Ben Kovach: links

The official artist record situates Edifice and 100 PRINT within Kovach's Art Blocks practice.

The official collection page records Edifice's 976 editions and November 2021 release.

OpenSea's collection record archives Edifice on its secondary marketplace.

OpenSea's collection record documents the 100-work supply and May 2022 launch context of 100 PRINT.

This dated Marfa conversation addresses Kovach's influences, Haskell workflow, career transition, color, and creative process.

Le Random's collection entry preserves Kovach's description of Edifice as 976 deteriorating structures and records its mint date.

The GEN/GEN press release situates Kovach within a six-decade account of generative practice.

GAZELL.iO documents the scope, participants, and intergenerational premise of GEN/GEN.

Gazelli's virtual exhibition archive preserves installation material and artist information for GEN/GEN.

Bright Moments recounts the physical installation and in-person selection structure of 100 PRINT.

Bright Moments' project archive lists 100 PRINT among works presented through its program.

Cortesi Gallery's fair preview documents Kovach's inclusion in its C-VERSO presentation at The Armory Show.

Kovach's extensive Edifice essay explains long-form development, testing, mechanics, traits, and collection discovery.

Kovach explains the Haskell library and geometric techniques behind Inertia.

Kovach examines the artistic and technical difficulties specific to generative work.

Kovach's Concept essay considers authenticity, ownership, display, and the value assigned to an intentionally transparent image.

Kovach's writing index gathers project accounts including Edifice, Concept, 100 PRINT, Inertia, and Doomscrolling.

Raster aggregates Ben Kovach's tokenized works across platforms.

Le Random identifies Kovach as a Vermont-based artist making generative algorithmic work with a naturalist aesthetic.

PROOF's artist archive indexes Kovach and editorial material on his mathematical and generative practice.

Kovach's substantive biography and artist statement describe his procedural practice and relationship to surprise.

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