Mitchell F. Chan: links

The official collection record identifies 750 unique artworks and an August 4, 2021 release.

Chan discusses systems, process, and the structures that shape experience in this Marfa conversation.

Chan explains the economic throughline connecting Digital Zones, The Boys of Summer, and Overture.

This process-focused exchange addresses sketching, public sculpture, conceptual practice, and art games.

Kaloh’s podcast surveys Chan’s conceptual and digital game practice.

The Brooklyn Rail analyzes The Boys of Summer through play, quantification, inequity, and constrained agency.

LEAP reads The Boys of Summer as a game that reflects the market’s own tools and values.

Wade Wallerstein examines the work’s combination of video game, tokenized portraits, and marketplace performance.

Canvas Journal situates Digital Zones within histories of immateriality, exchange, and photographic value.

Buffalo AKG’s annual report documents Winslow Homer’s Croquet Challenge in the museum collection.

Fondazione Prada’s release outlines Christoph Büchel’s Monte di Pietà and its investigation of debt.

Rhizome presents Chan’s argument that contemporary life is increasingly represented by game loops.

Nguyen Wahed documents the New York presentation of Insert Coin(s), which joined Chan's new Zantar-related video-game works with selected earlier pieces.

Nguyen Wahed documents the London presentation of new works from Chan's Zantar trilogy.

Nguyen Wahed’s artwork index lists examples from Chan’s physical and digital practice.

Chan's project walkthrough explains the generated wall, randomized viewpoint, and six distortion algorithms behind LeWitt Generator Generator.

Chan’s essay explains his approach to shaders, aesthetics, generative processes, and idea-driven software art.

The Blockchain Experience episode features Chan discussing his new-media and blockchain practice.

FITC’s archive documents Chan’s Toronto new-media activity and architectural-scale public-art work.

Fondazione Prada’s catalogue page identifies the extensive Monte di Pietà publication.

Raster aggregates Mitchell F. Chan's tokenized works across platforms.

Buffalo AKG's artist page identifies Chan as a Canadian artist born in 1982 and records his code-based and public works.

Ensemble’s creator profile links Chan with Beggar’s Belief, Digital Zones, and LeWitt Generator Generator.

Wildxyz’s collection study connects The Boys of Summer with Chan’s earlier Digital Zones, LeWitt, and Homer projects.

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