of computation. Soria-Rodríguez has connected the project to multiple timescales, including the time required for a work to render and the intermediate stages generated along the way. This concern makes animation and process structurally significant. Forms do not simply occupy space; they register different rates of arrival, transformation, and disappearance. Musical concepts enter the system as descriptions of temporal form and spatial tempo, reinforcing the sense that an output can be read like a score whose voices coexist without collapsing into unison.",
        "The historical reference consequently becomes active rather than reverential. Orphism’s colored rhythms meet the procedural duration of software. The circle functions simultaneously as motif, rule, intersection, and event. Soria-Rodríguez has located his influences among Sonia and Robert Delaunay, Kandinsky, Kupka, Hilma af Klint, Suprematism, early computer art, minimalist music, and the visual cultures of Flash and the demo scene. These sources are not flattened into a single genealogy. They become materials placed under pressure by a medium capable of repetition without exact recurrence."
      ]
    },
    {
      "heading": "Systems that remember",
      "paragraphs": [
        "If *entretiempos* foregrounds historical and computational time, *siempre en mí, siempre en ti* turns generative structure toward memory, degeneration, and care. The work belongs to reGEN, an Art Blocks initiative supporting Cure Alzheimer’s Fund. Five artists each created 200 works, making 1,000 NFTs across the initiative, with proceeds directed to the fund. Soria-Rodríguez’s contribution consists of exactly 200 editions and was released through Art Blocks Presents on 27 October 2023; Art Blocks states that 100 percent of its primary proceeds went to the cause.",
        "The project’s title, “always in me, always in you,” proposes memory as relational rather than privately stored. Identity persists through another person’s gestures, recollections, and acts of attention, even when an individual’s access to memory changes. Within this frame, generative variation carries an ethical charge. Difference is not an error to be corrected, and instability is not merely an aesthetic effect. Both become conditions through which a system can model continuity without demanding sameness.",
        "Formally, the animated work projects faces that fade, wave, and remain unstable. Some smile and some appear sad; colored geometries carry dreams, memories, fears, and recurring thoughts, while facial construction lines move with them. Multiple faces can appear, and viewers can pause the motion or type `youinme` to reveal the project’s relational view. These are not decorative effects applied to the theme. They make persistence and disappearance part of the work’s behavior.",
        "Soria-Rodríguez has spoken openly about family experiences of Parkinson’s and Alzheimer’s diseases, placing this work within a longer sequence that includes *all that remains* and the 2025 project *above/beneath all & all above/beneath*. That sequence expands the stakes of his earlier inquiries into machine cognition. The question is no longer only whether a synthetic system might exhibit something recognizable as taste or emotion. It is also whether computational art can help audiences approach vulnerability, dependence, and the forms of knowledge carried by bodies and relationships.",
        "This shift does not abandon abstraction. It gives abstraction a different task. Faces cohere and dissolve through change, persistence, fragmentation, and mutual implication. Successive transformations let one state remain legible inside another. The resulting image is less a diagram of neurological degeneration than a meditation on what remains transmissible between people."
