AB5D
The AB[500] AtlasBibliography · Draft 0.1

Bibliography

8,222 distinct sources cited across the three parts, de-duplicated by address.

Each source appears once, followed by the entries that cite it: II for a series (by number), I for an artist (by headword), III for a collector (by rank).

Literature and documentation 5,180

  1. “"#78 - Sebastián Brocher - Generative Art In the Age of Web3", Somi Arian Podcast, 22 August 2022.” https://somiarianpodcast.podbean.com/e/78-sebastian-brocher-early-generative-art-in-the-age-of-web3/. Accessed 20 September 2026. II 478
  2. “"100 Print by Ben Kovach at Bright Moments NYC", Bright Moments, Vimeo, 29 May 2022.” https://vimeo.com/715002498. Accessed 20 September 2026. II 301
  3. “"Artist Spotlight: William Mapan and The Uncertainty of Art", PROOF, YouTube (title and channel confirmed by oEmbed).” https://www.youtube.com/watch?v=_ZWBt8XtDCk. Accessed 20 September 2026. II 294
  4. “"Artist Talk: Matt Kane", MoCDA: The Museum of Contemporary Digital Art, YouTube.” https://www.youtube.com/watch?v=9Ek-Datx9n4. Accessed 20 September 2026. II 211
  5. “"Ben Kovach 100 Print Twitter Space hosted by Bright Moments", Bright Moments podcast, 20 April 2022, 50 min.” https://www.ivoox.com/en/ben-kovach-100-print-twitter-space-hosted-by-audios-mp3_rf_87183799_1.html. Accessed 20 September 2026. II 301
  6. “"Coding Challenge 124: Flocking Simulation", The Coding Train, YouTube (title and channel confirmed by YouTube oEmbed, 20 September 2026; not watched for this draft).” https://www.youtube.com/watch?v=mhjuuHl6qHM. Accessed 20 September 2026. II 408
  7. “"Color, Time and the Blockchain: A 24 hour celebration of Ricci Albenda's Universal Color Clock", DMINTI, YouTube live, 27 June 2023.” https://www.youtube.com/live/828iiQfMZ_A. Accessed 20 September 2026. II 211
  8. “"Episode 55 Art Blocks After Dinner Mints w/ William Mapan", Art Blocks Official, YouTube, July 2022 per the artist's link page.” https://www.youtube.com/watch?v=YjI-M1MfQls. Accessed 20 September 2026. II 294
  9. “"Episode 73: Art Blocks After Dinner Mints w/ Emily Weil", Art Blocks Official, YouTube.” https://www.youtube.com/watch?v=jFm-W8pZE2w. Accessed 20 September 2026. II 404
  10. “"First Generative Art NFT on Ethereum - Sebastián Brocher of CryptoArte", The Adam McBride Show, 4 August 2021, 1 hour 6 minutes.” https://podcasts.apple.com/us/podcast/first-generative-art-nft-on-ethereum-sebasti%C3%A1n-brocher/id1410811576?i=1000531011785. Accessed 20 September 2026. II 478
  11. “"Gazers by Matt Kane - Curated on ArtBlocks", Matt Kane, YouTube.” https://www.youtube.com/watch?v=qppoHurxibI. Accessed 20 September 2026. I Kane; II 211
  12. “"Generative Machines with Matt DesLauriers", fitc, YouTube.” https://www.youtube.com/watch?v=8Uo6zFwSO78. Accessed 20 September 2026. II 053
  13. “"How and Where To Buy Unigrids by Zeblocks NFTs - Detailed Guide", NFTandTEA, YouTube (title and channel confirmed via YouTube oEmbed on 20 September 2026; not watched).” https://www.youtube.com/watch?v=P7ARABZd7Lo. Accessed 20 September 2026. II 013
  14. “"In Conversation with Bryan Brinkman", cent.co, the interview link in the project record.” https://beta.cent.co/artblocks/+sutras. Accessed 20 September 2026. II 011
  15. “"Inside Generative Art: Tyler Hobbs & Matt DesLauriers in Conversation", Unit, YouTube.” https://www.youtube.com/watch?v=g-11ECYkO0U. Accessed 20 September 2026. II 053
  16. “"Interview with Spike Art Magazine", November 2021, republished on newrafael.com.” https://www.newrafael.com/interview-with-spike-art-magazine/. Accessed 20 September 2026. II 251; II 285
  17. “"Jeff Davis: Culmination", Bright Moments Quarterly, 2024.” https://www.brightmoments.io/quarterly/jeff-davis-culmination. Accessed 20 September 2026. I Davis; II 206
  18. “"john gerrard's Petro National NFT Series", Pace Gallery, YouTube.” https://www.youtube.com/watch?v=_CjNoqJkGhs. Accessed 20 September 2026. II 315
  19. “"Looks Rare Episode 1: Art Blocks CTO & artist Jake Rockland (Purphat)", UpOnly, released 10 November 2021, 59 minutes (title and channel confirmed by YouTube oEmbed, 21 September 2026; date from Apple Podcasts; not watched for this draft).” https://www.youtube.com/watch?v=ON4gmh4F3Qg. Accessed 20 September 2026. II 110; II 454
  20. “"Looks Rare Episode 1: Art Blocks CTO & artist Jake Rockland (Purphat)", UpOnly: Chats with Crypto Experts, 10 November 2021, hosted by Fitch and Deeze. Apple Podcasts:.” https://podcasts.apple.com/us/podcast/looks-rare-episode-1-art-blocks-cto-artist-jake-rockland/id1554387610?i=1000541353728. Accessed 20 September 2026. II 067
  21. “"Martin Grasser: The Art of Infrastructures", UCLA Design Media Arts, YouTube.” https://www.youtube.com/watch?v=12JXFYeeABA. Accessed 20 September 2026. II 326
  22. “"NFTs - SNL", Saturday Night Live, YouTube, March 2021 (title and channel confirmed via oEmbed).” https://www.youtube.com/watch?v=mrNOYudaMAc. Accessed 20 September 2026. II 011
  23. “"Quine by Larva Labs", Art Blocks Official, YouTube (title and channel confirmed via oEmbed, 20 September 2026; not watched for this draft).” https://www.youtube.com/watch?v=tFST-HMBm4k. Accessed 20 September 2026. II 497
  24. “"Rafaël Rozendaal: Color, Code, Communication", exhibition website, "Websites / NFTs".” https://www.colorcodecommunication.com/en/websites-nfts. Accessed 20 September 2026. II 251; II 285
  25. “"Squares and Triangles", YouTube playlist of five tier-preview videos, channel Maksim Hapeyenka (title and channel confirmed via YouTube oEmbed, 21 September 2026; videos not watched).” https://www.youtube.com/playlist?list=PLwCtmsSTI3-F7EMNOPJz8pZs8pUT0PNpC. Accessed 20 September 2026. II 220
  26. “"Tyler Hobbs - Generative Art worth millions: Fidenza & Incomplete Control", KIN, YouTube.” https://www.youtube.com/watch?v=7WNN6n-D3tE. Accessed 20 September 2026. II 082
  27. “*After Dinner Mints by Art Blocks*, "Emily Weil", 21 March 2023, 33 minutes, Apple Podcasts.” https://podcasts.apple.com/us/podcast/after-dinner-mints-by-art-blocks/id1605922667. Accessed 20 September 2026. II 404
  28. “*Painting with Blocks* newsletter, "Spotlight on Art Blocks drops: Phototaxis (Reas) & Democracity (Generative Artworks)", Buttondown, 24 September 2021.” https://buttondown.com/paintingwithblocks/archive/with-blocks-spotlight-on-art-blocks-drops/. Accessed 20 September 2026. II 416
  29. “*The SquiggleDAO Times* (newsletter).” https://squiggledao1.substack.com/. Accessed 20 September 2026. II 003
  30. “1stDibs, "CENTURY #999", featured in Coded Elegance.” https://www.1stdibs.com/nft/art/century-999/id-n_dpNqt2XnAJ. Accessed 20 September 2026. II 100
  31. “1stdibs, "Memories of Qilin #20", in "Coded Elegance", curated by Sarah Meyohas.” https://www.1stdibs.com/nft/art/memories-qilin-20/id-n_lDxeIcr16J. Accessed 20 September 2026. II 276
  32. “24 Hours of Art, "24 HOURS OF ART: Thursday Highlights", covering 11 to 12 December 2024.” https://www.24hoursof.art/p/24-hours-of-art-thursday-highlights-386. Accessed 20 September 2026. II 492
  33. “6529 Museum, "CryptoArte", Genesis gallery. Read 2026-09-21.” https://6529.io/museum/genesis/cryptoarte. Accessed 20 September 2026. I Brocher; II 478
  34. “70sPop.love, the project website recorded in the index, as served on 20 and 21 September 2026 (unrelated content).” https://70spop.love/. Accessed 20 September 2026. II 111
  35. “Accompart's (interviewer Sergey), "ippsketch Interview", Medium, conducted 12 July 2023, published 11 August 2023.” https://medium.com/@accomparts/ippsketch-interview-28f56eff8fe9. Accessed 20 September 2026. II 379
  36. “Adam Kleinman, "Adam Kleinman on john gerrard's Prescient World Flag Artworks", Pace Gallery, 23 June 2023.” https://www.pacegallery.com/journal/adam-kleinman-on-john-gerrards-prescient-world-flag-artworks/. Accessed 20 September 2026. II 315; II 451
  37. “Alexandra Zagalsky, "Sarah Meyohas, of Bitchcoin Fame, Curates a Brilliant Show of Generative Art", 1stDibs: The Mint, 9 September 2022.” https://www.1stdibs.com/the-mint/sarah-meyohas-bitchcoin-exhibition/. Accessed 20 September 2026. II 100
  38. “Amelia Tomasicchio, "Snoop Dogg buys most expensive NFT in history", The Cryptonomist, 8 October 2021.” https://en.cryptonomist.ch/2021/10/08/cozomo-de-medici-snoop-dogg-fidenza-nft/. Accessed 20 September 2026. II 082
  39. “Amy Castor, "Metakovan, the mystery Beeple art buyer, and his NFT/DeFi scheme", 14 March 2021.” https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/. Accessed 20 September 2026. II 078; II 079; II 080
  40. “Andrew Hayward, "Art Buyer Turned $1,400 Into $3.3 Million in Ethereum With This JPEG", Decrypt, 23 August 2021.” https://decrypt.co/79247/art-blocks-fidenza-nft-3-3-million-ethereum. Accessed 20 September 2026. II 082; II 110
  41. “Andrew Hayward, "Three Arrows Capital Bets Big on Ethereum NFTs With 'Starry Night' Fund", Decrypt, 30 August 2021.” https://decrypt.co/79801/three-arrows-capital-bets-big-on-ethereum-nfts-with-starry-night-fund. Accessed 20 September 2026. II 014
  42. “Andrew Jiang and Todd Goldberg, "Collecting the Algorithm: Fidenza", Curated, 9 April 2024.” https://www.curated.xyz/editorial/collecting-fidenza. Accessed 20 September 2026. I Hobbs; II 082
  43. “Andrew Jiang and Todd Goldberg, "Collecting the Algorithm: Meridian", Curated, 30 September 2024.” https://www.curated.xyz/editorial/collecting-meridian. Accessed 20 September 2026. I DesLauriers; II 159
  44. “Andrew Jiang and Todd Goldberg, "Collecting the Algorithm: Ringers", Curated, 12 May 2025.” https://www.curated.xyz/editorial/collecting-ringers. Accessed 20 September 2026. I Cherniak; II 014; II 022; II 229
  45. “Andrew Rossow, "Avant Arte Unveils New Dmitri Cherniak 'Ringers' NFT Edition", NFT Now, 21 September 2023.” https://nftnow.com/art/dmitri-cherniak-avant-arte-lacma-unveil-ringers-silkscreen-nft-edition/. Accessed 20 September 2026. II 014
  46. “Anika Meier, "An Artist of the Internet | Jan Robert Leegte", Right Click Save, 14 August 2026.” https://www.rightclicksave.com/article/an-artist-who-spans-the-internet-age-jan-robert-leegte-interview. Accessed 20 September 2026. I Leegte; II 361
  47. “Anna Sansom, "One of the First of Its Kind, Phillips's Generative Art Sale Fails to, Ahem, Generate Strong Sales", Artnet News, 21 July 2022.” https://news.artnet.com/market/ex-machina-2150191. Accessed 20 September 2026. I Henry; II 014
  48. “Anna Wolf, "fx(hash) undercurrents: Gerard Ferrandez (ge1doot)", Medium, 16 December 2021.” https://steplights.medium.com/fx-hash-undercurrents-gerard-ferrandez-ge1doot-a63896457715. Accessed 20 September 2026. II 016
  49. “Another Neglected Hobby, Bandcamp.” https://anotherneglectedhobby.bandcamp.com/. Accessed 20 September 2026. II 173
  50. “Arab Bank Switzerland, ABS Digital Art Collection, "Matt DesLauriers", Meridian #626.” https://www.arabbank.ch/about-us/art/collection/artist/matt-deslauriers/. Accessed 20 September 2026. II 159
  51. “arltcollector, "Martin Grasser explains how he uses color as a tool and dives deeper into his 2 acclaimed projects from this year - Squares and LOVE", Substack, 30 December 2022.” https://arltcollector.substack.com/p/martin-grasser-explains-how-he-uses. Accessed 20 September 2026. II 326
  52. “Armaghan Fatemi, "Woman, Life, Freedom" project page, with sections "The Artist", "Technical Details", "Animations", "Behind the Scenes" and "Character Footage". Read 21 September 2026 via WebFetch.” https://armaghan.art/jin-jiyan-azadi/. Accessed 20 September 2026. II 464
  53. “Armaghan Fatemi, artist site, CV and exhibitions page. Read 21 September 2026.” https://armaghan.art/,. Accessed 20 September 2026. II 464
  54. “Art Blocks, "Catching up with Jeff Davis", Cent.” https://beta.cent.co/artblocks/+gxb7tz. Accessed 20 September 2026. II 001
  55. “Art Blocks, "Marfa Weekend 2024: schedule of events", 14 to 17 November 2024 (PDF).” https://production-cms-bucket.s3.us-east-1.amazonaws.com/Marfa_Weekend_2024_schedule_of_events_601ea5b385.pdf. Accessed 20 September 2026. II 464
  56. “Art Blocks, artblocks-contracts README, table of core contracts ("AB Core V3", projects 374 onwards).” https://github.com/ArtBlocks/artblocks-contracts/blob/main/packages/contracts/README.md. Accessed 20 September 2026. II 418
  57. “Art Blocks, node-artblocks, GitHub.” https://github.com/ArtBlocks/node-artblocks. Accessed 20 September 2026. II 020
  58. “Art Vista, "Loie Hollowell: The Third Stage", September 2023.” https://art-vista.com/loie-hollowell-the-third-stage/. Accessed 20 September 2026. II 366
  59. “ArtBlocksKeyMinter transaction list, with decoded mintWithRandomness and transferOwnership inputs; and MainnetArtBlocksAuctions (VRFAuctions), verified source and constructor arguments, 0x6295224c5fC3F2f6E4B1f2E530c9ab8099841bc1. Read 21 September 2026.” https://eth.blockscout.com/api/v2/addresses/0x95004D48437E7D55f81D4fD0a4e24904890838b8/transactions. Accessed 20 September 2026. II 079
  60. “ArtBlocksKeyMinter, verified source, 0x95004D48437E7D55f81D4fD0a4e24904890838b8. Read 21 September 2026.” https://eth.blockscout.com/api/v2/smart-contracts/0x95004D48437E7D55f81D4fD0a4e24904890838b8. Accessed 20 September 2026. II 078; II 079
  61. “Arthur Parkhouse, "The Rise of William Mapan: From Sketchbooks to $650K Sale", nft now, 31 October 2023.” https://nftnow.com/features/the-rise-of-william-mapan-from-sketchbooks-to-a-650k-sale/. Accessed 20 September 2026. II 294
  62. “Arthur Parkhouse, interview with Matt Kane on *Contractual Obligations*, nft now, 12 October 2023.” https://nftnow.com/features/matt-kane-contractual-obligations-interview/. Accessed 20 September 2026. II 211
  63. “Artnet News, "'I Could Go Full Throttle for Decades': How Generative Art Sensation Tyler Hobbs Is Defying a Shrinking NFT Market".” https://news.artnet.com/market/tyler-hobbs-profile-fidenza-qql-generative-art-2222939. Accessed 20 September 2026. I Pedersen; II 082
  64. “Artnet News, "Pace Recruits Top Gallery Stars, Including teamLab and Loie Hollowell, to Create NFTs for Its Web3 Arm", 27 September 2022.” https://news.artnet.com/market/pace-verso-announces-new-round-of-nft-collaborations-2182274. Accessed 20 September 2026. II 366
  65. “Artnet price database, "Jeff Davis, Construction Token #114, 2020" (paywalled; not read).” https://www.artnet.com/artists/jeff-davis/construction-token-114-0HyMPDQilbwxUtWSwKYHZA2. Accessed 20 September 2026. II 001
  66. “Artnet, "Luxpris Biography".” https://www.artnet.com/artists/luxpris/biography. Accessed 20 September 2026. II 008
  67. “Artnet, "Zeblocks", auction results.” https://www.artnet.com/artists/zeblocks/. Accessed 20 September 2026. II 013
  68. “ARTnews, "Sotheby's 3AC Bankruptcy Auction Nets $11 Million In What Might Be Final Hurrah for NFTs", June 2023.” https://www.artnews.com/art-news/news/sothebys-three-arrows-capital-3ac-bankruptcy-nfts-auction-1234671826/. Accessed 20 September 2026. II 025
  69. “Arts Entrepreneurship Podcast, "#170: Art Blocks - Erick Calderon, Jeff Davis, Jake Rockland (Visual Art) (pt. 1 of 2)", 16 May 2022 (not listened to for this draft).” https://www.artsentrepreneurshippodcast.com/episodes/170-art-blocks-erick-calderon-jeff-davis-jake-rockland-visual-art-pt-1-of-2. Accessed 20 September 2026. II 110; II 454
  70. “Artsy, "Casey Reas | Century", DAM, Berlin, 29 September – 27 November 2012.” https://www.artsy.net/show/dam-gallery-casey-reas-century. Accessed 20 September 2026. II 100
  71. “Artsy, "Petro National (Nigeria), #16/196" and "Petro National (Austria), #79/196", offered by museum in progress.” https://www.artsy.net/artwork/john-gerrard-petro-national-nigeria-number-16-slash-196. Accessed 20 September 2026. II 315
  72. “Artsy, "Petro National - digital mip by John Gerrard", museum in progress, 12 August to 31 October 2023.” https://www.artsy.net/show/museum-in-progress-petro-national-digital-mip-by-john-gerrard. Accessed 20 September 2026. II 315
  73. “Artverse, "Thank you for Joining Us: Jeff Davis's retrospective, Color: 1995–2025".” https://artverse.substack.com/p/thank-you-for-joining-us-jeff-daviss. Accessed 20 September 2026. II 006
  74. “ARTXCODE, "ARTXCODE's 2024 Year In Review".” https://www.artxcode.io/journal/artxcode-s-2024-year-in-review. Accessed 20 September 2026. I Wander; II 492
  75. “artynft, "Jake Rockland: Interview with an NFT artist" (undated, spring 2021).” https://artynft.io/interviews/jake-rockland/. Accessed 20 September 2026. II 067; II 110; II 454
  76. “Avant Arte, "Ringers #962: The LACMA Iterations".” https://avantarte.com/products/dmitri-cherniak-ringers-962-the-lacma-iterations. Accessed 20 September 2026. I Cherniak; II 014
  77. “Behind the Keys, "Jeff Davis: The Art Blocks CCO on his creative process, resolutions & independence" (undated).” https://www.itsbehindthekeys.com/p/jeff-davis-the-art-blocks-cco-on. Accessed 20 September 2026. II 006
  78. “Ben Kovach, "100 PRINT" project page and store (rate-limited, not read).” https://bendotk.com/100print. Accessed 20 September 2026. II 301
  79. “Ben Kovach, "A draft for art: The 100 PRINT experiment", undated.” https://bendotk.com/writing/100-print. Accessed 20 September 2026. II 301
  80. “Ben Kovach, "Exhibitions".” https://bendotk.com/exhibitions. Accessed 20 September 2026. II 301
  81. “Big Bend Sentinel, "The Sentinel's Guide to Made in Marfa 2023", 4 October 2023.” https://bigbendsentinel.com/2023/10/04/the-sentinels-guide-to-made-in-marfa-2023/. Accessed 20 September 2026. II 451
  82. “Birth, "on-chain art on Bitcoin", project site. Read 21 September 2026.” https://birth.ink/. Accessed 20 September 2026. II 220
  83. “bitforms gallery, "Casey Reas" CV, 2024.” https://www.bitforms.art/wp-content/uploads/2024/07/reas_bio.pdf. Accessed 20 September 2026. II 385
  84. “Blockscout token records, "WhaleStreet Defi Key S2 Artist 1 Key 01" (0x83bd9560D6F1fA50C7cB44F1e5fA8BBCF536B188) and "Key 02" (0x6fd67f331537f4d7D6B3A49F5AF4b7B6C99ac207). Read 21 September 2026.” https://eth.blockscout.com/api/v2/tokens/0x83bd9560D6F1fA50C7cB44F1e5fA8BBCF536B188. Accessed 20 September 2026. II 079
  85. “Blockzeit, "Algorithm-Generated NFT Earns Artist $5.38 Million".” https://blockzeit.com/artist-earns-5-38-million-from-algorithm-generated-nft/. Accessed 20 September 2026. II 155
  86. “Bright Moments, "100 Print Draft Pick Day", Mirror, 20 April 2022 (now on Paragraph).” https://brightmoments.mirror.xyz/CL46H8Nmftf_d1oOpL3MuOZe4JeZdslcgtZlFB_kbeo. Accessed 20 September 2026. II 301
  87. “Bright Moments, "100 PRINT" (event page).” https://www.brightmoments.io/100print. Accessed 20 September 2026. II 301
  88. “Bright Moments, "Martin Grasser: A Temporary Arrangement of Materials", Bright Moments Quarterly, February 2024.” https://www.brightmoments.io/quarterly/martin-grasser. Accessed 20 September 2026. I Grasser; II 326
  89. “Bright Moments, "Reflections Private Minting", event listing, Luma, 18 to 19 November 2021.” https://luma.com/reflections. Accessed 20 September 2026. II 206
  90. “Bright Moments, "Reflections | Jeff Davis", documentation.” https://docs.brightmoments.io/artist-collaborations/new-york/reflections-or-jeff-davis. Accessed 20 September 2026. II 206
  91. “Bryan Brinkman, "NimBuds", project page. Read 21 September 2026.” https://bryanbrinkman.com/works/nimbuds. Accessed 20 September 2026. II 011
  92. “Bryan Brinkman, Artist CV.” https://www.bryanbrinkman.com/artist-cv. Accessed 20 September 2026. II 011
  93. “Bryan Brinkman, licence page.” https://bryanbrinkman.com/license. Accessed 20 September 2026. II 011
  94. “Cam Thompson, "NFT Collection NimTeens Explores Just How Fast the NFT Space Moves", CoinDesk, 18 January 2023.” https://www.coindesk.com/web3/2023/01/18/nft-collection-nimteens-explores-just-how-fast-the-nft-space-moves/. Accessed 20 September 2026. II 011
  95. “Casey REAS, "Books", REAS.com.” https://reas.com/books. Accessed 20 September 2026. II 100
  96. “Casey REAS, "CENTURY 2052", REAS.com project database page.” https://gray.reas.com/century_2052/. Accessed 23 September 2026. II 365
  97. “Casey REAS, "CENTURY", REAS.com overview with exhibition history. Read September 2026.” https://reas.com/century. Accessed 20 September 2026. I REAS; II 100; II 365
  98. “Casey REAS, "CENTURY", REAS.com project page.” https://reas.com/century_s/. Accessed 20 September 2026. II 100
  99. “Casey REAS, "Exhibitions", REAS.com (entries E-09-07, E-11-01 and E-24-03).” https://reas.com/exhibitions. Accessed 20 September 2026. I REAS; II 385
  100. “Casey REAS, "NFTs", REAS.com.” https://reas.com/nfts. Accessed 20 September 2026. I REAS; II 100
  101. “Casey REAS, "Process", REAS.com.” https://reas.com/process. Accessed 20 September 2026. I REAS; II 385
  102. “Casey REAS, "ProcessCompendium.md", REAS/studio repository, GitHub.” https://github.com/REAS/studio/blob/master/ProcessCompendium.md. Accessed 20 September 2026. II 385
  103. “Casey Reas, "Software Structures", Whitney Museum of American Art, Artport, 2004, restored 2016.” https://whitney.org/exhibitions/software-structures. Accessed 20 September 2026. I REAS; II 385
  104. “Catalyst, "From canvas to code: How generative creations transform how we make and own art", NTT Data Launch, 11 July 2023.” https://launch.nttdata.com/insights/from-canvas-to-code-how-generative-creations-transform-how-we-make-and-own-art. Accessed 20 September 2026. II 398
  105. “Ceci Moss, "Artist Rafaël Rozendaal Shares Art Website Sales Contract", Rhizome, 8 March 2011.” https://rhizome.org/editorial/2011/mar/08/artist-rafael-rozendaal-shares-art-website-sales-c/. Accessed 20 September 2026. II 251
  106. “Centre Pompidou, "Petro National #16 (Nigeria)", AM 2023-805, purchase 2023; on loan to "La mer est ton miroir", Abbaye Saint-Germain, Auxerre, 20 June to 1 November 2026.” https://www.centrepompidou.fr/en/ressources/oeuvre/MagdVCy. Accessed 20 September 2026. II 315; II 451
  107. “Channel names are as returned by YouTube's oEmbed service on 2026-09-20. The videos were identified but not watched for this draft. - "Making Western Flag | John Gerrard On His Artwork For Earth Day", Channel 4 Entertainment.” https://www.youtube.com/watch?v=kvSQNr0IIgo. Accessed 20 September 2026. II 451
  108. “Charlotte Kent, essay on Petro National (headline as extracted: "Manual Override"), Outland.” https://outland.art/john-gerrard-petro-national/. Accessed 20 September 2026. II 315; II 451
  109. “Claire Voon, "Mysterious NFT collector, who may actually be the rapper Snoop Dogg, gifts 22 blockchain works to Lacma", The Art Newspaper, 13 February 2023.” https://www.theartnewspaper.com/2023/02/13/mysterious-donor-cozomo-de-medici-snoop-dogg-lacma-blockchain-art-gift. Accessed 20 September 2026. II 155
  110. “CoinDesk, "Christie's to Sell Some of the Earliest NFTs, and Only for ETH", 17 September 2021.” https://www.coindesk.com/business/2021/09/17/christies-to-sell-some-of-the-earliest-nfts-and-only-for-eth. Accessed 20 September 2026. II 008
  111. “CoinDesk, "Dmitri Cherniak's 'The Goose' NFT Sells at Sotheby's Auction for $6.2M", 15 June 2023.” https://www.coindesk.com/web3/2023/06/15/dmitri-cherniaks-the-goose-nft-sells-at-sothebys-auction-for-54m. Accessed 20 September 2026. II 014
  112. “CoinMarketCal via TradingView, "PunkStrategy (PNKSTR) - SquiggleStrategy Exploit - 28 Sep 2025".” https://www.tradingview.com/news/coinmarketcal:e56313502094b:0-punkstrategy-pnkstr-squigglestrategy-exploit-28-sep-2025/. Accessed 20 September 2026. II 002
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  444. “SquiggleDAO Podcast, including S2E8, "Snowfro, Founder of Art Blocks and Creator of the Chromie Squiggle".” https://podcast.squiggledao.com/2244679/episodes/15791550-s2e8-snowfro-founder-of-art-blocks-and-creator-of-the-chromie-squiggle. Accessed 20 September 2026. II 003
  445. “SquiggleDAO website: gallery, Sets, Learn, Display, tools.” https://www.squiggledao.com/. Accessed 20 September 2026. II 003
  446. “SquiggleDAO, "SquiggleDAO and Zharta Make History With The Largest Squiggle Backed Loan", 26 March 2024.” https://squiggledao1.substack.com/p/squiggledao-and-zharta-make-history. Accessed 20 September 2026. II 003
  447. “SquiggleDAO, "The Squiggle Display Station", X, 8 April 2026 (UTC).” https://x.com/squiggleDAO/status/2041889468916101482. Accessed 20 September 2026. II 003
  448. “SquiggleDAO, "We're excited to announce the completion of our Artist Box!", X, 17 September 2026 (UTC), with replies.” https://x.com/squiggleDAO/status/2100698221261513148. Accessed 20 September 2026. II 003
  449. “SquiggleDAO, MoMA Full Set announcement, X, 19 December 2025 (UTC).” https://x.com/squiggleDAO/status/2002151289552277820. Accessed 20 September 2026. II 003
  450. “Srishti Manipal Institute of Art, Design and Technology, faculty profile, "Ujjwal Agarwal".” https://srishtimanipalinstitute.in/teaching_faculty/ujjwal-agarwal/. Accessed 20 September 2026. II 408
  451. “Sterling Crispin, "Codex 3 - Neophyte", 2022.” https://www.sterlingcrispin.com/codex3.html. Accessed 20 September 2026. II 273
  452. “Sterling Crispin, "Future Tense, False Flag, Jan 25 - May 11, 2020".” https://www.sterlingcrispin.com/future_tense.html. Accessed 20 September 2026. II 273
  453. “Sterling Crispin, "Neophyte MMXXII - 2022", project page with history of the Neophyte software. Read 20 September 2026.” https://sterlingcrispin.com/neophyte_mmxxii.html. Accessed 20 September 2026. I Crispin; II 273
  454. “Stranger in the Q, "SL/CE", project page. Read 20 September 2026.” https://strangerintheq.art/slice. Accessed 20 September 2026. II 418
  455. “Stranger in the Q, "Xeno", project page, naming the Tiny Geometries group show by Dawn Contemporary. Read 21 September 2026.” https://strangerintheq.art/xeno/. Accessed 20 September 2026. I Stranger in the Q; II 418
  456. “Stranger in the Q, GitHub profile.” https://github.com/strangerintheq. Accessed 20 September 2026. II 418
  457. “Studio Emily Weil, "Press/Exhibitions".” https://www.studioemilyweil.com/index.php/press/. Accessed 20 September 2026. II 404
  458. “Studio Emily Weil, "Symbol 1 – Artblocks Collection", 11 May 2023.” https://www.studioemilyweil.com/index.php/2023/05/11/symbol-1-artblocks/. Accessed 20 September 2026. I Weil; II 404
  459. “Studio Emily Weil, "Symbol 1", generative art project page with live generator.” https://studioemilyweil.com/GenArt/GenArtHome.html. Accessed 20 September 2026. II 404
  460. “Studio Emily Weil, home page, biography and project list.” https://www.studioemilyweil.com/. Accessed 20 September 2026. II 404
  461. “Studio Wolffia, "About". Read 21 September 2026.” https://www.studiowolffia.com/about. Accessed 20 September 2026. II 425
  462. “Studio Wolffia, "CV". Read 21 September 2026.” https://www.studiowolffia.com/cv. Accessed 20 September 2026. II 425
  463. “Talks and interviews on YouTube. Titles and channels are as returned by YouTube's oEmbed service on 20 September 2026. The videos were identified but not watched for this draft. - "NFC24: Jeff Davis, Five Years Later | Jeff Davis", NFC Summit.” https://www.youtube.com/watch?v=J86ROmNgQGY. Accessed 20 September 2026. I Davis; II 006
  464. “The Anne + Michael Spalter Digital Art Collection, "Fidenza #517".” https://spalterdigital.com/artworks/fidenza-517/. Accessed 20 September 2026. II 082
  465. “The Coding Train, "Flocking Simulation", Coding Challenge 124.” https://thecodingtrain.com/challenges/124-flocking-simulation/. Accessed 20 September 2026. II 408
  466. “The Edicurial Collection, "Gazers #859 by Matt Kane".” https://www.edicurial.com/collection-gallery-3/gazers-859-matt-kane. Accessed 20 September 2026. I Kane; II 211
  467. “The Edicurial Collection, "Josh Katzenmeyer (Luxpris)".” https://www.edicurial.com/artists/josh-katzenmeyer-luxpris. Accessed 20 September 2026. I Katzenmeyer; II 008
  468. “The Generative Art Museum, "Monica Rizzolli".” https://tgam.xyz/artist/MonicaRizzolli. Accessed 20 September 2026. I Rizzolli; II 155
  469. “The Generative Art Museum, "Santiago", artist page. Read 20 September 2026.” https://tgam.xyz/artist/santiago. Accessed 20 September 2026. II 319
  470. “The Line, "Coding Rhythm with Dmitri Cherniak", 28 December 2024.” https://www.theline.wtf/storyline/coding-rhythm-with-dmitri-cherniak. Accessed 20 September 2026. I Cherniak; II 022
  471. “The Lumen Prize, "Memories of Qilin", Still Image Award 2024 finalist.” https://lumenprize.org/still-image-award-2024/emily-xie-memories. Accessed 20 September 2026. II 276
  472. “The Monty Report, "The Curiosity and Ambition of Emily Xie" (undated).” https://www.themontyreport.com/p/emilyxie. Accessed 20 September 2026. I Xie; II 276
  473. “The Museum of Modern Art, "Light: Rafaël Rozendaal", 16 November 2024 to 1 September 2025, with links to the works.” https://www.moma.org/calendar/exhibitions/5774. Accessed 20 September 2026. II 251; II 285
  474. “The Reading Ape, "Floor is Rising: Generative Art Part 2", 24 September 2021.” https://thereadingape.substack.com/p/floor-is-rising-generative-art-part-5ef. Accessed 20 September 2026. II 025; II 053
  475. “The Seaport, "Water x Digital Art" (on *On Water* at 0x.17 Gallery, Pier 17, curated by Emily Edelman, until 6 April 2023).” https://theseaport.nyc/blog/water-x-digital-art/. Accessed 20 September 2026. I Edelman; I RalenArc; II 404
  476. “Tim Copeland, "DeFi meets NFTs: How a lender received a $340,000 NFT after a loan wasn't repaid", The Block, 11 October 2021.” https://www.theblock.co/news/defi/2021-10-11-defi-meets-nfts-how-a-lender-received-a-340000-nft-after-a-loan-wasnt-repaid-120020. Accessed 20 September 2026. II 008
  477. “Tokyo Art Beat, "Rafaël Rozendaal 'Screen Time'", Takuro Someya Contemporary Art, 26 November to 24 December 2022.” https://www.tokyoartbeat.com/en/events/-/Rafael-Rozendaal-Screen-Time/0FDA5F3F/2022-11-26. Accessed 20 September 2026. II 251; II 285
  478. “Toledo Museum of Art, "Infinite Images", Century #789, with links to the other Century works shown.” https://infiniteimages.toledomuseum.org/artwork/century-789. Accessed 20 September 2026. II 100
  479. “Toledo Museum of Art, "Infinite Images", Chromie Squiggle #7583, acquired 2025, accession 2025.18.” https://infiniteimages.toledomuseum.org/collection/chromie-squiggle. Accessed 20 September 2026. I Calderon; II 003
  480. “Toledo Museum of Art, "Infinite Images: The Art of Algorithms", artist page and "Fragments of an Infinite Field #130 (Spring)".” https://infiniteimages.toledomuseum.org/artist/monica-rizzoli. Accessed 20 September 2026. II 155
  481. “Toledo Museum of Art, "Infinite Images: The Art of Algorithms", Century #554.” https://infiniteimages.toledomuseum.org/artwork/century-554. Accessed 20 September 2026. II 100
  482. “Toledo Museum of Art, "Infinite Images: The Art of Algorithms", Fidenza #314.” https://infiniteimages.toledomuseum.org/artwork/fidenza-314. Accessed 20 September 2026. I Hobbs; II 082
  483. “Toledo Museum of Art, "Infinite Images: The Art of Algorithms", Memories of Qilin (#713, #676, #345).” https://infiniteimages.toledomuseum.org/collection/memories-of-qilin. Accessed 20 September 2026. II 276
  484. “Tom May, "Art Made of Code: monopo london on the design of Matt DesLauriers' debut book", Creative Boom, 9 March 2023.” https://www.creativeboom.com/resources/monopo-london-designs-matt-deslauriers-debut-book/. Accessed 20 September 2026. II 159
  485. “TPan, "#384: The Strategy in TokenWorks' NFTStrategy", Substack, 3 October 2025.” https://tpan.substack.com/p/384-the-strategy-in-tokenworks-nftstrategy. Accessed 20 September 2026. II 002
  486. “Tyler Hobbs Studio, "Fidenza Prints", with the list of all printed Fidenzas. Read 20 September 2026.” https://www.tylerxhobbs.com/pages/fidenza-prints. Accessed 20 September 2026. II 082
  487. “Tyler Hobbs, "Bouldin Creek Mural", 2020.” https://tylerxhobbs.com/works/2020/bouldin-creek-mural. Accessed 20 September 2026. II 082
  488. “Tyler Hobbs, "Fidenza", 11 June 2021.” https://www.tylerxhobbs.com/words/fidenza. Accessed 20 September 2026. I Hobbs; II 082
  489. “Tyler Hobbs, "Flow Fields", 2020.” https://tylerxhobbs.com/essays/2020/flow-fields. Accessed 20 September 2026. II 082
  490. “Tyler Hobbs, "Marfa Fidenza Mural Time Lapse", Vimeo.” https://vimeo.com/631098141. Accessed 20 September 2026. II 082
  491. “Tyler Hobbs, "Marfa Fidenza Mural", 2021.” https://tylerxhobbs.com/works/2021/marfa-fidenza-mural. Accessed 20 September 2026. II 082
  492. “Tyler Hobbs, "The Rise of Long-Form Generative Art", 2021.” https://tylerxhobbs.com/essays/2021/the-rise-of-long-form-generative-art. Accessed 20 September 2026. I Das; II 082
  493. “UCLA Design Media Arts, "DMA Lecture Series featuring Martin Grasser: The Art of Infrastructures", 14 April 2026.” https://dma.ucla.edu/events/dma-lecture-series-featuring-martin-grasser-the-art-of-infrastructures. Accessed 20 September 2026. II 326
  494. “Ujjwal Agarwal, "Karma".” https://www.ujjwalagarwal.com/work/karma/. Accessed 20 September 2026. I KALA; II 408
  495. “Ujjwal Agarwal, personal website, biography and works.” https://www.ujjwalagarwal.com/. Accessed 20 September 2026. II 408
  496. “Unit London, "A Closer Look at the Work and Practice of James Merrill", 28 April 2023.” https://unitlondon.com/2023-04-28/a-closer-look-at-the-work-and-practice-of-james-merrill/. Accessed 20 September 2026. II 495
  497. “Unit London, "Unbound: Interview & Artist Feature", 2023.” https://unitlondon.com/voices/unbound/. Accessed 20 September 2026. II 155
  498. “UNIT London, "William Mapan: COMPUTE: Sinking Patterns", 20 to 23 October 2022.” https://unitlondon.com/exhibitions/william-mapan-compute-sinking-patterns/. Accessed 20 September 2026. II 294
  499. “Upstream Gallery, "Art Basel | Zero 10", 18 to 21 June 2026.” https://www.upstreamgallery.nl/art-fairs/145/art-basel-zero-10. Accessed 20 September 2026. I Leegte; II 361
  500. “Upstream Gallery, "Jan Robert Leegte", artist page.” https://www.upstreamgallery.nl/artists/60/jan-robert-leegte. Accessed 20 September 2026. I Leegte; II 361
  501. “Upstream Gallery, "Jan Robert Leegte's Compressed Landscapes at the Van Goghmuseum", news item.” https://www.upstreamgallery.nl/news/935/jan-robert-leegtes-compressed-landscapes-at-the-van-goghmuseum. Accessed 20 September 2026. I Leegte; II 361
  502. “Upstream Gallery, "JPEG", NFT release page.” https://www.upstreamgallery.nl/nft/29/jpeg. Accessed 20 September 2026. II 361
  503. “Upstream Gallery, "No Content: Contemplations on Software", Jan Robert Leegte, 6 May to 17 June 2023.” https://www.upstreamgallery.nl/exhibitions/230/no-content-contemplations-on-software. Accessed 20 September 2026. II 361
  504. “Upstream Gallery, "Sightings", Jan Robert Leegte, 5 September to 24 October 2026.” https://www.upstreamgallery.nl/exhibitions/273/sightings. Accessed 20 September 2026. II 361
  505. “Upstream Gallery, "Upstream Focus: JPEG", Jan Robert Leegte, 21 February to 30 March 2024.” https://www.upstreamgallery.nl/exhibitions/246/upstream-focus-jpeg. Accessed 20 September 2026. II 361
  506. “Van Gogh Museum, "Van Gogh Inspires: Jan Robert Leegte", exhibition page (on view until 7 November 2021).” https://www.vangoghmuseum.nl/en/visit/whats-on/exhibitions/overview-past-exhibitions/van-gogh-inspires-jan-robert-leegte. Accessed 20 September 2026. I Leegte; II 361
  507. “VERSE, "Archetype by Kjetil Golid", series page.” https://verse.works/series/archetype-by-kjetil-golid. Accessed 20 September 2026. II 025
  508. “VERSE, "BUSY by James Merrill", series page (market figures read 2026-09-20).” https://verse.works/series/busy-by-james-merrill. Accessed 20 September 2026. II 495
  509. “VERSE, "Cargo by Kim Asendorf" series page, read 20 September 2026.” https://verse.works/series/cargo-by-kim-asendorf-2. Accessed 20 September 2026. II 422
  510. “VERSE, "CENTURY by Casey Reas", series page. Read September 2026.” https://verse.works/series/century-by-casey-reas. Accessed 20 September 2026. II 100
  511. “VERSE, "Chromatics: Parts I & II", group exhibition with BYMA's *Farbspiel #1* and *#2*.” https://verse.works/exhibitions/chromatics-part-1. Accessed 20 September 2026. II 464
  512. “VERSE, "Construction Token by Jeff Davis", series page. Read 20 September 2026.” https://verse.works/series/construction-token-by-jeff-davis. Accessed 20 September 2026. II 001
  513. “VERSE, "Gazers by Matt Kane" series page.” https://verse.works/series/gazers-by-matt-kane. Accessed 20 September 2026. II 211
  514. “VERSE, "John Gerrard Petro National", HERE, 9 Cork Street, London, 25 to 26 November 2023.” https://verse.works/exhibitions/here2023-petro-national. Accessed 20 September 2026. II 315
  515. “VERSE, "JPEG by Jan Robert Leegte", series page.” https://verse.works/series/jpeg-by-jan-robert-leegte. Accessed 20 September 2026. II 361
  516. “VERSE, "KARMA #21 by KALA".” https://verse.works/items/ethereum/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/414000021. Accessed 20 September 2026. II 408
  517. “VERSE, "KARMA by KALA" series page, market data read 20 September 2026 by automated extraction.” https://verse.works/series/karma-by-kala. Accessed 20 September 2026. II 408
  518. “VERSE, "mono no aware by ixnayokay", series page.” https://verse.works/series/mono-no-aware-by-ixnayokay. Accessed 20 September 2026. II 172
  519. “Verse, "Order v Chaos, Imperfections", exhibition page, Cromwell Place, London, 22–27 February 2023.” https://verse.works/exhibitions/ordervchaos-imperfections. Accessed 20 September 2026. II 457
  520. “VERSE, "Pre-Process by Casey Reas", series page. Read 20 September 2026.” https://verse.works/series/pre-process-by-casey-reas. Accessed 20 September 2026. II 385
  521. “VERSE, "Quine by Larva Labs" series page, market data read 20 September 2026.” https://verse.works/series/quine-by-larva-labs. Accessed 20 September 2026. II 497
  522. “Verse, "Seasky by Ralgo", series page with market summary.” https://verse.works/series/seasky-by-ralgo. Accessed 20 September 2026. II 457
  523. “Verse, "Sonoran Roadways by Jake Rockland" series page. Read 21 September 2026.” https://verse.works/series/sonoran-roadways-by-jake-rockland. Accessed 20 September 2026. II 454
  524. “Verse, "Space Debris [warning] by WhaleStreet & pxlq" series page.” https://verse.works/series/space-debris-warning-by-whalestreet-pxlq. Accessed 20 September 2026. II 080
  525. “Verse, "Speckled Summits by Jake Rockland" series page, read 20 and 21 September 2026.” https://verse.works/series/speckled-summits-by-jake-rockland. Accessed 20 September 2026. II 110
  526. “VERSE, "Subscapes by Matt DesLauriers", series page. Read 20 September 2026.” https://verse.works/series/subscapes-by-matt-deslauriers. Accessed 20 September 2026. II 053
  527. “VERSE, "Symbol 1 by Emily Weil", series page with sales statistics, read September 2026.” https://verse.works/series/symbol-1-by-emily-weil. Accessed 20 September 2026. II 404
  528. “VERSE, "The Eternal Pump by Dmitri Cherniak", series page.” https://verse.works/series/the-eternal-pump-by-dmitri-cherniak. Accessed 20 September 2026. II 022
  529. “VERSE, "The Harvest by Per Kristian Stoveland", series page. Read September 2026.” https://verse.works/series/the-harvest-by-per-kristian-stoveland. Accessed 20 September 2026. II 398
  530. “Verse, "Wild Wave Studies by Ralgo", series page.” https://verse.works/series/wild-wave-studies-by-ralgo. Accessed 20 September 2026. II 457
  531. “VERSE, "World Flag by John Gerrard", series page. Read 2026-09-20.” https://verse.works/series/world-flag-by-john-gerrard. Accessed 20 September 2026. II 451
  532. “VERSE, Unigrids by Zeblocks series page, read 20 September 2026.” https://verse.works/series/unigrids-by-zeblocks. Accessed 20 September 2026. II 013
  533. “Vetro Editions, "Meridian by Matt DesLauriers: Generative Art Book, Second Edition".” https://vetroeditions.com/products/meridian. Accessed 20 September 2026. I DesLauriers; II 159
  534. “Victoria and Albert Museum, Casey Reas, *Process 18 (Software 3)*, 2010, E.297:1-2011.” https://collections.vam.ac.uk/item/O1225404. Accessed 20 September 2026. II 385
  535. “Video and audio (channel names as returned by YouTube's oEmbed service on 20 September 2026; the videos were identified but not watched for this draft): - "Meridian by Matt DesLauriers" (short), rarepint.” https://www.youtube.com/shorts/rkTSDBEw37c. Accessed 20 September 2026. II 159
  536. “Video and audio, titles and channels as returned by YouTube's oEmbed service on 20 September 2026. The recordings were identified but not watched for this draft. - "Emily Xie "Off Script" Q&A at Bright Moments London", Bright Moments.” https://www.youtube.com/watch?v=iTCWqeK-AuE. Accessed 20 September 2026. II 276
  537. “Video, confirmed via YouTube oEmbed on 20 September 2026 (identified, not watched for this draft): - "Episode 14: Art Blocks After Dinner Mints w/ Ben Fry & Casey REAS", Art Blocks Official.” https://www.youtube.com/watch?v=HLYKz1DaJQI. Accessed 20 September 2026. II 100
  538. “Video, titles and channels as returned by YouTube's oEmbed service on 2026-09-20; not watched for this draft: - "Inside BUSY and Plotting Generative Art: James Merrill and r4v3n | Beyond the Blocks Ep. 1.5", Art Blocks Official.” https://www.youtube.com/watch?v=DPxeGKq2Yws. Accessed 20 September 2026. II 495
  539. “Videos on the artist, all on YouTube; titles and channels as returned by YouTube's oEmbed service on 2026-09-20. They were identified but not watched for this draft, and none is known to focus on Archetype. - "Kjetil Golid in Conversation with Melanie Lenz, V&A", Verse.” https://www.youtube.com/watch?v=L4_ffA01uQ4. Accessed 20 September 2026. II 025
  540. “Watcher.Guru, "What is Dino Pals NFTs?", 10 September 2021.” https://watcher.guru/news/what-is-dino-pals-nfts. Accessed 20 September 2026. II 075
  541. “WhaleStreet $hrimp Token ($HRIMP), 0x9077F9e1eFE0eA72867ac89046b2a6264CbcaeF5: transfers into the treasury address, 29 August to 11 September 2021. Read 21 September 2026.” https://eth.blockscout.com/api/v2/addresses/0x354eB0F1138B821eD4Ed87daeC492D598a1A1a0c/token-transfers?type=ERC-20&filter=to&token=0x9077F9e1eFE0eA72867ac89046b2a6264CbcaeF5. Accessed 20 September 2026. II 079
  542. “WhaleStreet, "$hrimp Farming Begins on WhaleStreet", WhaleStreet blog, December 2020, as read for the companion warning essay (unreachable on 21 September 2026).” https://blog.whalestreet.xyz/hrimp-farming-begins-on-whalestreet/. Accessed 20 September 2026. II 078; II 079
  543. “WhaleStreet, "Meet $hrimp, Get $hrimp", WhaleStreet blog, December 2020, as read for the companion warning essay.” https://blog.whalestreet.xyz/meet-hrimp-get-hrimp/. Accessed 20 September 2026. II 078; II 079
  544. “Wikipedia, "Bryan Brinkman".” https://en.wikipedia.org/wiki/Bryan_Brinkman. Accessed 20 September 2026. I Brinkman; II 011
  545. “Wikipedia, "Casey Reas".” https://en.wikipedia.org/wiki/Casey_Reas. Accessed 20 September 2026. II 100; II 385
  546. “Wikipedia, "International maritime signal flags".” https://en.wikipedia.org/wiki/International_maritime_signal_flags. Accessed 20 September 2026. II 282
  547. “Wikipedia, "Jan Robert Leegte". Read 21 September 2026.” https://en.wikipedia.org/wiki/Jan_Robert_Leegte. Accessed 20 September 2026. I Leegte; II 361
  548. “Wikipedia, "John Gerrard (artist)".” https://en.wikipedia.org/wiki/John_Gerrard_(artist. Accessed 20 September 2026. II 315
  549. “Wikipedia, "Jos Stam". Read 2026-09-20.” https://en.wikipedia.org/wiki/Jos_Stam. Accessed 20 September 2026. II 478
  550. “Wikipedia, "Lia (artist)". Read 20 September 2026.” https://en.wikipedia.org/wiki/Lia_(artist. Accessed 20 September 2026. II 335
  551. “Wikipedia, "Loie Hollowell". Read 21 September 2026.” https://en.wikipedia.org/wiki/Loie_Hollowell. Accessed 20 September 2026. II 366
  552. “Wikipedia, "Mahsa Amini protests". Read 20 September 2026 via automated extraction.” https://en.wikipedia.org/wiki/Mahsa_Amini_protests. Accessed 20 September 2026. II 464
  553. “Wikipedia, "Mono no aware".” https://en.wikipedia.org/wiki/Mono_no_aware. Accessed 20 September 2026. II 172
  554. “Wikipedia, "Rafaël Rozendaal". Read 21 September 2026.” https://en.wikipedia.org/wiki/Rafa%C3%ABl_Rozendaal. Accessed 20 September 2026. I Rozendaal; II 251; II 285
  555. “Wikipedia, "Suprematism".” https://en.wikipedia.org/wiki/Suprematism. Accessed 20 September 2026. II 418
  556. “Wikipedia, "Types of Karma (Jainism)".” https://en.wikipedia.org/wiki/Types_of_Karma_(Jainism). Accessed 20 September 2026. II 408
  557. “Wikipedia, "Women Who Code". Read 20 September 2026.” https://en.wikipedia.org/wiki/Women_Who_Code. Accessed 20 September 2026. II 111
  558. “Wild XYZ, "Hideo Digital Artist". Read 20 September 2026.” https://wild.xyz/hideo/. Accessed 20 September 2026. I HIDΞ0; II 075; II 113; II 246
  559. “Will Fenstermaker, "Dmitri Cherniak's 'Goose' Lays $6.2M Golden Egg at Generative Art Auction", Sotheby's, 22 June 2023.” https://www.sothebys.com/en/articles/dmitri-cherniak-ringers-879-goose-lays-6-2m-golden-egg-at-generative-art-auction. Accessed 20 September 2026. I Cherniak; II 014
  560. “William M. Peaster, "NFT orna-mints", Metaversal (Bankless), 23 December 2022.” https://metaversal.banklesshq.com/p/nft-orna-mints. Accessed 20 September 2026. II 229
  561. “William M. Peaster, "Talking Ringers with Dmitri Cherniak", Metaversal (Bankless), 24 February 2021.” https://metaversal.banklesshq.com/p/talking-ringers-with-dmitri-cherniak. Accessed 20 September 2026. II 014
  562. “William Mapan, CV and Anticyclone page.” https://william-mapan.com/cv-1. Accessed 20 September 2026. II 294
  563. “Yancey Strickler, "Digital artist Rafaël Rozendaal on NFTs and how the art world is like a video game", Ideaspace, 23 May 2021.” https://ideaspace.ystrickler.com/p/digital-artist-rafael-rozendaal-on. Accessed 20 September 2026. II 251
  564. “Zeblocks, "About".” https://zeblocks.com/about.html. Accessed 20 September 2026. II 013; II 144
  565. “Zeblocks, "Beatboxes Overview and FAQ", Medium, 25 August 2021.” https://medium.com/@zeblocks/beatboxes-overview-and-faq-b759cf4346bd. Accessed 20 September 2026. II 013
  566. “Zeblocks, "Unigrids".” https://zeblocks.com/unigrids.html. Accessed 20 September 2026. I Zeblocks; II 013
  567. “Zeblocks, Unigrids site (token properties including "Letters").” https://unigrids.com/. Accessed 20 September 2026. II 013
  568. “ZKM, "Writing the History of the Future. Signature Works of the Singular ZKM Media Art Collection", Gwangju Museum of Art, 17 December 2021 to 3 April 2022.” https://zkm.de/en/exhibition/2021/12/writing-the-history-of-the-future. Accessed 20 September 2026. II 016
  569. "Derek Edward Schloss: Digital Art Collector, Co-Founder Collab+Currency, Flamingo Founding Member," Art Sense podcast, episode 77, on the fund's early investments and his Flamingo DAO membership. Art Sense, ep. 77 ↩ ↩ III No. 40
  570. "Meet the Art Blocks Curation Board," The Link, Art Blocks, on the board's role selecting the Curated Collection and listing Schloss as a member. medium.com/the-link-art-blocks III No. 40
  571. "Melissa Wiederrecht", Le Random artist profile, lerandom.art; and the artist's site, melissawiederrecht.com. I Wiederrecht
  572. "The Artnet NFT 30, Part Two," Artnet News, 15 December 2021. news.artnet.com III No. 3; III No. 4
  573. (Des)ordres. A Phillips lot page records Vera Molnar’s computer-generated plotter work (Des)ordres in the same historical survey. https://www.phillips.com/detail/UK090322/22. I oliveskin
  574. 01net. A report on State of the Art at Paris+ par Art Basel names Hewitt among the generative artists represented in the Tezos presentation. https://www.01net.it/state-of-the-art-exhibition-at-paris-par-art-basel-2022-presented-by-tezos/. I Hewitt
  575. 0xphiiil. “Zupermat official description.” https://0xphiiil.art/zupermat. Accessed 19 September 2026. II 298
  576. 10 fxhash Generative Art Projects. nft now identifies Dragons as a major early fxhash project and places it within the platform's generative-art history. https://nftnow.com/art/top-fxhash-generative-art-projects/. I Mapan
  577. 1935. Bright Moments' token record documents 1935, Mapan's 100-work response to Anni Albers and her travels in Mexico. https://app.brightmoments.io/collections/1935/25000036. I Mapan
  578. 1stDibs NFT Platform Update. A 1stDibs corporate release lists Jones among the artists in IDentity: (Self)-Made by Women. https://s203.q4cdn.com/756296962/files/doc_news/2022/newspr2/mar-9-22-Pr.pdf. I Jones
  579. 1stdibs.com. The artist's 1stDibs profile presents selected works available through the luxury marketplace. https://www.1stdibs.com/nft/profile/daim-aggott-honsch/. I Aggott-Hönsch
  580. 1stdibs.com/creators/matt-bilfield/art. 1stDibs creator page listing original Bilfield artworks for sale, documenting his market presence and the dimensions and media of his peg pieces. https://www.1stdibs.com/creators/matt-bilfield/art/. I Bilfield
  581. 2015 Archinect feature interview with Benjamin Aranda and Chris Lasch on their use of computation in architecture from early experiments to built projects. Archinect, 2015 I Aranda\Lasch
  582. 2022 interview detailing the conceptual and technical development of the Primitives series, its quasicrystal foundations, and Dürer engraving references. The Link Art Blocks, 2022 I Aranda\Lasch
  583. 2022 portfolio. Official 2022 portfolio, including Rectangles (for Herbert) and related physical and digital work. https://www.jeffgdavis.com/2022. I Davis
  584. 2022 Retrospective. Mathling’s retrospective identifies Bent as an influence on experiments with tiled systems. https://www.mathling.com/art/2022retrospective.html. I ippsketch
  585. 2023 portfolio. Official 2023 portfolio for Schema, LED, and collaborations joining code, light, and space. https://www.jeffgdavis.com/2023. I Davis
  586. 2024 portfolio. Official 2024 portfolio recording stained glass, textiles, installations, and screen-based projects. https://www.jeffgdavis.com/2024. I Davis
  587. 2025 portfolio. Official 2025 portfolio documenting the retrospective Color: 1995-2025 and later studio work. https://www.jeffgdavis.com/2025. I Davis
  588. 2026 portfolio. Official 2026 portfolio for the artist's current projects and exhibitions. https://www.jeffgdavis.com/2026. I Davis
  589. 20x200. 20x200 offers limited edition prints showcasing Vittoria's whimsical yet conceptual abstract style. https://20x200.com/collections/amber-vittoria. I Vittoria
  590. 2121 exhibition report. NSS Magazine reports on 2121: Crypto Art Is Now and illustrates Speziari’s Clod 310. https://www.nssmag.com/en/art-design/28089/milano-mostra-italiana-nft. I Speziari
  591. 24 Hours of Art. A 24 Hours of Art market digest records a secondary sale from the 19-work 3:19 series. https://24hours.art/p/24-hours-of-art-january-13-2026. I Santiago
  592. 24 Hours of Art. 24 Hours of Art records a secondary-market transaction for the 32-work Space Debris [ravaged] release. https://24hours.art/p/24-hours-of-art-april-5-2026. I WhaleStreet x pxlq
  593. 256ART Drawn Apart. The Drawn Apart record preserves a separate generative release by Tezumie in 256ART's project catalogue. https://256.art/artwork/drawn-apart-2. I Tezumie
  594. 28 Years Of random(). FITC’s 28 Years Of random() situates Davis’s shift from canvas to programming in 1995 and surveys his generative practice. https://fitc.ca/presentation/28-years-of-random-2/. I Davis
  595. 3D Text. Three.js Journey uses ilithya’s portfolio as the reference for an instructional project on three-dimensional web typography. https://threejs-journey.com/lessons/3d-text. I ilithya
  596. 486 Shorts. LoVid’s archive documents 486 Shorts and its 2025 presentation at Nantes Museum of Arts. https://lovid.org/works/486_shorts/. I LoVid
  597. 5 Must-See Exhibits at Marfa. Rarible's Marfa guide describes DCA's Stamp Stand, where algorithmic designs became physical ink stamps. https://rarible.ghost.io/rarible-at-marfa/. I Calderon Arenas
  598. 5 Questions with SCENE. Decrypt's five-question profile on Davis's studio practice and generative art. https://decrypt.co/206527/5-questions-with-scene-jeff-davis. I Davis; III No. 15
  599. 5 Questions with SCENE. Decrypt’s SCENE video interview discusses LoVid’s collaboration, Art Blocks work, and participation in MoMA Postcard. https://decrypt.co/205009. I LoVid
  600. 80 Level. 80 Level reports on Lin's interactive, hand-controlled fluid simulation using TensorFlow.js. https://80.lv/articles/satisfying-interactive-hand-controlled-fluid-simulation. I Lin
  601. 923 Empty Rooms by Casey Reas. Bright Moments' launch film gathers Reas with Erick Calderon, Tyler Hobbs, Maya Man, Jeff Davis, Matt DesLauriers, and Seth Goldstein. https://vimeo.com/850394904. I REAS
  602. 923 Empty Rooms interactive. The Bright Moments interactive archive enables viewers to explore the colourforms and combinatorial structure of 923 Empty Rooms. https://rooms.brightmoments.io/. I REAS
  603. [test] #4. Ragnar Digital describes Provencher’s [test] as a response to the technical and economic conditions of Bitcoin Ordinals. https://www.ragnardigital.art/collection/test-4. I provencher
  604. A .ART interview covers Rasheed’s research background, creative-technology practice, and work across generative and immersive media. .ART interview I Rasheed
  605. A .ART interview discusses Micol Apruzzese's research-led formation of VerticalCrypto Art and its curatorial approach. curator-interview I Ionescu
  606. A 2009 blog essay analyzes the perceptual and conceptual dimensions of Multiverse shortly after installation. Venetian Red Essay I Villareal
  607. A 2011 interview records the collective's early commercial trajectory and emphasis on technical logic over stylistic nostalgia. ilovemega I eBoy
  608. A 2020 DeFi Arts Intelligencer newsletter notes the launch of Art Blocks alongside early activity by Redlioneye Gazette. DeFi Arts Intelligencer I redlioneye
  609. A 2020 report on La Bande Vidéo's virtual-practice laboratory describes Labadie's training, computational use of chance, and pursuit of tactile sensitivity. Lien MULTIMÉDIA I Labadie
  610. A 2021 process post documents an experiment made with JavaScript and HTML canvas under the ioan1x identity. canvas-study I Ionescu
  611. A 2022 article in Contemporary Art Curator Magazine introduces Che-Yu Wu as a digital artist based in New York City whose practice explores the intricate discourse between art and computer science through generative and interactive works. Contemporary Art Curator Magazine Profile I Wu
  612. A 2022 Medium conversation with Villareal provides extensive first-person commentary on the origins and ambitions of Cosmic Reef. Art Blocks Interview I Villareal
  613. A 2022 profile identifies Lobato as a programmer, digital artist, and music producer and discusses his p5.js, Hydra, and fxhash practice. fxOpen profile I Lobato
  614. A 2023 interview documents the artist’s engineering background, principal tools, and the isometric-grid origin and variability goals of Bent. Accompart interview I ippsketch
  615. A 2024 auction catalogue places Quantum Collapses in an Art Blocks heritage sale and summarizes its Hilbert-space premise. auction-catalogue I Insigħt
  616. A 2024 group exhibition announcement references redlioneye within a survey of generative and on-chain artists. MLO Art Exhibition News I redlioneye
  617. A 2026 interview details Dalessandro’s systems-first philosophy, tools, fabrication background, and plotted works. Generative Media Club I Dalessandro
  618. A Bright Moments interview discusses Lightbreak, material algorithms, live minting, and Shannon’s artistic formation. Bright Moments interview I Shannon
  619. A Bright Moments object record identifies Qian Qian and describes the collection as algorithmic portraits based on Venice characters. Object record I phil
  620. A Chinese auction catalogue identifies IsmaHelio as Ismael Sanz, born in Spain in 1986, and describes his specialization in parametric and generative design. TrueArt auction catalogue I IsmaHelio
  621. A Christie's lot description references Rituals as the first IRL minting project by Aaron Penne and Boreta at Bright Moments Venice gallery. Christie's Bright Moments Lot I Boreta; I Karim; I Penne
  622. A CodePen example identifies RGBA.js as the artist’s own compact WebGL and fragment-shader library. RGBA.js example I Stranger in the Q
  623. A CodePen implementation credits Ferrandez’s original Metaballs code and preserves a technical adaptation of it. Metaballs adaptation I Ferrandez
  624. A CodePen study explicitly recreates Ferrandez’s work never force and links to its source experiment. CodePen recreation I Ferrandez
  625. A CodePen work documents Stranger in the Q’s sustained browser-based creative-coding practice. CodePen study I Stranger in the Q
  626. A Composure in Emergence. Layer's essay situates Reas's work through emergence, composure, systems, and changing digital form. https://layer.com/articles/a-composure-in-emergence. I REAS
  627. A contemporaneous report describes Mind Maze’s scrolling message, labyrinth imagery, themes, and Art Blocks launch. Mind Maze release I Parse/Error
  628. A detailed 2022 interview and profile examines Carreras's combination of engineering and fine arts training and her use of Mediterranean visual culture as inspiration for geometric generative works such as Trossets. Talento a Bordo Interview I Carreras
  629. A Feral File video presents Beeldelementen by Bart Simons from the N=12 exhibition. Feral File Beeldelementen Video I Simons
  630. A filmed interview documents Vallejo’s transformation of a shared algorithm through restricted color, primitive geometry, and optical effects. Please Respond interview I Vallejo
  631. A Finnish National Gallery release describes Repetition and Noise and its transformation of digitized collection imagery. National Gallery release I Schoenherr
  632. A Forbes India publication features Ujjwal Agarwal, also known as KALA, discussing NFTs and his computational arts study. Forbes India I KALA
  633. A Generative Movement. bitforms' A Generative Movement places Reas among artists working across historic and contemporary computational practices. https://www.bitforms.art/exhibition/a-generative-movement. I REAS
  634. A Generative Movement catalogue. The exhibition catalogue supplies images, artist texts, and historical framing for A Generative Movement. https://www.bitforms.art/wp-content/uploads/2024/09/AGenerativeMovement_catalog.pdf. I REAS; I steen
  635. A Grasshopper community discussion records Dalessandro’s recommendation of a study of natural patterns. Grasshopper I Dalessandro
  636. A heaven in a wild flower review. WaxOgawa reviews Reva’s A heaven in a wild flower exhibition and situates it within her technical and cultural background. https://medium.com/neort-jp/reva-a-heaven-in-a-wild-flower-%E5%B1%95%E7%A4%BA%E8%A9%95-89a3ef650ae8. I Reva
  637. A Kickstarter campaign page details the production and funding of physical Eccentrics Playing Cards derived directly from the artist's generative systems. Eccentrics Playing Cards Kickstarter I Dixon
  638. A large-scale study maps NFT market trends, transaction networks, and visual features. nft-mapping I Brukhman; I usnea
  639. A McNeel forum exchange documents Dalessandro’s advice about dense line geometry, fabrication, and rendering. McNeel Forum I Dalessandro
  640. A McNeel forum thread documents Dalessandro’s management of Grasshopper plug-ins across Rhino versions. McNeel Forum I Dalessandro
  641. A Medium article on Art Blocks minting experiences provides contemporary context for the hybrid IRL and online launch of Rituals at Bright Moments. Medium Minting Essay I Boreta; I phil
  642. A Mystery Labs social media post announces a live interview with Danooka around the AlphaModica launch and references stylistic elements such as radianized forms in the collection's outputs. Mystery Labs announcement I Danooka
  643. A new space reimagines art in the digital age. Art Basel introduces Zero 10 and its presentation of ten physical Quine prints among code-based and digital practices. https://www.artbasel.com/stories/zero-10-digital-art-ai-platform-art-basel-miami-beach-2025?lang=en. I Larva Labs
  644. A New York gallery exhibition listing from 2023 includes 0xphiiil in a group show of generative and spatial artists. Chinatown Soup Gallery I 0xphiiil
  645. A Nifty Pride event report listed Beesley among artists participating in its 2021 digital program. Nifty Pride I Beesley
  646. A Pace Gallery YouTube conversation provides recent insights into Villareal's optical and architectural explorations. Pace YouTube I Villareal
  647. A Pace panel connects Donovan’s 2018 QWERTY book to typewritten constraints, Clicked, and her material-led practice. Pace panel I Donovan
  648. A Physical Model for Digital Art Ownership. Larva Labs explains the physical framing and ownership display devised for CryptoPunks' first gallery exhibition. https://www.larvalabs.com/writing/2019-2-1-15-1/a-physical-model-for-digital-art-ownership-the-cryptopunks-in-their-first-gallery-show. I Larva Labs
  649. A Pinterest pin aggregates visual examples from the High Tide collection, offering an informal archive of aesthetic variations in the series. Pinterest High Tide I Verkhovskiy
  650. A post by the artist welcomed a newly minted Ottocento token and tagged the Art Blocks platform on X. X mint post · 2024 I Berubara
  651. A preserved technical record documents de la Rouviere’s HanziJS toolkit and its character-decomposition functions. HanziJS record I de la Rouviere
  652. A press release on Access Newswire details the launch of Hypercube.art and identifies Electralina as the creators of a generative collection, noting the collaboration between Alina Karo and Ryan Junee. Access Newswire I Electralina
  653. A profile interview with Abhishek Das discusses his career in AI agents and research background that parallels his creative algorithmic explorations. AI career interview I Das
  654. A profile of Splice’s development identifies Weil’s generative-art background and her role in the founding collaboration. Splice profile I Weil
  655. A published shader study uses radial folding, distance calculations, and animated periodic change. Radial-fold shader I Stranger in the Q
  656. A recorded Artist's Corner Spaces session features Charlotte Dann discussing Ceramics and her broader practice. YouTube Artist Talk I Dann
  657. A research paper examines how visual similarities among NFT collections influence collectors’ movement between collections. research I onlygenerated
  658. A Science of Escape project description exploring determinism and free will. Science of Escape I Mariansky
  659. A second Artforum dispatch covers Villareal's selection for the Illuminated River bridges project in London. Artforum London I Villareal
  660. A second Tempest post documents another output from VES3L’s developing long-form series. series archive I VES3L
  661. A shader example demonstrates mirrored coordinates and repeated inversion in the artist’s visual research. Mirror shader I Stranger in the Q
  662. A software archive credits Dalessandro with QuickDrawGH and describes the tool’s functions. ArchCookie I Dalessandro
  663. A Sotheby's lot page records the sale history of an early Villareal LED work, illustrating market context. Sotheby's I Villareal
  664. A technical report surveys NFT components, protocols, standards, ecosystems, and challenges. nft-overview I Brukhman; I TheElephantNL
  665. A token page on Deca.art provides the project description noting that Ottocento consists of generative portraits of fictional historical figures exploring 19th-century male representations. Deca token description I Berubara
  666. A university dissertation reproduced Amoeba and dated the work to 28 October 2021. academic-study I last-even
  667. A University of Urbino curriculum vitae identifies Luca Donno as a digital artist active since 2018 and documents his blockchain research and exhibitions. Uniurb CV I donnoh
  668. A Vermont newspaper feature discusses Merrill's early artmaking, programming, and generative practice. Addison Independent I Merrill
  669. A Vertical Cryptoart video interview records the artists discussing the development and technical decisions behind AlgoRhythms. Vertical Cryptoart I Daniel; I Saglam
  670. A Vimeo archive lists Corallo among participants in Written Images, a project for individually computed generative prints. Written Images I Corallo
  671. A WebXR development log identifies A-Frame as the framework for Beatboxes and records exploratory ideas for its social and composable expansion. WebXR dev log I Zeblocks
  672. A Whirlwind History of Generative Art. Crysalis traces generative art history from early computer plotters to contemporary long-form practitioners including Hobbs. https://www.crysalis.art/crysalis-ai-art-research/a-whirlwind-history-of-generative-art-from-molnr-to-hobbs. I Hobbs
  673. A YouTube video from Art Blocks features an interview with Radix as part of the After Dinner Mints series, exploring his early collections and background. Art Blocks After Dinner Mints Interview I Dixon
  674. A YouTube video records a live public conversation with Radix at the Marfa Art Blocks Weekend event, discussing his transition to generative art and artistic philosophy. Marfa Live Conversation Video I Dixon
  675. A.A. Murakami. “Floating World Genesis official description.” https://www.pacegallery.com/journal/aa-murakami-floating-world/. Accessed 19 September 2026. II 343
  676. A/V 12. A/V 12 is an 82-second audiovisual study uploaded by Wang in December 2013. The paired works establish a direct line from his minimalist music experiments to the browser-based temporal systems of Good Vibrations, Polypaths, and InkField. https://vimeo.com/channels/avlab/82755165. I AluanWang
  677. Aalto University’s conference archive describes Data Sketches and Bremer’s iterative approach to data, sketching, and coding. Aalto I Bremer
  678. Aaron Penne. “Aaron Penne, artist website (home and About pages).” https://www.aaronpenne.io/. Accessed 20 September 2026. II 077
  679. Aaron Penne. “Aaron Penne: Apparitions on Art Blocks.” 31 March 2021. https://www.artxcode.io/journal/aaron-penne-apparitions-on-art-blocks. Accessed 17 September 2026. I Penne; II 029; II 077
  680. Aaron Penne. “aaronpenne on GitHub, profile and repository list.” GitHub. https://github.com/aaronpenne?tab=repositories. Accessed 20 September 2026. II 077
  681. Aaron Penne x Boreta. “Rituals IRL site.” https://www.ritualsirl.com/. Accessed 18 September 2026. II 170
  682. About. The official biography traces Hobbs's move from painting and computer science into algorithmic art. https://www.tylerxhobbs.com/about. I Hobbs
  683. About Matt DesLauriers. The studio shop biography describes DesLauriers' work across software, images, prints, installations, and websites. https://shop.mattdesl.com/pages/about. I DesLauriers
  684. About Raster. Raster explains that its artist profiles aggregate tokenized works across networks and platforms. https://www.raster.art/p/about. I Pandelune; I WAWAA; I xenoliss
  685. About the Prize. The Lumen Prize explains the institutional remit and selection framework of the award that longlisted Elementals. https://lumenprize.org/about-the-prize. I Connolly; I Karim
  686. about.me. An early profile identifies Yan as a data storyteller interested in analysis, visualization, open data, and open source communities. https://about.me/hannahyanhan. I Yan
  687. ABS Collection. Arab Bank Switzerland's broader art collection index lists Asemica #401 among its digital artworks. https://www.arabbank.ch/about-us/art/collection/. I Ofman
  688. ABS Digital Art Prize 2024 jury and announcement. arabbank.ch I RVig
  689. Abstract 3D graphic. His survey of abstract 3D graphics discusses computational modeling beyond photorealism. https://www.paolotonon.com/abstract-3d-graphic/. I Tonon
  690. Acast credits an adapted Galaxiss image as the artwork for the Mutable episode “Mimics.” podcast episode I xenoliss
  691. Accessite documents Excursio as a paired immersive and interactive presentation in Nancy. Excursio I Parse/Error
  692. ACL Anthology indexes Isaksen’s 2020 co-authored research on transfer-based language models and online abuse. research-archive I Isaksen
  693. ACM SIGGRAPH interviews Merrill about The Algorithmic Art Studio and its participant-controlled plotter workflow. SIGGRAPH interview I Merrill
  694. ACMI catalogues Platform 1 as a software, video, and projection installation produced from 2000 to 2002. ACMI collection I Weil
  695. Adafruit. Adafruit’s feature directs readers to Catt’s Drawing Machines 101 lesson on selecting pens and paper for plotting. https://blog.adafruit.com/2026/03/12/which-pens-and-paper-are-recommended-for-plotting/. I Catt
  696. Adam Lindemann, "Collecting Digital: Derek Schloss on Snowfro," Venus Over Manhattan, on Schloss's role at Collab+Currency, legal training, and entry into the space. venusovermanhattan.com III No. 40
  697. ADCE. ADCE documents True Colors of Slovakia and credits Janajev as a programmer on the campaign. https://adceurope.org/awards/annual/true-colors-of-slovakia_858/. I Janajev
  698. ADCE’s project record credits Janajev as programmer on a browser tool that placed a saving option beside online purchase controls. VUB saving button I Janajev
  699. Additional presentations include the Proof of Concept exhibition in Singapore and various group shows focused on generative and blockchain art. Proof of Concept exhibition page I Xie
  700. Additional Sotheby's Digital Art Day Auction records confirm ongoing market engagement with specific tokens from the AlgoRhythms series. Sotheby's I Daniel; I Saglam
  701. ADM Playlist. The full ADM: Behind the Code playlist situates the Zupermat conversation within a series dedicated to artist process. https://www.youtube.com/playlist?list=PLSNTJAzmISebdho4eKXsBSdDElZdEQV-G. I 0xphiiil
  702. AdSpawn. AdSpawn’s team presentation identifies Janajev as CTO and describes programming and generative art among his areas of practice. https://adspawn.io/. I Janajev
  703. After Dinner Mints. Apple Podcasts hosts Art Blocks’ After Dinner Mints interview with Man. https://podcasts.apple.com/ie/podcast/maya-man/id1605922667?i=1000590802290. I Man
  704. After Dinner Mints. Apple Podcasts hosts a 29-minute After Dinner Mints interview with Milligan. https://podcasts.apple.com/it/podcast/kelly-milligan/id1605922667?i=1000594137799&l=en-GB. I Milligan
  705. After Dinner Mints. The Indian Amazon Music record preserves the After Dinner Mints episode description naming onlygenerated as a guest. https://music.amazon.in/podcasts/58a5eaa1-ddae-4db3-b5fa-ef9c4eac3664/episodes/daf029eb-c359-41ce-a28e-6174db1d0b32/after-dinner-mints-by-art-blocks-generative-artworks. I onlygenerated
  706. After Dinner Mints. Art Blocks' After Dinner Mints episode presents a long-form conversation with Stoveland following The Harvest. https://podcasts.apple.com/au/podcast/per-kristian-stoveland/id1605922667?i=1000609325339. I Stoveland
  707. After Dinner Mints presents a 2021 interview with Rockland and identifies Stipple Sunsets as his first Art Blocks project. After Dinner Mints I Rockland
  708. After Dinner Mints, episode 27. Art Blocks' twenty-seventh After Dinner Mints episode with DCA. https://www.youtube.com/watch?v=n8-_ZMfeMpQ. I Calderon Arenas
  709. After Dinner Mints, episode 31. Art Blocks' After Dinner Mints episode 31 records a release-era conversation with Hobbs and Erick Calderon. https://www.youtube.com/watch?v=8HexguML5u8. I Hobbs
  710. After Dinner Mints, episode 46. After Dinner Mints hosts a long-form discussion of Dino Pals, celestial cyclones, Arcade Blocks, and Metaterra. https://www.youtube.com/watch?v=xGL9gnVO784. I HIDΞ0
  711. After Dinner Mints, episode 50. After Dinner Mints hosts a long-form discussion of Pikelny's early NFT and generative practice. https://www.youtube.com/watch?v=SG137GIbf4s. I Pikelny
  712. Aggregator profile compiling biographical details, artworks, and career milestones for Dominikus Baur. Artsy I Dominikus
  713. AI and fashion. Vogue Japan interviews Kusano about AI technology, fashion, and contemporary digital creation. https://www.vogue.co.jp/article/emi-kusano-ai-technology-future-fashion. I Kusano
  714. AI Ship & Social. The AI Ship & Social page identifies Shivdasani as a co-organizer of an Atlanta group focused on building AI products. https://www.meetup.com/ai-ship-and-social/. I Shivdasani
  715. AI Song Contest. AI Song Contest 2021 profiles Dadabots and their Berklee origin story. https://www.aisongcontest.com/participants/dadabots-2021. I dadabots
  716. AI Song Contest 2025 documents a Dadabots entry and describes their human-AI process, Stable Audio use, and genre fusion methods. AI Song Contest 2025 I dadabots
  717. AI, Art & Media. A San Francisco event listing identifies Iyer as a host of a gathering focused on AI, art, media, and creativity. https://luma.com/vltnuk6v. I iyer
  718. AI/ML in Visuals. Hou2Touch presents Wajufos as host of a panel on AI and machine learning in real-time visual creation. https://hou2touch.com/ai_stream. I Wajufos
  719. AIArtists provides a biography, education, residency, exhibition, and practice summary for Ben Snell. aiartists-profile I Snell
  720. aiga.org. AIGA Backstage presents Lieberman discussing his practice of making artwork through writing software and co-creating openFrameworks. https://www.aiga.org/inspiration/talks/zach-lieberman-backstage-zach-lieberman. I Lieberman
  721. Akbank Sanat documents Dist Collective's participation and the curatorial framework of its 2022 digital-art exhibition. Akbank Sanat I DistCollective
  722. Aksu compares architecture and software as practices structured by systems, constraints, and relationships. architecture-code I Aksu
  723. Aksu describes a research and creative practice connecting architecture, computational systems, artificial intelligence, and generative processes. artist-about I Aksu
  724. Aksu presents visual programming exercises as an accessible route into coding for architects. architects-coding I Aksu
  725. Aksu's Freeplan project record explains its open-plan premise and hash-determined variations. freeplan-record I Aksu
  726. Alba documents ilithya’s participation in the shader-focused group exhibition After Dark: Around the Fire. after-dark I ilithya
  727. Alba explains MOMENTA’s changing starting points, real-time animation, and focus on ephemeral experience. Alba I r0zk0
  728. Alba platform record. Alba’s platform record identifies Xeno by Stranger in the Q among its featured generative projects. https://www.alba.art/. I Stranger in the Q
  729. Alba projects. Alba's project archive lists the sold-out Machine Mythology project by Louis-André Labadie. https://www.alba.art/projects. I Labadie
  730. Alba’s project record connects Trance Atlantic Glide to Swiss design and Late Modernism. trance-atlantic I Catt
  731. Alba’s project record documents the concepts, development, code, traits, controls, and edition structure of Boundary Issues. Boundary Issues I Hewitt
  732. Alba’s project record explains the graphic-design and software nostalgia informing FALLiNGWATER. fallingwater I Catt
  733. Alba’s Tiny Geometries exhibition text discusses Xeno’s shader-generated range of cloth, paper, and plastic-like finishes. Tiny Geometries I Stranger in the Q
  734. Aleksandra Jovanić. “Glasshouse INAT official description.” http://aleksandrajovanic.com/glasshouse-inat/. Accessed 19 September 2026. II 468
  735. Alem. Alem reports Dist Collective's inclusion in the Contemporary Istanbul Foundation exhibition. https://www.alem.com.tr/sanat/contemporary-istanbulun-secici-iletken-sergisi-1079653. I DistCollective
  736. Alem’s Turkish-language feature interviews Seda Turec and situates geometry within her crypto-art practice. Alem interview I sturec
  737. Alex Estorick / Jeff Davis. “The Color of Code | Jeff Davis.” 8 May 2023. https://www.rightclicksave.com/article/the-color-of-code-interview-jeff-davis. Accessed 17 September 2026. I Davis; II 017; II 095
