{
  "schema": "ab5d-dossier/1",
  "slug": "oliveskin",
  "name": "oliveskin",
  "subtitle": "Distance, memory, and the coded landscape",
  "lede": "Through *Fernweh*, oliveskin turns distance into a generative field of paths, horizons, and atmospheric variation.",
  "url": "https://ab5d.xyz/artists/oliveskin/",
  "bibliography_url": "https://ab5d.xyz/artists/oliveskin/links/",
  "content_url": "https://ab5d.xyz/api/artists/oliveskin.json",
  "updated": "2026-07-11",
  "tier": "compact",
  "editions": 121,
  "collections": 1,
  "otdh": {
    "rank": 209,
    "score": 10347,
    "collector_identities": 75,
    "holder_addresses": 76,
    "projects": 1,
    "current_works": 121,
    "raw_collector_days": 169246,
    "median_project_hold_days": 1656,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/oliveskin"
  },
  "identity": {
    "artist": null,
    "website": null,
    "based": null,
    "practice": "Generative art concerned with landscape, distance, memory, and variation through code",
    "now": null,
    "raster": "https://www.raster.art/artist/oliveskin",
    "otdh": "[10,347 · rank 209 of 308](/artists/otdh/#artist-oliveskin)",
    "holding signal": "75 collector identities · 76 holder addresses · 169,246 raw collector-days · 14 Sep 2026",
    "collector tdh": "[oliveskinTDH](/artists/oliveskin/oliveskintdh/) · dashboard"
  },
  "socials": {
    "website": null,
    "x": null,
    "instagram": null
  },
  "profile_image_url": null,
  "profile_image_source": null,
  "works": [
    {
      "name": "Fernweh",
      "editions": 121,
      "supply": 121,
      "artblocks_slug": "fernweh-by-oliveskin",
      "url": "https://www.artblocks.io/collection/fernweh-by-oliveskin"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "Oliveskin enters the AB[500] through a single concentrated body of work, *Fernweh*. The project comprises exactly 121 editions, a bounded population whose repeated structures invite close comparison. A surviving marketplace record identifies an individual token as *Fernweh by oliveskin*, associates it with Ethereum, and supplies both its project sequence number and token identifier. The wider contract is independently tagged as Art Blocks in a blockchain archive.",
        "The title names a longing for somewhere distant. Across the collection, that longing becomes spatial rather than narrative. Layered contours, branching marks, suspended forms, and broad areas of color suggest maps or landscapes without fixing a single location. The images can be read as records of movement, but also as constructions of memory, where a place is recovered through fragments, intervals, and changes of atmosphere."
      ]
    },
    {
      "heading": "Distance as a system",
      "paragraphs": [
        "*Fernweh* belongs to the long-form generative model in which an artist-authored program produces related but distinct outputs. Its tokens reside on the Art Blocks GenArt721Core contract. A technical index identifies the contract by name, records its address, and labels Art Blocks as its owner. A second blockchain explorer recognizes the same address as an Art Blocks token contract.",
        "This infrastructure is not merely administrative. It establishes the work as a relationship among code, invocation, token, and image. Each edition occupies the same conceptual territory while arranging its visual evidence differently. Some outputs appear open and atmospheric; others are denser, with marks gathering into tangled passages or compressed topographies. The six examples below show how palette and organization can shift while the collection remains legible as one system."
      ]
    },
    {
      "heading": "The collection as archive",
      "paragraphs": [
        "Marketplace and blockchain records preserve different aspects of the project. The marketplace asset page retains the title and attribution of a specific *Fernweh* token. Ethplorer identifies the shared contract and its Art Blocks association, while the ethPandaOps index names its GenArt721Core implementation. Taken together, these records connect the individual output to the larger technical environment without reducing the artwork to its transaction history.",
        "That distinction matters because prices, offers, and holders can change, while the generative relationship between a token and its output remains central to interpretation. *Fernweh* asks viewers to move repeatedly between individual image and collective system. Its 121 editions are neither interchangeable nor isolated. Each is one realization of a common visual grammar.",
        "The project also appeared during a period of expanding institutional and market attention to generative art. Phillips organized *Ex-Machina: A History of Generative Art* in 2022 as an exhibition and online auction spanning early computer art, video, digital art, and NFTs. Its accompanying historical essay traced generative practices from early information technologies and computer art through blockchain-based work. The auction overview presented 44 lots and placed Art Blocks artists alongside earlier practitioners of programmed and computer-assisted art. A Phillips video described the project as a survey from computer-art pioneers to contemporary NFT artists.",
        "This broader context does not determine oliveskin’s work, but it clarifies the field in which *Fernweh* circulated. The collection is persuasive because it keeps its proposition narrow. It does not illustrate travel literally. Instead, oliveskin treats longing as a condition of variation. Repetition gives the viewer a structure to recognize, while difference keeps the imagined destination unavailable. Code does not resolve distance here. It continually reconstructs it."
