{ "schema": "ab5d-dossier/1", "slug": "pandelune", "name": "Pandelune", "subtitle": "Systems of tension, transparency, and imagined material", "lede": "Across two Art Blocks projects, Pandelune moves from crowded geometric construction to luminous objects that appear suspended between glass, liquid, and light.", "url": "https://ab5d.xyz/artists/pandelune/", "bibliography_url": "https://ab5d.xyz/artists/pandelune/links/", "content_url": "https://ab5d.xyz/api/artists/pandelune.json", "updated": "2026-07-11", "tier": "standard", "editions": 818, "collections": 2, "otdh": { "rank": 75, "score": 17370, "collector_identities": 459, "holder_addresses": 460, "projects": 2, "current_works": 812, "raw_collector_days": 1314295, "median_project_hold_days": 1762, "snapshot_at": "2026-09-14T00:00:00.000Z", "methodology_url": "https://ab5d.xyz/artists/otdh/", "api_url": "https://ab5d.xyz/api/otdh/pandelune" }, "identity": { "artist": "Pandelune", "website": "https://pandelune.org/murano-fantasy/", "based": null, "practice": "Generative art centered on geometry, color, repetition, translucency, and the transformation of coded systems into image families.", "now": null, "raster": "https://www.raster.art/artist/pandelune", "otdh": "[17,370 · rank 75 of 308](/artists/otdh/#artist-pandelune)", "holding signal": "459 collector identities · 460 holder addresses · 1,314,295 raw collector-days · 14 Sep 2026", "collector tdh": "[pandeluneTDH](/artists/pandelune/pandelunetdh/) · dashboard" }, "socials": { "website": "https://pandelune.org/murano-fantasy/", "x": "@PandeluneA", "instagram": null }, "profile_image_url": "https://pbs.twimg.com/profile_images/1481971392740483072/reNobfLT_400x400.jpg", "profile_image_source": "https://x.com/PandeluneA", "works": [ { "name": "Orthogone", "editions": 777, "supply": 777, "artblocks_slug": "orthogone-by-pandelune", "url": "https://www.artblocks.io/collection/orthogone-by-pandelune" }, { "name": "Murano Fantasy", "editions": 41, "supply": 41, "artblocks_slug": "murano-fantasy-by-pandelune", "url": "https://www.artblocks.io/collection/murano-fantasy-by-pandelune" } ], "sections": [ { "heading": null, "paragraphs": [ "Pandelune’s place in the AB[500] rests on two projects that approach generative art through markedly different visual propositions. *Orthogone* belongs to the expansive logic of the Art Blocks Factory period, when artists tested how a single program could sustain hundreds of recognizable yet nonidentical compositions. *Murano Fantasy*, released later through Art Blocks Playground, contracts that scale and redirects attention toward the simulated behavior of translucent matter. The official collection record dates *Murano Fantasy* to November 9, 2021 and identifies 41 unique artworks. Together, the projects describe a practice less concerned with preserving one signature surface than with asking how rules establish visual identity.", "This distinction matters. Generative series are not merely groups of related images. They are distributions whose individual outputs disclose a larger designed possibility space. Art Blocks describes its broader field as a destination for generative art and organizes its archive through categories that include geometric, minimal, painterly, architectural, and digital-remnant aesthetics. Pandelune’s two projects move between several of these categories without settling completely inside any one of them. Geometry supplies the underlying discipline, but color, apparent depth, and material suggestion complicate the reading." ] }, { "heading": "Orthogonal abundance", "paragraphs": [ "*Orthogone* comprises exactly 777 editions. The title invokes right angles and perpendicular relations, giving the viewer an immediate conceptual key: these images develop through the collision, alignment, interruption, and accumulation of rectilinear units. Yet the series does not treat the grid as a neutral scaffold. Its framework is activated by chromatic contrast and variation in density. Bars and blocks can read as architecture, circuitry, woven pattern, urban plan, or compressed notation. Such associations remain provisional because the program continually returns them to abstraction.", "The project appeared during the first half of 2021. A contemporary NFT market report places *Orthogone* among the generative collections added in that period, alongside a broad field of early Art Blocks releases. An Art Blocks drop-day guide published in June 2021 used *Orthogone #0* as its lead illustration, placing Pandelune’s project inside the platform’s early public culture of live minting, delayed rendering, variable outputs, and collector discovery. That context is important because the work’s scale is experiential as well as numerical. A set of 777 invites comparison across many outputs, allowing recurrent structures to become visible only through sustained looking.", "Within individual compositions, orthogonality produces constraint without monotony. Horizontal and vertical elements repeatedly divide the field, but their proportions, colors, overlaps, and intervals alter the balance of every image. Some outputs suggest a shallow stack of colored strips. Others imply deeper construction, as if one were looking into a model assembled from beams, panes, and partitions. The ambiguity between diagram and object is one of the series’ strongest effects. A line can serve as an edge, a path, a