  738. Alex Estorick and Alida Sun. “The Art of Embodied Immersion | Alida Sun.” 25 July 2023. https://www.rightclicksave.com/article/the-art-of-embodied-immersion-alida-sun-interview. Accessed 17 September 2026. I Sun; II 114
  739. Alex Estorick interviewing Julien Gachadoat and Aleksandra Jovanić. “The Power of the Plotter.” Right Click Save, 14 November 2023. https://www.rightclicksave.com/article/the-power-of-the-plotter-generative-art-aleksandra-jovanic-julien-gachadoat-feral-file-graph-interview. Accessed 17 September 2026. I Gachadoat; I He; I Jovanić; II 107
  740. Alex Estorick's 2023 interview details Operator's earlier privacy works and the conceptual and technical development of Human Unreadable. Right Click Save I Operator
  741. Alexander Grasser's project archive documents Companions of Code at The NFT Gallery in London in February 2023. exhibition-archive I Ionescu
  742. Alexander Reben. “About / CV: artist statement.” https://areben.com/about/. Accessed 17 September 2026. II 133
  743. Alexander Reben. “Alexander Reben About / CV.” areben.com. https://areben.com/about-me/. Accessed 18 September 2026. II 190
  744. Alexander Reben. “Alexander Reben official site.” areben.com. https://areben.com/. Accessed 18 September 2026. I Reben; II 190
  745. Alexander’s essay on Universal Key discusses oil pastel, digital translation, NFTs, and making art with his son. Medium essay I Alexander
  746. Alexander’s Linktree describes him as an artist and coder. Linktree I Alexander
  747. Alexander’s Simbi profile records earlier experience in graphics and rendering and a historical location in Hudson, Massachusetts. Simbi I Alexander
  748. Alexis André / The Link (host byline Druid). “The Story of Void, Messengers, and Obicera.” 12 August 2021. https://medium.com/the-link-art-blocks/alexis-andr%C3%A9-the-story-of-void-messengers-and-obicera-52c65434e499. Accessed 17 September 2026. I André; II 047; II 129
  749. Alexis André. “720 Minutes: artist project page.” https://mactuitui.github.io/720Minutes/. Accessed 17 September 2026. II 028
  750. Alexis André, "Why I'm going the CryptoArt route" (Medium, August 2020): on Processing, daily generative practice, collaborations with Issey Miyake and Jean-Michel Jarre, and the Shibuya clock. mactuitui.medium.com I André
  751. AlgoRhythms project description as generative audio-visual data sculptures. verse.works/items/algorhythms-108 I Saglam
  752. All 1,000 editions sold out at the Dutch auction starting price of 5 ETH. Crypto Briefing I Lord; I Zeblocks
  753. All At Once. Verse’s All At Once record names De Giuli among the artist members of GrailersDAO. https://verse.works/exhibitions/all-at-once. I De Giuli; I provencher
  754. All Eyes on Art. NFT Now previews Linea and identifies its investigation of lines and accumulated experience. https://nftnow.com/art/all-eyes-on-art-upcoming-collections-to-watch-the-week-of-february-18/. I encapsuled
  755. AllMusic. Comprehensive discography and background on the artist under his primary moniker. https://www.allmusic.com/artist/legowelt-mn0000814615. I Wolfers
  756. Allships published an interview that situates artplusbrad among early participants in the NFT art ecosystem. Allships Interview I artplusbrad
  757. Allure of ephemerality. Spencer Chang reflects on acquiring a Coquina output and on participation, entropy, and generative minting. https://spencer.place/experiments/100posts/allure-of-ephemerality. I Gold
  758. alpacawhal.com. Alpacawhal publishes Doing the Math with Daïm Aggott-Hönsch, an interview exploring the artist's computational and mathematical practice. https://alpacawhal.com/doing-the-math-daim-aggott-honsch/. I Aggott-Hönsch
  759. Aluan Wang. “Good Vibrations artist statement and technical account.” https://aluanwang.com/long-form/goodvibrations/. Accessed 17 September 2026. I AluanWang; II 139
  760. Aluan Wang, born 1982 in Taichung, Taiwan, is an artist and creative coder known for audiovisual installations and interactive works; he received awards at the Taipei Arts Festival in 2012 and 2015 and was the first Taiwanese artist featured on Art Blocks. Artist profile I AluanWang
  761. Aluan Wang: a career in systems, sound, growth, and gesture. AB5D's eight-post public thread traces Wang's career from audiovisual installation and Good Vibrations through Polypaths and InkField, with selected works and process videos. https://x.com/maxand98/status/2079027511296655529. I AluanWang
  762. Amadeus presents | Jen Stark profile. Created for Amadeus Magazine, this short documentary profiles Jen Stark, an LA-based visual artist known for her complex paper sculptures and color drip aesthetic, including her collaboration with Miley Cyrus. https://www.youtube.com/watch?v=WsUUcc6wrZQ. I Stark
  763. Amazon Music documents Colborn Bell’s April 2022 conversation with Beesley about pseudomods, synthesizers, and online life. DXM interview I Beesley
  764. Amazon Music’s episode record identifies Symbol 1 as the featured project in a 32-minute interview with Weil. Podcast record I Weil
  765. Amazon Music’s episode record lists onlygenerated as a special guest on the July 2021 After Dinner Mints conversation. podcast I onlygenerated
  766. American Go Association Rules Committee. “Official AGA Rules of Go.” 1 September 1991. https://www.cs.cmu.edu/~wjh/go/rules/AGA.html. Accessed 17 September 2026. II 046
  767. American Moon film. Pace’s film page presents a full performance of American Moon and identifies its original 1960 staging. https://www.pacegallery.com/journal/watch-robert-whitmans-american-moon/. I Whitman
  768. Amon Tobin was born Amon Adonai Santos de Araújo Tobin on February 7, 1972, in Rio de Janeiro, Brazil. Wikipedia I tobin
  769. Amy Goodchild. “Meaningless official description.” https://www.amygoodchild.com. Accessed 19 September 2026. II 445
  770. Amy Goodchild’s essay on emergence explains Tropism’s stable graphs and cascading procedural effects. emergence essay I Shivdasani
  771. Amy Goodchild’s essay on generative process records Shivdasani’s account of seeking one artwork and discovering another. process essay I Shivdasani
  772. An additional Medium interview explores Villareal's broader philosophy of light as sculptural medium and the integration of code. Medium Interview 2023 I Villareal
  773. An ALLSHIPS interview presents Crispin’s account of an idea-led practice spanning digital and physical objects. ALLSHIPS I Crispin
  774. An analysis of the NFT market highlights the release timing of Zupermat within Art Blocks' Factory phase. Metaversal Article I 0xphiiil
  775. An archive of the series on Verse.works records the December 2021 release date and confirms approximately 200 items in the edition. Cushions series archive I Das
  776. An archived project record preserves Tan’s description of microscopic movement, chaos, order, and guiding rules. project archive I Tan
  777. An Art Blocks feature includes Connolly’s reflections on submitting the entire project and the meaning of its Lumen recognition. lumen-interview I Connolly
  778. An As You Like It interview records Grunzweig’s account of Night Sea’s formation and early musical influences. AYLI I Night Sea
  779. An earlier profile discusses Fradina’s interior-design practice and her work with ceramics and art objects. Destinations profile I Fradina
  780. An Endaoment interview records Schoenherr’s account of Torrent, its charitable component, and its treatment of changing memory and truth. Endaoment interview I Schoenherr
  781. An essay published on Highlight Mirror examines Nicolas Daniel's broader generative methodology through the lens of his System 1 project. Highlight I Daniel
  782. An example artwork page on VERSE.works illustrates the visual output and project description for Beauty in the Hurting. VERSE example token I Green
  783. An exhibition article explains +GRAPH's combination of generative software and unique physical drawings. +GRAPH I Merrill
  784. An extended interview traces Vromans's education in applied mathematics, backend-development career, and turn toward generative art. Zharta interview I Vromans
  785. An fxhash iteration page attributes Disruptor- #21 to omarlobato. fxhash archive I Lobato
  786. An IAMAS symposium leaflet lists Emily Weil in the program and records an artist-talk context. IAMAS symposium I Weil
  787. An in-depth profile on optional.is examines Dann's integration of craft traditions with web technologies. optional.is Artist Profile I Dann
  788. An Instagram post by the artist announced the release of 140 Fermented Fruit editions on Art Blocks. Instagram Announcement I cyberia
  789. An Interview with Tyler Hobbs in Two Parts. The artist archives a two-part interview on his background, methods, the blockchain, and the emergence of Fidenza. https://www.tylerxhobbs.com/words/an-interview-with-tyler-hobbs-in-two-parts. I Hobbs
  790. An Interview with Tyler Hobbs, part 2. Part two turns to blockchain distribution, long form, collecting, and the cultural implications of generative art. https://www.rightclicksave.com/article/an-interview-with-tyler-hobbs-part-2. I Hobbs
  791. Analysis of thematic range across the 1,024 editions and visual diversity within the series. ham94 essay on Singularity I Tsukamoto
  792. Ananeh’s 2025 program announces Liberman’s Source Code: Techno-Mystic Ritual. Ananeh I Liberman
  793. AnaPet. “Fleur official description.” https://www.anapet.art/art/fleur/. Accessed 19 September 2026. II 371
  794. Anchorlight. Anchorlight documents A Moving Grove, an exhibition by Annie Blazejack in collaboration with Geddes Levenson. https://www.anchorlightraleigh.com/anchorlight-gallery/a-moving-grove. I Punch Card Collective
  795. Andy Duboc's project archive credits petitsapin for direction and visuals on MAPP_MTL. MAPP_MTL credits I Dautheribes
  796. Anifilm catalogue. The Anifilm 2024 catalogue lists Lightbreak as a United States production directed, designed, and scored by Shannon. https://archiv.anifilm.cz/2024/data/Anifilm_2024/KATALOGY/Sazba_Katalog_2024_WEB.pdf. I Shannon
  797. Anika Meier interviews Kusano about retrofuturism, nostalgia, street photography, AI, feminism, and cultural memory. Expanded Art interview I Kusano
  798. Anika Meier's Status Update newsletter noting her service on the Art Blocks curation board alongside Penne. Status Update I Penne
  799. Anika Meier’s interview addresses Edelman’s education, design logic, collaboration, material thinking, and understanding of code. EXPANDED interview I Edelman; I Ofman
  800. Anika Meier’s interview with LoVid addresses collaboration, analog tools, generative art, and blockchain practice. Expanded Art interview I LoVid
  801. Anika Meier’s interview with Tali Hinkis discusses video art, generative practice, gender, and technological power. Hinkis interview I LoVid
  802. ANIMAL. ANIMAL’s Artist’s Notebook feature examines Charon, an installation shaped by an autonomous drone’s flight path. https://animalnewyork.com/2014/06/23/artists-notebook-sterling-crispin/. I Crispin
  803. Animation/Play. McClelland describes a generative visual identity developed with Owen McAteer that responds to environmental data. https://mcclelland.org.au/animation/play. I Motus Art
  804. Ann Marie Alanes / MakersPlace. “Brad Damico Falls Into Place.” 22 January 2020. https://medium.com/makersplace/brad-damico-falls-into-place-504896f3df78. Accessed 18 September 2026. I artplusbrad; II 063
  805. Ann Temkin / Museum of Modern Art. “Piet Mondrian: Broadway Boogie Woogie audio-guide transcript.” https://www.moma.org/audio/196. Accessed 17 September 2026. II 137
  806. Anna Carreras completed a PhD in Fine Arts specializing in generative art; her doctoral thesis investigates complexity arising from artistic practice with code, directed at BAU. BAU PhD Profile I Carreras
  807. Anna Carreras. “Trossets at ArtBlocks curated.” https://www.annacarreras.com/trossets/. Accessed 17 September 2026. II 148
  808. Anna Carreras. “Trossets prints.” https://www.annacarreras.com/trossets-prints/. Accessed 17 September 2026. II 148
  809. ANNA:LOG talk. ANNA:LOG 2022 presentation by Bernhard Nessler on NFTs, metaverse and Little Vienna. https://www.facebook.com/annadoppelpunktlog/videos/der-vortrag-von-bernhard-nessler-beim-annalog-20222018-hat-er-seine-digitalen-ku/1013766786217982/. I CryptoWiener
  810. Anne and Michael Spalter Digital Art Collection, Aleksandra Jovanić: collection records. Titles, dates and media checked 25 September 2026. I Jovanić
  811. Anne and Michael Spalter Digital Art Collection, Alexis André: collection records. Titles, dates and media checked 25 September 2026. I André
  812. Anne and Michael Spalter Digital Art Collection, Anna Lucia: collection records. Titles, dates and media checked 25 September 2026. I Lucia
  813. Anne and Michael Spalter Digital Art Collection, Claudia Hart: collection records. Titles, dates and media checked 25 September 2026. I Blanton
  814. Anne and Michael Spalter Digital Art Collection, Daniel Calderon Arenas (DCA): collection records. Titles, dates and media checked 25 September 2026. I Calderon Arenas
  815. Anne and Michael Spalter Digital Art Collection, Dmitri Cherniak: collection records. Titles, dates and media checked 25 September 2026. I Cherniak
  816. Anne and Michael Spalter Digital Art Collection, Florian Zumbrunn: collection records. Titles, dates and media checked 25 September 2026. I Zumbrunn
  817. Anne and Michael Spalter Digital Art Collection, Iskra Velitchkova: collection records. Titles, dates and media checked 25 September 2026. I Velitchkova
  818. Anne and Michael Spalter Digital Art Collection, Jen Stark: collection records. Titles, dates and media checked 25 September 2026. I Stark
  819. Anne and Michael Spalter Digital Art Collection, Julien Gachadoat: collection records. Titles, dates and media checked 25 September 2026. I Gachadoat
  820. Anne and Michael Spalter Digital Art Collection, Lars Wander: collection records. Titles, dates and media checked 25 September 2026. I Wander
  821. Anne and Michael Spalter Digital Art Collection, Licia He: collection records. Titles, dates and media checked 25 September 2026. I He
  822. Anne and Michael Spalter Digital Art Collection, Martin Grasser: collection records. Titles, dates and media checked 25 September 2026. I Grasser
  823. Anne and Michael Spalter Digital Art Collection, Sasha Stiles: collection records. Titles, dates and media checked 25 September 2026. I Stiles
  824. Anne and Michael Spalter Digital Art Collection, Tyler Hobbs: collection records. Titles, dates and media checked 25 September 2026. I Hobbs
  825. Anne and Michael Spalter Digital Art Collection, William Mapan: collection records. Titles, dates and media checked 25 September 2026. I Mapan
  826. Anne and Michael Spalter Digital Art Collection, Zach Lieberman: collection records. Titles, dates and media checked 25 September 2026. I Lieberman
  827. Annka Kultys Gallery. Gallery CV from Annka Kultys Gallery documents exhibitions including Systems Madness related presentations. https://www.annkakultys.com/artists/claudia-hart-cv/. I Blanton
  828. Annka Kultys Gallery documents the media, concepts, and dates of Stiles’s B1NARY 0DES exhibition. Annka Kultys Gallery I Stiles
  829. Annka Kultys Gallery's exhibition archive lists Karim among the Lumen Prize Shortlisted Artists 2023. Lumen exhibition I Karim
  830. Annual Meeting of the New Champions. The World Economic Forum discusses Tanchum’s generative installation Seeds of Tomorrow in relation to ecology and artificial intelligence. https://www.weforum.org/stories/arts-and-culture/the-intersection-of-art-ai-and-ecology-at-the-annual-meeting-of-the-new-champions-25/. I phenomena
  831. Anthropologist Jérémy Narby, specialist in Amazonian knowledge, collaborated on the MazeFlipper project. NFT Morning I Beervangeer
  832. Anticyclone at the Digital Art Awards. The Digital Art Awards record Mapan's Anticyclone presentation and the practice's movement from physical sketches into code. https://digitalartawards.io/artworks/7458-william-mapan-anticyclone-2025/. I Mapan
  833. Anton's Medium essay discusses David Lu, Conundrumer, in relation to Line Rider synchronization and generated circles. criticism I Lu
  834. AOI Immersive Gallery. A production case study lists Mathikshara among artists featured in the AOI immersive digital-art gallery. https://georgiepatching.com/sushi-swap-aoi-immersive-gallery. I Mathikshara
  835. AOI Masterclass. AOI's masterclass video features Jovanić discussing generative shapes, geometry, and code-based art. https://www.youtube.com/watch?v=DisQ16mG7jM. I Jovanić
  836. AOTM at Art Basel Miami Beach. The AOTM press release details Floor Ringer, Ringers outputs, and Polygon Etcetera at Art Basel Miami Beach. https://aotm.gallery/wp-content/uploads/2025/11/AOTM-x-Cherniak-ABMB-Press-release.pdf. I Cherniak
  837. AOTM describes NEOCODEX as an on-chain, continuously changing work inspired by Maya codices and the Yucatán Peninsula. NEOCODEX I Karim
  838. AOTM, Dmitri Cherniak at Zero 10 (2025): Floor Ringer, printed Ringers, and Polygon Etcetera in a multimedia Art Basel Miami Beach installation. aotm.gallery I Cherniak
  839. apeirography.art/project/revolution. The artist's Revolution (2016), commemorating the 60th anniversary of the Hungarian Revolution of 1956, is acquired by the Government of Hungary in April 2017. http://www.apeirography.art/project/revolution. I Aggott-Hönsch
  840. Apollo Magazine published an in-studio interview with A.A. Murakami exploring their creative process and boundaries between technology and nature. Apollo Interview I A.A.Murakami
  841. APOSSIBLE. An interview presents walking, attention, and daily ritual as foundations of Stiles’s creative process. https://apossible.com/interviews/sasha-stiles-is-a-poet-and-artist. I Stiles
  842. AppBrain archives Ma Charades under Susanthitanon’s name and records its publication and development history. appbrain I Susanthitanon
  843. Apple Music documents Night Sea’s Berkeley association and selected releases. Apple Music I Night Sea
  844. Apple Podcasts. Apple Podcasts hosts Web3 Business Podcast episode on Art Blocks and generative art. https://podcasts.apple.com/nl/podcast/generative-art-the-art-blocks-story/id1602744952?i=1000624138639. I Beervangeer
  845. Apple Podcasts archives Mutable and its credit to Galaxiss by Xenoliss. podcast archive I xenoliss
  846. Apple Podcasts lists the Art Blocks After Dinner Mints episode with DisruptedStar, published May 2, 2023. apple-podcast I DisruptedStar
  847. Apple Podcasts lists the Right Click Radio episode The Plotter Renaissance, featuring Jovanić and Julien Gachadoat discussing +GRAPH. Right Click Radio I Jovanić
  848. Apple Podcasts provides access to the Minters and Makers series, including the episode with Artem Verkhovskiy and Andy Shaw. Apple Podcasts Minters & Makers I Verkhovskiy
  849. Apple Podcasts · After Dinner Mints episode. The After Dinner Mints episode with Fernando Jerez is archived on Apple Podcasts, covering his approach to on-chain worldbuilding and long-form generative collections. https://podcasts.apple.com/ie/podcast/fernando-jerez/id1605922667?i=1000580155267. I Jerez
  850. Apple’s developer directory attributes a mobile application listing to Natthakit Susanthitanon. apple-developer I Susanthitanon
  851. April. ISSUE Project Room presents LoVid’s 2020 commissioned field recording April with an artist statement and event documentation. https://issueprojectroom.org/video/isolated-field-recording-series-lovid-april. I LoVid
  852. AQNB. AQNB's article gives additional critical context for walking through Rodeh's installation-based practice. https://www.aqnb.com/2016/02/01/walking-through-the-work-of-alona-rodeh/. I Rodeh
  853. Arab Bank. Record of works held in the Arab Bank art collection. https://www.arabbank.ch/about-us/art/collection/artist/amber-vittoria/. I Vittoria
  854. Arab Bank Collection. The Arab Bank Switzerland collection page profiles Emily Edelman and references Asemica as part of her generative output. https://www.arabbank.ch/about-us/art/collection/artist/emily-edelman/. I Badr; I Edelman
  855. Arab Bank Switzerland reports the unveiling of Operator's X-ray Machine at Geneva's Musée d'Art et d'Histoire. MAH Geneva I Operator
  856. Arab Bank Switzerland's collection page for Asemica #401 describes the series as GenArt and a limited edition of 980 outputs. Arab Bank Switzerland I Ofman
  857. arabbank.ch. Les Fleurs du Mal work page in the ABS Digital Art Collection with full description and award history. https://www.arabbank.ch/about-us/art/collection/les-fleurs-du-mal/. I RVig
  858. Arbitrarily Deterministic. The Arbitrarily Deterministic podcast discusses Catt’s biography, community curation, culture, and the future of internet art. https://www.listennotes.com/podcasts/arbitrarily/ad022-rev-dan-catt-3Avp8hlJtBe/. I Catt
  859. Archetype #183 at HOFA. HOFA's record for Archetype #183 documents the work in its Portrait of an Era NFT exhibition in London. https://thehouseoffineart.com/exhibitions/89/works/artworks3182/. I Golid
  860. Archetype gallery. Curated's dedicated gallery assembles thirty Archetype works selected to represent palettes, layouts, and rare structures. https://explore.curated.xyz/gallery/archetype. I Golid
  861. Archetype print register. Kate Vass Galerie maintains a production register for authorised physical prints from the Archetype series. https://static1.squarespace.com/static/63a2ce0664014f2264b055d4/t/673b08e760f27948d09a5264/1731922152161/LIST%2BOF%2BARCHETYPE%2BPRINTS%2BBY%2BKJETIL%2BGOLID%2BALREADY%2BPRODUCED.pdf. I Golid
  862. Archetype’s interview covers Man’s computer science and media studies background and her interest in self-presentation. archetype-interview I Man
  863. Archipelago. Archipelago preserves a collection-specific record for Algobots #311. https://archipelago.art/collections/algobots/311. I Jones
  864. Archipelago preserves the Hōrō project description, influences, palette framework, and 400-edition collection record. Archipelago I makio135
  865. Archipelago summarizes the project's concept, two-field structure, and interactive keyboard controls. Archipelago I Labadie
  866. Archipelago.art presents the Rituals - Venice collection with descriptive text on its generative music and artwork integration. Archipelago Collection I Boreta
  867. Architectonica. The artist's current statement presents Architectonica, its isometric noise system, and its Consensus Curation release model. https://vibes.art/about.html. I Griffith
  868. Architectural Digest profiles Studio Drift's light installations and early reputation for fusing nature and technology. Architectural Digest I Drift
  869. Architectural League Lecture. The Architectural League hosted an Emerging Voices lecture by Aranda\Lasch detailing their evolution from installations to built architecture. https://archleague.org/article/arandalasch-video/. I Aranda\Lasch
  870. Architectural League of New York profile of the studio founded in 2003 with commitment to experimental research and innovative building. Architectural League I Aranda\Lasch
  871. Architectural Record Profile. Profile of the New York and Tucson based studio highlighting their innovative use of digital tools in architecture and design. https://www.architecturalrecord.com/articles/6403-arandalasch-nyctucson. I Aranda\Lasch
  872. ArchitectureLab · Science Island Museum feature. Architecture publication ArchitectureLab covers the Science Island Museum (Mokslo Sala) in Kaunas, Lithuania, designed by SMAR Architecture Studio with Fernando Jerez as partner in charge. https://www.architecturelab.net/science-island-museum-smar-architecture-studio/. I Jerez
  873. Archival entry for an Autology output including description of self-referential and steganographic elements. Verse Works Catalogue I steganon
  874. Archives of American Art. The Smithsonian preserves a 2020 oral-history interview addressing Paglen’s life and multidisciplinary practice. https://www.aaa.si.edu/collections/interviews/oral-history-interview-trevor-paglen-22004. I Paglen
  875. Are.na interviews Man about HEART, Sacred Screenshots, and connections across New York’s art and technology communities. arena-interview I Man
  876. Argentine visual-arts forum. An Argentine government forum program identifies Falco as moderator of a panel about NFTs, crypto art, and new forms of circulation. https://www.argentina.gob.ar/sites/default/files/2024/09/foro_federalizacion_e_internacionalizacion_de_artes_visuales.pdf. I Falco
  877. arltcollector / Luke Shannon. “Luke Shannon: Bridging Digital and Physical Art.” 25 June 2023. https://www.artxcode.io/journal/luke-shannon-bridging-digital-and-physical-art. Accessed 18 September 2026. I Shannon; II 061
  878. arltcollector published an interview in which cryptobauhaus discusses UX design, the Institute of Design, Bauhaus influence, and the 1923 poster source for Exhibition: 3291. arltcollector interview I cryptobauhaus
  879. Ars Electronica. Ars Electronica’s jury statement praises the aesthetic refinement of LIA’s audiovisual collaboration with the @c collective. https://webarchive.ars.electronica.art/en/archives/prix_archive/prixjuryStatement.asp%3FiProjectID%3D14163.html. I LIA
  880. Ars Electronica archive. The Ars Electronica archive identifies PrayStation and Joshua Davis in connection with the 2001 Golden Nica for Net Vision / Net Excellence. https://webarchive.ars.electronica.art/en/archives/picture_ausgabe_02_new.asp%3FiAreaID%3D79%26showAreaID%3D126%26page%3D4%26pagesize%3D10%26order%3Dname.html. I Davis
  881. Ars Electronica documents Lin's participation in the nonprofit generative-art initiative Project Percentage. Ars Electronica project I Lin
  882. Ars Electronica documents Messa di Voce and its 2004 honorary mention. ars-messa I Levin
  883. Ars Electronica person record. Ars Electronica’s person record connects Davis with PrayStation and the 2001 Golden Nica. https://webarchive.ars.electronica.art/en/personen_page.asp%3FiPersonID%3D6488.html. I Davis
  884. Ars Electronica PIXELS. Ars Electronica Planet B documentation of the collective's pioneering role in crypto art and the PIXELS exhibition. https://ars.electronica.art/planetb/en/pixels/. I CryptoWiener
  885. Ars Electronica PROOF OF ART. PROOF OF ART exhibition at Francisco Carolinum Linz featuring CryptoWiener among pioneering NFT and digital artists in a survey of blockchain art history. https://ars.electronica.art/newdigitaldeal/en/proof-of-art/. I CryptoWiener
  886. Ars Electronica's 2025 festival profile presents Rodeh as an artist, scenographer, and urban practitioner working with public space, CGI, video games, light, sound, and motion. ars-electronica I Rodeh
  887. Ars Electronica, Cutting Edge: The Power of the Gaze, Emiko Ogawa on the EyeWriter, 2025. ars.electronica.art I Lieberman
  888. Ars Electronica, Prix Ars Electronica 2008, Honorary Mention for openFrameworks. ars.electronica.art I Lieberman
  889. Ars Electronica’s artist archive records the 2003 distinction for re:move and the 2007 honorary mention for @c + Lia. Ars Electronica archive I LIA
  890. Arshake’s account of +GRAPH describes the exhibition’s physical drawings and He’s custom brush, paint, and plotting process. exhibition criticism I He
  891. Art & Market. ArtScience Museum in Singapore included Penne's Within/Without in Notes From the Ether: From NFTs to AI (2023). https://www.artandmarket.net/exhibition/2023/9/19/notes-from-the-ether-from-nfts-to-ai-at-artscience-museum. I Penne
  892. Art and science of visualization. The Institute of Directors hosts a conversation about the communicative power of data visualization. https://www.iod.com/resources/exploring-the-art-and-science-of-data-visualisation-with-nadieh-bremer/. I Bremer
  893. Art and the Science of Generative AI. A research paper considers generative AI as a medium with distinct artistic affordances. https://arxiv.org/abs/2306.04141. I Henry
  894. Art at the Kent's official exhibition page lists Merrill in Throughlines and schedules his pen-plotter demonstration. Throughlines I Merrill
  895. Art Basel. Art Basel’s interview considers Paglen’s formation and development as an artist. https://www.artbasel.com/stories/how-i-became-an-artist-trevor-paglen?lang=en. I Paglen
  896. Art Basel Hong Kong 2026. Nguyen Wahed presented Asendorf at Art Basel Hong Kong 2026, situating his generative systems within an international fair context. https://nguyenwahed.com/art-fairs/19-art-basel-hong-kong-2026-kim-asendorf/. I Asendorf
  897. Art Basel profiles Stiles’s transmedia practice and her concept of Technelegy as an emergent collaborative voice. Art Basel I Stiles
  898. Art Basel Zero 10 at Observer. Observer's review of Art Basel Zero 10 (Basel, June 2026) features Mapan's Paysages Plausibles, machine-generated wireframes translated into oil; Art Blocks' presentation of his work sold out. https://observer.com/2026/06/art-basel-zero-10-digital-art-eli-sheinman-trevor-paglen/. I Mapan
  899. Art Basel, on the launch of Zero 10, the initiative for the art of the digital era, making its Swiss debut co-curated by Trevor Paglen and Eli Scheinman under the theme The Condition. artbasel.com I Gerrard
  900. Art Basel, on the opening sales of Art Basel 2026: John Gerrard's STANDARD (2023), a real-time simulation of a white flag rising from desert water vapour, sold by Fellowship for USD 500,000. artbasel.com I Gerrard
  901. Art Basel, William Mapan on blurring code, paint, and generative art: software background, the dialogue between code and painting, and the future of digital art under AI. artbasel.com ↩ I Mapan
  902. Art Blocks / Cent. “In Conversation with Piter Pasma.” https://beta.cent.co/artblocks/+13ycwt. Accessed 18 September 2026. II 166
  903. Art Blocks After Dinner Mints Episode 30 with Darien Brito, including detailed discussion of Paths at timestamp 1:04:25. youtube.com I Brito
  904. Art Blocks After Dinner Mints video discussion featuring Loren Bednar and the Traversals project. Art Blocks After Dinner Mints I Bednar; I Calderon Arenas
  905. Art Blocks After Dinner Mints w/ Stefano Contiero. The Art Blocks After Dinner Mints podcast episode features Stefano Contiero in extended conversation about Frammenti, Rinascita, Saturazione, and the generative art community. https://www.youtube.com/watch?v=FmRDPEKLt60. I Contiero
  906. Art Blocks. “Art Blocks Lore: Genesis proof-of-concept retrospective.” Instagram, 21 September 2026. https://www.instagram.com/p/DdjVTuRiBrE/. Accessed 28 September 2026. II 002
  907. Art Blocks at Taipei Dangdai. Vogue Taiwan interview with Davis on Art Blocks, his creative role, and digital art's presentation at Taipei Dangdai. https://www.vogue.com.tw/lifestyle/article/taipei-dangdai-artblocks. I Davis
  908. Art Blocks Curated overview. Crypto Times includes Spectron in an overview of Art Blocks Curated projects and its analog-synthesizer lineage. https://www.cryptotimes.io/learn/everything-you-need-to-know-about-art-blocks-curated-nft-project/. I De Mai
  909. Art Blocks departure note. A dated public statement by Iyer reflects on his work with Art Blocks and his continuing activity as an artist, collector, and builder. https://www.linkedin.com/posts/rahuldotiyer_new-year-new-life-update-ive-made-the-activity-7280981671498190848-8IZE. I iyer
  910. Art Blocks described Renders Game and Trichro-matic on X, noting the latter meditates on perception using rhythmic color and form, while the former represents a note from the artist to himself on creativity. Art Blocks I Hiley-Mann
  911. Art Blocks has become a leading platform for generative art, connecting artists, blockchain technology, and collectors. SMU Meadows I Benhorin; I Blockchance; I Kapoor; I cryptobauhaus; I pxlq
  912. Art Blocks in Marfa. Art Blocks describes its Marfa venue as a physical space dedicated to generative art and its historical foundations. https://medium.com/the-link-art-blocks/why-is-art-blocks-in-marfa-acb6548a8bdc. I TheElephantNL; I n e o
  913. Art Blocks Instagram Reel. Art Blocks Instagram reel featuring selections including context for Factory generative works. https://www.instagram.com/reel/CzuNV5Js40X/. I Rizzle, Sebi, Miguelgarest
  914. Art Blocks interview with Kane on Gazers as a multigenerational experience of time. mattkane.com/press/art-blocks-in-conversation I Kane
  915. Art Blocks Official. No substantive video source was discoverable during verification. https://www.youtube.com/c/ArtBlocksOfficial. I AnaPet
  916. Art Blocks Official YouTube. The Art Blocks Official YouTube channel provides the platform's video archive for talks, podcasts, and presentations. https://www.youtube.com/c/ArtBlocksOfficial/about. I Kapoor
  917. Art Blocks Official YouTube channel features Behind the Code content including Implications by ixnayokay. YouTube Video I Boyarsky
  918. Art Blocks platform post announcing the AlphaModica release date and details. Art Blocks release post I Danooka
  919. Art Blocks Podcast. Art Blocks After Dinner Mints episode features an extended discussion with Pedersen on his process, projects, and place in the generative art community. https://www.youtube.com/watch?v=Y6DyxLXNxu4. I Pedersen
  920. Art Blocks Social Documentation. Art Blocks community channels produced social documentation of Ode to Roy editions at release. https://x.com/artblocks_io/status/1564253607578451968. I artplusbrad
  921. Art Blocks team directory. An organizational directory lists Watson as a generative artist associated with Art Blocks. https://www.insideorg.com/org/art-blocks-inc. I Watson
  922. Art Blocks' NFT Rio dispatch lists Autonomoses among Latin American Art Blocks artists exhibited in Rio in 2022. Art Blocks Rio dispatch I Autonomoses
  923. Art Blocks, Jeff Davis, and Bright Moments. Bright Moments film tracing the organisation and Davis from Venice Beach to its international chapters. https://www.youtube.com/watch?v=CuOTPshQM74. I Davis
  924. Art Blocks’ Minters & Makers episode lists MODNAR WOLF, Ryan Struhl, and Jacob Gold as its April 2022 guests. minters-makers I MODNAR WOLF
  925. Art Blocks’ Minters & Makers episode of 21 July 2022 features de la Rouviere alongside 0xphiiil and Itu. Podcast interview I de la Rouviere
  926. Art Blocks’ podcast episode features Zachariah Watson with Owen Moore and Jacob Joaquin on 29 September 2022. Minters & Makers I Watson
  927. Art by numbers. UCLA Newsroom profiles Reas's relation between instructions, code, process, and visual form. https://newsroom.ucla.edu/stories/art-by-numbers-249650. I REAS
  928. Art Critique reviews Fieldwork through Donovan’s transformation of manufactured materials into seemingly organic structures. Art Critique I Donovan
  929. Art Dubai Digital. STIRworld's report on Art Dubai Digital, including Davis and Art Blocks within the fair's account of blockchain art. https://www.stirworld.com/see-features-art-dubai-digital-proves-to-be-a-star-attraction-at-the-15th-edition-of-the-fair. I Davis
  930. Art Dubai records Rasheed’s participation and biography in its 2024 Digital Summit program. Art Dubai I Rasheed
  931. Art Dubai’s 2022 digital-sector release describes CryptoCitizens as 10,000 works by QianQian issued in city-based increments. art-dubai I QianQian
  932. Art Ed Radio interview. In a 2018 studio interview for Art Ed Radio, Jen Stark discussed her creative process, the role of sketchbooks, and her collaboration with Miley Cyrus for the MTV Video Music Awards. https://theartofeducation.edu/podcasts/an-interview-with-jen-stark-ep-120/. I Stark
  933. Art Innovation Gallery's press release includes Donnoh in its 2022 roster of digital artists. gallery release I donnoh
  934. Art Institute of Chicago. The Art Institute of Chicago maintains a profile and collection records for Aranda\Lasch. https://www.artic.edu/artists/117985/aranda-lasch. I Aranda\Lasch
  935. Art is Crime. A generative artist narrated the journey of preparing a project for Art Blocks, reflecting technical and creative challenges. https://www.art-is-crime.com/story/artist-story. I matto
  936. Art Market Resilience. A Frontiers in Blockchain article uses hex6c's collecting history within a case study of returns and royalties in crypto art. https://public-pages-files-2025.frontiersin.org/journals/blockchain/articles/10.3389/fbloc.2023.1101939/pdf. I hex6c
  937. Art Meets Science. The summit’s dedicated program describes De Giuli’s contribution on the changing relationship between art and science. https://art-meets-science.io/en/generative-art-summit-berlin-conference/. I De Giuli
  938. Art Miami's dealer page lists Emmanuel Moses among Oliver Cole Gallery's exhibiting artists. Art Miami dealer page I Autonomoses
  939. Art Networks. ZKM's Art Networks conversation video discusses network thinking in the context of the exhibition. https://www.youtube.com/watch?v=F1mqkMfRs3Q. I BarabasiLab
  940. Art NFTs and Their Marketplaces. The Art NFTs and Their Marketplaces surveys art NFT platforms, market patterns, ownership, and authenticity. https://arxiv.org/abs/2210.14942. I sgt_slaughtermelon & Tartaria Archivist
  941. Art Palm Beach. Art Palm Beach's Oliver Cole Gallery page lists Emmanuel Moses among represented artists in the fair context. https://www.artpbfair.com/dealer-details/106/oliver-cole-gallery. I Autonomoses
  942. Art Plugged names Luca Ionescu among the artists included in the 2023 Companions of Code exhibition. exhibition-report I Ionescu; I Kislev
  943. Art Rabbit archives the 2008 eBoy LA exhibition at Concrete Hermit Gallery, London, including dates and venue details. ArtRabbit I eBoy
  944. Art Talk: Rafaël Rozendaal. VICE's early artist talk presents Rozendaal on the internet as a museum, interactive websites, drawings, installations, and BYOB. https://www.vice.com/nl/article/art-talk-rafael-rozendaal/. I Rozendaal
  945. Art, Code, and Pixels ft. Kim Asendorf. Kaloh's Podcast episode exploring code, algorithms, and blockchain technology in Asendorf's generative practice. https://www.youtube.com/watch?v=Ee8mfbSge2c. I Asendorf
  946. Art-is-crime.com case timeline and documentation of taxes paid in 2021. Art is Crime I Shvembldr
  947. Art-is-crime.com public case file documenting the 10 February 2022 asset seizure and criminal proceedings. Art is Crime I Shvembldr
  948. art.gazelliarthouse.com. Gazelli Art House presents GEN/GEN: Generative Generations, a group exhibition spanning six decades featuring Brito's Laterals (2023) alongside works by Harold Cohen, Ernest Edmonds, William Latham, Tyler Hobbs, and others. https://art.gazelliarthouse.com/collections/gen-gen-generative-generations. I Brito; I Kovach
  949. Art21 describes Hollowell’s bodily imagery, relief construction, use of light, and California influences. art21-profile I Hollowell
  950. art4care.msf.ch. Art4care: RVig's collaboration with Medecins Sans Frontieres through NFT fundraising. https://art4care.msf.ch. I RVig
  951. artbase.rhizome.org. Rhizome ArtBase, the preservation record of Leegte's net.art including untitled[scrollbars]. https://artbase.rhizome.org/wiki/Q123. I Leegte
  952. ArtCenter records Grasser's 2009 BFA and multidisciplinary design background. ArtCenter I Grasser
  953. Artconnect. Profile page with details on early documentary and textile projects. https://www.artconnect.com/armaghan-fatemi. I Fatemi
  954. Artcrush's profile describes Ionson as a digital artist working with AI, blockchain, and systems installation art. Artcrush profile I Ionson
  955. ArtDAO. Falco's ArtDAO case study documents his use of Three.js and Svelte for an interactive web experience. https://pedrofalco.com/projects/artdao. I Falco
  956. artdependence.com. ArtDependence on the Van Gogh Museum's presentation of Compressed Landscapes. https://www.artdependence.com/articles/van-gogh-museum-amsterdam-presents-digital-works-of-jan-robert-leegte-in-compressed-landscapes/. I Leegte
  957. ArtDog Istanbul. ArtDog Istanbul maintains an archive page for coverage tagged to Dist Collective. https://artdogistanbul.com/tag/dist-collective/. I DistCollective
  958. Arte & Crítica 74. The Brazilian Association of Art Critics' journal discusses Archetype #397 within a study of algorithmic aesthetics. https://abca.art.br/wp-content/uploads/2025/07/Arte-Critica-ed-74-Lilian-Franca.pdf. I Golid
  959. Arte do Código Aberto. Senac São Paulo records Vamoss's open-source-art presentation and summarizes his generative practice and academic background. https://eventos.sp.senac.br/atividade/arte-do-codigo-aberto-com-vamoss/. I Vamoss
  960. Arte gerativa e NFTs. Meio interviews Rizzolli on her path into computer art, generative systems, and the NFT market. https://www.canalmeio.com.br/2023/08/17/arte-gerativa-e-nfts-se-popularizam-na-comunidade-artistica/. I Rizzolli
  961. arte.bio presents Nonfigurativ's public work hub with links to AOI, Right Click Save, and Fakewhale. arte.bio I Nonfigurativ
  962. Arte.it exhibition listing for Carolina Melis. Dove cade l'ombra at Museo Nivola. arte-exhibition I Melis
  963. Arte.it lists Simon De Mai among the artists in the 2022 Decentral Art Pavilion exhibition Singularity. Singularity listing I De Mai
  964. ARTECHOUSE, All About Creative Coding Artist Zach Lieberman, January 2020. artechouse.com I Lieberman
  965. Artefacts by Stina Jones. Nifty Gateway's Artefacts catalogue describes Jones's character-based collection and its June 2021 release. https://www.niftygateway.com/collections/stinaartefacts/. I Jones
  966. Artem Verkhovskiy x Andy Shaw. “Artists’ shared project links.” https://linktr.ee/LowTideAB. Accessed 17 September 2026. II 151; II 318
  967. Artfacts. Artist profile with market data and overview. https://artfacts.net/artist/armaghan-fatemi. I Fatemi
  968. Artforum. Artforum’s interview addresses pain, birth, motherhood, and Hollowell’s evolving painting practice. https://www.artforum.com/interviews/loie-hollowell-on-painting-pain-and-her-second-birth-85783. I Hollowell
  969. Artforum Artguide PDF. Artforum Artguide's PDF press release for Safe and Sound (Evolutions) gives catalogue-style context for Rodeh's Grimmuseum exhibition and the broader Safe and Sound sequence. https://artguide.artforum.com/uploads/guide.003/id11891/press_release.pdf. I Rodeh
  970. Artforum essay. Edward A. Shanken’s Artforum essay surveys more than fifty years of Whitman’s theater pieces and technological collaborations. https://faculty.ucr.edu/~ewkotz/texts/Kotz-2011-AF-Whitman.pdf. I Whitman
  971. Artforum reported on the National Gallery of Art's acquisition of Multiverse, situating the work within institutional collecting. Artforum I Villareal
  972. artforum.com. Artforum review of John Gerrard, on the simulations and their real-time logic. https://www.artforum.com/print/reviews/201102/john-gerrard-38844. I Gerrard
  973. Artfridge's interview presents Rodeh's practice through acoustic and visual systems of safety and her Israeli and Berlin-based context. artfridge-interview I Rodeh
  974. Article on physical craft and tapestries. Euronews I Sun
  975. Artificial After All: 256 autonomous smart contracts with onchain neural network inference. artificial.han.io I Saglam
  976. Artificial Intelligence Selection Box. The V&A’s artificial-intelligence study resource discusses computational artists and rule-based systems. https://www.vam.ac.uk/info/collection-selection-boxes-artificial-intelligence. I Åström
  977. Artificial Wild Dream. Artificial Wild Dream presents an AI-imagined journey through wilderness, memory, and idealized nature. https://vimeo.com/929459137. I phenomena
  978. Artificial Wild Dream trailer. A trailer introduces Artificial Wild Dream as an audiovisual journey through machine memories of nature, extinct species, and decaying reefs. https://vimeo.com/953577610. I phenomena
  979. Artis's audio interview introduces Rodeh's interests in urban environments, industrial products, nightlife culture, and the architecture of nights. artis-audio I Rodeh
  980. Artist and Computer. Peckham Digital’s Artist and Computer episode presents a recorded conversation about He’s robotics and pen-plotter practice. https://music.amazon.it/podcasts/e45b860b-b737-4223-ad92-e65bc65597ed/episodes/db983de8-2998-4cad-8d99-12da980ce3ae/peckham-digital-artist-and-computer-episode-8-licia-he-and-computer. I He
  981. Artist announcement thread detailing the release timeline and edition count for Assorted Positivity. X Release Thread I steganon
  982. Artist biography. The artist’s substantive biography details his practice, institutional recognition, and exhibition history. https://kazuhirotanimoto.com/about/. I Tanimoto
  983. Artist biography and practice statement. han.io/about I Saglam
  984. Artist biography summarising Melis's training, London work, commissions, and exhibitions. artist-bio I Melis
  985. Artist CV. Crispin’s curriculum vitae records his education and exhibition history, including Poetics of Encryption and Planet B. https://sterlingcrispin.com/SterlingCrispinCV.pdf. I Crispin
  986. Artist CV listing birth year 1982, Hungary, and professional identities. apeirography.art/artist I Aggott-Hönsch
  987. Artist description of Cryptoblots as homage to Rorschach's inkblot test. daim.art I Aggott-Hönsch
  988. Artist interview and profile on Expanded.art that contextualizes the Systems Madness project within Claudia Hart's artistic development. Expanded Art I Blanton
  989. Artist maintains active studio practice centered on color, form, and poetry in Los Angeles. Official website I Vittoria
  990. Artist news entry announcing the Berlin exhibition and situating Toiminto's NFT work within two decades of research. Antti Pussinen News: Improbable Iterations I toiminto.eth
  991. Artist page on the Raster platform hosting additional generative artworks by dominikus. Raster I Dominikus
  992. Artist post reflecting on on-chain code storage in projects like AlphaModica. Danooka technical reflection I Danooka
  993. Artist profile confirming self-taught status, MoD commissions, and sustained thematic continuity. MutualArt artist page I Tsukamoto
  994. Artist profile maintained on the Raster platform documenting Claudia Hart's body of work. Raster I Blanton
  995. Artist profile noting birth year, Vancouver base, and Art Blocks Curated and Factory participation. Peggy I Moore
  996. Artist profile page documenting on-chain generative works. Raster I Wolfers
  997. Artist profiles consistently note Dianov's position as teacher of generative art at HSE University and founder of the GenClub community. Accomparts artist profile I Dianov
  998. Artist reflections and project descriptions explain the deliberate macro-compositional approach and generative variation that characterize the Screens series. Dalos Dov Interview 2025 I Pedersen
  999. Artist Spotlight. An email interview addresses Fradina’s early digital practice, the war in Ukraine, and her move toward long-form work. https://marg.art/2023/03/09/artist-spotlight-olga-fradina/. I Fradina
  1000. Artist spotlight with exhibition history. Proof.xyz I Sun
  1001. Artist statement on dowels inserted into digitally designed, machine-drilled boards, each dowel acting as a droplet of paint, and the work extending into the dimensions of the room. Matt Bilfield, CV and about I Bilfield
  1002. Artist statement on generative art practice. jmy.art/art I JMY
  1003. Artist statistics. NFT Price Floor maintains an indexed artist and collection-statistics page for De Mai. https://nftpricefloor.com/top-nft-artists/simon-de-mai. I De Mai
  1004. Artist talk and exhibition context. Glimmers Exhibition I Katzenmeyer
  1005. Artist website. The artist's press page collects coverage from NPR, the New York Times, Washington Post, Forbes, WIRED, and BBC. https://areben.com/press/. I Reben
  1006. Artist's firsthand account of initiating the collaboration and conceptual approach. Substack reflection I Vittoria
  1007. Artist's Patreon page listing exhibitions and auctions at Decentral Art Pavilion (Venice Biennale), Sotheby's, TASCHEN, and Gazelli Art House. patreon.com I Brito
  1008. Artist's portfolio page for Vahria describing the project as a playful comment on constructivism and its dominance as a visual language. darienbrito.com I Brito
  1009. Artist-name index. Rhizome ArtBase’s artist index records one archived work by Kazuhiro Tanimoto. https://artbase.rhizome.org/wiki/Browse/by_artist_name. I Tanimoto
  1010. Artist-spotlight summary of technical background and transition to generative fine art. Art Blocks LinkedIn spotlight I Tsukamoto
  1011. Artists Documentation Program. The Menil Collection’s Artists Documentation Program transcript examines the material and technical requirements of Whitman’s work. https://adp.menil.org/sites/default/files/2021-05/Whitman-final_transcript.pdf. I Whitman
  1012. Artists Tyler Hobbs and Casey Reas on Generative Art. LACMA and Unit London bring Hobbs and Casey Reas together to discuss generative art, software, and institutional collecting. https://www.youtube.com/watch?v=4uitw924Xk8. I Hobbs
  1013. ARTIUM’s press document describes Eltono’s biography, visual vocabulary, and context-responsive working method. ARTIUM release I Eltono
  1014. ArtJam connects Patchwork Saguaros to Tucson, the Sonoran Desert, and Rockland’s grandmother’s quilting. ArtJam I Rockland
  1015. Artmaker Blog. Artmaker Blog reviews dada data in Social Codes, connecting its economy of means to twentieth-century code-art traditions. https://toshareproject.it/artmakerblog/social-codes-at-feral-file/. I LIA
  1016. Artnet artist page. Artnet hosts an artist page with exhibition and market context for Dianov. https://www.artnet.com/artists/ivan-dianov/. I Dianov
  1017. Artnet auction record. Artnet maintains an auction archive page for Memories of Qilin #1010, recording price history and provenance details. https://www.artnet.com/artists/emily-xie/memories-of-qilin-1010-YG50baKBTpIy7VnCp0iFhA2. I Xie
  1018. Artnet News. Artnet News interviewed Barabási about data, artistic success, and NFT networks. https://news.artnet.com/market/laws-of-art-success-data-2083133. I BarabasiLab
  1019. Artnet News. Artnet examines Hollowell’s movement between abstraction and realism around her 2024 exhibitions. https://news.artnet.com/art-world/loie-hollowell-aldrich-jessica-silverman-2420634. I Hollowell
  1020. Artnet News. Artnet News interviews Paglen about alternative realities, surveillance, geography, and technologically mediated power. https://news.artnet.com/art-world/trevor-paglen-interview-1299836. I Paglen
  1021. Artnet News described Beesley’s coded digital work as inspired by keyboards, analogue synthesizers, and oscillators. Artnet profile I Beesley
  1022. Artnet news on Interwoven. Artnet reports on Xie's Interwoven project, a generative reinterpretation of a 100-year-old quilt from the LACMA collection released in collaboration with Cactoid Labs. https://news.artnet.com/market/emily-xie-interwoven-lacma-cactoid-labs-2317667. I Xie
  1023. Artnet News, The Innovators: Art Blocks CEO Erick Calderon on Crypto Speculation, the Bear Market, and Building His Kids' Future on the Blockchain (2022): the abandoned timed-display model and the evolution of Art Blocks as an organisation. news.artnet.com I Calderon
  1024. Artnet reported on the Gucci and Christie's online auction and listed Goodchild among the participating artists. artnet-gucci-christies I Goodchild
  1025. Artnet reports on Reben's first solo museum retrospective at the Crocker Art Museum, noting his concurrent position as OpenAI's first artist in residence. Artnet news I Reben
  1026. Artnet's coverage of a later Sotheby's digital art sale discusses the auction house's treatment of NFTs and digital art within a historical frame. Artnet market coverage I Turner; I daLenz
  1027. artnet.com. Artnet artist page: market record, exhibitions, and bibliography. https://www.artnet.com/artists/john-gerrard/. I Gerrard
  1028. ARTnews coverage of the Latvian police freezing Shvembldr's accounts and the money laundering investigation. ARTnews I Shvembldr
  1029. artnews.com. ARTnews examines the rapid rise of algorithm-generated NFTs and asks whether Art Blocks' no-cherry-picking model can raise the quality of generative editions. https://www.artnews.com/art-news/news/algorithm-generated-nfts-art-blocks-1234603548/. I Calderon; I Hobbs
  1030. artnews.com (Calderon profile). ARTnews reports that in 2018 Calderon sold some of his CryptoPunks to pay developers to build Art Blocks, where a buyer mints an output without knowing it in advance. https://www.artnews.com/art-news/news/erick-calderon-art-blocks-1234604108/. I Calderon
  1031. artnews.com. ARTnews on Gerrard dedicating proceeds from his generative work to restoring Ireland's temperate rainforest with Hometree. https://www.artnews.com/art-news/news/john-gerrard-generative-art-ireland-rainforest-1234711212/. I Gerrard
  1032. artnivo. A curator discusses Seçici İletken, new-media art, and the participating artists. https://www.artnivo.com/editoryel/yazilar-roportajlar/sinan-eren-erk-ile-secici-iletken-ve-yeni-medya-sanati-uzerine/. I DistCollective
  1033. Artnome. Artnome preserves an artist page for Luca Donno and indexes works including attraction, sun, creativity, moon, identity, shadow dance, and solar wind. https://www.artnome.com/luca-donno. I donnoh
  1034. Artnome, Autoglyphs, Generative Art Born on the Blockchain: self-contained art, open operation, provenance, and rules. artnome.com ↩ I Larva Labs
  1035. artplusbrad. “Mellifera official description.” https://artplusbrad.com/mellifera. Accessed 19 September 2026. II 414
  1036. artplusbrad. “Ode to Untitled official description.” https://artplusbrad.com/untitled. Accessed 19 September 2026. II 348
  1037. Artpoint profiles ilithya as a Mexican multidisciplinary artist based in Hamburg whose practice combines programming, algorithms, and shaders. artpoint-profile I ilithya
  1038. Artpoint profiles RalenArc as a US-based generative artist working with code, organic shapes, vivid color, and textured abstraction. Artpoint profile I RalenArc
  1039. Artpoint's profile describes Ionson's use of AI, GANs, VCRs, CRTs, oscilloscopes, lasers, scanners, photography, smart contracts, blockchains, and sound. Artpoint profile I Ionson
  1040. Artpoint: Jason Ting. Gallery profile presenting Ting's daily-sketch practice and new media works with emphasis on code, light, and immersive experience. https://www.artpoint.fr/artists/jason-ting. I Ting
  1041. Artprice. Artprice compiles auction records and market analytics for Villareal's works dating back to his emergence. https://www.artprice.com/artist/235273/leo-villareal. I Villareal
  1042. Artscape's Taipei report documents Disorder in the 2024 dialog() exhibition and its expanded display environment. dialog Taipei review I Lin
  1043. Artscape's Tokyo exhibition review analyzes Lin's real-time work Disorder and its illusion of physical presence. dialog Tokyo review I Lin; I Reva
  1044. Artscape’s 2022 Nuit Blanche artist profile describes Vella’s practice and the continuously generated, non-looping operation of Colour Field. Artscape profile I Vella
  1045. ArtScience Museum coverage. ArtScience Museum in Singapore hosted Notes From the Ether, featuring Aluan Wang's Chaos and AI Research and the akaSwap platform that enabled public generative minting on Tezos. https://www.tzapac.com/articles/artscience-museum-visitors-are-creating-generative-art-on-tezos/. I AluanWang
  1046. ArtScience Museum, TZAPAC and akaSwap. xtz.news reports on the ArtScience Museum, TZAPAC and akaSwap collaboration that introduced Tezos generative art, a project led by Aluan Wang. https://xtz.news/nft/artscience-museum-in-singapore-tzapac-and-akaswap-introduce-tezos-generative-art-to-the-world/. I AluanWang
  1047. ArtsLife’s 2023 interview documents Speziari’s education, influences, media, and guiding interest in human questioning. ArtsLife I Speziari
  1048. Artspace and Phaidon. The artist explains why market critique must operate within the systems it examines. https://www.phaidon.com/en-us/blogs/artspace/the-artist-s-guide-to-selling-out-in-style. I Lund
  1049. artstalkmagazine.nl. ArtsTalk Magazine on the Van Gogh Museum presentation. http://artstalkmagazine.nl/van-gogh-museum-presents-digital-work-of-artist-jan-robert-leegte/. I Leegte
  1050. ArtStation. Glas's ArtStation portfolio showcasing her digital painting and concept art. https://www.artstation.com/kristyglas. I Glas
  1051. Artsy. Artsy artist page documents biography, auction results, and exhibition history for Bryan Brinkman. https://www.artsy.net/artist/bryan-brinkman. I Brinkman
  1052. Artsy. Artsy maintains a comprehensive artist page for Carreras documenting exhibition history, works, and auction results across primary and secondary markets. https://www.artsy.net/artist/anna-carreras. I Carreras
  1053. Artsy. Artsy lists Reben's institutional exhibition history including shows at Vitra Design Museum, MAK Museum Vienna, and Ars Electronica. https://www.artsy.net/artist/alexander-reben/cv. I Reben
  1054. Artsy / Galloire. Galloire featured Penne's Catalina series at Art Dubai 2023 in the Digital Section booth alongside Daniel Canogar and Miguel Chevalier. https://www.artsy.net/show/galloire-galloire-at-art-dubai-2023/info. I Penne
  1055. Artsy artist page presenting biography, selected works, and exhibition record for Loren Bednar. Artsy Profile I Bednar
  1056. Artsy Artist Profile. Artsy provides auction history and market information for works by Aranda\Lasch. https://www.artsy.net/artist/aranda-slash-lasch. I Aranda\Lasch
  1057. Artsy artist profile. Artsy maintains a comprehensive profile of Jen Stark including biography, auction results, exhibition history, and available works spanning her analog and digital practice. https://www.artsy.net/artist/jen-stark. I Stark
  1058. Artsy auction results documenting Sotheby's sales of Pigments works, including Pigments 820 (September 2023) and Pigments #708 (April 2024). artsy.net I Brito
  1059. Artsy describes the rule-setting process behind Eltono’s generative work and Modo 7 practice. Artsy I Eltono
  1060. Artsy documents Che-Yu Wu, born 1995 in Taiwan, through biography, exhibition history, and available works, situating him within contemporary digital and generative art contexts. Artsy Artist Profile I Wu
  1061. Artsy offers a profile situating Villareal's sculptural training within his subsequent light and code-based practice. Artsy I Villareal
  1062. Artsy profile. Artsy records Speziari as an Italian artist born in 1977 and preserves an artist-market profile. https://www.artsy.net/artist/fabiano-speziari/about. I Speziari
  1063. Artsy profiles Richardson’s use of motion capture, 3D scanning, 3D imaging, photography, and cinema. Artsy I Richardson
  1064. Artsy provides a public artist profile summarizing Snell's practice, Dio, exhibitions, and New York base. artsy-profile I Snell
  1065. Artsy records Crispin’s 1985 birth in Maui, California base, education, and interdisciplinary practice. Artsy I Crispin
  1066. Artsy's artist overview describes Moses's mathematical approach to color, pigmentation, shade selection, and order. Artsy profile I Autonomoses
  1067. Artsy's artist profile for Reben lists his institutional exhibitions, fellowships, and press coverage, and notes his gallery representation. Artsy artist page I Reben
  1068. artsy.net. Artsy artist profile: biography, CV, and works. https://www.artsy.net/artist/john-gerrard. I Gerrard
  1069. Artsy’s Breezy and WHALE feature discusses sturec’s technical formation and multiform digital practice. Artsy profile I sturec
  1070. ARTUNER's 2019 interview addresses Robak's understanding of technology, society, and the body as symbiotically related. ARTUNER interview I Robak
  1071. Artwork Archive: Jason Ting. Archive profile documenting Ting's birth details, New Haven base, creative coding practice, and selected works within the Connecticut Office of the Arts registry. https://www.artworkarchive.com/profile/connecticut-office-of-the-arts/artist/jason-ting. I Ting
  1072. ARTXCODE announced representation of Bjørn Staal in 2026 and summarized his independent practice after Void. ARTXCODE announcement I Nonfigurativ
  1073. ARTXCODE details the algorithmic, CNC, printing, and assembly process used for Seating Arrangements. Seating Arrangements I Shannon
  1074. ARTXCODE profiles Eko33 as a visual artist working with algorithmic systems, custom code, AI models, plotted works, and prints. ARTXCODE profile I Duclaux
  1075. ARTXCODE's 2023 interview records Wander's Carnegie Mellon training, Google career, and program-centered creative process. ARTXCODE interview I Wander
  1076. ARTXCODE's artist profile places Staal in Oslo and describes his early computer-based creative expression. ARTXCODE profile I Nonfigurativ
  1077. ARTXCODE's interview discusses Eko33's development of Neural Sediments and his approach to algorithmic process. ARTXCODE interview I Duclaux
  1078. Arty Ideas maintains an artist overview emphasizing eBoy's fine-art pixel illustrations and vibrant urban scenes. Arty Ideas I eBoy
  1079. ArtYard presents Ars Poetica Cybernetica as an investigation of AI poetics informed by Stiles’s work with BINA48. ArtYard I Stiles
  1080. arXiv. Barabási's arXiv paper links invasion percolation to global optimization and spanning-tree problems. https://arxiv.org/abs/cond-mat/9602010. I BarabasiLab
  1081. Asaf Slook. “Backwards official description.” https://www.asafslook.com/backwards. Accessed 19 September 2026. II 436
  1082. Ashima Arts and Stefan Gustavson. “webgl-noise licence.” https://github.com/stegu/webgl-noise/blob/master/LICENSE. Accessed 18 September 2026. II 244
  1083. Ask the Agent, Not the Analyst. A listed community event identifies AI Ship & Social as run by Matthew Hooten and Neel Shivdasani. https://www.meetup.com/refactr-tech/events/315059443/?eventOrigin=group_upcoming_events. I Shivdasani
  1084. askART. AskART records the 2024 Sotheby's offering of Searching For Answers On Jupiter. https://www.askart.com/auction_records/Fahad_Karim/11423682/Fahad_Karim. I Karim
  1085. askART biography. askART summarizes Dudko’s work across generative art, digital fabrication, photography, and multimedia installation. https://www.askart.com/bio/Pawel_Dudko/11417350/Pawel_Dudko. I Dudko
  1086. AskArt biography. AskArt maintains a biographical entry noting Xie's birth year and New York residence. https://www.askart.com/bio/Emily_Xie/11403118/Emily_Xie. I Xie
  1087. AskART indexes sturec’s auction records, including individual sail-o-bots lots. AskART archive I sturec
  1088. ASSEMBLE. Listing for the multimedia group exhibition ASSEMBLE featuring Armaghan Fatemi. https://www.newexhibitions.com/e/58718. I Fatemi
  1089. Assembly's exhibition listing situates Farquhar within a group presentation devoted to photography and generative art on the blockchain. Assembly exhibition I Farquhar
  1090. Asymmetrically Rough Sphere Aerodynamics. The associated research paper models and tests side forces produced by asymmetric surface roughness. https://ryley-o.com/wp-content/uploads/2023/01/Asymmetrically-Rough-Sphere-Aerodynamics-with-Application-to-Sports-Balls.pdf. I ryley-o.eth
  1091. Async's artwork record explains the programmable layers and selectable states of GANOODLE [Async Edition]. async-record I Jones
  1092. Async's Carbon Study page describes the work as a generative exploration of graphite texture. Async Carbon Study I Kapoor
  1093. ATypI. ATypI's speaker archive summarizes Grasser's iterative studio method, typography, and commercial design practice. https://atypi.org/speaker/martin-grasser/. I Grasser
  1094. ATypI describes Grasser's iterative practice and his use of type as abstraction and participation. ATypI I Grasser
  1095. Auction and market context. Sotheby's I Sun
  1096. Auction house performance at Sotheby's and Christie's. superrare.com/collection/cryptocubes I Saglam
  1097. auction profile. MutualArt records Dudko’s first auction appearance and the offering of Gleam #1 at Sotheby’s in 2024. https://www.mutualart.com/Artist/Pawel-Dudko/A217A0AE11E4A91A. I Dudko
  1098. Auction records. AskART maintains an auction and pricing archive identifying Connolly with digital art and NFTs. https://www.askart.com/auction_records/Michael_Connolly/11414559/Michael_Connolly. I Connolly
  1099. Auditorium HD interview record. A University of California bibliography identifies a recorded 2010 interview with Stallwood and Saint about Auditorium HD. https://escholarship.org/content/qt5wj1q3j2/qt5wj1q3j2.pdf?t=r1ff0j. I Stallwood
  1100. Augmented Exploration. A design thesis lists Dominique Dautheribes as a programmer at North Kingdom consulted during research into mobile augmented reality. https://www.diva-portal.org/smash/get/diva2%3A1365625/FULLTEXT01.pdf. I Dautheribes
  1101. Austria’s federal arts administration records LIA’s Graz origins, Vienna base, multidisciplinary practice, and dialogic method of constructing generative systems. federal award profile I LIA
  1102. Autoglyph #115. The Whitney catalogues Autoglyph #115 as a 2019 generative digital artwork hosted on Ethereum and gifted by the artists. https://whitney.org/collection/works/67954. I Larva Labs
  1103. Autoglyph #187. Sotheby's catalogue records Autoglyph #187 as a unique 2019 work whose token function returns drawing instructions. https://www.sothebys.com/en/buy/auction/2023/contemporary-day-auction-2/autoglyph-187. I Larva Labs
  1104. Autoglyphs post-launch report. The post-launch report records Autoglyphs' four-hour mint, 512-work limit, donation model, and Ethereum network demand. https://www.larvalabs.com/writing/2019-4-10-15-1/autoglyphs-post-launch-report. I Larva Labs
  1105. Autonomoses. “Túnel Dimensional official description.” https://www.emmanuelmoses.com/generative-art. Accessed 19 September 2026. I Autonomoses; II 286
  1106. Autonomy and authorship. McCormack, Gifford, and Hutchings consider autonomy, authenticity, authorship, and intention in computer-generated art. https://arxiv.org/abs/1903.02166. I SAB & K2xL
  1107. Autre examines Sternberg’s legal background and the institutional design of the Free Republic of California. Autre I Sternberg
  1108. Avant Arte traces the history of generative art from conceptual precursors to contemporary practice. Avant Arte Guide I Boyarsky; I Cherniak
  1109. Avant Arte YouTube interview. In this 2022 artist interview, Jen Stark discusses her psychedelic explorations of nature's mathematical beauty, color theory, and the evolution of her practice across sculpture, animation, and NFTs. https://www.youtube.com/watch?v=aZv4WJPUOY8. I Stark
  1110. Avant Arte, biography noting Kozlowski was born in Kalispell, Montana, is based in Seattle, attended USC, and quit Microsoft's HoloLens R&D team in 2021 to pursue art full time. avantarte.com/artists/mpkoz I Kozlowski
  1111. Avant Arte, Centrifuge: 35 unique code-controlled prints and tokens exploring ink movement, texture, rhythm, and chance. avantarte.com ↩ I Mapan
  1112. Avant Arte, Sierra: chance-generated mountain, alpenglow, CMYK translation, fifteen ink layers, and four linked NFTs. avantarte.com ↩ I DesLauriers
  1113. Avis Berman / Roy Lichtenstein Foundation. “Roy Lichtenstein biography.” https://lichtensteinfoundation.org/biography/. Accessed 18 September 2026. II 063
  1114. Azulejo Galo is a 250-slot generative series presented at NFC Summit in Lisbon in June 2026; each digital tile composition can be printed and folded into an origami rooster. Bryan Brinkman Azulejo Galo Project 2026 I Brinkman
  1115. Bagley's inclusion in the 2022 GEN.ART Immutable exhibition at Vellum LA situates his practice within the wider generative art community. GEN.ART exhibition I Bagley; I r0zk0; I toiminto.eth
  1116. Bahía César describes the curatorial premise and edge-of-chaos imagery of Corallo’s 2018 solo exhibition. Apariencia del derrumbe I Corallo
  1117. Bahía César records Corallo’s participation in the 2023 exhibition Un jarrón en el ciberespacio. Un jarrón en el ciberespacio I Corallo
  1118. Bailey Reutzel / The Defiant. “Digital Beauty, Asset Flipping, and a Bad Case of the Shakes: Inside the Chase for Art Blocks NFTs.” https://thedefiant.io/news/defi/art-blocks-drops-chase-eth. Accessed 18 September 2026. I Mariansky; I Verkhovskiy; I sgt_slaughtermelon & Tartaria Archivist; II 134; II 138; II 140; II 145; II 150; II 151
  1119. Balkan Architectural Biennale · keynoter profile. Fernando Jerez is listed as keynoter at the Balkan Architectural Biennale, recognized for award-winning architecture, urban regeneration projects, and design pedagogy at UWA. https://www.bab.rs/keynoters-3/. I Jerez
  1120. Bandcamp. Bandcamp hosts the dadabots music catalogue and identifies the project as two music hacker metalhead weirdos making generative music with code. https://dadabots.bandcamp.com/. I dadabots
  1121. Bankless described Aerial View as the release concluding Art Blocks Curated Series 2 and noted its March 28 launch. Bankless minting guide I daLenz; I matto; I redlioneye
  1122. Bankless identified Galaxiss among the first Art Blocks Factory projects available in March 2021. contemporary press I xenoliss
  1123. Bankless podcast, "Zeneca_33: Overpriced JPEGs," 18 November 2021, transcript. podscripts.co III No. 7
  1124. BarabásiLab. “Invasion Percolation official description.” https://twitter.com/BarabasiLab. Accessed 19 September 2026. II 293
  1125. BarabasiLab lists Cyberart Gallery, Postmasters, Ludwig Museum, and New Kriterion Gallery as venues for the 2D and 3D prints. NFT exhibition I BarabasiLab
  1126. BarabasiLab's Art Network page describes the use of exhibition-history data from half a million artists. Art Network work I BarabasiLab
  1127. BarabasiLab's exhibition page states that the algorithm was built in 1994 and the surviving 1995 output opened later retrospectives. BarabasiLab exhibition I BarabasiLab
  1128. BarabasiLab's work page describes Invasion Percolation as an early network visualization and generative network artwork. BarabasiLab work I BarabasiLab
  1129. Barbican. The Barbican press release describes From Apple to Anomaly and its engagement with image datasets used to train artificial intelligence. https://www.barbican.org.uk/sites/default/files/documents/2019-10/Trevor%20Paglen_Press%20Release_Sep2019.pdf. I Paglen
  1130. Barcelona City Council. Barcelona City Council describes the public grant programme that supports Barcelona Producció projects. https://ajuntament.barcelona.cat/ca/informacio-administrativa/subvencions/beques-barcelona-produccio-2026-del-centre-dart-la-capella-institut-de-cultura-de-barcelona. I Heeey
  1131. Bard Ionson. “Bard Ionson, artist site: home page and portfolio.” https://bardionson.com/. Accessed 18 September 2026. II 176
  1132. Bård Ionson. “Color Magic Planets.” 7 March 2022. https://www.bardionson.com/news/colormagic. Accessed 18 September 2026. II 058
  1133. Bård Ionson. “Color Magic Planets IRL.” 17 June 2023. https://www.bardionson.com/news/color-magic-planets-irl. Accessed 18 September 2026. I Ionson; II 058
  1134. Bard Ionson. “The artist website recorded against project 179.” https://bardionson.com/8. Accessed 18 September 2026. II 176
  1135. BARN. The Biofeedback Art Research Network lists Beervangeer among international practitioners. https://biofeedbackartresearch.net/members/vangeer/. I Beervangeer
  1136. Bart Simons. “Stroming: artist project page.” https://www.bartsimons.com/projects/stroming/. Accessed 18 September 2026. II 088
  1137. BASKL reviews Between Worlds at REXPERIENCE and describes its projection, movement, and organic associations. BASKL I Parse/Error
  1138. Bauhaus Archiv gives a chronology of the Bauhaus from its 1919 founding through its closure in 1933. Bauhaus Archiv chronology I cryptobauhaus
  1139. BBC Future publishes Reben's essay on the weird and wonderful art created when AI and humans unite, arguing for optimism about machine creativity. BBC I Reben
  1140. BBC Science Focus. BBC Science Focus presents contemporary aerial photography as a visual field shaped by drone technology and overhead composition. https://www.sciencefocus.com/planet-earth/international-aerial-photographer-of-the-year. I daLenz
  1141. Beervangeer. Beervangeer's April 2025 newsletter announcing MazeFlipper and website redesign. https://www.beervangeer.nl/newsletter/april2025.html. I Beervangeer
  1142. Beervangeer began working with biofeedback after affordable EEG devices reached the consumer market in 2009. Soundzipper interview I Beervangeer
  1143. Beervangeer. “Ultrawave, Autonomous project statement.” https://www.beervangeer.nl/. Accessed 18 September 2026. I Beervangeer; II 153; II 241
  1144. Behance. Behance archives Vallejo’s audiovisual-art background and projects involving color, light, and motion. https://www.behance.net/vallejojuanpedro?locale=es_ES. I Vallejo
  1145. Behance archive. Behance archives Speziari’s digital projects and identifies Photoshop and After Effects among his principal tools. https://www.behance.net/fabianospeziari1. I Speziari
  1146. Behance profile. Behance records Jones's illustration and design practice in Manchester. https://www.behance.net/stinajones?locale=en_US. I Jones
  1147. Behance records Dalessandro’s industrial-design background and early algorithmic projects. Behance I Dalessandro
  1148. behance.net/melissawiederr. Behance portfolio: surface-pattern design and algorithmic work predating her NFT practice. https://www.behance.net/melissawiederr. I Wiederrecht
  1149. Behind the Code: Really Random Rock. Behind the Code documents DCA's plotting workflow for Really Random Rock. https://www.youtube.com/watch?v=lYQAM301kh4. I Calderon Arenas
  1150. Behind the Drop. NFT Now visits the making of The VO1D, connecting code-generated images with hand-painted physical canvases. https://nftnow.com/videos/behind-the-drop-joshua-davis-the-vo1d/. I Davis
  1151. Behind the Work. PROOF presents an interview and project record for cathedral study. https://www.proof.xyz/exhibitions/diamond/cathedral-study. I De Giuli
  1152. Behind-the-code conversation detailing the conceptual and technical construction of Autology. Behind the Code I steganon
  1153. Bell’s 2017 essay explains the programming, interaction-design, and visual-development process behind PictoOptic. PictoOptic essay I Bell
  1154. Bell’s archive surveys earlier work across illustration, paper engineering, printmaking, programming, and visual design. Artist archive I Bell
  1155. Bell’s project index describes risomotion as procedurally generated animation combining JavaScript and Risograph printmaking. Practice index I Bell
  1156. Belvedere. Escher in The Palace analyzes Belvedere as a combination of individually convincing perspectives that cannot coexist spatially. https://escherinhetpaleis.nl/en/about-escher/masterpieces/belvedere. I Cohen
  1157. Ben Benhorin (b. 1977) is a designer, educator, and digital artist based in Tel Aviv; alumni of Bezalel Academy and senior faculty at Shenkar College. TouchDesigner Summit I Benhorin
  1158. Ben Kovach. “Earliest saved works in progress from Edifice.” X, 19 September 2026. https://x.com/bendotk/status/2101454611638788444. Accessed 20 September 2026. II 196
  1159. Ben Kovach. “Edifice.” 15 November 2021. https://bendotk.com/writing/edifice. Accessed 20 September 2026. I Kovach; II 196
  1160. Ben Snell. “Cattleya official description.” https://bensnell.io/cattleya. Accessed 19 September 2026. II 302
  1161. Ben Snell's Medium essay explains the inspiration, process, p5.js development, and orchid research behind Cattleya. cattleya-essay I Snell
  1162. Benesse explains the scientific, mythological, and social premises behind Teshima 8 Million Lab and its inaugural artwork. Benesse background I Sputniko!
