Ryan Struhl: links

The official collection record gives the artist, 1,000-work edition, Factory designation, and 1 October 2021 release date.

Art Blocks’ marketplace surfaces Struhl’s works within its wider account of collector-activated algorithmic art.

Kaloh’s Factory market review singles out Struhl’s collection as a distinctive concept.

Right Click Save reproduces Letters to My Future Self #751 in an interview on collecting computational media.

Ben Kovach credits Struhl among contributors to an essay on the iterative difficulty of generative practice.

Carsten Nichte’s creative-code resource includes Struhl among its references to generative artists.

The Klingspor Museum lists Ryan Struhl in its international type-designer archive.

Two Bored Apes discusses Letters to My Future Self in an episode published shortly after release.

OpenSea catalogs the collection and its traits, including palette, paper, penmanship, orientation, and censoring categories.

NFT Price Floor maintains a creator-level market archive for Struhl and his project.

The NFT Market Report lists Struhl’s collection among generative releases from the second half of 2021.

An earlier NFT Valuations report also indexes the collection within its survey of supported generative projects.

Raster aggregates Ryan Struhl's tokenized works across platforms.

Luc Devroye’s type archive identifies Struhl as the designer of Cappuccino Serif and Kei Serif Book.

WFonts preserves the metadata and character table for Struhl’s Cappuccino Serif.

Fonts2u records Cappuccino Serif’s technical properties and Struhl’s design credit.

Blog Fonts preserves an additional specimen and character map for Cappuccino Serif.

GitHub Gists identifies keisans as Ryan Struhl and preserves several code fragments under that account.

OpenProcessing archives a complex-plane animation described as a fork of a sketch by Ryan Struhl.

Wells Found lists Struhl among the people associated with Rally Space, documenting his wider technology context.