Sputniko!: links

The official collection record identifies Lucky Clover as 40 unique artworks released on 24 October 2023.

Jason Bailey interviews Sputniko! about engineering, art, gender, Web3, and the social consequences of technology.

William Andrews traces Sputniko!’s development from mathematics and programming to music videos and critical design.

SHIFT interviews Sputniko! about her mathematics background, programming, cyberfeminism, and curiosity about future technology.

CLOT Magazine discusses Sputniko!’s intersections of technology, gender, society, and biotechnology.

Le Random considers Sputniko!’s practice across activism, entrepreneurship, generative art, and institutional culture.

The FADER profiles Sputniko! as a Tokyo artist working between pop performance, design, and gallery presentation.

MoMA’s object record explains the speculative technology and scientific collaboration behind Crowbot Jenny.

Benesse Art Site Naoshima documents the conceptual relationship between mythology, biotechnology, and Teshima 8 Million Lab.

Benesse’s artwork page describes the site, architecture, and future-facing premise of Teshima 8 Million Lab.

Dentsu’s dialogue places Sputniko!’s social-media practice and cyberfeminist art in conversation with media theory.

TED Fellows profiles Sputniko!’s work across mythology, science, gender equality, and social entrepreneurship.

Raster aggregates Sputniko!'s tokenized works across platforms.

Sputniko!’s project record explains Lucky Clover’s algorithm, collaboration, interaction controls, and conceptual counterpart.

Sputniko!'s official biography records her institutional career, permanent collections, and role as Founder and CEO of Cradle Inc.

Chiba Tech lists Sputniko! as a faculty member and Designer of Speculative Futures at its School of Design & Science.

Nikkei's speaker profile records Sputniko!'s Tokyo base and British-Japanese identity.

Bright Moments presents The Nursery and an artist discussion of mathematics, computation, and social division.