  1163. Benesse’s institutional record describes Teshima 8 Million Lab as an environment for reconsidering futures shaped by science. Benesse artwork record I Sputniko!
  1164. Benhorin founded wuwa.org and heads design systems at Wix.com, specializing in interaction design and generative art installations. We Make Money Art I Benhorin
  1165. Benhorin's professional work in design systems at Wix informs the modular, scalable logic of his generative algorithms. Dutch Uncle I Benhorin
  1166. Benjamin Bardou documents the computational and image-processing collaboration behind Collective Memories. Collective Memories I Zumbrunn
  1167. Bernar Venet's project site describes Jiwa's role and connects his practice to Axo and PETLS. EVENT project I Jiwa
  1168. Berubara. “Ottocento official description.” https://berubara.xyz/ottocento/. Accessed 19 September 2026. II 389
  1169. Berubara posted a behind-the-scenes view of Ottocento production including animation studies on X. X behind-the-scenes · 2024 I Berubara
  1170. beta.cent.co/artblocks/+59s9p0. Cent conversation with Shvembldr from May 2021, discussing his transition from mini-games to generative art and membership in the Generative Artists Club. https://beta.cent.co/artblocks/+59s9p0. I Shvembldr
  1171. Beth Jochim's 2022 interview discusses hex6c's academic background, interdisciplinary inspiration, early minting history, and generative projects. Tech-Art Talks I hex6c
  1172. Between Pixel and Pigment. Upstream documents three Abstract Browsing tapestries in Between Pixel and Pigment at Kunsthalle Bielefeld. https://www.upstreamgallery.nl/news/1439/rafael-rozendaal-part-of-group-exhibition-between-pixel-and-pigment-at-kunsthalle-bielefeld. I Rozendaal
  1173. Beyond Digital. Beyond Digital at Venus Over Manhattan placed Cherniak within a group exhibition on hybrid physical and digital practice. https://www.thedesignrelease.com/event/nyc-venus-over-manhattan-beyond-digital-venus-over-manhattan. I Cherniak
  1174. beyond tellerrand lists Charlotte Dann as a speaker on web craft and physical-digital intersections. beyond tellerrand Speaker Profile I Dann
  1175. Beyond Tellerrand’s 2017 speaker archive presents Bremer’s argument for adapting visual form to the subject rather than using defaults. Beyond Tellerrand I Bremer
  1176. Beyond the Blocks. The physical generative art episode follows artists translating code into plotted, printed, and materially fabricated work. https://r4v3n.art/media/beyond-the-blocks-generative-art-physical. I r4v3n
  1177. Beyond the Code’s 2024 interview traces Brukhman’s crypto-investment career and discusses governance and infrastructure. beyond-code I Brukhman
  1178. Beyond the Craft. The Sak’s artist Q&A addresses Davis’s computational practice and dynamic abstraction. https://www.thesak.com/blogs/beyond-the-craft/artist-q-a-joshua-davis. I Davis
  1179. Bezalel Academy. Bezalel Academy's Future Fit workshops include Mariansky on AI as opportunity for creators. https://www.bezalel.ac.il/en/research/bezelel_x/Future_Fit. I Mariansky
  1180. Bezalel Academy of Arts and Design, founded in 1906, is Israel's oldest institution of higher education and most prestigious art school. Wikipedia I Benhorin
  1181. Biannual Update. The Tezos Foundation’s biannual report provides comparative institutional context for blockchain-art platforms and contributors. https://tezosfoundation.ch/wp-content/uploads/2023/09/Tezos_Foundation_Biannual_September_23.pdf. I Pandelune
  1182. Bideotikan. Kulturklik documents ilithya and Aaron Graham’s Consciousness performance at Bilbao’s Bideotikan festival. https://www.kulturklik.euskadi.eus/evento/2023/11/06/bideotikan-2023-festival-internacional-de-arte-digital-de-bilbao/webkklik00-detalle/es/. I ilithya
  1183. Binance analysis of Art Blocks data ranking Brito among the top ten most popular Curated artists by volume. binance.com I Brito
  1184. binance.com. Binance Square post citing Flowers by RVig as a favourite Art Blocks collection. https://www.binance.com/en/square/post/19349100188682. I RVig
  1185. Bio and practice summary. TGAM I Sun
  1186. Biographical overview of Han Saglam's entry into crypto and NFTs. grokipedia.com/page/Han_Saglam I Saglam
  1187. Biography and practice of Takeshi Murata in digital animation and glitch. Electronic Arts Intermix biography I Murata
  1188. Biography describing Bilfield as a Los Angeles mixed-media and sculptural artist, born 1981, whose minimalism led him from graphic design into three-dimensional work, with the account of television graphics, viewer activation, and the effect of placing only a few pegs. Artsper artist biography I Bilfield
  1189. BIOMOD team. The BIOMOD team archive lists both Shawn Douglas and Jason Brown among the organization's contributors. https://biomod.net/our-team/. I Brown
  1190. BIOMOD video. BIOMOD's Vimeo page provides an institutional video record crediting Jason Brown and Shawn Douglas alongside other contributors. https://vimeo.com/96723514. I Brown
  1191. Birth rhythms. WebExpo reviews Bremer’s live-coded construction of a custom radial visualization. https://webexpo.net/blog/from-a-blank-screen-to-birth-rhythms-nadieh-bremer-live-codes-a-radial-story/. I Bremer
  1192. bitforms gallery. The bitforms gallery exhibition page for Illuminations discusses algorithmic collaborations between Claudia Hart and Andrew Blanton in the context of recent projects. https://bitforms.art/exhibition/illuminations. I Blanton
  1193. bitforms gallery describes the conception, coding, complementary styles, and physical presentation of the Yazid and Zancan collaboration (kinder)Garden, Monuments. bitforms artwork I Yazid
  1194. bitforms identifies Man as born in Pennsylvania in 1996, based in New York, and focused on internet identity culture. bitforms-profile I Man
  1195. bitforms’ StarPower release describes the project’s AI-generated performers and relationship between dance training and algorithmic optimization. starpower-release I Man
  1196. Björn Ottosson. “A perceptual color space for image processing.” https://bottosson.github.io/posts/oklab/. Accessed 18 September 2026. II 154
  1197. Bjørn Staal. “Immaterial official description.” https://linktr.ee/nonfigurativ. Accessed 19 September 2026. I Nonfigurativ; II 482
  1198. Black Dirt. The Arts Company documents Black Dirt and its contemporary radio interview context. https://www.theartscompany.org/black-dirt. I Whitman
  1199. Black Mountain College Museum + Arts Center documents the digital loom, project constraints, and computer-historical argument. institutional essay I Punch Card Collective
  1200. Black Mountain College Museum + Arts Center identifies the four creators and outlines the collective’s interdisciplinary composition. BMC journal I Punch Card Collective
  1201. blockchain archive. Ethplorer records the address as the Art Blocks ERC-721 token contract and supplies contract-level provenance. https://ethplorer.io/address/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270. I Hapeyenka; I PZS; I oliveskin
  1202. Blockchain Art Directory. Blockchain Art Directory entry on PIXELS exhibition at OK Linz and metaverse integration. https://badog.xyz/topics/pixels-by-cryptowiener. I CryptoWiener
  1203. Blockchain art markets. A peer-reviewed article surveys blockchain art markets and notes Art Blocks as an example of generative NFT production. https://www.frontiersin.org/journals/blockchain/articles/10.3389/fbloc.2022.1073499/pdf. I usnea
  1204. Blockchain Primitive: Delegation Registry. A software essay discusses the delegation registry as a blockchain primitive. https://ryley-o.com/blockchain-primitive-delegation-registry/. I ryley-o.eth
  1205. Blockchance. “Blockchance studio site.” https://blockchance.io. Accessed 18 September 2026. II 169
  1206. Blockhead places REMO x DCsan’s contribution within Zero Contact’s NFT-based film distribution experiment. film NFT analysis I REMO x DCsan
  1207. Blog Fonts. Blog Fonts preserves an additional specimen and character map for Cappuccino Serif. https://blogfonts.com/cappuccinoserif.font. I Struhl
  1208. Bluesky. Cotton’s Bluesky profile describes a mixed-media and occasional digital practice connected with Art-o-mat. https://bsky.app/profile/markcotton.bsky.social. I Cotton
  1209. Blurb lists the Exhibition: 3291 book as a 96-page visual exploration of the Art Blocks project and its properties. Blurb book page I cryptobauhaus
  1210. Bodleian announcement. The Bodleian acquisition announcement states that Battledore entered the Weston Library collection as NFT and physical artifact. https://www.prnewswire.com/news-releases/bard-ionsons-battledore-enters-bodleian-libraries-weston-library-collection-as-nft--physical-artifact-302374375.html. I Ionson
  1211. Body of Art. Body of Art includes Universal Rayhatcher #306 in a publication on robotic and computational art-making. https://freight.cargo.site/m/R2700591985356088034919979367222/Body-of-Art.pdf. I Pasma
  1212. Bogotá Experimental documents Wajufos's 2025 Max/MSP workshop and summarizes her creative-coding and VJ experience. workshop-profile I Wajufos
  1213. Boing Boing covered David Lu's long-running Line Rider project and process writing. press I Lu
  1214. Bokashi Cone. Official project text for Bokashi Cone, previously titled Spire, and its colour gradients derived from Japanese woodblock printing. https://danielcalderonarenas.com/bokashi. I Calderon Arenas
  1215. BOMB examines Data-Masks as facial-recognition abstractions combining surveillance critique with technological reverence. BOMB I Crispin
  1216. Bosque de Chapultepec. Official account of Bosque de Chapultepec, connecting a painting by DCA's grandfather, Mexico City's park, circle packing, and Garibaldi pastries. https://danielcalderonarenas.com/bosque. I Calderon Arenas
  1217. Bosque de Chapultepec #54. Le Random's collection record for Bosque de Chapultepec #54 includes DCA's account of its circle-packing system and Mexico City references. https://www.lerandom.art/collection/bosque-de-chapultepec-54. I Calderon Arenas
  1218. BostonFIG program. The Boston Festival of Indie Games program lists Stallwood speaking about game development in Philadelphia and identifies his creative-director role. https://www.lgrace.com/documents/programs/Boston%20Festival%20of%20Indie%20Games%20%E2%80%93%20Talks.pdf. I Stallwood
  1219. Boxes only. An OpenProcessing interpretation documents the “Boxes only” prompt credited to Stranger in the Q. https://beta.openprocessing.org/sketch/2845081. I Stranger in the Q
  1220. Brands on the Block. Brands on the Block summarizes the Shiseido collaboration and names Yan among its participating artists. https://www.brandsontheblock.com/p/016-artist-collaborations-rise-games. I Yan
  1221. Breaking Symmetry. Verse Talks traces De Giuli’s path from early generative experiments to Zero (Broken Symmetry). https://podscan.fm/podcasts/verse-talks/episodes/eric-de-giuli-breaking-symmetry. I De Giuli
  1222. Bremer’s Anhedra project account identifies a recurring palette shared with Rotae and other long-form collections. Anhedra I Bremer
  1223. Brian Hann / color-scheme-js contributors. “color-scheme-js licence.” GitHub. https://github.com/c0bra/color-scheme-js/blob/master/LICENSE. Accessed 18 September 2026. II 089
  1224. Brian Sharpe. “GPU-Noise-Lib README.” https://github.com/BrianSharpe/GPU-Noise-Lib. Accessed 17 September 2026. II 128
  1225. Bridges 2021. The Bridges 2021 proceedings index situates the P3 tiling paper within research spanning mathematics, art, music, architecture, and culture. https://archive.bridgesmathart.org/2021/. I umatha
  1226. Bridges 2022. The Bridges 2022 proceedings include research on Penrose arrangements and quasiperiodic structures in art and design. https://archive.bridgesmathart.org/2022/. I umatha
  1227. Bridges Archive. The Bridges Archive describes itself as a repository of papers published through the annual conference on art and mathematics. https://archive.bridgesmathart.org/. I umatha
  1228. Bridges Conference. The 2015 Bridges Conference archive situates mathematical artworks within a juried institutional exhibition. https://gallery.bridgesmathart.org/exhibitions/2015-bridges-conference. I umatha
  1229. Bridges mathematical art paper. A Bridges paper provides contextual research on generative approaches to azulejo patterns. https://archive.bridgesmathart.org/2009/bridges2009-115.pdf. I PZS
  1230. Bridging Eras collaboration. The collaborative page Bridging Eras on Aluan Wang's site connects contemporary generative methods to historical Taiwanese painting traditions through algorithmic reinterpretation. https://aluanwang.com/collab/bridging-eras/. I AluanWang
  1231. Bridging the gap between art and code. A later UCLA profile covers Reas's work bridging software, art, open-source community, and pedagogy. https://newsroom.ucla.edu/stories/bridging-the-gap-between-art-and-code. I REAS
  1232. Bright Moments. Bright Moments produced a video presentation of Rituals as a transcendent generative artwork and music collaboration. https://www.youtube.com/watch?v=3J94u17vozc. I Boreta
  1233. Bright Moments. Tetragrammaton surveys Bright Moments and identifies Bosque de Chapultepec among the programme's major works. https://www.tetragrammaton.com/article/brightmoments. I Calderon Arenas; I phil
  1234. Bright Moments. In the BRAVA series Carreras discusses her PhD research on generative complexity and the evolution of her studio practice across physical and on-chain contexts. https://www.brightmoments.io/quarterly/anna-carreras. I Carreras
  1235. Bright Moments. Bright Moments' video recounts the Christie's sale of its Complete Works collection, including the Venice Finale set. https://vimeo.com/981229731. I Karim
  1236. Bright Moments. Bright Moments hosted the IRL minting of Rituals - Venice in Venice Beach, September 2021, the gallery's first live-minting event. https://www.brightmoments.io/venice. I Penne; I phil
  1237. Bright Moments. Tetragrammaton analyzes Bright Moments’ live minting, distribution model, and community structure. https://www.tetragrammaton.com/content/brightmoments. I QianQian
  1238. Bright Moments. Bright Moments presents The Nursery and an artist discussion of mathematics, computation, and social division. https://www.brightmoments.io/quarterly/the-nursery-sputniko. I Sputniko!
  1239. Bright Moments (interview with Guido Corallo). “Guido Corallo: Vertigo Las Luces (Bright Moments Quarterly interview).” Bright Moments, 22 November 2023. https://www.brightmoments.io/quarterly/guido-corallo. Accessed 17 September 2026. I Corallo; II 072
  1240. Bright Moments / Jeff Davis. “Portal.” https://www.brightmoments.io/portal. Accessed 17 September 2026. I phil; II 095
  1241. Bright Moments artists. Bright Moments' artist archive places DCA and Bosque de Chapultepec within its international programme. https://www.brightmoments.io/artists. I Calderon Arenas; I Daniel; I DesLauriers; I Pasma; I QianQian; I Sarkissian; I Shannon; I Vallejo; I Vella; I phil; I provencher; I r4v3n
  1242. Bright Moments. “Bright Moments archive.” https://www.brightmoments.io/archive. Accessed 18 September 2026. I QianQian; I phil; II 096
  1243. Bright Moments. “Bright Moments, the website of record.” https://www.brightmoments.io/. Accessed 18 September 2026. II 182
  1244. Bright Moments defines CryptoCitizens, the city sequence, and its IRL-minting model. About Bright Moments I QianQian; I phil
  1245. Bright Moments describes Color Streams, its generative color-field premise, and its 370 minted outputs. Bright Moments, Color Streams I r4v3n
  1246. Bright Moments describes CryptoNewYorkers as algorithmically generated portraits based on New York characters and tied to gallery attendance and CryptoCitizenship. project-record I QianQian
  1247. Bright Moments describes Vértigo Las Luces as a particle-system work inspired by long-exposure photographs of Buenos Aires. Buenos Aires program I Corallo; I Vallejo; I zVault
  1248. Bright Moments. “Display Software: Getting Started.” https://docs.brightmoments.io/display-software/getting-started. Accessed 22 September 2026. II 095
  1249. Bright Moments documentation defines CryptoCitizens as QianQian’s on-chain generative portrait series and explains its membership and governance functions. bright-moments-docs I QianQian
  1250. Bright Moments documentation describes the Rituals project by Aaron Penne x Boreta as celebrating emergence, mindfulness, and community through generative music and artwork. Bright Moments Project Docs I Boreta
  1251. Bright Moments documents Shannon’s October 2022 artist residency and the in-person presentation of Orchids. Bright Moments residency I Shannon
  1252. Bright Moments documents the imagery, autobiographical premise, and mint total of Sunset from the Bluffs. Bright Moments I Sarkissian
  1253. Bright Moments documents the New York presentation and art-historical premise of Velum. velum-video I Rayner
  1254. Bright Moments documents Wirwar by Bart Simons as part of its Venice Beach presentation in 2022. Bright Moments Wirwar Video I Simons
  1255. Bright Moments Gallery. A design case study describes the Bright Moments gallery identity and QianQian’s 45-by-45-pixel CryptoCitizens system. https://wan.nyc/bright-moments-gallery. I QianQian
  1256. Bright Moments identifies New York as the second CryptoCitizens installation and records 1,000 mints. new-york I QianQian
  1257. Bright Moments interviews Ridgley about letterpress, self-taught coding, custom rendering, typewriter art, and the development of Figs. Bright Moments I Ridgley
  1258. Bright Moments interviews Vallejo about his development, kinetic-art influences, Pure Visibility, and material approaches. Bright Moments interview I Vallejo
  1259. Bright Moments lists Jorge Ledezma among the artists represented in its on-chain Finale Collection. Finale Collection I zVault
  1260. Bright Moments London. Bright Moments documents its London program and its emphasis on artist-designed, frequently print-oriented minting experiences. https://www.brightmoments.io/london. I Karim
  1261. Bright Moments on Prioritizing the Personal. Le Random's institutional history of Bright Moments, including Portal #0 and Davis's role in its first chapter. https://www.lerandom.art/editorial/bright-moments-on-prioritizing-the-personal. I Davis
  1262. Bright Moments. “Original Portals event poster, reposted by Bright Moments.” X. https://x.com/brtmoments/status/1687963604145078272. Accessed 22 September 2026. II 095
  1263. Bright Moments Paris. Bright Moments documents its Paris program, which included Zumbrunn among the artists presented through in-person minting and exhibition. https://vimeo.com/915571327. I Zumbrunn
  1264. Bright Moments. “Portal: second anniversary of Bright Moments’ first artist exhibition.” X, 25 June 2023. https://x.com/brtmoments/status/1672892091800641536. Accessed 22 September 2026. II 095
  1265. Bright Moments projects. Bright Moments' project archive lists 100 PRINT among works presented through its program. https://www.brightmoments.io/allprojects. I Kovach; I RalenArc; I Simons
  1266. Bright Moments Quarterly. A conversation published by Bright Moments addresses data visualization, narrative, and the question of how machines express human experience. https://www.brightmoments.io/quarterly/iskra-velitchkova. I Velitchkova
  1267. Bright Moments records Zumbrunn’s transition from traditional art and science toward coding, Gobelins, and the Makio&Floz studio. Bright Moments I Zumbrunn
  1268. Bright Moments Tokyo. Tokyo Art Beat documents Bright Moments Tokyo and identifies QianQian as creator of CryptoCitizens and creative director of Bright Moments. https://www.tokyoartbeat.com/en/events/-/Bright-Moments-Tokyo/kyu-asakura-house/2023-05-06. I QianQian
  1269. Bright Moments' interview addresses Ledezma's discovery of generative art, architectural precision, science-fiction interests, and use of controlled outcomes. Bright Moments interview I zVault
  1270. Bright Moments, "L'APPEL BY ALEXIS ANDRÉ" (May 2023): interview on 720 Minutes, Shibuya screens, the Tokyo generative scene, and Art Blocks. brightmoments.io I André
  1271. Bright Moments, February update, announcing Metropolis by mpkoz as its first project in collaboration with Art Blocks. brightmoments.kit.com I Kozlowski
  1272. Bright Moments, Orbifold by Kjetil Golid: structure-first process, manual palette development, complexity, and long-form constraints. brightmoments.io ↩ I Golid
  1273. Bright Moments, Underwater: one hundred imagined floral descendants and the project's historical botanical sources. brightmoments.io ↩ I Rizzolli
  1274. Bright Moments’ AI collection introduction recounts the sequence of early city activations. AI introduction I QianQian; I phil
  1275. Bright Moments’ August update announces Vella as its artist in residence and names If You Could Do It All Again. Bright Moments update I Vella
  1276. Bright Moments’ filmed record describes Agar’s launch, 100 palettes, and collector naming activity. Bright Moments video I Edelman
  1277. Bright Moments’ interview discusses Running Moon’s watercolor and stained-glass references and He’s sketch-led creative process. artist interview I He
  1278. Bright Moments’ welcome letter identifies Corallo among the Argentine generative artists contributing to its Buenos Aires event. Bright Moments letter I Corallo
  1279. brightmoments.io/quarterly/snowfro. Bright Moments' long-form presentation of 100 Untitled Spaces, including Snowfro's account of its Mexico City, Barragán, and Judd references. https://www.brightmoments.io/quarterly/snowfro. I Calderon
  1280. Brinkman contributed to more than 1,500 episodes of The Tonight Show and other television programs before transitioning to full-time art practice. Cointelegraph Magazine Profile I Brinkman
  1281. Brinkman held a solo exhibition with Unit London in 2023. Unit London Artist Feature I Brinkman
  1282. Brocher’s 2018 development update describes CryptoArte’s store, mobile support, and sales contract. pre-launch-update I Brocher
  1283. Brocher’s Ethereum and IPFS tutorial documents his early decentralized-application practice. ethereum-ipfs I Brocher
  1284. Brooklyn Street Art discusses Eltono’s use of chance and dice to facilitate unforeseen outcomes. Brooklyn Street Art I Eltono
  1285. Brown's project page identifies Gels as generative art made in collaboration with Shawn Douglas. Brown project I Brown
  1286. Browser study II. A second public study extends the archive of the artist’s browser-native experiments. https://codepen.io/strangerintheq/pen/JjKQJMY. I Stranger in the Q
  1287. Browser study III. A further CodePen work provides another surviving entry in the artist’s experimental browser archive. https://codepen.io/strangerintheq/pen/poNrjeP. I Stranger in the Q
  1288. Browser study IV. Another archived pen documents the iterative breadth of Stranger in the Q’s coding practice. https://codepen.io/strangerintheq/pen/dypKyNj. I Stranger in the Q
  1289. Browser study V. A separate public pen adds to the inspectable record of the artist’s visual programming. https://codepen.io/strangerintheq/pen/mdENLaj. I Stranger in the Q
  1290. Browser study VI. A further archived experiment documents continued work inside CodePen’s live-editing environment. https://codepen.io/strangerintheq/pen/dyEmdBr. I Stranger in the Q
  1291. Brunei Mentors. Brunei Mentors records Yazid Azahari’s professional background in software, technology leadership, innovation, and generative art. https://bruneimentors.com/members/yazid/. I Yazid
  1292. Bryan Brinkman. “NimTeens official description.” http://www.nimteens.com. Accessed 19 September 2026. II 400
  1293. Buffalo AKG annual report. Buffalo AKG's annual report records the acquisition of Light Years #051 among the museum's gifts. https://buffaloakg.org/sites/default/files/2024.1014_annualreport_final_v2_pages_web.pdf. I Cherniak
  1294. Buffalo AKG Art Museum documents Peer to Peer, its 2022 survey of artists engaged with blockchains. Buffalo AKG I Ento
  1295. Buffalo AKG Art Museum, collection record for Light Years #051 (2022), gifted by Fellowship in 2023. buffaloakg.org I Cherniak
  1296. Buffalo AKG identifies Chan as a Canadian artist born in 1982 and describes his code-based, physical, and digital public practice. museum biography I Chan
  1297. Buffalo AKG’s annual report documents its acquisition of Winslow Homer’s Croquet Challenge. museum I Chan
  1298. Buffer’s 2013 team announcement identifies de la Rouviere as a South African front-end developer working remotely from Taipei. Buffer profile I de la Rouviere
  1299. Buffer’s author archive collects seven articles by de la Rouviere on engineering, remote work, and personal practice. Buffer archive I de la Rouviere
  1300. Bühneneingang podcast. Podcast episode explaining crypto art with Bernhard Nessler (Nissla) of the collective. https://buehneneingang.simplecast.com/episodes/43bernhardnessler. I CryptoWiener
  1301. Bullseye collection. Deca’s fxhash collection archive includes a work by Third Vision within the Bullseye collection. https://deca.art/Bullseye/fxhash. I Third Vision
  1302. Burlington Contemporary. Burlington Contemporary reviews the Feral File exhibition For Your Eyes Only, discussing Carreras's contribution alongside other generative practitioners. https://contemporary.burlington.org.uk/reviews/reviews/for-your-eyes-only. I Carreras
  1303. Business Standard interviews Rasheed about AI as a means of augmenting human creative expression. Business Standard I Rasheed
  1304. Business Wire, "Osura Makes Art on Bitcoin History with Generative Artist Alexis André's Frontline Collection" (July 2024): 10,000-piece Ordinals collection, 4,000 unique wallets, and OnChainMonkey collaboration. businesswire.com I André
  1305. BusinessABC reports on makio135's generative collaboration with Iconic Moments and the Universal Hip Hop Museum. BusinessABC I makio135
  1306. Butcher’s current project page explains the simulations, pricing logic, survivorship-bias premise, and informational role of destruction. Gas Wars project I Butcher
  1307. Butcher’s official Checks record documents the 16,031-piece open edition, migration to onchain originals, collector-directed composition, and burn mechanics. Checks I Butcher
  1308. Butcher’s official Opepen record describes the 16,000-token open-source protocol, its 80 canvases, artist contributions, and collector consensus. Opepen Edition I Butcher
  1309. Butcher’s official project record documents Work, Luck, Play at Art Basel Hong Kong in March 2026, including its silver sculptures, participatory dice exchange, physical archive, and Opepen set. Work, Luck, Play I Butcher
  1310. Butcher’s retrospective account explains the specialization and feedback processes behind Visualize Value’s early growth. Visualize Value essay I Butcher
  1311. By 2021, Stark had achieved recognition in the NFT space, including inclusion in Fortune's NFTy 50 and becoming the first female artist in Foundation's top 10 highest-selling creators. Artist biography I Stark
  1312. BYMA / miracle2k. “Hatching source and Rough.js acknowledgment.” https://github.com/miracle2k/islamic-patterns/blob/a4a4815c84462dc43ce60032a78fcbccca612824/scripts/rough/hachure.ts. Accessed 18 September 2026. II 249
  1313. BYMA / miracle2k. “Two Mathematicians source repository.” https://github.com/miracle2k/islamic-patterns. Accessed 18 September 2026. II 249
  1314. BYMA. “BYMA artist website.” https://by-ma.art/. Accessed 18 September 2026. II 249
  1315. BYOB at the Stedelijk. VICE documents the Stedelijk Museum edition of BYOB and the format's worldwide expansion. https://www.vice.com/nl/article/rafal-rozendaal-houdt-vanavond-een-beamerfeestje-in-het-stedelijk/. I Rozendaal
  1316. BYOB Worldwide. The BYOB archive documents the open exhibition format Rozendaal initiated around participants bringing their own projectors. https://www.byobworldwide.com/. I Rozendaal
  1317. C-LAB documents a technology-and-music concert for which Lin served as artistic director. C-LAB concert I Lin
  1318. c2x3, 從混亂中生成的秩序,嘗試聆聽演算法的聲音:藝術家阿亂與他的新作《Auto Message》, a Chinese-language profile connecting Wang's audiovisual background and disciplined practice to Good Vibrations, Chaos, and Auto Messages. Matters I AluanWang
  1319. C2X3’s critical introduction discusses Metaphysics and the analog warmth associated with Lin’s generative imagery. C2X3 criticism I Lin
  1320. Calcalist. Calcalist Tech interviews Mariansky on open-source AI, regulation, and the Rise of the Machines community. https://www.calcalistech.com/ctechnews/article/s19lafwn2. I Mariansky
  1321. Calcalist. Calcalist Tech features Mariansky on AI bias, extremist chatbots, and the crisis of fact. https://www.calcalistech.com/ctechnews/article/eyb537ols. I Mariansky
  1322. Caleb Levy reviews the project’s tree structures, impossible solids, animation, interaction, and relationship to Escher. CritLab Review I Cohen
  1323. CAM St. Louis Street Views. Contemporary Art Museum St. Louis video profile on Takeshi Murata's street views and animation practice. https://camstl.org/video/street-views-takeshi-murata/. I Murata
  1324. Cam Thompson, CoinDesk, noting Kozlowski as the artist behind Chimera, "an early NFT collection minted on Art Blocks," with strong secondary volume. coindesk.com I Kozlowski
  1325. Cambridge Core. A peer-reviewed Business Ethics Quarterly article discusses Data-Masks as an artistic response to biometric surveillance and control. https://www.cambridge.org/core/journals/business-ethics-quarterly/article/pharmacological-perspective-on-technologyinduced-organised-immaturity-the-caregiving-role-of-the-arts/06DC29FD2CD8F6990156ADCC82EEF255. I Crispin
  1326. Canvas Journal analyzes Digital Zones in relation to Yves Klein, immateriality, ownership, and exchange value. criticism I Chan
  1327. canvas-sketch-util. canvas-sketch-util provides reusable modules for randomness, geometry, colour, shaders, and pen plotting. https://github.com/mattdesl/canvas-sketch-util. I DesLauriers
  1328. CanvasRebel and Matt Bilfield. “Meet Matt Bilfield.” 12 December 2024. https://canvasrebel.com/meet-matt-bilfield/. Accessed 17 September 2026. I Bilfield; II 116
  1329. Career Karma. Career Karma surveys Yan’s portfolio across data visualization, data science, and creative coding. https://careerkarma.com/blog/data-scientist-portfolio/. I Yan
  1330. Carlo Zanni’s interview records Levin’s account of software art and generative authorship. ciac-interview I Levin
  1331. Carnegie Mellon profiles Levin as an artist, engineer, researcher, and educator working across machine code, visual culture, and critical making. cmu-profile I Levin
  1332. Carolina Melis. “Kubikino official description.” https://www.kubikino.com. Accessed 19 September 2026. II 463
  1333. Carreras completed a 2022 artist residency at Ljudmila Laboratory in Ljubljana, Slovenia, within the On-the-Fly European project, focusing on live coding and generative systems. Ljudmila Residency I Carreras
  1334. Carreras maintains an active profile on Raster.art documenting her focus on generative algorithms, creative code, and interactive technology as core to her artistic research. Raster Profile I Carreras
  1335. Carreras's algorithmic art is situated within critical discussions of artist-algorist encounters and the aesthetics of smart contracts in essays published by Right Click Save. Right Click Save Algorist I Carreras
  1336. carrollfletcheronscreen.com. Carroll / Fletcher Onscreen feature on the artist. http://carrollfletcheronscreen.com/2016/07/31/jan-robert-leegte/. I Leegte
  1337. Casey Reas. Reas's official home page indexes current works, texts, exhibitions, publications, and biographical material. https://reas.com/. I REAS
  1338. Casey REAS. “923 EMPTY ROOMS official description.” https://www.brightmoments.io/923emptyrooms. Accessed 19 September 2026. II 461
  1339. Casey Reas and art after the crypto crash. ArtReview asks Reas how Feral File and software art should respond to the speculative rise and contraction of NFTs. https://artreview.com/casey-reas-and-art-after-the-crypto-crash-nft-feral-file/. I REAS
  1340. Casey Reas and Feral File. DAM Museum's profile examines Reas's founding and curatorial role at Feral File. https://dam.org/museum/reas-feral-file/. I REAS
  1341. Casey Reas at Centre Pompidou. Centre Pompidou's authority record indexes Reas's works in the national collection. https://www.centrepompidou.fr/en/ressources/personne/cikbBn. I REAS
  1342. Casey Reas at Landmarks. Landmarks at the University of Texas documents Reas's wall-scale A Mathematical Theory of Communication commission. https://landmarks.utexas.edu/artist/casey-reas. I REAS
  1343. Casey Reas at Le Random. Le Random's artist archive provides a biographical overview, selected works, collection records, and market context. https://www.lerandom.art/artists/casey-reas. I REAS
  1344. Casey Reas at SFMOMA. SFMOMA's artist page records Reas's works and institutional collection history. https://www.sfmoma.org/artist/Casey_Reas/. I REAS
  1345. Casey Reas at UCLA. UCLA's faculty profile documents Reas's teaching, research, awards, exhibitions, and institutional roles. https://dma.ucla.edu/people/casey-reas. I REAS
  1346. Casey Reas audio. A Whitney audio guide places Reas's software practice within the museum's collection and digital-art programme. https://whitney.org/media/39184. I REAS
  1347. Casey Reas interview. Studio International interviews Reas on learning code, generative systems, the moving image, and the computer-art field. https://studiointernational.com/index.php/casey-reas-interview-computer-art-coding. I REAS
  1348. Casey REAS. “MicroImage.” Reas Studio. https://reas.com/microimage. Accessed 18 September 2026. II 161
  1349. Casey REAS. “Notes on Phototaxis.” Medium, 20 September 2021. https://medium.com/@REAS/notes-on-phototaxis-db7aa7641ad8. Accessed 18 September 2026. I REAS; II 161
  1350. Casey Reas, Caesuras: the identity's accidental name, recursive and wave-based systems, and relation to interruption and unstable authorship. reas.com I REAS
  1351. Casey Reas, In Silico: foraged plant datasets, scanning and microscopy, GAN training, photographic history, and the fixed 2025 prints. reas.com I REAS
  1352. Casey Reas, official information page: biography, software as medium, education, collections, exhibitions, teaching, and institutional work. reas.com I REAS
  1353. Casey Reas, Phototaxis: Braitenberg's four machine behaviours, movement traces, lights, and the code's origin in MicroImage. reas.com I REAS
  1354. Casey Reas, Ultraconcentrated: the 2012–18 body of work, its broadcast and media sources, and its movement between legibility, density, signal, and noise. reas.com I REAS
  1355. Castellani Art Museum relates instruction-based practices to algorithmic variation. Hardwired I Åström
  1356. Catalogue note describing release, sell-out, and subsequent auction history of Singularity. Sotheby's Digital Art Day I Tsukamoto
  1357. Catalyst. Catalyst's archived conversation discusses how Stoveland developed The Harvest and distinguishes generative art from AI art. https://podcasts.apple.com/my/podcast/from-the-archives-from-code-to-canvas/id1087659707?i=1000668967052. I Stoveland
  1358. CatBlocks project description on Verse Works. Verse I Glas
  1359. Catt’s essay considers the differing speeds and reproductive contracts of algorithms and physical printing. print-process I Catt
  1360. CCA Tel Aviv's archive documents Above and Beyond, Rodeh's large installation using sound, light, and architectural interventions. cca-above-beyond I Rodeh
  1361. CCBT program. Civic Creative Base Tokyo’s program materials record Yazid among the artists presented in its 2024 “Poems in Code” program. https://ccbt.rekibun.or.jp/wp-content/uploads/2024/01/PoeminCode_Programs0131.pdf. I Yazid
  1362. ccbt.rekibun.or.jp. CCBT, "Poems in Code: Generative Art Today and Programming-Generated Moving Image" (February 2024): group exhibition featuring Messengers. https://ccbt.rekibun.or.jp/en/events/poemsincode. I André
  1363. CCEBA documents Falco's 2022 workshop on pixel storage, tokenization, blockchain, and crypto art. CCEBA-workshop I Falco
  1364. cdb, profile on X, @cdb_vault, as read through the public fxtwitter API. fxtwitter.com III No. 34
  1365. cdnjs. “p5.js file at the 1.0.0 path, as loaded by the Rotor renderer.” https://cdnjs.cloudflare.com/ajax/libs/p5.js/1.0.0/p5.min.js. Accessed 20 September 2026. II 308
  1366. Celebrating Genuary with Piter Pasma. Le Random's podcast discusses Pasma's role in founding Genuary and the challenge's community impact. https://music.amazon.com.au/podcasts/e54847ea-8723-428e-a8db-421bdd9ab686/episodes/6d19d4e0-b2ba-4bc6-967c-076cdb95f29e/le-random-07-celebrating-genuary-with-piter-pasma. I Pasma
  1367. celestial cyclones on Verse. Verse preserves the project record for celestial cyclones. https://verse.works/series/celestial-cyclones-by-hideo. I HIDΞ0
  1368. Cent. Artist conversation on project logic and series context within Art Blocks. https://beta.cent.co/artblocks/+63r1x6. I Tsukamoto
  1369. Cent hosts Kapoor's Carbon Study essay on generative art exploration. Cent Carbon Study I Kapoor
  1370. Centre del Carme documents the 2025 installation Resonance and identifies McAteer's Irish origin, birth year, Madrid base, and interactive approach. centre-del-carme I Motus Art
  1371. Centre Pompidou, Autoglyph #25: on-chain symbolic composition, Sol LeWitt, storage limits, Ken Knowlton, and A. Michael Noll. centrepompidou.fr ↩ I Larva Labs
  1372. Centrifugal Ways. Verse considers memory, movement, and systems with the artist. https://verse.works/journal/centrifugal. I Soria-Rodríguez
  1373. Centro Cultural de la Memoria Haroldo Conti. The official 2017 VideodanzaBA program credits k0ch with multimedia for Corvus Project’s interactive installation Anima Mundi. https://conti.derhuman.jus.gov.ar/2017/08/prog_mano_videodanza_digital.pdf. I k0ch
  1374. CENTURY #470. The Toledo Museum of Art records CENTURY #470 in its collection of algorithmic art. https://infiniteimages.toledomuseum.org/artwork/century-470. I REAS
  1375. CEU. Central European University reported on BarabásiLab's network-science exhibition at Ludwig Museum. https://www.ceu.edu/article/2020-10-22/network-science-research-display-barabasilab-exhibition-ludwig-museum. I BarabasiLab
  1376. ChainCatcher describes Beatboxes as algorithmically generated audiovisual rooms accessible through virtual reality or a computer. ChainCatcher I Zeblocks
  1377. Champ Medici Group documents Kislev’s generative-art collaboration with Uzumaki Cepeda. Champ Medici Group I Kislev
  1378. Charity on Chain. A Korean-language republication records the charity amount associated with [Dis]entanglement and InterAct of Wake County. https://ichi.pro/ko/eobdeiteu-charity-on-chain-8wol-2-350man-198493754252407. I onlygenerated
  1379. Chase McCaskill / imnotArt. “imnotArt Space Race submission.” 16 October 2021. https://forum.rare.xyz/t/space-race-1-completed-nov-21/31?page=4. Accessed 17 September 2026. II 146
  1380. Che-Yu Wu. “210328 Strange Robots.” https://openprocessing.org/sketch/1150492. Accessed 17 September 2026. II 098
  1381. Che-Yu Wu earned a master's degree in Integrated Digital Media from NYU Tandon School of Engineering after undergraduate studies in electrical engineering at National Yang Ming Chiao Tung University and has served as a teaching assistant in creative coding. Taiwan.md Comprehensive Profile I Wu
  1382. Che-Yu Wu has produced projects on fxHash and Art Blocks including SoulFish in 2022, SoulSea in 2021, and Electriz in 2021, remaining active in new media art since March 2019 with a focus on p5.js and algorithmic systems. Edicurial Artist Page I Wu
  1383. Che-Yu Wu is a Taiwanese generative artist and computer scientist based in New York whose international exhibitions include venues in Taipei, Milan, Venice, Madrid, and London, with platform presence on Art Blocks and fxHash. Artpoint.fr Artist Profile I Wu
  1384. CheckNFT token explorers offer supplementary technical and descriptive context for individual Gazettes outputs. CheckNFT Token Details I redlioneye
  1385. Chennai teen's trippy art. EdexLive profiles Mathikshara's digital artwork and early reception in cryptocurrency markets. https://www.edexlive.com/news/this-chennai-teens-trippy-art-is-selling-for-lakhs-on-the-cryptocurrency-market-check-out-her-work-23356.html. I Mathikshara
  1386. Cherniak Takes Cues from Moholy-Nagy. USA Art News reports on Cherniak's research into the Moholy-Nagy archive for Light Years. https://usaartnews.com/news/nft-artist-dmitri-cherniak-is-taking-creative-cues-from-the-archives-of-lszl-moholy-nagy-for-his-new-generative-art-series. I Cherniak
  1387. Chiba Tech lists Sputniko! among the faculty of its School of Design & Science as its Designer of Speculative Futures. Chiba Tech I Sputniko!
  1388. Christie's. Christie's catalogues Velitchkova's unique digital work PostMachine: A study of ethos and patterns. https://onlineonly.christies.com/s/future-frequencies-explorations-generative-art-fashion/iskra-velitchkova-16/189372. I Velitchkova
  1389. Christie's. Christie's names Velitchkova among the artists in its UNHCR benefit auction Bridging Worlds. https://press.christies.com/bridging-worlds?lang=eng. I Velitchkova
  1390. Christie's in Discussion with Tyler Hobbs. Hobbs's archive records a Christie's discussion of generative art, NFTs, and Fidenza's position in his practice. https://www.tylerxhobbs.com/words/christies-in-discussion-with-tyler-hobbs-on-generative-art-and-nfts-. I Hobbs
  1391. Christie's provides a collector's guide to generative art, contextualizing Boyarsky's practice within broader market trends. Christie's Guide I Boyarsky; I steen
  1392. Christie's Trespassing III. Jen Stark's Light Box #2 was included in Christie's Trespassing III online auction in July 2022, which explored graffiti's influence on contemporary art and featured a speaker appearance by the artist at the Art+Tech Summit. https://onlineonly.christies.com/s/trespassing/lots/3207. I Stark
  1393. Christie's, Tyler Hobbs on Generative Art and NFTs (2023): Fidenza, long-form quality, and the demand that almost every output withstand public view. christies.com I Hobbs
  1394. christies.com. Christie's digital-art guide treats Chromie Squiggle as a key entry in the medium's vocabulary and records its on-chain execution at mint. https://www.christies.com/stories/a-to-z-digital-art-collecting-guide-b9f875b864c7488eb094595ced7d60cd. I Calderon
  1395. Christie’s. Christie’s sale catalogue lists Stiles’s REPETAE: The Loom of Language as lot 21 in its on-chain Gucci collaboration, Future Frequencies. https://onlineonly.christies.com/s/future-frequencies-explorations-generative-art-fashion/3489. I Stiles
  1396. Christie’s catalogues the Bright Moments Complete Works lot and its Ultra Full Set of CryptoCitizens. christies I QianQian
  1397. Christie’s documents Kusano’s inclusion in the 2023 Gucci collaboration Future Frequencies. Christie's release I Kusano
  1398. Christie’s June 2024 release lists Bright Moments 2021-2024 Complete Works in Post-War to Present. Christie’s I phil
  1399. Christie’s results release records the sale total and results for the three offered Checks Elements works. Christie’s results I Butcher
  1400. Christie’s sale overview describes the physical and digital production of Checks Elements. Christie’s I Butcher
  1401. Christine König Galerie's artist page documents Rodeh's CGI video works, installations, editions, and gallery representation. christine-koenig I Rodeh
  1402. Chroma Genesis. The Chroma Genesis record documents Aksu's use of randomized color and form in a later generative project. https://sadikaksu.com/work/chroma-genesis. I Aksu
  1403. CiNii Research. CiNii Research maintains a bibliographic profile for Cooper Jamieson and links onward to scholarly records. https://cir.nii.ac.jp/crid/1380857596474334212. I Jamieson
  1404. Cipher Prime overview. A historical overview identifies Cipher Prime as a Philadelphia studio founded by Stallwood and Saint and lists its major games. https://en.wikipedia.org/wiki/Cipher_Prime. I Stallwood
  1405. Cipher Prime’s studio history identifies Stallwood as co-founder and creative director and lists its principal releases. Cipher Prime history I Stallwood
  1406. Civic Creative Base Tokyo (CCBT), artist profile for Alexis André (2024): biography, Sony CSL research, and the Japan Generative Art Foundation. ccbt.rekibun.or.jp I André
  1407. Civic Creative Base Tokyo records Yazid’s birth year, Bruneian origin, software-development background, and transition toward experimental art made with code and automation. CCBT profile I Yazid
  1408. CL-Dis. The CL-Dis paper examines representation disentanglement through linked variational and diffusion models. https://arxiv.org/abs/2402.02346. I onlygenerated
  1409. Classic Skate Stories. The Museum of the Moving Image documents a screening of formative works in skate-video history. https://movingimage.org/event/skate-video-essentials-classic-skate-stories/. I JEANVASCRIPT
  1410. Claudia Hart. The Linz Retrospective page on claudiahart.com contains substantive documentation and reflective text on the production and themes of Systems Madness. https://claudiahart.com/Linz-Retrospective. I Blanton
  1411. Claudia Hart and Andrew Blanton. “Systems Madness official description.” https://www.madness.systems/. Accessed 19 September 2026. II 433
  1412. Clod 130. SuperRare’s artwork record supplies the medium, dimensions, and curatorial context for Clod 130: a place for lazy minds. https://superrare.com/artwork/eth/0xb932a70a57673d89f4acffbe830e8ed7f75fb9e0/130%3A-a-place-for-lazy-minds-25592. I Speziari
  1413. Clot Magazine. Clot Magazine interviewed Barabási on network science, hidden order, and complex systems. https://clotmag.com/interviews/laszlo-barabasi-revealing-how-networks-determine-complex-systems. I BarabasiLab
  1414. CLOT Magazine. CLOT Magazine discusses Sputniko!’s intersections of technology, gender, society, and biotechnology. https://clotmag.com/interviews/sputniko-navigating-the-nexus-of-art-technology-societal-transformation. I Sputniko!