      ]
    },
    {
      "heading": "From parameter space to social space",
      "paragraphs": [
        "Soria-Rodríguez’s work repeatedly tests the boundary between a system’s formal space and its social consequences. His earlier career included building data practices for large financial institutions, an experience that gave him direct knowledge of how code organizes decisions beyond the screen. In his art, this awareness appears as skepticism toward the fiction that technical systems are neutral. Parameters encode priorities. Interfaces distribute agency. Even a visual algorithm carries assumptions about what should vary, what should remain fixed, and what becomes visible.",
        "His collaborations and exhibitions extend this relational logic. *PAL*, made with Iskra Velitchkova, was presented as a four-day generative performance during ART SG in January 2023. A 2024 event at Espacio Fundación Telefónica placed him in a public conversation about work moving between physical and virtual conditions. The Museum of the Moving Image later presented his practice to audiences through a community-curation selection for its Schlosser Media Wall, describing an approach led by exploration, experimentation, and curiosity. Each context emphasizes that generative art is not confined to the minted output. It moves among code, display architecture, performance, conversation, collecting, and institutional interpretation.",
        "Two current Art Blocks contexts extend that breadth. His 2024 Studio project *variaciones del yo* remains available, with Art Blocks listing 71 of its 125 works as remaining on July 11, 2026. At the same time, *entretiempos* is on view in *EMULATION: Selections from the Art Blocks 500* at the Museum of Art + Light. Art Blocks identifies the artist and project, while the museum lists the exhibition through August 16, 2026. That curatorial premise is especially apt. Soria-Rodríguez’s work does not treat computation as a rupture with the past. It treats code as one more cultural technique through which inherited languages can be replayed, questioned, and made newly responsive.",
        "His most compelling systems therefore remain unresolved in a productive sense. They are precise constructions designed to produce circumstances the artist cannot fully predict. They join technical authorship to an acceptance of contingency, then connect that contingency to questions of emotion and responsibility. Across *entretiempos* and *siempre en mí, siempre en ti*, variation becomes more than abundance. It becomes a method for thinking about how forms endure through change, how one state carries another within it, and how human meaning can arise in the interval between rule and result."
      ]
    }
  ],
  "body_markdown": "Marcelo Soria-Rodríguez approaches generative art through a question larger than visual variation: what kinds of knowledge, feeling, and agency become possible when humans and machines make things together? Born in Almería in 1977 and based in Madrid, he studied Telecommunications Engineering and Signal Processing before working in innovation, strategy, and data. That technical history matters, but it does not reduce his art to an illustration of computation. His systems are constructed as spaces of encounter, places where programmed constraints meet contingency, cultural memory, and the viewer’s own habits of recognition.\n\nHis account of becoming an artist moves between early encounters with twentieth-century abstraction, experiments with oscilloscopes and Matlab, photography, Processing, and a return to sustained creative coding during the 2020 lockdown. The resulting practice is deliberately porous. Painting informs software; music supplies models of repetition and counterpoint; code produces images that can become prints or moving works; essays provide another medium for testing ideas. What joins these activities is an interest in the “total cognitive space” of a system, the full but never entirely graspable range of forms and interactions latent within a set of rules.\n\n> Soria-Rodríguez does not ask code merely to multiply pictures. He uses it to make relationships visible: between moments, between people, and between human intention and machine behavior.\n\n## Between modernism and machine time\n\n*entretiempos* began with the visual language of Sonia Delaunay: circles, intersecting geometries, juxtaposed colors, and the rhythmic construction of abstraction. Soria-Rodríguez has described the work as emerging from concentric rings and the shapes produced where they overlap. Yet the project is not a digital imitation of a historical style. It takes modernist abstraction as a vocabulary that can be stretched across a computational parameter space. Rings vary in scale and grouping; surfaces can appear solid, lined, or outlined; palettes, backgrounds, precision, and spatial organization shift from output to output.