{
  "schema": "ab5d-dossier/1",
  "slug": "n-e-o",
  "name": "n e o",
  "subtitle": "Calendars, clocks, and the patterned measure of passing time",
  "lede": "Working with steen, n e o turns the structures used to measure time into generative systems whose repetitions disclose continuous variation.",
  "url": "https://ab5d.xyz/artists/n-e-o/",
  "bibliography_url": "https://ab5d.xyz/artists/n-e-o/links/",
  "content_url": "https://ab5d.xyz/api/artists/n-e-o.json",
  "updated": "2026-07-11",
  "tier": "standard",
  "editions": 577,
  "collections": 2,
  "otdh": {
    "rank": 62,
    "score": 18903,
    "collector_identities": 368,
    "holder_addresses": 371,
    "projects": 2,
    "current_works": 574,
    "raw_collector_days": 901083,
    "median_project_hold_days": 1766,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/n-e-o"
  },
  "identity": {
    "artist": "n e o",
    "website": "https://solo.to/steenxneo",
    "based": null,
    "practice": "Collaborative generative art using rule-based geometry, color, repetition, and temporal structures",
    "now": null,
    "raster": "https://www.raster.art/artist/n-e-o",
    "otdh": "[18,903 · rank 62 of 308](/artists/otdh/#artist-n-e-o)",
    "holding signal": "368 collector identities · 371 holder addresses · 901,083 raw collector-days · 14 Sep 2026",
    "collector tdh": "[noTDH](/artists/n-e-o/notdh/) · dashboard"
  },
  "socials": {
    "website": "https://solo.to/steenxneo",
    "x": "@ssteeenn",
    "instagram": null
  },
  "profile_image_url": "https://pbs.twimg.com/profile_images/1579894361353031696/IQXye60Q_400x400.jpg",
  "profile_image_source": "https://x.com/ssteeenn",
  "works": [
    {
      "name": "Calendart",
      "editions": 365,
      "supply": 365,
      "artblocks_slug": "calendart-by-steen-and-n-e-o",
      "url": "https://www.artblocks.io/collection/calendart-by-steen-and-n-e-o"
    },
    {
      "name": "Time Squared",
      "editions": 212,
      "supply": 212,
      "artblocks_slug": "time-squared-by-steen-x-n-e-o",
      "url": "https://www.artblocks.io/collection/time-squared-by-steen-x-n-e-o"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "The documented practice of n e o is concentrated in two collaborative Art Blocks releases made with steen. Rather than enlarge that compact record through speculative biography, this dossier begins with what can be verified: *Calendart* is a collection of exactly 365 editions, while *Time Squared* contains exactly 212. Together, they establish a practice in which time is more than an illustrated subject. It becomes an organizing rule, a numerical framework through which color, geometry, rhythm, motion, and difference are generated.",
        "A conventional calendar or clock suppresses visual ambiguity so that it can communicate efficiently. These projects reverse that priority. They retain the regulating structures of calendars and timepieces while making those structures available for aesthetic play. Repetition remains legible, but each repeated unit becomes an occasion for difference. The result sits between instrument and image, measured regularity and the less predictable duration of sustained looking.",
        "This approach belongs to the long-form generative model associated with Art Blocks. In that model, a project is understood not only through an isolated output but across the relationships among all outputs in a fixed collection. The edition size consequently participates in meaning. For n e o and steen, 365 invokes the annual calendar directly, while 212 defines a smaller but still extensive field through which animated arrangements, patterns, palettes, sizes, and speeds can be compared."
