Gerard Ferrandez (ge1doot): links

The official collection page records Ignition as 512 unique works released January 8, 2021.

The official collection record identifies R3sonance as 512 unique works released February 28, 2021.

The official collection record identifies Utopia as 256 unique works released February 7, 2021.

The official collection record identifies Aurora IV as 128 unique works released April 24, 2021.

Jeff Davis’s Art Blocks conversation covers Ferrandez’s 8-bit beginnings, iterative method, WebGL practice, and Ignition.

HackerRank discusses Ferrandez’s definition of creative coding and the relationship between his art and professional programming.

Ham 94 reads Ignition through rotation, darkness, light, and the visual language of deep space.

Right Click Save’s account of generative-art lineages supplies critical context for rule-based human-machine practices.

ZKM’s CryptoArt exhibition includes multiple examples from Ferrandez’s Ignition and R3sonance series.

Materia’s collection presentation includes ge1doot and Utopia among foundational Art Blocks holdings.

Plotter Materials Issue One places ge1doot in a cross-generational survey of tools used for machine drawing.

An early HotScripts listing archives Ferrandez’s interactive Dynamic HTML art demonstrations and their open-source distribution.

NFT Valuations’ market-report teaser includes Aurora IV in its overview of supported generative collections.

A second NFT Valuations report identifies Ignition and R3sonance within its collection coverage.

Raster aggregates Gerard Ferrandez (ge1doot)'s tokenized works across platforms.

Sealed archives the public wallet presentation associated with ge1doot and its created and collected works.

OpenSea’s account page preserves a marketplace profile identifying ge1doot as a creator of interactive NFTs.

An Art Blocks token page preserves the traits, ownership state, and live-render option for an Ignition output.

Ferrandez’s initial-release record documents Where the Shadows Wait as a WebGL2 generative city built from procedural rules and temporal shadows.

A CodePen recreation explicitly cites Ferrandez’s never force as its source and demonstrates the work’s influence on other coders.

A CodePen adaptation credits Ferrandez’s original Metaballs experiment and exposes the implementation in executable form.

A further CodePen experiment identifies Ferrandez’s flowers as the basis for its animated construction.

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