Monica Rizzolli: links

Rizzolli's official project site presents her generative practice and current work.

Art Blocks' artist profile records Rizzolli's biography and foundational project.

Fragments of an Infinite Field comprises 1,024 seasonal botanical environments released in September 2021.

Art Blocks' essay on seriality compares four seasonal Fragments and examines the narrative produced by a complete generative set.

LACMA interviews Rizzolli about Tibouchina mutabilis, artificial plants, L-systems, memory, and blockchain experimentation.

The Generative Art Museum profiles Rizzolli's path from painting through Processing to botanical software systems.

The Medici Collection records Fragments of an Infinite Field #972 and its provenance.

The Toledo Museum of Art's Infinite Images placed Rizzolli within a multigenerational history of algorithmic art.

Gazelli Art House presented Rizzolli's Dance to forgotten noise in an intergenerational survey of generative art.

GAZELL.iO's collection page provides the virtual exhibition, participating artists, works, and curatorial context.

Gazelli's artist archive records Rizzolli's exhibitions with the gallery.

Bright Moments presents Underwater, a 100-work series of imagined floral descendants.

Right Click Save's extended interview covers seasons, environment, Processing education, recognition, and Underwater.

Rock Badger interviews Rizzolli on creative coding, concrete art, ukiyo-e, botanical illustration, and surface design.

Meio interviews Rizzolli on her path into computer art, generative systems, and the NFT market.

Dirt examines seasons, mutation, botanical sources, rarity, and the distributed ecosystem of Rizzolli's works.

Phillips' Ex-Machina catalogue records four seasonal Fragments in its history of generative art.

Amarello's Portuguese-language portfolio traces Rizzolli's drawing, residency, mapping, and early computational practice.

Garapa's Mulheres Centrais profile situates water, drawing, discipline, and research within Rizzolli's earlier practice.

Art Miami Magazine reviews Infinite Images and Rizzolli's place in its history of algorithms.

Ocula records Dance to forgotten noise and its Gazelli Art House presentation.

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