\n\nThat translation changes the status of the image. A painted composition presents one resolved arrangement. A generative program holds many possible arrangements and makes each visible through execution. The official Art Blocks record identifies *entretiempos* as an Art Blocks Curated release comprising 1,000 unique artworks, released on 14 February 2022. Its scale is therefore both numerical and conceptual: 1,000 editions disclose only selected positions within a much larger field of potential outcomes.\n\nThe title, meaning “between times,” directs attention away from the final frame and toward the intervals of computation. Soria-Rodríguez has connected the project to multiple timescales, including the time required for a work to render and the intermediate stages generated along the way. This concern makes animation and process structurally significant. Forms do not simply occupy space; they register different rates of arrival, transformation, and disappearance. Musical concepts enter the system as descriptions of temporal form and spatial tempo, reinforcing the sense that an output can be read like a score whose voices coexist without collapsing into unison.\n\nThe historical reference consequently becomes active rather than reverential. Orphism’s colored rhythms meet the procedural duration of software. The circle functions simultaneously as motif, rule, intersection, and event. Soria-Rodríguez has located his influences among Sonia and Robert Delaunay, Kandinsky, Kupka, Hilma af Klint, Suprematism, early computer art, minimalist music, and the visual cultures of Flash and the demo scene. These sources are not flattened into a single genealogy. They become materials placed under pressure by a medium capable of repetition without exact recurrence.\n\n## Systems that remember\n\nIf *entretiempos* foregrounds historical and computational time, *siempre en mí, siempre en ti* turns generative structure toward memory, degeneration, and care. The work belongs to reGEN, an Art Blocks initiative supporting Cure Alzheimer’s Fund. Five artists each created 200 works, making 1,000 NFTs across the initiative, with proceeds directed to the fund. Soria-Rodríguez’s contribution consists of exactly 200 editions and was released through Art Blocks Presents on 27 October 2023; Art Blocks states that 100 percent of its primary proceeds went to the cause.\n\nThe project’s title, “always in me, always in you,” proposes memory as relational rather than privately stored. Identity persists through another person’s gestures, recollections, and acts of attention, even when an individual’s access to memory changes. Within this frame, generative variation carries an ethical charge. Difference is not an error to be corrected, and instability is not merely an aesthetic effect. Both become conditions through which a system can model continuity without demanding sameness.\n\nFormally, the animated work projects faces that fade, wave, and remain unstable. Some smile and some appear sad; colored geometries carry dreams, memories, fears, and recurring thoughts, while facial construction lines move with them. Multiple faces can appear, and viewers can pause the motion or type `youinme` to reveal the project’s relational view. These are not decorative effects applied to the theme. They make persistence and disappearance part of the work’s behavior.\n\nSoria-Rodríguez has spoken openly about family experiences of Parkinson’s and Alzheimer’s diseases, placing this work within a longer sequence that includes *all that remains* and the 2025 project *above/beneath all & all above/beneath*. That sequence expands the stakes of his earlier inquiries into machine cognition. The question is no longer only whether a synthetic system might exhibit something recognizable as taste or emotion. It is also whether computational art can help audiences approach vulnerability, dependence, and the forms of knowledge carried by bodies and relationships.\n\nThis shift does not abandon abstraction. It gives abstraction a different task. Faces cohere and dissolve through change, persistence, fragmentation, and mutual implication. Successive transformations let one state remain legible inside another. The resulting image is less a diagram of neurological degeneration than a meditation on what remains transmissible between people.\n\n## From parameter space to social space\n\nSoria-Rodríguez’s work repeatedly tests the boundary between a system’s formal space and its social consequences. His earlier career included building data practices for large financial institutions, an experience that gave him direct knowledge of how code organizes decisions beyond the screen. In his art, this awareness appears as skepticism toward the fiction that technical systems are neutral. Parameters encode priorities. Interfaces distribute agency. Even a visual algorithm carries assumptions about what should vary, what should remain fixed, and what becomes visible.