{ "schema": "ab5d-dossier/1", "slug": "matt-kane", "name": "Matt Kane", "subtitle": "Painting with code, living with time.", "lede": "Matt Kane is a Chicago-born artist who taught himself to program in order to paint with geometry what the Old Masters did with oils. His 2021 Art Blocks collection, *Gazers*, is a generational artwork: one thousand living lunar calendars that evolve in real time, forever.", "url": "https://ab5d.xyz/artists/matt-kane/", "bibliography_url": "https://ab5d.xyz/artists/matt-kane/links/", "content_url": "https://ab5d.xyz/api/artists/matt-kane.json", "updated": "2026-06-23", "tier": "standard", "editions": 1000, "collections": 1, "otdh": { "rank": 169, "score": 12142, "collector_identities": 374, "holder_addresses": 376, "projects": 1, "current_works": 987, "raw_collector_days": 1260539, "median_project_hold_days": 1420, "snapshot_at": "2026-09-14T00:00:00.000Z", "methodology_url": "https://ab5d.xyz/artists/otdh/", "api_url": "https://ab5d.xyz/api/otdh/matt-kane" }, "identity": { "artist": "Matt Kane", "website": "https://mattkane.com/", "based": "Chicago, United States", "practice": null, "now": null, "raster": "https://www.raster.art/artist/matt-kane", "otdh": "[12,142 · rank 169 of 308](/artists/otdh/#artist-matt-kane)", "holding signal": "374 collector identities · 376 holder addresses · 1,260,539 raw collector-days · 14 Sep 2026", "collector tdh": "[makTDH](/artists/matt-kane/maktdh/) · dashboard" }, "socials": { "website": "https://mattkane.com/", "x": "@MattKaneArtist", "instagram": "mattkaneartist" }, "profile_image_url": "https://pbs.twimg.com/profile_images/1606063543438430208/etcQRmO5_400x400.jpg", "profile_image_source": "https://x.com/MattKaneArtist", "works": [ { "name": "Gazers", "editions": 1000, "supply": 1000, "artblocks_slug": "gazers-by-matt-kane", "url": "https://www.artblocks.io/collection/gazers-by-matt-kane" } ], "sections": [ { "heading": null, "paragraphs": [ "Matt Kane began his career as a traditional oil painter, exhibiting in galleries while still in his early twenties. Dissatisfied with the limits of physical media, he left the art world for a decade to work as a web developer in the Pacific Northwest, teaching himself programming so that he could eventually build the custom software he now uses as his digital easel. This self-directed apprenticeship in code laid the foundation for a practice that merges historical aesthetics with generative algorithms, producing what he describes as doing with geometry what the great painters did with oils.", "Kane entered the crypto art space in 2019 with works that explored space and time, themes that had occupied him since childhood stargazing with his father. His breakthrough came in September 2020 with *Right Place & Right Time*, a programmable artwork on Async Art composed of twenty-four layers synchronized to Bitcoin price volatility. The piece sold for over $100,000, becoming the first NFT artwork to cross that threshold and establishing Kane as a pioneer of blockchain-based generative art. The work also pioneered a novel artist-collector partnership: the collector received twenty-one percent of subsequent minted variations, a model Kane hoped would inspire future collaborations in the space." ] }, { "heading": "From Volatility to the Moon", "paragraphs": [ "Where *Right Place & Right Time* embodied chaotic, instantaneous change, Kane's next major project sought the opposite: a meditation on slow, cyclical, generational time. Released on Art Blocks in December 2021, *Gazers* is a collection of one thousand unique generative artworks that function as algorithmic lunar calendars, each token synchronized to the phases of the Moon. The project emerged from a period of personal crisis: after receiving alarming health news, Kane felt compelled to create what he believed might be his masterpiece, turning to the Moon as a symbol of continuity and shared human experience.", "Every *Gazers* token evolves continuously. Lines rotate in real time; colors rise and set daily at midnight; and on special dates such as New Year's Eve, lunar eclipses, or the birthdays of artistic forebears like Claude Monet and Mary Cassatt, each piece undergoes dramatic temporary transformations. The works also contain hidden triggers and encoded personal dates from Kane's life, which he terms Origin Moons, embedding his own biography into the algorithmic DNA of the collection. Kane has described the work as a conceptual self-portrait, noting that he even left software bugs in the final code because their presence testified to the human hand