{
  "schema": "ab5d-dossier/1",
  "slug": "stina-jones",
  "name": "Stina Jones",
  "subtitle": "Characters assembled at the threshold of drawing and code",
  "lede": "Stina Jones turns the graphic economy of the doodle into a generative language. In *Algobots*, modular robot parts become a population of distinct characters shaped jointly by drawing, code and chance.",
  "url": "https://ab5d.xyz/artists/stina-jones/",
  "bibliography_url": "https://ab5d.xyz/artists/stina-jones/links/",
  "content_url": "https://ab5d.xyz/api/artists/stina-jones.json",
  "updated": "2026-07-11",
  "tier": "standard",
  "editions": 500,
  "collections": 1,
  "otdh": {
    "rank": 128,
    "score": 14521,
    "collector_identities": 291,
    "holder_addresses": 291,
    "projects": 1,
    "current_works": 498,
    "raw_collector_days": 774464,
    "median_project_hold_days": 1773,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/stina-jones"
  },
  "identity": {
    "artist": "Stina Jones",
    "website": "https://stinajones.art/",
    "based": "Manchester, United Kingdom",
    "practice": "Digital media, illustration and generative systems, combining hand-drawn forms, graphic motifs and rule-based variation",
    "now": null,
    "raster": "https://www.raster.art/artist/stina-jones",
    "otdh": "[14,521 · rank 128 of 308](/artists/otdh/#artist-stina-jones)",
    "holding signal": "291 collector identities · 291 holder addresses · 774,464 raw collector-days · 14 Sep 2026",
    "collector tdh": "[sjTDH](/artists/stina-jones/sjtdh/) · dashboard"
  },
  "socials": {
    "website": "https://stinajones.art/",
    "x": "@stina_jones",
    "instagram": "stina_jones"
  },
  "profile_image_url": "https://pbs.twimg.com/profile_images/2077067731736649728/lpkv0Mhi_400x400.jpg",
  "profile_image_source": "https://x.com/stina_jones",
  "works": [
    {
      "name": "Algobots",
      "editions": 500,
      "supply": 500,
      "artblocks_slug": "algobots-by-stina-jones",
      "url": "https://www.artblocks.io/collection/algobots-by-stina-jones"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "Stina Jones works where illustration meets the generative system. Her images are economical but rarely simple: bold contours, vivid color and compact arrangements produce characters that appear immediately legible, then grow stranger under sustained attention. Jones describes a practice moving among character, symbol and abstraction, with technology, absurdity, the subconscious and everyday experience serving as recurring subjects. That movement is central to her importance within early blockchain-based generative art. Rather than treating code as a departure from drawing, she uses it to reorganize the instincts of a practiced illustrator.",
        "The resulting works often behave like diagrams for machines that cannot exist. Bodies are assembled from recognizable graphic signs, yet their purposes remain obscure. A screen, antenna, claw or wheel may suggest function without confirming it. This tension gives Jones's work its distinctive tone: playful without being merely cute, precise without becoming clinical. A 2021 profile observed that beneath the bright colors and clean lines of her characters sit emotions including tenderness, sadness and bewilderment. The same emotional ambiguity animates *Algobots*, where a comic robot can seem confident, anxious, officious or lost according to minute changes in posture and equipment."
      ]
    },
    {
      "heading": "Drawing becomes a system",
      "paragraphs": [
        "Jones's path toward generative art developed through an early affinity for both craft and computers. In an Art Blocks interview, she recalled making art from childhood and described digital media as a natural extension of traditional roots. Her introduction to crypto art came through KnownOrigin, whose original Manchester launch joined physical works, QR codes and blockchain records in 2018. The local encounter matters because it locates her adoption of blockchain within a working artistic community, not as an abstract conversion to financial technology.",
        "Before *Algobots*, Jones had already tested the productive friction between hand and machine in *GANOODLES*. She trained a generative adversarial network on her own character drawings, selected compelling transformations and reworked those results by hand. In the programmable *GANOODLE [Async Edition]*, owners could alter the body, eyes, frame and canvas layers, making variability part of the work's public life. These projects established a durable method: create a coherent vocabulary, expose it to a system, then exercise judgment over what the system makes possible.",
        "This process complicates any clean opposition between illustration and computation. Jones told Art Blocks that discovering generative and programmable art had blurred the boundaries between code and traditional drawing in her practice. Her systems do not erase authorship. They relocate it into the preparation of components, compatibility tests, constraints and iterative decisions. The artist draws not only the visible element but also the conditions under which elements may meet.",
        "> In Jones's work, a character is both an image and a temporary agreement among parts."
