{
  "schema": "ab5d-dossier/1",
  "slug": "tezumie",
  "name": "Tezumie",
  "subtitle": "Systems of structure, variation, and release",
  "lede": "Tezumie's code-based practice joins geometric construction to an exploratory approach toward color, composition, and controlled randomness.",
  "url": "https://ab5d.xyz/artists/tezumie/",
  "bibliography_url": "https://ab5d.xyz/artists/tezumie/links/",
  "content_url": "https://ab5d.xyz/api/artists/tezumie.json",
  "updated": "2026-07-11",
  "tier": "compact",
  "editions": 87,
  "collections": 1,
  "otdh": {
    "rank": 288,
    "score": 6527,
    "collector_identities": 59,
    "holder_addresses": 59,
    "projects": 1,
    "current_works": 86,
    "raw_collector_days": 82799,
    "median_project_hold_days": 1105,
    "snapshot_at": "2026-09-14T00:00:00.000Z",
    "methodology_url": "https://ab5d.xyz/artists/otdh/",
    "api_url": "https://ab5d.xyz/api/otdh/tezumie"
  },
  "identity": {
    "artist": "Tezumie",
    "website": "https://tezumie.github.io/",
    "based": null,
    "practice": "Generative art, illustration, pixel art, and browser-based creative tools",
    "now": null,
    "raster": "https://www.raster.art/artist/tezumie",
    "otdh": "[6,527 · rank 288 of 308](/artists/otdh/#artist-tezumie)",
    "holding signal": "59 collector identities · 59 holder addresses · 82,799 raw collector-days · 14 Sep 2026",
    "collector tdh": "[tezumieTDH](/artists/tezumie/tezumietdh/) · dashboard"
  },
  "socials": {
    "website": "https://tezumie.github.io/",
    "x": null,
    "instagram": null
  },
  "profile_image_url": null,
  "profile_image_source": null,
  "works": [
    {
      "name": "Assembly",
      "editions": 87,
      "supply": 87,
      "artblocks_slug": "assembly-by-tezumie",
      "url": "https://www.artblocks.io/collection/assembly-by-tezumie"
    }
  ],
  "sections": [
    {
      "heading": null,
      "paragraphs": [
        "Tezumie describes a practice formed through the convergence of two long-standing interests: making images and understanding computers. An early encounter with digital drawing and Blender's visual scripting suggested that software could animate imagined worlds. After military service and a period in college, designing a patch for a former unit renewed an interest in art. Encountering NFTs and the Tezos community then supplied a practical reason to learn programming through generative image-making.",
        "This self-directed route remains important to the work. Tezumie has said that conventional programming initially appeared intimidating, while visual feedback made code approachable. Tutorials by Daniel Shiffman became a gateway into creative coding, where each alteration could be evaluated as an immediate change in form. The resulting practice is technically iterative but visually broad, moving among abstraction, landscape, illustration, and pixel-based aesthetics. The artist's 256ART profile accordingly identifies generative art, illustration, and pixel art as connected fields rather than separate activities."
      ]
    },
    {
      "heading": "Constructing the output space",
      "paragraphs": [
        "*Assembly* concentrates Tezumie's interest in ordered geometry and bounded variation. Art Blocks records the project as 87 unique artworks released on July 26, 2023. Its compositions organize block-like forms into layered structures whose apparent solidity is complicated by shifts in scale, overlap, color, and orientation. Individual outputs can resemble architectural elevations, stacked components, or diagrams for objects that could never be assembled physically.",
        "The series is best understood not as the repetition of a fixed motif, but as the design of a field of related possibilities. During development, Tezumie initially constrained the backgrounds toward pale shades. Feedback during the Art Blocks review process encouraged greater freedom in those parameters, widening the project's visual range and reducing homogeneity. That adjustment reveals a central problem in long-form generative art: the artist must preserve a recognizable system while allowing individual results to establish their own visual identities."
      ]
    },
    {
      "heading": "Between control and discovery",
      "paragraphs": [
        "Tezumie's wider production clarifies the stakes of *Assembly*. Before its release, the artist had made eight non-profile-picture projects on fxhash and later released *Entangled* through 256ART. On that platform, *Entangled* uses Fibonacci-sequenced or random points and Delaunay triangulation to divide a confined area, translating a conceptual tension between freedom and restriction into a procedural structure. *Frontier*, by contrast, applies bold geometric forms and flowing lines to the landscapes of Wyoming, explicitly drawing on vector-based Precisionism. These projects show code being used both to abstract the world and to reconstruct recognizable environments.",
        "Across those differences, Tezumie consistently treats randomness as something composed rather than merely activated. The artist has explained that each project requires a different method for controlling variation and that collector responses can diverge sharply from personal preferences. This tension gives *Assembly* its particular energy. Its algorithm establishes a visual grammar, yet the 87 editions demonstrate how a grammar can support contrast rather than sameness.",
        "The practice also extends from artworks into tools. In 2023, Tezumie discussed developing AIJS, a browser-based, AI-enhanced creative coding editor, and a 2024 Gorilla Sun account emphasized that the tool was designed by a practicing creative coder around the needs of that workflow. Such development frames software not only as a hidden means of production but as a cultural object that shapes how images are imagined, tested, and shared. *Assembly* occupies this broader ecology as both a finished collection and evidence of sustained inquiry into what visual systems can permit."