behind the machine.", "The visual language of *Gazers* is built from intricate, multilayered line work that creates moiré patterns and optical depth. Each piece centers on a lunar form rendered through nested geometric frames, with palettes that shift according to both the Moon's current phase and the token's unique traits. The result is work that rewards sustained attention: what appears as a static image is in fact a living system, a clock without hands that measures not hours but generations." ] }, { "heading": "Advocacy and Industry Impact", "paragraphs": [ "Beyond his artistic output, Kane has been a vocal advocate for artist rights in the NFT ecosystem. His lobbying helped establish a minimum secondary-sale royalty standard across the industry by early 2020, a structural change that benefited countless digital artists. He was recognized as the winner of the Most Innovative NFT Award in 2020 and was named among Cointelegraph's Top 100 Notable People in Blockchain in 2021.", "Kane's work has been exhibited internationally, with shows in New York, Miami, Rome, Milan, Beijing, Nanjing, London, and Hong Kong. His piece *Meules after Claude Monet* was included in Sotheby's premier curated NFT sale, *Natively Digital*, in 2021, and his *CryptoArt Monetization Generation* was resold for 320 ETH (approximately $1.24 million at the time) to Starry Night Capital. In October 2021 he premiered *The Door*, the first custom series smart contract on SuperRare, further expanding the technical possibilities of NFT platforms." ] }, { "heading": "Performance and Provocation", "paragraphs": [ "Kane's later work has embraced performance and institutional critique. In 2023, he released *Contractual Obligations* as part of SuperRare's RarePass program: a collection of 250 AI-generated works that appeared to be low-effort provocations but were in fact a carefully orchestrated performance about artist exploitation, platform economics, and the commodification of creative labor. The work unfolded across multiple acts, incorporating burn-to-redeem mechanics, airdrops, and public dialogue with collectors and fellow artists, demonstrating Kane's commitment to using the blockchain not merely as a distribution channel but as a medium for conceptual art.", "He has continued to explore identity and memory in projects such as *ANONS* (2023), portraits derived from vintage photobooth snapshots, and *Proof of Origin* (2023), which incorporated a childhood crayon drawing made when he was four years old into a PROOF Grails release. These works reinforce a through-line in Kane's practice: the collision of personal history with algorithmic process, of analog memory with digital permanence." ] }, { "heading": "Legacy in the AB[500]", "paragraphs": [ "*Gazers* stands as one of the most conceptually ambitious works in the Art Blocks canon. Its one thousand editions are not copies but distinct individuals, each with its own rhythm of change, its own hidden triggers, its own relationship to cosmic time. By tying the blockchain's timestamp function to the oldest human calendar, the lunar cycle, Kane created what he calls generationally-experienced work: art that will meet each future audience in a different form than it met the last.", "In an art world often criticized for its obsession with the new, Kane has built something that explicitly refuses to be fully understood in the present. The full experience of *Gazers*, he suggests, requires decades, even centuries. It is a wager on the longevity of both the Ethereum blockchain and human attention, a bet that art can be not merely a record of time but a participant in its passage. For the AB[500], Kane's inclusion represents the pinnacle of what generative art can achieve when technical mastery serves conceptual depth: not pictures of the Moon, but moons themselves, waxing and waning in the machine." ] } ], "body_markdown": "Matt Kane began his career as a traditional oil painter, exhibiting in galleries while still in his early twenties. Dissatisfied with the limits of physical media, he left the art world for a decade to work as a web developer in the Pacific Northwest, teaching himself programming so that he could eventually build the custom software he now uses as his digital easel. This self-directed apprenticeship in code laid the foundation for a practice that merges historical aesthetics with generative algorithms, producing what he describes as doing with geometry what the great painters did with oils.