      ]
    },
    {
      "heading": "Five hundred mechanical personalities",
      "paragraphs": [
        "Released by Art Blocks on April 6, 2021, *Algobots* comprises exactly **500 editions**. Jones began with two enduring interests, SVG graphics and doodled robots, then drew components, tested how they combined and revised the library through iteration. Each output therefore belongs to a common visual grammar while presenting an individual configuration. The collection's achievement lies less in maximizing complexity than in showing how efficiently personality can emerge from controlled difference.",
        "The vector basis is conceptually significant. Jones identified *Algobots* as her first blockchain work delivered in a fully scalable vector format. Scalability preserves the crisp authority of her line at different display sizes, but SVG is more than a technical convenience here. It suits an art of discrete pieces, clear edges and recombinable structure. The same forms can read as limbs, tools, ornaments or communication devices depending on placement. Code conducts an inventory that remains visibly grounded in drawing.",
        "Across the 500 editions, repetition becomes the condition for close looking. A viewer learns the collection by comparison, noticing how an antenna changes a silhouette or how an asymmetrical attachment can turn a frontal figure into a performer, worker or improbable appliance. Jones has said that her collections are best viewed as wholes, since themes and meanings pass between individual pieces. *Algobots* rewards precisely that serial attention. No single output exhausts the project because each robot clarifies the shared system and reveals another of its exceptions."
      ]
    },
    {
      "heading": "License, circulation and public encounter",
      "paragraphs": [
        "*Algobots* also joined image-making to a practical proposition about use. Jones released the works with a NIFTY license, telling collectors that it would permit commercial use of the artwork. This choice extended generativity beyond the moment of minting. An output could circulate as an identity, design element or source for further production, while the collection retained an on-chain record of its origin. The project thus asks how a bounded edition can also become a usable cultural object.",
        "The series circulated beyond marketplace interfaces. SaveArtSpace's *Generative Generation* placed Art Blocks works in public advertising spaces around the San Francisco Bay Area, including *Algobots* #0 and #222. There, Jones's graphic clarity met the scale of the street. The robots' compact silhouettes could operate quickly at billboard distance, while their anomalous machinery resisted the instant legibility normally demanded by advertising. Their public appearance exposed a useful paradox: these born-digital images possess the visual directness of posters, icons and signs, yet decline to deliver a fixed message.",
        "Collector writing also records the project's early reception. Zeneca recalled that the release sold out rapidly and that missing the mint helped draw him more deeply into Art Blocks collecting. Such testimony is not a neutral market history, but it shows how affection and scarcity became intertwined around an accessible visual proposition. The robots offered an entry point into generative art because their variation could be grasped immediately, without reducing their formal sophistication."
      ]
    },
    {
      "heading": "From characters to signals",
      "paragraphs": [
        "Jones has continued to explore constraint as a means of intensifying choice. Her 2025 project *Sprites* comprises 32 compact on-chain works released under a Creative Commons license. In an interview about the series, she described compressionism as working with reduced canvases and elements so that each decision carries greater weight. This principle was already visible in *Algobots*. The apparent ease of the robots depends upon disciplined limitation: a controlled palette of components, a stable graphic syntax and enough difference to keep the population alive.",
        "Her broader archive demonstrates how this language moves among illustration, sketchbook work, animation, collaboration and generative art. Characters sometimes resolve into figures, while other compositions approach symbols, glitches or abstract signals. What persists is an interest in recognition at its unstable edge. The viewer sees a face or machine, but cannot fully name its purpose. Humor is the invitation, not the conclusion.",
        "*Algobots* therefore occupies a key position in Jones's practice. It translates the intimacy of doodling into a public system of 500 editions without sacrificing the irregular charge of the drawn character. Code supplies scale and variation, SVG supplies precision, and the component library supplies a cast. Yet the project finally depends on a less technical capacity: Jones's ability to make a few bold forms appear to think, worry, pose and improvise. These machines do nothing useful, and that is why they remain so expressive."
