Omar Lobato: links

The official record identifies Stains on a Canvas as a 300-work Art Blocks Factory release from October 2022.

Genify’s Jimi Wen interviews Lobato about his route from technology and music to the generative project Ghost.

Bernizeck profiles Lobato’s p5.js practice and the textured fxhash project odium.

The Toledo Museum of Art surveys rule-based systems, chance, automation, and constrained variation in generative art.

An institutional event record frames code as a creative material capable of producing extensive visual variation.

Julia Kaganskiy examines the histories and tensions connecting algorithms, automation, authorship, and human agency.

The fxhash guide explains how seeded pseudorandom systems generate varied but reproducible blockchain artworks.

The fxhash browser guide outlines Canvas and SVG approaches to rendering generative graphics online.

The fxhash library guide explains p5.js usage and the self-contained packaging of project dependencies.

Sotheby’s catalogues GHOST #1 as a unique 2024 work using noise algorithms and shaders.

askART preserves a secondary auction record for GHOST #1 and its December 2024 sale dates.

MutualArt indexes GHOST #1 among Lobato’s recorded auction appearances.

Raster aggregates Omar Lobato's tokenized works across platforms.

An fxhash iteration page attributes Disruptor- #21 to omarlobato and preserves a platform-specific work record.

The fxhash platform overview records the service’s mission and infrastructure for artists creating and distributing generative art.

The Toledo Museum of Art records a panel on how artists use code, generative systems, and artificial intelligence in their work.