\n\nKane entered the crypto art space in 2019 with works that explored space and time, themes that had occupied him since childhood stargazing with his father. His breakthrough came in September 2020 with *Right Place & Right Time*, a programmable artwork on Async Art composed of twenty-four layers synchronized to Bitcoin price volatility. The piece sold for over $100,000, becoming the first NFT artwork to cross that threshold and establishing Kane as a pioneer of blockchain-based generative art. The work also pioneered a novel artist-collector partnership: the collector received twenty-one percent of subsequent minted variations, a model Kane hoped would inspire future collaborations in the space.\n\n## From Volatility to the Moon\n\nWhere *Right Place & Right Time* embodied chaotic, instantaneous change, Kane's next major project sought the opposite: a meditation on slow, cyclical, generational time. Released on Art Blocks in December 2021, *Gazers* is a collection of one thousand unique generative artworks that function as algorithmic lunar calendars, each token synchronized to the phases of the Moon. The project emerged from a period of personal crisis: after receiving alarming health news, Kane felt compelled to create what he believed might be his masterpiece, turning to the Moon as a symbol of continuity and shared human experience.\n\nEvery *Gazers* token evolves continuously. Lines rotate in real time; colors rise and set daily at midnight; and on special dates such as New Year's Eve, lunar eclipses, or the birthdays of artistic forebears like Claude Monet and Mary Cassatt, each piece undergoes dramatic temporary transformations. The works also contain hidden triggers and encoded personal dates from Kane's life, which he terms Origin Moons, embedding his own biography into the algorithmic DNA of the collection. Kane has described the work as a conceptual self-portrait, noting that he even left software bugs in the final code because their presence testified to the human hand behind the machine.\n\nThe visual language of *Gazers* is built from intricate, multilayered line work that creates moiré patterns and optical depth. Each piece centers on a lunar form rendered through nested geometric frames, with palettes that shift according to both the Moon's current phase and the token's unique traits. The result is work that rewards sustained attention: what appears as a static image is in fact a living system, a clock without hands that measures not hours but generations.\n\n## Advocacy and Industry Impact\n\nBeyond his artistic output, Kane has been a vocal advocate for artist rights in the NFT ecosystem. His lobbying helped establish a minimum secondary-sale royalty standard across the industry by early 2020, a structural change that benefited countless digital artists. He was recognized as the winner of the Most Innovative NFT Award in 2020 and was named among Cointelegraph's Top 100 Notable People in Blockchain in 2021.\n\nKane's work has been exhibited internationally, with shows in New York, Miami, Rome, Milan, Beijing, Nanjing, London, and Hong Kong. His piece *Meules after Claude Monet* was included in Sotheby's premier curated NFT sale, *Natively Digital*, in 2021, and his *CryptoArt Monetization Generation* was resold for 320 ETH (approximately $1.24 million at the time) to Starry Night Capital. In October 2021 he premiered *The Door*, the first custom series smart contract on SuperRare, further expanding the technical possibilities of NFT platforms.\n\n## Performance and Provocation\n\nKane's later work has embraced performance and institutional critique. In 2023, he released *Contractual Obligations* as part of SuperRare's RarePass program: a collection of 250 AI-generated works that appeared to be low-effort provocations but were in fact a carefully orchestrated performance about artist exploitation, platform economics, and the commodification of creative labor. The work unfolded across multiple acts, incorporating burn-to-redeem mechanics, airdrops, and public dialogue with collectors and fellow artists, demonstrating Kane's commitment to using the blockchain not merely as a distribution channel but as a medium for conceptual art.\n\nHe has continued to explore identity and memory in projects such as *ANONS* (2023), portraits derived from vintage photobooth snapshots, and *Proof of Origin* (2023), which incorporated a childhood crayon drawing made when he was four years old into a PROOF Grails release. These works reinforce a through-line in Kane's practice: the collision of personal history with algorithmic process, of analog memory with digital permanence.