      ]
    }
  ],
  "body_markdown": "Tezumie describes a practice formed through the convergence of two long-standing interests: making images and understanding computers. An early encounter with digital drawing and Blender's visual scripting suggested that software could animate imagined worlds. After military service and a period in college, designing a patch for a former unit renewed an interest in art. Encountering NFTs and the Tezos community then supplied a practical reason to learn programming through generative image-making.\n\nThis self-directed route remains important to the work. Tezumie has said that conventional programming initially appeared intimidating, while visual feedback made code approachable. Tutorials by Daniel Shiffman became a gateway into creative coding, where each alteration could be evaluated as an immediate change in form. The resulting practice is technically iterative but visually broad, moving among abstraction, landscape, illustration, and pixel-based aesthetics. The artist's 256ART profile accordingly identifies generative art, illustration, and pixel art as connected fields rather than separate activities.\n\n## Constructing the output space\n\n*Assembly* concentrates Tezumie's interest in ordered geometry and bounded variation. Art Blocks records the project as 87 unique artworks released on July 26, 2023. Its compositions organize block-like forms into layered structures whose apparent solidity is complicated by shifts in scale, overlap, color, and orientation. Individual outputs can resemble architectural elevations, stacked components, or diagrams for objects that could never be assembled physically.\n\nThe series is best understood not as the repetition of a fixed motif, but as the design of a field of related possibilities. During development, Tezumie initially constrained the backgrounds toward pale shades. Feedback during the Art Blocks review process encouraged greater freedom in those parameters, widening the project's visual range and reducing homogeneity. That adjustment reveals a central problem in long-form generative art: the artist must preserve a recognizable system while allowing individual results to establish their own visual identities.\n\n## Between control and discovery\n\nTezumie's wider production clarifies the stakes of *Assembly*. Before its release, the artist had made eight non-profile-picture projects on fxhash and later released *Entangled* through 256ART. On that platform, *Entangled* uses Fibonacci-sequenced or random points and Delaunay triangulation to divide a confined area, translating a conceptual tension between freedom and restriction into a procedural structure. *Frontier*, by contrast, applies bold geometric forms and flowing lines to the landscapes of Wyoming, explicitly drawing on vector-based Precisionism. These projects show code being used both to abstract the world and to reconstruct recognizable environments.\n\nAcross those differences, Tezumie consistently treats randomness as something composed rather than merely activated. The artist has explained that each project requires a different method for controlling variation and that collector responses can diverge sharply from personal preferences. This tension gives *Assembly* its particular energy. Its algorithm establishes a visual grammar, yet the 87 editions demonstrate how a grammar can support contrast rather than sameness.\n\nThe practice also extends from artworks into tools. In 2023, Tezumie discussed developing AIJS, a browser-based, AI-enhanced creative coding editor, and a 2024 Gorilla Sun account emphasized that the tool was designed by a practicing creative coder around the needs of that workflow. Such development frames software not only as a hidden means of production but as a cultural object that shapes how images are imagined, tested, and shared. *Assembly* occupies this broader ecology as both a finished collection and evidence of sustained inquiry into what visual systems can permit.",
  "images": [
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000000.png",
      "title": "Assembly, articulated structure",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000017.png",
      "title": "Assembly, chromatic stack",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000034.png",
      "title": "Assembly, layered construction",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000052.png",
      "title": "Assembly, shifting modules",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000069.png",
      "title": "Assembly, balanced components",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    },
    {
      "url": "https://media-proxy.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000086.png",
      "title": "Assembly, terminal configuration",
      "caption": "2023, Assembly",
      "rights": "Not CC0 - Art Blocks render, property of the artist/holders"
    }
  ],
  "references": [
    {
      "n": 1,
      "note": "Tezumie's 256ART profile supplies the artist's account of learning art and programming and identifies the practice's principal media.",
      "url": "https://256.art/artist/tezumie",
      "label": "256ART profile"
    },
    {
      "n": 2,
      "note": "Gorilla Sun's interview documents Tezumie's creative-coding education, long-form practice, Art Blocks review process, and approach to randomness.",
      "url": "https://www.gorillasun.de/blog/interview-tezumie/",
      "label": "Gorilla Sun interview"
    },
    {
      "n": 3,
      "note": "Art Blocks records Assembly as 87 unique artworks released on July 26, 2023.",
