oliveskin: links
Sources documenting Fernweh’s contract, circulation, and place within the history of generative art.
In the AB[500]: Art Blocks
The ethPandaOps index identifies the collection’s shared contract as GenArt721Core and labels its owner Artblocks.
GenArt721Core ↗Ethplorer recognizes the same address as an Art Blocks token contract.
Ethplorer ↗Press and criticism
Phillips announced Ex-Machina as an exhibition and auction connecting computer-art pioneers with generative NFT artists.
Ex-Machina announcement ↗Essays, talks and podcasts
Georg Bak’s essay traces generative art through information theory, early computer practices, serial processes, and blockchain.
Ex-Machina essay ↗Auctions and catalogues
Phillips’ overview documents the dates, locations, and scope of the Ex-Machina exhibition and online auction.
Ex-Machina overview ↗The Phillips sale archive lists the 44 lots included in Ex-Machina.
Ex-Machina lots ↗A Phillips lot page documents Dmitri Cherniak’s Ringers #191 as an Art Blocks ERC-721 work in the sale.
Ringers #191 ↗A Phillips lot page records Vera Molnar’s computer-generated plotter work (Des)ordres in the same historical survey.
(Des)ordres ↗The live English catalogue PDF preserves the Ex-Machina sale record without relying on the failed legacy URL.
Ex-Machina catalogue ↗Profiles and archives
Raster aggregates oliveskin's tokenized works across platforms.
Raster ↗OpenSea preserves the title, attribution, chain, and token identifier for Fernweh #6.
Fernweh #6 ↗The Phillips press archive preserves the curatorial premise and schedule of Ex-Machina.
Phillips archive ↗Video
Phillips’ exhibition video describes Ex-Machina as a history of automated art production from early computer art to NFTs.
Ex-Machina video ↗