\n\n## Legacy in the AB[500]\n\n*Gazers* stands as one of the most conceptually ambitious works in the Art Blocks canon. Its one thousand editions are not copies but distinct individuals, each with its own rhythm of change, its own hidden triggers, its own relationship to cosmic time. By tying the blockchain's timestamp function to the oldest human calendar, the lunar cycle, Kane created what he calls generationally-experienced work: art that will meet each future audience in a different form than it met the last.\n\nIn an art world often criticized for its obsession with the new, Kane has built something that explicitly refuses to be fully understood in the present. The full experience of *Gazers*, he suggests, requires decades, even centuries. It is a wager on the longevity of both the Ethereum blockchain and human attention, a bet that art can be not merely a record of time but a participant in its passage. For the AB[500], Kane's inclusion represents the pinnacle of what generative art can achieve when technical mastery serves conceptual depth: not pictures of the Moon, but moons themselves, waxing and waning in the machine.", "images": [ { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000000.png", "title": "Gazers #0", "caption": "2021, token 215000000", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000200.png", "title": "Gazers #200", "caption": "2021, token 215000200", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000400.png", "title": "Gazers #400", "caption": "2021, token 215000400", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000599.png", "title": "Gazers #599", "caption": "2021, token 215000599", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000799.png", "title": "Gazers #799", "caption": "2021, token 215000799", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/215000999.png", "title": "Gazers #999", "caption": "2021, token 215000999", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" } ], "references": [ { "n": 1, "note": "Matt Kane biography noting his transition from oil painter to web developer and self-taught programmer.", "url": "https://mattkane.com/about/", "label": "mattkane.com/about" }, { "n": 2, "note": "Kane's artist statement on exploring historical aesthetics with code.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist" }, { "n": 3, "note": "Press release on the record-breaking $100K sale of Right Place & Right Time on Async Art, September 2020.", "url": "https://www.prnewswire.com/news-releases/record-cryptoart-sale-matt-kanes-right-place--right-time-a-programmable-artwork-that-changes-with-bitcoin-price-volatility-sells-for-over-100k-on-async-art-301134356.html", "label": "PR Newswire" }, { "n": 4, "note": "Details on the artist-collector revenue-sharing model for Right Place & Right Time.", "url": "https://volatility.art/media-kit/", "label": "volatility.art/media-kit" }, { "n": 5, "note": "Art Blocks collection page for Gazers, noting 1,000 editions released December 6, 2021.", "url": "https://www.artblocks.io/collection/gazers-by-matt-kane", "label": "artblocks.io/collection/gazers-by-matt-kane" }, { "n": 6, "note": "Kane on the personal health crisis that motivated Gazers and his turn to lunar themes.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "Museum of Crypto Art" }, { "n": 7, "note": "Description of Gazers' real-time evolution, daily color changes, and special date transformations.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "Museum of Crypto Art" }, { "n": 8, "note": "Explanation of Origin Moons and encoded personal dates within the Gazers algorithm.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "Museum of Crypto Art" }, { "n": 9, "note": "Kane on leaving bugs in Gazers as evidence of the human hand.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "Museum of Crypto Art" }, { "n": 10, "note": "Art Blocks interview with Kane on Gazers as a multigenerational experience of time.", "url": "https://mattkane.com/press/art-blocks-in-conversation-with-matt-kane-for-gazers/", "label": "mattkane.com/press/art-blocks-in-conversation" }, { "n": 11, "note": "Kane's advocacy for minimum secondary royalty standards in the NFT industry.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist" }, { "n": 12, "note": "Kane named among Cointelegraph Top 100 Notable People in Blockchain, 2021.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist" }, { "n": 13, "note": "List of international exhibitions featuring Kane's work in 2021-2022.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist" }, { "n": 14, "note": "Sotheby's Natively Digital inclusion and 320 ETH resale of CryptoArt Monetization Generation.