Holger Lippmann: links

Raster records WaVyScApE as a 315-work collection by Holger Lippmann.

Lippmann discusses fractals, electronic music, computer art, iterative programming, selection, and recurring visual motifs.

An academic thesis includes a 2010 email interview with Lippmann about the display and reception of digital painting.

VICE examines Lippmann’s generative paintings, Processing practice, technological vocabulary, and relationship to electronic music.

Rostock-Heute reports on the DATA-DADA exhibition and outlines Lippmann’s path from sculpture to computer art.

We Make Money Not Art discusses works from Lippmann’s Meta Refresh exhibition during a conversation about digital-art galleries.

UNPAINTED provides a detailed chronology of Lippmann’s education, exhibitions, festivals, installations, and digital-art projects.

UNPAINTED describes the artist’s use of minimal code, Perlin noise, recursive structures, nature, and digital painting.

LUMAS supplies an extensive exhibition record ranging from early Dresden presentations to international digital-art contexts.

UNPAINTED documents a NoiseScape work and its translation from digital practice into a physical art object.

The Galerie Wolkenbank catalogue pairs Lippmann’s 2011 exhibition with Wolf Lieser’s bilingual essay on generative painting.

LUMAS records Lippmann’s biography, training, awards, residence, and long exhibition history.

Kunstmarkt archives Lippmann’s DAM Berlin gallery presence, biography, works, and Meta Refresh exhibition.

The noiseWave project page documents a Processing-based generative painting installation shown at Kunsthalle Kühlungsborn in 2013.