separator, or the visible face of a volume.", "The selected outputs below make the series’ range legible. Their sequence moves through the collection without claiming a single ideal specimen. Dense and sparse arrangements coexist, as do muted and emphatic palettes. Repetition becomes a comparative instrument: the viewer begins to recognize not only what changes, but what Pandelune has chosen to keep structurally stable." ] }, { "heading": "From structure to substance", "paragraphs": [ "If *Orthogone* asks how much difference a rectilinear grammar can contain, *Murano Fantasy* asks whether code can make color appear materially embodied. Its title points toward Murano glass, but the qualifying word “Fantasy” prevents a simple claim of imitation. These are imagined substances. They borrow the perceptual cues of glass, including translucency, reflection, refraction, layered color, and rounded volume, while remaining computational images.", "The collection’s exact scale, 41 editions, changes the mode of attention. Compared with the 777 editions of *Orthogone*, it reads as a chamber work. The official Art Blocks record presents the series as a Playground release and provides a live view through which an output continues to be encountered as executable digital work rather than only as a fixed preview. This distinction between live rendering and marketplace thumbnail is central to Art Blocks’ presentation of generative projects. Its secondary-market interface similarly frames past releases as generative artworks available from collectors, retaining collection identity around individual tokens.", "The surviving visual language of *Orthogone* is not discarded. It is transformed. Color remains modular, and forms still appear organized by designed relations, but hard planar segmentation gives way to swelling, bending, and optical diffusion. Where *Orthogone* often asks the eye to trace boundaries, *Murano Fantasy* asks it to look through surfaces. The former tends toward assembly, the latter toward suspension.", "This transition demonstrates that materiality in digital art need not mean physical fabrication. It can arise through modeled behavior and perceptual expectation. Viewers recognize glass not because glass is present, but because light and form have been organized to trigger an accumulated visual knowledge of transparent objects. The result belongs to a longer computational practice of producing objects that seem to exceed the flatness of their display. Pandelune uses that apparent depth not as technical spectacle alone, but as the basis of a more sensuous color experience." ] }, { "heading": "The collection as medium", "paragraphs": [ "Read together, the projects clarify how collection size and rule design shape interpretation. *Orthogone* gains force through abundance. Its 777 editions let small formal decisions accumulate into a statistical portrait of the system. *Murano Fantasy* gains intensity through concentration. Its 41 editions make each object feel like a rarer excursion within a tightly bounded family. Neither scale is inherently superior. Each is an artistic parameter comparable to palette, composition, or duration.", "The historical record also shows how platform mechanics conditioned the reception of such work. The 2021 Art Blocks drop guide explains that outputs were randomly generated, that trait rarity could not be known until completion, and that rendering could take time during a release. Those practical details illuminate a viewing situation in which neither artist nor collector selected a finished image from a conventional inventory. The collection disclosed itself incrementally through transactions and computation. Pandelune’s authorship therefore resides in designing the range, relationships, and limits from which individual works emerge.", "Marketplace records preserve another layer of that history. An OpenSea item page for an *Orthogone* token maintains sections for traits, activity, price history, and the surrounding collection. These categories are commercial, but they also document how a generative artwork circulates simultaneously as image, coded output, token, and member of a series. NFT Valuations’ reports place both projects within release-period surveys of the generative market, recording *Orthogone* in the first half of 2021 and *Murano Fantasy* in the second.", "> Pandelune’s decisive medium is not geometry or simulated glass alone. It is the designed interval between a rule and the many images that rule can sustain.", "What emerges is a compact but instructive Art Blocks practice. Pandelune’s work demonstrates how a coherent generative identity can survive major changes in surface and scale. The rectilinear architecture of *Orthogone* and the translucent volumes of *Murano Fantasy* do not look alike in any superficial sense. Their deeper continuity lies in controlled variation, modular color, spatial ambiguity, and the conversion of a limited formal vocabulary into a field of distinct encounters." ] } ], "body_markdown": "Pandelune’s place in the AB[500] rests on two projects that approach generative art through markedly different visual propositions. *Orthogone* belongs to the expansive logic of the Art Blocks Factory period, when artists tested how a single program could sustain hundreds of recognizable yet nonidentical compositions. *Murano Fantasy*, released later through Art Blocks Playground, contracts that scale and redirects attention toward the simulated behavior of translucent matter. The official collection record dates *Murano Fantasy* to November 9, 2021 and identifies 41 unique artworks. Together, the projects describe a practice less concerned with preserving one signature surface than with asking how rules establish visual identity.