\n\nHis collaborations and exhibitions extend this relational logic. *PAL*, made with Iskra Velitchkova, was presented as a four-day generative performance during ART SG in January 2023. A 2024 event at Espacio Fundación Telefónica placed him in a public conversation about work moving between physical and virtual conditions. The Museum of the Moving Image later presented his practice to audiences through a community-curation selection for its Schlosser Media Wall, describing an approach led by exploration, experimentation, and curiosity. Each context emphasizes that generative art is not confined to the minted output. It moves among code, display architecture, performance, conversation, collecting, and institutional interpretation.\n\nTwo current Art Blocks contexts extend that breadth. His 2024 Studio project *variaciones del yo* remains available, with Art Blocks listing 71 of its 125 works as remaining on July 11, 2026. At the same time, *entretiempos* is on view in *EMULATION: Selections from the Art Blocks 500* at the Museum of Art + Light. Art Blocks identifies the artist and project, while the museum lists the exhibition through August 16, 2026. That curatorial premise is especially apt. Soria-Rodríguez’s work does not treat computation as a rupture with the past. It treats code as one more cultural technique through which inherited languages can be replayed, questioned, and made newly responsive.\n\nHis most compelling systems therefore remain unresolved in a productive sense. They are precise constructions designed to produce circumstances the artist cannot fully predict. They join technical authorship to an acceptance of contingency, then connect that contingency to questions of emotion and responsibility. Across *entretiempos* and *siempre en mí, siempre en ti*, variation becomes more than abundance. It becomes a method for thinking about how forms endure through change, how one state carries another within it, and how human meaning can arise in the interval between rule and result.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000000.png",
      "title": "entretiempos #0",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000111.png",
      "title": "entretiempos #111",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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    {
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      "title": "entretiempos #222",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000333.png",
      "title": "entretiempos #333",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000444.png",
      "title": "entretiempos #444",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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      "title": "entretiempos #555",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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      "title": "entretiempos #666",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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      "title": "entretiempos #777",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
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      "title": "entretiempos #888",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000999.png",
      "title": "entretiempos #999",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/477000066.png",
      "title": "siempre en mí, siempre en ti #66",
      "caption": "2023",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "Art Blocks records Soria-Rodríguez’s 1977 birth in Almería, Madrid base, engineering background, and human-machine practice.",
      "url": "https://www.artblocks.io/artists/marcelo-soria-rodriguez",
      "label": "Art Blocks profile"
    },
    {
      "n": 2,
      "note": "Art Blocks interviews the artist about his technical formation, artistic influences, and the development and temporal mechanics of entretiempos.",
      "url": "https://www.artblocks.io/articles/in-conversation-with-marcelo-soria-rodriguez",
      "label": "Art Blocks interview"
    },
    {
      "n": 3,
      "note": "The Generative Art Museum profiles his interest in the total cognitive space of systems and human-machine relations.",
      "url": "https://tgam.xyz/artist/msoriaro",
      "label": "TGAM profile"
    },
    {
      "n": 4,
      "note": "The artist’s Right Click Save essay details his modernist, musical, technological, and generative influences and explains the parameters of entretiempos.",
      "url": "https://www.rightclicksave.com/article/the-generative-art-of-marcelo-soria-rodriguez",
      "label": "Right Click Save essay"
    },
    {
      "n": 5,
      "note": "The official Art Blocks record identifies entretiempos as a 1,000-work Curated collection released on 14 February 2022.",
      "url": "https://www.artblocks.io/collection/entretiempos-by-marcelo-soria-rodriguez",
      "label": "Art Blocks collection"
    },
    {
      "n": 6,
      "note": "The artist’s own project essay documents entretiempos’s time-scale premise, visual parameters, interactions, and controls.",