      ]
    }
  ],
  "body_markdown": "Stina Jones works where illustration meets the generative system. Her images are economical but rarely simple: bold contours, vivid color and compact arrangements produce characters that appear immediately legible, then grow stranger under sustained attention. Jones describes a practice moving among character, symbol and abstraction, with technology, absurdity, the subconscious and everyday experience serving as recurring subjects. That movement is central to her importance within early blockchain-based generative art. Rather than treating code as a departure from drawing, she uses it to reorganize the instincts of a practiced illustrator.\n\nThe resulting works often behave like diagrams for machines that cannot exist. Bodies are assembled from recognizable graphic signs, yet their purposes remain obscure. A screen, antenna, claw or wheel may suggest function without confirming it. This tension gives Jones's work its distinctive tone: playful without being merely cute, precise without becoming clinical. A 2021 profile observed that beneath the bright colors and clean lines of her characters sit emotions including tenderness, sadness and bewilderment. The same emotional ambiguity animates *Algobots*, where a comic robot can seem confident, anxious, officious or lost according to minute changes in posture and equipment.\n\n## Drawing becomes a system\n\nJones's path toward generative art developed through an early affinity for both craft and computers. In an Art Blocks interview, she recalled making art from childhood and described digital media as a natural extension of traditional roots. Her introduction to crypto art came through KnownOrigin, whose original Manchester launch joined physical works, QR codes and blockchain records in 2018. The local encounter matters because it locates her adoption of blockchain within a working artistic community, not as an abstract conversion to financial technology.\n\nBefore *Algobots*, Jones had already tested the productive friction between hand and machine in *GANOODLES*. She trained a generative adversarial network on her own character drawings, selected compelling transformations and reworked those results by hand. In the programmable *GANOODLE [Async Edition]*, owners could alter the body, eyes, frame and canvas layers, making variability part of the work's public life. These projects established a durable method: create a coherent vocabulary, expose it to a system, then exercise judgment over what the system makes possible.\n\nThis process complicates any clean opposition between illustration and computation. Jones told Art Blocks that discovering generative and programmable art had blurred the boundaries between code and traditional drawing in her practice. Her systems do not erase authorship. They relocate it into the preparation of components, compatibility tests, constraints and iterative decisions. The artist draws not only the visible element but also the conditions under which elements may meet.\n\n> In Jones's work, a character is both an image and a temporary agreement among parts.\n\n## Five hundred mechanical personalities\n\nReleased by Art Blocks on April 6, 2021, *Algobots* comprises exactly **500 editions**. Jones began with two enduring interests, SVG graphics and doodled robots, then drew components, tested how they combined and revised the library through iteration. Each output therefore belongs to a common visual grammar while presenting an individual configuration. The collection's achievement lies less in maximizing complexity than in showing how efficiently personality can emerge from controlled difference.\n\nThe vector basis is conceptually significant. Jones identified *Algobots* as her first blockchain work delivered in a fully scalable vector format. Scalability preserves the crisp authority of her line at different display sizes, but SVG is more than a technical convenience here. It suits an art of discrete pieces, clear edges and recombinable structure. The same forms can read as limbs, tools, ornaments or communication devices depending on placement. Code conducts an inventory that remains visibly grounded in drawing.\n\nAcross the 500 editions, repetition becomes the condition for close looking. A viewer learns the collection by comparison, noticing how an antenna changes a silhouette or how an asymmetrical attachment can turn a frontal figure into a performer, worker or improbable appliance. Jones has said that her collections are best viewed as wholes, since themes and meanings pass between individual pieces. *Algobots* rewards precisely that serial attention. No single output exhausts the project because each robot clarifies the shared system and reveals another of its exceptions.\n\n## License, circulation and public encounter\n\n*Algobots* also joined image-making to a practical proposition about use. Jones released the works with a NIFTY license, telling collectors that it would permit commercial use of the artwork. This choice extended generativity beyond the moment of minting. An output could circulate as an identity, design element or source for further production, while the collection retained an on-chain record of its origin. The project thus asks how a bounded edition can also become a usable cultural object.