Cole Sternberg: links

Sternberg introduces the summer project through extreme heat, ecological fear, and generative form.

Flavorwire discusses Sternberg’s education, early exhibitions, mixed media, and textual strategies.

Metal Magazine addresses Sternberg’s 22-day Pacific voyage and the environmental production of his paintings.

Autre examines Sternberg’s legal background and his conception of the Free Republic of California.

Sleek considers the relationship between Sternberg’s painting process and environmental forces.

The Vale Magazine discusses the campus-wide environmental project thirsty while drowning.

Surface presents Sternberg’s account of a focal work associated with FREESTATE.

LAist examines an earlier body of work built from celebrity media and social content.

Contemporary Art Review Los Angeles analyzes the political language and communal ambitions of FREESTATE.

ESMoA documents the duration, curatorship, installations, and public programs of FREESTATE.

Villanova University describes Sternberg’s campus-wide exhibition focused on environmental sustainability.

Ocula documents Sternberg’s solo debut in Asia, including 11 paintings and a feature-length film.

Yeo Workshop’s catalogue situates Sternberg’s work within the ecological concerns of Threads and Tensions.

The artist’s exhibition archive gathers documentation and institutional links for previous presentations.

The Generosity as Medium interview surveys Sternberg’s studio practice, Pacific voyage, civic project, and working methods.

Raster aggregates Cole Sternberg's tokenized works across platforms.

Yeo Workshop’s artist document provides a biography and exhibition history for Sternberg.

The artist’s image archive documents installations, paintings, and works from FREESTATE and other projects.

ESMoA’s FREESTATE record includes a virtual tour and an archive of public programs.