      ]
    },
    {
      "heading": "A year translated into an image system",
      "paragraphs": [
        "*Calendart* comprises exactly 365 editions. Its title fuses calendar and art, immediately identifying the conceptual operation at stake. The number corresponds to the days in a common year, so the edition structure is not merely a cap placed upon an expandable generator. It supplies the project’s governing metaphor and gives the collection the scale of an annual cycle.",
        "Across the series, geometric elements gather into compact visual fields. Rectangles, bars, frames, translucent planes, and repeated linear marks establish systems that appear ordered without becoming uniform. The collection record identifies traits for background, chaos, frame, opacity, and palette. Variation is therefore distributed across compositional and chromatic parameters. The viewer does not encounter a sequence of illustrated dates, but a combinatorial model of calendrical thought in which partition, recurrence, and progression become formal relationships.",
        "The calendar is among the most pervasive interfaces of daily life. Its grid converts astronomical cycles and social agreements into a structure that can be scanned, divided, and planned. *Calendart* retains the authority of that grid while loosening its informational discipline. Blocks overlap, lines accumulate, and colors interrupt one another. Transparency permits several organizational layers to remain visible simultaneously. Order is not abandoned, but rendered sensuous and contingent.",
        "This method creates a productive ambiguity of scale. An output may resemble a printed page, a schematic, a modernist construction, or a view into an abstract architecture. Repeated marks can read as days, data, windows, or strokes. Because no single interpretation exhausts the system, the images sustain attention beyond the recognition of their calendrical premise. The concept is concise, but its visual consequences remain extensive.",
        "The project also participated in the philanthropic culture surrounding early Art Blocks releases. A September 2021 report from The Link associated *Calendart* with an estimated contribution of $166,582 to Girls Who Code. The article carefully noted that its totals were estimates affected by cryptocurrency prices and the practicalities of transferring funds. That context locates the collection within a period when generative editions operated not only as collectible systems, but also as mechanisms for directing proceeds toward public causes."
      ]
    },
    {
      "heading": "From calendar time to animated duration",
      "paragraphs": [
        "*Time Squared* extends the collaboration’s inquiry while changing its terms. Art Blocks records exactly 212 editions and dates the release to January 6, 2022. Where *Calendart* takes a year as an edition-scale concept, *Time Squared* is animated. Its compositions organize repeated geometric units through rotational, radial, and gridded relationships, allowing time to appear as movement rather than as a static sequence of partitions.",
        "The marketplace record lists arrangement, color strategy, palette, pattern, size, and speed among the variables. Speed is particularly significant because it makes duration a generated property. Two outputs can differ not only in their appearance at a selected instant, but also in the manner of their unfolding. Pattern becomes temporal behavior, while composition becomes an event that must be watched.",
        "The square in the title performs several tasks. It names the dominant geometric unit, suggests multiplication or intensification, and recalls the rectangular screen. Nested and repeated squares can behave like clock faces without reproducing the conventional dial. Their motion establishes centers, intervals, and cycles, yet the eye is not offered a single hand to follow. Attention moves among simultaneous rhythms, distributing time across the image.",
        "This distribution complicates the idea of a definitive view. A still render can document palette, arrangement, and pattern, but it cannot contain the complete temporal state. The official collection page accordingly provides live rendering alongside static records of individual artworks. Animation is not an ornamental supplement. It is integral to the work’s mode of existence. Each output persists as a rule-governed continuum, and any screenshot is only one cross-section through that continuum.",
        "Art Blocks documentation explains that its works are produced when a unique hash is supplied to an artist’s stored script, with the same hash deterministically producing the same output. Its technical documentation further describes how token identifiers encode project and invocation information. These mechanics clarify the relationship between singularity and system in *Time Squared*. Each edition is individually determined, yet it remains legible as one manifestation of a shared algorithmic vocabulary."