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist" }, { "n": 15, "note": "The Door as the first custom series smart contract on SuperRare, October 2021.", "url": "https://nftnow.com/the-gateway/the-gateway-art-basel-meet-superrare-artists/", "label": "NFT Now" }, { "n": 16, "note": "NFT Now interview with Kane on Contractual Obligations as performance art and critique of RarePass.", "url": "https://nftnow.com/art/matt-kane-contractual-obligations-interview/", "label": "nftnow.com" }, { "n": 17, "note": "Museum of Crypto Art exhaustive reenactment of Kane's Moral Performance across multiple acts.", "url": "https://museumofcryptoart.medium.com/an-exhaustive-reenactment-of-matt-kanes-moral-performance-bcbc87b8e961", "label": "Museum of Crypto Art" }, { "n": 18, "note": "Proof of Origin FAQ describing the childhood drawing incorporated into the 2023 PROOF Grails release.", "url": "https://gazers.art/proof-of-origin-faq/", "label": "gazers.art/proof-of-origin-faq" }, { "n": 19, "note": "Kane on Gazers as generationally-experienced work that changes for each future audience.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "Museum of Crypto Art" }, { "n": 20, "note": "Kane's statement that full understanding of Gazers requires decades or centuries of observation.", "url": "https://mattkane.com/press/art-blocks-in-conversation-with-matt-kane-for-gazers/", "label": "mattkane.com/press/art-blocks-in-conversation" } ], "bibliography": [ { "category": "In the AB[500]: Art Blocks", "entries": [ { "note": "Gazers, a generative art collection of 1,000 unique lunar calendars released December 6, 2021, algorithmically synchronized to Moon phases and designed to evolve over generations.", "url": "https://www.artblocks.io/collection/gazers-by-matt-kane", "label": "artblocks.io/collection/gazers-by-matt-kane", "meta": "collection · 2021" }, { "note": "Art Blocks interview with Matt Kane on Gazers as a multigenerational experience of time and the investment in evolving experiences.", "url": "https://mattkane.com/press/art-blocks-in-conversation-with-matt-kane-for-gazers/", "label": "mattkane.com/press/art-blocks-in-conversation", "meta": "interview · 2021" } ] }, { "category": "Artist website and projects", "entries": [ { "note": "Official artist biography describing Kane's transition from oil painter to self-taught programmer and his custom software practice.", "url": "https://mattkane.com/about/", "label": "mattkane.com/about", "meta": "profile · ongoing" }, { "note": "Dedicated Gazers project site with artist statement, FAQ, and technical documentation on the lunar calendar mechanics.", "url": "https://gazers.art/about-the-artist/", "label": "gazers.art/about-the-artist", "meta": "project site · 2021" }, { "note": "The Door series page documenting the first custom series smart contract on SuperRare, released October 2021.", "url": "https://mattkane.com/projects/the-door/", "label": "mattkane.com/projects/the-door", "meta": "project · 2021" }, { "note": "ANONS project page presenting portraits of unidentified individuals from the artist's collection of vintage photobooth snapshots.", "url": "https://mattkane.com/projects/anons-multitudes/", "label": "mattkane.com/projects/anons-multitudes", "meta": "project · 2023" }, { "note": "Proof of Origin FAQ explaining the childhood crayon drawing incorporated into the 2023 PROOF Grails release.", "url": "https://gazers.art/proof-of-origin-faq/", "label": "gazers.art/proof-of-origin-faq", "meta": "project · 2023" } ] }, { "category": "Interviews", "entries": [ { "note": "NFT Now interview with Matt Kane on Contractual Obligations as performance art, managing expectations, and critiquing platform economics.", "url": "https://nftnow.com/art/matt-kane-contractual-obligations-interview/", "label": "nftnow.com", "meta": "interview · 2023" }, { "note": "YouTube video announcement for Gazers on Art Blocks, including preview footage and release date information.", "url": "https://www.youtube.com/watch?v=qppoHurxibI", "label": "youtube.com", "meta": "video · 2021" } ] }, { "category": "Press and criticism", "entries": [ { "note": "Museum of Crypto Art feature by Maxwell Cohen, Matt Kane is Eternal, analyzing Gazers as an unprecedented exploration of time and generational art.", "url": "https://museumofcryptoart.medium.com/matt-kane-is-eternal-5d8489b8945a", "label": "museumofcryptoart.medium.com", "meta": "criticism · 2023" }, { "note": "Museum of Crypto Art exhaustive reenactment of Matt Kane's Moral