      ]
    }
  ],
  "body_markdown": "Oliveskin enters the AB[500] through a single concentrated body of work, *Fernweh*. The project comprises exactly 121 editions, a bounded population whose repeated structures invite close comparison. A surviving marketplace record identifies an individual token as *Fernweh by oliveskin*, associates it with Ethereum, and supplies both its project sequence number and token identifier. The wider contract is independently tagged as Art Blocks in a blockchain archive.\n\nThe title names a longing for somewhere distant. Across the collection, that longing becomes spatial rather than narrative. Layered contours, branching marks, suspended forms, and broad areas of color suggest maps or landscapes without fixing a single location. The images can be read as records of movement, but also as constructions of memory, where a place is recovered through fragments, intervals, and changes of atmosphere.\n\n## Distance as a system\n\n*Fernweh* belongs to the long-form generative model in which an artist-authored program produces related but distinct outputs. Its tokens reside on the Art Blocks GenArt721Core contract. A technical index identifies the contract by name, records its address, and labels Art Blocks as its owner. A second blockchain explorer recognizes the same address as an Art Blocks token contract.\n\nThis infrastructure is not merely administrative. It establishes the work as a relationship among code, invocation, token, and image. Each edition occupies the same conceptual territory while arranging its visual evidence differently. Some outputs appear open and atmospheric; others are denser, with marks gathering into tangled passages or compressed topographies. The six examples below show how palette and organization can shift while the collection remains legible as one system.\n\n## The collection as archive\n\nMarketplace and blockchain records preserve different aspects of the project. The marketplace asset page retains the title and attribution of a specific *Fernweh* token. Ethplorer identifies the shared contract and its Art Blocks association, while the ethPandaOps index names its GenArt721Core implementation. Taken together, these records connect the individual output to the larger technical environment without reducing the artwork to its transaction history.\n\nThat distinction matters because prices, offers, and holders can change, while the generative relationship between a token and its output remains central to interpretation. *Fernweh* asks viewers to move repeatedly between individual image and collective system. Its 121 editions are neither interchangeable nor isolated. Each is one realization of a common visual grammar.\n\nThe project also appeared during a period of expanding institutional and market attention to generative art. Phillips organized *Ex-Machina: A History of Generative Art* in 2022 as an exhibition and online auction spanning early computer art, video, digital art, and NFTs. Its accompanying historical essay traced generative practices from early information technologies and computer art through blockchain-based work. The auction overview presented 44 lots and placed Art Blocks artists alongside earlier practitioners of programmed and computer-assisted art. A Phillips video described the project as a survey from computer-art pioneers to contemporary NFT artists.\n\nThis broader context does not determine oliveskin’s work, but it clarifies the field in which *Fernweh* circulated. The collection is persuasive because it keeps its proposition narrow. It does not illustrate travel literally. Instead, oliveskin treats longing as a condition of variation. Repetition gives the viewer a structure to recognize, while difference keeps the imagined destination unavailable. Code does not resolve distance here. It continually reconstructs it.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000000.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000024.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000048.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000072.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000096.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000120.png",
      "title": "Fernweh",
      "caption": "2022, series",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "OpenSea identifies an individual asset as Fernweh by oliveskin and records its Ethereum token identifier.",
      "url": "https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000006",
      "label": "OpenSea asset"
    },
    {
      "n": 2,
      "note": "Ethplorer recognizes the shared contract address as an Art Blocks token contract.",
      "url": "https://ethplorer.io/address/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270",
      "label": "Ethplorer"
    },
    {
      "n": 3,
      "note": "The ethPandaOps contract index identifies the address as GenArt721Core and labels its owner Artblocks.",
      "url": "https://lab.ethpandaops.io/ethereum/contracts",
      "label": "contract index"
    },
    {
      "n": 4,
      "note": "Phillips’ announcement describes Ex-Machina as a 2022 exhibition and online auction surveying generative art.",
      "url": "https://www.phillips.com/press/release/phillips-announces-exmachina-a-history-of-generative-art",
      "label": "Phillips announcement"
    },
    {
      "n": 5,
      "note": "Georg Bak’s Phillips essay outlines a history of generative art from early computing through blockchain-based work.",
      "url": "https://www.phillips.com/article/98557482/ex-machina-a-history-of-generative-art",
      "label": "Phillips essay"