      ]
    },
    {
      "heading": "Collaboration, seriality, and close looking",
      "paragraphs": [
        "Art Blocks attributes *Time Squared* to n e o and steen, while the marketplace records preserve the collaborative naming of both collections. This consistency matters because collaboration is not presented as a secondary credit attached to an individual signature. Joint authorship is built into the projects’ public identities at the levels of artist attribution, collection title, and generative system.",
        "Generative collaboration can occur through conceptual framing, visual design, code, testing, and parameter selection. The available records do not assign these tasks separately, so no division should be invented. What can be observed is a coherent negotiation between memorable premises and broad fields of outcomes. The calendar concept is immediate, as is the conjunction of time and squares, but neither project is reducible to its title.",
        "Their edition scales sustain that balance. With 365 works, *Calendart* asks to be perceived as a complete annual set even when only a few outputs are visible. With 212, *Time Squared* remains extensive enough for arrangements, palettes, patterns, sizes, speeds, and color strategies to emerge through comparison. Serial viewing becomes a form of analysis. The system is learned not from a technical diagram, but by observing recurrence and deviation across many manifestations.",
        "> In these works, time is less a subject to be pictured than a rule that teaches geometry how to vary.",
        "The two collections can therefore be understood as complementary studies. *Calendart* spatializes a long interval, making the conceptual scale of a year available as a bounded edition. *Time Squared* activates shorter, perceptible intervals inside each work. One treats time as an architecture of counting, while the other treats it as kinetic experience. Both depend upon modular geometry, but each gives the module a different kind of temporal labor.",
        "This relationship also demonstrates why long-form generative projects are evaluated across whole collections. The Art Blocks account of the “1 of 1 of X” model emphasizes that every output is unique within a predefined edition, while the larger collection remains the appropriate unit for judging breadth and coherence. For n e o and steen, the premise, edition count, parameter space, and individual image cannot be separated without diminishing the work.",
        "The broader archive preserves evidence of the projects’ circulation. NFT Valuations reports include *Calendart* and *Time Squared* within surveys of generative collections from the period. Such market documents do not replace criticism, but they show how quickly the works entered classification systems built around the expanding field of blockchain-based generative art.",
        "Their continuing interest is ultimately formal rather than statistical. The projects offer clear examples of generative art’s capacity to bind concept, code, edition structure, and display behavior. Art Blocks distinguishes static and dynamic on-chain projects, noting the importance of live views for works whose behavior exceeds a still image. That distinction is especially useful for *Time Squared*, where motion is an expressive variable rather than a presentation effect.",
        "For n e o, the paired projects constitute a focused statement. Time is treated as a practical abstraction already embedded in ordinary life. By translating that abstraction into variable images and movement, the collaboration makes measurement strange again. Calendars become layered fields, clocks dissolve into interacting rhythms, and enumeration becomes a visual practice. The works remind us that every system for measuring time is also a system for shaping attention."
      ]
    }
  ],
  "body_markdown": "The documented practice of n e o is concentrated in two collaborative Art Blocks releases made with steen. Rather than enlarge that compact record through speculative biography, this dossier begins with what can be verified: *Calendart* is a collection of exactly 365 editions, while *Time Squared* contains exactly 212. Together, they establish a practice in which time is more than an illustrated subject. It becomes an organizing rule, a numerical framework through which color, geometry, rhythm, motion, and difference are generated.\n\nA conventional calendar or clock suppresses visual ambiguity so that it can communicate efficiently. These projects reverse that priority. They retain the regulating structures of calendars and timepieces while making those structures available for aesthetic play. Repetition remains legible, but each repeated unit becomes an occasion for difference. The result sits between instrument and image, measured regularity and the less predictable duration of sustained looking.\n\nThis approach belongs to the long-form generative model associated with Art Blocks. In that model, a project is understood not only through an isolated output but across the relationships among all outputs in a fixed collection. The edition size consequently participates in meaning. For n e o and steen, 365 invokes the annual calendar directly, while 212 defines a smaller but still extensive field through which animated arrangements, patterns, palettes, sizes, and speeds can be compared.