Sarah Ridgley: links

The official collection record documents Himinn’s 536 unique artworks and September 30, 2021 release.

Ridgley explains the algorithms, cloud structures, coded underpainting, and storage constraints behind Himinn.

Bright Moments speaks with Ridgley about letterpress, creative coding, handmade effects, and Figs.

The FEMGEN conversation examines organic mark-making, repetition, and gender equity in generative art.

Studio Visit with r4v3n features Ridgley discussing her tools, techniques, and ordered-chaos method.

Electric Chronicles contextualizes Ridgley’s pairing with LIA in Compositions in Code.

Kanbas surveys Ridgley’s practice and the linguistic and sensory structure of Figs.

The Museum of the Moving Image calendar documents The Words Were Only Coordinates in its 2025 program.

The Generative Art Summit presents Ridgley’s biography, themes, and international exhibition history.

The bitforms press document records Ridgley’s inclusion in Code Chronicles.

PROOF presents Viridaria in the Moonbirds Diamond Exhibition with an artist interview.

Gazell.iO documents Ridgley’s May 2025 residency and its code-and-Risograph works in progress.

Electric Artefacts profiles Ridgley and her engagement with generative and blockchain art.

Ridgley explains Ateliers and its organic route through an underlying pixel array.

The Ledger Stax project presents Florilège and Ridgley’s approach to code-driven marks.

The illustrated Code Chronicles catalogue discusses Nymph, In Thy Orisons and its changing floral composition.

Raster provides a dedicated archive of Ridgley’s digital oeuvre and activity.

The official Art Blocks record documents the 2024 release of Figs.