Trevor Paglen: links

The official collection record documents PRELUDES as 250 unique artworks released through Art Blocks and Pace on April 5, 2023.

Art Blocks identifies PRELUDES as part of its co-branded collaboration program with Pace.

The Smithsonian preserves a 2020 oral-history interview addressing Paglen’s life and multidisciplinary practice.

Musée Magazine republishes an interview in which Paglen discusses his route from sound and moving-image work into photography.

Art Basel’s interview considers Paglen’s formation and development as an artist.

Artnet News interviews Paglen about alternative realities, surveillance, geography, and technologically mediated power.

The Smithsonian’s Eye Level article examines drones, cables, AI imagery, and landscape in advance of Sites Unseen.

The Guggenheim identifies Paglen as the recipient of the 2026 LG Guggenheim Award and summarizes his investigations of digitally invisible systems.

The Hirshhorn describes The Last Pictures, including its archival disc, one hundred photographs, and placement aboard EchoStar XVI.

MoMA records three Paglen works in its collection and lists exhibitions in which they appeared.

Pace’s artist record documents Paglen’s education, exhibitions, public collections, and New York base.

The Barbican press release describes From Apple to Anomaly and its engagement with image datasets used to train artificial intelligence.

The Smithsonian summarizes Paglen’s lecture on surveillance, hidden infrastructure, satellites, and indistinct images.

MoMA records Behold These Glorious Times! as a 2017 high-definition video with sound.

Raster aggregates Trevor Paglen's tokenized works across platforms.