      "url": "https://www.artblocks.io/collection/assembly-by-tezumie",
      "label": "Art Blocks collection"
    },
    {
      "n": 4,
      "note": "256ART explains Entangled's use of point selection, confinement, and Delaunay triangulation.",
      "url": "https://256.art/",
      "label": "256ART platform record"
    },
    {
      "n": 5,
      "note": "The Frontier project record connects Tezumie's geometric landscape system to Wyoming and Precisionism.",
      "url": "https://256.art/artwork/frontier-2",
      "label": "Frontier record"
    },
    {
      "n": 6,
      "note": "Gorilla Newsletter 44 discusses AIJS as a browser-based tool shaped by Tezumie's experience as a creative coder.",
      "url": "https://www.gorillasun.de/blog/gorilla-newsletter-44/",
      "label": "Gorilla Newsletter 44"
    }
  ],
  "bibliography": [
    {
      "category": "In the AB[500]: Art Blocks",
      "entries": [
        {
          "note": "The official collection record gives Assembly's release date and 87-work edition size.",
          "url": "https://www.artblocks.io/collection/assembly-by-tezumie",
          "label": "Art Blocks",
          "meta": "collection · 2023"
        }
      ]
    },
    {
      "category": "Interviews",
      "entries": [
        {
          "note": "This extended conversation covers Tezumie's background, creative process, long-form releases, Assembly, and software development.",
          "url": "https://www.gorillasun.de/blog/interview-tezumie/",
          "label": "Gorilla Sun",
          "meta": "interview · 2023"
        }
      ]
    },
    {
      "category": "Press and criticism",
      "entries": [
        {
          "note": "An article on code-native art includes Tezumie's WarpField among projects discussed in relation to executable generative systems.",
          "url": "https://www.electric-chronicles.com/articles/i9bwz426m1ejw8qk7te0cia31psbz6",
          "label": "Electric Chronicles",
          "meta": "criticism · 2025"
        }
      ]
    },
    {
      "category": "Essays, talks and podcasts",
      "entries": [
        {
          "note": "This newsletter introduces the Tezumie interview and places the artist's output across fxhash, 256ART, and Art Blocks.",
          "url": "https://www.gorillasun.de/blog/gorilla-newsletter-24/",
          "label": "Gorilla Newsletter 24",
          "meta": "essay · 2023"
        },
        {
          "note": "This newsletter discusses Tezumie's AIJS editor as a tool designed from a creative coder's perspective.",
          "url": "https://www.gorillasun.de/blog/gorilla-newsletter-44/",
          "label": "Gorilla Newsletter 44",
          "meta": "essay · 2024"
        }
      ]
    },
    {
      "category": "Auctions and catalogues",
      "entries": [
        {
          "note": "The Frontier record documents a long-form, on-chain landscape project inspired by Wyoming and Precisionism.",
          "url": "https://256.art/artwork/frontier-2",
          "label": "256ART Frontier",
          "meta": "catalogue · 2023"
        },
        {
          "note": "The Drawn Apart record preserves a separate generative release by Tezumie in 256ART's project catalogue.",
          "url": "https://256.art/artwork/drawn-apart-2",
          "label": "256ART Drawn Apart",
          "meta": "catalogue · 2024"
        },
        {
          "note": "The 256ART platform record explains the mechanics and conceptual framework of Entangled.",
          "url": "https://256.art/",
          "label": "256ART Entangled",
          "meta": "catalogue · 2022"
        }
      ]
    },
    {
      "category": "Profiles and archives",
      "entries": [
        {
          "note": "Raster aggregates Tezumie's tokenized works across platforms.",
          "url": "https://www.raster.art/artist/tezumie",
          "label": "Raster",
          "meta": "profile · ongoing"
        },
        {
          "note": "Tezumie's 256ART profile contains an autobiographical account, practice statement, interview, and release list.",
          "url": "https://256.art/artist/tezumie",
          "label": "256ART",
          "meta": "profile · 2023"
        },
        {
          "note": "The artist's itch.io page archives browser-based creative tools and identifies an ongoing interest in software art.",
          "url": "https://tezumie.itch.io/",
          "label": "itch.io",
          "meta": "archive · 2026"
        }
      ]
    }
  ],
  "provenance": {
    "schema": "ab5d-provenance/1",
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    "agent": "gpt-5.6-sol",
    "model": "gpt-5.6-sol",
    "harness": "AB5D structured pipeline",
    "autonomy": "supervised",
    "tokens": {
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      "output": 2925,
      "estimated": false
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    "cost_usd": null,
    "links_verified": 11,
    "date": "2026-07-11",
    "note": "Structured return rendered by scripts/render_dossier.py; token counts are measured API usage."
  },
  "license": "https://ab5d.xyz/license/",
  "license_note": "Dossier prose is CC0. Embedded Art Blocks renders are not: they remain the property of their respective artists and holders.",
  "attribution": {
    "name": "AB[500]",
    "url": "https://ab5d.xyz/artists/tezumie/",
    "cite": "AB5D, \"Tezumie\", AB[500] artist dossier, ab5d.xyz, 2026",
    "required": false,
    "requested": true,
    "note": "Prose is CC0; a credit and link back to ab5d.xyz is appreciated, not required."
  },
  "generated": "2026-09-14T12:58:26"
}