  1415. CNN's video report profiles Reben as OpenAI's first artist in residence and explores his cautiously optimistic view of AI in art. CNN video I Reben
  1416. Co/Function + &FRIENDS. A 2024 event listing describes Co/Function + &FRIENDS as an immersive audiovisual program co-created by Wajufos and Easterner. https://ra.co/events/1995828. I Wajufos
  1417. Code and artistic creation. Stereolux reports on a two-day generative-art program featuring Gachadoat and other creative coders. https://stereolux.org/magazine/retour-sur-levenement-art-generatif-code-et-creation-artistique. I Gachadoat; I makio135
  1418. Code as a Common Ground. A presentation on code as common ground records Reva Fan’s participation in Asian generative art initiatives and public AR display. https://slides.com/takawo/241013_dialog_taipei. I Reva
  1419. Code Crossings. Rhizome reviews Form+Code, the Reas and Chandler McWilliams book on computational methods across art and design. https://old.rhizome.org/editorial/2010/sep/22/code-crossings-a-review-of-formcode-in-design-art-/. I REAS
  1420. CodePen Radio interviews ilithya about shaders, WebGL, collaboration, and learning mathematics through visual feedback. codepen-interview I ilithya
  1421. Coincheck preserves the project statement, anonymous collaboration credit, example traits, and interaction instructions. token-record I Rosenlykke
  1422. Coincheck’s record for one Gizmobotz output lists its nine positional robot and color attributes. Coincheck record I Cotton
  1423. CoinDesk. CoinDesk covers the generative art NFT market and Art Blocks' cultural impact during crypto winter. https://www.coindesk.com/web3/2022/10/29/generative-art-nfts-bring-new-heat-to-crypto-winter. I Mariansky
  1424. CoinDesk, "Why I Chose Bitcoin Ordinals to Release 'Frontline'" (July 2024): essay by Alexis André on recursive inscriptions, parent-child provenance, and the choice of Bitcoin. coindesk.com I André
  1425. CoinDesk’s 2024 podcast identifies Brukhman as CoinFund CEO and discusses decentralized AI, bias, data ownership, and trust. coindesk I Brukhman
  1426. CoinStats records Less Mess Much Less by Asaf Slook as a 200 item Ethereum NFT collection. CoinStats Less Mess I Slook
  1427. Coinvision Research. Spotlight on Brinkman's generative practice and collector engagement following the launch of his Art Blocks projects. https://blog.coinvision.co/p/nft-spotlight-bryan-brinkman. I Brinkman
  1428. Cold Hard Cash. Pikelny documents a conceptual performance in which his own cash was sold through sixteen auctions. https://steviep.xyz/cash. I Pikelny
  1429. Cole Sternberg. “chaos comes with the summer haze official description.” https://www.thesummerhaze.io/. Accessed 19 September 2026. II 411
  1430. Cole Sternberg. “The Genesis Edition.” https://thespringbegins.io/the-genesis-edition. Accessed 20 September 2026. II 311
  1431. Collaboration details and character design context. Cartoon Brew Pictoplasma I Murata
  1432. collectibles.trameparis.com. TRAME x CPG x Art Blocks Engine, Navette auction page for the Craft Nouveau debut collection (2023). https://collectibles.trameparis.com/auctions/navette. I André
  1433. Collecting the Algorithm. Curated's wider primer uses Ringers to discuss on-chain generative art, display, scarcity, and ownership. https://www.curated.xyz/editorial/collecting-the-algorithm. I Cherniak; I Golid
  1434. Collection analytics. NFT Price Floor identifies Scribbled Boundaries as a 1,024-item Art Blocks Curated project released on 17 August 2021. https://nftpricefloor.com/scribbled-boundaries-art-blocks-curated-by-william-tan. I Tan
  1435. Collector activity log referencing acquisitions of works from both Toiminto collections on secondary platforms. Raster.art Collector Activity I toiminto.eth
  1436. Collector's Corner, Daniel Calderon-Arenas, Artist Corner #1 (10 January 2023): the open-edition design problem, Marfa Yucca algorithm, colour, variety, Gen Trilogy, and Art Blocks history. podcasts.apple.com I Calderon Arenas
  1437. Collectors Agenda's studio interview discusses Rodeh's multidisciplinary practice, darkness, blackouts, club culture, and work with the Berlin Fire Department. collectors-agenda I Rodeh
  1438. Collector’s Corner. A Collector’s Corner episode includes Quantum Places Lost in Time in its generative-art market discussion. https://music.amazon.de/podcasts/95410b3c-fc25-4094-af97-af938d15ff58/episodes/53779147-7084-42d9-ba92-53905e85114d/collector%27s-corner-gen-art-2022-awards-no-one-biting-on-weth-bids-and-more-cornering-the-market-15. I Ralgo
  1439. Collector’s Corner included Masonry in a November 2022 overview of generative-art releases and collections. collectors-corner I Davidson; I Milligan
  1440. Collector’s Corner included Tratti by Emanuele Pasin and whitekross in a 2022 generative-art release discussion. Collector’s Corner I Pasin
  1441. Color Study Expander. Official page for Color Study Expander, extending the project's colour system into a collector-facing tool. https://www.jeffgdavis.com/cse. I Davis
  1442. Color, Code, Communication. Museum Folkwang's exhibition page presents Color, Code, Communication and its 1,000-square-metre installation of 81 Horizons. https://www.museum-folkwang.de/de/ausstellung/rafael-rozendaal. I Rozendaal
  1443. Color, Code, Communication. e-flux's announcement frames Color, Code, Communication across browser works, NFTs, immersive installation, and public space. https://www.e-flux.com/announcements/533719/rafael-rozendaalcolor-code-communication. I Rozendaal
  1444. Color: 1995-2025. Davis presents Color: 1995-2025 at NFC Lisbon, surveying three decades of work. https://www.youtube.com/watch?v=nCW1U8z42lI. I Davis
  1445. Colour & Abstraction. Upstream documents Rozendaal's commissioned tapestries in Colour & Abstraction at TextielMuseum Tilburg. https://www.upstreamgallery.nl/news/408/rafael-rozendaal-in-colour-abstraction-at-textielmuseum-tilburg. I Rozendaal
  1446. ComicMix documents REMO x DCsan’s original generative art within the Zero Contact NFT release. Zero Contact release I REMO x DCsan
  1447. Commercial Break. Google Arts & Culture's Public Art Fund feature situates Liquid Demo within the screen-based exhibition Commercial Break. https://artsandculture.google.com/story/commercial-break-publicartfund/iwVhS_VzsqJtKQ?hl=en. I Robak
  1448. Communication Arts credits Honigstein with animation work for Black Foundry’s website. Communication Arts I Honigstein
  1449. Communication Arts credits Stallwood as creative director and co-developer of Auditorium and records critical responses to its audiovisual interaction. Communication Arts I Stallwood
  1450. Communication Arts’ first-person profile documents Honigstein’s current multiplayer portfolio, WebGPU and WebGL rendering stack, PartyKit synchronization, and interactive systems. Samsy Ninja I Honigstein
  1451. Community posts on Instagram document specific outputs and credit the collaborative artists henrysdev and AMNDA. Instagram post I AMNDA
  1452. Complex Beauty. Complex Beauty connects complex systems and networks with generative design and artful data visualization. https://arxiv.org/abs/1402.6712. I hex6c
  1453. Comprehensive biography and project details on the Invisible Hands documentary and installation presented in the FUTURE FOCUS exhibition at QUAD Gallery. Format Festival I Fatemi
  1454. Computer Plotting Returns to Galleries. ARTnews reports on renewed institutional attention to computer plotting, including Hobbs's physical generative practice. https://www.artnews.com/art-news/news/computer-plotting-pace-tyler-hobbs-generative-art-1234664188/. I Hobbs
  1455. Concept. Kovach's Concept essay considers authenticity, ownership, display, and the value assigned to an intentionally transparent image. https://bendotk.com/writing/concept. I Kovach
  1456. Conceptual and digital art games. Kaloh’s podcast surveys Chan’s conceptual and digital game practice. https://www.kaloh.xyz/p/digital-art-games-mitchell-f-chan. I Chan
  1457. Conceptual illustration. His essay on conceptual illustration examines the capacity of images to communicate complex ideas rapidly. https://www.paolotonon.com/conceptual-illustration/. I Tonon
  1458. Confirmed BFA and New York roots in artist interview. The Patrunos interview I Vittoria
  1459. Connolly defines his practice as a machine-based approach to concrete art using artist-set parameters. artist-biography I Connolly
  1460. Connolly’s dated announcement records Elementals’ inclusion on the 2021 Lumen Prize longlist. lumen-announcement I Connolly
  1461. Connolly’s District essay explains the project’s accidental rotation logic and concrete-art framework. district-essay I Connolly
  1462. Connolly’s project archive describes Elefante’s photographic source, remixed canvases, and material ambitions. project-archive I Connolly
  1463. Connolly’s Repeater essay documents its grid, copy-and-paste mechanisms, and approach to digital texture. repeater-essay I Connolly
  1464. Console Spirituality event. GameScenes reports the artists, curators, and game-culture framework of Console Spirituality. https://www.gamescenes.org/event-console-spirituality-june-24-2025-online/. I provencher
  1465. console.pluid.com. Pluid's January 2021 interview is an early account of Art Blocks' variables, token hashes, minting model, and intended standards. https://console.pluid.com/article/interview-with-snowfro-ft-art-blocks-czul9viqnq. I Calderon
  1466. Construction Token #3. Sotheby's lot record for Construction Token #3 in R/evolutionaries. https://www.sothebys.com/en/buy/auction/2024/r-evolutionaries-digital-art-through-the-decade/construction-token-3. I Davis
  1467. Construction Token at 6529 Museum. 6529 Museum's collection record for Construction Token and its place in the genesis display. https://6529.io/museum/genesis/construction-token. I Davis
  1468. Contemporary Art Review Los Angeles analyzes FREESTATE’s transformation of secessionist rhetoric into communal critique. Carla I Sternberg
  1469. Contemporary Discoveries. Sotheby's Contemporary Discoveries archive records Genesis #423 alongside established contemporary and generative artists. https://www.sothebys.com/en/buy/auction/2023/contemporary-discoveries. I Calderon Arenas
  1470. Contemporary Discoveries. Sotheby’s catalogue entry for Helena Sarin documents a blockchain-native work generated through artist-trained AI models. https://www.sothebys.com/en/buy/auction/2025/contemporary-discoveries-2/om-mediations-of-the-gan-artist. I onlygenerated
  1471. Contemporary Istanbul Foundation. The Seçici İletken catalogue supplies the exhibition's extended curatorial framework. https://ciacef.org/wp-content/uploads/2023/01/secici_iletken_katalog.pdf. I DistCollective
  1472. Contemporary practitioners describe the ensō as a meditative discipline that prioritizes speed, spontaneity, and non-attachment. Vandy Massey Studio I matto
  1473. Contemporary release documentation describes the three cellular-automaton rules, eight-color mapping, and combinatorial structure of Patterns of Life. Release report I Vamoss
  1474. Contemporary reporting documents Jamieson's work at the Art Blocks Gallery during the 2022 presentation of Leo Villareal's Cosmic Reef. marfa-exhibition I Jamieson
  1475. Context of broader digital art exhibitions and collaborations. Hirshhorn conversation with Murata I Murata
  1476. Context of Singularity within the Grails auction series drawn from institutional collections. nftnow Grails coverage I Tsukamoto
  1477. Contorno: Un breve recorrido al arte digital de Jason Ting. Spanish-language profile tracing Ting's digital art trajectory, daily practice, and engagement with light, color, and generative systems. https://contorno.mx/arte/un-breve-recorrido-al-arte-digital-de-jason-ting/. I Ting
  1478. Contra profile. Pasin’s Contra profile archives his generative-art project alongside his design work. https://contra.com/emanuelepasin. I Pasin
  1479. Contra's Emmanuel Moses profile summarizes his Panama birth, design training, advertising background, and multidisciplinary art practice. Contra profile I Autonomoses
  1480. contrast.parts. Rizzolli's official project site presents her generative practice and current work. http://contrast.parts. I Rizzolli
  1481. Controlling Chaos. An illustrated publication examines Tanchum’s coded images and algorithmic art practice. https://art.phenomenalabs.com/host/AP7_OdedBY.pdf. I phenomena
  1482. conundrumer. “Facets project website.” https://conundrumer.com/facets/. Accessed 18 September 2026. II 242
  1483. conundrumer. “Facets Render tool.” https://conundrumer.com/facets/render/. Accessed 18 September 2026. II 242
  1484. Conversation exploring spirits in digital artworks. Cent conversation I Sun
  1485. Cool Hunting published a review of Cosmic Reef emphasizing its status as digitally native work. Cool Hunting I Villareal
  1486. Cooper Jamieson. “Libra official description.” https://www.cooperjamieson.com/libra/. Accessed 19 September 2026. II 395
  1487. Cornering the Market 12. Collector's Corner discussed Dipolar as an upcoming Art Blocks Curated release in a generative-art news episode. https://music.amazon.in/podcasts/95410b3c-fc25-4094-af97-af938d15ff58/episodes/33260cb0-92d4-4843-9fda-0e7197080213/collector%27s-corner-generative-art-fashion-200k-anticyclone-sale-and-more-cornering-the-market-12. I Farquhar
  1488. Cornering the Market 22. Collector’s Corner includes Hyper Drive: A-Side in a recorded survey of generative-art market activity. https://music.amazon.com/es-ar/podcasts/95410b3c-fc25-4094-af97-af938d15ff58/episodes/bcbbc7a0-3206-427f-8baa-f6dcc9336eec/collector%27s-corner-mega-traditional-art-museum-donations-renders-game-explodes-and-more-cornering-the-market-22. I Bell
  1489. Corriere del Ticino. CDT reports on the history and retirement of the 2012 Twitter bird designed by Grasser, Waterbury, and Che. https://www.cdt.ch/lifestyle/tecnologia/bye-bye-birdie-ecco-che-cosa-pensa-di-x-lartista-che-disegno-lusignolo-di-twitter-323624. I Grasser
  1490. Cortesi Gallery's Armory Show preview lists Kovach in its C-VERSO presentation of generative artworks. Armory Show preview I Kovach
  1491. Corvus Project. 56k Bridge documents real-time Kinect motion capture, OpenFrameworks, sound collage, and the collaboration’s first 2015 recordings. https://www.corvusproject.art/artwork/56kbridge.html. I k0ch
  1492. Corvus Project. BORDERS combines OpenFrameworks and OpenCV visuals with radio transmissions from Latin American dictatorships and VHS sound. https://www.corvusproject.art/artwork/borders.html. I k0ch
  1493. Corvus Project. Left Behind records a full dance performance made with OpenFrameworks and music composed by k0ch in 2009. https://www.corvusproject.art/artwork/leftbehind.html. I k0ch
  1494. Corvus Project. 絡み合った credits k0ch with the algorithm, NadArt with movement, and basseado with sound. https://www.corvusproject.art/artwork/entangled.html. I k0ch
  1495. Corvus Project. Anima Mundi documents a Kinect and OpenFrameworks installation and live performance presented in 2016 and 2017. https://www.corvusproject.art/artwork/animamundi.html. I k0ch
  1496. Corvus Project / k0ch / NadArt. “About Corvus Project.” https://www.corvusproject.art/about.html. Accessed 17 September 2026. I k0ch; II 043
  1497. Corvus Project identifies k0ch as Emiliano Canedo, born in Mar del Plata in 1989, and outlines his programming background, media, influences, and current base in Spain. Corvus biography I k0ch
  1498. Corvus Project. “The Geometry of Dance.” https://www.corvusproject.art/artwork/geometry.html. Accessed 17 September 2026. I k0ch; II 043
  1499. Cosmoscow catalogue. The tenth Cosmoscow catalogue includes Mathikshara in its account of the fair's digital-art program. https://st.cosmoscow.com/media/press/%D0%A1osmoscow_2022_catalogue_066HS1A.pdf. I Mathikshara
  1500. Cotton’s development essay documents the procedures, parameters, references, and naming of Space Birds. Space Birds essay I Cotton
  1501. Cotton’s Medium profile describes his multimedia practice and indexes writing on digital and physical projects. Medium profile I Cotton
  1502. Cotton’s Visible Spectrum essay explains his iterative use of p5.js, curation, phosphenes, and Rosenquist as a reference. Visible Spectrum essay I Cotton
  1503. Craig Hughes & Eric Hughes. “Center Pivot official description.” https://centerpivot.art/. Accessed 19 September 2026. II 296
  1504. Craig S. Kaplan. “Computer Generated Islamic Star Patterns.” https://www.mi.sanu.ac.rs/vismath/kaplan/index.html. Accessed 18 September 2026. II 249
  1505. Creating Connections. Christie's press release for Creating Connections lists DCA's Jump For Joy in a benefit auction for the UNICEF and ITU initiative Giga. https://press.christies.com/creating-connections-digital-art-for-connectivity. I Calderon Arenas
  1506. Creative Austria. Creative Austria coverage of PIXELS exhibition bridging real and digital worlds. https://www.creativeaustria.at/en/2022/07/18/pixels-by-cryptowiener-ok-centrum-linz/. I CryptoWiener
  1507. Creative Austria. Creative Austria profiles LIA as a pioneer of software art and documents her Lost in Pixels exhibition at the Francisco Carolinum. https://www.creativeaustria.at/wp-content/uploads/2022/07/CTA_mag_46_web_v3_doppelseiten-1.pdf. I LIA
  1508. Creative Bloq covered eBoy's contributions to computer arts and graphic design practice. Creative Bloq I eBoy
  1509. Creative Bloq profiles Davis’s search for patterns and the relationship between artistic practice and programming. creative-bloq I Davis
  1510. Creative Boom article on Kubikino as a generative portrait project released on the blockchain. creativeboom-kubikino I Melis
  1511. Creative Chaos, Patience and Enjoying the Ride. Dalos Dov asks Mapan about creative chaos, patience, full-time practice, influences, and the role of chance. https://www.dalosdov.com/writing/william-mapan-interview. I Mapan
  1512. Creative Code Art. Creative Code Art identifies Wajufos as a coordinator and documents the collective's showcases, workshops, and international activity. https://creativecodeart.org/. I Wajufos
  1513. Creative Code Art events. Wajufos's project page archives Creative Code Art events including &FRIENDS, Stillsuite, Ars Electronica, and the Creative Code Festival. https://www.erinwajufos.digital/project/creative-code-festival. I Wajufos
  1514. Creative Code Live Sessions. Stereolux archives Gachadoat's presentation on generative drawing and AxiDraw printing. https://stereolux.org/magazine/opentalk-les-lives-sessions-du-code-creatif. I Gachadoat; I makio135
  1515. Creative Code resource. Carsten Nichte’s creative-code resource includes Struhl among its references to generative artists. https://carsten-nichte.de/docs/generative-art-creative-code/. I Struhl
  1516. Creative Time describes the participants, transmissions, screens, and historical basis of Local Report 2012. Creative Time I Whitman
  1517. CreativeApplications.Net characterizes Cyber Paint as a laboratory for algorithmic mark-making. Creative Applications I Crispin
  1518. CreativeApplications.Net documents BUSY across digital, physical, and installation forms. CreativeApplications I Merrill
  1519. CreativeMornings Québec. CreativeMornings preserves its Québec creative-community directory. https://creativemornings.com/cities/qc/community. I Labadie
  1520. Creativity and Randomness in Generative Art. Unit London's podcast joins Mapan with Iskra Velitchkova and Emily Xie to discuss art history, randomness, and long-form generative practice. https://podcasts.apple.com/us/podcast/s1e3-iskra-velitchkova-emily-xie-william-mapan-creativity/id1644103214?i=1000580883136. I Mapan
  1521. Creators and NFTs. A qualitative research paper studies NFT creators’ practices, communities, opportunities, and concerns. https://arxiv.org/abs/2201.13233. I JEANVASCRIPT
  1522. Creators: Tyler Hobbs. Art the Science profiles Hobbs's creative code, pen plotting, and interest in the interplay of order and disorder. https://artthescience.com/magazine/2020/10/15/creators-tyler-hobbs/. I Hobbs
  1523. Critical and collector commentary highlights the visual language of luminous toroidal forms and flowing extensions that define the Rapture series. Long-form Generative Essay I Pedersen
  1524. Critical and community discourse around generative art highlights the role of pareidolia and viewer projection in works that employ reduced visual vocabularies. Profile and commentary site I Dianov
  1525. Critical Mass. The Critical Mass press kit situates Lund’s exhibition within his longer investigation of delegation, markets, and audience agency. https://critical-mass.network/pdf/CriticalMass.pdf. I Lund
  1526. Critical profiles have traced his evolution and technical innovation across more than two decades. KindaMuzik Interview I tobin
  1527. Critical Software Press describes Digital Fabrications as a collection concerning design software, interfaces, and post-digital labor. Digital-Fabrications I Canizares
  1528. Critical Software Press describes the 2025 RASTER book and its documentation of all 400 generated iterations. RASTER-book I Canizares
  1529. Crocker Art Museum. “AI Am I? ARTificial Intelligence as Generated by Alexander Reben (press release).” 17 October 2023. https://www.crockerart.org/press/ai-am-i-artificial-intelligence-as-generated-by-alexander-reben. Accessed 18 September 2026. II 190
  1530. Crosshatch Automata. The interactive Crosshatch Automata sketch lets visitors generate line-based cellular-automaton patterns in the browser. https://generated.space/sketch/crosshatch-automata/. I Golid
  1531. Crypto and the Art of Satire. Collectors Call discusses satire, financial systems, web projects, and the narratives built around digital value. https://www.buzzsprout.com/2248923/episodes/15291989-steve-pikelny-crypto-and-the-art-of-satire?t=0. I Pikelny
  1532. Crypto Art: A Decentralized View. Franceschet and collaborators present crypto art through the perspectives of artists, collectors, galleries, scholars, and data scientists. https://direct.mit.edu/leon/article/54/4/402/97295/Crypto-Art-A-Decentralized-View. I hex6c
  1533. CryptoArtNet archives sturec’s artist statement, education, media, location, and platform history. CryptoArtNet profile I sturec
  1534. CryptoArtNet identifies onlygenerated as Phil Smith and records the artist’s early digital-art history and commitment to self-imposed computational constraints. profile I onlygenerated
  1535. CryptoArtNet publishes Kapoor's artist statement, tags, location, and platform history. CryptoArtNet profile I Kapoor
  1536. cryptobauhaus. “Exhibition: 3291 official description.” https://www.cryptobauhaus.com/exhibit-3291. Accessed 19 September 2026. II 262
  1537. cryptoblots.com. The Cryptoblots project site provides an overview and entry point to the 1,921-edition generative series exploring pareidolia and symmetrical abstraction. http://www.cryptoblots.com/. I Aggott-Hönsch
  1538. CryptoCubes collection description and provenance. cryptocubes.io/about I Saglam
  1539. CryptoCubes Creators migration to unified smart contract announced 2025. x.com/Hanrgb/status/1981801197209342116 I Saglam
  1540. CryptoGateway. “Interview w/ Steve Pikelny: Maps of Nothing.” 11 June 2022. https://cryptogateway.0ms.co/maps-of-nothing. Accessed 20 September 2026. I Pikelny; II 309
  1541. cryptonews.net/news/nft/9579019. CryptoNews report on the evolving legal case, noting potential 12-year imprisonment and the absence of clear crypto regulations in Latvia. https://cryptonews.net/news/nft/9579019/. I Shvembldr
  1542. CryptoNewYorker Minting. Bright Moments’ minting event record documents appointments and the reveal ceremony at its Wooster Street gallery. https://luma.com/bright-moments-cryptonewyorker-minting. I QianQian
  1543. CryptoPong documents its participatory installation and its inquiry into blockchain behavior, ownership, authenticity, and value. installation-record I Rosenlykke
  1544. CryptoPong’s organizer page describes the institutional partners and Radar Contemporary’s focus on art and new technologies. organizer-record I Rosenlykke
  1545. CryptoPunk #110. Centre Pompidou's collection record positions CryptoPunk #110 between collectables, pixel art, generative art, and computational experiment. https://www.centrepompidou.fr/fr/ressources/oeuvre/nkPyaSj. I Larva Labs
  1546. CryptoPunk #1478. Glitch Marfa documents CryptoPunk #1478 as a physical-and-streamed gallery display that connects CryptoPunks to Art Blocks history. https://www.glitchmarfa.com/e30dgallery/cryptopunks/. I Larva Labs
  1547. CryptoPunk #2073. The Toledo Museum of Art's Infinite Images record explains CryptoPunks' algorithmic traits, marketplace, ownership, and cultural effect through #2073. https://infiniteimages.toledomuseum.org/artwork/cryptopunk-2073. I Larva Labs
  1548. CryptoPunk #305. ICA Miami records The Virtual Lady, CryptoPunk #305 as a 2017 NFT accessioned in 2022. https://icamiami.org/artwork/larva-labs-the-virtual-lady-cryptopunk-305/. I Larva Labs
  1549. CryptoPunk #9997. Christie's Hong Kong record describes zombie CryptoPunk #9997, its traits, contract, provenance, and token details. https://onlineonly.christies.com/s/no-time-present/larva-labs-est-2005-2/129415. I Larva Labs
  1550. CryptoPunks. Wikipedia provides a chronologically maintained overview of CryptoPunks, its creators, ownership changes, reception, and market history. https://en.wikipedia.org/wiki/CryptoPunks. I Larva Labs
  1551. CryptoPunks four-year anniversary. The fourth-anniversary report traces CryptoPunks' shift from an eight-dollar experiment to a museum and auction-house subject. https://www.larvalabs.com/writing/2021-6-22-22-1/cryptopunks-4-year-anniversary. I Larva Labs
  1552. CryptoPunks, Art Tokens, and Digital Art. Larva Labs' 2019 essay reflects on CryptoPunks, art tokens, open access, provenance, and early responses from artists, collectors, and institutions. https://larvalabs.com/blog/2019-3-27-15-1/cryptopunks-art-tokens-and-digital-art. I Larva Labs
  1553. CryptoSlam. CryptoSlam documented secondary market sales activity for Art Blocks projects including Ensō. https://www.cryptoslam.io/art-blocks/sales?Project=Ens%C5%8D. I matto
  1554. CryptoSlam. CryptoSlam provides a project-filtered sales record for [Dis]entanglement on Art Blocks. https://www.cryptoslam.io/art-blocks/sales?Buyer=0x7eb4b5b5d8828b6ab180bb34c2a5558fc24f762b&Project=%5BDis%5Dentanglement. I onlygenerated
  1555. CryptoSlam Market Data. The CryptoSlam tracking page records sales and market activity for the Asemica collection. https://www.cryptoslam.io/art-blocks/run?Season=Curated&Project=Asemica. I Badr
  1556. CryptoWiener artist collective profile and origins. Kunsthalle Zürich I CryptoWiener
  1557. Crysalis' Blossom essay discusses Fleur within a curated flower themed generative art selection. crysalis I AnaPet
  1558. Crystal Bridges Museum. Jen Stark's work is held in the collection of Crystal Bridges Museum of American Art in Bentonville, Arkansas, with exhibitions including The Light Fantastic in 2022. https://crystalbridges.emuseum.com/people/1036/jen-stark. I Stark
  1559. Culture.hu. The Hungarian Cultural Center Brussels described BarabasiLab's interdisciplinary team and visualization practice. https://culture.hu/en/brussels/events/barabasi-lab-exhibition. I BarabasiLab
  1560. Curated #2: Construction Tokens. HAM's close reading of Construction Token, its parameters, outputs, and early Art Blocks context. https://www.ham94.com/posts/curated/2-construction-tokens/. I Davis
  1561. Curated describes Automatism as a generative collection concerned with perception, symbols, and meaning emerging from a random-walk algorithm. Curated gallery I Yazid
  1562. Curatorial text by Dr. Michal Mor on creativity and computational processes. Exhibition Curatorial I Mariansky
  1563. Curatory Magazine’s 2025 interview examines Jackson’s balance of play and precision, her sources, and the Wolffia metaphor. Curatory interview I Wolffia Inc
  1564. Cure Alzheimer's Fund reports the $100,000 donation produced by the five-artist reGEN sale. CureAlz report I Sarkissian
  1565. Cure³ 2025 listed Staal's Losing Oneself within an exhibition supporting Parkinson's research. Cure3 2025 I Nonfigurativ
  1566. Cure3 documents Sarkissian's participation and describes his California-focused software practice. Cure3 I Sarkissian
  1567. Cure3 Press Release. The Cure3 press release lists Sarkissian among the generative artists supporting Parkinson's research. https://cure3.co.uk/usr/documents/exhibitions/press_release_url/10/cure3_final.-28.01.25.pdf. I Sarkissian
  1568. Curious Collector. The Curious Collector newsletter featured Trichro-matic #514 and described the artist as blending digital aesthetics with geometric precision. https://www.curiouscollector.art/p/new-horizons-the-simpsons-yatreda-christies. I Hiley-Mann
  1569. curiouscollector.art. Curious Collector on Beyond Pixels: Digital Art's Rising Cultural Significance, noting Contractual Obligations as Act 1 of a performance. https://www.curiouscollector.art/p/beyond-pixels-digital-arts-rising-significance. I Kane
  1570. Curriculum vitae PDF. Jamieson's curriculum vitae catalogues his education, professional experience, awards, and research publications. https://cooperjamieson.com/curriculumVitae.pdf. I Jamieson
  1571. Curvescape VII: Outpost. The gallery record for Curvescape VII: Outpost documents the unique token and signed fine-art print. https://www.katevassgalerie.com/print/p/kjetil-golid-curvescape-7. I Golid
  1572. CV PDF. Hemma Hos: solo exhibition 2022 in Gothenburg presenting generative artworks including the Gravity series. https://www.datocms-assets.com/74560/1774597941-en_jimmy-herdberg_cv.pdf. I JMY
  1573. Cyber Paint report. MacRumors reports on Crispin’s Cyber Paint, a virtual-reality application for creating two-dimensional and panoramic images. https://www.macrumors.com/2018/07/30/apple-hires-cyber-paint-vr-app-maker/. I Crispin
  1574. cyberia. “Fermented Fruit: artist's own project page.” https://cyberia.codes/fruit.html. Accessed 20 September 2026. II 314
  1575. Czech Founders. A Czech Founders profile identifies Janajev as one of the founders of AdSpawn, a platform for automated mobile-game marketing. https://czechfounders.vc/our-portfolio/adspawn. I Janajev
  1576. D'Art. A D'Art conference programme lists Stoveland presenting Void's interactive installations and Tullinløkka project. https://gcenode.no/wp-content/uploads/Program-D%C2%B4Art-2023_15.03.23.pdf. I Stoveland
  1577. D. Crowley (interview with Kristy Glas). “Adventures in NFTs: An Interview with Kristy Glas.” Medium, 16 November 2020. https://medium.com/@dlcrowley80/adventures-in-nfts-an-interview-with-kristy-glas-94d9cab60824. Accessed 17 September 2026. I Glas; II 073
  1578. DADA.art's secondary markets discussion records Kapoor's participation in a conversation on power laws and social systems. DADA.art essay I Kapoor
  1579. Dadabots x kai. “ByteBeats.” https://dadabots.com/bytebeats/. Accessed 17 September 2026. I Turner; II 039
  1580. Dagmar Carnevale Lavezzoli / Crysalis. “Ouroboros curated collection.” https://www.crysalis.art/crysalis-ai-art-research/ouroboros-curated-collection. Accessed 18 September 2026. II 153
  1581. Daïm Aggott-Hönsch. “Thereidoscope official description.” http://thereidoscope.com/. Accessed 19 September 2026. I Aggott-Hönsch; II 259
  1582. Daisy Alioto interviews Stiles about AI collaboration and the making of the 2021 book Technelegy. Dirt I Stiles
  1583. Dalessandro’s professional profile preserves his announcement of Lacunae’s planned March 3, 2022 Art Blocks release. LinkedIn I Dalessandro
  1584. Dalos Dov. Brinkman shares insights on uniqueness, storytelling, and building an audience as a full-time crypto artist. https://www.dalosdov.com/writing/bryan-brinkman-interview. I Brinkman
  1585. dalosdov.com. Dalos Dov's artist interview focuses on Snowfro's creative process, empathy, failure, curiosity, and the aim of making viewers smile. https://www.dalosdov.com/writing/snowfro-interview. I Calderon
  1586. DAM Berlin archive. Kunstmarkt archives Lippmann’s DAM Berlin gallery presence, biography, works, and Meta Refresh exhibition. https://www.kunstmarkt.com/pagesprz/holger_lippmann/_i76900_d3910_r76914-/show_praesenz.html?lang=en. I Lippmann
  1587. Dance to forgotten noise. Ocula records Dance to forgotten noise and its Gazelli Art House presentation. https://ocula.com/art-galleries/gazelli-art-house/artworks/monica-rizzolli/dance-to-forgotton-noise/. I Rizzolli
  1588. Daniel Calderon Arenas at Le Random. Le Random's artist profile surveys DCA's computational interest in language, natural forms, chance, and colour. https://www.lerandom.art/artists/daniel-calderon-arenas. I Calderon Arenas
  1589. Daniel Calderon Arenas. “Marfa Yucca official description.” https://gentrilogy.art/marfayucca/. Accessed 19 September 2026. II 377
  1590. Daniel Calderon Arenas, Marfa Yucca: observed yucca growth, a mass bloom, the contrast with Donald Judd's rectilinear structures, and their combination in the project. danielcalderonarenas.com I Calderon Arenas
  1591. Daniel Calderon Arenas, The Gen Trilogy Set: the hash interpretation in Genesis, interactive bitmap curtain in Gen 2, and adjective-adjective-noun language system in Gen 3. danielcalderonarenas.com I Calderon Arenas
  1592. Daniel Calderon-Arenas at Bright Moments. Bright Moments' DCA page presents his biography and the Mexico City commission Bosque de Chapultepec. https://www.brightmoments.io/dca. I Calderon Arenas
  1593. Daniel Catt. Catt examines art-studio management as part of artistic practice and machine-assisted research. https://newsletter.revdancatt.com/p/026-art-studio-management-as-art. I Catt
  1594. Daniel Catt. “#012 Etching to get started.” 21 February 2023. https://newsletter.revdancatt.com/p/012-etching-to-get-started. Accessed 17 September 2026. II 041
  1595. Daniel Catt. “#047: No such thing as too much yellow.” Drawing Machines & Notes from Art Studio Robots, 31 October 2024. https://newsletter.revdancatt.com/p/047-no-such-thing-as-too-much-yellow. Accessed 18 September 2026. II 086; II 111
  1596. Daniel Catt. “#051 Mini - 80s Pop Roxy Bonus Pack.” 19 December 2024. https://newsletter.revdancatt.com/p/051-mini-80s-pop-roxy-bonus-pack. Accessed 17 September 2026. II 041; II 111
  1597. Daniel Catt. “80s Pop Variety Pack - for experts only 🕹 official description.” https://twitter.com/revdancatt. Accessed 19 September 2026. II 338
  1598. Daniel Catt. “ARTIST STATEMENT.” Substack, 21 March 2024. https://newsletter.revdancatt.com/p/artist-statement. Accessed 18 September 2026. I Catt; II 062; II 111
  1599. Danielle King’s curatorial archive records Jess Hewitt’s inclusion in Arts and Sciences at NFT Show Europe 2022. Danielle King I Hewitt
  1600. Dann's about page provides a comprehensive timeline of her education, career, and transition into generative art. Artist Background and Timeline I Dann
  1601. Dann's project page contains the complete artist statement and technical specifications for Ceramics. Project Documentation and Statement I Dann
  1602. Danooka / Verse. “RIBONZ: Spacetime.” https://verse.works/series/ribonz-spacetime-by-danooka. Accessed 18 September 2026. I Danooka; II 233
  1603. Danooka. “AlphaModica launch announcement.” 7 January 2022. https://x.com/DanookaN/status/1479316426301181952. Accessed 18 September 2026. I Danooka; II 233
  1604. Danooka. “AlphaModica mint-out announcement.” 3 July 2022. https://x.com/DanookaN/status/1543461851505143808. Accessed 18 September 2026. I Danooka; II 233
  1605. Dapper Labs. “NFT License 2.0.” nftlicense.org, 5 November 2018. https://www.niftylicense.org/. Accessed 18 September 2026. II 062; II 113; II 120; II 123; II 126; II 132; II 137; II 151; II 157
  1606. DappRadar. DappRadar reports on Art Blocks' 777% trading volume increase following the Apparitions release in March 2021. https://dappradar.com/blog/art-blocks-sees-700-increase-after-new-sale. I Penne
  1607. dappradar.com. DappRadar blog post on crypto art record sales through uncertain economic times, featuring Right Place & Right Time. https://dappradar.com/blog/crypto-art-experiences-record-sales-through-uncertain-economic-times. I Kane
  1608. Darien Brito. “About.” https://darienbrito.com/about.html. Accessed 17 September 2026. II 128
  1609. Darien Brito. “Pigments.” https://darienbrito.com/work/pigments/. Accessed 17 September 2026. II 128
  1610. Darien Brito. “Vahria official description.” https://www.instagram.com/darien.brito/. Accessed 19 September 2026. II 334
  1611. darienbrito.com/portfolio. The artist's portfolio archive documenting works including Pigments, Paths, Vahria, Quadrature, Laterals, Metamorphosis I, and Luz Difuminada. https://darienbrito.com/portfolio/. I Brito
  1612. DARSAN. A paper introduces a decentralized review system intended for NFT marketplaces. https://arxiv.org/abs/2307.15768. I onlygenerated
  1613. Das’s professional biography details his work in embodied AI, interpretability, and computational catalyst discovery. Das biography I Parikh
  1614. Data and art. Swissgrid interviews Bremer about combining data, clarity, memory, and art. https://www.swissgrid.ch/it/home/newsroom/blog/2022/unione-di-dati-e-arte.html. I Bremer
  1615. Data Draws Data. BarabasiLab's Data Draws Data exhibition page describes its collective art-science practice. https://barabasi.com/art/exhibition/data-draws-data. I BarabasiLab
  1616. Data Sketches authors. PolicyViz interviews Bremer and Shirley Wu about their process, data cleaning, and the future of visualization. https://policyviz.com/podcast/episode-195-nadieh-bremer-shirley-wu/. I Bremer
  1617. Data Sketches conversation. Datawrapper considers the collaborative process and personal voice behind Data Sketches. https://www.datawrapper.de/blog/shirley-wu-nadieh-bremer-datasketches-freelancing-inspiration. I Bremer
  1618. Data Sketches talk. Beyond Tellerrand records Bremer’s talk on the lessons developed through Data Sketches. https://beyondtellerrand.com/events/munich-2018/speakers/nadieh-bremer. I Bremer
  1619. Data Stories documents its 2020 interview with Ignac about data art, studio process, visual programming, and generative-design tools. Data Stories I Ignac
  1620. Databending and Audacity. The artist describes databending practices and a framework for categorizing glitch art. https://sgtslaughtermelon.com/art/databending-audacity-aliens-of-arecibo/. I sgt_slaughtermelon & Tartaria Archivist
  1621. Dautheribes's professional profile documents his creative-technology background, software skills, and earlier programming roles. Malt profile I Dautheribes
  1622. David Grunzweig’s portfolio records collaborative algorithmic audiovisual works made with Johan Ismael. Grunzweig portfolio I Night Sea; I johan
  1623. David Lu's about page states his Carnegie Mellon training and cross-disciplinary project interests. biography I Lu
  1624. David Lu's art portfolio lists generative, audiovisual, photographic, Line Rider, and sound-based works. portfolio I Lu
  1625. David Lu's GitHub profile verifies the conundrumer identity and lists public software repositories. profile I Lu
  1626. David Lu's Medium essay explains Audioscope as a perceptually meaningful audio visualizer based on signal processing. essay I Lu
  1627. David Lu's music page identifies Conundrumer as his primary alias for electronic and contemporary music projects. music-archive I Lu
  1628. David Lu's technology portfolio describes Line Rider and Audioscope as technical and perceptual systems. tech-archive I Lu
  1629. Davidson’s public gist archive identifies Eric Davidson and preserves experiments in Processing, shaders, Python, and game scripting. code-archive I Davidson
  1630. Davidson’s TheBuffED archive introduces its creator as Eric and documents a body of independently released games. itch-archive I Davidson
  1631. Dawn Contemporary. Dawn Contemporary’s Flatlands exhibition included Catt among nine artists investigating flatness and graphic design. https://www.alba.art/galleries/dawn-contemporary/exhibitions/flatlands. I Catt; I Hewitt
  1632. Dawn Contemporary. Dawn Contemporary describes a gallery program devoted to established and emerging generative artists. https://www.alba.art/galleries/dawn-contemporary. I Pandelune
  1633. Dazed credits Richardson with both photography and film for Rotation. Rotation I Richardson
  1634. Dazed details the collection’s layouts, generated aphorisms, publication, and Heavy Manners presentation. dazed-feature I Man
  1635. Dazed interviews Richardson about photography, film, augmented reality, and visual choreography. Dazed interview I Richardson
  1636. Dazed presents Richardson’s Crossing as a symbolic passage between real and imaginary space. Crossing I Richardson
  1637. DBLP publication record. DBLP indexes Gökmen’s Computer-Aided Design article on computation and optimization of structural leaf-venation patterns. https://dblp.org/rec/journals/cad/Gokmen22. I SAB
  1638. DCA at MutualArt. MutualArt's market profile records auction appearances for Genesis, Gen 2, and Jump For Joy. https://www.mutualart.com/Artist/Dca/8059A984802779A8. I Calderon Arenas
  1639. DCA. “Diggly Collects All official description.” https://danielcalderonarenas.com/#diggly. Accessed 19 September 2026. II 499
  1640. DCA studio visit. The filmed Studio Visit with r4v3n presents an extended conversation with DCA in his working environment. https://www.youtube.com/watch?v=XfmDK6EeW6Q. I Calderon Arenas
  1641. DCA: Embracing the Next Wave of Generative Art. Long-Form Art's feature-length conversation with DCA examines his founding role at Art Blocks and his view of the next phase of generative practice. https://www.youtube.com/watch?v=EtlUzCZEkeY. I Calderon Arenas
  1642. De Giuli’s paper develops a noise-control mapping for stochastic systems and emergent agent-like behavior. Noise and control I De Giuli
  1643. De Giuli’s paper studies ordered phases and broken symmetry in random language models. Random languages I De Giuli
  1644. De la Rouviere considers the practical tension between open-source transparency and software security. Open-source essay I de la Rouviere
  1645. De la Rouviere describes receiving part of his Buffer salary in bitcoin and notes earlier freelance bitcoin development. Bitcoin essay I de la Rouviere
  1646. De la Rouviere explains the iterative development of Buffer’s Content Suggestions service. Product essay I de la Rouviere
  1647. De Mai’s Linktree identifies Spectron as Curated and Drifting as Playground. Project links I De Mai
  1648. Dead Ringers: Edition. NFTEvening explains the random-wallet distribution and Food Bank for New York City fundraiser behind Dead Ringers: Edition. https://nftevening.com/dmitri-cherniak-who-sent-nfts-to-random-wallets-drops-dead-ringers-edition/. I Cherniak
  1649. Dean Blacc. “Good, Computer official description.” https://deanbla.cc/good-computer. Accessed 19 September 2026. II 384
  1650. Dean Blacc's work appeared in the Evolving Pixels exhibition curated by Emily Xie, which presented generative and computational projects on the Proof.xyz platform. Proof.xyz I Blacc
  1651. Deca preserves an Ad Extremum Terrae output with creator, collection, trait, contract, and provenance information. token-archive I umatha
  1652. Deca's token page for Fleur #91 archives project, creator, contract, token, and description data. deca I AnaPet
  1653. Deca.art hosts and describes individual tokens from the Fermented Fruit collection. Deca.art Token I cyberia
  1654. Decagon. Decagon, designed by Golid for Deca, uses mint-time on-chain data to create membership tokens that evolve with their holders. https://decagon.deca.art/. I Golid
  1655. Deca’s collector-built museum page includes an archival listing for Pointila by Phaust. Deca archive I Phaust
  1656. Deca’s token record reproduces Gold’s collection description concerning repetition, musical minimalism, Joan Mitchell, authorship, and surprise. curved-air-description I Gold
  1657. DeCent People with Jeff Davis. Decential Media interview with Davis on Art Blocks and his professional path. https://www.youtube.com/watch?v=KsTfpG73IIM. I Davis
  1658. Decential. Decential’s conversation with Jeff Davis addresses Art Blocks and the use of technology to build generative systems of form and color. https://www.decential.io/podcasts/decent-people-with-jeff-davis-of-art-blocks. I thetechnocratic
  1659. Decential published a podcast episode with Art Blocks Director of Engineering Aaron Penne discussing generative art and personal discovery. Decential Podcast I Boreta; I Penne
  1660. Decentraland governance proposal referencing OnChainChain wearables. Decentraland I Rizzle, Sebi, Miguelgarest
  1661. decentralartpavilion.io. Decentral Art Pavilion at the Venice Biennale presents the Generative Art special event curated by Art Blocks, featuring Brito among 20 generative artists in 2022. https://decentralartpavilion.io/events/generative-art-special-event/. I Brito
  1662. Decentralizing Creativity. Hyperrhiz analyses DesLauriers' views on natural systems, blockchain decentralisation, textiles, and generative authorship. https://hyperrhiz.io/hyperrhiz29/5-art-ecosystems/5-essay.html. I DesLauriers
  1663. Decrypt. Decrypt reports on Art Blocks Marfa Weekend as a major gathering for artists, collectors, and digital art communities. https://decrypt.co/199430/inside-art-blocks-marfa-weekend-digital-arts-latest-hotspot. I JMY; I Richardson; I dadabots
  1664. Decrypt names Pasin among artists who had released projects on Art Blocks and were involved in Highlight’s generative-art ecosystem. Decrypt I Pasin
  1665. decrypt.co (heart + craft). Decrypt reports on heart + craft, connecting the project to Calderon's earlier 3D-printed block sculptures and its deliberately accessible distribution model. https://decrypt.co/152604/from-art-blocks-to-block-art-snowfro-gets-physical-with-heart-craft/. I Calderon
  1666. decrypt.co (origin story). Decrypt's video interview follows Calderon from ceramic tile and early crypto collecting to Art Blocks and his understanding of artistic practice. https://decrypt.co/106659/from-ceramic-tiles-to-generative-nfts-art-blocks-founders-origin-story. I Calderon; III No. 1
  1667. Decrypt’s April 2021 report previews the Windward Avenue pop-up and its proposed international DAO model. Decrypt I phil
  1668. Defining the type of art. The Link examines terminology for the computer-generated art presented through Art Blocks. https://medium.com/the-link-art-blocks/ab-101-0-defining-the-type-of-art-on-art-blocks-b7a3af6f5b8c. I TheElephantNL; I last-even; I n e o
  1669. deFOCUSed is a 100-percent on-chain project closely associated with Matto's Art Blocks FOCUS release. matto.xyz I matto
  1670. Delicious Line. Elisa Turner reviews Blazejack and Levenson’s collaborative paintings and their speculative treatment of South Florida ecology. https://deliciousline.org/review/324. I Punch Card Collective
  1671. Delphi Digital, "NFT Culture Series Ep. 4: VonMises on Collection Strategies, Art Blocks Curation, and Future of Generative Art," 2021. delphidigital.io III No. 36
  1672. Delphi Digital’s 2021 interview covers NFT scarcity, liquidity, valuation, communities, fractionalization, and collecting. delphi-digital I Brukhman
  1673. Demiurge records the materials, fabrication, installation, engineering, location, and twelve-foot scale of Gökmen’s Calyx sculpture. Calyx project I SAB
  1674. Demoscene. Pasma's demoscene page archives his prize-winning 4-kilobyte audiovisual programs and their assembly-language context. https://piterpasma.nl/demoscene. I Pasma
  1675. Dentsu. Dentsu’s dialogue places Sputniko!’s social-media practice and cyberfeminist art in conversation with media theory. https://dentsu-ho.com/en/articles/1324. I Sputniko!
  1676. Derek Edward Schloss and Stephen McKeon, "Punks, Squiggles, and the Future of Generative Media," Collab+Currency on Medium. medium.com/collab-currency III No. 40
  1677. Description of lens-based primitives and post-production influence in later cinematic works. NFT Culture Digital Art Fair report I Tsukamoto
  1678. Description of pixel portrait practice and Viennese icons. OK Linz I CryptoWiener
  1679. Desert X 2019, Western Flag installed at the gateway to the Coachella Valley as a reminder of resource exploitation. desertx.org I Gerrard
  1680. Design Academy Eindhoven summarizes DRIFT as a multidisciplinary studio founded by Lonneke Gordijn and Ralph Nauta. Design Academy I Drift
  1681. Design Indaba discusses PrayStation as visual research, education, and community-building. design-indaba I Davis
  1682. Design Milk. Design Milk profiles Schoenherr as a Los Angeles code artist whose rule-based systems balance variation and control. https://design-milk.com/desktop-wallpaper-may-2025-with-jeres/. I Schoenherr
  1683. Design Milk, "Navette Marries Coded Art With Traditional Craftsmanship" (March 2023): on Craft Nouveau, Art Blocks Engine, and the digital-physical bridge. design-milk.com I André
  1684. Design Museum Holon. Design Museum Holon documents a collaborative light installation whose clustered lamps evoke the movement and randomness of a human flock. https://www.dmh.org.il/en/articles/light-installation/. I phenomena
  1685. Design Observer, Chain Letters: Zachary Lieberman, interview, September 2018. designobserver.com I Lieberman
  1686. Design You Trust. Design You Trust documents Dio with images and a summary of the AI-generated sculpture's material process. https://designyoutrust.com/2019/08/this-ai-generated-sculpture-is-made-from-the-shredded-remains-of-the-computer-that-designed-it/. I Snell
  1687. Designboom describes Color Dot's conversion of conventional typography into colored circular forms. Designboom I Grasser
  1688. Designboom explains how Earthquake Lamp translates live seismic data into changing light and sound. Designboom I Parse/Error
  1689. designboom.com. Design Boom, "TRAME unveils generative interiors" (March 2024): interview on algorithmic design and traditional craft. https://www.designboom.com/design/trame-generative-interiors-craft-nouveau-interview-03-19-2024/. I André; I Davis
  1690. Designing Generative Art with a Traditional Touch. Kevin Rose interviews Hobbs for PROOF on designing generative art with the visual weight and touch of traditional media. https://open.spotify.com/episode/6K1TGt8aUCBfYjk84mAse7?si=5e306cab837145d6. I Hobbs
  1691. despace’s annual review documents Kislev’s participation in the 2022 bridging the gap exhibition in Berlin. despace review I Kislev
  1692. Dessins algorithmiques. Stereolux presents Gachadoat's lecture on the history and practice of algorithmic drawing. https://www.youtube.com/watch?v=tO0-yNjAmX4. I Gachadoat
  1693. Detailed biography, selected exhibitions including Artspace New Haven Spark Studies (2023) and Art Blocks Marfa presentations, and artist statement on daily practice and influences from Turrell, Flavin, and teamLab. Load Gallery artist page I Ting
  1694. Detailed career chronology from early procedural commissions through video-game development to fine-art practice. Verse Works profile I Tsukamoto
  1695. Detailed presentation of Quarantine #1 with project description. Verse.works I Moore
  1696. Detailed technical and conceptual documentation on the artist's project page explaining the AI prompts, code implementation, flower motifs, and interactive features. Claudia Hart I Blanton
  1697. Details on the artist-collector revenue-sharing model for Right Place & Right Time. volatility.art/media-kit I Kane
  1698. DEV profile. DEV Community records Labadie's graphic-design education, Québec City location, and coding interests. https://dev.to/lalabadie. I Labadie
  1699. Devereux’s Flickr record documents the 2011 double-pendulum long exposure and its making context. Double pendulum photograph I Devereux
  1700. Devi Parikh and Abhishek Das. “Aragnation official description.” https://aragnation.github.io/. Accessed 19 September 2026. I Das; I Parikh; II 393
  1701. Devi Parikh. “Cushions: project development.” https://deviparikh.com/cushions/. Accessed 18 September 2026. I Parikh; II 226
  1702. Devi Parikh's generative art overview page lists Cushions and acknowledges Abhishek Das for webpage design. Devi Parikh art projects page I Das
  1703. DeviantArt. DeviantArt profile documenting 13 years of digital fantasy art practice. https://www.deviantart.com/kristyglas. I Glas
  1704. Dezeen reported on a 2007 commercial project by eBoy for Groove Armada, illustrating ongoing design commissions. Dezeen I eBoy
  1705. Dia collection. Dia’s collection index provides an institutional pathway through Whitman’s works and publications. https://diaart.org/collection/artist-a-to-z/whitman-robert. I Whitman
  1706. dialog(). The Japan Generative Art Foundation documents code-based work by artists from four Asian cities. https://generativeart.or.jp/civic-canvas-gallery-vol1/civic-canvas-gallery-vol1-dialog. I JEANVASCRIPT; I Reva
  1707. dialog() artist profile. The dialog() Asian Generative Art Exhibition 2024 featured Aluan Wang as a pioneer of Taiwanese audiovisual and generative practice and the first Taiwanese artist on Art Blocks. https://dialog-asia.com/artists/aluan-wang. I AluanWang
  1708. Dialogues numériques. Petit Palais records a public conversation between Mapan and Centre Pompidou new-media curator Philippe Bettinelli. https://www.petitpalais.paris.fr/activites-et-evenements/conversations-dialogues-numeriques-du-code-la-collection-l-art-numerique. I Mapan
  1709. Diamond Contracts and Diamond Storage. A technical essay examines ERC-2535 diamond contracts and diamond-storage design. https://ryley-o.com/diamond-contracts-and-diamond-storage/. I ryley-o.eth
  1710. Diana Rosca’s article characterizes Dear Hash, as a love letter to the hash behind the art. nfts-featured I MODNAR WOLF; I xenoliss
  1711. Diário do Rio describes the QR-code and keyboard interactions, media, and extension of the 2024 Meta Gallery exhibition. Diário do Rio I Vamoss
  1712. Dia’s Playback release outlines the retrospective’s examination of Whitman’s theater works and exhibition history. Dia I Whitman
  1713. DiceGL and plotter practice. Gorilla Sun discusses Gachadoat's dice-controlled plotter experiment and collaboration with Vera Molnár. https://www.gorillasun.de/blog/gorilla-newsletter-37/. I Gachadoat
  1714. Diderot opening. La Nación reports from the opening of Diderot Digital Exhibition and describes Corallo’s work in its entrance hall. https://www.lanacion.com.ar/cultura/primeras-ventas-en-la-inauguracion-de-la-muestra-virtual-de-diderot-nid29102021/. I Corallo
  1715. Die Zeit's interview documents Grasser's account of constructing the Twitter bird from overlapping circles. Die Zeit I Grasser
  1716. DIG Shibuya’s 2025 program presents Odysseys as a generative series informed by nostalgia, imagined environments, and ukiyo-e. DIG Shibuya I Zumbrunn
  1717. Diggly Collects All. Official project text for Diggly Collects All, a deterministic world whose holder-curated shelf becomes the token artwork. https://danielcalderonarenas.com/diggly. I Calderon Arenas
  1718. Digiday. Digiday examines the geometric construction of the Twitter bird and connects that process to Grasser's generative practice. https://digiday.com/es/el-disenador-del-logo-original-de-twitter-explica-por-que-el-pajaro-azul-funcionaba-tan-bien-y-como-la-x-lo-cambia-todo/. I Grasser
  1719. Digital Art Awards. The NFT Magazine names McAteer among the finalists in the inaugural Digital Art Awards exhibition at Phillips London. https://www.nft-magazine.com/article/hofa-and-phillipsx-launch-the-digital-art-awards. I Motus Art
  1720. Digital Art Day. Sotheby’s catalogue entry for The Blocks of Art describes a generative project organized around the Art Blocks community. https://www.sothebys.com/en/buy/auction/2024/digital-art-day-auction-3/the-blocks-of-art-238. I steen
  1721. Digital Art Day Auction. MutualArt identifies Dynamic Slices #44 among the notable lots in Sotheby's Digital Art Day Auction. https://www.mutualart.com/Auction/Digital-Art-Day-Auction/350A26B36796C5E9. I WhaleStreet x pxlq
  1722. Digital Art Day Málaga. SUR reports on Digital Art Day Málaga and its program of talks concerning digital, generative, and AI art. https://www.surinenglish.com/what-to-do/digital-art-day-comes-malaga-creating-artistic-20240906133506-nt.html. I QianQian
  1723. Digital Art Day report. HENI reports the 2024 Sotheby's result for pxlq's Dynamic Slices #44. https://heni.com/news/article/sotheby-s-online-digital-art-day-auction-2024-12-17t14-00-00-05. I WhaleStreet x pxlq
  1724. Digital Art Exhibition. Art Innovation Gallery records hex6c among the artists in its public Digital Art Exhibition in Milan. https://artinnovationgallery.com/exhibitions/6/overview/. I hex6c
  1725. Digital Art Space. The Munich Science & Fiction Festival lists ilithya’s digital-art presentation and summarizes her new-media practice. https://www.muc-sf-festival.com/en/artists-speaker/. I ilithya
  1726. Digital Art Week. Digital Art Week listed a London exhibition of Keepsakes alongside a retrospective presentation of Stoveland's process. https://digitalartweek.io/events/. I Stoveland
  1727. Digital Artists to Watch. A contemporary profile identifies Wajufos through her Art Blocks collaboration with ilithya. https://paragraph.com/%40kaloh/5-digital-artists-to-watch-july-2023. I Wajufos
  1728. Digital Brushstrokes. An academic thesis includes a 2010 email interview with Lippmann about the display and reception of digital painting. https://digitalcollections.ric.edu/nanna/record/1233/files/Digital_Brushstrokes___Diverse_Techniques_in_Contemporary_Digital_Painting.pdf?registerDownload=1&version=1&withMetadata=0&withWatermark=0. I Lippmann
  1729. Digital Canon (Digital Art 1960–2000), on Scrollbar Composition (2000), its volatility and performative nature, and its place in the Stedelijk Museum Amsterdam collection. digitalcanon.nl I Leegte
  1730. Digital Opening. ZKM's digital opening video presents BarabásiLab. Hidden Patterns in exhibition context. https://www.youtube.com/watch?v=RjvXUc3kNLA. I BarabasiLab
  1731. digitalart.io. This article follows the creative development of Pursuit and its fusion of generated terrain with racing imagery. https://digitalart.io/pursuit-per-kristian-stoveland/. I Stoveland
  1732. dino pals on Raster. Raster preserves the project and market record for the early dino pals collection. https://raster.art/artwork/dino-pals-by-hideo. I HIDΞ0
  1733. dino pals on Verse. Verse preserves the project record and market history for dino pals. https://verse.works/series/dino-pals-by-hideo. I HIDΞ0
  1734. DiPaola and Gabora discuss variation, human intervention, and selection in evolutionary art algorithms. Evolutionary art research I SAB & K2xL
  1735. Dipolar collection archive. NFT Valuations maintains a collection-level record for Dipolar. https://nftvaluations.com/collections/dipolar-by-junia-farquhar/nfts. I Farquhar
  1736. Dirt interviews Man about browser art, online performance, girlhood, and the distributed internet self. dirt-interview I Man
  1737. Dirt, Rethinking Rarity: seasonal palettes and events, floral mutations, distributed composition, and botanical sources. dirt.fyi ↩ I Rizzolli
  1738. Discussion of early focus on female form and taboos. Womanly Magazine spotlight I Vittoria
  1739. Discussion of generative series in auction contexts. Artmarket Analysis I Katzenmeyer
  1740. DisruptedStar. “Voyager official description.” https://sites.google.com/view/tidally-disrupted-star/voyager. Accessed 19 September 2026. I DisruptedStar; II 426
  1741. Dissociation of creation from execution. A reflective essay on iillucid.com examines themes of authorship, execution, and cultural continuity in Aluan Wang's Polypaths, framing generative art as a site of ongoing cultural negotiation. https://www.iillucid.com/the-dissociation-of-creation-from-its-execution-or-the-continuous-flow-of-culture-towards-a-universal-truth-or-the-meaning-of-life-or-nothing-at-all/. I AluanWang
  1742. Distance #198. Toledo Museum of Art's Infinite Images archive presents Distance #198 and its response to Klee's 1914 watercolour. https://infiniteimages.toledomuseum.org/artwork/distance-198. I Mapan
  1743. DistCollective identifies the duo, its 2019 founding, multidisciplinary practice, algorithmic methods, and approach to digital prints. artist biography I DistCollective
  1744. DistCollective. “Lumina official description.” https://distcollective.xyz/art/lumina/. Accessed 19 September 2026. II 470
  1745. DJ Times. A lockdown-era profile records PLS&TY’s South Florida context and online performance activity. https://www.djtimes.com/2020/04/life-in-lockdown-plsty-interview/. I PLS&TY
  1746. DMINTI presents the podcast as a program of conversations about art and technology and publishes Beesley’s multidisciplinary artist statement. DMINTI podcast I Beesley
  1747. DMINTI’s programming archive documents exhibitions, lectures, and critical discussions about art and technology. DMINTI programming I Beesley
  1748. Dmitri Cherniak at AOTM. AOTM's artist page presents Cherniak's catalogue, biography, physical works, and current gallery programme. https://aotm.gallery/artist/dmitri-cherniak/. I Cherniak
  1749. Dmitri Cherniak at Avant Arte. Avant Arte's artist profile surveys Cherniak's automation practice, works, Ringers record, and LACMA acquisition. https://avantarte.com/artists/dmitri-cherniak. I Cherniak
  1750. Dmitri Cherniak at Le Random. Le Random's artist archive records Cherniak's biography, influences, wallet, and works held by the collection. https://www.lerandom.art/artists/dmitri-cherniak. I Cherniak
  1751. Dmitri Cherniak at Opera Magna. Opera Magna's archive presents Ringers, Light Years, Transparent Grit, and both Playground projects. https://operamagna.art/artists/dmitri-cherniak. I Cherniak
  1752. Dmitri Cherniak CV. AOTM's curriculum vitae lists Cherniak's exhibitions, collections, publications, and collaborations. https://aotm.gallery/wp-content/uploads/2025/11/Dmitri_Cherniak_Artist_CV_Gallery.pdf. I Cherniak
  1753. Dmitri Cherniak in Conversation at LACMA. Avant Arte's 37-minute film follows Cherniak through LACMA in conversation about systems, chance, and Ringers #962. https://player.vimeo.com/video/859331318. I Cherniak
  1754. Dmitri Cherniak links. Cherniak's official Linktree gathers his current projects, editions, social accounts, and publications. https://linktr.ee/dmitricherniak. I Cherniak
  1755. Dmitri Cherniak on Strictly for Art. Le Random speaks with Cherniak about Infinite Images, museum display, engineering, and changing ideas of automation. https://www.lerandom.art/editorial/dmitri-cherniak-on-strictly-for-art. I Cherniak
  1756. Dmitri Cherniak on the Power of Generative Art. The audio edition of Bailey's conversation presents Cherniak on the power, history, and overfinancialisation of generative art. https://podcasts.apple.com/us/podcast/dmitri-cherniak-on-the-power-of-generative-art/id1612868010?i=1000607146849. I Cherniak
  1757. Dmitri Cherniak portfolio. The artist's Level portfolio indexes Dead Ringers, The Rinkeby Sessions, and related physical editions. https://dmitri.level.press/. I Cherniak
  1758. Dmitri Cherniak's Algorithmic Tapestry. AOTM surveys Cherniak's movement from algorithmic images to physical and sculptural expressions of automation. https://aotm.gallery/dmitri-cherniaks-algorithmic-tapestry-bridging-art-and-automation/. I Cherniak
  1759. Dmitri Cherniak, announcement for a live TAMA event in support of Ringers in Motion (2026): museum engagement with digital art, specialist departments, and the 12 October programme with El Barba Roja and the TAMA curatorial team. x.com I Cherniak
  1760. Dmitri Cherniak, announcement of an expanded artist website (September 2026): selected exhibition documentation added to a site previously devoted to Taylor Swift ASCII art. x.com I Cherniak
  1761. Dmitri Cherniak, Ringers in Motion: Strings, Boundaries, and Memory (2026): the live generative system, its parameter-space scenes, institutional display, sound, and the work's personal associations. x.com I Cherniak
  1762. Documentation from Marfa Weekend 2023 references Stormae, a generative sculpture by Phil Caya also known as 0xphiiil. Marfa Weekend 2023 I 0xphiiil; I JMY; I Night Sea; I Richardson; I Watson
  1763. Dogstudio documents the KIKK augmented reality exhibition and Honigstein’s collaboration on Mimêsis. KIKK case study I Honigstein
  1764. Dogstudio documents Tomorrowland, Around the World and credits Honigstein in technical direction and 3D development. Tomorrowland case study I Honigstein
  1765. Dogstudio’s project video credits Honigstein as technical director and 3D developer for the WebGL festival environment. Tomorrowland video I Honigstein
  1766. Dom. The Mazovian Institute of Culture lists Dudko among the participants in Dom at Galeria XX1. https://www.mik.waw.pl/archiwum/16-grudnia-warszawa-dom-wystawa-instytutu-sztuki-wydzialu-architektury-politechniki-bialostockiej-galeria-xx1/. I Dudko
  1767. Dominikus. “The Inner World official description.” https://dominikus.art/the-inner-world. Accessed 19 September 2026. II 342
  1768. Domus profiles Mike’s Maze as an artistic voxel environment developed for The Sandbox. Domus I Speziari
  1769. Dopamine Machines project site. The dedicated project site presents Dopamine Machines as an interactive generative system. https://dopaminemachines.website. I Pikelny
  1770. Douglas G. Burkholder. The Bridges Mathematical Art Galleries documents Douglas G. Burkholder's sculptural investigation of pseudo-Penrose tiling. https://gallery.bridgesmathart.org/exhibitions/2018-joint-mathematics-meetings/burkholderd. I umatha
  1771. Dragons with William Mapan. Collector's Corner interviews Mapan about Dragons, Pokémon, early Tezos culture, and his approach to generative character. https://music.amazon.com/es-co/podcasts/95410b3c-fc25-4094-af97-af938d15ff58/episodes/fc384575-1ba4-495a-860b-cbc44c2fc480/collector%27s-corner-dragons-with-william-mapan-into-the-collection-8. I Mapan
  1772. Drawing Machines. Catt’s newsletter profile identifies him as a contemporary print artist working from an arts-based research studio in Shrewsbury. https://newsletter.revdancatt.com/about. I Catt
  1773. Drawing Machines. The newsletter archive gathers Catt’s ongoing writing about plotters, studio routines, software, and print. https://newsletter.revdancatt.com/archive. I Catt
  1774. Dreamideamachine. Dreamideamachine covered BarabásiLab: Hidden Patterns. Network Thinking at ZKM. https://www.dreamideamachine.com/?p=68019. I BarabasiLab
  1775. Dreams is presented as an exploration of uneven subdivision in which uniform and crooked lines generate complex emergent structures. dreams page I Bagley
  1776. Dreamverse archive. Dreamverse's event archive describes the presentation of featured NFT artworks and artists through digital, virtual, and physical formats. https://dreamverse.life/index.html. I donnoh
  1777. Dreamverse lists donnoh and Fabiano Speziari among its participating artists. Dreamverse artists I donnoh
  1778. Dribbble profile. Dribbble archives Labadie's interface, visual-design, web-design, and early Processing work. https://dribbble.com/l-a. I Labadie
  1779. DRIFT and Jeff Davis: Schema. Pace Gallery film on DRIFT and Davis's collaboration for Schema. https://www.youtube.com/watch?v=qy0H1z_VbCg. I Davis
  1780. DRIFT with Jeff Davis. “Schema official description.” https://www.pacegallery.com/journal/drift-with-jeff-davis-schema/. Accessed 19 September 2026. I Davis; II 479
  1781. Drifts Nr. 03. A Vimeo record presents Drifts Nr. 03, derived from ilithya’s 2025 audiovisual performance at Affenfaust Galerie. https://vimeo.com/1132505054. I ilithya
  1782. Druid / Art Blocks. “Charity on Chain: How Art Blocks is Raising 85ETH (or ~300k).” 6 May 2021. https://medium.com/the-link-art-blocks/charity-on-chain-how-art-blocks-is-raising-85eth-or-300k-4c27f3742b82. Accessed 17 September 2026. I Rockland; II 019; II 048; II 049; II 056
  1783. Druid / Art Blocks. “Update: Charity on Chain: 300k to 2.3 Million.” Medium / The Link. https://medium.com/the-link-art-blocks/update-charity-on-chain-300k-to-2-3-million-7c5682e3ac7b. Accessed 18 September 2026. I Catt; II 062; II 109; II 110; II 111; II 121
  1784. Druid / Cooper Jamieson. “Meet the Curation Board: Cooper Jamieson.” The Link, Art Blocks, 23 June 2021. https://medium.com/the-link-art-blocks/meet-the-curation-board-cooper-jamieson-7803ae6ae0b1. Accessed 18 September 2026. I Jamieson; II 200
  1785. Druid / The Link / Art Blocks. “Art Blocks in the Wild.” 12 May 2021. https://medium.com/the-link-art-blocks/art-blocks-in-the-wild-bb0aeec6bd7e. Accessed 17 September 2026. I xenoliss; II 045
  1786. Druid / The Link. “Charity on Chain: 2021 Wrap-Up.” 19 December 2021. https://medium.com/the-link-art-blocks/charity-on-chain-2021-wrap-up-c69782fa7f4a. Accessed 17 September 2026. I Cotton; I Green; I last-even; I toiminto.eth; II 150
  1787. Druid / The Link, Art Blocks. “Update: Charity on Chain, 12 Million in September and October.” 30 October 2021. https://medium.com/the-link-art-blocks/update-charity-on-chain-12-million-in-september-and-october-a1af7dbb4560. Accessed 17 September 2026. I TheElephantNL; II 130; II 136; II 137; II 156
  1788. Druid. “Types of On-Chain Projects So Far… What’s Next?.” 3 October 2021. https://medium.com/the-link-art-blocks/types-of-on-chain-projects-so-far-whats-next-e9cc72d5ee2f. Accessed 17 September 2026. I Beervangeer; I Generative Artworks; I HIDΞ0; I Penne; I TheElephantNL; I matto; I n e o; I xenoliss; II 034
  1789. Druid. “Update: Charity on Chain, 23.5 Million in August.” The Link,Art Blocks, 9 September 2021. https://medium.com/the-link-art-blocks/update-charity-on-chain-23-5-million-in-august-b4876db65c77. Accessed 17 September 2026. I Lord; I Pedersen; I Pikelny; I k0ch; I n e o; I onlygenerated; II 123; II 124; II 126; II 127; II 128; II 129; II 131; II 132; II 135; II 139; II 141; II 142; II 143; II 145; II 146; II 147; II 148; II 149
  1790. Druid, "Meet the Curation Board: Peter Molick," The Link, Art Blocks, May 2021. medium.com/the-link-art-blocks III No. 9
  1791. DT Next profiled Mathikshara's digital-art practice and emergence during the pandemic. DT Next profile I Mathikshara
  1792. DT Next reported on Mathikshara's art workshops for children from HIV-affected families. DT Next workshops I Mathikshara
  1793. Dudko’s curriculum vitae documents his architectural education, 2018 doctorate, and exhibition history. artist-cv I Dudko
  1794. Dudko’s Ingress project record explains its genesis, three-dimensional rendering, navigation, orientation controls, and generative features. ingress-mechanics I Dudko
  1795. Duke University profiles Yan’s interest in data visualization at the boundary of science and art and documents her work on Kepler.gl. Duke MIDS I Yan
  1796. Dune analytics dashboard for Friendship Bracelets, tracking secondary volume and holder distribution. dune.com I André
  1797. Durham Arts Network. Durham Arts Network lists Annie Blazejack and describes her long-term collaborative practice with Geddes Levenson. https://durhamartsnetwork.org/artist/. I Punch Card Collective
  1798. Dynamic Slices #174 was later offered in Sotheby's "Grails: Property from an Iconic Digital Art Collection" sale, demonstrating sustained secondary market demand. Sotheby's I pxlq
  1799. DYOR exhibition at Kunsthalle Zurich, October 2022: XCOPY panel featuring Glas. Kunsthalle Zurich I Glas
  1800. Dystopian Visions. Cambi’s Dystopian Visions program lists Speziari’s Clod 130: a place for lazy minds in its digital-art auction sequence. https://nft.cambiaste.com/. I Speziari
  1801. EACVA. Goldsmiths’ Embodied Agents in Contemporary Visual Art project documents He’s research into robotic painting tools and materials. https://www.doc.gold.ac.uk/eacva/wp/index.php/licia-he/. I He
  1802. Early biography and education details from 2018 profile. Print Magazine profile I Vittoria
  1803. Early conversation with Loren Bednar on Cent about his discovery of Art Blocks and evolving creative approach. Cent In Conversation I Bednar
  1804. Early profile on tokenizing work since 2020. Cent Profile 2021 I Katzenmeyer
  1805. Earthquake Lamp. Earthquake Lamp’s project video records the connected sculpture responding to worldwide seismic activity. https://vimeo.com/235880287. I Parse/Error
  1806. East City Art Profiles: von ammon co. East City Art discusses MENTAL, Robak's software-based practice, and the sculptural presentation of its digital works. https://www.eastcityart.com/profiles/east-city-art-profiles-von-ammon-co-gallery/. I Robak
  1807. eBoy. “eBoy (@eBoyArts) on X, the artist link of record.” https://x.com/eboyarts. Accessed 18 September 2026. II 185
  1808. Edicurial documents Che-Yu Wu's transition from NFT platforms to physical exhibitions, noting his solo presentation at Taipei 101 and participation in international fairs including Art Basel Miami contexts. Edicurial The Soul Collection Page I Wu
  1809. Editorial on the Art Blocks drop of the collaborative generative project. Rhizome I Wolfers
  1810. Effie Slovakia. The Effie Slovakia Creative Fast AID entry records Janajev among the credited contributors. https://effie.sk/prihlaska/2023pdf/16.pdf. I Janajev
  1811. Effie Slovakia. The Effie Slovakia entry for We All Need More Fun includes Janajev among the agency contributors. https://effie.sk/prihlaska/2024pdf/48_vsetci-potrebujeme-viac-fun.pdf. I Janajev
  1812. Eight Letter Word. Eight Letter Word combines procedural animation made with Houdini and TouchDesigner. https://vimeo.com/436560696. I Dautheribes
  1813. Eindhoven University of Technology records Canizares's historical study of Rhinoceros and its influence on architectural work and knowledge. Rhinoceros-history I Canizares
  1814. EIP-8079 identifies Luca Donno as a co-author of the native-rollups proposal. EIP-8079 I donnoh
  1815. Eko33. Velitchkova discusses generative art, narrative, and her professional background in a podcast interview. https://www.eko33.com/podcast-probably-nothing/iskra-velitchkova. I Velitchkova
  1816. El Espectador. El Espectador maintains a topic archive connecting Wajufos with coverage of experimental cinema and mediated perception. https://www.elespectador.com/tags/erin-wajufos/. I Wajufos
  1817. El Ideal Gallego previews Naturaleza digital and records Forecast's 365-work scope and sellout. El Ideal Gallego I Larino
  1818. El Pais. El Pais profiled Studio Drift as a Dutch duo working across museums, technology, and transformative installation. https://elpais.com/eps/2025-07-04/studio-drift-el-duo-de-artistas-holandeses-que-hacen-magia-en-los-museos.html. I Drift
  1819. El ritmo acelerado del arte generativo. Ledezma reflects on the accelerated pace of generative production and its implications for style, originality, and attention. https://www.ledezma.art/es/el-ritmo-acelerado-del-arte-generativo. I zVault
  1820. ELA Conversations #2. Mexic-Arte Museum documents DCA's participation in a panel on transformation, artistic practice, and Latinx culture. https://mexic-artemuseum.org/miembros-newsletter-december-2022/. I Calderon Arenas
  1821. electralina. “Ego Death official description.” https://www.electralina.com/. Accessed 19 September 2026. II 374
  1822. Electric Artefacts profiles Ridgley as an internationally exhibited generative artist active with blockchain since 2019. Electric Artefacts I Ridgley
  1823. Electric Chronicles. An article on code-native art includes Tezumie's WarpField among projects discussed in relation to executable generative systems. https://www.electric-chronicles.com/articles/i9bwz426m1ejw8qk7te0cia31psbz6. I Tezumie
  1824. Electric Chronicles reviews Compositions in Code and contextualizes the LIA and Ridgley pairing. Electric Chronicles I Ridgley
  1825. Electronic Arts Intermix surveys LoVid’s biography, media, instruments, exhibitions, and institutional support. EAI biography I LoVid
  1826. Elementals market archive. NFT Price Floor archives market information for Elementals as an Art Blocks Curated collection. https://nftpricefloor.com/elementals-art-blocks-curated-by-michael-connolly. I Connolly
  1827. Elementals prints. Connolly documents the production of Elementals prints with ARTXCODE. https://michaelconnolly.work/blog/2021/12/16/elementals-prints-artxcode. I Connolly
