Kjetil Golid: links

Art Blocks' artist profile gathers Golid's biography, social links, and projects released on the platform.

Archetype comprises 600 systems of partitioned rectangles in which repetition counters unruly local structures.

Paper Armada comprises 3,000 symmetric, deliberately imperfect spacecraft and papercraft constructions.

The artist's about page describes Generated Space as an open-source study of flow fields, particle systems, fractals, and grammar-based forms.

Golid's GitHub profile collects the public code behind his sketches, libraries, generators, and experiments.

chromotome is Golid's open-source JavaScript library of hand-curated colour palettes.

Golid's official publication feed preserves his essays Archetype 101 and Crosshatch Automata.

The interactive Crosshatch Automata sketch lets visitors generate line-based cellular-automaton patterns in the browser.

The Museum of Contemporary Digital Art records Curvescape VII and its use of particles moving through a noise flow field.

ZKM's CryptoArt: It's Not About Money exhibition displayed selected Archetype works on the museum's media cube.

The University of Nicosia's META511 course materials place Archetype and Paper Armada in a survey of generative NFT art.

Kate Vass Galerie's artist page surveys Golid's system-led practice, prints, on-chain works, articles, and exhibitions.

The Game of Life: Emergence in Generative Art paired Golid with Jared S. Tarbell, Alexander Reben, and Manoloide.

PHYGITAL presented generative works through digital displays and physical counterparts in Zürich.

Kate Vass documents Expanse, a series that extrudes grid cells into coloured cuboids and was presented at ART SG.

Node to Node in Paris previewed Change of Basis and connected on-chain systems to prints, plotters, and installations.

The gallery record for Curvescape VII: Outpost documents the unique token and signed fine-art print.

Bright Moments' Quarterly feature introduces Orbifold through an extended conversation about systems, colour, process, and live minting.

Verse's artist archive maps Golid's work, exhibitions, and commitment to open-source generative practice.

Verse's V001: In Real Time included Archetype #367 in a 2025 survey of blockchain-based art.

HOFA's record for Archetype #183 documents the work in its Portrait of an Era NFT exhibition in London.

Jason Bailey's long interview covers Golid's cognitive-science and computing background, systems thinking, open source, and hand-built palettes.

Curated's collecting primer analyses all 600 Archetype outputs, explicit traits, community-defined rarities, and the algorithm's visual edges.

Curated's dedicated gallery assembles thirty Archetype works selected to represent palettes, layouts, and rare structures.

Forbes places Archetype among Art Blocks projects that demonstrate code's creative agency and the growth of generative art.

The Brazilian Association of Art Critics' journal discusses Archetype #397 within a study of algorithmic aesthetics.

The LAL Art Collection argues for renewed attention to Paper Armada through the playful materiality of its papercraft forms.

Waiting To Be Signed discusses Golid's route to Art Blocks, the histories of both AB[500] projects, authorship, colour, and Monument.

Floor Is Rising considers Archetype, Paper Armada, and the distinction between artist curation and random long-form release.

The Change of Basis catalogue presents eight works generated by slicing recursively subdivided cubes.

Sotheby's catalogue for the rare Cube Archetype #397 connects Golid's partition logic to rule-based conceptual art.

Decagon, designed by Golid for Deca, uses mint-time on-chain data to create membership tokens that evolve with their holders.

Raster archives Orbifold as a 100-work exploration of planar symmetry, maze structures, dimensional play, and imperfect grids.

Kate Vass Galerie maintains a production register for authorised physical prints from the Archetype series.

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