      "url": "https://www.iillucid.com/entretiempos/",
      "label": "artist project essay"
    },
    {
      "n": 7,
      "note": "Right Click Save documents reGEN’s five artists, 1,000 total NFTs, and fundraising purpose for Cure Alzheimer’s Fund.",
      "url": "https://www.rightclicksave.com/article/regen-generative-artists-fighting-degenerative-diseases-artist-interview-alzheimers",
      "label": "reGEN interview"
    },
    {
      "n": 8,
      "note": "The official Art Blocks record identifies siempre en mí, siempre en ti as a 200-work Presents collection released on 27 October 2023 and documents its animated faces, controls, and charitable terms.",
      "url": "https://www.artblocks.io/collection/siempre-en-mi-siempre-en-ti-by-marcelo-soria-rodriguez",
      "label": "Art Blocks collection"
    },
    {
      "n": 9,
      "note": "Right Click Save’s 2025 interview connects the artist’s work on degeneration and empathy to family experiences, his banking and data career, and variaciones del yo.",
      "url": "https://www.rightclicksave.com/article/caring-code-marcelo-soria-rodriguez-interview",
      "label": "Caring Code"
    },
    {
      "n": 10,
      "note": "Kate Vass Galerie documents PAL as a four-day generative performance during ART SG in January 2023.",
      "url": "https://www.katevassgalerie.com/marcelo-soriarodrguez",
      "label": "Kate Vass Galerie"
    },
    {
      "n": 11,
      "note": "Espacio Fundación Telefónica documents the artist’s participation in a January 2024 discussion accompanying Mundo expandido.",
      "url": "https://espacio.fundaciontelefonica.com/evento/re-generacion-3-0/",
      "label": "Fundación Telefónica"
    },
    {
      "n": 12,
      "note": "Museum of the Moving Image presents Soria-Rodríguez and his work in its Schlosser Media Wall community-curation selection.",
      "url": "https://movingimage.org/whats-on/temporary-exhibitions/choose-the-next-artist/",
      "label": "MoMI"
    },
    {
      "n": 13,
      "note": "Art Blocks’ current Studio listing identifies variaciones del yo as a 125-work project and shows works still available.",
      "url": "https://www.artblocks.io/collection/variaciones-del-yo-by-marcelo-soria-rodriguez",
      "label": "Art Blocks Studio"
    },
    {
      "n": 14,
      "note": "Art Blocks identifies entretiempos in the 2026 Museum of Art + Light exhibition EMULATION and gives its closing date.",
      "url": "https://www.artblocks.io/articles/ab500-moal",
      "label": "Art Blocks and MoA+L"
    },
    {
      "n": 15,
      "note": "The Museum of Art + Light lists EMULATION among its current exhibitions through August 16, 2026.",
      "url": "https://artlightmuseum.org/",
      "label": "Museum of Art + Light"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "The official record identifies entretiempos as a 1,000-work Curated collection released in 2022.",
          "url": "https://www.artblocks.io/collection/entretiempos-by-marcelo-soria-rodriguez",
          "label": "entretiempos",
          "meta": "collection · 2022"
        },
        {
          "note": "The official record identifies siempre en mí, siempre en ti as a 200-work Presents collection released in 2023 and documents its behavior.",
          "url": "https://www.artblocks.io/collection/siempre-en-mi-siempre-en-ti-by-marcelo-soria-rodriguez",
          "label": "siempre en mí, siempre en ti",
          "meta": "collection · 2023"
        },
        {
          "note": "Art Blocks’ artist profile verifies Soria-Rodríguez’s identity, engineering background, and recent projects.",
          "url": "https://www.artblocks.io/artists/marcelo-soria-rodriguez",
          "label": "Marcelo Soria-Rodríguez",
          "meta": "artist profile · current"
        },
        {
          "note": "The Studio listing documents variaciones del yo and shows works still available.",
          "url": "https://www.artblocks.io/collection/variaciones-del-yo-by-marcelo-soria-rodriguez",
          "label": "variaciones del yo",
          "meta": "collection · current"
        },
        {
          "note": "Art Blocks places entretiempos in the Museum of Art + Light’s AB500 exhibition.",
          "url": "https://www.artblocks.io/articles/ab500-moal",
          "label": "EMULATION",
          "meta": "exhibition announcement · 2026"
        }
      ]
    },
    {
      "category": "Artist documentation",
      "entries": [
        {
          "note": "Soria-Rodríguez’s project essay details entretiempos’s time-scale premise, parameters, progressive painting, and viewer controls.",
          "url": "https://www.iillucid.com/entretiempos/",
          "label": "entretiempos",
          "meta": "artist essay · 2021"
        }
      ]
    },
    {
      "category": "Interviews",
      "entries": [
        {
          "note": "Art Blocks discusses the artist’s background, influences, and the construction of entretiempos.",
          "url": "https://www.artblocks.io/articles/in-conversation-with-marcelo-soria-rodriguez",