\n\n## A year translated into an image system\n\n*Calendart* comprises exactly 365 editions. Its title fuses calendar and art, immediately identifying the conceptual operation at stake. The number corresponds to the days in a common year, so the edition structure is not merely a cap placed upon an expandable generator. It supplies the project’s governing metaphor and gives the collection the scale of an annual cycle.\n\nAcross the series, geometric elements gather into compact visual fields. Rectangles, bars, frames, translucent planes, and repeated linear marks establish systems that appear ordered without becoming uniform. The collection record identifies traits for background, chaos, frame, opacity, and palette. Variation is therefore distributed across compositional and chromatic parameters. The viewer does not encounter a sequence of illustrated dates, but a combinatorial model of calendrical thought in which partition, recurrence, and progression become formal relationships.\n\nThe calendar is among the most pervasive interfaces of daily life. Its grid converts astronomical cycles and social agreements into a structure that can be scanned, divided, and planned. *Calendart* retains the authority of that grid while loosening its informational discipline. Blocks overlap, lines accumulate, and colors interrupt one another. Transparency permits several organizational layers to remain visible simultaneously. Order is not abandoned, but rendered sensuous and contingent.\n\nThis method creates a productive ambiguity of scale. An output may resemble a printed page, a schematic, a modernist construction, or a view into an abstract architecture. Repeated marks can read as days, data, windows, or strokes. Because no single interpretation exhausts the system, the images sustain attention beyond the recognition of their calendrical premise. The concept is concise, but its visual consequences remain extensive.\n\nThe project also participated in the philanthropic culture surrounding early Art Blocks releases. A September 2021 report from The Link associated *Calendart* with an estimated contribution of $166,582 to Girls Who Code. The article carefully noted that its totals were estimates affected by cryptocurrency prices and the practicalities of transferring funds. That context locates the collection within a period when generative editions operated not only as collectible systems, but also as mechanisms for directing proceeds toward public causes.\n\n## From calendar time to animated duration\n\n*Time Squared* extends the collaboration’s inquiry while changing its terms. Art Blocks records exactly 212 editions and dates the release to January 6, 2022. Where *Calendart* takes a year as an edition-scale concept, *Time Squared* is animated. Its compositions organize repeated geometric units through rotational, radial, and gridded relationships, allowing time to appear as movement rather than as a static sequence of partitions.\n\nThe marketplace record lists arrangement, color strategy, palette, pattern, size, and speed among the variables. Speed is particularly significant because it makes duration a generated property. Two outputs can differ not only in their appearance at a selected instant, but also in the manner of their unfolding. Pattern becomes temporal behavior, while composition becomes an event that must be watched.\n\nThe square in the title performs several tasks. It names the dominant geometric unit, suggests multiplication or intensification, and recalls the rectangular screen. Nested and repeated squares can behave like clock faces without reproducing the conventional dial. Their motion establishes centers, intervals, and cycles, yet the eye is not offered a single hand to follow. Attention moves among simultaneous rhythms, distributing time across the image.\n\nThis distribution complicates the idea of a definitive view. A still render can document palette, arrangement, and pattern, but it cannot contain the complete temporal state. The official collection page accordingly provides live rendering alongside static records of individual artworks. Animation is not an ornamental supplement. It is integral to the work’s mode of existence. Each output persists as a rule-governed continuum, and any screenshot is only one cross-section through that continuum.\n\nArt Blocks documentation explains that its works are produced when a unique hash is supplied to an artist’s stored script, with the same hash deterministically producing the same output. Its technical documentation further describes how token identifiers encode project and invocation information. These mechanics clarify the relationship between singularity and system in *Time Squared*. Each edition is individually determined, yet it remains legible as one manifestation of a shared algorithmic vocabulary.\n\n## Collaboration, seriality, and close looking\n\nArt Blocks attributes *Time Squared* to n e o and steen, while the marketplace records preserve the collaborative naming of both collections. This consistency matters because collaboration is not presented as a secondary credit attached to an individual signature. Joint authorship is built into the projects’ public identities at the levels of artist attribution, collection title, and generative system.\n\nGenerative collaboration can occur through conceptual framing, visual design, code, testing, and parameter selection. The available records do not assign these tasks separately, so no division should be invented. What can be observed is a coherent negotiation between memorable premises and broad fields of outcomes. The calendar concept is immediate, as is the conjunction of time and squares, but neither project is reducible to its title.