\n\nThis distinction matters. Generative series are not merely groups of related images. They are distributions whose individual outputs disclose a larger designed possibility space. Art Blocks describes its broader field as a destination for generative art and organizes its archive through categories that include geometric, minimal, painterly, architectural, and digital-remnant aesthetics. Pandelune’s two projects move between several of these categories without settling completely inside any one of them. Geometry supplies the underlying discipline, but color, apparent depth, and material suggestion complicate the reading.\n\n## Orthogonal abundance\n\n*Orthogone* comprises exactly 777 editions. The title invokes right angles and perpendicular relations, giving the viewer an immediate conceptual key: these images develop through the collision, alignment, interruption, and accumulation of rectilinear units. Yet the series does not treat the grid as a neutral scaffold. Its framework is activated by chromatic contrast and variation in density. Bars and blocks can read as architecture, circuitry, woven pattern, urban plan, or compressed notation. Such associations remain provisional because the program continually returns them to abstraction.\n\nThe project appeared during the first half of 2021. A contemporary NFT market report places *Orthogone* among the generative collections added in that period, alongside a broad field of early Art Blocks releases. An Art Blocks drop-day guide published in June 2021 used *Orthogone #0* as its lead illustration, placing Pandelune’s project inside the platform’s early public culture of live minting, delayed rendering, variable outputs, and collector discovery. That context is important because the work’s scale is experiential as well as numerical. A set of 777 invites comparison across many outputs, allowing recurrent structures to become visible only through sustained looking.\n\nWithin individual compositions, orthogonality produces constraint without monotony. Horizontal and vertical elements repeatedly divide the field, but their proportions, colors, overlaps, and intervals alter the balance of every image. Some outputs suggest a shallow stack of colored strips. Others imply deeper construction, as if one were looking into a model assembled from beams, panes, and partitions. The ambiguity between diagram and object is one of the series’ strongest effects. A line can serve as an edge, a path, a separator, or the visible face of a volume.\n\nThe selected outputs below make the series’ range legible. Their sequence moves through the collection without claiming a single ideal specimen. Dense and sparse arrangements coexist, as do muted and emphatic palettes. Repetition becomes a comparative instrument: the viewer begins to recognize not only what changes, but what Pandelune has chosen to keep structurally stable.\n\n## From structure to substance\n\nIf *Orthogone* asks how much difference a rectilinear grammar can contain, *Murano Fantasy* asks whether code can make color appear materially embodied. Its title points toward Murano glass, but the qualifying word “Fantasy” prevents a simple claim of imitation. These are imagined substances. They borrow the perceptual cues of glass, including translucency, reflection, refraction, layered color, and rounded volume, while remaining computational images.\n\nThe collection’s exact scale, 41 editions, changes the mode of attention. Compared with the 777 editions of *Orthogone*, it reads as a chamber work. The official Art Blocks record presents the series as a Playground release and provides a live view through which an output continues to be encountered as executable digital work rather than only as a fixed preview. This distinction between live rendering and marketplace thumbnail is central to Art Blocks’ presentation of generative projects. Its secondary-market interface similarly frames past releases as generative artworks available from collectors, retaining collection identity around individual tokens.\n\nThe surviving visual language of *Orthogone* is not discarded. It is transformed. Color remains modular, and forms still appear organized by designed relations, but hard planar segmentation gives way to swelling, bending, and optical diffusion. Where *Orthogone* often asks the eye to trace boundaries, *Murano Fantasy* asks it to look through surfaces. The former tends toward assembly, the latter toward suspension.\n\nThis transition demonstrates that materiality in digital art need not mean physical fabrication. It can arise through modeled behavior and perceptual expectation. Viewers recognize glass not because glass is present, but because light and form have been organized to trigger an accumulated visual knowledge of transparent objects. The result belongs to a longer computational practice of producing objects that seem to exceed the flatness of their display. Pandelune uses that apparent depth not as technical spectacle alone, but as the basis of a more sensuous color experience.