Philip Bell: links

The official record identifies Staccato as a 200-work collection released on September 16, 2022.

A contemporary market report places Staccato among generative-art releases from the second half of 2022.

Bell explains how PictoOptic combined API data, responsive composition, animation, typography, and interaction design.

A practitioner’s project page documents Risomotion as a bridge between digital animation, Risograph output, scanning, and recompilation.

A dated studio entry records the use of Bell’s Risomotion tools in a print and animation workflow.

Raster aggregates Philip Bell's tokenized works across platforms.

Le Random’s profile summarizes Bell’s graphic-design background and generative releases.

Le Random archives Selvedge #210 with Bell’s statement about print flaws and uneven ink coverage.

Bell’s portfolio index connects Staccato, risomotion, and PictoOptic to a practice spanning software and printmaking.

Bell’s earlier-work archive documents projects across printmaking, illustration, animation, and paper engineering.

Le Random’s collection index records five Selvedge works by Bell in its institutional holdings.

Le Random’s acquisition record describes Selvedge #210 as a procedural work and records its collection history.

A token record situates Staccato #102 within Bell’s Art Blocks collection and identifies its on-chain token.

Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders.

The API and MCP guide documents the available fields, browser fetch example, agent tools, attribution, licensing, and image-rights boundary.