Kazuhiro Tanimoto: links

Art Blocks records 450 unique artworks and a May 12, 2023 release.

Art Blocks records 404 unique artworks and a July 8, 2022 release.

Art Blocks records 205 unique artworks and a November 7, 2022 release.

Art Blocks discusses the artist’s scientific formation and the development of Memories of Digital Data.

MASSAGE Magazine presents an extended discussion of rules, cellular automata, and Rain Blooms.

Right Click Save examines cellular automata as the conceptual and material basis of Rain Blooms.

The Patron Age previews Rain Blooms and its presentation with Art Blocks Studio and NEORT++.

The Japan Media Arts Festival identifies Light-bending material among the 21st edition’s Jury Selections.

The festival’s artist profile records Tanimoto’s birthplace, doctorate, and materials research.

The Japan Generative Art Foundation presents Sunrise and explains its segmented-video system.

NEORT++ documents Rain Blooms as a solo exhibition centered on an original cellular automaton.

Tokyo Art Beat lists the exhibition schedule and frames the work through emergent order and chaos.

NEORT++ records Tanimoto’s participation in the group exhibition Patterns of Entanglement.

NEORT++ lists Tanimoto among the artists in Patterns of Flow.

Tanimoto’s detailed Rain Blooms account explains its extended, multivalued, deterministic cellular automaton.

Iconic presents GHOST IN THE NET as an on-chain generative release connected to museum-grade prints.

Raster aggregates Kazuhiro Tanimoto's tokenized works across platforms.

Rhizome ArtBase’s artist index records one archived work by Kazuhiro Tanimoto.

Rhizome ArtBase’s year index identifies Memories of Digital Data among its 2023 works.

The artist’s substantive biography details his practice, institutional recognition, and exhibition history.

Raster documents an on-chain example from Memories of Digital Data with collection and provenance information.

The artist’s project page explains the conceptual and technical construction of GHOST IN THE CODE.

The artist’s project page describes Wabi Sabi’s editable calligraphic system.

The artist’s project page documents the sound, imagery, and preservation questions in Memories of Digital Data.