          "label": "In Conversation",
          "meta": "interview · 2022"
        },
        {
          "note": "Right Click Save discusses code, care, degeneration, and machine empathy with the artist.",
          "url": "https://www.rightclicksave.com/article/caring-code-marcelo-soria-rodriguez-interview",
          "label": "Caring Code",
          "meta": "interview · 2025"
        },
        {
          "note": "NFT Now interviews Soria-Rodríguez about NFTs, hand-coded algorithms, emotion, and technology.",
          "url": "https://nftnow.com/next-up/next-up-marcelo-soria-rodriguez-on-emotions-machines-and-art/",
          "label": "Next Up",
          "meta": "interview · 2023"
        },
        {
          "note": "Bright Moments publishes a conversation about on-chain art, abstraction, and social relations.",
          "url": "https://www.brightmoments.io/quarterly/marcelo-soria-rodriguez",
          "label": "Lo que no está",
          "meta": "interview · 2022"
        },
        {
          "note": "Verse considers memory, movement, and systems with the artist.",
          "url": "https://verse.works/journal/centrifugal",
          "label": "Centrifugal Ways",
          "meta": "interview · 2025"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "Right Click Save publishes the artist’s critical genealogy of his generative practice.",
          "url": "https://www.rightclicksave.com/article/the-generative-art-of-marcelo-soria-rodriguez",
          "label": "The Generative Art of Marcelo Soria-Rodriguez",
          "meta": "essay · 2023"
        },
        {
          "note": "Fisheye Immersive examines imperfection, illness, care, and invisible processes in his 2025 work.",
          "url": "https://fisheyeimmersive.com/article/marcelo-soria-rodriguez-limperfection-au-coeur-de-lart-generatif/",
          "label": "L’imperfection au cœur de l’art génératif",
          "meta": "criticism · 2025"
        },
        {
          "note": "Right Click Save presents reGEN’s artists and its support for Cure Alzheimer’s Fund.",
          "url": "https://www.rightclicksave.com/article/regen-generative-artists-fighting-degenerative-diseases-artist-interview-alzheimers",
          "label": "reGEN",
          "meta": "group interview · 2023"
        }
      ]
    },
    {
      "category": "Museums and institutions",
      "entries": [
        {
          "note": "Museum of the Moving Image presents Soria-Rodríguez in its Schlosser Media Wall selection.",
          "url": "https://movingimage.org/whats-on/temporary-exhibitions/choose-the-next-artist/",
          "label": "Choose the Next Artist",
          "meta": "museum presentation · 2023"
        },
        {
          "note": "Espacio Fundación Telefónica hosts him in a public program on physical and virtual art.",
          "url": "https://espacio.fundaciontelefonica.com/evento/re-generacion-3-0/",
          "label": "Re-generación 3.0",
          "meta": "institutional talk · 2024"
        },
        {
          "note": "The Generative Art Museum profiles his concept of a system’s total cognitive space.",
          "url": "https://tgam.xyz/artist/msoriaro",
          "label": "Marcelo Soria-Rodríguez",
          "meta": "museum profile · 2022"
        },
        {
          "note": "The Museum of Art + Light lists EMULATION as a current exhibition through August 16, 2026.",
          "url": "https://artlightmuseum.org/",
          "label": "EMULATION",
          "meta": "current exhibition · 2026"
        }
      ]
    },
    {
      "category": "Galleries and exhibitions",
      "entries": [
        {
          "note": "Kate Vass Galerie documents PAL as a four-day generative performance during ART SG.",
          "url": "https://www.katevassgalerie.com/marcelo-soriarodrguez",
          "label": "PAL",
          "meta": "gallery documentation · 2023"
        },
        {
          "note": "Heft Gallery presents a solo project on AI models trained from the artist’s hand-coded systems.",
          "url": "https://heftgallery.com/exhibition/non-quantum-superpositions-of-human-machine-emotional-states",
          "label": "Non-quantum superpositions",
          "meta": "exhibition · 2025"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Raster aggregates Marcelo Soria-Rodríguez's tokenized works across platforms.",
          "url": "https://www.raster.art/artist/marcelo-soria-rodriguez",
          "label": "Raster",
          "meta": "profile · ongoing"
        }
      ]
    }
  ],
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    "date": "2026-07-11",
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  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
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    "url": "https://ab5d.xyz/artists/marcelo-soria-rodriguez/",
    "cite": "AB5D, \"Marcelo Soria-Rodríguez\", AB[500] artist dossier, ab5d.xyz, 2026",
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}