  1828. Elephant.art profiled A.A. Murakami's living, breathing machines in an August 2025 article discussing cave art, block universe theory, and time perception. Elephant Profile I A.A.Murakami
  1829. Elevate Heart. Official project text for Elevate Heart, an animated tribute to Erick Calderon built through iterative drawing and erasure. https://danielcalderonarenas.com/elevate-heart. I Calderon Arenas
  1830. Elite Fourum. A community discussion records a collector’s contemporaneous response to Gizmobotz during the 2021 NFT market. https://www.elitefourum.com/t/nfts-crypto-collectibles-discussion/32449?page=11. I Cotton
  1831. Eliya Stein. “Liquid Ruminations official description.” https://water.org/. Accessed 19 September 2026. II 278
  1832. ELLE DECOR, "A Computer Code Made These New French Tapestries" (March 2023): on Navette, TRAME, the Néolice loom, and the Le Bon Marché exhibition. elledecor.com I André
  1833. Ellyn Kail, "Inside An NFT Collector's Eclectic Photo Gallery," Feature Shoot, 28 March 2022. featureshoot.com III No. 9
  1834. Elponcho / ABMedia. “Prelaunch interview with Aluan Wang.” 20 August 2021. https://abmedia.io/20210820-first-taiwan-art-blocks-artist-aluan-wang. Accessed 17 September 2026. II 139
  1835. Eltono. “Andradite.” https://www.eltono.com/lab/projects/andradite/. Accessed 17 September 2026. I Eltono; II 071
  1836. Eltono documents Modo n.º70 as a playable generative mural and floor painting made with an under-13 girls’ basketball team at Dalle du Colombier in Rennes in April 2026. Modo n.º70 I Eltono
  1837. Eltono. “Swing project page, Eltono Generative Lab.” eltono.com. https://www.eltono.com/lab/projects/swing/. Accessed 18 September 2026. I Eltono; II 187
  1838. Eltono’s information page characterizes public space as the support, studio, and inspiration for his practice. Artist information I Eltono
  1839. Emanuele Pasin. “Divenire official description.” https://www.pasin.io/. Accessed 19 September 2026. II 305
  1840. Emergence in Marfa. The New Media Film Festival lists remnynt among the artists featured in the documentary Emergence in Marfa. https://www.newmediafilmfestival.com/emergence-in-marfa/. I Griffith
  1841. Emi Kusano. Load Gallery profiles Kusano as a Tokyo-based multidisciplinary artist working with AI, nostalgia, and collective memory. https://load-gallery.com/artists/emi-kusano. I Kusano
  1842. Emi Kusano. Raster indexes Kusano’s oeuvre and market activity in its artist archive. https://www.raster.art/artist/emi-kusano. I Kusano
  1843. Emi Kusano. “Melancholic Magical Maiden official description.” https://www.emikusano.art/melancholicmagicalmaiden. Accessed 19 September 2026. I Kusano; II 490
  1844. Emiliano Canedo / SPIRITFLESH (formerly k0ch). “UNKNOWN SIGNALS album artist statement.” 24 April 2026. https://spiritflesh93.bandcamp.com/album/unknown-signals. Accessed 18 September 2026. I k0ch; II 141
  1845. Emily Chapin / Museum of the City of New York. “The World of Tomorrow.” 25 April 2019. https://www.mcny.org/story/world-tomorrow. Accessed 17 September 2026. II 157
  1846. Emily Edelman Dima Ofman Andrew Badr. “asemi.ca.” https://asemi.ca/. Accessed 18 September 2026. I Edelman; I Ofman; II 202
  1847. Emily Edelman Project Page. The Emily Edelman project page on her site provides production details and print offerings for Asemica. https://www.emilyedelman.com/art/asemica. I Badr; I Edelman; I Ofman
  1848. Emily Edelman. “Twos official description.” https://www.emilyedelman.com/art/twos. Accessed 19 September 2026. I Edelman; II 469
  1849. Emily Edelman's Mixily case study credits Dima Ofman as a developer on a collaborative virtual venue project. Mixily case study I Ofman
  1850. Emily Edelman, Dima Ofman and Andrew Badr. “Asemica: Character Building.” Asemica. https://asemi.ca/character-building. Accessed 18 September 2026. II 202
  1851. Emily Edelman, Dima Ofman and Andrew Badr. “Asemica: Compositions.” Asemica. https://asemi.ca/compositions. Accessed 18 September 2026. I Ofman; II 202
  1852. Emotive Creations podcast. An Apple Podcasts episode examines Xie's emotive approach to AI and computational image-making. https://podcasts.apple.com/gb/podcast/emily-xie-emotive-creations-with-ai-and-computation/id1703097663?i=1000655655681. I Xie
  1853. encapsuled. “Your Story official description.” https://encapsuled.xyz/yourstory. Accessed 19 September 2026. II 376
  1854. Endaoment. “What is Endaoment? (Endaoment documentation).” https://docs.endaoment.org/introduction. Accessed 19 September 2026. II 195
  1855. EnergySculpture is identified as part of "The Realm of MU saga" on the Verse platform. Verse I Beervangeer
  1856. Engadget covers Reben's Deeply Artificial Trees, a neural-network-processed homage to Bob Ross that applies deep dream algorithms to video and audio. Engadget I Reben
  1857. Engadget reports on Stallwood’s studio history, game-development work, and participation in Philadelphia creative communities. Engadget profile I Stallwood
  1858. Enhancing Art with Information. Franceschet's research examines how blockchain art can be enriched and studied through its associated information. https://users.dimi.uniud.it/~massimo.franceschet/publications/jocch20.pdf. I hex6c
  1859. ENS record for 0x1792.eth (0x1792…550e). ensdata.net III No. 37
  1860. ENS record for ddaavvee.eth (0x2c81…696a). ensdata.net III No. 8
  1861. ENS record for dinovault.eth (0x43b3…959e). ensdata.net III No. 42
  1862. ENS record for jdhvault.eth (0x9df9…112d). ensdata.net III No. 27
  1863. ENS record for neffnet.eth (0xdae4…f449). ensdata.net III No. 35
  1864. ENS record for silversurfer888.eth (0x207b…bbbb). ensdata.net III No. 2
  1865. ENS record for talmadge.eth (0x5a56…763c). ensdata.net III No. 10
  1866. Ensemble. Ensemble's artist profile indexes Karim's created and collected projects. https://www.ensemble.art/profile/0xf128c0e35c19a3476a566e173c7acb44e28181fc. I Karim
  1867. Ensemble artists. Ensemble's artist archive lists DCA among artists whose process materials entered its marketplace. https://www.ensemble.art/artist. I Calderon Arenas
  1868. Ensemble's interview presents Karim's account of building a custom library and toolkit for Alan Ki Aankhen. Ensemble interview I Karim
  1869. Ensemble’s artist profile archives process studies associated with Twos: Artifacts. Ensemble profile I Edelman
  1870. Ensemble’s interview addresses Chan’s process and his work across sculpture, conceptual art, and video games. interview I Chan
  1871. Episode 45 of Two Bored Apes includes a timestamped discussion of Daisies within a broader conversation about generative art. podcast I Susanthitanon
  1872. ERC-5375 identifies Luca Donno as a co-author of a standard concerning NFT authorship and consent. ERC-5375 I donnoh
  1873. Eric Davidson. “Thoughts of Meadow official description.” https://thoughtsofmeadow.com/. Accessed 19 September 2026. II 349
  1874. Eric De Giuli. “Mazinaw official description.” https://eeedg.ca/. Accessed 19 September 2026. II 279; II 336
  1875. erin bee. “pseudomods official description.” http://erin.art. Accessed 19 September 2026. II 266
  1876. Erin Bees biography. AskART provides a biographical archive identifying Beesley’s multimedia and technical practice. https://www.askart.com/bio/Erin_Bees/11396804/Erin_Bees. I Beesley
  1877. Escaping Success. A keynote synopsis presents Davis’s argument that success can inhibit experimentation and creative growth. https://www.keynotespeak.com/keynote/achievement-keynote. I Davis
  1878. Escher in The Palace explains the role of repetition, reflection, recognizable forms, and contrast in Escher’s tessellations. Escher in The Palace I Cohen
  1879. ESMoA documents FREESTATE’s dates, activations, media, curatorship, and political themes. ESMoA FREESTATE I Sternberg
  1880. Espacio Fundación Telefónica documents the artist’s participation in a January 2024 discussion accompanying Mundo expandido. Fundación Telefónica I Soria-Rodríguez
  1881. Espacio Pla documents Corallo’s birth, biology studies, transition to programming, concerns, and exhibition history. Espacio Pla I Corallo
  1882. Essays index. Gold’s essay index records his writing on both Linescapes and artistic intent in generative practice. https://www.jacobgold.art/essays. I Gold
  1883. Eternalyst Art Blocks essay. Eternalyst's essay discusses Art Blocks and generative art market returns. https://medium.com/%40redaktion_71524/generative-art-and-returns-on-artblocks-c12d4c7fe2d8. I Kapoor
  1884. Ethereum clocks. Fat Garage discusses Timepiece among blockchain works exploring time, clocks, and changing states. https://fat-garage.com/Indivisuals/. I WAWAA
  1885. Ethereum.org. Ethereum.org's Art Blocks entry explains the platform as a venue for creative-code generative art on Ethereum. https://ethereum.org/apps/art-blocks/. I Autonomoses
  1886. Ethical challenges of crypto art. A peer-reviewed article considers ethical questions arising from crypto art’s technologies, markets, and institutions. https://www.nature.com/articles/s41599-024-02872-2. I Brukhman
  1887. Eucalyptus and Sagebrush. Gorilla Sun examines the visual language and code of Eucalyptus and Sagebrush. https://www.gorillasun.de/blog/eucalyptus-and-sagebrush/. I Sarkissian
  1888. Euclides published Vromans's Dutch-language article on symmetrical triangle subdivisions and identifies his applied-mathematics background. Euclides article I Vromans
  1889. Eufònic. Eufònic festival documents Carreras's participation with generative and interactive projects exploring sound, code, and audience engagement. https://eufonic.net/en/activitat/anna-carreras/. I Carreras
  1890. Euronews reported on Staal's Entangled as the first exhibition at the Ghent Wintercircus Arena, combining robotics, generative algorithms, and digital interaction. Euronews I Nonfigurativ
  1891. European Patent Office art collection, on Leegte's real-time landscape simulators such as Performing a Landscape (2020), the sublime and climate change. epo.org I Leegte
  1892. Event description for the 2023 Betaworks presentation outlining the installation potential and conceptual extension of Systems Madness beyond the digital token. Betaworks I Blanton
  1893. Event Horizon interview from December 2016 on fractal fascination and biomorphs. eventhorizonmag.com I Aggott-Hönsch
  1894. Event program. Yandex event page for the Open Library Night program including Dianov's live-coding set. https://events.yandex.ru/events/opensourcenight. I Dianov
  1895. Every Day of My Life. Variable documents Every Day of My Life as a visualization of two and a half years of computer-use data. https://variable.io/every-day-of-my-life/. I Ignac
  1896. Ex Machina. Dudko’s exhibition record explains how Machine Creative generated unique objects for Ex Machina. https://pdudko.com/ex-machina-solo-exhibition/. I Dudko
  1897. Ex-Machina. Phillips’ video introduces Ex-Machina as a history of automated art production. https://www.phillips.com/Video?VideoId=24150. I Alexander; I oliveskin
  1898. Ex-Machina overview. Phillips’ overview documents the dates, locations, and scope of the Ex-Machina exhibition and online auction. https://www.phillips.com/auction/UK090322/overview. I oliveskin
  1899. Ex-Machina results. Phillips’s official results document records the sale date and prices achieved at Ex-Machina. https://www.dist.phillips.com/content/web/auction-results/auctionResultsFile_UK090322.pdf. I Henry
  1900. Exhibition and project documentation from Bright Moments details Pedersen's continued investigation of algorithmic composition beyond the Art Blocks platform. Bright Moments Inprecision I Pedersen
  1901. exhibition archive. The artist’s exhibition archive gathers documentation and institutional links for previous presentations. https://www.colesternberg.com/exhibitions. I Sternberg
  1902. Exhibition brochure. The this.generation brochure identifies Mathikshara as a participating artist and contextualizes the exhibition. https://sgcfa.org/this.generation_Brochure.pdf. I Mathikshara
  1903. Exhibition chronology. Pace’s selected one-artist exhibition history provides a chronological catalogue of Whitman’s solo presentations. https://pace-production.s3.amazonaws.com/file_objects/artist_document/2516/01-Robert-Whitman-one-artist.pdf. I Whitman
  1904. Exhibition description highlighting textile translations and heritage. Method Gallery exhibition I Sun
  1905. Exhibition documentation noting the presentation of Toiminto works alongside historical generative and computational pieces. ART at Berlin Exhibitions Overview I toiminto.eth
  1906. Exhibition page describing the PHYGITAL presentation that included works by Dominikus among other generative artists. Kate Vass Galerie (2022) I Dominikus; I Golid; I Isaksen
  1907. Exhibition review and curatorial framing of Improbable Iterations featuring generative works by Toiminto and Antti Pussinen. ART at Berlin: Improbable Iterations I toiminto.eth
  1908. Exhibitions. Mapan's exhibition chronology documents presentations of Anticyclone, Distance, Sketchbook, Centrifuge, and related works from 2022 onward. https://william-mapan.com/exhibitions-2. I Mapan
  1909. Exibart reports C-Verso’s 2022 Arte Fiera presentation of ippsketch in dialogue with generative and postwar programmed art. Arte Fiera I ippsketch
  1910. Exibart's 2010 listing documents Tonon's Treviso solo exhibition and its generative, interactive, and topographic concerns. exibart I Tonon
  1911. Exorbitant Stage. Sotheby’s Botto catalogue supplies a comparative institutional example of evolutionary computational art shaped by community participation. https://www.sothebys.com/en/auction-catalogue/2024/exorbitant-stage-botto-a-decentralized-ai-artist-NFN104?s=introText. I onlygenerated
  1912. Expanded Art. Expanded Art profiles Carreras as a generative artist and creative coder focused on algorithms that foster memory and new visual narratives. https://www.expanded.art/artists/anna-carreras. I Carreras
  1913. Expanded Art artist profile detailing biography, style, and exhibition history. expanded.art I Asendorf
  1914. Expanded Art includes a curated profile of Aaron Penne that mentions the Lumen Prize NFT Award shared with Boreta for Rituals - Venice. Expanded Art Profile I Boreta; I Penne
  1915. Expanded Art's Naked Flames collection page documents Ionson's later AI related project with the gallery. Expanded Art Naked Flames I Ionson
  1916. Expanded.art. Lund discusses value, token economies, audience participation, and the continuing challenges that drive his practice. https://www.expanded.art/articles/jonas-lund-in-conversation-with-anika-meier. I Lund
  1917. EXPANDED.ART article on ZENTRUM by Herbert W. Franke, describing Penne's code translation work with the Foundation. EXPANDED.ART I Penne
  1918. Expanded.art describes Reva Fan’s algorithmic practice, education, cultural motifs, and relationship to technology. Expanded.art profile I Reva
  1919. Expanded.art places Reva Fan in the multigenerational exhibition The Path to the Present, 1954-2024. Expanded.art exhibition I Reva
  1920. EXPANDED.ART situates Edelman’s practice at the intersection of typography, spatial design, and generative systems. EXPANDED.ART profile I Edelman
  1921. EXPANDED.ART’s artist profile summarizes Fradina’s background and her interest in chance and human-machine co-authorship. EXPANDED.ART profile I Fradina
  1922. Expanse. Kate Vass documents Expanse, a series that extrudes grid cells into coloured cuboids and was presented at ART SG. https://www.katevassgalerie.com/kjetil-golid-expanse-2022. I Golid
  1923. Experian’s interview documents Bremer’s education in astronomy and professional transition through data science. Experian I Bremer
  1924. Exploring Generative Art with Arsonic. Apple Podcasts hosts a long-form conversation with Arsonic addressing the path from Unigrids to Beatboxes. https://podcasts.apple.com/hn/podcast/exploring-generative-art-with-arsonic-from-unigrids-to/id1639146192?i=1000602665816&l=en-GB. I Zeblocks
  1925. Exploring Polypaths tips. Aluan Wang publishes practical notes on interacting with Polypaths, explaining how users can manipulate lines and dots to generate organic forms governed by responsive algorithmic rules. https://aluanwang.com/exploring-polypaths-4-handy-tips-to-unlock-hidden-modes/. I AluanWang
  1926. Expo Sunderland profiles McAteer's generative and installation practice and discusses Fragmented Perception, Contours, and Pulsewidth. expo-sunderland I Motus Art
  1927. Extended conversation detailing biographical background, transition to generative practice, conceptual origins of Flux, and viewing protocols for animated works. The Link, Art Blocks I Moore
  1928. Extended interview with steganon discussing background, influences, and project development on Art Blocks Official channel. ADM Episode 56 I steganon
  1929. Eye Level. The Smithsonian’s Eye Level article examines drones, cables, AI imagery, and landscape in advance of Sites Unseen. https://americanart.si.edu/blog/eye-level/2018/18/57613/sites-unseen-trevor-paglens-retrospective-saam. I Paglen
  1930. Eyebeam documents LoVid’s residency history, Experimental Television Center influence, and development of handmade synthesizers. Eyebeam profile I LoVid
  1931. Eyecode catalogue. The Beall Center catalogue records the touring Eyecode exhibition and essays by David Familian and Erkki Huhtamo. https://www.lulu.com/shop/beall-center-for-art-technology/eyecode-golan-levin/paperback/product-1nwq8y9z.html. I Levin
  1932. EyeWriter project documentation. eyewriter.org I Lieberman
  1933. fabianospeziari x donnoh. “mentalpathways link hub, the website of record.” https://linktr.ee/mentalpathways. Accessed 18 September 2026. II 183
  1934. Fabin Rasheed. “About.” https://nurecas.com/about-me.html. Accessed 18 September 2026. II 066
  1935. Fabin Rasheed. “Petri: process and donation statement.” https://nurecas.com/petri. Accessed 18 September 2026. II 066
  1936. Fabric. Fabric documents Dautheribes's Houdini Vellum cloth-simulation experiments. https://vimeo.com/884022372. I Dautheribes
  1937. Facility. Heft Gallery presents Facility, a project using Edelman’s handwriting as source material. https://heftgallery.com/exhibition/facility. I Edelman
  1938. FAD Magazine reviews Quasi Dragon Studies and its collector-driven composite structure. fad-review I Rayner
  1939. fadmagazine.com. FAD Magazine notes RVig as the 2024 winner of the ABS Digital Art Prize in its coverage of the 2025 prize edition. https://fadmagazine.com/2025/06/13/anna-ridler-x-sofia-crespo-win-the-artist-of-the-year-at-abs-digital-art-prize-2025/. I RVig
  1940. Fahad Karim. “Alan Ki Aankhen: artist's project page.” fahadkarim.com. https://www.fahadkarim.com/projects/alan-ki-aankhen. Accessed 20 September 2026. I Karim; II 324
  1941. Fake Internet Money on Verse. Verse archives the Fake Internet Money series and its presentation on the platform. https://verse.works/series/fake-internet-money-by-steve-pikelny. I Pikelny
  1942. Fakewhale. A Fakewhale conversation presents Apruzzese discussing VerticalCrypto Art with artist Jesse Draxler. https://log.fakewhale.xyz/micol-of-vertical-crypto-art-in-conversation-w-jesse-draxler/. I Ionescu
  1943. Fakewhale. Fakewhale documents the Remix the Archive exhibition at Alusta Space and its presentation of Schoenherr’s work. https://log.fakewhale.xyz/remix-the-archive-at-alusta-space-helsinki/. I Schoenherr
  1944. Fakewhale. Fakewhale's interview considers algorithms, nature, simplicity, and Velitchkova's path from finance and visualization into art. https://log.fakewhale.xyz/iskra-velitchkova-in-conversation-w-jesse-draxler/. I Velitchkova
  1945. FAKEWHALE in conversation with Jan Robert Leegte, May 2025, on the curated release of Walled Garden and its model of shared spatial ownership. log.fakewhale.xyz I Leegte
  1946. Fakewhale traces Yazid’s early experiments with web technologies, his studies, and his continuing interest in exchanges between digital and analog experience. Fakewhale interview I Yazid
  1947. Fakewhale's FW CROSS essay on GENERATIVE includes Staal and describes Parent and Child (Divided) through computational irreducibility. FW CROSS I Nonfigurativ
  1948. Fakewhale's interview discusses the open-source tools and motion-data compression behind Operator's generative choreography method. Fakewhale I Operator
  1949. Fakewhale's long interview discusses Staal's coding philosophy, open-source views, Entangled, and the development of Immaterial. Fakewhale interview I Nonfigurativ
  1950. Falco's Asterisms project record documents its release date, 100 iterations, conceptual premise, token-hash basis, and interactive controls. Asterisms-project I Falco
  1951. Falco's curriculum vitae records his birth, education, technical tools, exhibitions, talks, and the 2022 presentation of Foliage at NFT Rio. artist-cv I Falco
  1952. Falko. “Foliage official description.” https://www.pedrofalco.com/foliage. Accessed 19 September 2026. II 258
  1953. Fanny Lakoubay’s 2019 Editional interview records Mighty Moose’s background, digital-art history, tools, and exploratory process. Editional interview I Mighty Moose
  1954. Farcaster profile of blueflame, as aggregated by web3.bio for blueflame.eth. web3.bio III No. 6
  1955. Fast Company, 100 Most Creative People in Business 2010, Zachary Lieberman at number 36. fastcompany.com I Lieberman
  1956. FAST45 published an interview with CJ Carr and Zack Zukowski about Dadabots, art school futures, music technology, and machine learning. FAST45 interview I dadabots
  1957. fastcompany.com. Fast Company names Zachary Lieberman number 36 in its 100 Most Creative People in Business list, recognizing his work with openFrameworks. https://www.fastcompany.com/3018750/36-zachary-lieberman. I Lieberman
  1958. FauveParis's auction catalogue profiles Gachadoat and documents the media and provenance of Parcels. auction catalogue I Gachadoat
  1959. Featured Woman. Women of the Future profiles Mathikshara and her sister Priyanka on art, programming, animation, and NFTs. https://womenofthefuture.com/featured-women/laya-mathikshara/. I Mathikshara
  1960. Federal visual-arts forum. An Argentine government announcement describes the federal visual-arts forum and its participation by artists and NFT communities. https://www.argentina.gob.ar/noticias/foro-de-federalizacion-e-internacionalizacion-de-artes-visuales. I Falco
  1961. Fellowship artwork. Fellowship presents Eko33's Latent Ink project, describing its integration of AI-trained datasets, p5.js systems, machine vision, and shaders. https://fellowship.xyz/artwork/0xF770F2Ee1B3713dEAD18cf6C9b34AF1e5200aE0D/40. I Duclaux
  1962. Fellowship describes Eko33's background, early algorithmic practice, and computer-science context. Fellowship artist I Duclaux
  1963. Fellowship, Light Years: In Conversation (2022): Darius Himes with Cherniak and Daniel Hug on Moholy-Nagy, train tracks and telephone wires, photographic negatives, and technological experimentation. lightyears.fellowship.xyz I Cherniak
  1964. Fellowship, Now on view: Books, 10 September 2026: exhibition-opening post on the blank page, creative possibility, and focused attention. x.com ↩ I Rozendaal
  1965. Fence Digital. An extended interview considers Stiles’s hybrid poetry, blockchain practice, and use of technology to expand imagination. https://fencedigital.com/2023/01/09/constant-critic-halim-madi-interviews-transhuman-poet-technelegy-author-sasha-stiles/. I Stiles
  1966. Feral File. Feral File’s retrospective page for Cube_1997 places LIA’s early code practice within the platform’s history of software-native exhibition. https://feralfile.com/retrospective/the-experiment-6jy/cube_1997-e23/. I LIA
  1967. Feral File. Feral File hosted the N=12 exhibition featuring Beeldelementen by Bart Simons in 2023. https://feralfile.com/exhibitions/featured. I Simons
  1968. Feral File artist and exhibition context for COLORS OF NOISE. Feral File I Asendorf
  1969. Feral File documents LIA’s participation in Social Codes and identifies dada data as generative, noninteractive browser software made with p5.js. Social Codes I LIA; I Man
  1970. Feral File documents StarQuest’s software medium, 111 scenes, and generative episode mechanics. feral-file-starquest I Man
  1971. Feral File documents the rules, media, exhibition context and physical-digital structure of Mineral. artwork record I Gachadoat
  1972. Feral File features Aaron Penne as a curator and artist, noting his Lumen Prize recognition and generative art practice since 2018. Feral File Curator Page I Boreta; I Penne
  1973. Feral File maintains an artist exhibition profile for Charlotte Dann. Feral File Exhibition Profile I Dann
  1974. Feral File profiles Merrill's development from origami and early digital tools to generative and plotted art. Feral File profile I Merrill
  1975. Feral File provides a profile of Bart Simons highlighting his education in Interactive Media, focus on color in generative work, and international exhibitions in Tokyo, New York City, and Venice Beach. Feral File Artist Profile I Simons
  1976. Feral File retrospective. Feral File’s retrospective preserves contemporary discussion surrounding the launch of N=12. https://retrospective.feralfile.com/. I RalenArc
  1977. Feral File retrospective. The retrospective archive reconstructs a2p and Feral File's early exhibition programme through works and participant records. https://feralfile.com/retrospective/. I REAS
  1978. Feral File's artist page places Jovanić within its exhibition archive and artist network. Feral File profile I Jovanić
  1979. Feral File, About: a2p origins, 2020 founding by Reas and Sean Moss-Pultz, 2021 Social Codes, computational-art mission, artist rights, and preservation. feralfile.com I REAS
  1980. Feral File, Casey Reas artist profile: biography, Processing and Feral File roles, exhibitions, and museum collections. feralfile.com I REAS
  1981. Feral File’s exhibition archive lists Bremer among the artists included in the 2023 group exhibition N=12. Feral File I Bremer; I He; I Reva; I Velitchkova; I Vella; I ippsketch; I provencher
  1982. Fernando Jerez. “About Stations.” https://fernandojerez.com/stations/about.html. Accessed 19 September 2026. II 250
  1983. Fernando Jerez is Associate Professor of Architecture at the University of Western Australia and an award-winning practitioner. UWA profile I Jerez
  1984. Fernando Jerez. “Metropixeland: artist's project writeup.” fernandojerez.com, 6 February 2023. https://www.fernandojerez.com/site/metropixeland/. Accessed 20 September 2026. I Jerez; II 322
  1985. Fernando Jerez. “Stations project homepage.” https://fernandojerez.com/stations/. Accessed 19 September 2026. I Jerez; II 250
  1986. Fernando Jerez. “UMK official description.” https://www.fernandojerez.com/umk. Accessed 19 September 2026. II 429
  1987. Ferrandez’s initial-release record for Where the Shadows Wait documents its January 2026 publication, generative-city concept, rendering system, and interaction model. Where the Shadows Wait I Ferrandez
  1988. FestiFreak. FestiFreak records Vallejo as the Argentine maker of Donde empieza la luz. https://festifreak.com/peliculas/10046/. I Vallejo
  1989. Festival 2001 preview. The archived festival preview places Davis in the program for Ars Electronica 2001. https://webarchive.ars.electronica.art/festival2001/press/pressprev6e.html. I Davis
  1990. Festival program. Timecode festival site contextualizing the 2024 performance program. https://timecodefest2024.ru/. I Dianov
  1991. FFF’s collecting archive discusses THE SOURCE CoDE #24 as a digital tarot and generative prophecy. FFF I Liberman
  1992. Fidenza. The official Fidenza work page presents the 2021 long-form algorithm and selected outputs. https://www.tylerxhobbs.com/works/fidenza. I Hobbs
  1993. Fidenza #526. Sotheby's 2024 Digital Art Day catalogue documents the offering of Fidenza #526. https://www.sothebys.com/en/buy/auction/2024/digital-art-day-auction-3/fidenza-526. I Hobbs
  1994. Field Conditions. SFMOMA's Field Conditions archive places Reas in an exhibition on rule-based and process-driven drawing. https://www.sfmoma.org/exhibition/field-conditions/. I REAS
  1995. FIELD's case study credits Dominique Dautheribes on an experimental generative-system project for Meta. FIELD case study I Dautheribes
  1996. Fighting With Generative Artwork. Wired reports on Davis’s generative practice and the productive struggle involved in directing algorithmic output. https://www.wired.com/2007/06/josua-davis-fig/. I Davis
  1997. Film page describing Dove Cade L'Ombra as a Museo Nivola commission combining film and installation. film-archive I Melis
  1998. FilmFreeway identifies Heeey as a generative artist and architect featured in Emergence in Marfa. Emergence in Marfa I Heeey
  1999. Finance Yahoo syndicates coverage of Hypercube.art's launch and explicitly credits the Electralina collaboration between Alina Karo and Ryan Junee for one of its generative collections. Yahoo Finance I Electralina
  2000. finews.com. Finews reports on the ABS Digital Art Prize 2024 winner announcement at the Non-Fungible Conference in Lisbon. https://www.finews.com/news/english-news/62811-arab-bank-switzerland-nft-digital-art-prize-english. I RVig
  2001. Fingerprints DAO interviews Guillaume about the duo’s backgrounds, influences, collaboration, and commitment to audiovisual interaction. Fingerprints interview I Zeblocks
  2002. Fingerprints Studio records Sensthesia’s launch date and summarizes its audio-sensitive generative behavior. Fingerprints Studio I Zeblocks
  2003. Fingerprints’ news archive announces Ghosts in the Machine and summarizes its use of a hash, source code, and quine-like construction. Fingerprints news I Vella
  2004. fintechblueprint.com. The Fintech Blueprint interview ranges from projection mapping and art history to smart contracts, Dutch auctions, gas wars, and the mechanics of generative minting. https://www.fintechblueprint.com/fintech-defi-archive/art-blocks-ceo-erick-calderon-on-generative-art-blockchains-and-the-nft-movement. I Calderon
  2005. First Person Plural interviews Hinkis and Lapidus separately about their roles, methods, and collaborative relationship. dual interview I LoVid
  2006. First vector based raymarcher output. Artsy documents Pasma's first vector-based raymarcher output as a plotter drawing paired with a token. https://www.artsy.net/artwork/piter-pasma-first-vector-based-raymarcher-output. I Pasma
  2007. Fişekhane documents Dist Collective's participation and the conceptual framework of Seçici İletken. Seçici İletken I DistCollective
  2008. Fisheye Immersive reviews Dungeoneer within Console Spirituality and describes its translation of collected works into Doom maps. Fisheye Immersive I provencher
  2009. Fisheye Immersive reviews Operator's Human Unreadable performance-conference at Art Basel Hong Kong in 2025. Fisheye Immersive I Operator
  2010. FITC presents Davis’s retrospective account of programming languages and creative coding since 1994. fitc-2026 I Davis
  2011. FITC profiles Ignac as an artist and programmer focused on generative systems and procedural graphics and records his interdisciplinary education. FITC I Ignac
  2012. FITC’s speaker archive documents Chan’s new-media, public-art, and architectural installation practice. archive I Chan
  2013. Five By Five. A Game Developer essay by Dain Saint identifies Stallwood as his Cipher Prime collaborator and reflects on the studio’s work. https://www.gamedeveloper.com/production/five-by-five. I Stallwood
  2014. Five Things You Need to Know About Quine. Eleonora Brizi's collector guide situates Quine as a 497-work return to process, structure, and self-referential code. https://www.100collectors.art/info/articles/5-things-you-need-to-know-about-quine-by-larva-labs. I Larva Labs
  2015. Five Years of Crypto Art. MLO.art's history of crypto art in 2018 discusses Hack6C, the collaboration between Hackatao and hex6c, within an early exhibition context. https://mlo.art/news/blog-posts/five-years-of-crypto-art-2018-1-6/. I hex6c
  2016. Five Years of Making Art Through Programming. A five-year reflection describes the practical and aesthetic lessons Hobbs drew from making art through programming. https://www.tylerxhobbs.com/words/reflections-on-five-years-of-making-art-through-programming. I Hobbs
  2017. Flash in the Can. A conference review describes Davis’s randomized graphics and the relationship between artistic and programming skill. https://mcturgeon.com/blog/2004/11/05/flash-in-the-can-joshua-davis/. I Davis
  2018. Flash Math Creativity, Friends of ED, 2002. Internet Archive I Wiederrecht
  2019. Flavorwire documents Sternberg’s self-directed path from university and law school into painting. Flavorwire I Sternberg
  2020. Flickr's public profile records Dima Ofman's long-running visual archive and account history. Flickr I Ofman
  2021. Flora. Variable documents Flora as a speculative genetic-engineering application created for the Museum of Future Government Services. https://variable.io/flora/. I Ignac
  2022. Flora Synthetics. The Flora Synthetics record identifies a 2025 generative AI project developed through the OpenAI Artist Program. https://ronentanchum.art/Flora-Synthetics. I phenomena
  2023. Florian Zumbrunn. “Tout tracé official description.” https://florianzumbrunn.com. Accessed 19 September 2026. II 401
  2024. Flow Fields. A technical primer explains the directional grids called flow fields and shows how they organise movement across a composition. https://www.tylerxhobbs.com/words/flow-fields. I Hobbs
  2025. Flowers adaptation. A further CodePen experiment identifies Ferrandez’s flowers as the basis for its animated construction. https://codepen.io/m_mirali/pen/QJqLRZ. I Ferrandez
  2026. Fluid DAO identity. A Behance case study credits Dominique McKerl Dautheribes as the 3D artist collaborating on Fluid DAO's visual identity. https://www.behance.net/gallery/168133203/Fluid-DAO-Visual-identity-design. I Dautheribes
  2027. FOCUS by Matto comprises 567 unique interactive editions released on Art Blocks in October 2021. Verse I matto
  2028. Foley Room (2007) constructed compositions primarily from custom field recordings. Tape Op I tobin
  2029. FOLIO. The FOLIO film documents DesLauriers' recursive typographic drawing system and its Bright Moments London exhibition. https://vimeo.com/737652098. I DesLauriers
  2030. Fondation Daniel Langlois documents the development and 2001 premiere of Dialtones. langlois-dialtones I Levin
  2031. Fondazione Bonotto. Fondazione Bonotto's archive indexes material related to visual poetry and asemic writing within a broader avant-garde collection context. https://www.fondazionebonotto.org/en/collection/fluxus/kolji/7/7021.html?from=7162. I Ofman
  2032. Fondazione Prada’s materials describe Monte di Pietà as an investigation of debt and its political and cultural power. institution I Chan
  2033. Fonts2u preserves technical metadata for Cappuccino Serif, including its glyph count and classification. Fonts2u I Struhl
  2034. Footprint Analytics. A market explainer identifies Catt’s movement from Art Blocks Factory projects toward Curated. https://medium.com/%40footprintofficial/what-is-art-blocks-and-how-do-you-invest-in-generative-art-ee8a429e7e9b. I Catt
  2035. For God's Sake!. Pixxelpoint's 2008 festival publication documents Confession 2.0 as a networked installation by Cristiano Poian and Paolo Tonon. https://domenicoquaranta.com/public/CATALOGUES/Pixxelpoint_2008_For_God_s_Sake.pdf. I Tonon
  2036. Forbes. Forbes identifies DistCollective among the generative artists presented by Galerie Data in Paris. https://www.forbes.com/sites/digital-assets/2023/10/30/web3-travel-guides-the-parisian-crypto-art-scene/. I DistCollective
  2037. Forbes. Forbes includes Eko33 in its coverage of digital and generative art at Art Basel 2022. https://www.forbes.com/sites/neloliviawaga/2022/06/16/the-best-of-art-basel-2022/. I Duclaux
  2038. Forbes reports that Yan was one of four artists commissioned for the 1,872-work Future Reflections project powered by Art Blocks Engine. Forbes I Yan
  2039. Forbes reproduces Dendro’s project description, including its tree-ring premise, inward-growing algorithm, noise, mutations, and non-naturalistic palettes. dendro-description I Isaksen
  2040. Forbes reviews an exhibition in which an AI dreams up imaginary artworks that Reben then creates in physical form. Forbes I Reben
  2041. Formation Q&A. A recorded discussion with Jeff Davis and Seth Goldstein revisits the beginnings of Art Blocks and Bright Moments. https://www.listennotes.com/podcasts/bright-moments/jeff-davis-formation-qa-at-MLWeT9PzXmc/. I phil
  2042. Formations. Bright Moments presents Formations, extending Davis's abstract systems into experiential display. https://www.brightmoments.io/quarterly/formations-jeff-davis. I Davis
  2043. Foro de Baires documents Corallo’s participation in FACA 2018 and describes his generative drawing practice. FACA 2018 I Corallo
  2044. Fortune, "NFTy 50: Erick Calderon," 2021. fortune.com III No. 1
  2045. fotogalleriet.no. Arrival: video work commissioned by Röda Sten Konsthall in collaboration with photographer Nazanin Raissi, 2024. https://fotogalleriet.no/futures-2025-nazanin-raissi-at-oslo-negativ/. I JMY
  2046. Foundation profile listing Penne as Director of Engineering at Art Blocks. Foundation I Penne
  2047. Foundation profiles Iyer’s practice through the relationship among algorithmic creativity, heritage, and personal narrative. Foundation I iyer
  2048. Fragmented Perception. Artsy records Fragmented Perception as a unique 2024 flip-disc sculpture offered through HOFA Gallery. https://www.artsy.net/artwork/owen-mcateer-fragmented-perception. I Motus Art
  2049. Fragments #972. The Medici Collection records Fragments of an Infinite Field #972 and its provenance. https://www.cozomomedicicollection.com/artwork/fragments-of-an-infinite-field-972. I Rizzolli
  2050. Frame it profile. Frame it artist profile detailing generative and NFT practice of the collective. https://www.frameit.art/artists/cryptowiener/. I CryptoWiener
  2051. Framer Experts. Framer’s expert directory records Pasin’s professional work in product design, web design, design systems, UX, and animation. https://www.framer.com/%40emanuele-pasin/. I Pasin
  2052. Francisco Carolinum. OÖ Kultur documents Lost in Pixels, a 2022 exhibition surveying 24 works from multiple periods of LIA’s practice. https://www.ooekultur.at/exhibition-detail/lost-in-pixels. I LIA
  2053. Francisco Carolinum’s English press material lists r0zk0 among the participants and records 75 exhibited works and objects. Francisco Carolinum I r0zk0
  2054. Fred Wilson. “NFT Screens.” 17 October 2022. https://avc.com/2022/10/nft-screens/. Accessed 22 September 2026. II 095
  2055. Free Software Foundation / p5.js contributors. “p5@1.0.0 bundled library licence.” https://cdn.jsdelivr.net/npm/p5@1.0.0/license.txt. Accessed 17 September 2026. II 114; II 123; II 125; II 135; II 138; II 140; II 146; II 150; II 152
  2056. Free Software Foundation. “GNU Lesser General Public License version 3.” 29 June 2007. https://www.gnu.org/licenses/lgpl-3.0.html. Accessed 18 September 2026. II 066
  2057. Frieze archive. Frieze's tag archive for Alona Rodeh gathers the magazine's dedicated profile coverage of the artist. https://www.frieze.com/tags/alona-rodeh. I Rodeh
  2058. Frieze event. Frieze’s event listing records the 2023 American Moon presentation in New York. https://www.frieze.com/event/robert-whitman-american-moon. I Whitman
  2059. Frieze's profile examines Rodeh's use of sound and light as systems of order, control, rebellion, and counter-cultural signalling. frieze-profile I Rodeh
  2060. frieze.com. Frieze publishes a video of Lieberman's work Another Copy 6, noting his Fast Company recognition and Golden Nica award. http://www.frieze.com/video/watch-zach-lieberman-another-copy-6. I Lieberman
  2061. From Noise. From Noise at SOLOS in London placed Hobbs's plotted work in dialogue with generative and computational abstraction. https://solos.gallery/exhibitions/from-noise. I Hobbs
  2062. From Short Form to Long Form. Crysalis examines the shift from artist-selected short-form outputs to large public long-form collections. https://www.crysalis.art/crysalis-ai-art-research/how-generative-art-is-changing-from-short-form-to-long-form. I Hobbs
  2063. Frontiers in Physics cites Turner's CryptoKitties genome project in blockchain gaming analysis. Frontiers I Turner
  2064. Fruitful School documents Provencher’s workshop on programming and generative web practices. Fruitful School I provencher
  2065. Fundación Botín. “Sol LeWitt: 17 Wall Drawings 1970–2015, exhibition checklist.” https://fundacionbotin.org/89dguuytdfr276ed_uploads/2015_07_17_09_45_54.pdf. Accessed 18 September 2026. II 115
  2066. Further Instagram documentation provides collector context on the on-chain generative character of the project. Instagram reel I AMNDA
  2067. furtherfield.org. Furtherfield on Sculpting the Internet and digital materiality. https://www.furtherfield.org/sculpting-the-internet-on-digital-materiality-exhibition-by-jan-robert-leegte/. I Leegte
  2068. Futura Art Gallery. Futura Art Gallery profiles McAteer's digital and interactive practice and presents Aqueduct. https://www.galleriafutura.com/artist/owen-mcateer. I Motus Art
  2069. Future centred on women. Times of India reports on Mathikshara's participation in a discussion about women and the metaverse at Utsavam. https://timesofindia.indiatimes.com/city/chennai/crafting-a-future-centred-on-women/articleshow/90003400.cms. I Mathikshara
  2070. Future Frequencies. Christie's 3.0 archive includes Mapan in Future Frequencies, its 2023 generative art and fashion auction with Gucci. https://nft.christies.com/. I Mapan
  2071. Future Galerie. Future Galerie lists Cryptobauhaus among featured artists for its Chicago Preview Series Two program. https://futuregalerie.com/experiences/. I cryptobauhaus
  2072. Future Sketches at MIT. MIT's arts programme records DesLauriers' participation in the Future Sketches symposium on creative-coding tools. https://arts.mit.edu/wp-content/uploads/2021/12/2020-21-CAST-Booklet_web_.pdf. I DesLauriers
  2073. Future skills. Forbes Japan publishes a joint discussion with Kusano and Claire Silver about AI artistry and the creative economy. https://forbesjapan.com/articles/detail/63625?e=65832&n=1. I Kusano
  2074. FX Gems. FX Gems listed Less Mess (Much Less) by Asaf Slook in a roundup of abstract fx(hash) projects from August 2022. https://fxgems.substack.com/p/top-37-best-abstract-fxhash-projects. I Slook
  2075. fx(hash) records Paradigm as a fully minted 128-work on-chain project. fxhash project record I ippsketch
  2076. fx(hash)'s artist profile lists Slook's Tezos projects including Less Mess, Random Colors, Pine Dream, and Space Gems. fxhash profile I Slook
  2077. fxgems roundup. fxgems included DisruptedStar's Cables and Clouds in a June 2022 representational fxhash roundup. https://fxgems.substack.com/p/top-18-best-representational-fxhash. I DisruptedStar
  2078. fxhash. fxhash article Entangled: The Story, documenting the project's development and release context. https://www.fxhash.xyz/article/entangled%3A-the-story. I Nonfigurativ
  2079. fxhash. fxhash article on Entangled and its relationship to quantum mechanics, blockchain, and contemporary art. https://www.fxhash.xyz/article/bjorn-staal%27s-entangled-aesthetics%3A-the-intersection-of-quantum-mechanics-blockchain-and-contemporary-art. I Nonfigurativ
  2080. fxhash. fxhash project page for The Face We Had by nonfigurativ. https://www.fxhash.xyz/generative/slug/the-face-we-had. I Nonfigurativ
  2081. fxhash. fxhash preserves the project page for FINESTRE, Richardson’s 444-work collaboration with Schizzo. https://www.fxhash.xyz/generative/18608. I Richardson
  2082. fxHash. The fxHash project page for SoulFish supplies technical parameters and edition metadata for one of Wu's major non-Art Blocks generative works. https://www.fxhash.xyz/generative/15625. I Wu
  2083. fxhash 2.0. Massage Magazine contextualizes Paradigm in the Tender-curated fx(hash) 2.0 launch. https://themassage.jp/en/archives/19840. I ippsketch
  2084. fxhash and Web3. fxhash’s documentation describes the platform’s role as a generative-art publishing and collecting environment, contextualizing Linescapes’ release venue. https://docs.fxhash.xyz/knowledge-base/quickstart. I Gold; I Lobato; I Pandelune
  2085. fxhash documentation explains generative tokens, pseudorandom number generators, seeds, and deterministic outputs. fxhash mechanics I Lobato; I Pandelune
  2086. fxhash documentation identifies p5.js as a popular creative-coding library and explains self-contained library bundling. library guide I Lobato
  2087. fxhash documentation outlines HTML Canvas and SVG as technologies for browser-rendered generative art. browser guide I Lobato
  2088. fxhash in Venice. Bright Moments' film documents the Venice Beach live mint of Industrial Devolution, the first official fxhash event in the United States. https://vimeo.com/780282314. I Pasma
  2089. fxhash Market Update. Kaloh’s newsletter places Third Vision among artists active in the early fxhash market. https://www.kaloh.xyz/p/-fxhash-market-update-0d9. I Third Vision
  2090. fxhash profile. fxhash verifies the DisruptedStar profile and describes the account as a generative art creator. https://www.fxhash.xyz/u/DisruptedStar. I DisruptedStar
  2091. fxhash publishes DisruptedStar's article for Cables and Clouds, noting its June 23, 2022 publication and 256 editions. fxhash-cables I DisruptedStar
  2092. fxhash.xyz/article/the-history-of-here-and-now. HERE & NOW history article describing Shvembldr's Memory Cell on Hic Et Nunc as a formative influence on the project's approach to personalized generative art. https://www.fxhash.xyz/article/the-history-of-here-and-now. I Shvembldr
  2093. fxhash’s editorial survey selects Arbitrary Vessels among notable representational projects from December 2021. fxGems survey I Kislev
  2094. GA2011 schedule. The 2011 Generative Art Conference schedule records the broader conference and exhibition context in which European generative practice circulated. https://www.generativeart.com/GA2011_schedule.pdf. I Tonon
  2095. GA2018 proceedings. The 2018 Generative Art Conference volume supplies a substantial reference point for the field's exhibition and publication culture. https://www.artscience-ebookshop.com/ebooks_free/ga2018ebook.pdf. I Tonon
  2096. Galerie Charlot describes Gachadoat's use of geometric rules, randomness, custom tools and plotter drawing. gallery profile I Gachadoat
  2097. Galerie Data's exhibition release supplies the duo's biography and records its participation in MINERAL. Galerie Data I DistCollective; I Fradina
  2098. Galerie Data's press release presents the intergenerational programmed-drawing dialogue of Sinusoïdes. exhibition release I Gachadoat
  2099. Galerie Data’s exhibition dossier describes Zumbrunn’s long-term creative-coding practice and use of JavaScript and WebGL. Galerie Data dossier I Zumbrunn
  2100. Galerie de Rohan’s educational dossier identifies Fabien Bouchard as Parse/Error, locates him in Marseille, and outlines his interdisciplinary formation and practice. Galerie de Rohan dossier I Parse/Error
  2101. Galerie de Rohan’s exhibition page describes Présence, its dates, four interactive works, and central themes. Présence I Parse/Error
  2102. Galerie Met’s INTUIT catalogue describes Fradina’s generative reinterpretation of automatic drawing. INTUIT catalogue I Fradina
  2103. Galleria Varsi’s profile describes Eltono’s integration of geometric painting with architectural settings. Galleria Varsi I Eltono
  2104. Gallery announcement and project description for the Improbable Iterations exhibition of generative NFTs by Finnish artists including Toiminto. Luisa Catucci Gallery: Improbable Iterations I toiminto.eth
  2105. Gallery announcement detailing the conceptual basis and launch of The Inner World series by Dominikus. Kate Vass Galerie (2022) I Dominikus
  2106. Gallery artist page offering a concise professional biography and exhibition history for Dominikus. Kate Vass Galerie I Dominikus
  2107. Gallery curriculum vitae page that records the 2023 exhibition of Systems Madness at Betaworks in New York. Patrick Mikhail Gallery I Blanton
  2108. Gallery feature quoting Bilfield on structure and spontaneity, the viewer completing the work, and inspiration from sunsets, space, cherry blossoms, and night skies. Whistler Contemporary Gallery feature I Bilfield
  2109. Gallery Ghosts page documenting the March 2023 release of 1,500 generative pieces that sold out in five minutes, and the six hand-built physical versions made from 729 painted wooden dowels each. Matt Bilfield: Gallery Ghosts I Bilfield
  2110. Gallery print index. Kate Vass Galerie’s print index maintains a dedicated Isaksen listing. https://www.katevassgalerie.com/print. I Isaksen
  2111. Gallery.so collector gallery. Gallery.so's collector gallery page includes Synapses within an Art Blocks Curated section. https://gallery.so/shwig. I Kapoor
  2112. Gallery.so OBJECTZ. OBJECTZ exhibition featuring Kai-Gen artworks by the collaboration. https://gallery.so/casesimmons. I Murata
  2113. galleryviewer.com. GalleryViewer interview, digital media as subjects in their own right. https://galleryviewer.com/en/article/1810/digital-media-as-subjects-in-their-own-right-inte. I Leegte
  2114. Galloire's artist page records Eko33's digital art history, exhibitions, tools, and practice description. Galloire profile I Duclaux
  2115. Galo Canizares on Archinect. Archinect archives Canizares's profile and writing on architectural media after digital culture. https://archinect.com/itsgalo. I Canizares
  2116. Game Developer interviews Stallwood about Cipher Prime’s independent production model and the financing of Auditorium. Game Developer interview I Stallwood
  2117. Game Idea Tool. Game Idea Tool documents an interactive project Davidson created to support rapid idea generation. https://thebuffed.itch.io/game-idea-game. I Davidson
  2118. Gamma’s 2025 artist spotlight traces Devereux’s development from photography and traditional media to generative art and Ordinals. Gamma spotlight I Devereux
  2119. Gamma’s blockchain-printmaking essay reproduces Devereux’s Deep Below within its discussion of digital prints. Prints on blockchain I Devereux
  2120. Gamma’s creative-coding feature describes Devereux’s iterative process, use of JavaScript and p5.js, and the significance of CryptoCountries. Creative Coding on Bitcoin I Devereux
  2121. Gatekeeper's Exo game. Vice describes Robak's role in creating the visual and interactive world for Gatekeeper's Exo. https://www.vice.com/en/article/meet-the-artist-behind-gatekeepers-exo-game/. I Robak
  2122. Gatekeeper: Enter the Void. Dazed examines the audiovisual world of Gatekeeper's Exo, created with Robak. https://www.dazeddigital.com/music/article/14170/1/gatekeeper-enter-the-void. I Robak
  2123. gazell.io. NFT Culture features GEN/GEN: Generative Generations as a must-see show, highlighting the intergenerational dialogue between human and machine creativity. https://gazell.io/blogs/licia-he/nft-culture-gen-gen. I Brito
  2124. gazell.io. Gazelli Art House presents Lieberman's Circle Stripe series as part of its GAZELL.iO digital art program, marking the gallery's 100th residency. https://gazell.io/collections/zach-lieberman-stripe-circles. I Lieberman
  2125. gazell.io. GAZELL.iO, the gallery's digital arm, on her exhibitions and editions. https://gazell.io/pages/melissa-wiederrecht. I Wiederrecht
  2126. GAZELL.iO documents Kovach's inclusion in the six-decade GEN/GEN exhibition. GEN/GEN exhibition I Kovach; I Rizzolli
  2127. Gazell.iO documents Ridgley’s May 2025 residency and her code-and-Risograph practice. Gazell.iO residency I Ridgley
  2128. GAZELL.iO’s exhibition page documents the 2024 solo presentation, its live plotter, and the materials and software used for A Conversation. solo exhibition I He
  2129. Gazelli Art House. Gazelli Art House presents I'm Not a Painter, Reben's 2022 London solo show of AI-mediated paintings and sculptures. https://www.artsy.net/show/gazelli-art-house-im-not-a-painter. I Reben
  2130. Gazelli Art House. Gazelli Art House records Reben's artist talk for his AI-Mazing exhibition in London. https://www.youtube.com/watch?v=ayZ0n2vEuPI. I Reben
  2131. Gazelli Art House maintains an artist overview that summarises Bednar's practice and enumerates his principal international exhibitions. Gazelli Art House I Bednar
  2132. Gazelli Art House presented the Lumen Prize NFT Award exhibition featuring Rituals - Venice by Aaron Penne and Boreta, highlighting its perceptual and mindful qualities. Gazelli Art House Exhibition I Boreta; I Penne
  2133. Gazelli Art House profile noting Brito's BA from the Royal Conservatoire of The Hague and MA from the Institute of Sonology. gazelliarthouse.com I Brito
  2134. Gazelli Art House, Zach Lieberman overview. gazelliarthouse.com I Lieberman
  2135. gazelliarthouse.com. Gazelli Art House exhibition page for GEN/GEN: Generative Generations, running September 8 to October 7, 2023, in Mayfair, London. https://gazelliarthouse.com/exhibitions/174-gen-gen-generative-generations-group-show/. I Brito; I Rizzolli
  2136. gazelliarthouse.com. Gazelli Art House artist overview: representation, biography, and exhibition history. https://gazelliarthouse.com/artists/297-melissa-wiederrecht/overview/. I Wiederrecht
  2137. GCRLL. MUTEK Barcelona profiles Corallo under his GCRLL name as an artist and programmer from Buenos Aires. https://barcelona.mutek.org/cat/artistes/gcrll-guido-corallo. I Corallo
  2138. ge1doot wallet archive. Sealed archives the public wallet presentation associated with ge1doot and its created and collected works. https://sealed.art/0x3f870d006185cb649c3261013fd86cc89b762f1e. I Ferrandez
  2139. GEB-Stefano Contiero interview shot. Decentral Art Pavilion documents an interview shot and programming with Stefano Contiero as part of collateral events during the 2022 Biennale di Venezia. https://decentralartpavilion.io/geb-stefano-contiero-interview-shot/. I Contiero
  2140. GeckoCon discussion. TZ APAC’s GeckoCon report records a discussion with Yazid and George Galanakis about their beginnings in generative art, NFTs, crypto art, and community. https://www.tzapac.com/articles/the-brave-new-world-of-creating-and-collecting-generative-art/. I Yazid
  2141. Geek Culture. Geek Culture survey of generative art in the NFT space highlights Penne's Apparitions and its approximately USD 600,000 in secondary royalties. https://medium.com/geekculture/the-power-of-generative-art-in-the-nft-space-2e92221dd702. I Penne
  2142. Geist. CODAworx names Geist, submitted by This is Loop, as the experiential winner of its 2025 awards. https://knowledge.codaworx.com/codazine/announcing-the-winners-of-the-2025-codaawards. I Motus Art
  2143. GEN/GEN press release. The GEN/GEN press release situates Kovach within a six-decade account of generative practice. https://freight.cargo.site/m/X1552000490704151476405800205420/gen-gen_pressrelease.pdf. I Kovach
  2144. General Assembly identifies Shivdasani’s Atlanta base, data-science work, and founding of GASP Gallery. professional profile I Shivdasani
  2145. GENERAT3D with DCA. SHILLR's recap quotes DCA on code as a tool whose expressive possibilities expand through use. https://paragraph.com/%40shillr/shillr-weekly-recap-33. I Calderon Arenas
  2146. Generative analog crowdsourcing. Wired’s later note embeds a festival presentation and highlights Davis’s iterative selection among generated results. https://www.wired.com/2008/12/liking-the-gene/. I Davis
  2147. Generative Art Foundation. The Generative Art Foundation lists Daniel Catt among its founding contributors from 2021 to 2024. https://www.genartfoundation.org/donors. I Catt
  2148. Generative art index. The artist’s art index identifies Ingress and Chroma Theory within his wider generative practice. https://pdudko.com/art/. I Dudko
  2149. Generative art is defined as post-conceptual art created with autonomous systems, with roots in algorithmic art and chance operations. Wikipedia I pxlq
  2150. Generative Art on the Blockchain. EthCC archive for Davis's talk on how Ethereum transformed his artistic practice. https://ethcc.io/archives/generative-art-on-the-blockchain-how-ethereum-transformed-my-artistic-practice. I Davis
  2151. Generative art on the blockchain represents a continuation of decades of algorithmic art practice, from 1960s plotters to present. Eternalyst I Benhorin
  2152. Generative Art Summit. ZKM programme for the 2024 Generative Art Summit, listing Davis among the participating artists and speakers. https://zkm.de/en/event/2024/07/generative-art-summit. I Davis; I De Giuli
  2153. Generative Art Summit Berlin. The Generative Art Museum reviews the historical and contemporary scope of the 2024 Berlin summit. https://tgam.xyz/article/generative-art-summit-2024. I De Giuli
  2154. Generative Art Will Continue to Thrive. Long-Form Art's interview follows Merrill's practice, the durability of generative art, and why he expects the field to continue thriving. https://www.youtube.com/watch?v=pZWKK-lLUDo. I Merrill
  2155. Generative Art: The Podcast. Generative Art: The Podcast archives discussions of creative coding, algorithms, randomness, tools, and artistic process. https://podcasts.apple.com/us/podcast/generative-art-the-podcast/id1491664706. I JEANVASCRIPT
  2156. Generative Artworks / Art Blocks. “ADM: Behind the Code | Democracity by Generative Artworks.” https://www.youtube.com/watch?v=6mscILY6r_Y. Accessed 17 September 2026. I Generative Artworks; II 157; II 416
  2157. Generative challenge. CodePen’s generative challenge archive includes Stranger in the Q’s “firework in forest” contribution. https://codepen.io/tv/AMOEVz. I Stranger in the Q
  2158. Generative editions. The artist's index of generative editions, from the Gen Trilogy through later natural and figurative systems. https://danielcalderonarenas.com/generativeeditions. I Calderon Arenas
  2159. Generative Escher Meshes. The Generative Escher Meshes project page describes a text-guided system that optimizes mesh geometry and color to create repeating non-square tiles. https://imagine.enpc.fr/~groueixt/escher/index.html. I Cohen
  2160. generativeart.works. The duo's primary portfolio and project website. https://generativeart.works/. I Generative Artworks
  2161. GENEROSITY. Towada Art Center's GENEROSITY presented websites, tapestries, haiku, and installations in Rozendaal's first public-institution solo show. https://www.e-flux.com/announcements/176541/rafael-rozendaalgenerosity/. I Rozendaal
  2162. Genify’s 2024 interview traces Lobato’s development through web programming, cybersecurity, music, and generative art. Genify interview I Lobato
  2163. Genuary. Genuary is the annual month-long creative-coding challenge co-founded by Pasma and built around thirty-one daily prompts. https://genuary.art/. I Pasma
  2164. Genuary 2021. Georgios Karamanis's Genuary record identifies multiple 2021 prompts contributed by Labadie. https://karaman.is/blog/2021/2/genuary-2021. I Labadie
  2165. Genuary 2023 Recap. Gorilla Sun’s Genuary recap discusses Shivdasani’s kinetogram sketch and its use of several creative-coding prompts. https://www.gorillasun.de/blog/genuary-2023-recap/. I Shivdasani; I Weil
  2166. Genuary 2026. The Genuary 2026 project records a Stranger in the Q prompt, “Boxes only,” in its schedule. https://genuary2026.vercel.app/. I Stranger in the Q
  2167. Genuary’s official 2024 archive credits Stranger in the Q for the 3 January creative-coding prompt. Genuary 2024 I Stranger in the Q
  2168. Geographical maps for artistic expression. His essay on maps considers cartography as both an instrument of knowledge and a symbolic artistic form. https://www.paolotonon.com/geographical-maps-artistic-expression/. I Tonon
  2169. Georg Bak’s Phillips essay outlines a history of generative art from early computing through blockchain-based work. Phillips essay I oliveskin
  2170. GHOST IN THE NET. Iconic presents GHOST IN THE NET as an on-chain generative release connected to museum-grade prints. https://www.iconicmoments.co/kazuhiro. I Tanimoto
  2171. GitHub. The Dadabots GitHub repository documents code accompanying their SampleRNN research. https://github.com/dada-bots/dadabots_sampleRNN. I dadabots
  2172. GitHub. Joonas Toivonen's developer profile lists SWAG ry and Tampere, Finland, and hosts early Three.js and code experiments underlying his generative practice. https://github.com/toiminto. I toiminto.eth
  2173. GitHub Gists. GitHub Gists identifies keisans as Ryan Struhl and preserves several code fragments under that account. https://gist.github.com/keisans. I Struhl
  2174. GitHub, canvas-sketch and canvas-sketch-util: public creative-coding framework and utilities. github.com ↩ I DesLauriers
  2175. Gleam #1. Sotheby’s records Gleam #1 as a unique 2023 work made with HTML, JavaScript, and WebGL and inscribed on Bitcoin. https://www.sothebys.com/en/buy/auction/2024/natively-digital-art-on-bitcoin/gleam-1. I Dudko
  2176. Glitch Marfa. Glitch Marfa contextualizes Themes and Variations through Molnár's letter-based work and the collaboration's algorithmic development. https://www.glitchmarfa.com/e30dgallery/themes-and-variations/. I Grasser
  2177. Glitch Marfa, on the Every 30 Days exhibition format and the 30 Days in Marfa residency. glitchmarfa.com III No. 40
  2178. glitchmarfa.com. Glitch Marfa's Every 30 Days presentation of Chromie Squiggle #9951, with an essay on its colour, randomness, and on-demand generation. https://www.glitchmarfa.com/e30dgallery/the-chromie-squiggle/. I Calderon
  2179. glitchmarfa.com/30dm/snowfro. Glitch Marfa's residency dossier for LIFT, treating the Game Boy work as self-portrait, interactive object, and digitally instructed physical. https://www.glitchmarfa.com/30dm/snowfro/. I Calderon
  2180. Global Indian profiled Mathikshara's development from childhood art to digital media and blockchain publication. Global Indian I Mathikshara
  2181. Glossy. Glossy reports on Yan’s participation in Shiseido’s generative art presentation during Miami Art Week. https://www.glossy.co/beauty/shiseido-launches-generative-art-collection-at-miami-art-week/. I Yan
  2182. gm.scribe traces IsmaHelio’s development across Tezos, Ethereum, and Bitcoin and explains the mechanics and precedents of The Machine. The Machine essay I IsmaHelio
  2183. gm.studio's Genesis set page lists Apollo by Asaf Slook as a 555 piece release. gm.studio Genesis I Slook
  2184. Goethe-Institut presents the digital alchemist Kim Asendorf. Bangkok Post profiles Asendorf as a digital alchemist on the occasion of the Complex retrospective at the Goethe-Institut. https://www.bangkokpost.com/life/arts-and-entertainment/2988692/goethe-institut-presents-the-digital-alchemist-kim-asendorf. I Asendorf
  2185. Goethean Morphology and Architecture. METU announced Gökmen’s public lecture on Goethean morphology and architecture. https://arch.metu.edu.tr/announcement/goethean-morphology-and-architecture. I SAB
  2186. Going Long on Long-Form Generative Art. Hot Buffets situates ippsketch’s Sketch F within a discussion of long-form generative art and collector relationships. https://paragraph.com/%40hot.buffets/going-long-on-long-form-generative-art. I Milligan; I Third Vision; I ippsketch
  2187. Gökmen and collaborators analyze Seljuk muqarnas through photogrammetry, three-dimensional modeling, symmetry, and graph theory. muqarnas study I SAB
  2188. Golan Levin. “Cytographia official description.” https://flong.com/. Accessed 19 September 2026. II 486
  2189. Golden Drum. Golden Drum’s showcase records Creative Fast AID and credits Janajev in design and digital production. https://goldendrum.com/showcase/1002003GD23-creative-fast-aid. I Janajev
  2190. Golden Drum. Golden Drum’s VUB Saving Therapy record credits Janajev as developer of the interactive saving intervention. https://goldendrum.com/showcase/2502009GD21-vub-saving-therapy. I Janajev
  2191. Golden Drum. Golden Drum’s VUB Saving Button record describes the browser-based mechanism and credits Janajev as developer. https://goldendrum.com/en/showcase/0505002GD21-vub-saving-button. I Janajev
  2192. Golden Drum. Golden Drum’s FONTRAISING record describes a wax-derived digital typeface and credits Janajev as developer. https://goldendrum.com/showcase/0708005GD22-fontraising. I Janajev
  2193. Golden Drum. Golden Drum’s Omni-Channel record for True Colors of Slovakia credits Janajev in digital production. https://goldendrum.com/showcase/Y025GD19-true-colors-of-slovakia. I Janajev
  2194. Golden Drum. A second Golden Drum category record documents Janajev’s digital-production credit on the same cross-platform campaign. https://goldendrum.com/showcase/R011GD19-true-colors-of-slovakia. I Janajev
  2195. Golden Drum. The Golden Drum record for We All Need More Fun credits Janajev in digital production on an AI-based interactive campaign. https://goldendrum.com/showcase/0806009GD24-we-all-need-more-fun. I Janajev
  2196. Golden Drum. Golden Drum’s Creative AI category record documents a project using cloned presenter voices and an interactive citylight, with Janajev credited in digital production. https://goldendrum.com/showcase/0507013GD24-we-all-need-more-fun. I Janajev
  2197. Golden Drum credits Janajev as developer on FONTRAISING, which converted beeswax letterforms into a usable digital font connected to fundraising. FONTRAISING I Janajev
  2198. Gold’s biographical statement identifies his generative-art practice, Cambridge residence, independent game development, and concern with human and surprising algorithmic images. artist-biography I Gold
  2199. Gold’s essay relates Linescapes to pop art, emergence, and the creation of related variations within individual outputs. linescapes-essay I Gold
  2200. Gold’s Field Recordings project page documents his plotter process, collision rules, flow-field interpolation, and signed physical plots. field-recordings-project I Gold
  2201. Gold’s Linescapes project page explains its June 2022 fxhash release and its multiple flow-field arrangement types. linescapes-project I Gold
  2202. Gold’s project text documents Primordial’s release, emergent system, evaluative heuristics, generative palettes, black ground, and artistic aims. primordial-project I Gold
  2203. Gold’s project text documents Through Curved Air’s January 9 Art Blocks release and its transfer of variation from arrangements into generated shapes and textures. curved-air-project I Gold
  2204. Goodchild's essay defines generative art inclusively and discusses autonomous processes, rules, and systems. generative-art-essay I Goodchild; I Shivdasani
  2205. Goodchild's project essay explains the algorithmic and conceptual premises of Meaningless. meaningless-essay I Goodchild
  2206. Goodchild's Substack about page describes her as a generative artist and creative technologist writing about art, code, and creativity. substack-about I Goodchild
  2207. Google Patents provides the 1952 Frank L. Zybach patent for a self-propelled sprinkling irrigating apparatus. Zybach patent I Hughes
  2208. Google Play identifies Natthakit Susanthitanon as the developer of Ma Charades and describes its repeatable word-game structure. google-play I Susanthitanon
  2209. Google’s Chrome Experiments archive identifies Arkade London as a 2016 WebGL experiment by Samuel Honigstein. Chrome Experiments I Honigstein
  2210. Gorilla Newsletter 24. This newsletter introduces the Tezumie interview and places the artist's output across fxhash, 256ART, and Art Blocks. https://www.gorillasun.de/blog/gorilla-newsletter-24/. I Tezumie
  2211. Gorilla Newsletter 44 discusses AIJS as a browser-based tool shaped by Tezumie's experience as a creative coder. Gorilla Newsletter 44 I Tezumie
  2212. Gorilla Newsletter 87. A generative art newsletter references Joshua Bagley's sustained experimentation with differential growth algorithms in code-based practice. https://www.gorillasun.de/blog/gorilla-newsletter-87/. I Bagley
  2213. Gorilla Sun. Gorilla Sun newsletter note on the reception and minting of Staal's Entangled. https://www.gorillasun.de/blog/gorilla-newsletter-61/. I Nonfigurativ
  2214. Gorilla Sun's 2024 interview covers Jovanić's education, academic path, and move from computer science into digital art. Gorilla Sun interview I Jovanić
  2215. Gorilla Sun's interview documents Tezumie's creative-coding education, long-form practice, Art Blocks review process, and approach to randomness. Gorilla Sun interview I Tezumie
  2216. gorillasun.de/blog/style-in-generative-art. Gorilla Sun blog post on style and identity in generative art, featuring Shvembldr's story and the Art is Crime case as a cautionary tale for digital artists. https://www.gorillasun.de/blog/style-in-generative-art/. I Shvembldr
  2217. GrailersDAO. GrailersDAO outlines the collecting culture that formed around Art Blocks and high-end generative art. https://www.grailers.com/. I onlygenerated
  2218. Grant Oesterling. “Exstasis official description.” https://granto.xyz/exstasis. Accessed 19 September 2026. II 453
  2219. Graphic Days. Graphic Days published a guest profile describing Speziari’s cross-media practice for its 2022 program. https://www.graphicdays.it/2022/guest/fabiano-speziari/. I Speziari
  2220. Graphika Manila program. Graphika Manila’s 2025 program lists Davis and characterizes his practice through generative art and programming. https://graphika.store/2025/docs/GM2025-full-program.pdf. I Davis
  2221. Gravity Grid on Verse. Verse preserves the project description, interaction notes, and secondary record for Gravity Grid. https://verse.works/series/gravity-grid-by-eliya-stein. I Stein
  2222. greatjones. “Faceless official description.” https://twitter.com/greatjones_. Accessed 19 September 2026. II 303
  2223. Green NFTs identifies Luca Donno as a co-author of research into the environmental impact of crypto-art technologies. Green NFTs I donnoh
  2224. Greg Oakford, "Flamingo DAO's nine-figure NFT collection," Cointelegraph Magazine, 10 July 2025. cointelegraph.com III No. 1; III No. 4
  2225. Greg Oakford, "VonMises," Cointelegraph Magazine, 19 September 2024. cointelegraph.com III No. 36
  2226. Greg Oakford, "Zeneca's portfolio peaked at $20M in 2021," Cointelegraph Magazine, 23 May 2024. cointelegraph.com III No. 7
  2227. Groundwork. Heft Gallery records Edelman’s Facility #1 in the Groundwork group exhibition. https://heftgallery.com/exhibition/groundwork. I Edelman; I Mapan; I Pikelny
  2228. Groundwork. HOLO reports on Heft's Groundwork survey, which included Sarkissian among 27 generative artists. https://www.holo.mg/stream/heft-groundwork/. I Sarkissian
  2229. Grow into the Future. NTT DATA's 2026 event page lists Tonon as a Tangity UX and service design expert leading a practical workshop. https://it.nttdata.com/career/events-recruiting/grow-into-the-future-treviso-2026. I Tonon
  2230. Guido Corallo. Kanbas profiles Corallo as an Argentine artist and programmer specializing in generative systems. https://kanbas.art/artists/guido-corallo. I Corallo
  2231. H&M Infinite Dreams. Red Dot credits Ignac as generative system director for H&M Infinite Dreams. https://www.red-dot.org/de/project/hm-infinite-dreams-67001. I Ignac
  2232. Hackatao documents Aleph-0 as a generative collaboration with Insigħt connecting art, mathematics, nature, and quantum physics. collaboration-essay I Insigħt
  2233. HackerRank interviews Ferrandez about creative coding, professional programming, and his influential CodePen practice. HackerRank interview I Ferrandez
  2234. Hacking UI Master Class lecture on conversational design. Hacking UI I Mariansky
  2235. HackMD conversation with Jordan Kantor on the occasion of the Cargo release. HackMD I Asendorf
  2236. Ham 94 maintains an archived collection entry for Unigrids. Ham 94 archive I Zeblocks
  2237. Han. Han's press page records the 2021 Vertical Cryptoart interview focused on the AlgoRhythms collaboration with Nicolas Daniel. https://han.io/press. I Daniel; I Saglam
  2238. Han Saglam. “AlgoRhythms.” https://han.io/works/algorhythms. Accessed 18 September 2026. II 065
  2239. Han Saglam on the relationship between output and technology in his practice. nftnow.com/ultimate-guide-to-cryptocubes I Saglam
  2240. Han x Nicolas Daniel. “AlgoBeats official description.” https://twitter.com/algo_io. Accessed 19 September 2026. II 288
  2241. Han's works page details the conceptual progression from AlgoRhythms to the percussive focus of AlgoBeats. Han I Daniel
  2242. han.io. Han Saglam's primary website, presenting his practice through generative systems, smart contracts, and machines across creative fields. https://han.io. I Saglam
  2243. han.io/works/algobeats. AlgoBeats project page describing the collaboration with Nicolas Daniel as a percussive evolution exploring rhythm, released on Art Blocks Playground. https://han.io/works/algobeats. I Saglam
  2244. Hannah Yan. “Totem of Taste official description.” https://www.hannahyan.com/blog-tot. Accessed 19 September 2026. II 360
  2245. Hans Ulrich Obrist in Discussion with Tyler Hobbs. Hans Ulrich Obrist speaks with Hobbs at Unit London about generative process, drawing, and the relation between code and the hand. https://www.youtube.com/watch?v=oNm5jruRfhw. I Hobbs
  2246. Hapeyenka describes Birth as an on-chain algorithmic art project for Bitcoin. later project I Hapeyenka
  2247. Hapeyenka explains the project’s geometric mechanics, rarity tiers, visual behaviors, and keyboard controls. mechanics I Hapeyenka
  2248. Hapeyenka recounts his software background, introduction to Processing, constrained-shape experiments, and the development history of the project. prehistory I Hapeyenka
  2249. Harvard Magazine. Harvard Magazine profiles Stiles’s education, family history, and long-running collaboration with a customized language model. https://www.harvardmagazine.com/arts-culture/harvard-sasha-stiles-poetry-ai-chatgpt. I Stiles
  2250. Harvey Rayner. “Harvey Rayner, works 2022.” https://rayner.art/works/2022/#photons-dream. Accessed 20 September 2026. II 307
  2251. Harvey Rayner. “marfaMESH official description.” https://marfamesh.art/. Accessed 19 September 2026. II 476
  2252. Harvey Rayner. “NFT features: An opportunity to provide a rich and expressive title substitute for long form generative artworks.” 28 May 2022. https://medium.com/@harvey.rayner/nft-features-an-opportunity-to-provide-a-rich-and-expressive-title-substitute-for-long-form-cbfbf800621f. Accessed 20 September 2026. II 307
  2253. Harvey Rayner. “Photon's Dream: A long form generative art project built from waveform primitives and quasicrystals emergent structures.” 28 May 2022. https://medium.com/p/5c638e4177c9. Accessed 20 September 2026. II 307
  2254. Harvey Rayner’s project archive credits Richardson with building the marfaMESH application and explains its interaction and data model. Harvey Rayner archive I Richardson
  2255. HashCrash treats the blockchain transaction hash as a generative seed for emergent visual form. Beervangeer: HashCrash I Beervangeer
  2256. Haze. SuperRare catalogues Haze in Jones's sixteen-work Sketchbook collection. https://superrare.com/artwork/eth/0xc5b1cCc2245871d171431287A07dC83fcC448750/12. I Jones
  2257. He released early work under the alias Cujo on the London label Ninebar in the mid-1990s. Ninja Tune I tobin
  2258. He signed with Creative Artists Agency in May 2022. Deadline CAA Signing I Brinkman
  2259. heartandcraft.xyz. heart + craft: Snowfro and Jordan Lyall's official project site for the inclusive digital and physically reproducible block-heart collection. https://heartandcraft.xyz/. I Calderon
  2260. Heeey. “Bright official description.” https://heeey.art/bright. Accessed 19 September 2026. II 448
  2261. Heft explains the digital and plotted construction of Sunlight through Wild Roses. Heft I Sarkissian
  2262. Heft Gallery. Heft Gallery’s exhibition archive records Schoenherr’s Material Certainty, Material Violence, and collaborative Wanderer presentations. https://heftgallery.com/shows. I Schoenherr
