Luke Shannon: links

The official collection page records 256 unique artworks and a May 1, 2021 release.

Shannon discusses The Opera, the viewer’s role, live minting, and movement between digital and physical media.

Shannon reflects on Lightbreak, materiality, art history, DIY culture, and generative art as performance.

Sofia Garcia and Maya Man examine Replacement Character and the plotter-scanner’s relation to surveillance, intimacy, and contingency.

Princeton’s Lewis Center documents Lightbreak in the Thomas Edison Film Festival’s 2024 touring program.

Bright Moments records Shannon’s October 2022 residency and the live presentation of Orchids in Venice Beach.

Heft Gallery presents Replacement Character as an investigation of selfhood and surveillance through a custom life-size scanner.

The exhibition release details Replacement Character’s New York run, forty unique life-size prints, and subsequent Paris Photo presentation.

ARTXCODE explains how Seating Arrangements converts generative blueprints into prints and freestanding wooden chairs.

Raster aggregates Luke Shannon's tokenized works across platforms.

Kanbas summarizes Shannon’s code-based and material practice, including his use of plotters, embroidery machines, clay, and scanning.

Bright Moments’ artist directory preserves Shannon’s statement on syntactical code, chance, and the viewing act.

The Anifilm 2024 catalogue lists Lightbreak as a United States production directed, designed, and scored by Shannon.

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