    },
    {
      "n": 6,
      "note": "Phillips’ auction page records the 44-lot Ex-Machina sale and its range of historical and contemporary practitioners.",
      "url": "https://www.phillips.com/auction/UK090322/",
      "label": "auction archive"
    },
    {
      "n": 7,
      "note": "Phillips’ video page describes Ex-Machina as charting automated art production from computer-art pioneers to NFT artists.",
      "url": "https://www.phillips.com/Video?VideoID=24150",
      "label": "Phillips video"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "The ethPandaOps index identifies the collection’s shared contract as GenArt721Core and labels its owner Artblocks.",
          "url": "https://lab.ethpandaops.io/ethereum/contracts",
          "label": "GenArt721Core",
          "meta": "contract index · ongoing"
        },
        {
          "note": "Ethplorer recognizes the same address as an Art Blocks token contract.",
          "url": "https://ethplorer.io/address/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270",
          "label": "Ethplorer",
          "meta": "blockchain archive · ongoing"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "Phillips announced Ex-Machina as an exhibition and auction connecting computer-art pioneers with generative NFT artists.",
          "url": "https://www.phillips.com/press/release/phillips-announces-exmachina-a-history-of-generative-art",
          "label": "Ex-Machina announcement",
          "meta": "press release · 2022"
        }
      ]
    },
    {
      "category": "Essays, talks and podcasts",
      "entries": [
        {
          "note": "Georg Bak’s essay traces generative art through information theory, early computer practices, serial processes, and blockchain.",
          "url": "https://www.phillips.com/article/98557482/ex-machina-a-history-of-generative-art",
          "label": "Ex-Machina essay",
          "meta": "historical essay · 2022"
        }
      ]
    },
    {
      "category": "Auctions and catalogues",
      "entries": [
        {
          "note": "Phillips’ overview documents the dates, locations, and scope of the Ex-Machina exhibition and online auction.",
          "url": "https://www.phillips.com/auction/UK090322/overview",
          "label": "Ex-Machina overview",
          "meta": "auction overview · 2022"
        },
        {
          "note": "The Phillips sale archive lists the 44 lots included in Ex-Machina.",
          "url": "https://www.phillips.com/auction/UK090322/",
          "label": "Ex-Machina lots",
          "meta": "auction archive · 2022"
        },
        {
          "note": "A Phillips lot page documents Dmitri Cherniak’s Ringers #191 as an Art Blocks ERC-721 work in the sale.",
          "url": "https://www.phillips.com/detail/dmitri-cherniak/UK090322/9",
          "label": "Ringers #191",
          "meta": "auction lot · 2022"
        },
        {
          "note": "A Phillips lot page records Vera Molnar’s computer-generated plotter work (Des)ordres in the same historical survey.",
          "url": "https://www.phillips.com/detail/UK090322/22",
          "label": "(Des)ordres",
          "meta": "auction lot · 2022"
        },
        {
          "note": "The live English catalogue PDF preserves the Ex-Machina sale record without relying on the failed legacy URL.",
          "url": "https://www.dist.phillips.com/content/web/auctions/UK090322/UK090322_en_1.pdf",
          "label": "Ex-Machina catalogue",
          "meta": "catalogue · 2022"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Raster aggregates oliveskin's tokenized works across platforms.",
          "url": "https://www.raster.art/artist/oliveskin",
          "label": "Raster",
          "meta": "profile · ongoing"
        },
        {
          "note": "OpenSea preserves the title, attribution, chain, and token identifier for Fernweh #6.",
          "url": "https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000006",
          "label": "Fernweh #6",
          "meta": "marketplace archive · ongoing"
        },
        {
          "note": "The Phillips press archive preserves the curatorial premise and schedule of Ex-Machina.",
          "url": "https://www.phillips.com/press/release/phillips-announces-exmachina-a-history-of-generative-art",
          "label": "Phillips archive",
          "meta": "institutional archive · 2022"
        }
      ]
    },
    {
      "category": "Video",
      "entries": [
        {
          "note": "Phillips’ exhibition video describes Ex-Machina as a history of automated art production from early computer art to NFTs.",
          "url": "https://www.phillips.com/Video?VideoID=24150",
          "label": "Ex-Machina video",
          "meta": "video · 2022"
        }
      ]
    }
  ],
  "provenance": {
    "schema": "ab5d-provenance/1",
    "contributor": "ab500dao.eth",
    "agent": "gpt-5.6-sol",
    "model": "gpt-5.6-sol",
    "harness": "AB5D structured pipeline",
    "autonomy": "supervised",
    "tokens": {
      "input": 73323,
      "output": 3405,
      "estimated": false
    },
    "cost_usd": null,
    "links_verified": 12,
    "date": "2026-07-11",
    "note": "Structured return rendered by scripts/render_dossier.py; token counts are measured API usage."
  },
  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
    "name": "AB[500]",
    "url": "https://ab5d.xyz/artists/oliveskin/",
    "cite": "AB5D, \"oliveskin\", AB[500] artist dossier, ab5d.xyz, 2026",
    "required": false,
    "requested": true,
    "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required."
  },
  "generated": "2026-09-14T12:58:26"
}