\n\nThe series circulated beyond marketplace interfaces. SaveArtSpace's *Generative Generation* placed Art Blocks works in public advertising spaces around the San Francisco Bay Area, including *Algobots* #0 and #222. There, Jones's graphic clarity met the scale of the street. The robots' compact silhouettes could operate quickly at billboard distance, while their anomalous machinery resisted the instant legibility normally demanded by advertising. Their public appearance exposed a useful paradox: these born-digital images possess the visual directness of posters, icons and signs, yet decline to deliver a fixed message.\n\nCollector writing also records the project's early reception. Zeneca recalled that the release sold out rapidly and that missing the mint helped draw him more deeply into Art Blocks collecting. Such testimony is not a neutral market history, but it shows how affection and scarcity became intertwined around an accessible visual proposition. The robots offered an entry point into generative art because their variation could be grasped immediately, without reducing their formal sophistication.\n\n## From characters to signals\n\nJones has continued to explore constraint as a means of intensifying choice. Her 2025 project *Sprites* comprises 32 compact on-chain works released under a Creative Commons license. In an interview about the series, she described compressionism as working with reduced canvases and elements so that each decision carries greater weight. This principle was already visible in *Algobots*. The apparent ease of the robots depends upon disciplined limitation: a controlled palette of components, a stable graphic syntax and enough difference to keep the population alive.\n\nHer broader archive demonstrates how this language moves among illustration, sketchbook work, animation, collaboration and generative art. Characters sometimes resolve into figures, while other compositions approach symbols, glitches or abstract signals. What persists is an interest in recognition at its unstable edge. The viewer sees a face or machine, but cannot fully name its purpose. Humor is the invitation, not the conclusion.\n\n*Algobots* therefore occupies a key position in Jones's practice. It translates the intimacy of doodling into a public system of 500 editions without sacrificing the irregular charge of the drawn character. Code supplies scale and variation, SVG supplies precision, and the component library supplies a cast. Yet the project finally depends on a less technical capacity: Jones's ability to make a few bold forms appear to think, worry, pose and improvise. These machines do nothing useful, and that is why they remain so expressive.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000000.png",
      "title": "Algobots #0",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000055.png",
      "title": "Algobots #55",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000111.png",
      "title": "Algobots #111",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000166.png",
      "title": "Algobots #166",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000222.png",
      "title": "Algobots #222",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000277.png",
      "title": "Algobots #277",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000333.png",
      "title": "Algobots #333",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000388.png",
      "title": "Algobots #388",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000444.png",
      "title": "Algobots #444",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000499.png",
      "title": "Algobots #499",
      "caption": "2021, Algobots",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "Jones's biography describes a practice spanning digital media, illustration and generative systems, with recurring themes of technology, absurdity and the subconscious.",
      "url": "https://stinajones.art/bio",
      "label": "artist-bio"
    },
    {
      "n": 2,
      "note": "Karen Frances Eng profiles Jones's emotional and technical approach to character-based crypto art.",
      "url": "https://karenfranceseng.medium.com/a-peek-into-the-fanciful-world-of-cryptoartist-stina-jones-6d0e6aa1b5fe",
      "label": "medium-profile"
    },
    {
      "n": 3,
      "note": "Art Blocks interviews Jones about her background, generative practice, Algobots process, vector format and licensing.",
      "url": "https://www.artblocks.io/articles/in-conversation-with-stina-jones",
      "label": "art-blocks-interview"
    },
    {
      "n": 4,
      "note": "KnownOrigin's retrospective documents its 2018 Manchester launch and includes an early work by Jones.",
      "url": "https://knownorigin.io/ramadzo",
      "label": "knownorigin-history"
    },
    {
      "n": 5,
      "note": "Jones's GANOODLES archive explains how she combined GAN transformations of her drawings with hand reworking.",
      "url": "https://stinajones.art/archive/ganoodles",