  2263. Heft Gallery explains the plotter-scanner and the themes of surveillance, witness, and selfhood in Replacement Character. Heft exhibition I Shannon
  2264. Heft Gallery presented an exhibition of Anna Lucia's work that places traditional craft references alongside her reductive and minimal algorithmic processes. Heft Gallery I Lucia
  2265. HEK describes the custom JavaScript algorithm, book contents, and tension between belief and performed belief. hek-publication I Man
  2266. HENI. HENI News profile aggregates coverage of Bryan Brinkman including CAA representation and auction highlights. https://heni.com/news?artist=Bryan%20Brinkman. I Brinkman
  2267. HENI Artist News. HENI news coverage references Pedersen in the context of auctions and exhibitions exploring intersections of fashion, art, and technology. https://heni.com/news?artist=Thomas%20Lin%20Pedersen. I Pedersen
  2268. HENI news profile on recent works. HENI profile I Sun
  2269. HENI profile. The HENI artist news profile aggregates recent coverage of Ionson's public projects. https://heni.com/news?artist=B%C3%A5rd+Ionson. I Ionson
  2270. Hennessy details the algorithms, customer selection, robotic painting process, paper-pulp casing, and 40-piece edition created with Zumbrunn. Hennessy press I Zumbrunn
  2271. Henry explains how improvisational music inspired a shared browser-based creative system. henrysdev essay I Henry
  2272. henrysdev & AMNDA. “Isodream official description.” https://twitter.com/isodream_art. Accessed 19 September 2026. II 269
  2273. Her works are held in the collections of the Smithsonian American Art Museum, Crystal Bridges Museum of American Art, NSU Art Museum, MOCA Miami, and others. Smithsonian artist page I Stark
  2274. Herzliya Museum details the interactive oracle, its ten-symbol algorithm, and its Jerusalem Design Week commission. Herzliya Museum I Liberman
  2275. Heuristics of Emotion. Schoenherr’s essay for Heuristics of Emotion discusses digital emotion, painterly computation, and artist and collector curation. https://jeres.xyz/heuristics-of-emotion/. I Schoenherr
  2276. Hevey. “Abstraction Collection.” https://hevey.art/collection/abstraction. Accessed 18 September 2026. II 069
  2277. Hevey. “Cells artist collection page.” https://hevey.art/collection/cells. Accessed 18 September 2026. II 121
  2278. Hevey. “Hevey Art collections index.” hevey.art. https://hevey.art/. Accessed 18 September 2026. II 189; II 368
  2279. Hevey. “Recursion Collection.” https://hevey.art/collection/recursion. Accessed 18 September 2026. II 069
  2280. Hevey. “Recursion Concept (artist's blog).” hevey.art. https://hevey.art/blog/recursion-concept. Accessed 18 September 2026. II 189
  2281. Hewitt’s Alba profile characterizes her practice as generative art exploring hypnotic and psychedelic imagery. Alba profile I Hewitt
  2282. hex6c. “InC: A multifaceted project.” 28 October 2021. https://hex6c.medium.com/inc-a-multifaceted-project-1c35adf0188b. Accessed 18 September 2026. II 243
  2283. Hidden Risks. A study of NFT metadata storage identifies risks created by reliance on centralized infrastructure. https://arxiv.org/abs/2408.13281. I usnea
  2284. hideo. “hideocode.art via Internet Archive Wayback Machine.” Internet Archive, 11 December 2022. https://web.archive.org/web/20221211153233/https://hideocode.art. Accessed 20 September 2026. Archived at https://web.archive.org/web/20221211153233/https://hideocode.art. II 329
  2285. Hieroglyphs by pxlq is described as "Simple rules: complex patterns. An exploration of abstract variation through generative symbols." Zapper I pxlq
  2286. High Resolution. Artforum’s Critics’ Pick addresses High Resolution, a group exhibition including LoVid’s Hugs on Tape (Shimmy). https://www.postmastersart.com/archive/hires24/High%20Resolution%20Artforum%2015.10.2024.pdf. I LoVid
  2287. High Resolution. A Postmasters and TRANSFER release documents LoVid’s participation in High Resolution. https://www.postmastersart.com/archive/hires24/hires24_PR.pdf. I LoVid
  2288. Highlight. Highlight’s Combine24 page identifies Repetition and Noise as a shortlisted work engaging the Finnish National Gallery’s collection. https://highlight.xyz/curated/combine24. I Schoenherr
  2289. Highlight Marketplace. Highlight names MODNAR WOLF among artists whose primary drops it supported. https://paragraph.com/%40highlight/highlight-marketplace. I MODNAR WOLF
  2290. Hipermédula lists K0ch and NadArt among the 22 artists in CryptoArg’s Riesgo País exhibition in New York in June 2022. Hipermédula I k0ch
  2291. Hiperorgânicos 10. UFRJ's Hiperorgânicos archive documents Vamoss's creative-coding contribution, moderation, and performance activity within the university's art-and-technology research network. https://hiper.nano.eba.ufrj.br/hiper10/. I Vamoss
  2292. Hirshhorn. The Hirshhorn describes The Last Pictures, including its archival disc, one hundred photographs, and placement aboard EchoStar XVI. https://hirshhorn.si.edu/explore/meet-the-artist-trevor-paglen/. I Paglen
  2293. His 1997 album Bricolage on Ninja Tune established his reputation for innovative sampling and rhythmic construction. AllMusic I tobin
  2294. His career model emphasizes sustained experimentation under self-imposed constraints and direct authorship. YouTube Interview I tobin
  2295. His independent label and subscription model support ongoing experimentation without external constraints. Trebuchet Magazine I tobin
  2296. Historical sales in major houses. PR Newswire Artmarket I Katzenmeyer
  2297. Histories of the Digital Now. The Whitney's essay places instructions and algorithms within a wider history of art made through digital technologies. https://whitney.org/essays/histories-of-the-digital-now. I tuplart
  2298. History. The organization’s history documents its early venue as a social setting for learning about and collecting NFTs. https://docs.brightmoments.io/bright-moments/history. I phil
  2299. History Nebraska summarises Zybach's invention, 1952 patent, and early commercial partnership around center-pivot irrigation. History Nebraska I Hughes
  2300. HITS Hits Art. HITS Hits Art applies network analysis to the collector-artist network of the SuperRare gallery. https://arxiv.org/abs/1907.07758. I hex6c
  2301. HIT’s 2025 exhibition record describes Liberman’s interdisciplinary practice and the software-to-plotter process of Ditaplot Dreams 1,2,3. HIT I Liberman
  2302. Hobbs and Reas in Conversation with LACMA. Hobbs's archive presents his LACMA conversation with Casey Reas about code, systems, and generative art history. https://www.tylerxhobbs.com/words/tyler-hobbs-and-casey-reas-in-conversation-with-lacma. I Hobbs
  2303. Hodlers collaboration note. Art Blocks' LinkedIn record describes the Hodlers collaboration and collector activity around Isotopias. https://www.linkedin.com/posts/art-blocks-inc_247-vibes-via-hodlers-szn-1-collector-activity-7195830648870252544-RBO8. I HIDΞ0
  2304. HOLO documents the 2023-2025 reconstruction of the ten Re-Move works from Macromedia Director in p5.js and notes that one Director-specific glitch could not be reproduced. HOLO restoration report I LIA
  2305. HOLO publishes Velitchkova's reflections on Vera Molnár, historical influence, plotter drawing, and computational art. HOLO I Velitchkova
  2306. Homegrown profiles Ujjwal Agarwal, also known as KALA, as a computational artist working across digital design, music, responsive environments, and simulations. Homegrown I KALA
  2307. Horizon 31. Centre Pompidou's collection record documents Horizon 31 as a 2021 on-chain SVG acquired in 2023. https://www.centrepompidou.fr/fr/ressources/oeuvre/UdrdYVi. I Rozendaal
  2308. HotScripts archives an early listing for Ferrandez’s interactive Dynamic HTML art demonstrations. DHTML archive I Ferrandez
  2309. Houdini Engine for TouchDesigner. A proof-of-concept video documents a custom C++ operator connecting Houdini Engine with TouchDesigner at runtime. https://vimeo.com/507140478. I Dautheribes
  2310. How CryptoArt Works. hex6c explains the relationship among Ethereum transactions, ERC-721 tokens, and IPFS in an early technical account of crypto art. https://hex6c.medium.com/how-cryptoart-works-technically-9eb3c3b1cf2e. I hex6c
  2311. How to make sinusoid wobbly functions. The artist's Wobbly Functions essay teaches how nested sine waves can replace conventional noise functions in generative work. https://piterpasma.nl/articles/wobbly. I Pasma
  2312. How Tyler Hobbs Became an NFT Multi-Millionaire. Austin Monthly profiles Hobbs's path from software engineering to the intense reception of Fidenza. https://www.austinmonthly.com/how-generative-artist-tyler-hobbs-became-an-nft-multi-millionaire/. I Hobbs
  2313. How Tyler Hobbs Explores the Human-Machine Relation. Forbes reviews Hobbs's London and New York exhibitions through the relationship between human gesture and machine procedure. https://www.forbes.com/sites/nargessbanks/2023/03/15/how-generative-nft-artist-tyler-hobbs-london-and-new-york-shows-explore-the-humanmachine-relation/. I Hobbs
  2314. Huashan 1914. The Huashan venue record credits Lin with visual and effects design for Brain Virtual Theater. https://www.huashan1914.com/w/umaytheater/performance_25021715553125908. I Lin
  2315. Hudson River Park Friends’ 2022 annual report documents volunteer stewardship of the public green space. annual report I VES3L
  2316. Hudson River Park identifies Hudson River Park Friends as the nonprofit fundraising and advocacy organization supporting the park. institutional profile I VES3L
  2317. Hug archives an AnaPet portfolio item for Fleur 28, linking the artist and collection in a portfolio context. hug I AnaPet
  2318. HUG's artist listing profiles Dima Ofman as a web developer, clarinetist, dancer, generative artist, and lover of languages. HUG I Ofman
  2319. Hugs on Tape. Postmasters’ release documents the 2022 solo exhibition Hugs on Tape and its pandemic-era portrait project. https://www.postmastersart.com/archive/lovid22/pr_LoVid.pdf. I LoVid
  2320. Human and Machine. Whitewall considers memory, desire, retrofuturism, and alternative histories across Kusano’s visual and musical work. https://whitewall.art/art/emi-kusano-interview/. I Kusano
  2321. Hymodernity · 2022. Group and solo presentation in the Canon! exhibition curated by Hymodernity. https://hymodernity.com/canon. I Katzenmeyer
  2322. hyperallergic.com. Hyperallergic on how Leegte's algorithmic images channel Van Gogh. https://hyperallergic.com/jan-robert-leegte-algorithm-images-channel-van-gogh/. I Leegte
  2323. HyperHash appeared in Sotheby's "Natively Digital: A Curated NFT Sale" alongside foundational Art Blocks projects. Sotheby's I Beervangeer; I Calderon; I De Mai; I Katzenmeyer; I Penne; I Turner; I daLenz; I matto; I pxlq
  2324. Hyperrhiz. Hyperrhiz publishes an academic interview addressing algorithmic creativity, blockchain, play, and authorship. https://hyperrhiz.io/hyperrhiz29/4-long-form-art/4-interview.html. I Rayner
  2325. Hyperrhiz. Hyperrhiz analyzes the interplay of strict rules and randomness in Rayner’s long-form generative art. https://hyperrhiz.io/hyperrhiz29/4-long-form-art/4-essay.html. I Rayner
  2326. Hyperrhiz publishes a scholarly conversation with Levin about generative art, blockchain, and Cytographia. hyperrhiz-interview I Levin
  2327. I N T E R F E R E N C E. A New Art City catalogue includes ilithya in the online group exhibition I N T E R F E R E N C E. https://newart.city/catalog/orbiting-the-glitch-interference. I ilithya
  2328. i-D magazine examined eBoy's influence on 1990s net art and subsequent fashion and design crossovers. i-D I eBoy
  2329. I.. The artist describes the development and conceptual stakes of an on-chain neural-network artwork. https://ryley-o.com/i/. I ryley-o.eth
  2330. IAMAS describes Screen Play as an interactive work that transforms participants’ silhouettes and movements into portraits and patterns. IAMAS artists I Weil
  2331. icff.com. ICFF, "TRAME's Designs Unite Algorithms and Artistry" (2025): on Craft Nouveau and generative interiors. https://icff.com/stories/trames-designs-unite-algorithms-and-artistry/. I André
  2332. Iconic Art System identifies Moses as a Panamanian artist born in Panama City in 1986 and notes his SCAD advertising-design background. Iconic Art System profile I Autonomoses
  2333. Iconic describes InkField as fifty individual works made from fifty recorded painting sessions. The archived data includes path, pressure, velocity, and pauses; the browser preserves the gesture and timing while allowing ink bleed and texture to vary. InkField by Aluan Wang I AluanWang
  2334. Iconic's Intuitive page presents a 250 piece hand curated collection by Slook. Iconic Intuitive I Slook
  2335. Iconic, Superpositions: 250 NFC-linked art cards drawn from roughly 500,000 outputs, each unlocking a hand-signed, hand-numbered print, presented with Art Basel Paris in 2025. iconicmoments.co ↩ I Mapan
  2336. iconicmoments.co/erickcalderon. Iconic's Museum of Art + Light collaboration profile, pairing three Squiggles with signed physical reproductions and institutional programming. https://www.iconicmoments.co/erickcalderon. I Calderon
  2337. IDAF. Istanbul Digital Art Festival lists LIA among the artists in its sixth edition at the Atatürk Cultural Center. https://digitalartfestistanbul.org/en/. I LIA
  2338. IDIS. The IDIS archive maintains an author page for Falco within its Spanish-language research platform on art, design, and technology. https://proyectoidis.org/author/pedro-falco/. I Falco
  2339. IDIS profiles Corallo as an Argentine artist and programmer working with computer graphics and generative systems. IDIS profile I Corallo
  2340. Ifeng. Chinese press identified Ensō as a flagship Art Blocks Factory project during the 2021 NFT boom. https://i.ifeng.com/c/855bFOyw94S. I matto
  2341. Ignac’s Vimeo description identifies Algorithmic Memory 001: City as procedurally generated real-time paintings made with custom software. Algorithmic Memory I Ignac
  2342. Ignition / ge1doot. Ham 94 reads Ignition through rotation, darkness, light, and the visual language of deep space. https://www.ham94.com/posts/curated/9-ignition/. I Ferrandez
  2343. IIM generative identity. A project account credits Labadie as generator designer and co-designer for the IIM museum identity. https://catherine-lemieux.com/iim-identite-generative. I Labadie
  2344. IIM Museums Generative Identity. Behance documents the collaborative IIM museum identity and credits Labadie as generator designer and co-designer. https://www.behance.net/gallery/175777043/IIM-Museums-Generative-Identity. I Labadie
  2345. IIT Hyderabad. The Indian Institute of Technology Hyderabad lists Rasheed in its design research community. https://design.iith.ac.in/people_phd/fabin-rasheed/. I Rasheed
  2346. ilithya x Erin Wajufos. “Net Net Net official description.” https://netnetnetgenproject.netlify.app/. Accessed 19 September 2026. II 449
  2347. ilithya’s 2020 essay recounts her discovery of generative art and surveys its histories and tools. generative-art-essay I ilithya
  2348. Illuminate's project archive documents the conception, execution, and public reception of The Bay Lights. Illuminate I Villareal
  2349. image archive. The artist’s image archive documents installations, paintings, and works from FREESTATE and other projects. https://www.colesternberg.com/imagearchive. I Sternberg
  2350. Imagine Today. Expanded Art's Imagine Today exhibition text includes Ionson's Naked Flames in a wider AI art programme. https://www.expanded.art/exhibitions/imagine-today-2024. I Ionson
  2351. Imagined Futures. Branding in Asia examines Kusano’s use of AI, nostalgia, music, and imagined futures. https://www.brandinginasia.com/emi-kusano-on-ai-nostalgia-and-imagined-futures/. I Kusano
  2352. Immutable Collective. Immutable Collective’s fifth news issue archives a 2022 generative-art post by Jess Hewitt within its survey of creative-coding activity. https://immutablecollective.art/writing/immutable-collective-news-issue-5/. I Hewitt
  2353. Impossible Cathedrals. Outposts discusses the reception and pseudonymous history of impossible cathedrals. https://outposts.io/article/impossible-cathedrals-a-mysterious-artists-breakthrough-on-3eb1936c-7e5c-440d-b819-7f55c6833d6a. I De Giuli
  2354. Impossible Task. Impossible Task preserves a browser game released by Davidson under TheBuffED. https://thebuffed.itch.io/impossible-task. I Davidson
  2355. improvisedlife.com. Improvised Life excerpts Lieberman's AIGA talk and his stepdaughter's book I Am Art, reflecting on the poetry of computation. https://improvisedlife.com/2017/12/12/zach-liebermans-poetry-of-computation-words-to-live-by-from-a-six-year-old-i-am-art/. I Lieberman
  2356. In 2019 he founded Nomark Records to retain artistic control across multiple releases and aliases. V13 Interview I tobin
  2357. In a 2022 After Dinner Mints interview Fernando Jerez discusses his procedural approach, the relationship between architectural practice and generative art, and his Art Blocks projects. After Dinner Mints episode I Jerez
  2358. In a 2022 interview Anna Lucia recounted her early experiments with Processing sketches and her transition to full-time art practice with long-form projects including Loom. i·illucid Interview I Lucia
  2359. In a 2023 interview Aluan Wang reflects on his generative process as one of anticipation for unforeseen algorithmic solutions, noting that each new work inherits technical aspects of predecessors through conceptual recursion and that the goal is to exceed personal expectations in output. Verse journal interview I AluanWang
  2360. In a February 2022 interview Che-Yu Wu described his creative process as integrating inspirations from nature, physics, mathematics, and music to build immersive audio-visual experiences, summarizing his approach with the statement "I paint with math." ITSLIQUID Interview 2022 I Wu
  2361. In a public reply to the AB5D discussion on 20 July 2026, Wang described live rendering as part of InkField and Polypaths, named Reas's CENTURY and minimalist music as influences on temporal progression, and linked two earlier studies: A/V 5 and A/V 12. See the AB5D discussion context. I AluanWang
  2362. In Conversation with Casey Reas. Archetype's conversation surveys Reas's development from Processing and early software works to blockchain distribution. https://www.archetype.fund/media/in-conversation-with-casey-reas. I REAS
  2363. In Conversation with Joshua Bagley. In a conversation hosted on Cent, Joshua Bagley discusses the inspiration, development process, and conceptual framework of his Dreams project. https://beta.cent.co/artblocks/+saukgd. I Bagley
  2364. In Conversation: Dmitri Cherniak at LACMA. Avant Arte's LACMA conversation joins Cherniak and curator Dhyandra Lawson to discuss systems, randomness, and Ringers. https://avantarte.com/insights/articles/in-conversation-dmitri-cherniak-at-lacma. I Cherniak
  2365. In December 2021 Che-Yu Wu created Sliderverse, a generative collection of 5,001 artworks for White Castle that constituted the first brand partnership realized through Art Blocks generative minting technology. PR Newswire White Castle Collaboration I Wu
  2366. In Search of Generative Art History. Right Click Save presents a discussion of definitions and overlooked histories in generative art. https://www.rightclicksave.com/article/in-search-of-generative-art-history?hss_channel=tw-1486737250826211340. I Henry
  2367. In the December 2021 Art Blocks After Dinner Mints episode, Che-Yu Wu discussed the launch of Electriz and his earlier contributions to generative art platforms including foundational work on what became known as the Hams subculture. Art Blocks YouTube Interview I Wu
  2368. In the Know: June 2023. The Art Canada Institute records the Goose sale within a survey of notable Canadian art stories. https://www.aci-iac.ca/wp-content/uploads/2023/06/Art-Canada-Institute-Newsletter_In-The-Know-June-2023-Notable-Stories-On-Art-In-Canada.pdf. I Cherniak
  2369. In the Texas Desert, Craft Meets Coding. Artnet News reports from Marfa on Davis's meeting of code, stained glass, and historic craft. https://news.artnet.com/art-world/in-the-texas-desert-craft-meets-coding-2592897. I Davis
  2370. In-depth interview on subversive code rituals. STIR interview I Sun
  2371. In-depth interview on Wolfers creative process and influences. Psychedelic Baby Magazine I Wolfers
  2372. Incantation on Verse. Verse preserves Incantation's project text and collection record. https://verse.works/series/incantation-by-eliya-stein. I Stein
  2373. Inchained’s 2020 episode discusses Brukhman’s NFT creation, collecting, investment activity, and interest in financial products. inchained I Brukhman
  2374. incollect.com/artists/matt-bilfield-art-mixed-media. Incollect artist archive for Bilfield's mixed-media wall sculpture, with works built from grids of thousands of painted wooden dowels in architectural plywood. https://www.incollect.com/artists/matt-bilfield-art-mixed-media. I Bilfield
  2375. Incomplete Control at Bright Moments. Bright Moments preserves the contract-level collection record for the live New York release of Incomplete Control. https://app.brightmoments.io/collections/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/228. I Hobbs
  2376. Incomplete Control project text. Hobbs describes Incomplete Control as an exploration of imperfection, entropy, and the tension between analogue and computational work. https://www.tylerxhobbs.com/words/incomplete-control. I Hobbs
  2377. Individual editions have entered the secondary market through auctions including lots at Sotheby's Digital Art Day Sale. Sotheby's auction record I Xie
  2378. Individual HyperHash works have been offered in Sotheby's Digital Art Day Sale. Sotheby's I Beervangeer
  2379. Infinite Images: The Art of Algorithms. Artforum reviews Infinite Images: The Art of Algorithms, which placed Cherniak within a multigenerational computational history. https://www.artforum.com/events/infinite-images-the-art-of-algorithms-paula-burleigh-review-1234737032. I Cherniak; I Hobbs
  2380. Infinite NODE Foundation acquires CryptoPunks IP. The studio announces CryptoPunks' transfer to the nonprofit Infinite NODE Foundation and its preservation mandate. https://www.larvalabs.com/writing/2025-5-11-18-0/the-infinite-node-foundation-acquires-the-ip-of-cryptopunks. I Larva Labs
  2381. INFINITO by Stefano Contiero. Bright Moments Quarterly profiles Contiero's INFINITO series in a print edition distributed at NFT ART CDMX, situating the work within the gallery's ongoing presentation of generative artists. https://www.brightmoments.io/quarterly/stefano-contiero. I Contiero
  2382. Inflows / Outflows. Variable documents Inflows / Outflows as four artworks generated from millions of population-flow data points. https://variable.io/inflows-outflows/. I Ignac
  2383. Inkygoodness interview describing Melis's Nexus years, clients, awards, and return to Italy. inkygoodness-interview I Melis
  2384. Innocence and Maturity. The artist considers watercolor, maturity, family, and the passage of time in a later body of work. https://sgtslaughtermelon.com/art/innocence-maturity/. I sgt_slaughtermelon & Tartaria Archivist
  2385. Inside CryptoPunks' Early Days. nft now's interview reconstructs CryptoPunks' two-month build, slow first week, later community growth, and the decision to transfer the brand. https://nftnow.com/features/cryptopunks-documentary-larva-labs-interview/. I Larva Labs
  2386. Inside | Outside. Inside | Outside, a Leegte exhibition at Upstream Gallery. https://www.upstreamgallery.nl/exhibitions/169/inside-outside. I Leegte
  2387. Insigħt. “Quantum Collapses official description.” https://quantumcollapses.art/. Accessed 19 September 2026. I Insigħt; II 268
  2388. Insigħt’s project profile identifies the current members and roles, and records the collective’s March 2021 formation and Rovito’s later arrival. artist-profile I Insigħt
  2389. Insomnia. Insomnia at Bonniers Konsthall presented fifteen Rozendaal websites as works that remain active and accessible around the clock. https://www.e-flux.com/announcements/59642/insomnia/. I Rozendaal
  2390. Inspirations for The Harvest. PROOF's video follows Stoveland's inspirations and development process for The Harvest. https://www.youtube.com/watch?v=raaeL2CUIEY. I Stoveland
  2391. Installation archive showing Bilfield works in private residences in the US and abroad and a commissioned piece for the HBO series Silicon Valley. Matt Bilfield: Spaces I Bilfield
  2392. Institute of Modern Art Cartoon Violence. Coverage of Takeshi Murata exhibitions and video works in contemporary art contexts. https://www.ima.org.au/exhibitions/cartoon-violence/. I Murata
  2393. Institutional framing of Singularity within major generative-art auctions and collection-building. Sotheby's Grails lot I Tsukamoto
  2394. Institutional profile outlining the academic appointment and research focus of Prof. Dr. Dominikus Baur at Hochschule München. Hochschule München I Dominikus
  2395. INTA response. A USPTO-filed INTA response cites Act of Emotion as an example of an NFT project using a noncommercial Creative Commons license. https://downloads.regulations.gov/PTO-C-2022-0035-0017/attachment_1.pdf. I Milligan
  2396. InterAct. “InterAct of Wake County.” https://interactofwake.org/. Accessed 18 September 2026. II 101
  2397. Interactions record. MutualArt records Provencher’s inclusion in Interactions at Bundeskunsthalle in Bonn. https://www.mutualart.com/Artist/John-Provencher/A573FDB9EF70C272. I provencher
  2398. Interesting basic PRNG distributions. Pasma's probability essay demonstrates compact transformations for shaping pseudorandom distributions. https://piterpasma.nl/articles/probability. I Pasma
  2399. Interference essay. Phaust’s Interference essay discusses a generative system derived from Chladni-pattern equations and its translation into risograph printing. https://www.phaust.art/interference. I Phaust
  2400. Interferences Workshop. Ohio State's Knowlton School documents the Interferences workshop led by Canizares and Viola Ago on computation and digital fabrication in architectural design. https://knowlton.osu.edu/news/2018/11/interferences-workshop-investigates-computation-architectural-design. I Canizares
  2401. Interior Design reports on Jackson’s painting practice and its translation into Pierre Frey wallpaper and embroidered linen. Interior Design I Wolffia Inc
  2402. International Sculpture Center documents Neophyte as plant-generating software functioning as both tool and interactive artwork. Sculpture I Crispin
  2403. Interview Magazine examines Richardson’s use of scanning, motion capture, CGI, and 3D imaging to reconceive the photographed body. Interview I Richardson
  2404. Interview Magazine records Donovan’s account of combining drawing, painting, and sculptural depth in her card compositions. Interview Magazine I Donovan
  2405. Interview Magazine's 2013 studio interview discusses Next-Gen Open Beta, Robak's commercial-design experience, and his emphasis on visual effects. Interview Magazine I Robak
  2406. Interview with Casey Reas. Layer interviews Reas on systems, emergence, screens, digital material, editions, and the history of his practice. https://layer.com/artists/reas/interview. I REAS
  2407. Interview with Casey Reas and Ben Fry. Rhizome's conversation with Reas and Ben Fry examines Processing's design, community, and relationship to artistic practice. https://old.rhizome.org/editorial/2009/sep/23/interview-with-casey-reas-and-ben-fry/. I REAS
  2408. Interview with curator Luisa Catucci discussing Toiminto's practice and collaborative context within generative art. Kunstleben Berlin Interview 2022 I toiminto.eth
  2409. Interviews across outlets document his philosophy of curiosity, joy, and satisfaction in the making process. Jamie Lidell Podcast I tobin
  2410. Interviews and profiles discuss Pedersen's technical methodology, drawing on his experience building visualization tools to craft controllable yet expressive generative systems. useR! Interview I Pedersen
  2411. Intesetion. A Vimeo page credits Tonon in a docufiction made during Ars Electronica 2010 in Linz. https://vimeo.com/29806015. I Tonon
  2412. into time .com. into time .com is the 2010 browser work in which visitor clicks divide a field of changing gradients. https://www.intotime.com/. I Rozendaal
  2413. Introducing the MAP Rover. ARTS ATL reports on Shivdasani’s interactive projection data game and its critical treatment of data collection. https://www.artsatl.org/introducing-the-map-rover-atlantas-new-mobile-art-projector/. I Shivdasani
  2414. Inverted Audio describes the transformations, iterative algorithms, and randomized parameters used in Cindermedusae. Inverted Audio I Ignac
  2415. investing.com. Investing.com feature on pioneering generative artist Matt Kane, propelled by personal tragedy, covering ANONS and major sales. https://www.investing.com/news/cryptocurrency-news/pioneering-generative-artist-propelled-by-personal-tragedy--matt-kane-nft-creator-3191436. I Kane
  2416. Ionescu's about page describes his generative practice and inventories browser-based SVG, WebGL, and text-art tools. artist-about I Ionescu
  2417. Ionson's exhibition archive lists Naked Flames at Expanded Art, Berlin, and other exhibitions including Reimagine Tomorrow and Alphabets Alive. Exhibition archive I Ionson
  2418. Ionson's preparatory note for Eight describes fate, luck, fortune, trigrams, and the I Ching as key references. Eight inspirations I Ionson
  2419. ippsketch. PROOF’s artist profile archives ippsketch’s Impossible Distance and related media. https://www.proof.xyz/artists/ippsketch. I ippsketch
  2420. iq.wiki. IQ.wiki cryptoassets profile of Matt Kane covering his career from oil painting to crypto art and The Door series. https://iq.wiki/wiki/matt-kane. I Kane
  2421. iq.wiki/wiki/shvembldr. IQ.wiki entry for Shvembldr, summarizing his career, the Generative Artists Club, and the Art is Crime legal case. https://iq.wiki/wiki/shvembldr. I Shvembldr
  2422. Ironic Dessert. TASCHEN's Ironic Dessert edition pairs Cherniak's 2023 NFT and print with the book On NFTs. https://www.taschen.com/en/limited-editions/art/62134/on-nfts-art-edition-no-1-100-dmitri-cherniak-ironic-dessert/. I Cherniak
  2423. Isaksen print archive. The gallery’s archived artist print page preserves a separate Isaksen listing. https://katevassgalerie.squarespace.com/print/vebjoern-isaksen. I Isaksen
  2424. Iskra Velitchkova. “INK official description.” http://inkxiskra.com. Accessed 19 September 2026. II 493
  2425. Ismahelio. “Invisibles official description.” https://invisibles.ismahelio.com/. Accessed 19 September 2026. II 437
  2426. Isotopias for Hodlers. The artist's Hodlers page documents Isotopias and its collector-facing structure. https://hideocode.art/hodlers. I HIDΞ0
  2427. Issue #03: Red Pill. The Issue #03 brochure documents Bell’s inclusion in Red Pill and summarizes his practice and exhibited works. https://tgam.xyz/exhibitions/issue-03-red-pill/brochure. I Bell
  2428. ISSUE artist archive. ISSUE Project Room’s artist archive gathers LoVid performances and participatory projects from 2008 through 2024. https://issueprojectroom.org/artist/lovid. I LoVid
  2429. It Doesn't Exist. The bitforms release for It Doesn't Exist documents Reas's software, moving-image, and simulation practice. https://www.bitforms.art/wp-content/uploads/2024/09/reas_pr_itdoesntexist.pdf. I REAS
  2430. It's Nice That. It's Nice That reviews Color Dot as a typeface and browser-based experiment in wordless communication. https://www.itsnicethat.com/news/color-dot-typeface-martin-grasser-graphic-design-080519. I Grasser
  2431. It's Nice That published a 2025 profile that presents Anna Lucia's mixed-media practice as operating at the intersection of craft and computation. It's Nice That I Lucia
  2432. Italian Chamber memorandum. A submitted memorandum by Massimo Franceschet explains NFTs and crypto art in an institutional public-policy context. https://www.camera.it/application/xmanager/projects/leg18/attachments/upload_file_doc_acquisiti/pdfs/000/007/776/Memoria_Massimo_Franceschet.pdf. I hex6c
  2433. itch.io. The artist's itch.io page archives browser-based creative tools and identifies an ongoing interest in software art. https://tezumie.itch.io/. I Tezumie
  2434. Item page containing project description of AlphaModica concept and themes. Verse AlphaModica item I Danooka
  2435. itsgalo. “RASTER official description.” https://medium.com/the-link-art-blocks/in-conversation-with-itsgalo-7b14ac6a4583. Accessed 19 September 2026. II 337
  2436. itsgalo. “SKEUOMORPHS official description.” https://galocanizares.com/. Accessed 19 September 2026. I Canizares; II 417
  2437. Itsliquid. Itsliquid covered Hidden Patterns and its network-based approach to visualization. https://www.itsliquid.com/barabasilab-hiddenpatterns.html. I BarabasiLab
  2438. ITU AI for Good gives a concise biography of CJ Carr and Zack Zukowski, including Berklee, Music Hack Day MIT, and DADABOTS' formation in 2012. ITU profile I dadabots
  2439. itwillneverbethesame.com at VVORK. Rhizome's archived VVORK record preserves an early critical presentation of itwillneverbethesame.com. https://archive.rhizome.org/artbase/55583/www.vvork.com/index.html%40p%3D2625. I Rozendaal
  2440. It’s (a)live market record. Nifty Gateway records the release and edition information for It’s (a)live. https://www.niftygateway.com/collections/its-alive-by-tibout-shaik/. I Shaik
  2441. it’s my 500!. Designboom archives Speziari’s early vehicle-personalization proposal, it’s my 500! https://www.designboom.com/project/its-my-500/. I Speziari
  2442. Ivan Dianov. “Click official description.” https://ivandianov.com/click/. Accessed 19 September 2026. II 264
  2443. IX Shells acknowledges Turner as an early supporter who enhanced the art of Black artists. Allships I Turner
  2444. ixnayokay. “About because unless until.” 22 August 2023. https://www.ixnayokay.art/post/about-because-unless-until. Accessed 18 September 2026. I Boyarsky; I WAWAA; II 124; II 466
  2445. ixnayokay Home. The artist's personal website serves as a central archive of his generative art, photography, and code. https://www.ixnayokay.art/. I Boyarsky
  2446. ixnayokay. “Zoologic official description.” https://www.ixnayokay.art/post/about-zoologic. Accessed 19 September 2026. II 281
  2447. Iyer’s Interpretations of the Sun project record specifies ten curated outputs generated with p5.js and WebGL. Interpretations I iyer
  2448. Iyer’s Roll Some Bones project text explains its use of pseudorandomness, crayon-like textures, and chance. Roll Some Bones I iyer
  2449. IZZA Art and Design. IZZA's Museum in the Medina collection includes multiple Anticyclone works and physical works by Mapan. https://izza.com/art-and-design. I Mapan
  2450. J. Gray reel. A public Instagram reel by J. Gray documents Exhibition #3291 during its minting period. https://www.instagram.com/reel/Ca_A6DnAk4A/. I cryptobauhaus
  2451. Jack Butcher. “Gas Wars official description.” https://www.jack.art/work/gas-wars. Accessed 19 September 2026. II 496
  2452. Jacob Gold. “Coquina: artist's own project page.” https://www.jacobgold.art/work/coquina. Accessed 19 September 2026. I Gold; II 195
  2453. Jacob Gold. “Through Curved Air official description.” https://www.jacobgold.art/. Accessed 19 September 2026. II 386
  2454. JADE. The JADE paper provides technical context for the computational meaning of feature disentanglement. https://arxiv.org/abs/1711.09163. I onlygenerated
  2455. Jake Rockland. “Sonoran Roadways: process, colour and form.” https://jakerockland.com/sonoran-roadways. Accessed 18 September 2026. I Rockland; II 147; II 454
  2456. Jake Rockland. “Stipple Sunsets.” 21 April 2021. https://purphat.medium.com/stipple-sunsets-c747bb0cfa55. Accessed 18 September 2026. II 049; II 067
  2457. James Dalessandro. “Lacunae official description.” https://www.jamesdalessandro.com. Accessed 19 September 2026. II 260
  2458. James Merrill CV. Merrill's maintained CV records solo events, group exhibitions, and project history from 2012 through 2026. https://lostpixels.io/cv. I Merrill
  2459. Jamestown Arts Center archives a 2021 talk with Dalessandro and Jason Hasko about computational creativity. Jamestown Arts Center I Dalessandro
  2460. Jamieson's curriculum vitae documents his dual art and chemistry education, UCLA doctorate, conservation work, artist-assistant roles, and research history. curriculum-vitae I Jamieson
  2461. Jan Robert Leegte. “Window official description.” https://window.leegte.org. Accessed 19 September 2026. II 272
  2462. Jan Robert Leegte, official portfolio: a chronological archive from the earliest scrollbar pieces in 1997 to Wanderer and Walled Garden in 2025. leegte.org I Leegte
  2463. Janajev states that he sought the sensation of viewing a central fresco in a nonexistent geometric church. geometric church concept I Janajev
  2464. Japan's Agency for Cultural Affairs lists Kusano on its current 25th-term Copyright Subcommittee and identifies her as Fictionera's representative director. Agency for Cultural Affairs I Kusano
  2465. Japan’s New Retro. Right Click Save discusses Kusano’s progression from street photography and Satellite Young to AI and blockchain art. https://www.rightclicksave.com/article/emi-kusano-interview-japan-new-retro. I Kusano
  2466. Jason Brown résumé. Brown's résumé documents work spanning software development, scientific illustration, animation, virtual reality, and visualization for the Douglas Lab. https://pendulum.artstation.com/resume. I Brown
  2467. Jason Ting discusses his background, education at UC San Diego, transition from software engineering to creative coding in 2020, and use of tools including p5.js and GLSL to explore natural phenomena. Infinite Objects interview I Ting
  2468. Jason Ting. “Generative Art.” https://www.jasonting.studio/work/generative-art. Accessed 17 September 2026. II 116
  2469. Jason Ting. “Jason Ting studio biography.” https://www.jasonting.studio/about. Accessed 18 September 2026. II 064
  2470. Jason Ting. “Worlds Within official description.” https://instagram.com/jzlabs. Accessed 19 September 2026. II 415
  2471. Javier Abarca situates Eltono as a pioneer whose contextual paintings respond closely to their surroundings. Urbanario profile I Eltono
  2472. Jay Tobin CV. A project CV credits a 2022 live audiovisual performance at a showcase curated by Wajufos and Anto Astudillo. https://jaytobin.com/cv/. I Wajufos
  2473. JDS Paris. A Paris exhibition listing describes Parfums d’été as a continuation of the Verse-presented Scents of Spring series. https://www.jds.fr/paris/expos/parfums-d-ete-339852_A. I Zumbrunn
  2474. Jean Helfenstein. “First Art Blocks drop announcement.” LinkedIn, 28 July 2021. https://www.linkedin.com/posts/jeanhelfenstein_artblocks-nftart-nft-activity-6826176958221611008-CUIc. Accessed 17 September 2026. II 120
  2475. Jean Helfenstein. “Interactive browser counterpart and Glowing Ball.” LinkedIn, 10 April 2021. https://www.linkedin.com/posts/jeanhelfenstein_nft-realtime-threejs-activity-6786456182333825024-yaS0. Accessed 17 September 2026. II 120
  2476. JEANVASCRIPT. “jeanvascript.com project page.” https://jeanvascript.com/beautyofskateboarding/. Accessed 18 September 2026. II 199
  2477. JEANVASCRIPT. “VOXΞL official description.” https://jeanvascript.com/voxel/. Accessed 19 September 2026. II 372
  2478. Jeff Davis / Art Blocks. “In Conversation with Han and Nicolas Daniel.” Art Blocks, 13 May 2021. https://beta.cent.co/artblocks/+8lneai. Accessed 18 September 2026. II 065
  2479. Jeff Davis. “2021 portfolio.” https://www.jeffgdavis.com/2021. Accessed 18 September 2026. I Davis; II 056; II 095; II 146; II 206
  2480. Jeff Davis and Matty Mariansky. “In Conversation with Matty Mariansky.” 4 February 2022. https://medium.com/the-link-art-blocks/in-conversation-with-matty-mariansky-786281785b50. Accessed 17 September 2026. I Mariansky; II 138; II 255
  2481. Jeff Davis at Ateliers Loire. Film of Davis visiting Ateliers Loire and encountering its stained-glass processes. https://vimeo.com/896236965. I Davis
  2482. Jeff Davis. “Drawings for a Monument official description.” https://www.jeffgdavis.com/dfam. Accessed 19 September 2026. I Davis; II 498
  2483. Jeff Davis experiences stained glass. TRAME film of Davis experiencing stained glass at Ateliers Loire in France. https://www.youtube.com/watch?v=ElA5fjyH24Q. I Davis
  2484. Jeff Davis. “In Conversation with Aaron Penne.” Art Blocks on Cent, 16 March 2021. https://beta.cent.co/artblocks/+dlg37p. Accessed 20 September 2026. II 077
  2485. Jeff Davis. “In Conversation with Rafaël Rozendaal and Danny Wolfers (Legowelt), via Internet Archive.” The Link (Art Blocks) on Medium, 19 August 2022. https://web.archive.org/web/2022/https://medium.com/the-link-art-blocks/in-conversation-with-rafa%C3%ABl-rozendaal-and-danny-wolfers-legowelt-e6d61f69efa9. Accessed 20 September 2026. Archived at https://web.archive.org/web/2022/https://medium.com/the-link-art-blocks/in-conversation-with-rafa%C3%ABl-rozendaal-and-danny-wolfers-legowelt-e6d61f69efa9. II 330
  2486. Jeff Davis Interview. Dalosdov interview on Davis's working methods, influences, colour, editions, and the generative art field. https://www.dalosdov.com/writing/jeff-davis-interview. I Davis
  2487. Jeff Davis. “Portal #4: the collector’s burn.” X, 11 September 2024. https://x.com/jeffgdavis/status/1833635033346937100. Accessed 22 September 2026. II 095
  2488. Jeff Davis. “Portal #6 made whole again.” X, 2 October 2025. https://x.com/jeffgdavis/status/1973465755829375279. Accessed 22 September 2026. II 095
  2489. Jeff Davis. “Portal #6: fractionalisation and eight works in circulation.” X, 11 September 2024. https://x.com/jeffgdavis/status/1833635036215820306. Accessed 22 September 2026. II 095
  2490. Jeff Davis. “Portal: exhibition, pre-mint and live auction.” X, 11 September 2024. https://x.com/jeffgdavis/status/1833635029609812367. Accessed 22 September 2026. II 095
  2491. Jeff Davis. “Portal: first time-based and digitally responsive artwork.” X, 11 September 2024. https://x.com/jeffgdavis/status/1833635031711158614. Accessed 22 September 2026. II 095
  2492. Jeff Davis. “Progression Explained.” https://www.jeffgdavis.com/prex. Accessed 17 September 2026. I Davis; II 017
  2493. Jeff Davis. “Rectangles (for Herbert) official description.” https://www.tribute-hwf.com/. Accessed 19 September 2026. II 363
  2494. Jeff Davis's 2022 Art Blocks interview discusses Karim's upbringing, drawing practice, influences, and development of Alan Ki Aankhen. Art Blocks interview I Karim
  2495. Jeff Davis, "In Conversation with Michael Kozlowski (mpkoz)," The Link, Medium (5 Jan 2022), where Kozlowski frames his work as that of a generation between the real and the synthetic. medium.com I Kozlowski
  2496. Jeff Davis, Color: 1995-2025: the artist's retrospective publication surveying thirty years of work with colour. jeffgdavis.com I Davis
  2497. Jeff Davis: Color, 1995-2025. Event record for the Paris presentation of Davis's Color: 1995-2025 retrospective. https://luma.com/JeffDavisParis. I Davis
  2498. Jeff Davis: Cuadro. Bright Moments on Cuadro, a project connecting algorithmic colour and physical presentation. https://www.brightmoments.io/quarterly/jeff-davis-cuadro. I Davis
  2499. Jeff Davis’s interview traces He’s education, early web-based work, encounter with plotters, and development of Running Moon. Art Blocks interview I He
  2500. Jen Stark was born in 1983 in Miami, Florida, and earned a BFA from the Maryland Institute College of Art in 2005, majoring in fibers with a minor in animation. Wikipedia entry I Stark
  2501. Jen Stark's official news archive credits Ledezma's coding for her Shiseido collaboration Fractal Bloom. Jen Stark archive I zVault
  2502. Jess Hewitt. “Haywire Café: inspiration, process and exhibitions.” https://jesshewitt.net/art/haywire-cafe/. Accessed 19 September 2026. II 253
  2503. Jesse Walden / Variant. “The Interplay Between AI Abundance + Crypto Scarcity.” 25 April 2023. https://variant.fund/articles/ai-abundance-crypto-scarcity/. Accessed 17 September 2026. II 007
  2504. Jessica Martin. “Jessica Martin: technical résumé.” https://www.aminorstudio.com/jmartin-resume-2026.pdf. Accessed 22 September 2026. II 095
  2505. Jessica Silverman. Jessica Silverman’s exhibition page documents Hollowell’s In Transition. https://jessicasilvermangallery.com/exhibitions/loie-hollowell/. I Hollowell
  2506. JIDAP and JEIDAP. The UNLP conference index records Vallejo and Noriega’s paper in its student research program. https://jornadassecyt.fba.unlp.edu.ar/JIDAP2019/jeidap.html. I Vallejo
  2507. Jimmy Herdberg biography and professional history. jmy.art/me I JMY
  2508. Jimmy Herdberg. “Hemma Hos.” 28 May 2022. https://jmy.art/essay/hemma-hos. Accessed 18 September 2026. II 097; II 160
  2509. Jimmy Herdberg. “The story behind Gravity 12.” 1 October 2021. https://jmy.art/essay/the-story-behind-gravity-12. Accessed 18 September 2026. II 097
  2510. Jimmy Herdberg. “The story behind Gravity16.” 20 October 2021. https://jmy.art/essay/the-story-behind-gravity-16. Accessed 18 September 2026. I JMY; II 160
  2511. Jimmy Herdberg. “Time travel in a subconscious mind official description.” https://jmy.art. Accessed 19 September 2026. I JMY; II 263; II 452
  2512. Jing Daily. Jing Daily places Future Reflections within the digital fashion and Web3 programming of Miami Art Week. https://jingdaily.com/posts/miami-art-week-embraces-digital-fashion-nfts-ai-and-web3. I Yan
  2513. Jing Daily Culture. Jing Daily Culture discusses marfaMESH as a collaboration connecting physical badges, encounters, and evolving on-chain art. https://jingdailyculture.com/art-blocks-marfa-weekend-a-confluence-of-digital-art-blockchain-and-community/. I Richardson
  2514. Jing Daily Culture describes N=12 as a 2023 collaboration among twelve generative artists working across seven time zones. N=12 report I Reva; I Vella; I ippsketch
  2515. jingdailyculture.com. Jing Daily Culture covers the GEN/GEN: Generative Generations exhibition at Gazelli Art House, noting Brito's participation alongside Loren Bednar, Sougwen Chung, Harold Cohen, and Tyler Hobbs. https://jingdailyculture.com/gazelli-art-houses-gen-gen-exhibition-explores-the-evolution-of-generative-art/. I Brito
  2516. Jinyao Lin. “Metaphysics official description.” https://www.jinyaolin.info/. Accessed 19 September 2026. II 382
  2517. Jiometory No Compute. Honigstein’s official Jiometory microsite preserves the project as an interactive browser work. https://samsy.ninja/nocompute/index.html. I Honigstein
  2518. jiwa. “Axo official description.” https://axo.ntent.art. Accessed 19 September 2026. I Jiwa; II 480
  2519. jmy.art/essay/omkvade. Omkväde: generative art and poetry book created in collaboration with poet Lina Ekdahl, released at the Gothenburg Bookfair 2024. https://jmy.art/essay/omkvade. I JMY
  2520. jmy.art/listed. OpenSea secondary market: listed artworks including Strings, Mycelia, Gravity 12, Gravity 16, and TimeTravel. https://jmy.art/listed. I JMY
  2521. JoAnne Artman Gallery exhibition page for Here Comes the Sun (summer 2026), describing Bilfield's crisp graphic sensibility and color-saturated panoramic forms. JoAnne Artman Gallery: Here Comes the Sun I Bilfield
  2522. joanneartmangallery.com/art/matt-bilfield. JoAnne Artman Gallery artist page with Bilfield's statement on dowels as droplets of paint and a video of the work, representing him in Laguna Beach. https://www.joanneartmangallery.com/art/matt-bilfield/. I Bilfield
  2523. Jocelyn Renouf documents a collaboration with Jacobson joining generative plotting and traditional ink sketches. Plotter collaboration I Jacobson
  2524. Joey Levenson / John Provencher. “How pixel art of the early web inspires John Provencher’s design work.” 5 September 2023. https://www.itsnicethat.com/articles/john-provencher-graphic-design-discover-050923. Accessed 17 September 2026. I provencher; II 156
  2525. Johan Ismael. “Steps Process: artist's development account.” johan.studio. https://johan.studio/work/steps-process. Accessed 20 September 2026. II 325
  2526. Johan Ismael. “Steps: artist's project page.” johan.studio. https://johan.studio/work/steps. Accessed 20 September 2026. II 325
  2527. John Gerrard, Are touchscreens the next art frontier? Digital pioneer John Gerrard thinks so, Art Basel, 22 September 2026: touch, art tokens, human iteration and the final seasonal chapter of SPIRITS. artbasel.com I Gerrard
  2528. John Gerrard, official website: a chronological record of the simulation works, with exhibitions and biography. johngerrard.net I Gerrard
  2529. John Provencher and Travess Smalley / Outland. “John Provencher & Travess Smalley.” 12 April 2022. https://outland.art/john-provencher-travess-smalley/. Accessed 17 September 2026. II 156
  2530. John Provencher. “John Provencher artist website.” https://johnprovencher.com/. Accessed 17 September 2026. II 156
  2531. john provencher. “Maps: A map is a score.” https://a-map-is-a-score.com. Accessed 18 September 2026. I provencher; II 237
  2532. John Provencher. “spawn catalogue and development account.” https://spawn.club/pages/catalog. Accessed 17 September 2026. II 156
  2533. Jonas Lund CV. Lund’s curriculum vitae records exhibitions, education, teaching, talks, commissions, and published criticism. https://cdn.jonaslund.com/wp-content/uploads/2023/07/27153008/jonaslund_cv_2023-07.pdf. I Lund
  2534. Jonas Lund. “Race Condition official description.” https://racecondition.art. Accessed 19 September 2026. I Lund; II 387
  2535. Jones's archive indexes work across generative art, illustration, animation, design, sketchbooks and collaboration. artist-archive I Jones
  2536. Jones's biography describes a practice spanning digital media, illustration and generative systems, with recurring themes of technology, absurdity and the subconscious. artist-bio I Jones
  2537. Jones's GANOODLES archive explains how she combined GAN transformations of her drawings with hand reworking. ganoodles-archive I Jones
  2538. Jorge Ledezma. The artist's homepage presents selected projects and exhibitions across Art Blocks, Bright Moments, and FXHash. https://ledezma.art/en/. I zVault
  2539. Jorge Ledezma. “About Jorge Ledezma (artist biography).” ledezma.art. https://www.ledezma.art/en/about. Accessed 18 September 2026. I zVault; II 193
  2540. Jorge Ledezma. “Libertad Parametrizada, artist statement.” https://ledezma.art/en/libertad-parametrizada. Accessed 18 September 2026. II 091
  2541. Josh Kuhn / Alexis André. “Making Generative Art with Rust.” Always Bet On Rust, 30 April 2021. https://blog.abor.dev/p/making-generative-art-with-rust. Accessed 18 September 2026. I André; II 197
  2542. Joshua Bagley. “About.” https://joshua-bagley.com/about/. Accessed 17 September 2026. I Bagley; II 119
  2543. Joshua Bagley. “Dreams: Emergent Styles.” https://joshua-bagley.com/dreams-emergent-styles/. Accessed 17 September 2026. II 092
  2544. Joshua Bagley. “Dreams: Features.” https://joshua-bagley.com/dreams-art-blocks-curated/. Accessed 17 September 2026. II 092
  2545. Joshua Bagley. “Ecumenopolis artist project page.” https://joshua-bagley.com/ecumenopolis/. Accessed 17 September 2026. I Bagley; II 119
  2546. Joshua Bagley. “Ecumenopolis Features.” https://joshua-bagley.com/ecumenopolis-features/. Accessed 17 September 2026. II 119
  2547. Joshua Bagley. “Ecumenopolis out of band.” https://joshua-bagley.com/ecumenopolis-out-of-band/. Accessed 17 September 2026. II 119
  2548. Joshua Bagley. “Prints.” https://joshua-bagley.com/prints/. Accessed 17 September 2026. II 119
  2549. Joshua Bagley. “Spaghetti Bones official description.” https://joshua-bagley.com/spaghetti-bones/. Accessed 19 September 2026. I Bagley; II 455
  2550. Joshua Bagley. “Spotlight official description.” https://joshua-bagley.com/spotlight/. Accessed 19 September 2026. I Bagley; II 261
  2551. Joshua Davis Studios. “ArtBlocks / Organized Disruption.” https://joshuadavis.com/ArtBlocks-Organized-Disruption. Accessed 17 September 2026. I Davis; II 131
  2552. Journey to Infinity interview. Filmmakers Robin Lutz and Marijnke de Jong discuss Escher’s archives, intuition, mathematical reputation, transformation, and infinity. https://dailygrindhouse.com/thewire/the-daily-grindhouse-interview-a-talk-with-the-makers-of-m-c-escher-journey-to-infinity/. I Cohen
  2553. Journey to Infinity press kit. The Journey to Infinity press kit assembles production information and historical context for Robin Lutz’s documentary about Escher. https://zeitgeistfilms.com/userFiles/uploads/films/MC_Escher/MCEscher_PressKit.pdf. I Cohen
  2554. JSConf Japan’s program records Bremer’s presentation on designing custom visualizations of connections. JSConf Japan I Bremer
  2555. Juan Pedro Vallejo. “Interferences official description.” https://twitter.com/juanpvallejo_. Accessed 19 September 2026. II 347
  2556. Julia Kaganskiy’s institutional essay examines how generative artists negotiate chance, control, emergence, intention, and automation. curatorial essay I Lobato; I tuplart
  2557. Julien Gachadoat. “About Julien Gachadoat.” v3ga.net. https://www.v3ga.net/about/. Accessed 17 September 2026. I Gachadoat; II 107
  2558. Jump For Joy. Official project text for Jump For Joy, a one-of-one work about the moment creative coding becomes expressive. https://danielcalderonarenas.com/jump. I Calderon Arenas
  2559. Junkpage explains the rule-based and pseudo-random mechanics of Gachadoat's generative drawing and documents Déambulations. exhibition interview I Gachadoat
  2560. k0ch’s essay on the demoscene argues for the executing program and real-time interaction as integral parts of computational generative art. k0ch essay I k0ch
  2561. k0ch’s interview with Josh Katzenmeyer discusses creative coding, music, software, and crypto art influences. Artist interview I Katzenmeyer; I k0ch
  2562. Kadir Has University documents OCCA’s physical form-finding, parametric modeling, and digital-fabrication process. OCCA installation I SAB
  2563. KAF, "Financial Apocalypse, punk6529, and...," Bankless DAO, Decentralized Arts newsletter. banklessdao.substack.com III No. 26
  2564. kaigani. “27-Bit Digital to Physical.” 20 February 2021. https://kaigani.medium.com/27-bit-digital-to-physical-64066c0dc91c. Accessed 17 September 2026. II 023
  2565. kaigani. “Deciphering 27-Bit Digital.” 19 February 2021. https://kaigani.medium.com/deciphering-27-bit-digital-2af5b4e7cb71. Accessed 17 September 2026. I Turner; II 021
  2566. kaigani. “Pixel Glass : Glass Print.” 24 February 2021. https://kaigani.medium.com/pixel-glass-glass-print-d9d456f085b8. Accessed 17 September 2026. II 023
  2567. kaigani. “When retro graphics weren’t retro.” 15 February 2021. https://kaigani.medium.com/when-retro-graphics-werent-retro-f8c99f140c3f. Accessed 17 September 2026. II 021
  2568. KAIROS. A Behance case study credits Labadie with the parental-interface design for the KAIROS application. https://www.behance.net/gallery/101020205/KAIROS-Les-hros-du-temps?locale=en_US. I Labadie
  2569. KALA's Timelines project page explains how clock time controls the work's rows, movement, and day-night palette. Timelines project I KALA
  2570. Kalis. “Imperfections official description.” https://bykalis.com. Accessed 19 September 2026. II 295
  2571. Kalman Maklary Fine Arts. Kalman Maklary Fine Arts provides a gallery profile for Albert-László Barabási and BarabásiLab. https://kalmanmaklaryfinearts.com/artists/barabasi-lab-laszlo-albert-barabasi.html. I BarabasiLab
  2572. Kaloh. Kaloh's market analysis of gmStudio noted Mind the Gap sustained constant volume as the platform's first released collection. https://www.kaloh.xyz/p/market-analysis-gmstudio-and-gmdao. I Hiley-Mann
  2573. Kaloh. Kaloh's podcast conversation with Micol Apruzzese considers the development of a cultural platform for blockchain art. https://www.kaloh.xyz/p/building-a-house-for-blockchain-art-micol. I Ionescu
  2574. Kaloh. Kaloh contextualized generative art NFTs within the broader history of autonomous systems and creative coding. https://www.kaloh.xyz/p/-5-reasons-why-gen-art-nfts-are-something. I matto
  2575. Kaloh. Kaloh’s profile previews Torrent and places it within Schoenherr’s earlier generative practice. https://paragraph.com/%40kaloh/5-digital-artists-to-watch-august-2023?modal=nft&postId=azan1VHsPc4g66sjt6dM. I Schoenherr
  2576. Kaloh explains the architectural brise-soleil premise and real-time shadows in Ledezma's related series. Brise Soleil essay I zVault
  2577. Kaloh. “From Astonishing Murals to Blockchain Art - Eltono Story.” 15 March 2022. https://www.kaloh.xyz/p/-from-astonishing-murals-to-blockchain. Accessed 17 September 2026. I Eltono; II 071
  2578. Kaloh included Rahul Iyer in its 2023 digital-artists-to-watch coverage. Kaloh I iyer
  2579. Kaloh's Newsletter situates Hōrō within an Art Blocks Factory market review and notes makio135's cross-platform activity. Kaloh I Struhl; I makio135; I sturec
  2580. Kaloh's release digest records the January 30, 2023 Art Blocks Presents release of Libra. libra-release I Jamieson; I Ralgo
  2581. kaloh.xyz. Kaloh, "6 Reasons Why ArtBlock's Friendship Bracelets are Pumping" (January 2023): on the secondary market surge. https://www.kaloh.xyz/p/6-reasons-why-artblocks-friendship. I André
  2582. kaloh.xyz. Kaloh's newsletter on Wiederrecht using NFT earnings to build a school in Sudan, and her view on the difference between AI art and generative art. https://www.kaloh.xyz/p/-melissa-wiederrecht-is-building. I Wiederrecht
  2583. Kaloh’s 2022 market report documents the conclusion and early reception of the Pobbles mint. Kaloh report I Kislev
  2584. Kaloh’s field report lists IsmaHelio in the NFT Show Europe program and documents its fx(hash) live-minting component. NFT Show Europe report I IsmaHelio
  2585. Kaloh’s Podcast. Kaloh’s podcast surveys generative-art collections and includes discussion of Schoenherr’s Coronado and Torrent. https://podcasts.apple.com/us/podcast/generative-art-collections-to-watch-and-fxhash-2-0-ft/id1695789150?i=1000636716233. I Schoenherr
  2586. Kaloh’s podcast page outlines Bell’s projects, platforms, process, AI-assisted experimentation, and discussion of the two Hyper Drive sides. Kaloh podcast I Bell
  2587. Kaloh’s release report states that Invisibles comprised 200 editions, was inspired by Calvino, and drew on Hong Kong. Kaloh release report I IsmaHelio
  2588. Kaloh’s studio visit discusses Catt’s printmaking, plotters, materials, education, and relationship between physical and digital work. studio-visit I Catt
  2589. Kanbas artist profile. Kanbas profiles Jones and describes her generative Signal Boards project. https://kanbas.art/artists/stina-jones. I Jones
  2590. Kanbas identifies Yazid as a Bruneian technologist, creative coder, and generative artist living and working in Bandar Seri Begawan. Kanbas profile I Yazid
  2591. Kanbas outlines the project's three-act structure, from on-chain sequence to bound score and live performance. Kanbas I Operator
  2592. Kanbas profiles Ridgley and interprets the language and imagery of Figs. Kanbas I Ridgley
  2593. Kanbas, Mpkoz artist page, quoting the artist that Chimera "originally began as an 'orchid generator'" started in summer 2021 before its January 2022 release. kanbas.art/artists/mpkoz I Kozlowski
  2594. kanbas.art. Kanbas, "Alexis André" profile, featuring 24 Heures and the Playground projects. https://kanbas.art/artists/alexis-andr%C3%A9. I André
  2595. kanbas.art/artists/snowfro. Kanbas artist page bringing together Chromie Squiggle, 100 Untitled Spaces, and LIFT with collection and contract context. https://kanbas.art/artists/snowfro. I Calderon
  2596. Karen Frances Eng profiles Jones's emotional and technical approach to character-based crypto art. medium-profile I Jones
  2597. Karim's Alternative Worlds archive documents the 2016 ink series, its mobile cities, and its New York exhibition. Alternative Worlds I Karim
  2598. Karim's dated biography documents his birth year, education, media, international experience, exhibitions, and Lumen Prize shortlist. artist biography I Karim
  2599. Karim's Finale project page explains the collaborative Venice presentation and the visual sources for All The Places We Danced. Finale project I Karim
  2600. Kate Vass Galerie. Kate Vass Galerie outlines Velitchkova's cross-media practice and international exhibition history. https://www.katevassgalerie.com/iskra-velitchkova. I Velitchkova
  2601. Kate Vass Galerie announcement of the Complex retrospective at Goethe-Institut Bangkok. Kate Vass Galerie I Asendorf
  2602. Kate Vass Galerie documents Eko33's gallery context, solo exhibition, and nonfigurative generative practice. Kate Vass Galerie I Duclaux
  2603. Kate Vass Galerie documents OBSTACLES, its isometric grid, placement mechanics, variable objects, and controlled-chaos concept. obstacles I Isaksen
  2604. Kate Vass Galerie documents PAL as a four-day generative performance during ART SG in January 2023. Kate Vass Galerie I Soria-Rodríguez
  2605. Kate Vass Galerie explains Strata’s geological premise, hash-driven variation, print materials, formats, and one-print-per-token arrangement. strata-prints I Isaksen
  2606. Kate Vass Galerie features Anna Lucia as an artist and engineer who directs computer programming through compositional instructions as her primary medium. Kate Vass Galerie I Lucia
  2607. Kate Vass Galerie gives a concise biography covering interactive art, art games, generative art, data visualization, optical illusion, and truth. Kate Vass profile I Jovanić
  2608. Kate Vass Galerie profiles Isaksen as an Oslo-based former computer scientist whose generative practice joins digital structure to natural-world irregularity. gallery-profile I Isaksen
  2609. Kate Vass Galerie, Change of Basis catalogue: recursive cube subdivision, cross-sections, and eight print and token pairs. catalogue PDF ↩ I Golid
  2610. Kate Vass Galerie’s exhibition archive dates PHYGITAL and records its participating artists. exhibition-archive I Isaksen
  2611. Kate Vass Studio. Kate Vass Studio presents Yazid as an experimental generative artist and records Gestalt in its Tezos collection. https://www.katevassgalerie.com/yazid. I Yazid
  2612. Kate Vass Studio identifies Cotton as a creative coder, JavaScript tinkerer, writer, colorizer, traveler, and music maker. Kate Vass Studio I Cotton
  2613. Kate Vass Studio interviews advisor Niwin about developing Quantum Collapses with the Italian quantum scientists led by Savasta. niwin-interview I Insigħt
  2614. Kate Vass, "The Interview I Art Collector VonMises," Kate Vass Galerie, 30 December 2024. katevassgalerie.com III No. 36
  2615. Kaufman’s KTH degree project documents experiments with human-powered art, electronic paper, and creative coding in Stockholm. thesis I Block
  2616. Kazuhiro Tanimoto. “GHOST IN THE CODE: artist's project page.” 8 July 2022. https://www.kazuhirotanimoto.com/works/ghost_in_the_code/. Accessed 20 September 2026. I Tanimoto; II 317
  2617. Kazuhiro Tanimoto. “Wabi Sabi official description.” https://www.kazuhirotanimoto.com/works/wabi_sabi/. Accessed 19 September 2026. I Tanimoto; II 367
  2618. KEF describes Lin’s real-time generative audiovisual project Intimate and summarizes his interdisciplinary background. KEF feature I Lin
  2619. Keisha Oleaga, "Snowfro's Journey into a Digital Art Revolution," nft now, 21 November 2023. nftnow.com III No. 1
  2620. Kelly Milligan. The Apple Podcasts program page provides the playable recorded interview with Milligan and links it to Act of Emotion. https://podcasts.apple.com/pe/podcast/kelly-milligan/id1605922667?i=1000594137799. I Milligan
  2621. Kelly Milligan. “Act of Emotion official description.” https://medium.com/the-link-art-blocks/in-conversation-with-kelly-milligan-1cafd7388108. Accessed 19 September 2026. I Milligan; II 352
  2622. Kelly Milligan x Amber Vittoria. “Balance official description.” https://kellymilligan.art/piece/balance. Accessed 19 September 2026. II 489
  2623. Kene patterns represent traditional Shipibo visual systems of spiritual communication through geometric tessellation. Cultural Survival I Beervangeer
  2624. KEXP documents Orth’s design of Nirvana’s Bleach cover within the early visual identity of Sub Pop. KEXP I Orth
  2625. Khronos Group. “smoothstep, OpenGL ES 3 Reference Pages.” https://registry.khronos.org/OpenGL-Refpages/es3.0/html/smoothstep.xhtml. Accessed 20 September 2026. II 077
  2626. Khronos Group. “WebGL 1.0 specification, current editor draft.” https://registry.khronos.org/webgl/specs/latest/1.0/. Accessed 18 September 2026. II 054
  2627. KIKK Festival, Zach Lieberman: working openly, talk, 2023. youtube.com I Lieberman
  2628. Kim Asendorf on Elegant Symbiosis. Le Random editorial interview with Peter Bauman discussing PXL DEX, blockchain engagement, and shifts from earlier two-dimensional projects. https://www.lerandom.art/editorial/kim-asendorf-on-elegant-symbiosis. I Asendorf
  2629. Kim Asendorf: From Pixel to Paradigm. Fakewhale log profile tracing the development of pixel sorting and its role in Asendorf's broader generative and conceptual trajectory. https://log.fakewhale.xyz/kim-asendorf-from-pixel-to-paradigm/. I Asendorf
  2630. Kislev’s professional portfolio describes his creative-technology practice and the handmade drawing logic used for Pobbles. Contra profile I Kislev
  2631. Kjetil Golid. “apparatus-client package manifest.” https://github.com/kgolid/apparatus-client/blob/master/package.json. Accessed 17 September 2026. II 037
  2632. Kjetil Golid on GitHub: public code archive including chromotome, p5ycho, generators, and sketches. github.com ↩ I Golid
  2633. Kjetil Golid. “Rough Apparatus Client.” 31 March 2019. https://generated.space/sketch/rough-apparatus-client/. Accessed 17 September 2026. II 037
  2634. Kjetil Golid, About Generated Space: open-source algorithms, flow fields, particle systems, fractals, and grammar-based forms. generated.space ↩ I Golid
  2635. Kjetil Golid, official publication feed: Archetype 101 explains rectangle partitioning and the three-stage procedure. medium.com feed ↩ I Golid
  2636. KnownOrigin's retrospective documents its 2018 Manchester launch and includes an early work by Jones. knownorigin-history I Jones
  2637. Kokokaka documents Isaksen’s participation in the virtual gallery created for Koami Art Festival 2023. koami I Isaksen; I Tengil
  2638. Kokopako. Behance’s Kokopako project archive includes a production credit for Samuel Honigstein. https://www.behance.net/gallery/47240371/Kokopako. I Honigstein
  2639. Kovach's artist statement explains his use of procedural generation, reuse, detail, and randomized surprise. Artist statement I Kovach
  2640. Kovach's essay discusses the distinctive artistic and technical difficulties of generative practice. Generative-art essay I Kovach; I Labadie; I Struhl
  2641. Kovach's technical essay explains the Haskell library and geometric procedures used for Inertia. Inertia essay I Kovach
  2642. Kovach's writing archive contains his detailed account of the concept, physical presentation, perspective system, and collector engagement behind 100 PRINT. Writing archive I Kovach
  2643. Kristy Glas Artifex 3D sculpture release page, September 2021. Artifex I Glas
  2644. Kristy Glas. “Artist archive: Scoundrels and earlier projects.” https://www.kristyglas.com/archive/. Accessed 18 September 2026. II 201
  2645. Kristy Glas official website and portfolio. kristyglas.com I Glas
  2646. Kunstmatrix describes Spectron’s relationship to 1960s and 1970s video art and the EMS Spectre. Kunstmatrix record I De Mai
  2647. Kunstmuseum Den Haag documents Wouter Kalis as a 2006 Royal Award for Modern Painting recipient. Kunstmuseum Den Haag I Kalis
  2648. Kunstpalais Erlangen's artist record lists Rodeh's birth year, Berlin base, and selected exhibitions including Safe and Sound projects. kunstpalais-profile I Rodeh
  2649. KW Institute for Contemporary Art lists Crispin among the artists in Poetics of Encryption. KW Institute I Crispin
  2650. Kyle Waters. “Art Blocks and the Data of Generative Art.” Right Click Save, 9 May 2022. https://www.rightclicksave.com/article/art-blocks-and-the-data-of-generative-art. Accessed 17 September 2026. I Beervangeer; I Benhorin; II 133
  2651. L'Art du NFT interviews Gachadoat about self-written code, articulated drawing machines and Art Blocks minting. podcast interview I Gachadoat
  2652. L'Art génératif. A Web à Québec slide archive preserves Labadie's extensive French-language introduction to generative art. https://www.slideshare.net/webaquebec/louisandr-labadie. I Labadie
  2653. La Capella lists Heeey's Totxana among the projects selected for Barcelona Producció 2026. Barcelona Producció I Heeey
  2654. La Conciergerie's Algorithmes archive profiles Radisson and documents his interactive exhibition work. La Conciergerie I makio135
  2655. La Nación reports on Corallo’s large moving digital work at the 2021 Diderot Digital Exhibition. La Nación I Corallo
  2656. La Prensa. La Prensa's 2014 article documents an earlier stage of Moses's acrylic painting practice and his interest in circles, layered color, and fast-drying media. https://www.prensa.com/cine_y_mas/Emmanuel-Moses-Circulos-femeninos_7_3954424522.html. I Autonomoses
  2657. La Voz de Galicia reports Larino's birth year and place and discusses Forecast as a tribute to Galician rain. La Voz 2023 I Larino
  2658. La Voz de Galicia reports on Naturaleza digital and Larino's sketch-led working process. La Voz 2025 I Larino
  2659. Labyrometry on Verse. Verse preserves Labyrometry's project text and collection record. https://verse.works/series/labyrometry-by-eliya-stein. I Stein
  2660. LACMA Art + Technology. LACMA’s Art + Technology interview addresses repeatability, collaboration, and the technological life of performance. https://www.lacma.org/sites/default/files/techlab/2019-12/150519_Robert%20Whitman_Art%2BTech.pdf. I Whitman
  2661. LACMA blockchain acquisition release. LACMA's press release documents the collection as the largest group of blockchain artworks to enter an American art museum at the time. https://www.lacma.org/sites/default/files/press/2023-02/Blockchain%20Artwork%20acquisition%20release%20-2.13.2023.pdf. I Cherniak
  2662. LACMA blockchain-art acquisition. LACMA's acquisition release includes a CryptoPunk in its 22-work gift of blockchain-based art. https://www.lacma.org/press/lacma-acquires-largest-collection-blockchain-artworks. I Larva Labs
  2663. LACMA permanent collection acquisition of CryptoCube #43. han.io/works/cryptocubes I Saglam
  2664. LACMA Unframed, Remembrance of Things Future: shaders, layers, physical materials, imperfection, and the computer as exploratory system. lacma.org ↩ I Mapan
  2665. LACMA, I Use the Computer to Explore What It Means to Be Human (2024): Hobbs's 2014 turn toward code and art, his physical-digital practice, and the museum's acquisition of two works. unframed.lacma.org I Hobbs
  2666. LACMA, Introducing METAVASARELY and An Empty Room: Vasarely's unrealised Art & Technology proposal, simulation, the plastic alphabet, and Reas's historical method. lacma.org I REAS
  2667. LACMA, john gerrard: SPIRITS, the year-long browser-based work presented by the Art + Technology Lab. lacma.org I Gerrard
  2668. LACMA, Remembrance of Things Future (2024): Fidenza, the 999-output challenge, flow fields, long-form generation, and the physical-digital continuum. unframed.lacma.org I Hobbs
  2669. LACMA, Remembrance of Things Future: Tibouchina mutabilis, L-systems, plant growth, parameters, memory, and the museum gift. lacma.org ↩ I Rizzolli
  2670. lacma.org (Digital Witness). LACMA's exhibition page for Digital Witness, where Chromie Squiggle #9999 was placed in a history of digital image-making from the 1980s onward. https://www.lacma.org/art/exhibition/digital-witness-revolutions-design-photography-and-film. I Calderon
  2671. LAist. LAist examines an earlier body of work built from celebrity media and social content. https://laist.com/news/entertainment/cole-sternberg-on-his-artful-ode-to. I Sternberg
  2672. LAL Art Collection, Paper Armada by Kjetil Golid: material play, folded-paper association, edition size, and project description. lalartcollection.squarespace.com ↩ I Golid
  2673. Lalegani and De Giuli test the robustness of the random language model and discuss language acquisition. Language-model research I De Giuli
  2674. Landmarks at the University of Texas, A Mathematical Theory of Communication: the 2014 two-wall commission and its title's source in Claude Shannon's 1948 paper. utexas.edu I REAS
  2675. Larino's artist statement explains his use of code to model natural patterns and environmental cycles. artist statement I Larino
  2676. Larino's project page documents Forecast's pressure, humidity, wind, circle-packing, and palette mechanics. Forecast project I Larino
  2677. Larino's Vimeo presentation records Gift of Time and its continuously transforming temporal system. Gift of Time video I Larino
  2678. Larousse traces collage through Cubism, Dada, Surrealism, Pop Art, and Nouveau Réalisme. Larousse I SAB & K2xL
  2679. Larry Wolf documents a physical workflow using Risomotion to print, scan, and recompile animation frames. Risomotion workflow I Bell
  2680. Larva Labs interview: Battle for Mars. Pocket Gamer's early interview documents Larva Labs as a two-person Android studio making Battle for Mars and working within mobile constraints. https://www.pocketgamer.com/battle-for-mars/larva-labs-interview-battle-for-mars-retro-defense-and-coding-for-android/. I Larva Labs
  2681. Larva Labs on Computation's Strangeness. Le Random's long interview follows Quine's code compression, strange loops, visual engines, collector agency, and relation to Autoglyphs. https://www.lerandom.art/editorial/larva-labs-on-computations-strangeness. I Larva Labs
  2682. Larva Labs, About: Hall and Watkinson's computer-science partnership, the studio's 2005 formation, code-based practice, and major projects. larvalabs.com ↩ I Larva Labs
  2683. Larva Labs, Autoglyphs: 512 on-chain works, collector-triggered generation, 0.2 ETH donation, self-contained output, and instruction-based display. larvalabs.com ↩ I Larva Labs
  2684. Larva Labs, CryptoPunks: 10,000 algorithmic portraits, free claim, built-in market, attributes, identity, and technical foundation. larvalabs.com ↩ I Larva Labs
  2685. Laughing Squid reports that Cindermedusae generated adjustable or randomized three-dimensional jellyfish for Written Images. Laughing Squid I Ignac
  2686. Layer. Layer platform coverage emphasizes the generative variability and visual range within the Blind Spots edition. https://www.instagram.com/p/DaQ1LXNkwun/. I Koskela
  2687. Layer, In conversation with Zach Lieberman, interview by Justin Maller, August 2025. layer.com I Lieberman
  2688. Layer’s 2025 interview discusses Schoenherr’s software background, creative process, education, and understanding of generative systems. Layer interview I Schoenherr
  2689. Layout Magazine. Layout Magazine's essay on asemic writing offers additional literary and visual context for the field. https://www.layoutmagazine.it/la-scrittura-asemica-e-quello-che-significa/. I Ofman
  2690. Le Parisien identifies Grasser, Todd Waterbury, and Angy Che as the designers of Twitter's 2012 bird. Le Parisien I Grasser
  2691. Le Point. Le Point profiles Zumbrunn as a generative artist who creates through algorithms. https://www.lepoint.fr/high-tech-internet/florian-zumbrunn-un-artiste-generatif-qui-peint-avec-ses-algorithmes-06-07-2023-2527596_47.php. I Zumbrunn
  2692. Le Random. Le Random presents a detailed artist profile of Carreras emphasizing her Barcelona base and focus on generative algorithms and interactive technology. https://www.lerandom.art/artists/anna-carreras. I Carreras
  2693. Le Random. Le Random's collection entry preserves Kovach's description of Edifice as 976 deteriorating structures and records its mint date. https://www.lerandom.art/collection/edifice-803. I Kovach
  2694. Le Random. Le Random considers Sputniko!’s practice across activism, entrepreneurship, generative art, and institutional culture. https://www.lerandom.art/editorial/sputniko-on-activism-multitasking. I Sputniko!
