Martin Grasser: links

The marketplace record independently identifies the collection and its 196 works.

Bright Moments presents Grasser discussing his unconventional route from illustration into typography, design, and art.

Digiday examines the geometric construction of the Twitter bird and connects that process to Grasser's generative practice.

NFT Now profiles Grasser's movement from corporate design into generative art.

It's Nice That reviews Color Dot as a typeface and browser-based experiment in wordless communication.

The Toledo Museum of Art's Infinite Images project documents Themes & Variations #368 and its joint attribution to Molnár and Grasser.

The Ludwig Museum's exhibition booklet identifies Themes and Variations as a collaboration with Grasser centered on transformed letterforms.

Glitch Marfa contextualizes Themes and Variations through Molnár's letter-based work and the collaboration's algorithmic development.

ATypI's speaker archive summarizes Grasser's iterative studio method, typography, and commercial design practice.

PRINT discusses Grasser's abstract type generator and its invitation for users to create through adjustable rules.

Sotheby's catalogue entry records Themes and Variations #111 as a unique work from the 500-output collaboration.

Raster aggregates Martin Grasser's tokenized works across platforms.

Dyslexic Design Thinking profiles Grasser's work across corporate design, fine art, type, and Squares.

MOTZKO documents collected works by Grasser spanning LOVE, Squares, and the Vera Molnár collaboration Themes and Variations.

CDT reports on the history and retirement of the 2012 Twitter bird designed by Grasser, Waterbury, and Che.