      "label": "ganoodles-archive"
    },
    {
      "n": 6,
      "note": "Async's artwork record explains the programmable layers and selectable states of GANOODLE [Async Edition].",
      "url": "https://www.async.art/gallery/masters",
      "label": "async-record"
    },
    {
      "n": 7,
      "note": "Art Blocks records Algobots as 500 unique works released on April 6, 2021.",
      "url": "https://www.artblocks.io/collection/algobots-by-stina-jones?attributes=%7B%22Antenna%22%3A%7B%22type%22%3A%22enum%22%2C%22options%22%3A%7B%22Magnets%22%3Atrue%7D%7D%7D",
      "label": "art-blocks-collection"
    },
    {
      "n": 8,
      "note": "SaveArtSpace documents Algobots #0 and #222 in its San Francisco Bay Area public-art presentation.",
      "url": "https://www.saveartspace.org/artblocks",
      "label": "saveartspace"
    },
    {
      "n": 9,
      "note": "Zeneca's collector essay recalls the rapid Algobots sellout and its role in his early engagement with Art Blocks.",
      "url": "https://www.zeneca.xyz/p/letter-19-art-blocks-2",
      "label": "collector-essay"
    },
    {
      "n": 10,
      "note": "The Sprites project page identifies a collection of 32 on-chain works released under a Creative Commons license.",
      "url": "https://sprites.stinajones.art/",
      "label": "sprites-project"
    },
    {
      "n": 11,
      "note": "Objkt's editorial feature discusses Jones's use of compression, modular thinking, constraint and CC0 distribution in Sprites.",
      "url": "https://blog.objkt.com/post/sprites-in-the-web3-world",
      "label": "objkt-interview"
    },
    {
      "n": 12,
      "note": "Jones's archive indexes work across generative art, illustration, animation, design, sketchbooks and collaboration.",
      "url": "https://stinajones.art/archive",
      "label": "artist-archive"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "Art Blocks records Algobots as a collection of 500 unique works released on April 6, 2021.",
          "url": "https://www.artblocks.io/collection/algobots-by-stina-jones?attributes=%7B%22Antenna%22%3A%7B%22type%22%3A%22enum%22%2C%22options%22%3A%7B%22Magnets%22%3Atrue%7D%7D%7D",
          "label": "Art Blocks",
          "meta": "collection · 2021"
        },
        {
          "note": "Art Blocks interviews Jones about the drawing, iteration, SVG format and license behind Algobots.",
          "url": "https://www.artblocks.io/articles/in-conversation-with-stina-jones",
          "label": "In Conversation with Stina Jones",
          "meta": "interview · 2021"
        },
        {
          "note": "Archipelago preserves a collection-specific record for Algobots #311.",
          "url": "https://archipelago.art/collections/algobots/311",
          "label": "Archipelago",
          "meta": "collection record · 2021"
        }
      ]
    },
    {
      "category": "Interviews",
      "entries": [
        {
          "note": "Karen Frances Eng interviews and profiles Jones around the programmable GANOODLE project.",
          "url": "https://karenfranceseng.medium.com/a-peek-into-the-fanciful-world-of-cryptoartist-stina-jones-6d0e6aa1b5fe",
          "label": "A Peek into the Fanciful World",
          "meta": "interview · 2021"
        },
        {
          "note": "Objkt discusses Sprites, compressionism, modular thinking and creative constraint with Jones.",
          "url": "https://blog.objkt.com/post/sprites-in-the-web3-world",
          "label": "Sprites in the Web3 World",
          "meta": "interview · 2025"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "1stDibs Introspective discusses Jones's participation in the women-led exhibition IDentity: (Self)-Made by Women.",
          "url": "https://www.1stdibs.com/introspective-magazine/?p=1006811",
          "label": "Women NFT Artists in the Metaverse",
          "meta": "criticism · 2022"
        },
        {
          "note": "Zeneca recounts Algobots as an influential encounter during his early Art Blocks collecting.",
          "url": "https://www.zeneca.xyz/p/letter-19-art-blocks-2",
          "label": "Letter 19: Art Blocks (2)",
          "meta": "essay · 2021"
        },
        {
          "note": "The NonFungible 2020 market report includes Jones in its analysis of early crypto-art creators.",
          "url": "https://nonfungible.com/static/reports/2020-yearly-nft-market-report.pdf",
          "label": "NFT Market Report 2020",
          "meta": "report · 2021"
        }
      ]
    },
    {
      "category": "Museums and institutions",
      "entries": [
        {
          "note": "SaveArtSpace documents the inclusion of Algobots #0 and #222 in its San Francisco Bay Area public-art project.",
          "url": "https://www.saveartspace.org/artblocks",
          "label": "Generative Generation",
          "meta": "public art · 2021"
        }
      ]
    },
    {
      "category": "Galleries and exhibitions",
      "entries": [
        {
          "note": "A 1stDibs corporate release lists Jones among the artists in IDentity: (Self)-Made by Women.",
          "url": "https://s203.q4cdn.com/756296962/files/doc_news/2022/newspr2/mar-9-22-Pr.pdf",
