Neel Shivdasani: links

Art Blocks records Tropism as a Factory release comprising 500 unique artworks.

A Marfa interview addresses Shivdasani’s creative-coding origins, revision process, burnout, and Motion Pictures.

A Chinese-language republication preserves OpenSea’s interview concerning Shivdasani’s methods and later collection.

Amy Goodchild considers Tropism’s graph transformations within a broader account of emergence in generative art.

Goodchild’s process essay records Shivdasani’s concise account of finding unexpected art through code.

Goodchild’s survey defines generative art through autonomous processes, randomness, rules, and natural systems.

WABE reports on Tropism’s presentation in the DIGATL digital-art exhibition.

ARTS ATL reports on Shivdasani’s interactive projection data game and its critical treatment of data collection.

An Atlanta Regional Commission report includes Shivdasani in its survey of Atlanta’s digital-art community.

Art Blocks documents Motion Pictures as a collection of 100 unique artworks.

Gorilla Sun’s Genuary recap discusses Shivdasani’s kinetogram sketch and its use of several creative-coding prompts.

The AI Ship & Social page identifies Shivdasani as a co-organizer of an Atlanta group focused on building AI products.

A listed community event identifies AI Ship & Social as run by Matthew Hooten and Neel Shivdasani.

An NFT Valuations market report indexes Tropism among generative collections from the second half of 2021.

A later NFT Valuations report also includes Tropism in its market coverage.

Raster aggregates Neel Shivdasani's tokenized works across platforms.

General Assembly profiles Shivdasani as an Atlanta-based data-science product manager and founder of GASP Gallery.

LinkedIn preserves Shivdasani’s public professional biography and published articles.

A Raster collector archive documents a collected Tropism work and attributes the series to Shivdasani.