Piter Pasma: links

Art Blocks' artist profile gathers Pasma's biography, recognition, and platform project.

Skulptuur comprises 1,000 real-time, photorealistic forms generated by a compact on-chain path tracer.

Jeff Davis interviews Pasma about drawing, the demoscene, computational science, Genuary, rayhatching, and the construction of Skulptuur.

Pasma's project essay explains Skulptuur's 6,370-byte code, intersecting grids, materials, lighting, and browser controls.

The public Ropsten gallery preserves sequential test mints and documents the absence of output cherry-picking before release.

Skulptuur Decoded dissects the project's compact Xorshift128 pseudorandom-number generator line by line.

Pasma's illustrated rayhatching history follows the algorithm from plotter constraints to the long-form Industrial Devolution.

The artist's Wobbly Functions essay teaches how nested sine waves can replace conventional noise functions in generative work.

Pasma's demoscene page archives his prize-winning 4-kilobyte audiovisual programs and their assembly-language context.

The plotter line-width tool translates physical pen behaviour into reliable SVG previews and production settings.

Pasma's probability essay demonstrates compact transformations for shaping pseudorandom distributions.

Genuary is the annual month-long creative-coding challenge co-founded by Pasma and built around thirty-one daily prompts.

The dedicated Skulptuur gallery provides a focused visual archive of the full generative series.

Feral File's N=12 catalogue documents Pasma's Balls to the Walls within a collaborative network of twelve generative artists.

Body of Art includes Universal Rayhatcher #306 in a publication on robotic and computational art-making.

Gazelli Art House records Pasma's participation in GEN/GEN: Generative Generations, a six-decade survey of generative art.

Bright Moments' artist archive identifies Industrial Devolution and Pasma's practice with code, complexity, and chance.

Bright Moments' Venice finale included Pasma among more than sixty artists generating new on-chain works.

Verse archives Skulptuur #27 as an individual work and links it to the complete 1,000-work series.

Artsy documents Pasma's first vector-based raymarcher output as a plotter drawing paired with a token.

Right Click Save's extended interview covers the demoscene, compact code, signed-distance functions, Genuary, collaboration, and artistic choice.

Verse's conversation with Pasma and thefunnyguys considers compact code, science-fiction imagery, rayhatching, ownership, and digital archives.

Le Random's collection record explains Industrial Devolution's 3,930-character rayhatcher, SDF landscapes, and plotter-ready SVG output.

Monokai documents artists writing their own scenes inside Pasma's Universal Rayhatcher language and renderer.

The Angels' Wing interviews Pasma about code efficiency, SDFs, rayhatching, plotters, Genuary, and Industrial Devolution.

Le Random's podcast discusses Pasma's role in founding Genuary and the challenge's community impact.

Art Blocks' Minters & Makers episode joins Pasma with Alexis André, Stefano Contiero, and Cyberia.

Gazelli Art House profiles Pasma's demoscene training, compact mathematical systems, rayhatcher, awards, and Genuary work.

Raster preserves the 551-work Universal Rayhatcher series as a browsable project archive.

Demozoo's Ritz profile catalogues Pasma's demoscene productions, credits, releases, and competition history.

Bright Moments' film documents the Venice Beach live mint of Industrial Devolution, the first official fxhash event in the United States.