          "label": "1stDibs NFT Platform Update",
          "meta": "exhibition · 2022"
        },
        {
          "note": "An archived copy of the 2016 Upfest program lists Jones among participating artists in Bristol's urban art festival.",
          "url": "https://www.scribd.com/document/317542893/upfest-2016-map",
          "label": "Upfest 2016",
          "meta": "festival · 2016"
        }
      ]
    },
    {
      "category": "Essays, talks and podcasts",
      "entries": [
        {
          "note": "Jones's GANOODLES project essay explains the feedback loop between her drawings, GAN processing and manual revision.",
          "url": "https://stinajones.art/archive/ganoodles",
          "label": "GANOODLES",
          "meta": "project essay · 2025"
        },
        {
          "note": "Jones's archive provides dated notes on generative, animated, collaborative and illustration projects.",
          "url": "https://stinajones.art/archive",
          "label": "Art archive",
          "meta": "archive · 2026"
        }
      ]
    },
    {
      "category": "Auctions and catalogues",
      "entries": [
        {
          "note": "Nifty Gateway's Artefacts catalogue describes Jones's character-based collection and its June 2021 release.",
          "url": "https://www.niftygateway.com/collections/stinaartefacts/",
          "label": "Artefacts by Stina Jones",
          "meta": "catalogue · 2021"
        },
        {
          "note": "Nifty Gateway records Jones's Work in Progress in the Seneca Women Equality Collection.",
          "url": "https://www.niftygateway.com/collections/senecawomen-vol-1/",
          "label": "Seneca Women Equality Collection",
          "meta": "catalogue · 2022"
        },
        {
          "note": "SuperRare catalogues Haze in Jones's sixteen-work Sketchbook collection.",
          "url": "https://superrare.com/artwork/eth/0xc5b1cCc2245871d171431287A07dC83fcC448750/12",
          "label": "Haze",
          "meta": "catalogue · 2025"
        },
        {
          "note": "Raster records The Oracle by Jones as a 2021 edition of 40 released through Nifty Gateway.",
          "url": "https://www.raster.art/artwork/the-oracle-by-stina-jones",
          "label": "The Oracle",
          "meta": "market archive · 2021"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Raster aggregates Stina Jones's tokenized works across platforms.",
          "url": "https://www.raster.art/artist/stina-jones",
          "label": "Raster",
          "meta": "profile · ongoing"
        },
        {
          "note": "Jones's biography outlines her media, themes and approach to ambiguous robotic and organic forms.",
          "url": "https://stinajones.art/bio",
          "label": "Artist biography",
          "meta": "profile · 2026"
        },
        {
          "note": "Kanbas profiles Jones and describes her generative Signal Boards project.",
          "url": "https://kanbas.art/artists/stina-jones",
          "label": "Kanbas artist profile",
          "meta": "profile · 2026"
        },
        {
          "note": "The Line maintains an artist and blockchain-market archive for Jones.",
          "url": "https://www.theline.wtf/artists/stina-jones",
          "label": "The Line 665",
          "meta": "archive · 2026"
        },
        {
          "note": "Behance records Jones's illustration and design practice in Manchester.",
          "url": "https://www.behance.net/stinajones?locale=en_US",
          "label": "Behance profile",
          "meta": "profile · ongoing"
        },
        {
          "note": "KnownOrigin's historical retrospective features Jones among the artists associated with its 2018 Manchester origins.",
          "url": "https://knownorigin.io/ramadzo",
          "label": "KnownOrigin 2018-2024",
          "meta": "platform archive · 2024"
        }
      ]
    },
    {
      "category": "Video",
      "entries": [
        {
          "note": "Async's interactive art archive documents GANOODLE [Async Edition] and its user-controlled visual states.",
          "url": "https://www.async.art/gallery/masters",
          "label": "Async Classic Art Editor",
          "meta": "interactive archive · 2021"
        }
      ]
    }
  ],
  "provenance": {
    "schema": "ab5d-provenance/1",
    "contributor": "ab500dao.eth",
    "agent": "gpt-5.6-sol",
    "model": "gpt-5.6-sol",
    "harness": "AB5D structured pipeline",
    "autonomy": "supervised",
    "tokens": {
      "input": 289572,
      "output": 6319,
      "estimated": false
    },
    "cost_usd": null,
    "links_verified": 25,
    "date": "2026-07-11",
    "note": "Structured return rendered by scripts/render_dossier.py; token counts are measured API usage."
  },
  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
    "name": "AB[500]",
    "url": "https://ab5d.xyz/artists/stina-jones/",
    "cite": "AB5D, \"Stina Jones\", AB[500] artist dossier, ab5d.xyz, 2026",
    "required": false,
    "requested": true,
    "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required."
  },
  "generated": "2026-09-14T12:58:26"
}