\n\nTheir edition scales sustain that balance. With 365 works, *Calendart* asks to be perceived as a complete annual set even when only a few outputs are visible. With 212, *Time Squared* remains extensive enough for arrangements, palettes, patterns, sizes, speeds, and color strategies to emerge through comparison. Serial viewing becomes a form of analysis. The system is learned not from a technical diagram, but by observing recurrence and deviation across many manifestations.\n\n> In these works, time is less a subject to be pictured than a rule that teaches geometry how to vary.\n\nThe two collections can therefore be understood as complementary studies. *Calendart* spatializes a long interval, making the conceptual scale of a year available as a bounded edition. *Time Squared* activates shorter, perceptible intervals inside each work. One treats time as an architecture of counting, while the other treats it as kinetic experience. Both depend upon modular geometry, but each gives the module a different kind of temporal labor.\n\nThis relationship also demonstrates why long-form generative projects are evaluated across whole collections. The Art Blocks account of the “1 of 1 of X” model emphasizes that every output is unique within a predefined edition, while the larger collection remains the appropriate unit for judging breadth and coherence. For n e o and steen, the premise, edition count, parameter space, and individual image cannot be separated without diminishing the work.\n\nThe broader archive preserves evidence of the projects’ circulation. NFT Valuations reports include *Calendart* and *Time Squared* within surveys of generative collections from the period. Such market documents do not replace criticism, but they show how quickly the works entered classification systems built around the expanding field of blockchain-based generative art.\n\nTheir continuing interest is ultimately formal rather than statistical. The projects offer clear examples of generative art’s capacity to bind concept, code, edition structure, and display behavior. Art Blocks distinguishes static and dynamic on-chain projects, noting the importance of live views for works whose behavior exceeds a still image. That distinction is especially useful for *Time Squared*, where motion is an expressive variable rather than a presentation effect.\n\nFor n e o, the paired projects constitute a focused statement. Time is treated as a practical abstraction already embedded in ordinary life. By translating that abstraction into variable images and movement, the collaboration makes measurement strange again. Calendars become layered fields, clocks dissolve into interacting rhythms, and enumeration becomes a visual practice. The works remind us that every system for measuring time is also a system for shaping attention.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000000.png",
      "title": "Calendart, opening variation",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000040.png",
      "title": "Calendart, layered interval",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000081.png",
      "title": "Calendart, chromatic register",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000121.png",
      "title": "Calendart, framed sequence",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000162.png",
      "title": "Calendart, divided field",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000202.png",
      "title": "Calendart, translucent cycle",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000243.png",
      "title": "Calendart, accumulated rhythm",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000283.png",
      "title": "Calendart, measured overlap",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000324.png",
      "title": "Calendart, modular passage",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000364.png",
      "title": "Calendart, terminal variation",
      "caption": "2021, Calendart",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000070.png",
      "title": "Time Squared, rotational study",
      "caption": "2022",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "OpenSea records Calendart as a collaborative collection of 365 works and lists its background, chaos, frame, opacity, and palette traits.",
      "url": "https://opensea.io/collection/calendart-by-steen-n-e-o",
      "label": "Calendart record"
    },
    {
      "n": 2,
      "note": "Art Blocks attributes Time Squared to n e o and steen, records 212 unique artworks, and dates its release to January 6, 2022.",
      "url": "https://www.artblocks.io/collection/time-squared-by-steen-x-n-e-o",
      "label": "Time Squared record"
    },
    {
      "n": 3,
      "note": "The Link defines Art Blocks projects as fixed long-form generative collections understood through relationships among their outputs.",
      "url": "https://medium.com/the-link-art-blocks/ab-101-0-defining-the-type-of-art-on-art-blocks-b7a3af6f5b8c",
      "label": "Generative art definition"
    },
    {
      "n": 4,
      "note": "The Link associates Calendart with an estimated $166,582 contribution to Girls Who Code and explains the uncertainty of its estimates.",
      "url": "https://medium.com/the-link-art-blocks/update-charity-on-chain-23-5-million-in-august-b4876db65c77",