\n\n## The collection as medium\n\nRead together, the projects clarify how collection size and rule design shape interpretation. *Orthogone* gains force through abundance. Its 777 editions let small formal decisions accumulate into a statistical portrait of the system. *Murano Fantasy* gains intensity through concentration. Its 41 editions make each object feel like a rarer excursion within a tightly bounded family. Neither scale is inherently superior. Each is an artistic parameter comparable to palette, composition, or duration.\n\nThe historical record also shows how platform mechanics conditioned the reception of such work. The 2021 Art Blocks drop guide explains that outputs were randomly generated, that trait rarity could not be known until completion, and that rendering could take time during a release. Those practical details illuminate a viewing situation in which neither artist nor collector selected a finished image from a conventional inventory. The collection disclosed itself incrementally through transactions and computation. Pandelune’s authorship therefore resides in designing the range, relationships, and limits from which individual works emerge.\n\nMarketplace records preserve another layer of that history. An OpenSea item page for an *Orthogone* token maintains sections for traits, activity, price history, and the surrounding collection. These categories are commercial, but they also document how a generative artwork circulates simultaneously as image, coded output, token, and member of a series. NFT Valuations’ reports place both projects within release-period surveys of the generative market, recording *Orthogone* in the first half of 2021 and *Murano Fantasy* in the second.\n\n> Pandelune’s decisive medium is not geometry or simulated glass alone. It is the designed interval between a rule and the many images that rule can sustain.\n\nWhat emerges is a compact but instructive Art Blocks practice. Pandelune’s work demonstrates how a coherent generative identity can survive major changes in surface and scale. The rectilinear architecture of *Orthogone* and the translucent volumes of *Murano Fantasy* do not look alike in any superficial sense. Their deeper continuity lies in controlled variation, modular color, spatial ambiguity, and the conversion of a limited formal vocabulary into a field of distinct encounters.", "images": [ { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000000.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000086.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000172.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000259.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000345.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000431.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000517.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000604.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000690.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000776.png", "title": "Orthogone", "caption": "2021, series", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" }, { "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/193000013.png", "title": "Murano Fantasy", "caption": "2021", "rights": "Not CC0 - Art Blocks render, property of the artist/holders" } ], "references": [ { "n": 1, "note": "Art Blocks records Murano Fantasy as 41 unique artworks released on November 9, 2021.", "url": "https://www.artblocks.io/collection/murano-fantasy-by-pandelune", "label": "Art Blocks" }, { "n": 2, "note": "Art Blocks’ discovery archive organizes generative collections through program and aesthetic categories.", "url": "https://www.artblocks.io/discover", "label": "Art Blocks Discover" }, { "n": 3, "note": "NFT Valuations places Orthogone among generative collections from the first half of 2021.", "url": "https://static.nftvaluations.com/reports/20220801%20-%20NFT%20Market%20Report%20Teaser%20Final.pdf", "label": "Market report" }, { "n": 4, "note": "The Art Blocks drop-time guide uses Orthogone #0 and explains early platform release mechanics.", "url": "https://medium.com/the-link-art-blocks/drop-time-faq-d7e517e8c94c", "label": "The Link" }, { "n": 5, "note": "Art Blocks describes its secondary marketplace as a venue for acquiring generative works from past releases.", "url": "https://www.artblocks.io/secondary-marketplace", "label": "Secondary marketplace" }, { "n": 6, "note": "OpenSea maintains an item record for Orthogone #554 with traits, activity, and collection context.", "url": "https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000554", "label": "OpenSea record" }, { "n": 7, "note": "NFT Valuations places Murano Fantasy among generative collections released in the second half of 2021.", "url": "https://static.nftvaluations.com/reports/20221005%20-%20NFT%20Market%20Report%20Teaser.pdf", "label": "Market report" } ], "bibliography": [ { "category": "In the AB[500]: Art Blocks", "entries": [ { "note": "Art Blocks’ canonical collection page records Murano Fantasy’s artist, scale, and release date.", "url": "https://www.artblocks.io/collection/murano-fantasy-by-pandelune", "label": "Murano Fantasy", "meta": "collection · 2021" }, { "note": "The legacy project record provides an alternate institutional entry for Murano Fantasy.", "url": "https://www.artblocks.io/project/193", "label": "Murano Fantasy project", "meta": "archive · 2021" }, { "note": "Art Blocks’ discovery index places the projects within its wider generative-art archive.", "url": "https://www.artblocks.io/discover", "label": "Discover", "meta": "institutional archive · current" }, { "note": "Art Blocks explains how previously released generative artworks circulate through its secondary interface.", "url": "https://www.artblocks.io/secondary-marketplace", "label": "Secondary Marketplace", "meta": "market archive · current" } ] }, { "category": "Press and criticism", "entries": [ { "note": "The Link’s drop-time guide illustrates early Art Blocks culture with Orthogone #0 and documents release mechanics.", "url": "https://medium.com/the-link-art-blocks/drop-time-faq-d7e517e8c94c", "label": "Drop Time FAQ", "meta": "press guide · 2021" }, { "note": "A market report indexes Orthogone among generative collections from the first half of 2021.", "url": "https://static.nftvaluations.com/reports/20220801%20-%20NFT%20Market%20Report%20Teaser%20Final.pdf", "label": "NFT Market Report", "meta": "market research · 2022" }, { "note": "A later market report indexes Murano Fantasy among second-half 2021 generative releases.", "url": "https://static.nftvaluations.com/reports/20221005%20-%20NFT%20Market%20Report%20Teaser.pdf", "label": "NFT Market Report", "meta": "market research · 2022" } ] }, { "category": "Museums and institutions", "entries": [ { "note": "Art Blocks’ collaborations archive explains the platform’s institutional partnerships and co-branded generative releases.", "url": "https://www.artblocks.io/discover/collaborations", "label": "Collaborations", "meta": "institutional program · current" }, { "note": "The Tezos Foundation’s biannual report provides comparative institutional context for blockchain-art platforms and contributors.", "url": "https://tezosfoundation.ch/wp-content/uploads/2023/09/Tezos_Foundation_Biannual_September_23.pdf", "label": "Biannual Update", "meta": "institutional report · 2023" } ] }, { "category": "Galleries and exhibitions", "entries": [ { "note": "Dawn Contemporary describes a gallery program devoted to established and emerging generative artists.", "url": "https://www.alba.art/galleries/dawn-contemporary", "label": "Dawn Contemporary", "meta": "gallery profile · current" } ] }, { "category": "Essays, talks and podcasts", "entries": [ { "note": "Fxhash’s knowledge base explains the role of artists, collectors, curators, galleries, and museums in a generative-art ecosystem.", "url": "https://docs.fxhash.xyz/knowledge-base/quickstart", "label": "fxhash and Web3", "meta": "platform essay · current" }, { "note": "Fxhash documents how generative art is implemented and transacted on a blockchain.", "url": "https://docs.fxhash.xyz/knowledge-base/quickstart/genart-on-the-blockchain", "label": "Genart on the Blockchain", "meta": "technical essay · current" }, { "note": "Fxhash’s protocol overview contrasts long-form, short-form, and evolving forms of generative art.", "url": "https://docs.fxhash.xyz/usdfxh/protocol-overview", "label": "Protocol Overview", "meta": "technical essay · current" } ] }, { "category": "Auctions and catalogues", "entries": [ { "note": "OpenSea’s token record preserves the traits and transaction context of Orthogone #554.", "url": "https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000554", "label": "Orthogone #554", "meta": "marketplace record · current" } ] }, { "category": "Profiles and archives", "entries": [ { "note": "Raster aggregates Pandelune's tokenized works across platforms.", "url": "https://www.raster.art/artist/pandelune", "label": "Raster", "meta": "profile · ongoing" }, { "note": "Raster explains that its artist profiles aggregate tokenized works across networks and platforms.", "url": "https://www.raster.art/p/about", "label": "About Raster", "meta": "archive description · current" }, { "note": "Raster’s FAQ describes the scope of its artist and marketplace indexing.", "url": "https://www.raster.art/p/faq", "label": "Raster FAQ", "meta": "archive documentation · current" }, { "note": "Art Blocks’ current terms document the platform framework governing items, collections, scripts, and listings.", "url": "https://www.artblocks.io/user-terms.pdf?_rsc=yy7x5", "label": "Art Blocks terms", "meta": "platform archive · current" } ] }, { "category": "Video", "entries": [ { "note": "Art Blocks’ Murano Fantasy project record includes a live-view presentation of executable outputs.", "url": "https://www.artblocks.io/project/193", "label": "Murano Fantasy live view", "meta": "live digital presentation · 2021" } ] } ], "provenance": { "schema": "ab5d-provenance/1", "contributor": "ab500dao.eth", "agent": "gpt-5.6-sol", "model": "gpt-5.6-sol", "harness": "AB5D structured pipeline", "autonomy": "supervised", "tokens": { "input": 196867, "output": 5185, "estimated": false }, "cost_usd": null, "links_verified": 18, "date": "2026-07-11", "note": "Structured return rendered by scripts/render_dossier.py; token counts are measured API usage." }, "license": "https://ab5d.xyz/license/", "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.", "attribution": { "name": "AB[500]", "url": "https://ab5d.xyz/artists/pandelune/", "cite": "AB5D, \"Pandelune\", AB[500] artist dossier, ab5d.xyz, 2026", "required": false, "requested": true, "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required." }, "generated": "2026-09-14T12:58:26" }