  2695. Le Random. Le Random's artist archive summarizes Wander's biography and identifies works held in its collection. https://www.lerandom.art/artists/lars-wander. I Wander
  2696. Le Random artist profile. Le Random provides a concise profile emphasizing Xie's interest in organic textures generated through algorithmic means. https://www.lerandom.art/artists/emily-xie. I Xie
  2697. Le Random artist profile noting membership in the Generative Artists Club and transition from mini-games to generative art. Le Random I Shvembldr
  2698. Le Random collection. Le Random’s collection index records five Selvedge works by Bell in its institutional holdings. https://www.lerandom.art/our-collection. I Bell; I Merrill
  2699. Le Random considers Rayner’s practice through the problem of artist autonomy in generative systems. lerandom-essay I Rayner
  2700. Le Random describes Gumbo's fragment shaders, ray marching, elementary forms, and deliberately stylized rendering. Le Random I Isaksen
  2701. Le Random identifies Provencher as a New York based independent artist, designer, and educator whose practice moves online and offline. Le Random I provencher
  2702. Le Random interviews Levin about Cytographia, computational expression, blobs, and open-source tools. lerandom-interview I Levin
  2703. Le Random. “Loren Bednar artist profile.” https://www.lerandom.art/artists/loren-bednar. Accessed 18 September 2026. I Bednar; II 188
  2704. Le Random maintains an artist profile for Aaron Penne that details his biography, prior works, and the Lumen Prize win with Boreta for Rituals - Venice. Le Random Profile I Boreta; I Penne
  2705. Le Random preserves Bell’s note connecting Selvedge to print flaws, offsetting, and uneven ink coverage. Selvedge archive I Bell
  2706. Le Random preserves De Giuli’s project statement and detailed account of Calian’s interactive ecosystem. Le Random collection I De Giuli
  2707. Le Random profiles Anna Lucia as a self-taught Dutch artist and engineer whose programs combine mathematical and computer science concepts with traditional textile crafts to generate geometric abstractions. Le Random I Lucia
  2708. Le Random profiles Bell as a Chicago-based generative artist and graphic designer with training at the Maryland Institute College of Art. Le Random profile I Bell
  2709. Le Random profiles Vallejo’s generative practice, optical references, and treatment of the screen as material. Le Random profile I Vallejo
  2710. Le Random summarizes Eko33's generative practice, influences, and Art Blocks Curated project. Le Random profile I Duclaux
  2711. Le Random's artist profile describes Jovanić's practice, education, Belgrade base, and works in the Le Random collection. Le Random profile I Jovanić
  2712. Le Random's artist profile identifies Bjørn Staal as Nonfigurativ and records his generative art biography and wallet addresses. Le Random I Nonfigurativ
  2713. Le Random's collection record reproduces the artist's account of while true as a meditation on infinity and unboundedness. Le Random collection I Wander
  2714. Le Random, Industrial Devolution #14: 3,930-character program, SDF scenes, orientation flow fields, SVG output, and plotter instructions. lerandom.art ↩ I Pasma
  2715. Le Random, Infinite Images, Finite Control (2025): 25 Ringers prints at the Toledo Museum of Art, legible parameters, and comparison with Sol LeWitt's procedural clarity. lerandom.art I Cherniak
  2716. Le Random, John Gerrard on Ecology, Technology & Power (Peter Bauman, June 2026): One Thousand Year Dawn (2005), the engine as a stage, and the sun told to rise over a thousand years. lerandom.art I Gerrard
  2717. Le Random: Il(Lumina)ting Marfa. Editorial on Ting's Lumina light sculpture installed in Marfa, Texas, situating the work within histories of light art and Art Blocks presentations. https://www.lerandom.art/editorial/illuminating-marfa. I Ting
  2718. LEAP considers The Boys of Summer as a web-based game that turns market mechanisms back upon themselves. essay I Chan
  2719. Learning from Radio. Archinect publishes Canizares's essay on wireless technology, hospitals, and architecture as an electromagnetic environment. https://archinect.com/features/article/150131518/are-we-digital-learning-from-radio. I Canizares
  2720. Learning new skills. Storybench discusses how Bremer teaches herself new tools and extends the vocabulary of data visualization. https://www.storybench.org/how-designer-nadieh-bremer-teaches-herself-new-skills-to-continue-visualizing-data-in-new-ways/. I Bremer
  2721. ledger.com/the-ledger-podcast. Ledger Podcast episode with Snowfro on how generative art differs from AI, why Art Blocks was built, and what an artist gives up when fixing a long-form algorithm. https://www.ledger.com/the-ledger-podcast/snowfro-artblocks-the-generative-art-evolution. I Calderon
  2722. leegte.org/index-events. The artist's running list of exhibitions and events. https://www.leegte.org/index-events.html. I Leegte
  2723. Legends of Metaterra on Verse. Verse preserves the project record for Legends of Metaterra. https://verse.works/series/legends-of-metaterra-by-hideo. I HIDΞ0
  2724. Leo Villareal / Villareal Studio. “Cosmic Reef.” https://www.cosmicreef.io/villareal-presents-2. Accessed 18 September 2026. II 240
  2725. Leonardo contributor archive. Leonardo’s contributor archive records Sabri Gokmen as a contributor to the art, science, and technology journal. https://leonardo.info/contributor/58547/sabri-gokmen. I SAB
  2726. Leonardo published Franceschet's account of contemporary generative art and its relationship to blockchain technology and NFTs. Leonardo I hex6c
  2727. lerandom.art. Le Random, Alexis André artist profile: generative art practice and institutional recognition. https://www.lerandom.art/artists/alexis-andre. I André
  2728. lerandom.art. Le Random brings Snowfro and fx(hash) founder Ciphrd together to discuss two generative-art platforms and their different on-chain ecosystems. https://www.lerandom.art/editorial/snowfro-and-ciphrd-on-a-symbiotic-relationship. I Calderon
  2729. lerandom.art. Le Random artist profile, biography and generative works. https://www.lerandom.art/artists/jan-robert-leegte. I Leegte
  2730. lerandom.art. Le Random publishes a conversation with Peter Bauman (Monk Antony) about generative art's relationship to music and its ability to evoke deep emotions. https://www.lerandom.art/editorial/zach-lieberman. I Lieberman
  2731. Les Fleurs du Mal description and ABS Digital Art Prize 2024 award. rvig.art/Les%20Fleurs%20du%20Mal.html I RVig
  2732. Lewis & Clark College lists Jamieson among the artists in its 2016 senior art exhibition. senior-exhibition I Jamieson
  2733. Lex Sokolin. Lex Sokolin publishes a podcast conversation with Erick Calderon on generative art, NFTs, and Art Blocks. https://lex.substack.com/p/podcast-conversation-generative-art-d54. I daLenz
  2734. LG Guggenheim Award. The Guggenheim identifies Paglen as the recipient of the 2026 LG Guggenheim Award and summarizes his investigations of digitally invisible systems. https://www.guggenheim.org/initiatives/lg-guggenheim-art-and-technology-initiative. I Paglen
  2735. LI-MA (Living Media Art), symposium report on mapping, movement and preservation, citing Wanderer (2025) as a model for self-archiving through blockchain. li-ma.nl I Leegte
  2736. LIA. LIA’s official biography describes her code-based process, Vienna base, and continuous practice since 1995. https://www.liaworks.com/about/. I LIA
  2737. LIA. “little boxes on the hillsides, child, project page on the artist's site.” https://liaworks.com/theprojects/little-boxes-on-the-hillsides/. Accessed 18 September 2026. II 180
  2738. Liang Gallery’s exhibition catalogue records Lin’s 1973 Taipei birth and interdisciplinary new media practice. Liang Gallery catalogue I Lin
  2739. LIA’s current CV records Three Suns at the Istanbul Digital Art Festival, curated by Evgeniya Romanidi at the Atatürk Cultural Center from June 3 to 7, 2026. LIA current CV I LIA
  2740. LIA’s project archive documents Sum05 as a 2005 commission for Generator.x and describes its autonomous agents and code-as-material premise. Sum05 archive I LIA
  2741. LIA’s project documentation explains the custom software, three-axis printer control, material parameters, dates, and exhibition history of Filament Sculptures. Filament Sculptures I LIA
  2742. Licia He CV. The artist’s current CV documents her education, professional roles, exhibitions, publications, and teaching. https://www.eyesofpanda.com/cv/. I He; I Verkhovskiy
  2743. Licia He portfolio. The artist’s portfolio documents Running Moon’s cloud-and-moonlight system, watercolor and stained-glass references, and 500-work release. https://www.eyesofpanda.com/portfolio/. I He
  2744. Licia He. “Running Moon: artist's project page.” eyesofpanda.com. http://eyesofpanda.com/project/running_moon/. Accessed 20 September 2026. I He; II 323
  2745. Light Years at Paris Photo. NFTEvening reports on the presentation of Light Years at Paris Photo and its partnership with the Moholy-Nagy estate. https://nftevening.com/dmitri-cherniak-exhibits-light-years-collection-at-paris-photo/. I Cherniak
  2746. Light Years by Dmitri Cherniak: 100 generative works paired with silver gelatin prints and made with the Estate of László Moholy-Nagy. lightyears.fellowship.xyz I Cherniak
  2747. Light Years project details. The project mechanics describe Light Years' selection passes, process works, negatives, prints, and institutional placements. https://lightyears.fellowship.xyz/project-details/. I Cherniak
  2748. Light Years: Process Works. Fellowship's Light Years: Process Works exhibition presented 30 sketches tracing the algorithm's development. https://fellowship.xyz/exhibition/dmitri-cherniak-light-years-process-works. I Cherniak
  2749. LightOnChain installation details, 660 physical lights in Kaplankaya, Turkey. x.com/lightonchain I Saglam
  2750. Lineweight archive. Cipher Prime’s Lineweight page credits William Stallwood and presents the studio’s later approach to emotionally focused interactive storytelling. https://cipherprime.com/games/lineweight/. I Stallwood
  2751. LinkedIn. LinkedIn describes Dautheribes as a Stockholm-based creative developer with more than a decade of experience. https://se.linkedin.com/in/dotminic. I Dautheribes
  2752. LinkedIn. The LinkedIn profile supplies a professional chronology of VFX work and the establishment of Shaderism as an independent practice. https://fi.linkedin.com/in/arttukoskela. I Koskela
  2753. LinkedIn. LinkedIn preserves Shivdasani’s public professional biography and published articles. https://www.linkedin.com/in/neelshivdasani. I Shivdasani
  2754. LinkedIn article. Yan offers practical advice on study, communication, communities, portfolios, and responsibility in data science. https://www.linkedin.com/pulse/10-tips-incoming-data-science-students-hannah-yan-han. I Yan
  2755. LinkedIn record. LinkedIn maintains Labadie's professional record connecting him with design practice in Québec. https://ca.linkedin.com/in/louis-andre-labadie. I Labadie
  2756. Linktree identifies DisruptedStar as a French algorithmic artist and astrophysicist and links the artist's current archives. linktree-profile I DisruptedStar
  2757. Linus Lagerhjelm discusses CryptoPong, its setting, and the wider crypto-art movement. exhibition-essay I Rosenlykke
  2758. Lin’s project page explains the work’s qi concept, Cloud Hands inspiration, transformations, animation controls, and use of p5.js. Metaphysics project page I Lin
  2759. Lippmann’s extended resume and interviews recount his encounter with fractals, iterative coding process, recurring motifs, and artistic development. artist interviews I Lippmann
  2760. Lippmann’s project documentation identifies noiseWave as generative painting made with Processing and records its 2013 exhibition installation. noiseWave project I Lippmann
  2761. Liquid Ruminations on Verse. Verse preserves the project record for Liquid Ruminations. https://verse.works/series/liquid-ruminations-by-eliya-stein. I Stein
  2762. Lisa Orth. “Speak To Me official description.” https://lisaorth.xyz/speaktome. Accessed 19 September 2026. II 444
  2763. Lithograph artwork record. Verse’s artwork record documents an output from Fradina’s Lithograph project. https://verse.works/artworks/ff3bd056-8ef2-46df-b455-9a2053f98530/13. I Fradina
  2764. Living History Farm. No substantive artist interview was located in the verified source set; the nearest usable historical interview material concerns the irrigation technology rather than the artists. https://livinghistoryfarm.org/farming-in-the-1940s/water/frank-zybach-pivots/. I Hughes
  2765. Lo que no está. Bright Moments publishes a conversation about on-chain art, abstraction, and social relations. https://www.brightmoments.io/quarterly/marcelo-soria-rodriguez. I Soria-Rodríguez
  2766. LOAD Gallery describes Phenomena Labs through real-time generative art, immersive environments, interaction, and sensor data. load-profile I phenomena
  2767. Load Gallery identifies Sarkissian as an Armenian-American artist based in San Diego and outlines his software and machine-assisted physical practice. Load Gallery I Sarkissian
  2768. Locust Projects. Locust Projects documents Furies Ride, a collaborative performance by Blazejack and Levenson. https://www.locustprojects.org/uploads/file/exhibition-press-releases/press-release-2020-2018.pdf. I Punch Card Collective
  2769. Loie Hollowell. Pace’s artist profile surveys Hollowell’s biography, practice, exhibitions, and current representation. https://www.pacegallery.com/artists/loie-hollowell/. I Hollowell
  2770. London Art Biennale. The London Art Biennale’s 2023 archive records Zumbrunn and Under the Sakuras within the edition’s selected works. https://www.londonbiennale.co.uk/category/biennale-2023/. I Zumbrunn
  2771. LooksRare reproduces the collection statement and supplies public details for D-D-Dots #111. LooksRare record I tuplart
  2772. Loosely Based on Professionalism. A museum program connects skate video with experimental cinema, choreography, chance, and failure. https://movingimage.org/event/loosely-based/. I JEANVASCRIPT
  2773. Lord describes his interests as world building, artificial life, and all types of generated art. Cent interview I Lord
  2774. Lord's game credits include Portal 2, Half-Life 2: Episode Two, Left 4 Dead, and Counter-Strike: Global Offensive. MobyGames profile I Lord
  2775. Lord's social media posts document procedural creature experiments, architectural forms, and shader studies in Houdini and Unity. X profile I Lord
  2776. Loren Bednar. “Divergence official description.” https://twitter.com/LorenBednar. Accessed 19 September 2026. II 424
  2777. Louis-André Labadie. “Maps for grief development account.” 30 December 2021. https://louis-andre.net/journal/maps-for-grief. Accessed 18 September 2026. I Labadie; II 234
  2778. Louis-André Labadie. “Maps for grief: a breakdown.” 1 March 2022. https://louis-andre.net/journal/maps-for-grief-a-breakdown. Accessed 18 September 2026. I Labadie; II 234
  2779. Louisiana Channel presents Donovan discussing scientific investigation, light, architecture, and viewer activation. Louisiana Channel I Donovan
  2780. LoVid Artist Talk. Signal Culture’s Vimeo record preserves a LoVid artist talk. https://vimeo.com/109983051. I LoVid
  2781. LoVid. “Augury official description.” https://lovid.org/. Accessed 19 September 2026. II 432
  2782. LoVid reports an August 2026 meeting with Regina Harsanyi to finalize MoMI’s acquisition of Tide Predictor #173, emphasizing long-term preservation and context. LoVid acquisition update I LoVid
  2783. LoVid’s project page details Augury’s use of Tide Predictor frames, border density, mirroring, repetition, and textile references. project mechanics I LoVid
  2784. lu.ma/mpkoz-metropolis-london. Bright Moments' Metropolis London listing, another stop on the diptych minting tour. https://lu.ma/mpkoz-metropolis-london. I Kozlowski
  2785. Luc Devroye’s typography archive attributes Cappuccino Serif and Kei Serif Book to Ryan Struhl. Devroye typography archive I Struhl
  2786. Lucid Realities lists Fabien Bouchard’s graphic-development contribution to Alienarium at the Serpentine. Alienarium I Parse/Error
  2787. Lucky Trader. Lucky Trader's project news page tracks Getijde by Bart Simons, including its sellout via Dutch auction across 222 editions. https://luckytrader.com/nft/getijde-by-bart-simons/news. I Simons
  2788. Ludwig Museum. The Ludwig Museum's exhibition booklet identifies Themes and Variations as a collaboration with Grasser centered on transformed letterforms. https://www.ludwigmuseum.hu/system/files/news/attachments/2024-02/LUDWIG_VeraMolnar_100x180_booklet_0125_III.pdf. I Grasser
  2789. Ludwig Museum announced BarabásiLab: Hidden Patterns. The Language of Network Thinking in Budapest. Ludwig Museum I BarabasiLab
  2790. Ludwig Museum documents Velitchkova's participation in its 2024 exhibition devoted to Vera Molnár and contemporary responses to her legacy. Ludwig Museum I Velitchkova
  2791. Luke Shannon. Kanbas summarizes Shannon’s code-based and material practice, including his use of plotters, embroidery machines, clay, and scanning. https://kanbas.art/artists/luke-shannon. I Shannon
  2792. Luma / Bright Moments, Metropolis Berlin event listing, on the five-city on-chain trait and its architectural references. lu.ma/mpkoz-metropolis-berlin I Kozlowski
  2793. Luma / Bright Moments, Metropolis CDMX event listing, describing the free IRL diptych mint and the March 2023 city schedule. luma.com/mpkoz-metropolis-cdmx I Kozlowski
  2794. LUMAS documents Lippmann’s birth, sculpture studies, master-class training, New York computer-art experience, and residence in Wandlitz. LUMAS biography I Lippmann
  2795. LUMAS lists solo and group exhibitions spanning Art Basel, DAM Berlin, festivals, galleries, and museum settings. exhibition archive I Lippmann
  2796. LUME Studios. LUME Studios documents an immersive VerticalCrypto Art presentation using projection, spatial audio, and an interactive gallery. https://www.lumestudios.com/events/vertical-crypto-art. I Ionescu
  2797. Lumen press archive. The Lumen Prize press archive contextualises the award’s institutional role in technology-based art. https://lumenprize.org/press/. I Connolly
  2798. Lumen Prize. Lumen Prize finalist page for Entangled, describing the cross-chain generative project. https://lumenprize.org/2025-hybrid-award-finalists/bjorn-staal. I Nonfigurativ
  2799. Lumen Prize 2022 winners page, listing Aaron Penne x Boreta as inaugural NFT Award winners for Rituals - Venice. Lumen Prize I Penne
  2800. Lund’s biography records his birth year, locations, education, media, and systems-oriented practice. artist biography I Lund
  2801. Lund’s interview with Tilman Baumgärtel addresses Studio Practice, delegation, assistants, payment, and entrepreneurship. Baumgärtel interview I Lund
  2802. LUX artist entry listing Melis and As The Crow Flies. lux-profile I Melis
  2803. Luxe Interiors + Design, Algorithmic Art Meets Ancient Stained Glass: Davis, TRAME, and Ateliers Loire translating generative colour systems into stained glass. luxesource.com I Davis
  2804. L’imperfection au cœur de l’art génératif. Fisheye Immersive examines imperfection, illness, care, and invisible processes in his 2025 work. https://fisheyeimmersive.com/article/marcelo-soria-rodriguez-limperfection-au-coeur-de-lart-generatif/. I Soria-Rodríguez
  2805. M+ Museum Hong Kong featured an interview on A.A. Murakami's perspective on ephemeral tech, art, nature, and technology. M+ Magazine I A.A.Murakami
  2806. M+ Museum Hong Kong hosted the Floating World exhibition from August 2024 to February 2025. M+ Exhibition I A.A.Murakami
  2807. M.A.D.S. Art Gallery presents Che-Yu Wu as a contemporary new media artist whose algorithm-driven works cast eternal life and emotion in the digital realm, citing recognizable projects such as Seaham, CryptoPochi, and SoulFish. M.A.D.S. Gallery Artist Page I Wu
  2808. M.C. Escher: The Exhibition. Somerset House presents a retrospective organized around landscapes, tessellations, metamorphoses, impossible constructions, and visual paradoxes. https://www.somersethouse.org.uk/whats-on/mc-escher-the-exhibition. I Cohen
  2809. MAC Panamá's 2021 auction catalogue identifies Ledezma as born in Panama in 1971 and documents the interactive work Ephemeros. MAC auction catalogue I zVault
  2810. MAC Panamá's annual report records Ledezma leading a 2022 creative-code laboratory for twelve artists. MAC annual report I zVault
  2811. MACBA. MACBA’s exhibition archive identifies Whitman as a performance precursor and pioneer in creative uses of new technology. https://www.macba.cat/ca/exposicions/robert-whitman/. I Whitman
  2812. Macrofest. Macrofest's Portal Dimensional page describes an immersive projected generative-art intervention by Emmanuel Moses. https://macrofest.com/emmanuel-moses-portal-dimensional/. I Autonomoses
  2813. MAD Arts identifies Lin as a Taiwanese creative coder and generative artist and describes the practice's cultural cross-pollination. MAD Arts profile I Lin
  2814. Mahesh Krishnan / NFT Malayali. “Artist Spotlight: Fabin Rasheed.” 7 November 2021. https://medium.com/nft-malayali/artist-spotlight-fabin-rasheed-80413d753e7. Accessed 18 September 2026. II 066
  2815. Make Magazine profiled eBoy as featured makers in 2010, highlighting their modular production methods. Make Magazine I eBoy
  2816. MakersPlace. MakersPlace drop page for ImmortaL series presented at Digital Art Fair Hong Kong. https://event.makersplace.com/drop/immortal. I Tsukamoto
  2817. MakersPlace archives early digital works by Brad Damico predating his Art Blocks projects. MakersPlace Store Archive I artplusbrad
  2818. MakersPlace published an interview with Rob Dixon exploring his history with Macromedia technologies, metaverse projects, and generative worldbuilding approaches. MakersPlace Interview 2024 I Dixon
  2819. Making Art Work. Arts Entrepreneurship Podcast features Rockland, Erick Calderon, and Jeff Davis discussing generative art and blockchain. https://music.amazon.in/podcasts/d722fb26-6e9b-4c0e-8ec7-3b0901b819a8/episodes/e8daa719-7d1f-4db2-b76a-47a8ad122e78/arts-entrepreneurship-podcast-making-art-work-171-art-blocks---erick-calderon-jeff-davis-jake-rockland-visual-art-pt-2-of-2. I Rockland; I WAWAA
  2820. Making Generative Art Less Random. Waiting To Be Signed's extended conversation covers Merrill's path into code and plotters, BUSY, inks, craft, and AI art. https://podcasts.apple.com/gb/podcast/making-generative-art-less-random-interview-with-james/id1603062755?i=1000661540717. I Merrill
  2821. Making the Impossible Possible. The Angels' Wing interviews Pasma about code efficiency, SDFs, rayhatching, plotters, Genuary, and Industrial Devolution. https://music.amazon.de/podcasts/8f349ef6-73a2-45c9-8de9-a700d1459cf4/episodes/946adac3-7eb1-45b0-9590-85182a6cd454/the-angels%27-wing-nft-art-podcast-weekly-show-space-38---making-the-impossible-possible-with-piter-pasma. I Pasma
  2822. makio135. “Hōrō official description.” https://makio135.com/horo/. Accessed 19 September 2026. II 297
  2823. Malte Rauch / Jeff Davis. “LED by Jeff Davis.” https://www.brightmoments.io/quarterly/jeffdavis-led. Accessed 17 September 2026. I Davis; II 095; III No. 15
  2824. Malvertiser redirect analysis. Confiant publishes Stein's technical analysis of malicious advertising and browser redirects. https://www.confiant.com/news/malvertiser-d-shortiez-redirect-tricks-exposed. I Stein
  2825. MANA. MANA global new media art platform hosts Beer van Geer keynote on biofeedback art. https://www.manamana.net/video/99775. I Beervangeer
  2826. Manetti Shrem Museum. The Manetti Shrem Museum’s release documents its presentation of Tick Tock Belly Clock. https://manettishremmuseum.ucdavis.edu/sites/g/files/dgvnsk10466/files/inline-files/MSM-Fall2022-press-release.pdf. I Hollowell
  2827. Manifold hosts the 100 Days of Ixnay gallery documenting daily artworks from Boyarsky's early period, 2010 to 2013. Manifold Gallery I Boyarsky
  2828. Manuel Larino. “Forecast official description.” https://www.mlarino.com. Accessed 19 September 2026. II 471
  2829. MAP Academy documents Auria Kathi’s creators, training material, and daily production of poems and images. MAP Academy I Rasheed
  2830. Marcelo Soria-Rodriguez (interview with Shvembldr). “Slowing down with... Shvembldr.” iillucid, 30 July 2021. https://www.iillucid.com/slowing-down-with-shvembldr/. Accessed 17 September 2026. I Shvembldr; II 074; II 112; II 135; II 186
  2831. Marcelo Soria-Rodríguez / Stefano Contiero. “Slowing down with... Stefano Contiero.” 12 November 2021. https://www.iillucid.com/slowing-down-with-stefano-contiero/. Accessed 17 September 2026. I Contiero; II 122; II 198
  2832. Marcelo Soria-Rodriguez / The Link. “In Conversation with Marcelo Soria-Rodriguez.” https://medium.com/the-link-art-blocks/in-conversation-with-marcelo-soria-rodr%C3%ADguez-7fdbe3034515. Accessed 19 September 2026. II 257
  2833. Marcin’s Nodes Stream. Variable’s Nodes Stream introduces its visual programming tool through Ignac’s recorded generative-design demonstrations. https://variable.io/notes/marcin-nodes-stream/. I Ignac
  2834. Marfa interview republication. A Chinese-language republication preserves OpenSea’s interview concerning Shivdasani’s methods and later collection. https://www.bitget.com/zh-CN/news/detail/12560604511904. I Shivdasani
  2835. Marfa Invitational. Whitewall reviewed Jamieson's print works during the 2022 Marfa Invitational weekend. https://whitewall.art/art/marfa-invitational-a-real-presence-and-community/. I Jamieson
  2836. Mariansky on the language engine trained on rebellion and anarchy texts. Para Bellum Portfolio I Mariansky
  2837. Marie Claire Taiwan interviews Lin about his education, early digital practice, teaching, and entry into NFT art. Marie Claire interview I Lin
  2838. Mariepet Mangosing / Alexander Reben. “Alexander Reben On Shifting the Perspective of AI & Automation with Art.” Whitehot Magazine, 2021-12. https://whitehotmagazine.com/articles/with-art-by-mariepet-mangosing/5239. Accessed 17 September 2026. II 133
  2839. Mark Cotton. “Inspiration for and Development of Space Birds on ArtBlocks.io.” 8 October 2021. https://medium.com/@markcotton_81658/inspiration-for-and-development-of-space-birds-on-artblocks-io-560af0d1a6a9. Accessed 18 September 2026. II 109; II 173
  2840. Market analysis including sales performance. NFT Price Floor I Katzenmeyer
  2841. Market Realist included Beesley in a survey of teenage NFT artists and identified her work as generative art made with code. Market Realist I Beesley
  2842. Marketplace documentation on Verse describes Gazettes as a generative art project by the Redlioneye Gazette team and Pxlq that pays tribute to print media. Verse Project Description I redlioneye
  2843. Marketplace item page providing trait and sales context for a specific edition of Augmented Sequence. Spaace: Augmented Sequence #405 I toiminto.eth
  2844. Marketplace token pages provide additional trait and provenance data across Hevey collections. Deca Abstraction Token I Hevey
  2845. Marlène Corbun / Steve Pikelny / LaCollection. “Interview with artist Steve Pikelny.” 29 September 2022. https://lacollection.medium.com/interview-with-artist-steve-pikelny-ee0d5cf93a53. Accessed 17 September 2026. I Pikelny; II 044; II 149
  2846. Martijn Cohen. “Escherly Seeds official description.” https://martigeon.com/escherly-seeds/. Accessed 19 September 2026. II 467
  2847. mary.codes. mary.codes Friday Faves entry noting Entangled and linking to Staal's Fakewhale discussion. https://mary.codes/blog/friday_faves/the_week_of_beautiful_art/. I Nonfigurativ
  2848. Massage Magazine examines encapsuled's JavaScript works and their temporal mechanics in Computational Poetry. massage-review I encapsuled
  2849. MASSAGE MAGAZINE interview. Interview with Takeshi Murata on his data moshing and animation works. https://themassage.jp/en/archives/26547. I Murata
  2850. Massimo Franceschet explains hash-determined output generation and authorship in long-form blockchain art. Leonardo paper I donnoh
  2851. Master's thesis analyzing minted generative artworks with specific discussion of the conceptual and technical lineage of Augmented Sequence. Moments Minted Thesis 2023 I toiminto.eth
  2852. Mastering data visualization. Pragmatic Institute discusses Bremer’s fusion of art, narrative, and data science. https://www.pragmaticinstitute.com/resources/podcasts/data/mastering-the-art-of-data-visualization-with-nadieh-bremer/. I Bremer
  2853. Mastermind interviews Radisson about his artistic development, NFTs, Hōrō, and full-time generative practice. Mastermind I makio135
  2854. Matching gen-art x AI page. The matching gen-art x AI page reflects on hybrid pipelines connecting pure generative systems with AI image generation, using UMK outputs as foundation for UBK. https://www.fernandojerez.com/site/matching-gen-art-x-ai/. I Jerez
  2855. Materialistic was released in May 2025 through The Disruptive Gallery as a generative series of 92 works exploring surface, texture, and the boundaries of digital materiality through a connection between Cubism and early computer graphics. MountVitruvius I Hiley-Mann
  2856. Materia’s collection archive includes ge1doot and Utopia within its generative-art holdings. Materia archive I Ferrandez
  2857. Mathikshara's portfolio describes the data sources and aims of Breath In Breath Out and What Is Creativity. Artist portfolio I Mathikshara
  2858. Matt Bilfield. “Abstract: SOLAR #0 and SOLAR #4711.” https://www.mattbilfield.com/abstract. Accessed 17 September 2026. II 116
  2859. Matt Bilfield. “Transitions on Art Blocks.” Art Blocks. https://www.mattbilfield.com/transitions-on-artblocks. Accessed 17 September 2026. I Bilfield; I Ting; II 116
  2860. Matt DesLauriers announced that the V&A acquired Meridian #686 and #870 as a gift from the artist for its permanent collection, with a framed print of #870 planned for Degrees of Disruption. x.com ↩ I DesLauriers
  2861. Catalogue records that the V&A accepted inkjet editions of Meridian #686 and #870 as a gift from the artist. https://catalogue.gallery/blog/matt-deslauriers-meridian-va-vera-molnar/. I DesLauriers
  2862. Matt DesLauriers on a Generative World. Le Random interviews DesLauriers on the documentary Generative, Bitframes, AI, and historical narrative. https://www.lerandom.art/editorial/matt-deslauriers-on-a-generative-world. I DesLauriers
  2863. Matt DesLauriers, Meridian: 15 KB program, hundreds of thousands of strokes, hash coordinates, longitudes, and archival structure. meridian.mattdesl.com ↩ I DesLauriers
  2864. Matt DesLauriers, Synthetic Gestures: An Evolutionary Sketching Machine, Proceedings of the 2026 Conference on Creativity and Cognition, ACM, pages 443 to 456: an artist-centred, gradient-free method for synthesising text-guided plotter drawings. ACM Digital Library ↩ I DesLauriers
  2865. Matt Jacobson. Jacobson's official site presents selected projects spanning looping GIFs, plotters, Art Blocks, Samsung, and generative embroidery. https://iammattjacobson.com/. I Jacobson
  2866. Matt Jacobson. “Watercolor Dreams.” https://iammattjacobson.com/watercolor-dreams. Accessed 18 September 2026. II 059
  2867. Matt Kane biography noting his transition from oil painter to web developer and self-taught programmer. mattkane.com/about I Kane
  2868. Matt Medved interviewing RVig / nft now. “Next Up: RVig Fuses Florals & Poetry in Award-Winning Generative Art.” 23 August 2024. https://nftnow.com/next-up/next-up-rvig-fuses-florals-and-poetry-in-award-winning-generative-art/. Accessed 17 September 2026. I RVig; II 117; II 205
  2869. Matt Medved, "Vincent Van Dough on Art of This Millennium and notable Pepes," nft now, 17 May 2023. nftnow.com III No. 3
  2870. mattkane.com/projects/anons-multitudes. ANONS project page presenting portraits of unidentified individuals from the artist's collection of vintage photobooth snapshots. https://mattkane.com/projects/anons-multitudes/. I Kane
  2871. mattkane.com/projects/the-door. The Door series page documenting the first custom series smart contract on SuperRare, released October 2021. https://mattkane.com/projects/the-door/. I Kane
  2872. Matto earned a BS in Applied Sciences and an MFA in Film and Animation from Rochester Institute of Technology, and his experimental films have screened internationally. matto.xyz I matto; III No. 12
  2873. Matto. “Ensō: artist project and development account.” https://matto.xyz/project/enso/. Accessed 17 September 2026. I matto; II 033; II 177
  2874. Matto. “FOCUS, artist project page and statement.” https://matto.xyz/project/focus/. Accessed 18 September 2026. I matto; II 177
  2875. Matto is profiled as a Buddhist multidisciplinary artist on HUG, a platform for discovering and supporting creators. HUG I matto
  2876. Matto launched Ensō in 2021 and outlined an ambitious roadmap for eight Zen-inspired projects and a spirituality-focused DAO. Medium I matto
  2877. Matto publishes reflections on Buddhism, technology, and art through his Paragraph publication, Matto's Meadows. Paragraph I matto
  2878. Matto's project gallery includes Zenerative releases, experimental films, blockchain art, and generative physicals. matto.xyz I matto
  2879. Matty Mariansky. “Brushpops: artist project explanation.” https://supersize.co.il/brushpops. Accessed 17 September 2026. II 138
  2880. Matty Mariansky's biography and career trajectory from engineering to full-time artist. Supersize About I Mariansky
  2881. Max Cohen / Museum of Crypto Art. “The Discovery of Math, Part 2.” 9 November 2022. https://museumofcryptoart.medium.com/the-discovery-of-math-a-sitdown-with-da%C3%AFm-aggot-h%C3%B6nsch-part-2-cba151b93051. Accessed 17 September 2026. I Aggott-Hönsch; II 005
  2882. Maya Man and Sotce. Document considers Man and Sotce within a younger generation of internet artists. https://www.documentjournal.com/2024/09/maya-x-sotce-internet-art-screenshots-performance-girlhood/. I Man
  2883. Maya Man. “fakeittillyoumakeit.lol, artist's project site.” fakeittillyoumakeit.lol. https://fakeittillyoumakeit.lol. Accessed 20 September 2026. I Man; II 332
  2884. MazeFlipper supports Nouvelle Planète's work with Shipibo communities through generative art sales. SuperGood I Beervangeer
  2885. MCA Denver documents the scope, curatorial framework, and institutional itinerary of Tara Donovan: Fieldwork. MCA Denver I Donovan
  2886. MDN contributors. “ScriptProcessorNode.” https://developer.mozilla.org/en-US/docs/Web/API/ScriptProcessorNode. Accessed 17 September 2026. II 039
  2887. MDN contributors. “SVG viewBox attribute.” https://developer.mozilla.org/en-US/docs/Web/SVG/Reference/Attribute/viewBox. Accessed 17 September 2026. II 036
  2888. Me.sh. Me.sh profile on Mariansky's work at the intersection of AI and design. https://me.sh/profile/matty-marianksy. I Mariansky
  2889. Measure the line width of your pens. The plotter line-width tool translates physical pen behaviour into reliable SVG previews and production settings. https://piterpasma.nl/articles/line-test. I Pasma
  2890. mecha suits on Verse. Verse preserves the project record for mecha suits. https://verse.works/series/mecha-suits-by-hideo. I HIDΞ0
  2891. Media. The artist's index of interviews, articles, films, podcasts, and recorded talks. https://www.jeffgdavis.com/media. I Davis
  2892. Médiář. Médiář’s creator archive indexes commercial work credited to Janajev. https://www.mediar.cz/galerie-reklamy/tvurce/roman-janajev/. I Janajev
  2893. Medium. Harvey Rayner's essay demystifying generative art and algorithmic creative practice. https://medium.com/@harvey.rayner/demystifying-generative-art-e43e296d19c0. I Beervangeer; I Boyarsky
  2894. Medium. Isaksen’s Medium archive includes his account of generating art from a viewer’s wallet address. https://medium.com/%40vebits. I Isaksen
  2895. Medium. Richardson’s 2021 introduction to Sqrl explains his proposal for playlists and physical displays for digital collections. https://medium.com/@Sqrl/introducing-sqrl-an-nft-display-platform-and-digital-frame-93a5a8f8dfe6. I Richardson
  2896. Medium. Technical write-up by artist on Cypher project mechanics and Apex series. https://tsukamotohideki.medium.com/cypher-8ac1304caea8. I Tsukamoto
  2897. Medium. Artist update on Apex series development and ongoing world-building. https://tsukamotohideki.medium.com/apex-51729b32c033. I Tsukamoto
  2898. Medium archive. The artist's Medium archive preserves signed writing on Glitch Forge and related practice. https://medium.com/%40sgtslaughtermelon. I sgt_slaughtermelon & Tartaria Archivist
  2899. Medium article by Jeff Davis documenting Art Blocks' participation in the Decentral Art Pavilion at the Venice Biennale 2022, curated by Stefano Contiero. medium.com I Brito; I Honigstein; I Jamieson; I Pedersen
  2900. medium.com/kinomoto-mag. Kinomoto Mag essay on Les Fleurs du Mal winning the ABS Digital Art Prize 2024 and the start of a new oeuvre. https://medium.com/kinomoto-mag/les-fleurs-du-mal-nft-when-a-new-oeuvre-starts-4fed8a240aee. I RVig
  2901. medium.com/the-link-art-blocks. The Link (Art Blocks on Medium), the same conversation with Jeff Davis, on coding from Mecca and selling without leaving her desk. https://medium.com/the-link-art-blocks/in-conversation-with-melissa-wiederrecht-247a4341e45d. I Wiederrecht
  2902. medium.com/the-link-art-blocks/shvembldrs-drop-day-double-up. Art Blocks blog post on Alien DNA drop day, describing the banner giveaway, community response, and Shvembldr's $201,495.56 donation to Ukraine relief. https://medium.com/the-link-art-blocks/shvembldrs-drop-day-double-up-af9454037ced. I Shvembldr
  2903. Meebits. The Meebits page records the studio's 20,000 generated voxel characters, asset packs, and custom no-fee exchange. https://www.larvalabs.com/meebits. I Larva Labs
  2904. MEET Digital Culture Center discussed Barabási's immersive work and multidisciplinary digital-art context. MEET essay I BarabasiLab
  2905. Meet the Artists. Wave Hill presents a conversation about LoVid’s Tap Root exhibition and creative process. https://www.wavehill.org/calendar/meet-the-artists-lovid. I LoVid
  2906. Meet Tyler Hobbs. VoyageDallas interviews Hobbs about leaving software engineering, building an independent art practice, and working with algorithms. https://voyagedallas.com/interview/meet-tyler-hobbs-tyler-hobbs-art-austin/. I Hobbs
  2907. melissawiederrecht.com. Official website: portfolio, statement, and a record of her generative projects across platforms. https://www.melissawiederrecht.com/. I Wiederrecht
  2908. melissawiederrecht.com/about. Biography page: Wyoming childhood, computer-science training at the University of Wyoming, and the move into long-form generative art. https://melissawiederrecht.com/about. I Wiederrecht
  2909. Meninas na Programação. A science-education paper discusses Vamoss's invitation for visitors to experiment with code without fear of breaking the program. https://educacaopublica.cecierj.edu.br/divulgacao-cientifica/index.php/educacaopublica/article/download/360/258/3187. I Vamoss
  2910. Mentoring and Relationships. His essay on mentoring connects workplace listening practices with personal relationships. https://buffer.com/resources/mentoring/. I de la Rouviere
  2911. meodai. “Farbvelo licence.” https://github.com/meodai/farbvelo/blob/main/LICENSE.md. Accessed 18 September 2026. II 245
  2912. meodai. “Farbvelo project documentation.” https://github.com/meodai/farbvelo. Accessed 18 September 2026. II 245
  2913. Meredith Mendelsohn / 1stDibs. “Electronic Musician PLS&TY Brings His Keen Eye and Ear to Our Latest NFT Show.” 7 November 2021. https://www.1stdibs.com/introspective-magazine/plsty-nft-show/. Accessed 18 September 2026. I PLS&TY; II 235
  2914. Merrill announces that Throughlines will include 15 plotted works, including a drawing from his new LOOM algorithm. LOOM announcement I Merrill
  2915. Merrill compares plotted and printed art, including the material limits that feed back into code. Plotting essay I Merrill
  2916. Merrill documents Wavelet Dance as a 2026 multimodal series of plotted sequences exhibited at Machine Arts Gallery. Wavelet Dance I Merrill
  2917. Merrill explains the algorithms and SVG compression used to place BUSY on-chain. Compression essay I Merrill
  2918. Merrill's essay considers on-chain code and plotted drawings as complementary preservation strategies. Permanence essay I Merrill
  2919. Merrill's retrospective describes the testing, seed locking, and collection-scale review used to develop ORI. ORI retrospective I Merrill
  2920. Merrill's technical essay documents the installation's MIDI controls, software architecture, and plotting process. Installation essay I Merrill
  2921. Merrill's video presents The Algorithmic Art Studio as a tactile generative and plotting experience. Studio video I Merrill
  2922. Meta.space. The official exhibition record lists r0zk0 and outlines Meta.space’s engagement with historical and digital constructions of space. https://www.ooekultur.at/exhibition-detail/meta-space. I r0zk0
  2923. META511: Art NFTs. The University of Nicosia's META511 course materials place Archetype and Paper Armada in a survey of generative NFT art. https://www.unic.ac.cy/sites/meta-511/META511-01-f22-w05-presentation.pdf. I Golid; I steen
  2924. Metal Magazine discusses Sternberg’s 22-day Pacific voyage and the materials exposed to its conditions. Metal Magazine I Sternberg
  2925. Metal Magazine discusses Studio Wolffia’s transformation of everyday patterns and the themes of Jackson’s In This Moment exhibition. Metal Magazine I Wolffia Inc
  2926. metamix, profile on X, @metamixio, as read through the public fxtwitter API. fxtwitter.com III No. 47
  2927. Metaverse Musings presents Brukhman’s technical background, creative interests, and role as an NFT commentator. metaverse-musings I Brukhman
  2928. Method describes KALA's algorithmic practice and its interplay between structure, spontaneity, nature, music, and mathematics. Method I KALA
  2929. Meural browse archive. Meural's browse archive lists Arjit Kapoor among artists in its digital artwork environment. https://my.meuralstaging.netgear.com/browse. I Kapoor
  2930. Mexic-Arte Museum, ELA 26: Histories of Transformation / Historias de Transformación (2022): DCA's biography, teaching, long-form generative practice, and Self Portrait after Csuri. mexic-artemuseum.org I Calderon Arenas
  2931. MHOUSE. MHOUSE interviews Erick Calderon about Art Blocks, CryptoPunks, generative art, security, and NFT collecting culture. https://mhousedotclub.medium.com/interview-with-erick-calderon-snowfro-founder-of-artblocks-6ac87b97722f. I daLenz
  2932. Michael Connolly. “Divisions.” 9 July 2021. https://michaelconnolly.work/blog/2021/7/9/divisions. Accessed 18 September 2026. I Connolly; II 105
  2933. Michael Connolly. “Elementals.” 23 April 2021. https://michaelconnolly.work/blog/2021/4/21/elementals. Accessed 17 September 2026. I Connolly; II 042
  2934. Michael G Devereux. “CryptoCountries: The Unpublished Archives of a Mythical World Traveler official description.” https://www.michaelgdevereux.com/cryptocountries. Accessed 19 September 2026. II 340
  2935. Michelle Chandra’s interview documents He’s adoption of AxiDraw, eyeshadow experiments, and automatic brush-reloading process. process interview I He
  2936. Mid-day reported on Mathikshara's animation, mathematical methods, programming, and early reception. Mid-day I Mathikshara
  2937. Mikola Lysenko / regl. “regl2.1.0 MIT licence.” https://unpkg.com/regl@2.1.0/LICENSE. Accessed 18 September 2026. II 064; II 171
  2938. Milano Scultura catalogue. The Milano Scultura 2018 catalogue names Speziari among the artists represented by Casati Arte Contemporanea. https://www.danielebasso.it/eventi/2018/20_Step/pdf/STEP2018catalogo.pdf. I Speziari
  2939. Mimar Sinan Fine Arts University’s repository preserves Seda Turec’s 2017 master’s thesis in computer-aided art and design. University thesis I sturec
  2940. MIN-studio describes Wouter Kalis's minimalist autonomous practice and use of repetition, layering, and imperfection. MIN-studio profile I Kalis
  2941. Mind the Gap launched on gmStudio in February 2022 as a 999-edition generative series inspired by childhood memories, play, and exploration, with one palette taken directly from a painting the artist made at age two. MountVitruvius I Hiley-Mann
  2942. Mint Gold Dust. Mint Gold Dust archives the artist under michelangelo (encapsuled) and describes the practice as language-based art. https://www.mintgolddust.com/profile/0xA551B27aEB7E6cB6A8ee60A0774eEc8bA14a47d8/. I encapsuled
  2943. Mint Gold Dust's podcast page presents an episode focused on Ben Snell's genesis work and practice. mint-gold-dust-podcast I Snell
  2944. Mint or Skip. A release preview situates Torrent as Schoenherr’s Art Blocks Curated debut and describes its water-related imagery. https://mintorskip.beehiiv.com/p/fun-mints-flying-radar. I Schoenherr
  2945. Mint or Skip previewed l.o as Night Sea’s Art Blocks debut and noted its modular, analogue, ambient, and hand-drawn qualities. Mint or Skip I Night Sea
  2946. Minters & Makers. Apple Podcasts hosts an Art Blocks discussion with LoVid, Benton C. Bainbridge, Gregory Zinman, and Debora Bernagozzi. https://podcasts.apple.com/us/podcast/lovid-benton-c-bainbridge-gregory-zinman-debora-bernagozzi/id1611604712?i=1000595102486. I LoVid
  2947. Minters & Makers. The Art Blocks podcast archive lists a Minters & Makers episode featuring Motus Art and Wolffia Inc. https://www.podcastrepublic.net/podcast/1611604712. I Motus Art; I Watson
  2948. Minters & Makers. Art Blocks' Minters & Makers episode joins Pasma with Alexis André, Stefano Contiero, and Cyberia. https://music.amazon.co.jp/podcasts/b8c3eb10-e5fc-4551-8de9-c4730f498721/episodes/5f2b75fd-edae-4e95-ba73-1d7d04c30220/minters-makers-by-art-blocks-alexis-andr%C3%A9-piter-pasma-stefano-contiero-cyberia. I Pasma
  2949. Minters & Makers podcast feed. Minters & Makers by Art Blocks: JMY appeared alongside Rob Dixon and Cole Sternberg in a 54-minute episode aired May 12, 2022. https://feeds.buzzsprout.com/1905676.rss. I JMY
  2950. Mirror Archive preserves AnaPet's profile text, including the artist's Florida base and code and art orientation. profile I AnaPet
  2951. MISA curated profile. MISA’s artist page situates LoVid’s work across DIY engineering, generative code, fabric, stained glass, and exhibitions. https://www.misa.art/artists/lovid. I LoVid
  2952. MISA’s interview addresses Kusano’s feminist position, collaborative method, and critical affection for magical-girl culture. MISA interview I Kusano
  2953. MIT Alumni. MIT Alumni Association profiles Reben's practice of collaborating with AI to create paintings and sculptures. https://www.youtube.com/watch?v=EQzdIh8tVTU. I Reben
  2954. MIT List. The MIT List Visual Arts Center records Whitman’s residency and the creation of Black Dirt. https://listart.mit.edu/exhibitions/robert-whitman-black-dirt-artist-residence. I Whitman
  2955. MIT Media Lab, Future Sketches group overview. MIT Media Lab I Lieberman
  2956. Mitchell Chan. Ensemble’s creator profile links Chan with Beggar’s Belief, Digital Zones, and LeWitt Generator Generator. https://www.ensemble.art/profile/0x4BF3805B23c99f8E0a5797E86fd0232A04a2a629. I Chan
  2957. Mitchell Chan: The Blockchain Experience. The Blockchain Experience episode features Chan discussing his new-media and blockchain practice. https://music.amazon.in/podcasts/a5725644-fd2b-45c9-87ff-504ed4f3369d/episodes/f48cf777-4d02-41d5-b5fc-e5688ef33e3d/the-blockchain-experience-season-2-episode-3-mitchell-chan. I Chan
  2958. Mitchell F. Chan artworks. Nguyen Wahed’s artwork index lists examples from Chan’s physical and digital practice. https://nguyenwahed.com/artworks/categories/7/. I Chan
  2959. Mitchell F. Chan. “LeWitt Generator Generator artist explanation.” https://chan.gallery/lewitt-generator-generator/. Accessed 18 September 2026. I Chan; II 115
  2960. Mitchell F. Chan. “NFTs, Generative Art, and Sol LeWitt.” 26 July 2021. https://medium.com/@mitchellfchan/nfts-generative-art-and-sol-lewitt-e99a5fa2b0cb. Accessed 18 September 2026. II 115
  2961. Mixmag Brasil. A Portuguese-language feature surveys PLS&TY’s music career and engagement with NFTs. https://mixmag.com.br/feature/melodias-que-transcendem-a-ascensao-musical-de-pls-and-ty-alem-dos-numeros-estatisticas-e-nfts. I PLS&TY
  2962. MoA+L. The Museum of Art + Light in Manhattan, Kansas opened in November 2024 and will host EMULATION: Selections from the Art Blocks 500 from March through August 2026. https://artlightmuseum.org/explore/. I Hiley-Mann
  2963. MOCA Tucson Exhibition. Documentation of the 2016 exhibition Meeting the Clouds Halfway at MOCA Tucson featuring collaborations with Terrol Dew Johnson. https://moca-tucson.org/exhibition/aranda-lasch-fall-2016/. I Aranda\Lasch
  2964. MoCDA conversation. A recorded MoCDA conversation brings Hackatao and hex6c together to discuss digital and crypto art. https://uk-podcasts.co.uk/podcast/mocda-museum-of-contemporary-digital-art/hackatao-and-hex6c-live-on-mocda. I hex6c
  2965. MoCDA records Speziari’s birth year, multidisciplinary development, 2018 turn toward crypto art, and the narrative of the Clods series. MoCDA I Speziari
  2966. MoCDA's interview with 38‰ discusses the duo's collaboration and its optical and generative work with color and geometry. MoCDA interview I donnoh
  2967. MoCDA's Not Only RGB exhibition included 38‰, the collaboration of Mattia Cuttini and Luca Donno. MoCDA exhibition I donnoh
  2968. Models.com documents Richardson’s editorial assignments, clients, exhibitions, and screen work. Models.com I Richardson
  2969. Modern Musician featured Justin Boreta in a podcast episode exploring his blend of music, mindfulness, and technology in creative practice. Modern Musician Podcast I Boreta
  2970. MoMA. MoMA records three Paglen works in its collection and lists exhibitions in which they appeared. https://www.moma.org/collection/artists/69988. I Paglen
  2971. MoMA. MoMA’s artist record indexes works and the museum’s 1973 Projects exhibition. https://www.moma.org/artists/6350-robert-whitman. I Whitman
  2972. MoMA defines generative art as work created through autonomous systems or code, often involving randomness or chance. MoMA glossary I tuplart
  2973. MoMA discusses the classified military insignia and coded visual language collected in Five Classified Aircraft. Classified insignia I Paglen
  2974. MoMA documents Crowbot Jenny, its materials, scientific collaboration, and inquiry into cross-species communication. MoMA I Sputniko!