      "label": "Charity on Chain"
    },
    {
      "n": 5,
      "note": "OpenSea records 212 Time Squared works and traits for arrangement, color strategy, palette, pattern, size, and speed.",
      "url": "https://opensea.io/collection/time-squared-by-steen-x-n-e-o",
      "label": "Time Squared traits"
    },
    {
      "n": 6,
      "note": "Art Blocks explains that unique on-chain hashes are supplied to artist scripts to generate deterministic artworks.",
      "url": "https://docs.artblocks.io/protocol/overview/",
      "label": "Protocol overview"
    },
    {
      "n": 7,
      "note": "Art Blocks technical documentation explains its deterministic seed mechanism and the encoding of project and invocation information in token identifiers.",
      "url": "https://help.artblocks.io/Technical-Requirements-7f9a9aaf39ea4f20b2d5b948cf08d5aa",
      "label": "Technical requirements"
    },
    {
      "n": 8,
      "note": "The Link describes the 1 of 1 of X model in which unique works belong to a predefined generative edition.",
      "url": "https://medium.com/the-link-art-blocks/1of1ofx-the-native-nft-13123d2e3593",
      "label": "Edition model"
    },
    {
      "n": 9,
      "note": "An NFT Valuations report places Calendart in its survey of generative collections from the second half of 2021.",
      "url": "https://static.nftvaluations.com/reports/20221005%20-%20NFT%20Market%20Report%20Teaser.pdf",
      "label": "Market report"
    },
    {
      "n": 10,
      "note": "An NFT Valuations report includes Time Squared in its generative collection coverage.",
      "url": "https://static.nftvaluations.com/reports/20220801%20-%20NFT%20Market%20Report%20Teaser%20Final.pdf",
      "label": "Market report update"
    },
    {
      "n": 11,
      "note": "The Link surveys static and dynamic forms of on-chain generative art and recommends live views for non-static projects.",
      "url": "https://medium.com/the-link-art-blocks/types-of-on-chain-projects-so-far-whats-next-e9cc72d5ee2f",
      "label": "On-chain project types"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "Art Blocks records Time Squared by n e o and steen as 212 unique artworks released January 6, 2022.",
          "url": "https://www.artblocks.io/collection/time-squared-by-steen-x-n-e-o",
          "label": "Time Squared",
          "meta": "collection · 2022"
        },
        {
          "note": "OpenSea records Calendart as a collaborative collection containing 365 works and five trait groups.",
          "url": "https://opensea.io/collection/calendart-by-steen-n-e-o",
          "label": "Calendart",
          "meta": "collection archive · 2021"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "The Link defines the long-form computer-generative model associated with fixed Art Blocks collections.",
          "url": "https://medium.com/the-link-art-blocks/ab-101-0-defining-the-type-of-art-on-art-blocks-b7a3af6f5b8c",
          "label": "Defining Art Blocks art",
          "meta": "criticism · 2021"
        },
        {
          "note": "The Link’s charity report associates Calendart with an estimated contribution to Girls Who Code.",
          "url": "https://medium.com/the-link-art-blocks/update-charity-on-chain-23-5-million-in-august-b4876db65c77",
          "label": "Charity on Chain",
          "meta": "press · 2021"
        },
        {
          "note": "The Link discusses the presentation of on-chain generative art to established art-world audiences.",
          "url": "https://medium.com/the-link-art-blocks/growing-art-blocks-reputation-in-the-art-world-231928923fe3",
          "label": "Reputation in the art world",
          "meta": "criticism · 2022"
        }
      ]
    },
    {
      "category": "Museums and institutions",
      "entries": [
        {
          "note": "Art Blocks describes its Marfa venue as a physical space dedicated to generative art and its historical foundations.",
          "url": "https://medium.com/the-link-art-blocks/why-is-art-blocks-in-marfa-acb6548a8bdc",
          "label": "Art Blocks in Marfa",
          "meta": "institution · 2021"
        },
        {
          "note": "Art Blocks describes its platform’s historical roots, generative method, animated works, and preservation model.",
          "url": "https://www.artblocks.io/articles/about-art-blocks",
          "label": "About Art Blocks",
          "meta": "institution · 2020"
        }
      ]
    },
    {
      "category": "Galleries and exhibitions",
      "entries": [
        {
          "note": "Art Blocks’ secondary-market exhibition interface provides an archive for viewing released projects and collector listings.",
          "url": "https://www.artblocks.io/secondary-marketplace",
          "label": "Secondary marketplace",
          "meta": "archive · current"
        },
        {
          "note": "Art Blocks’ discovery archive organizes collections by category and aesthetic, including geometric and minimal work.",
          "url": "https://www.artblocks.io/discover",
          "label": "Discover Art Blocks",
          "meta": "archive · current"
        }
      ]
    },
    {
      "category": "Essays, talks and podcasts",
      "entries": [
        {
          "note": "The Link’s Art Blocks 101 guide explains how collector transactions interact with stored generative scripts.",
          "url": "https://medium.com/the-link-art-blocks/art-blocks-101-eb32c6d49cc2",