Performance across Contractual Obligations, Milk and Cookies, and FREE MATT KANE acts.", "url": "https://museumofcryptoart.medium.com/an-exhaustive-reenactment-of-matt-kanes-moral-performance-bcbc87b8e961", "label": "museumofcryptoart.medium.com", "meta": "criticism · 2025" }, { "note": "NiftyNoon newsletter coverage of the Contractual Obligations controversy and Twitter Spaces confrontation with Pindar van Arman.", "url": "https://niftynoon.substack.com/p/niftynoon-matt-kane-against-the-world", "label": "niftynoon.substack.com", "meta": "press · 2023" }, { "note": "Curious Collector on Beyond Pixels: Digital Art's Rising Cultural Significance, noting Contractual Obligations as Act 1 of a performance.", "url": "https://www.curiouscollector.art/p/beyond-pixels-digital-arts-rising-significance", "label": "curiouscollector.art", "meta": "press · 2023" }, { "note": "Investing.com feature on pioneering generative artist Matt Kane, propelled by personal tragedy, covering ANONS and major sales.", "url": "https://www.investing.com/news/cryptocurrency-news/pioneering-generative-artist-propelled-by-personal-tragedy--matt-kane-nft-creator-3191436", "label": "investing.com", "meta": "press · 2023" } ] }, { "category": "Galleries and exhibitions", "entries": [ { "note": "NFT Now profile of Matt Kane as a SuperRare artist at The Gateway during Art Basel Miami, noting his 2021 exhibitions.", "url": "https://nftnow.com/the-gateway/the-gateway-art-basel-meet-superrare-artists/", "label": "nftnow.com", "meta": "exhibition · 2021" }, { "note": "Edicurial Collection page for Gazers #859, documenting acquisition and provenance of a major Kane work.", "url": "https://www.edicurial.com/collection-gallery-3/gazers-859-matt-kane", "label": "edicurial.com", "meta": "collection · 2022" } ] }, { "category": "Auctions and catalogues", "entries": [ { "note": "OpenSea collection page for Right Place & Right Time, Bitcoin Volatility Art, documenting the 210-edition series and sales history.", "url": "https://opensea.io/collection/right-place-right-time-bitcoin-volatility-art", "label": "opensea.io", "meta": "auction · 2020-2021" }, { "note": "OpenSea collection page for ANONS by Matt Kane, showing 11 vintage photobooth portrait NFTs and market activity.", "url": "https://opensea.io/collection/anons-by-matt-kane", "label": "opensea.io", "meta": "marketplace · 2023" }, { "note": "OpenSea collection page for Proof of Origin - Picture of the Planets by Matt Kane, the 50-edition PROOF Grails III release.", "url": "https://opensea.io/collection/proof-of-origin-picture-of-the-planets-by-matt-kan", "label": "opensea.io", "meta": "auction · 2023" }, { "note": "Verse Works page for Contractual Obligations, documenting the 250-edition RarePass airdrop and market data.", "url": "https://verse.works/series/contractual-obligations-by-matt-kane", "label": "verse.works", "meta": "marketplace · 2023" } ] }, { "category": "Institutional and profiles", "entries": [ { "note": "PR Newswire press release on the record-breaking $100,000 sale of Right Place & Right Time on Async Art, September 2020.", "url": "https://www.prnewswire.com/news-releases/record-cryptoart-sale-matt-kanes-right-place--right-time-a-programmable-artwork-that-changes-with-bitcoin-price-volatility-sells-for-over-100k-on-async-art-301134356.html", "label": "prnewswire.com", "meta": "press release · 2020" }, { "note": "DappRadar blog post on crypto art record sales through uncertain economic times, featuring Right Place & Right Time.", "url": "https://dappradar.com/blog/crypto-art-experiences-record-sales-through-uncertain-economic-times", "label": "dappradar.com", "meta": "press · 2020" }, { "note": "IQ.wiki cryptoassets profile of Matt Kane covering his career from oil painting to crypto art and The Door series.", "url": "https://iq.wiki/wiki/matt-kane", "label": "iq.wiki", "meta": "profile · 2022" } ] } ], "provenance": { "schema": "ab5d-provenance/1", "contributor": "ab500dao.eth", "agent": "ab500dao.eth", "model": "Kimi K2.5", "harness": "supervised", "autonomy": "supervised", "tokens": { "input": 45000, "output": 18000, "estimated": true }, "cost_usd": null, "links_verified": 20, "date": "2026-06-23" }, "license": "https://ab5d.xyz/license/", "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.", "attribution": { "name": "AB[500]", "url": "https://ab5d.xyz/artists/matt-kane/", "cite": "AB5D, \"Matt Kane\", AB[500] artist dossier, ab5d.xyz, 2026", "required": false, "requested": true, "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required." }, "generated": "2026-09-14T12:58:26" }