          "label": "Art Blocks 101",
          "meta": "essay · 2021"
        },
        {
          "note": "The Link’s 1 of 1 of X essay examines unique outputs within predefined generative editions.",
          "url": "https://medium.com/the-link-art-blocks/1of1ofx-the-native-nft-13123d2e3593",
          "label": "The Native NFT",
          "meta": "essay · 2021"
        },
        {
          "note": "The Link surveys static, dynamic, and interactive forms available to on-chain generative artists.",
          "url": "https://medium.com/the-link-art-blocks/types-of-on-chain-projects-so-far-whats-next-e9cc72d5ee2f",
          "label": "Types of on-chain projects",
          "meta": "essay · 2021"
        },
        {
          "note": "The Link considers how collectors construct narratives and comparisons through collection curation.",
          "url": "https://medium.com/the-link-art-blocks/on-curation-c52ecf6f45f1",
          "label": "On Curation",
          "meta": "essay · 2022"
        },
        {
          "note": "The Link records collector perspectives on Art Blocks’ completed Curated Series 1 through 8.",
          "url": "https://medium.com/the-link-art-blocks/the-curated-series-completed-c166a69a65bf",
          "label": "Curated Series completed",
          "meta": "discussion · 2022"
        }
      ]
    },
    {
      "category": "Auctions and catalogues",
      "entries": [
        {
          "note": "OpenSea records Time Squared’s 212 works and its arrangement, color strategy, palette, pattern, size, and speed traits.",
          "url": "https://opensea.io/collection/time-squared-by-steen-x-n-e-o",
          "label": "Time Squared",
          "meta": "marketplace archive · 2022"
        },
        {
          "note": "An NFT Valuations report places Calendart within its survey of generative collections.",
          "url": "https://static.nftvaluations.com/reports/20221005%20-%20NFT%20Market%20Report%20Teaser.pdf",
          "label": "NFT Market Report",
          "meta": "market catalogue · 2022"
        },
        {
          "note": "A separate NFT Valuations report includes Time Squared in its supported generative collections.",
          "url": "https://static.nftvaluations.com/reports/20220801%20-%20NFT%20Market%20Report%20Teaser%20Final.pdf",
          "label": "NFT Market Report update",
          "meta": "market catalogue · 2022"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Raster aggregates n e o's tokenized works across platforms.",
          "url": "https://www.raster.art/artist/n-e-o",
          "label": "Raster",
          "meta": "profile · ongoing"
        },
        {
          "note": "Art Blocks documentation explains the protocol through which scripts, hashes, and tokens produce deterministic works.",
          "url": "https://docs.artblocks.io/protocol/overview/",
          "label": "Protocol overview",
          "meta": "technical archive · current"
        },
        {
          "note": "Art Blocks documents how its on-chain generator assembles artist scripts, token hashes, and dependencies.",
          "url": "https://docs.artblocks.io/protocol/on-chain-generator/",
          "label": "On-chain generator",
          "meta": "technical archive · current"
        },
        {
          "note": "Art Blocks documents its approach to storing and reconstructing NFT metadata and generative outputs.",
          "url": "https://docs.artblocks.io/protocol/on-chain-storage/",
          "label": "Metadata storage",
          "meta": "technical archive · current"
        },
        {
          "note": "Art Blocks’ technical requirements document explains hashes, deterministic variation, and token identifier structure.",
          "url": "https://help.artblocks.io/Technical-Requirements-7f9a9aaf39ea4f20b2d5b948cf08d5aa",
          "label": "Technical requirements",
          "meta": "technical archive · current"
        },
        {
          "note": "Art Blocks’ GraphQL reference documents project, collection, token, invocation, feature, and live-view metadata fields.",
          "url": "https://docs.artblocks.io/developer/graphql/",
          "label": "GraphQL reference",
          "meta": "data archive · current"
        }
      ]
    },
    {
      "category": "Video",
      "entries": [
        {
          "note": "The official Time Squared record includes a live-view control for observing the animated work beyond its static render.",
          "url": "https://www.artblocks.io/collection/time-squared-by-steen-x-n-e-o",
          "label": "Time Squared live view",
          "meta": "live artwork · 2022"
        }
      ]
    }
  ],
  "provenance": {
    "schema": "ab5d-provenance/1",
    "contributor": "ab500dao.eth",
    "agent": "gpt-5.6-sol",
    "model": "gpt-5.6-sol",
    "harness": "AB5D structured pipeline",
    "autonomy": "supervised",
    "tokens": {
      "input": 260974,
      "output": 6384,
      "estimated": false
    },
    "cost_usd": null,
    "links_verified": 23,
    "date": "2026-07-11",
    "note": "Structured return rendered by scripts/render_dossier.py; token counts are measured API usage."
  },
  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
    "name": "AB[500]",
    "url": "https://ab5d.xyz/artists/n-e-o/",
    "cite": "AB5D, \"n e o\", AB[500] artist dossier, ab5d.xyz, 2026",
    "required": false,
    "requested": true,
    "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required."
  },
  "generated": "2026-09-14T12:58:26"
}