  2975. MoMA explains the military facial-recognition dataset underlying It Began as a Military Experiment. MoMA artwork I Paglen
  2976. MoMA press office. MoMA’s press release details the New York and Seoul presentations of A LIVING POEM. https://press.moma.org/wp-content/uploads/2025/08/PressRelease_SashaStiles_Final.pdf. I Stiles
  2977. MoMA records Xenix as a seven-channel, silent, real-time 3D video from 2013. MoMA collection I Robak
  2978. MoMA video record. MoMA records Behold These Glorious Times! as a 2017 high-definition video with sound. https://www.moma.org/collection/works/427856. I Paglen
  2979. MoMA's exhibition page for Bauhaus 1919-1933: Workshops for Modernity documents the museum's major Bauhaus retrospective framing. MoMA Bauhaus exhibition I cryptobauhaus
  2980. MoMA's Post essay situates Mirtha Dermisache's illegible writings in relation to painting, writing, mass media, and conceptual art. MoMA Post I Ofman
  2981. MoMA, EyeWriter collection page, object number 777.2011. moma.org I Lieberman
  2982. moma.org/collection/works/505094. MoMA collection record for Chromie Squiggle #2022, catalogued as interactive on-chain HTML and JavaScript generative code. https://www.moma.org/collection/works/505094. I Calderon
  2983. MoMA’s 1973 press release describes Projects: Robert Whitman and its treatment of time, performance, and everyday imagery. MoMA archive I Whitman
  2984. Mona. “James Turrell: Amarna.” Museum of Old and New Art. https://mona.net.au/stuff-to-do/art/james-turrell-armana. Accessed 22 September 2026. II 095
  2985. MONDA's activities record describes its Human Unreadable presentation and performative talk. MONDA I Operator; I Rosenlykke
  2986. Mondo. Mondo profiles CJ Carr as one half of DADABOTS and summarizes the duo's formation and research history. https://www.mondo.nyc/speakers-2022/cj-carr. I dadabots
  2987. Money Vortex. Feral File presents Money Vortex as generative audiovisual wealth-manifestation sessions. https://feralfile.com/exhibitions/series/money-vortex-zja. I Pikelny
  2988. Monica Rizzolli exhibitions. Gazelli's artist archive records Rizzolli's exhibitions with the gallery. https://gazelliarthouse.com/artists/296-monica-rizzolli/exhibitions/. I Rizzolli
  2989. Monokai, Art inside the Universal Rayhatcher algorithm: participant-authored SDF scenes, compact language, title-based seeds, and plotter-ready output. monokai.com ↩ I Pasma
  2990. Monte di Pietà catalogue. Fondazione Prada’s catalogue page identifies the extensive Monte di Pietà publication. https://www.fondazioneprada.org/product/monte-di-pieta/. I Chan
  2991. Montevideo Fulldome Festival. The Montevideo festival schedule records Wajufos's talk on Creative Code Art and inclusive cultural spaces. https://fulldomefestivalmvd.com/schedule. I Wajufos
  2992. Montevideo Fulldome Festival lists Wajufos's 2026 talk about building inclusive spaces through Creative Code Art. festival-talk I Wajufos
  2993. Monthly Music Hackathon NYC presented David Lu as a software engineer, electronic musician, and media artist. event I Lu
  2994. moody.rice.edu/art/snowfro. Rice University's Moody Center for the Arts on Chromie Squiggle #9950, installed in the O'Connor Building after the artist's gift. https://moody.rice.edu/art/snowfro. I Calderon
  2995. Moon Coffee Co spotlight on Glas's Oncyber gallery and artistic evolution. Moon Coffee Co I Glas
  2996. Mosam, Vidaurre, and De Giuli examine phase transitions, timescales, and predictive complexity in Markov models. Markov-model research I De Giuli
  2997. Motion, Story & Sound. Coffee with Captain features McAteer discussing motion, sound, storytelling, and on-chain creativity. https://music.amazon.in/podcasts/2c1fae9f-8c67-4ae3-9864-ce2485ba135a/episodes/ee90d3de-e069-4757-8ce1-c9e6cbbdc91d/coffee-with-captain-crypto-markets-products-and-culture-crypto-market-momentum-motus-art-on-motion-story-sound. I Motus Art
  2998. Motus Art. “Balletic official description.” https://owenmcateer.com/balletic/. Accessed 19 September 2026. I Motus Art; II 333
  2999. MOTZKO's John Provencher collection page documents holdings across the artist's browser-native, generative, and game-based work. MOTZKO I provencher
  3000. MOTZKO's Martin Grasser collection page documents holdings of LOVE, Squares, and Themes and Variations. MOTZKO I Grasser
  3001. MOTZKO's Maya Man collection page documents holdings across FAKE IT TILL YOU MAKE IT, StarQuest, I'm Feeling Lucky, Hard Copy, and related works. MOTZKO I Man
  3002. MOTZKO, Casey Reas collection page: holdings across There's No Distance, 923 Empty Rooms, and the CENTURY family. motzko.net I REAS
  3003. MOTZKO, Jan Robert Leegte collection page: holdings across ten browser-native and on-chain works. motzko.net I Leegte
  3004. MOTZKO, Jeff Davis collection page: holdings across twelve generative works from 2021 to 2025. motzko.net I Davis
  3005. MOTZKO, John Gerrard collection page: holdings across five simulation and generative works. motzko.net I Gerrard
  3006. MOTZKO, Kim Asendorf collection page: holdings across monogrid, SABOTAGE, Cargo, pixel works, and later on-chain animations. motzko.net I Asendorf
  3007. MOTZKO, Rafaël Rozendaal collection page: holdings across eleven browser-native and on-chain works. motzko.net ↩ I Rozendaal
  3008. Mountains and Drop Shadows. Mountains and Drop Shadows, Upstream Focus presentation of the generative drop-shadow works. https://www.upstreamgallery.nl/exhibitions/242/upstream-focus-mountains-and-drop-shadows. I Leegte
  3009. MountVitruvius. “Renders Game official description.” https://www.mountvitruvius.art. Accessed 19 September 2026. I Hiley-Mann; II 407
  3010. mowna's OUTRAGEOUS! exhibition page lists Amy Goodchild among the featured digital artists. mowna-outrageous I Goodchild
  3011. Mozilla documents de la Rouviere’s Ethereum gas-price extension and its network-fee interface. Ethereum utility I de la Rouviere
  3012. Mozilla lists Quick Maths as a browser calculator built by de la Rouviere. Mozilla add-on I de la Rouviere
  3013. Mozilla. “MDN Web Docs: parseInt().” https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Global_Objects/parseInt. Accessed 18 September 2026. II 182
  3014. mpkoz. “Bokeh official description.” https://mpkoz.com. Accessed 19 September 2026. II 491
  3015. mpkoz. “Metropolis official description.” https://www.brightmoments.io/metropolis. Accessed 19 September 2026. I Kozlowski; II 396
  3016. Mpls Art: Vortex exhibition. Porch Gallery in Minneapolis partnered with Art Blocks to exhibit works from Jen Stark's Vortex series in 2022, bridging physical gallery and digital NFT experiences. https://www.mplsart.com/events/vortex-jen-stark. I Stark
  3017. mplus.org.hk. M+ Museum in Hong Kong commissions Atlas of Blobs (2022) as part of its digital commissions series exploring the intersection of visual culture and technology. https://www.mplus.org.hk/en/exhibitions/zachary-lieberman-atlas-of-blobs/. I Lieberman
  3018. MRI of the Earth. Variable documents MRI of the Earth as a machine-learning data-art collaboration addressing climate change. https://variable.io/mri-of-the-earth/. I Ignac
  3019. much better than this .com. much better than this .com is the animated browser work later presented across Times Square's electronic billboards. https://www.muchbetterthanthis.com/. I Rozendaal
  3020. Mulheres Centrais: Monica Rizzolli. Garapa's Mulheres Centrais profile situates water, drawing, discipline, and research within Rizzolli's earlier practice. https://www.garapa.org/mulherescentrais/monica/index.html. I Rizzolli
  3021. Musée Magazine. Musée Magazine republishes an interview in which Paglen discusses his route from sound and moving-image work into photography. https://museemagazine.com/features/2020/6/17/from-our-archives-trevor-paglen. I Paglen
  3022. Museo Reina Sofía documents the media and significance of Bathroom Sink. Reina Sofía I Whitman
  3023. Museu do Amanhã records the dates, touring history, and interactive premise of Arte de Código Aberto. Museu do Amanhã I Vamoss
  3024. Museu do Amanhã's 2024 annual report documents the exhibition's 141,677 visitors and its accessibility measures. Annual report I Vamoss
  3025. Museu do Amanhã's documentation center records Vamoss's full name, career, and death in January 2025. Museu do Amanhã archive I Vamoss
  3026. Museum Angewandte Kunst. Museum Angewandte Kunst’s Unblock Gaudi exhibition contextualized generative, motion, AI, and blockchain art within changing digital culture. https://www.museumangewandtekunst.de/en/visit/exhibitions/2022/unblock-gaudi/. I steen
  3027. Museum Folkwang, Bring Your Own Beamer: the 2010 origin of Rozendaal's open projector format and its expansion to roughly 500 events internationally. museum-folkwang.de ↩ I Rozendaal
  3028. Museum Folkwang, Polychrome Music: 29 KB generator, 180 musical patterns, infinite duration, and dialogue between sound and colour. colorcodecommunication.com ↩ I Rozendaal
  3029. Museum Ghost's July 2026 essay, developed through direct conversation with Brinkman, interprets his bright visual language as a controlled vocabulary whose approachable surface carries concerns about memory, technology, and connection. Museum Ghost Critical Essay 2026 I Brinkman
  3030. Museum of Contemporary Digital Art, Curvescape VII: noise flow field, topographic linework, and computational drawing. mocda.org ↩ I Golid
  3031. Museum of Crypto Art profile describing the artist's vision of mathematical beauty and the divine. museumofcryptoart.medium.com I Aggott-Hönsch
  3032. Museum of Modern Art. MoMA’s artist record identifies Stiles as Kalmyk-American, born in 1980, and lists A LIVING POEM. https://www.moma.org/collection/artists/140170. I Stiles
  3033. Museum of Modern Art artist page documenting Aranda\Lasch works in the collection, including those made in collaboration with Terrol Dew Johnson. MoMA I Aranda\Lasch
  3034. Museum of Modern Art, Light: Rafaël Rozendaal: paper storyboards, real-time browser works, 135 KB total file size, and Digital Wall installation. moma.org ↩ I Rozendaal
  3035. Museum of the Moving Image explains Tide Predictor’s mechanics, 400 outputs, institutional acquisition, and 2024 installation. MoMI exhibition I LoVid
  3036. Museum of the Moving Image presents Soria-Rodríguez and his work in its Schlosser Media Wall community-curation selection. MoMI I Soria-Rodríguez
  3037. Museum of the Moving Image records Regina Harsanyi’s appointment, her digital-preservation work, and her role in growing and preserving the museum’s media-art collection. MoMI appointment release I LoVid
  3038. museumghost.art. Joana Kawahara (Museum Ghost), "Alexis André: sparkling code, care and craft" (March 2026): a "Friend of the Artist" essay on his poetics of time, grief, play, and craft, from 720 Minutes and Departed to Navette and Friendship Bracelets. https://www.museumghost.art/a-friend-of-the-artist/alexis-andre. I André
  3039. MuseumNext. MuseumNext discusses AI-generated soundscapes in Museum Barberini's Music Walks project, a relevant institutional context for AI music in museums. https://www.museumnext.com/article/how-ai-and-a-superstar-dj-are-transforming-museum-visits-at-the-museum-barberini/. I dadabots
  3040. museumofcrypto.substack.com. The Museum of Crypto Art publishes The 100-Million-Word Birth of Art DeCC0 Agents, documenting the artist's 2025 project creating a massive character codex. https://museumofcrypto.substack.com/p/the-100-million-word-birth-of-art. I Aggott-Hönsch
  3041. MuseumWeek artists. MuseumWeek’s artist directory includes Phaust among participating creators. https://www.museum-week.org/es/artists. I Phaust
  3042. MuseumWeek documents Co(r)ral’s algorithmic edition, ecological theme, dot construction, and changing visual states. MuseumWeek artwork I Phaust
  3043. MuseumWeek partners. MuseumWeek describes its partnership with Verse for the Reconciliation with the Living exhibition. https://www.museum-week.org/pt/partners. I Phaust
  3044. Music Business Worldwide, "Jean-Michel Jarre launches infinite music app EōN" (November 2019): the generative music and visual app with Alexis André. musicbusinessworldwide.com I André
  3045. music.amazon.co.jp/podcasts/proof-of-art-han-saglam. Particle Collection podcast: Han Saglam on transforming art with generative code and smart contracts. https://music.amazon.co.jp/podcasts/d4669b78-0313-4a3d-8b4f-f92426f22bf5/episodes/47bc5658-62ca-471b-9b83-f03a8dcfd573/proof-of-art-han-saglam-transforming-art-with-generative-code-smart-contracts. I Saglam
  3046. MUTEK. MUTEK Montreal maintains an artist profile detailing Carreras's focus on generative algorithms and interactive technology as experience generators. https://montreal.mutek.org/en/artists/anna-carreras. I Carreras
  3047. MUTEK ES. “GCRLL (Guido Corallo) artist biography.” https://barcelona.mutek.org/en/artists/gcrll-guido-corallo. Accessed 17 September 2026. II 072
  3048. MUTEK’s first-wave announcement lists Night Sea in the inaugural San Francisco festival program. MUTEK I Night Sea
  3049. MutualArt. MutualArt's artist overview lists Emmanuel Moses as a Panamanian artist born in 1986 and indexes press coverage. https://www.mutualart.com/Artist/Emmanuel-Moses/A71DDCF9FAD73233. I Autonomoses
  3050. MutualArt. MutualArt archives auction results and provenance data for works by the collaborative artist identity Han x Nicolas Daniel. https://www.mutualart.com/Artist/Han-x-Nicolas-Daniel/C300BBB39FA84C4F. I Daniel
  3051. MutualArt. Artist overview and biography section. https://www.mutualart.com/Artist/Armaghan-Fatemi/AC178B59921054C7. I Fatemi
  3052. MutualArt. MutualArt records Karim's Sotheby's lot and the 2023 Lumen Prize shortlisted artists exhibition. https://www.mutualart.com/Artist/Fahad-Karim/115CE68BD49259A6. I Karim
  3053. MutualArt. MutualArt artwork record for Singularity #568 with market history. https://www.mutualart.com/Artwork/Singularity--568/CCFAD2EE1D13CFF86F6705E1F22C065E. I Tsukamoto
  3054. MutualArt artist auction data. MutualArt tracks multiple Memories of Qilin lots and notes percentage performance relative to estimates. https://www.mutualart.com/Artist/Emily-Xie/B87C4A9555D6E9B2. I Xie
  3055. MutualArt artist page. MutualArt tracks Jen Stark's auction history, with realized prices for sculptures reaching over 40,000 USD and notable NFT sales. https://www.mutualart.com/Artist/Jen-Stark/A37BEECFE6E22CB8. I Stark
  3056. MutualArt biography. MutualArt maintains a biographical and career profile documenting Joshua Bagley as an American generative artist working with code and plotter output. https://www.mutualart.com/Artist/Joshua-Bagley/67FED9232B13A6B9/Biography. I Bagley
  3057. MutualArt biography. MutualArt maintains a biographical and exhibition archive for Mathikshara. https://www.mutualart.com/Artist/Laya-Mathikshara/CCE21DE3344F3486/Biography. I Mathikshara
  3058. MutualArt biography and milestones. MutualArt I Sun
  3059. MutualArt catalog of works. MutualArt Catalog I Katzenmeyer
  3060. MutualArt maintains an auction and press archive for Erin Bees covering lattice organism and neural triptych. MutualArt archive I Beesley
  3061. MutualArt preserves the auction record, medium, and execution year for Spectron #249. MutualArt auction I De Mai
  3062. MutualArt records sail-o-bots #589 as a 2021 interactive animation and contextualizes it among related lots. MutualArt work record I sturec
  3063. mutualart.com. MutualArt artist biography and record prices, documenting auction history and selected group exhibitions including GEN/GEN at Gazelli Art House. https://www.mutualart.com/Artist/Darien-Brito/87139AA2D1B6A02A. I Brito
  3064. mutualart.com. MutualArt listing for the Mountains and Drop Shadows exhibition. https://www.mutualart.com/Exhibition/Jan-Robert-Leegte--Mountains-And-Drop-Sh/28E0F03A5ED131A1. I Leegte
  3065. mutualart.com/Artist/Shvembldr/701BC16D25368B4E. MutualArt auction records and market data for Shvembldr, tracking secondary sales across major NFT marketplaces. https://www.mutualart.com/Artist/Shvembldr/701BC16D25368B4E. I Shvembldr
  3066. MutualArt’s artist archive lists multiple sail-o-bots works and their auction history. MutualArt artist archive I sturec
  3067. MutualArt’s artist record associates De Mai with a 2022 exhibition at Zuzeum Art Centre. MutualArt profile I De Mai
  3068. Mykorhizae: laser engraved artworks and Marfa 2023 presentation. jmy.art/essay/mykorhizae I JMY
  3069. N2FT. Galerie Charlot documents Gachadoat's inclusion in the group exhibition N2FT. https://www.galeriecharlot.com/fr/expo/197/N2FT. I Gachadoat
  3070. N=12 catalogue. Feral File’s N=12 catalogue includes Bremer and reproduces process material for her work. https://feralfile.com/assets/N12_links_added_Exhibition_catalogue.pdf. I Bremer; I Pasma; I RalenArc; I Reva; I Vella; I ippsketch
  3071. N=12 report. Odaily reports Reva’s participation in the twelve-artist generative exhibition N=12. https://www.odaily.news/en/activity/778. I Reva
  3072. Nadieh Bremer. An earlier PolicyViz episode considers Bremer’s interactive and static projects following OpenVisConf. https://policyviz.com/podcast/episode-65-nadieh-bremer/. I Bremer
  3073. Nadieh Bremer. “About Nadieh Bremer (Visual Cinnamon).” Visual Cinnamon. https://www.visualcinnamon.com/about/. Accessed 18 September 2026. I Bremer; II 192
  3074. Nadieh Bremer. “Rotae: artist project page and making-of (Visual Cinnamon).” Visual Cinnamon, 20 October 2021. https://www.visualcinnamon.com/collection/rotae. Accessed 18 September 2026. I Bremer; II 192
  3075. Naïve on Raster. Raster records an individual Naïve output as an Art Blocks work by Olga Fradina. https://www.raster.art/token/ethereum/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/483000196. I Fradina
  3076. NASA Earth Observatory documents circular desert fields produced by center-pivot irrigation in satellite imagery. NASA desert crop circles I Hughes
  3077. NASA Earth Observatory explains that central pivot irrigation uses long wheeled pipes rotating around a central well. NASA crop circles in Kansas I Hughes
  3078. Nat Sarkissian. “Life and Love and Nothing official description.” https://curealz.org/news-and-events/digital-art-auction-to-benefit-our-research/. Accessed 19 September 2026. I Hodgin; I Sarkissian; II 472; II 473; II 474; II 475
  3079. Natalee / NFT Culture. “NFT Culture Daily Drop 1/18/22.” 18 January 2022. https://www.nftculture.com/daily-drop/nft-culture-daily-drop-1-18-22-veve-amazing-spider-man-cool-among-us-art-blocks/. Accessed 18 September 2026. I Ento; II 239
  3080. National Film Board of Canada, Wayfinder: procedural landscape, generative poetry, WebGL, and ephemeral journeys. nfb.ca ↩ I DesLauriers
  3081. National Inventors Hall of Fame. The National Inventors Hall of Fame profiles Frank Zybach and the development of self-propelled irrigation. https://www.invent.org/inductees/frank-zybach. I Hughes
  3082. National Museums Scotland. “The Jacquard loom: Innovation in textiles and computing.” https://www.nms.ac.uk/discover-catalogue/the-jacquard-loom-innovation-in-textiles-and-computing. Accessed 17 September 2026. II 152
  3083. National Taiwan Museum of Fine Arts. Taiwan’s National Museum of Fine Arts documents a 2020 visit led by Lin and the Taiwan Sound Lab. https://www.ntmofa.gov.tw/News_Content.aspx?n=1385&s=67106. I Lin
  3084. National Taiwan University. National Taiwan University records Lin’s current teaching role and work across immersive sound, digital art, and interactive media. https://tbd.ntu.edu.tw/?p=2815. I Lin
  3085. Natthakit Susanthitanon (NSmag). “Daisies official description.” https://twitter.com/nsmagx. Accessed 19 September 2026. II 306
  3086. Nature 150 archive. BarabasiLab's 150 Years of Nature work page documents a network-visualization project around Nature. https://barabasi.com/art/work/150-years-of-nature. I BarabasiLab
  3087. Nearmap defines aerial view as a top-down perspective above the Earth's surface used to understand landscapes, structures, and terrain. Nearmap glossary I daLenz
  3088. Nebraska Public Media. Nebraska Public Media presents a video history of center-pivot irrigation and Frank Zybach's invention. https://nebraskapublicmedia.org/series-media/history-moments-video/standalone-video-16498/center-pivot-irrigation-50006047/. I Hughes
  3089. Neo Art Discovery. Neo Art Discovery surveys Zumbrunn’s custom-coded tools, hybrid material process, and principal series. https://www.neoartdiscovery.com/featured/florian-zumbrunn. I Zumbrunn
  3090. Neo Botanica. LOAD Gallery presents Phenomena Labs in Neo Botanica, an exhibition devoted to artificially generated flora. https://load-gallery.com/exhibitions/neo-botanica/phenomena-labs. I phenomena
  3091. Neo Botanica. Load Gallery lists Sarkissian in the group exhibition Neo Botanica: An Atlas of Artificially Generated Flora. https://load-gallery.com/exhibitions/group-show-neo-botanica. I Sarkissian
  3092. NEORT++ documents the dates and cellular-automaton mechanics of the Rain Blooms exhibition. NEORT++ I Tanimoto
  3093. NEORT++ exhibitions. NEORT++ documents Computational Poetry and its participating artists in its exhibition archive. https://two.neort.io/en/exhibitions. I Tanimoto; I encapsuled
  3094. NEORT++ identifies Michelangelo (encapsuled) as an Italian artist using conventional and asemic language, with meaning and simplicity as core themes. neort-profile I encapsuled
  3095. NEORT’s exhibition page provides Reva’s education, engineering history, community activity, exhibition record, and account of her porcelain-inspired practice. NEORT I Reva
  3096. Net Art Anthology. Rhizome’s Net Art Anthology presents Re-Move .org as a landmark born-digital artwork. https://sites.rhizome.org/anthology/re-move.html. I LIA
  3097. net-art.org. net-art.org profile of the artist. https://net-art.org/jan-robert-leegte. I Leegte
  3098. Neumeister Bar-Am, exhibition page for Google Maps as a Sculpture (2017), Würfel BLN, Berlin. neumeisterbaram.com I Leegte
  3099. New Atlas reported on dadabots' AI death metal livestream and its continuous real-time generation. New Atlas I dadabots
  3100. New Haven Arts: Jason Ting Lights Spark. Article on Ting's Spark Studies exhibition and his approach to light, motion, and meditative generative animation in a New Haven institutional context. https://www.newhavenarts.org/arts-paper/articles/jason-ting-lights-spark. I Ting
  3101. New Haven Independent: Artspace Spark Studies. Coverage of Ting's solo exhibition Spark Studies at Artspace New Haven, examining his multimedia generative works and their emotional resonance. https://www.newhavenindependent.org/article/artspace_spark_studies. I Ting
  3102. New Museum and Rhizome, release on the Endless Nameless gift: 1,000 works, 50 percent split, and more than 164 ETH directed to Rhizome. newmuseum.org ↩ I Rozendaal
  3103. New Researcher Award. UNC Charlotte reports Gökmen’s 2025-2026 Architectural Research Centers Consortium New Researcher Award and contextualizes his recent computational-design research. https://coaa.charlotte.edu/architecture-professor-wins-new-researcher-award/. I SAB
  3104. New Spirituality. Szum’s account of New Spirituality identifies Dudko’s virtual Totem and its conceptual focus on revered relationships, values, and beliefs. https://magazynszum.pl/nowa-duchowosc/. I Dudko
  3105. New Spirituality overview. The Rothko Museum’s exhibition overview places Dudko among the artists examining contemporary forms of spirituality. https://rothkomuseum.com/en/ekspozicija/new-spirituality/. I Dudko
  3106. New Wave. Curious Collector includes Växt in its January 2024 survey of notable digital-art releases. https://www.curiouscollector.art/p/new-wave-ai-weiwei-refik-anadol-bitcoin-ordinals/. I Tengil
  3107. New Yorker. The New Yorker profiles Art Blocks' Marfa gallery, situating Turner's practice within broader generative art history. https://www.newyorker.com/news/letter-from-the-south-west/when-nfts-invade-an-art-town. I Turner
  3108. newartdealers.org (Bookends). NADA record for Bookends (Study), the edition of fifty that translated a handmade ceramic form into code. https://www.newartdealers.org/programs/nada-miami-2022/artworks/8146. I Calderon
  3109. newartdealers.org (Pipe Squiggle). NADA artwork record for Chromie Squiggle #2990, a Pipe output shown in the Venus Over Manhattan presentation. https://www.newartdealers.org/programs/nada-miami-2022/artworks/8144. I Calderon
  3110. newartdealers.org (Venus presentation). NADA Miami 2022 presentation by Venus Over Manhattan, displaying the Squiggle types and Bookends (Study) in a purpose-built Infinite Objects cube. https://www.newartdealers.org/fairs/nada-miami-2022/presentations/578. I Calderon
  3111. newrafael.work. Rozendaal's current official site presents browser works, exhibitions, physical works, writings, and recent projects. https://www.newrafael.work/. I Rozendaal
  3112. News item on UCL Culture Lab Saturday workshops featuring a Persian rug motifs session led by Armaghan Fatemi. UCL East I Fatemi
  3113. Newsletter analysis of the collection's technical synthesis. Generate Coll I Sun
  3114. newsletter.generatecoll.com. Generate Collective newsletter discusses Pigments as a notable implementation of domain warping in generative art, referencing Brito's technical approach. https://newsletter.generatecoll.com/p/painting-robots-domain-shifting-and. I Brito
  3115. newyorker.com. The New Yorker's Rachel Monroe reports from Art Blocks' contested arrival in Marfa and tests the Squiggle's claims against local scepticism about art, aesthetics, and markets. https://www.newyorker.com/news/letter-from-the-southwest/when-nfts-invade-an-art-town. I Calderon; I Turner
  3116. Next Up. NFT Now interviews Soria-Rodríguez about NFTs, hand-coded algorithms, emotion, and technology. https://nftnow.com/next-up/next-up-marcelo-soria-rodriguez-on-emotions-machines-and-art/. I Soria-Rodríguez
  3117. Nexus Radio. PLS&TY reflects on creative ambitions, touring, and his musical process. https://nexus.radio/news/chasing-your-dreams-with-plsty. I PLS&TY
  3118. NFT AI Models on the Blockchain. A later essay surveys compact neural networks stored and executed through blockchain-based art projects. https://ryley-o.com/nft-ai-history/. I ryley-o.eth
  3119. NFT analytics platforms catalog trait distributions and collection statistics for Abstraction. NFT Valuations Abstraction I Hevey
  3120. NFT Art CDMX. Bright Moments documents the Mexico City collection and live-mint programme in which 1935 appeared. https://www.brightmoments.io/nft-art-cdmx. I Mapan
  3121. NFT Awards 2020 finalist listing for Ancestral Memory in the Most Innovative NFT category. prtimes.jp I Aggott-Hönsch
  3122. NFT Calendar archives a description of the project as code-based generative art concerned with land, sky, motion, and time. NFT Calendar I Ento
  3123. NFT Culture. NFT Culture previews Alan Ki Aankhen and describes the project's coded construction of windows and architectural elements. https://www.nftculture.com/nft-news/alan-ki-aankhen-by-fahad-karim-art-blocks/. I Karim
  3124. NFT Culture drop report. A contemporary drop report lists Gels as an Art Blocks Factory release by Jason Brown and Shawn Douglas on July 29, 2022. https://www.nftculture.com/nft-news/7-29-22-daily-drops-and-movers-update/. I Brown
  3125. NFT Culture profile identifying Generative Artworks as an artist duo based in the NYC area, founded in 2020. nftculture.com I Generative Artworks
  3126. NFT Culture reported on the Pace Verso and Art Blocks partnership for A.A. Murakami's first NFT project in December 2022. NFT Culture I A.A.Murakami
  3127. NFT Culture reports on Balance’s public release, interactivity, color, and sellout. NFT Culture I Milligan; I Vittoria
  3128. NFT Culture: Kyle Gold. Kyle Gold interview citing Glas among top three favorite NFT artists. https://www.nftculture.com/nft-artist-interviews/kyle-gold-2020-nft-artist-interview/. I Glas
  3129. NFT Culture: Orabelart. NFT Culture interview with Orabelart naming Glas as a key influence and praising her Pixel Cats and Adventure Series. https://www.nftculture.com/nft-artist-interviews/orabelart-nft-artist-interview/. I Glas
  3130. NFT Digital Art Exhibition. CLP’s exhibition record lists Speziari among the artists presented in the itinerant NFT Digital Art Exhibition. https://www.clp1968.it/mostra/nft-digital-art-exhibition/. I Speziari
  3131. NFT exhibition (curated). An NFT group exhibition curated by Jan Robert Leegte for Upstream Gallery. https://www.upstreamgallery.nl/news/1101/nft-exhibition-curated-by-jan-robert-leegte. I Leegte
  3132. NFT Ideas and Articles. Cotton’s curated Medium list documents his interest in writing about NFT production and generative coding. https://medium.com/%40markcotton_81658/list/95f8b249dcb9. I Cotton
  3133. NFT Magazine article describing Kubikino and its coded system of graphical faces. nftmagazine-kubikino I Melis
  3134. NFT Malayali documented Mathikshara's early software experiments and first NFT release. NFT Malayali I Mathikshara
  3135. NFT Market Report. A 2022 NFT market report indexes Freeplan among the collections it tracks. https://static.nftvaluations.com/reports/20221005%20-%20NFT%20Market%20Report%20Teaser.pdf. I Aksu; I Bell; I Block; I Brocher; I Cotton; I Danooka; I Davidson; I Devereux; I Ento; I Falco; I Ferrandez; I Glas; I Gold; I Green; I Hapeyenka; I Isaksen; I JEANVASCRIPT; I Jamieson; I Janajev; I Kapoor; I Karim; I MODNAR WOLF; I Mariansky; I PZS; I Pandelune; I Pasin; I Phaust; I Rockland; I SAB & K2xL; I Santiago; I Shivdasani; I Stranger in the Q; I Struhl; I Superblob; I Susanthitanon; I TheElephantNL; I Tonon; I WAWAA; I Watson; I WhaleStreet x pxlq; I Yan; I cyberia; I espina; I greatjones; I last-even; I makio135; I matto; I n e o; I onlygenerated; I r0zk0; I sgt_slaughtermelon & Tartaria Archivist; I steen; I sturec; I thetechnocratic; I toiminto.eth; I xenoliss; I Åström
  3136. NFT metadata study. A scholarly study examines how NFT standards and marketplaces define metadata and organize digital collections. https://arxiv.org/abs/2209.14395. I usnea
  3137. NFT Morning. NFT Morning hosts Zumbrunn and Greweb for a discussion of generative-art platforms, curation, distribution, and collaboration. https://www.nftmorning.com/p/559-art-generatif-n4-special-plateformes. I Zumbrunn
  3138. NFT Morning’s Paris Photo discussion with Butcher and curator Marlène Corbun covers Latent’s digital and physical pairing. NFT Morning I Butcher
  3139. nft now analyzes Checks as a response to paid verification and as an evolving token-based artwork. nft now I Butcher
  3140. NFT Now connected Seedlings to a 2019 fractal-tree study, New York green spaces, the release schedule, and a charitable allocation. release coverage I VES3L
  3141. NFT Now covered Rituals in an article on undervalued projects, noting its launch at Venice CA's Bright Moments gallery and subsequent album release. NFT Now Article I Boreta
  3142. NFT Now documentary explores the Art Blocks platform and its impact on generative art culture. NFT Now I Benhorin; I steganon
  3143. NFT Now identifies sgt_slaughtermelon as a rising generative artist and connects modernist experimentation with autoRAD. NFT Now I sgt_slaughtermelon & Tartaria Archivist
  3144. NFT Now interview with Kane on Contractual Obligations as performance art and critique of RarePass. nftnow.com I Kane
  3145. nft now listed Losing Oneself by Bjorn Staal among upcoming Cure3 digital section releases on fx(hash). nft now I Nonfigurativ
  3146. nft now podcast. A recorded panel discusses Shiseido’s Future Reflections collection and its use of Art Blocks Engine. https://nftnow.com/podcasts/generative-art-meets-skincare-with-shiseido/. I Yan
  3147. nft now profiles Yan’s contribution, The Transcendence, and quotes her account of its themes and collaborative development. nft now I Yan
  3148. NFT Now's feature covers Eko33's Solana activity, Le Monde Non Objectif, and Art Basel Miami residency. NFT Now feature I Duclaux
  3149. NFT Now's preview lists Intuitive by Asaf Slook and summarizes its launch context and print claim. NFT Now preview I Slook
  3150. NFT Now's upcoming drops listing documented Fleur as a November 2022 Art Blocks release of 300 algorithmic NFTs. nftnow I AnaPet
  3151. NFT Now’s dated release preview identifies Miragem as a 256-edition Art Blocks project and describes its concerns with rhythm, balance, texture, mathematics, and randomness. release-preview I Third Vision
  3152. NFT Price Floor. The NFT Price Floor collection page aggregates pricing and edition statistics for Asemica. https://nftpricefloor.com/asemica-by-emily-edelman-dima-ofman-and-andrew-badr. I Badr; I Ofman
  3153. NFT Price Floor. NFT Price Floor records Bright's release date and supply of 360 unique works. https://nftpricefloor.com/bright-by-heeey. I Heeey
  3154. NFT Price Floor. NFT Price Floor maintains an artist-level market index for Isaksen. https://nftpricefloor.com/top-nft-artists/vebjorn-isaksen. I Isaksen
  3155. NFT Price Floor. NFT Price Floor tracks Para Bellum market data and sales history. https://nftpricefloor.com/para-bellum-art-blocks-curated-by-matty-mariansky. I Mariansky
  3156. NFT Price Floor. NFT Price Floor maintains a collection-specific market and chart record for Seasky. https://nftpricefloor.com/seasky-by-ralgo. I Ralgo
  3157. NFT Price Floor. Market and collection data for the montreal friend scale by amon tobin series on secondary platforms. https://nftpricefloor.com/tr/montreal-friend-scale-by-amon-tobin. I tobin
  3158. NFT Price Floor artist. NFT Price Floor's artist page aggregates collection level data under the Chaosconstruct creator name. https://nftpricefloor.com/top-nft-artists/chaosconstruct. I Kapoor
  3159. NFT Price Floor artist profile. NFT market data platform provides collection statistics, floor prices, and sales volume for Joshua Bagley's generative NFT projects. https://nftpricefloor.com/top-nft-artists/joshua-bagley. I Bagley
  3160. NFT Price Floor collection study. A market reference summarizes Dipolar's release date and 256-item supply. https://nftpricefloor.com/dipolar-by-junia-farquhar. I Farquhar
  3161. NFT Price Floor documents Spectron as a 400-item generative collection. Collection profile I De Mai
  3162. NFT Price Floor identifies Aerial View by daLenz as an Art Blocks Curated collection of 1,000 digital items on Ethereum. NFT Price Floor profile I daLenz
  3163. NFT Price Floor identifies the project as a 750-item Art Blocks Factory collection released in 2021. NFT Price Floor I sturec
  3164. NFT Price Floor indexes one project under Ryan Struhl’s creator record. NFT Price Floor I Struhl
  3165. NFT Price Floor provides market statistics and a descriptive overview of the Inspirals collection as a significant early Art Blocks Curated project. Inspirals Market Overview I Dixon
  3166. NFT Price Floor records Invisibles as a 200-item project in the Art Blocks collection. Collection record I IsmaHelio
  3167. NFT Price Floor records Net Net Net as a 33-item collection released in 2023. collection-record I Wajufos; I ilithya
  3168. NFT Price Floor records Semblance as a collection of 185 unique digital items. NFT Price Floor I iyer
  3169. NFT Price Floor records Subtle as a 256-item Art Blocks collection released in 2023. Collection record I Stallwood
  3170. NFT Price Floor records Synapses by Chaosconstruct as a 700 item NFT collection in Art Blocks Curated. NFT Price Floor collection I Kapoor
  3171. NFT Price Floor records the collection as 30 Ethereum-based digital items released on December 4, 2023. NFT Price Floor I Cohen
  3172. NFT Price Floor records Twos as an Art Blocks project consisting of 64 digital items. Twos collection record I Edelman
  3173. NFT Price Floor's Backwards page records the project as a 300 item Art Blocks collectible released in 2023. NFT Price Floor Backwards I Slook
  3174. NFT pricing. What Determines the Price of NFTs examines how image, text, trading volume, and online presence relate to prices. https://arxiv.org/abs/2310.01815. I sgt_slaughtermelon & Tartaria Archivist
  3175. NFT Project Research: ART BLOCKS. A research overview of Art Blocks collections discusses Dreams by Joshua Bagley as an exemplar of uneven-subdivision generative techniques. https://medium.com/@cripco/nft-project-research-art-blocks-db77e02f8be0. I Bagley
  3176. NFT QT identified Beesley as a young artist making generative art from her own code. NFT QT I Beesley
  3177. NFT Rome event archive. The archived ticket record provides dates, venues, exhibitions, and speakers for NFT Rome 2023. https://app.mego.tickets/event/a09e0e3e-6155-4f99-ab22-e8d0248e0b76. I Pasin
  3178. NFT Valuations. NFT Valuations maintains an artist overview page tracking portfolio, market activity, and notable sales for Dean Blacc. https://nftvaluations.com/artists/dean-blacc/overview. I Blacc
  3179. NFT Valuations. NFT Valuations artist page aggregates sales history, collector data, and project timelines for Dean Blacc across platforms. https://nftvaluations.com/artists/dean-blacc/artworks. I Blacc
  3180. NFT Valuations. NFT Valuations maintains a collection-level properties archive for autoRAD. https://nftvaluations.com/collections/autorad-by-sgt-slaughtermelon-tartaria-archivist/properties. I sgt_slaughtermelon & Tartaria Archivist
  3181. NFT Valuations Archive. The NFT Valuations activity log provides transaction history and ownership patterns for Asemica tokens. https://www.nftvaluations.com/collections/asemica-by-emily-edelman-dima-ofman-andrew-badr/activity. I Badr
  3182. NFT Valuations indexes Center Pivot by Craig Hughes & Eric Hughes as 222 unique NFTs in the Art Blocks Factory universe. NFT Valuations analytics I Hughes
  3183. NFT Valuations lists Space Birds among generative collections added in the second half of 2021. market report I Cotton; I De Mai; I Ferrandez; I Gold; I Hapeyenka; I Hewitt; I JEANVASCRIPT; I Karim; I MODNAR WOLF; I Pandelune; I Pasin; I Rockland; I SAB & K2xL; I Santiago; I Shivdasani; I Struhl; I TheElephantNL; I Tonon; I WAWAA; I WhaleStreet x pxlq; I donnoh; I greatjones; I n e o; I onlygenerated; I sgt_slaughtermelon & Tartaria Archivist; I xenoliss
  3184. NFT Valuations provides a dedicated overview page for electralina, cataloging the artist's NFT collections and market activity. NFT Valuations I Electralina
  3185. NFT Valuations provides detailed data and exploration tools for the Fermented Fruit collection. NFT Valuations I cyberia
  3186. NFT Yearly Report. The 2020 yearly NFT report surveys the market and the increasing visibility of crypto art and auction activity. https://nonfungible.com/static/reports/2020-yearly-nft-market-report.pdf. I Brukhman; I Jones
  3187. nft-in.com/itw-han. NFT-in interview with Han Saglam covering CryptoCubes origins, architecture background, and vision for 3D NFT design. https://nft-in.com/itw-han. I Saglam
  3188. nftculture.com. NFT Culture interviews Snowfro at the completion of the eight numbered Art Blocks Curated series about curation, continuity, and the platform's future. https://www.nftculture.com/nft-news/artblocks-announces-the-end-of-series-projects/. I Calderon
  3189. nftnow, "The Story Behind Art Blocks' Latest Trending Project" (January 2023): video interview with Snowfro and Alexis André on Friendship Bracelets and physical bracelet making. youtube.com I André
  3190. nftnow.com. nftnow, "All Eyes on Art: Upcoming Collections to Watch the Week of July 15" (July 2024): preview of Frontline. https://nftnow.com/art/all-eyes-on-art-upcoming-collections-to-watch-the-week-of-july-15/. I André
  3191. nftplazas.com. NFT Plazas covers the Metropolis launch, the five-city structure, and the physical-plus-digital concept. https://nftplazas.com/art-blocks-bright-moments/. I Kozlowski
  3192. nftpricefloor.com. NFT Price Floor aggregates market data for Lieberman's four NFT collections, tracking market cap and price floors across platforms. https://nftpricefloor.com/top-nft-artists/zach-lieberman. I Lieberman
  3193. Nguyen Wahed's London exhibition page documents the later 2025 presentation of works from Chan's Zantar trilogy. gallery I Chan
  3194. Nguyen Wahed's New York exhibition page documents the first 2025 presentation of Insert Coin(s) and its Zantar-related video-game works. gallery I Chan
  3195. Nicole Vella. “This Is Not A Rock official description.” https://nicolevella.com/thisisnotarock/. Accessed 19 September 2026. II 465
  3196. Niel de la Rouviere. “Silhouette official description.” https://twitter.com/nieldlr. Accessed 19 September 2026. II 267
  3197. niftynoon.substack.com. NiftyNoon newsletter coverage of the Contractual Obligations controversy and Twitter Spaces confrontation with Pindar van Arman. https://niftynoon.substack.com/p/niftynoon-matt-kane-against-the-world. I Kane
  3198. Night Sea. “l.o official description.” https://l-dot-o.webflow.io/. Accessed 19 September 2026. I Night Sea; II 460
  3199. Nightingale reports Ignac’s distinction between evaluative visualization, generative abstraction, and their combination in data art. Nightingale I Ignac
  3200. Nightingale’s 2019 interview traces Bremer’s development from astronomy and data science into data visualization. Nightingale I Bremer
  3201. Niio interviews Tanchum about mediated reality, natural phenomena, algorithms, collaboration, and public environments. niio-interview I phenomena
  3202. Nikkei. Nikkei's speaker profile records Sputniko!'s Tokyo base and British-Japanese identity. https://www.global-nikkei.com/diversity/24/en/contents/speakers/Sputniko.html. I Sputniko!
  3203. Nikolaj Kunsthal describes CryptoPong as a group exhibition spanning XR, VR, AR, 3D, and NFT practices. cryptopong-exhibition I Rosenlykke
  3204. Nikolaj Kunsthal’s press page situates CryptoPong as a Scandinavian group exhibition focused on blockchain art. institutional-press I Rosenlykke
  3205. Nine CryptoPunks. Christie's catalogue documents nine CryptoPunks consigned directly by Larva Labs and sold as one lot in its 21st-century evening sale. https://www.christies.com/en/lot/lot-6316969. I Larva Labs
  3206. no one will realize. Sotheby’s catalogue situates no one will realize as a continuation of FAKE IT TILL YOU MAKE IT. https://www.sothebys.com/en/buy/auction/2024/lumen-prize-anniversary-auction-2024-an-auction-curated-by-auronda-scalera-alfredo-cramerotti-x-lumen-prize/no-one-will-realize. I Man
  3207. Node to Node. Node to Node in Paris previewed Change of Basis and connected on-chain systems to prints, plotters, and installations. https://www.katevassgalerie.com/news/node-to-node. I Golid
  3208. NODE's 10,000: Fast Art, Slow Looking. Le Random reviews NODE's 10,000 as an argument for exhibiting CryptoPunks as a live software stack rather than frozen images. https://www.lerandom.art/editorial/node-fast-art-slow-looking. I Larva Labs
  3209. NODE, 10,000: CryptoPunks presented through source code, palette, attributes, marketplace functions, live transfers, and Ethereum blocks. nodefoundation.com ↩ I Larva Labs
  3210. Noise Factor. Noise Factor’s blog archive lists a featured-artist article by Hewitt about generative lighting experiments made with Noisedeck 2.0. https://noisefactor.io/blog/. I Hewitt
  3211. Nomark Records. “Nomark Records label site.” Nomark Records (Bandcamp-hosted). https://www.nomark.net. Accessed 20 September 2026. II 313
  3212. Non-quantum superpositions. Heft Gallery presents a solo project on AI models trained from the artist’s hand-coded systems. https://heftgallery.com/exhibition/non-quantum-superpositions-of-human-machine-emotional-states. I Soria-Rodríguez
  3213. NonFungible reports. The NonFungible Corporation archive preserves its series of reports on NFT market activity. https://nonfungible.com/reports. I sgt_slaughtermelon & Tartaria Archivist
  3214. Northeastern faculty. Northeastern's faculty profile records Barabási's institutional roles and current research context. https://cos.northeastern.edu/people/albert-laszlo-barabasi/. I BarabasiLab
  3215. Northeastern profiled Barabási's movement between sculpture, physics, network science, and art. Northeastern profile I BarabasiLab
  3216. Not Only RGB introduction. MoCDA's curatorial introduction examines the digital treatment of color in Not Only RGB and describes the contribution of 38‰. https://www.mocda.org/post/introduction-to-not-only-rgb. I donnoh
  3217. Novation. Novation feature on his synthesizer work and approach. https://novationmusic.com/articles/introducing-synth-snackables-peak-legowelt/. I Wolfers
  3218. Now Then Magazine discusses Reeps One's collaboration with Dadabots and the idea of modelling a vocal essence through deep learning. Now Then I dadabots
  3219. NPR's All Things Considered reports on the ethical implications of Reben's intentionally harmful robot and its relationship to Asimov's laws. NPR ethics I Reben
  3220. NPR's Weekend Edition Saturday profiles Reben's Boxie robot and its success at getting people to open up during interviews. NPR interview I Reben
  3221. NSS Magazine identifies Speziari’s Clod 310 in the 2021 exhibition 2121: Crypto Art Is Now. NSS Magazine I Speziari
  3222. NTENT documents Jiwa's five-part PETLS exhibition and its multisensory installation at OBEY Art Space. PETLS recap I Jiwa
  3223. NTT DATA identifies Tonon as a generative digital artist and UX and service designer with humanistic and technical formation. ntt-data-profile I Tonon
  3224. NumbersInMotion. “NumbersInMotion Instagram.” https://www.instagram.com/numbersinmotion/. Accessed 18 September 2026. II 163
  3225. Numinous Games. “That Dragon, Cancer.” https://www.thatdragoncancer.com/. Accessed 20 September 2026. II 174
  3226. NVIDIA's AI Art Gallery presents AI and the Anvil, Reben's 2024 sculpture series created with AI guidance and robotic fabrication. NVIDIA I Reben
  3227. objkt creator profile. objkt.com provides a creator profile with on-chain activity and links. https://objkt.com/@ivandianov. I Dianov
  3228. objkt profile. objkt maintains a profile page for DisruptedStar with Tezos ecosystem activity and links. https://objkt.com/users/tz1Q6koSLYMvmPn6ZABZ3qV6ejUEqwTfCYqW. I DisruptedStar
  3229. Objkt's editorial feature discusses Jones's use of compression, modular thinking, constraint and CC0 distribution in Sprites. objkt-interview I Jones
  3230. Observable identifies Lionel Radisson as makio135 and archives more than 160 public generative notebooks. Observable I makio135
  3231. OCAD University’s Arts & Science Review identifies Vella as a Digital Futures student and generative artist who treats code as paint. OCAD profile I Vella
  3232. Ocula. Ocula records He’s solo and group exhibitions at Gazelli Art House. https://ocula.com/artists/licia-he/exhibitions/. I He
  3233. Ocula and Unit London, COMPUTE: Sinking Patterns: fountain-pen memory, blue ink, paper, pressure, prints, tokens, and paintings. ocula.com ↩ I Mapan
  3234. Ocula documents the paintings, film, environmental processes, and dates of Sternberg’s Singapore exhibition. Ocula I Sternberg
  3235. Ocula provides an artist profile and overview of A.A. Murakami's exhibitions and biography. Ocula Profile I A.A.Murakami
  3236. ocula.com. Ocula artist profile: biography, works for sale, and exhibition history. https://ocula.com/artists/john-gerrard/. I Gerrard
  3237. Oesterling’s biography describes a practice spanning generative art, software, quilting, and embroidery. artist-biography I Oesterling
  3238. Oeuvre D’art Blocks discusses Watson’s use of a distribution curve, altered standard deviation, noise, and related procedures in Arcadia. Arcadia criticism I Watson
  3239. officeimpart.com. OFFICE IMPART interview with the artist on his practice and digital materials. https://officeimpart.com/interview-jan-robert-leegte. I Leegte
  3240. OFFSCREEN Paris documents the circuit-short process, archival form, and 2026 presentation of 486 Shorts by Picture Theory. OFFSCREEN profile I LoVid
  3241. OFFSET speaker profile. OFFSET profiles Davis as a designer, technologist, and new-media artist associated with open-source experimentation. https://www.iloveoffset.com/joshua-davis/. I Davis
  3242. Ofir Liberman. “THE SOURCE CoDE, the artist's project page.” http://ofir-liberman.com/the-source-code/. Accessed 18 September 2026. II 184
  3243. OKAY DEV profiles Honigstein as a Paris-based creative technologist working across technical direction, 3D, WebGL, WebGPU, and visual art. OKAY DEV profile I Honigstein
  3244. OKX NFT Collection. OKX Web3 NFT collection page for OnChainChain by the collaborative artists. https://web3.okx.com/ar/nft/collection/eth/onchainchain-by-rizzle-sebi-miguelgarest. I Rizzle, Sebi, Miguelgarest
  3245. Olhares de Outono. A recorded 2007 lecture presents LIA discussing programming, randomness, errors, limitations, and interaction across a decade of work. https://vimeo.com/26550530. I LIA
  3246. Oliver Cole Gallery lists Moses as Panamanian, born 1986, and presents recent portal works in acrylic on aluminum. Oliver Cole works I Autonomoses
  3247. OLTA profile. OLTA profiles Dudko’s interactive and generative practice and documents his Totems augmented-reality experience. https://olta.art/artists/profile/pawel. I Dudko
  3248. Omar Lobato. MutualArt indexes GHOST #1 among Lobato’s recorded auction appearances. https://www.mutualart.com/Artist/Omar-Lobato/DF64F7BA984501B7. I Lobato
  3249. Omar Lobato auction records. askART preserves a secondary auction record for GHOST #1 and its December 2024 sale dates. https://www.askart.com/auction_records/Omar_Lobato/11427629/Omar_Lobato. I Lobato
  3250. Omoorman Trust. Record of grant awarded to support the artist's work. https://www.theomoormantrust.org.uk/grants-previously-awarded. I Fatemi
  3251. On bakhoor, hospitality and preparation: "The Tradition of Arabic Perfumes and Bakhoor", Travel Indigenous, 17 October 2024; "Exploring the Spiritual and Cultural Significance of Bakhoor", Gozonepack, 3 March 2024. I Wiederrecht
  3252. On Curating Issue 63. On Curating journal documenting the DYOR exhibition's 24 SEEDERS installation and Glas's contribution. https://www.on-curating.org/files/oc/dateiverwaltung/issue63/PDF_to_Download_63/OnCurating_Issue63_WEB.pdf. I Glas
  3253. On Curation. The Link considers how collectors construct narratives and comparisons through collection curation. https://medium.com/the-link-art-blocks/on-curation-c52ecf6f45f1. I n e o
  3254. On his personal site, Abhishek Das outlines his approach to generative art, noting his background in AI research and use of p5.js to mimic physical textures. Artist generative art statement I Das
  3255. On Sketching and the Life Cycle of Artistic Ideas. An essay follows sketching through the development, testing, and abandonment of artistic ideas. https://www.tylerxhobbs.com/words/on-sketching-and-the-life-cycle-of-artistic-ideas. I Hobbs
  3256. On Strange Loops. Douglas Hofstadter's Edge response offers the conceptual reference Larva Labs cites for quines, self-reference, recursion, and strange loops. https://www.edge.org/response-detail/27091. I Larva Labs
  3257. On the antiquity of Nubian incense ritual: "The Qustul Incense Burner", Institute for the Study of Ancient Cultures, University of Chicago, isac.uchicago.edu; "Qustul", Wikipedia. I Wiederrecht
  3258. On the origins of incense and early sandalwood use: Taha Nabee, "Who Invented Bakhoor?", Dukhni; "Sandalwood: A Journey to the East", Floris London; "Sandalwood", Wikipedia. I Wiederrecht
  3259. On-chain collection dashboard documenting Transitions trading activity, ownership distribution, and volume on secondary markets. DefiLlama: Transitions collection I Bilfield
  3260. On-chain CryptoPunks. Larva Labs documents the 2021 contract that moved CryptoPunk images and attributes fully on-chain. https://www.larvalabs.com/writing/2021-8-18-18-0/on-chain-cryptopunks. I Larva Labs
  3261. One Shot Learning. One Shot Learning Anniversary Fest hosts Mariansky for a live shot on AI art. https://www.oneshotlearning.io/anniversary-fest-2024. I Mariansky
  3262. OneArabia. OneArabia interviews Rasheed about subconscious imagery, dreams, creative tools, and consciousness. https://www.onearabia.me/lifestyle/fabin-rasheed-art-meets-subconscious-011-039055.html. I Rasheed
  3263. OÖ Kultur’s ART NFT LINZ program places Meta.space within a history of artistic world-building and social, real, and imaginary spaces. ART NFT LINZ I r0zk0
  3264. Open Studios Waitākere’s 2023 guide identifies Milligan as a Titirangi-based digital artist. Open Studios Waitākere I Milligan
  3265. open.mome.hu. The artist delivers a speaking engagement for the MOME Open NFT curriculum, documented in the 2022 curriculum PDF. https://open.mome.hu/nft/files/mome-open_NFT_curriculum_2022_v2.pdf. I Aggott-Hönsch
  3266. openFrameworks, about the project and community. openframeworks.cc I Lieberman
  3267. Opening the Sketchbook. Verse Talks follows Sketchbook A into Sketchbook B, discussing mark-making, identity, parenthood, burnout, and authenticity. https://www.buzzsprout.com/2403177/episodes/16876422-opening-the-sketchbook-a-conversation-with-william-mapan. I Mapan
  3268. OpenProcessing archives a looping complex-plane sketch described as a fork of work by Ryan Struhl. OpenProcessing I Struhl
  3269. OpenProcessing discusses Kaufman’s participation in the customizable, open-source Crayon Codes project. project-essay I Block
  3270. Operator's official biography identifies Ania Catherine and Dejha Ti, records the practice's 2016 founding, describes their choreographic and HCI backgrounds, and gives Barcelona as their current base. Operator biography I Operator
  3271. Operator's project page situates Human Unreadable as the third lot of the ongoing Privacy Collection. Privacy Collection I Operator
  3272. Orbifold archive. Raster archives Orbifold as a 100-work exploration of planar symmetry, maze structures, dimensional play, and imperfect grids. https://www.raster.art/artwork/106/about. I Golid
  3273. ORCID provides an authoritative index of Jamieson's scientific publications and research identity. orcid-record I Jamieson
  3274. ordinaryfolk.co/project/cryptocubes. Ordinary Folk animation studio collaboration with Han Saglam on a promotional film for CryptoCubes and CryptoCubes Creators. https://www.ordinaryfolk.co/project/cryptocubes. I Saglam
  3275. Organic Graduate Symposium. UCLA's account of the 2021 Organic Graduate Symposium identifies Jamieson as a research speaker and graduating doctoral student. https://www.chemistry.ucla.edu/news/2021-organic-graduate-symposia/. I Jamieson
  3276. Orpheusk. “Scribblines: artist's project page.” orpheusk.com. https://orpheusk.com/scribblines/. Accessed 20 September 2026. II 328
  3277. Oslated’s release page describes the production and evolving structure of Off Grid. Oslated I Night Sea
  3278. OTS PIXELS press release. Official OTS press release announcing the PIXELS by CryptoWiener exhibition at OK Linz with details on the hybrid analog-digital installation. https://www.ots.at/presseaussendung/OTS_20220826_OTS0007/pixels-by-cryptowiener. I CryptoWiener
  3279. ourladyofethereum.com. Our Lady of Ethereum is a 2026 alternate reality meta performance art project exploring the vulnerable depths of the crypto and cryptoart experience. https://ourladyofethereum.com/. I Aggott-Hönsch
  3280. Overview Effect. Pace’s London page documents the new paintings in Overview Effect. https://www.pacegallery.com/exhibitions/loie-hollowell-overview-effect-london/. I Hollowell
  3281. Overview of commercial clients and evolution of practice. Creative Boom interview I Vittoria
  3282. Overview of Danny Wolfers career as Legowelt, including aliases, labels, and multidisciplinary activities. Wikipedia I Wolfers
  3283. Overview of exhibitions including Venice Biennale. Feral File I Sun
  3284. Overview of multimedia works and auction history including Sotheby's. Edicurial Grand Assimilation I Katzenmeyer
  3285. Overview of series including PixelRebels and CryptoPersonalities. CryptoWiener site deep page I CryptoWiener
  3286. Owen Moore. “Erratic official description.” https://owmo.studio/. Accessed 19 September 2026. II 354
  3287. Owen Moore. “OWMO Studio, artwork index including the Quarantine statement.” https://owmo.studio/artwork. Accessed 18 September 2026. II 179
  3288. Owen Moore. “OWMO Studio, Quarantine gallery page.” https://owmo.studio/artwork/quarantine. Accessed 18 September 2026. II 179
  3289. p5.js. “bezier.” https://p5js.org/reference/p5/bezier/. Accessed 18 September 2026. II 060
  3290. p5.js. “blendMode.” https://p5js.org/reference/p5/blendMode/. Accessed 18 September 2026. II 058
  3291. p5.js contributors. “createGraphics reference.” https://p5js.org/reference/p5/createGraphics/. Accessed 18 September 2026. II 055
  3292. p5.js contributors. “noiseSeed reference.” https://p5js.org/reference/p5/noiseSeed/. Accessed 17 September 2026. II 098
  3293. p5.js contributors. “p5 1.0.0 package and bundled library licence.” npm package via jsDelivr. https://cdn.jsdelivr.net/npm/p5@1.0.0/package.json. Accessed 17 September 2026. II 107; II 114
  3294. p5.js contributors. “p5.js saveCanvas reference.” https://p5js.org/reference/p5/saveCanvas/. Accessed 18 September 2026. II 051
  3295. p5.js contributors. “p5.js text reference.” https://p5js.org/reference/p5/text/. Accessed 18 September 2026. II 050
  3296. p5.js contributors. “p5.js1.0.0 noiseSeed implementation.” https://cdnjs.cloudflare.com/ajax/libs/p5.js/1.0.0/p5.js. Accessed 18 September 2026. II 070
  3297. p5.js contributors. “rotate reference.” https://p5js.org/reference/p5/rotate/. Accessed 17 September 2026. II 046
  3298. p5.js. “hour reference.” https://p5js.org/reference/p5/hour/. Accessed 18 September 2026. II 124
  3299. p5.js is a JavaScript implementation of Processing that has become widely adopted for generative art creation in browser environments. Mitchell Harle I pxlq
  3300. p5.js. “millis reference.” https://p5js.org/reference/p5/millis/. Accessed 18 September 2026. II 124
  3301. p5.js. “noise.” https://p5js.org/reference/p5/noise/. Accessed 18 September 2026. II 060; II 185
  3302. p5.js. “noLoop reference.” https://p5js.org/reference/p5/noLoop/. Accessed 18 September 2026. II 127
  3303. p5.js. “p5 copyright and acknowledgement.” https://p5js.org/copyright/. Accessed 18 September 2026. II 121; II 124; II 127; II 132; II 136; II 141; II 147; II 149
  3304. p5.js. “randomSeed reference.” https://p5js.org/reference/p5/randomSeed/. Accessed 18 September 2026. II 121
  3305. PAACADEMY profiles Dalessandro as a computational designer associated with Emergent Design. PAACADEMY I Dalessandro
  3306. Pace. Pace's DRIFT Materialism: Past, Present, Future page documents the 2021 New York exhibition. https://www.pacegallery.com/exhibitions/drift-3/. I Drift
  3307. Pace. Pace's DRIFT EGO exhibition page documents the 2020 New York presentation. https://www.pacegallery.com/exhibitions/drift/. I Drift
  3308. Pace details PRELUDES’ generative music, visual notation, twelve-bar compositions, Tone.js implementation, variations, and embedded cryptographic secrets. PRELUDES explained I Paglen
  3309. Pace Gallery. Pace’s artist record documents Paglen’s education, exhibitions, public collections, and New York base. https://www.pacegallery.com/artists/trevor-paglen/. I Paglen
  3310. Pace Gallery detailed the conceptual and technical foundations of Floating World Genesis in a December 2022 journal article. Pace Journal I A.A.Murakami
  3311. Pace Gallery. “Leo Villareal Launches First NFT Project with Art Blocks.” 17 January 2022. https://www.pacegallery.com/journal/leo-villareal-launches-first-nft-project-art-blocks/. Accessed 18 September 2026. I Villareal; II 240
  3312. Pace Gallery, DRIFT with Jeff Davis: Schema Explained (2023): diagrams for Meadow, the collaboration's generative translation, four visual systems, and creative credits. pacegallery.com I Davis; I Drift
  3313. Pace Gallery, QQL: Analogs (30 March to 22 April 2023), New York: paintings from the QQL algorithm Hobbs developed with Dandelion Mané. pacegallery.com I Hobbs
  3314. Pace Journal. Pace's journal archive lists film, live, and video related programming around DRIFT and its broader artist context. https://www.pacegallery.com/journal/artist/studio-drift/. I Drift
  3315. Pace Live. Pace listed a conversation between Lonneke Gordijn and Lee Ranaldo as part of its live program. https://www.pacegallery.com/events/conversation-lonneke-gordijn-lee-ranaldo/. I Drift
  3316. Pace records Donovan’s birthplace, education, Brooklyn base, practice, and current 2026 Stratagems exhibition. Pace profile I Donovan
  3317. Pace Video. Pace Gallery produced a film in which A.A. Murakami discusses their first web3 project, Floating World Genesis, and its connection to primordial life themes. https://www.youtube.com/watch?v=XUHseWzDoqo. I A.A.Murakami
  3318. Pace's Amos Rex notice describes DRIFT's 2019 Helsinki exhibition and its position between design, visual art, and technology. Amos Rex notice I Drift
  3319. Pace's DRIFT artist profile gives founding details, biographical notes, institutional context, practice description, collections, and exhibition history for the Amsterdam studio. Pace profile I Drift
  3320. Pace's Mint Museum notice describes Immersed in Light: Studio Drift and the studio's collaborations with engineers, scientists, and programmers. Mint Museum I Drift
  3321. pacegallery.com/journal (joins Pace). Pace Gallery journal announcing that John Gerrard had joined the gallery's program. https://www.pacegallery.com/journal/john-gerrard-joins-pace-gallery/. I Gerrard
  3322. pacegallery.com/journal (world flag). Pace Gallery journal on World Flag and its on-chain release. https://www.pacegallery.com/journal/john-gerrard-world-flag. I Gerrard
  3323. Pace’s American Moon exhibition record documents the reconstruction’s materials, performers, dates, and association with New Worlds. Pace exhibition I Whitman
  3324. PADDLES ON!: In the Studio. Phillips visits Rozendaal's studio to discuss the formal possibilities of web composition and the auction of ifnoyes.com. https://www.phillips.com/Video/filter?VideoID=15. I Rozendaal
  3325. Pamono designer profile summarising Melis's design background and studio practice. pamono-profile I Melis
  3326. Pandelune. “Murano Fantasy: artist project page.” pandelune.org. https://pandelune.org/murano-fantasy/. Accessed 18 September 2026. II 191
  3327. Pandelune. “Pandelune official homepage.” pandelune.org. https://pandelune.org/. Accessed 18 September 2026. II 191
  3328. Pandigitalism. Schoenherr’s Pandigitalism text argues for practices that move between analog traditions and digitally native art. https://jeres.xyz/pandigitalism/. I Schoenherr
  3329. Panke.gallery event page for the Sabotage presentation. panke.gallery I Asendorf
  3330. Paolo Tonon on Medium. Tonon's Medium index archives his Art Blocks interview alongside later writing on generative art and digital projects. https://medium.com/%40paolotonon_52618. I Tonon
  3331. Paolo Tonon. “Panelscape artist portfolio page.” https://www.paolotonon.com/portfolio-item/panelscape-%F0%9F%85%B0%F0%9F%85%B1/. Accessed 18 September 2026. II 085
  3332. Paolo Tonon. “Paolo Tonon, artist website.” paolotonon.com. https://www.paolotonon.com. Accessed 18 September 2026. II 085
  3333. Paolo Tonon presentations. A SlideShare archive preserves Tonon's presentations on user-centered design and Ars Electronica. https://www.slideshare.net/paolotonon. I Tonon
  3334. PAR Performing Arts Magazine profiles Lin’s cross-disciplinary sound, performance, and technology practice. PAR profile I Lin
  3335. Paradigma Education. “Boletim: Método Pra Tirar O Melhor da Temporada dos JPEGs.” 28 July 2021. https://paradigma.education/blog/boletim-metodo-pra-tirar-o-melhor-da-temporada-dos-jpegs/. Accessed 17 September 2026. II 119
  3336. Parikh and Ramya Srinivasan propose generative artworks as tools for exploring AI ethics. AI ethics paper I Parikh
  3337. Parikh’s interactive Tiles & Cushions tool exposes compositional parameters used to generate tiled patterns. Interactive tool I Parikh
  3338. Parikh’s paper studies relationships among choices made with an interactive generative-art tool. Preference study I Parikh
  3339. Parse/Error. “Mind Maze official description.” https://www.parseerror.net/portfolio/mind-maze/. Accessed 19 September 2026. II 290
  3340. Parse/Error’s account of Instability of Nature details its Geiger-Müller counter and radiation-responsive light behavior. Instability of Nature I Parse/Error
  3341. Participation in Snowcash and broader exhibitions. Art Meets Science I CryptoWiener
  3342. Pasin’s project profile describes code-based works made with p5.js and WebGL and discusses loops, randomness, rigor, color, movement, and space. Contra project I Pasin
  3343. Passion for the Real exhibition at The Martine de Souza-Dassault Brain Art Gallery. Brain Art Gallery I Mariansky
  3344. Past exhibitions. Kate Vass Galerie's exhibition archive lists DCA among artists presented in its on-chain art programmes. https://www.katevassgalerie.com/past-exhibitions-1. I Calderon Arenas
  3345. Patterns of Belonging. Video interview on community arts participation and craft-based practice. https://www.youtube.com/watch?v=_XNkrWmYGIQ. I Fatemi
  3346. Patterns of Entanglement. NEORT++ records Tanimoto’s participation in the group exhibition Patterns of Entanglement. https://two.neort.io/en/exhibitions/patterns_of_entanglement. I Tanimoto
  3347. Pau Alsina / Joshua Davis, Mosaic. “Joshua Davis: Mosaic interview.” 4 November 2003. https://mosaic.uoc.edu/2003/11/04/joshua-davis/. Accessed 17 September 2026. I Davis; II 131
  3348. Pawel Dudko. “Chroma Theory, artist project page.” 26 October 2021. https://pdudko.com/chroma-theory/. Accessed 18 September 2026. I Dudko; II 178
  3349. Pawel Dudko. “Dark Chroma Theory, artist project page.” 28 January 2022. https://pdudko.com/dark-chroma-theory/. Accessed 18 September 2026. II 178
  3350. Pawel Dudko. “The artist website recorded against project 170 (404).” https://www.pdudko.com/p/chroma-theory.html. Accessed 18 September 2026. II 178
  3351. Paweł Dudko. “Ingress official description.” https://www.pdudko.com/2022/08/ingress.html. Accessed 19 September 2026. II 375
  3352. PeakD: Voxel Art Process. Glas's Hive blog post documenting her voxel art process and creative exploration. https://peakd.com/hive-156509/@kristyglas/playing-with-voxels-my-art-process. I Glas
  3353. Pearl Lam Galleries published a Q&A with A.A. Murakami on their creative process in November 2021. Pearl Lam Q&A I A.A.Murakami
  3354. People of Print provides a profile of the collective's print and illustration output across multiple decades. People of Print I eBoy
  3355. Pera Museum lists Velitchkova and her print among the contemporary artists presented in In Search of Vera Molnár. Pera Museum I Velitchkova
  3356. Performance video. Documentation of a 2024 live-coding performance at Yandex Open Library Night. https://youtu.be/6Ambq6D7cfs. I Dianov
  3357. Performances from the 1960s. The Performances from the 1960s video record includes footage and commentary concerning American Moon, Flower, Prune Flat, and Ghost. https://www.dailymotion.com/video/x4y8ch. I Whitman
  3358. Person of the Hour. Mita-hyoron, Keio University’s official journal, profiles Kusano and records that the 300 works in Melancholic Magical Maiden sold out in 50 minutes. https://www.mita-hyoron.keio.ac.jp/spotlight/202404-1.html. I Kusano
  3359. Personal project insights. Data Viz Today presents Bremer and Wu’s reflections on sustaining an ambitious personal project. https://dataviztoday.com/shownotes/61. I Bremer
  3360. Peter Bauman interviewed A.A. Murakami for Le Random about ephemeral tech, existence as medium, screenless installations, and new generative work translated into textiles and mud paintings. Le Random I A.A.Murakami
  3361. Peter Molick, "NFTs: An Introduction and Crash Course for Photographers," 5 January 2022. petermolick.com III No. 9
  3362. petitsapin. “Such A Lovely Time official description.” http://www.petitsapin.com. Accessed 19 September 2026. II 394
  3363. Phaust. “Pointila official description.” https://www.phaust.art/pointila. Accessed 19 September 2026. I Phaust; II 344
  3364. Phaust’s biographical statement identifies the collective’s locations, disciplinary backgrounds, and interest in art, science, randomness, and collaboration. Phaust biography I Phaust
  3365. Phaust’s Co(r)ral project page explicitly describes that work as building upon Pointila’s generative landscapes. Co(r)ral project I Phaust
  3366. phenomena. “APEX official description.” https://phenomenalabs.com/apex. Accessed 19 September 2026. II 283
  3367. Phenomena Labs describes its practice as real-time systems shaped by data, environment, and human presence. studio-info I phenomena
  3368. phenomena. “Longing official description.” https://phenomenalabs.com/longing. Accessed 19 September 2026. II 406
  3369. Phil Mohun / Bright Moments. “Bright Moments, Abridged.” https://www.brightmoments.io/quarterly/bright-moments-abridged. Accessed 17 September 2026. I Kovach; I QianQian; I phil; II 095; II 206
  3370. Phil Mohun. “CryptoVenetians.” 28 May 2021. https://www.philmohun.com/cryptovenetians/. Accessed 18 September 2026. II 096
  3371. Phil Mohun. “NFT IRL.” 26 June 2021. https://www.philmohun.com/nft-irl/. Accessed 22 September 2026. II 095; II 096
  3372. Phil Mohun’s 2022 DAO letter recounts the boardwalk meetings and gallery-only distribution. DAO letter I QianQian; I phil
  3373. Phil Smith on Medium. The artist’s Medium index identifies Phil Smith and summarizes his generative and evolutionary practice. https://medium.com/%40onlygenerated. I onlygenerated
  3374. Phileas, A conversation with John Gerrard (Vienna, March 2023): biography (born 1974, Tipperary; BFA Oxford 1997, MFA School of the Art Institute of Chicago 2000), representation by Pace Gallery, and collections including Tate, MoMA, SFMOMA, LACMA, the Hirshhorn, IMMA and M+. phileas.art I Gerrard
  3375. Philip Bell. “Staccato official description.” https://twitter.com/philipbell_. Accessed 19 September 2026. II 345
  3376. Phillips. Phillips announced Ex-Machina as an exhibition and online auction tracing generative art from early computer art to contemporary NFTs. https://www.phillips.com/press/release/phillips-announces-exmachina-a-history-of-generative-art. I Alexander; I Henry; I oliveskin
  3377. Phillips. The Phillips Ex-Machina catalogue surveys a history of generative art across early computer graphics and blockchain-based work. https://www.dist.phillips.com/content/web/auctions/UK090322/UK090322_en_1.pdf. I Alexander; I PZS; I oliveskin
  3378. Phillips. Phillips catalogues Lick, Lick in Purple, maroon-yellow and specifies its relief materials and dimensions. https://www.phillips.com/detail/loie-hollowell/NY010722/11. I Hollowell
  3379. Phillips artist page. Phillips auction house has offered works by Jen Stark in past sales, documenting market activity for her sculptures and editions. https://www.phillips.com/artist/24447/jen-stark. I Stark
  3380. Phillips explains Fair Warning’s questionnaire mechanics, visible cursors, data collection, and institutional commission. Phillips interview I Lund
  3381. Phillips maintains an artist page tracking Villareal's auction results and market activity over time. Phillips I Villareal
  3382. Phillips' artist page provides a concise biography and auction profile for Ben Snell. phillips-profile I Snell
  3383. Phillips' interview details Dio, its AI process, auction context, and the material grinding of the source computer. phillips-interview I Snell
  3384. Phillips, Ex-Machina: A History of Generative Art: four Fragments, token records, dimensions, and auction history. phillips.com ↩ I Rizzolli
  3385. phillips.com (Ex-Machina). Phillips catalogue for Chromie Squiggle #9304 in Ex-Machina: A History of Generative Art. https://www.phillips.com/detail/snowfro/170428. I Calderon
  3386. Phoenix presents a Chinese-language interview with Reva about locating creative possibility within digital space. Phoenix interview I Reva
  3387. PHOTO IS:RAEL names Roni Kaufman among the artists in the Changing Rooms group exhibition. exhibition-record I Block
  3388. PHYGITAL catalogue note. Kate Vass’s catalogue announcement identifies Isaksen among the artists presented in PHYGITAL. https://www.linkedin.com/posts/kate-vass-93230421_collectingart-generativeart-fineart-activity-7012466036088135680-xdAd. I Isaksen
  3389. Picto documents Latent at Paris Photo and its combination of neural networks, digital negatives, and silver-gelatin printing. Picto I Butcher
  3390. Pierre Paslier / Daniel Catt. “Interview with Dan Catt.” 2 May 2020. https://www.generativehut.com/post/interview-with-dan-catt. Accessed 17 September 2026. I Catt; II 041; II 062; II 111
  3391. Pinta's 2026 editorial discusses Moses's Geometría en Tránsito at NG Art Gallery and its optical-kinetic treatment of the Panama Canal. Pinta editorial I Autonomoses
  3392. Pioneering computational art. Kaloh's podcast covers 923 Empty Rooms, Processing, Feral File, education, collecting, and exhibition plans. https://podcasts.apple.com/us/podcast/pioneering-computational-art-feral-file-processing/id1695789150?i=1000625308437. I REAS
  3393. Pitchfork's essay on musical AI provides cultural context for AI composition, imitation, and collaboration. Pitchfork I dadabots
  3394. Piter Pasma at Gazelli Art House. Gazelli Art House profiles Pasma's demoscene training, compact mathematical systems, rayhatcher, awards, and Genuary work. https://gazelliarthouse.com/artists/303-piter-pasma/overview/. I Pasma
  3395. Piter Pasma exhibitions. Gazelli Art House records Pasma's participation in GEN/GEN: Generative Generations, a six-decade survey of generative art. https://gazelliarthouse.com/artists/303-piter-pasma/exhibitions/. I Pasma
  3396. Piter Pasma. “Skulptuur studio page.” https://piterpasma.nl/skulptuur. Accessed 18 September 2026. I Pasma; II 166
  3397. Piter Pasma, Skulptuur Decoded: The PRNG: token-hash seeding, Xorshift128, state, bit operations, and compression. piterpasma.nl ↩ I Pasma
  3398. Pixel Art Week coverage on NFTS.WTF, featuring Glas among 18 artists. NFTS.WTF I Glas
  3399. Pixel Pioneers’ 2024 interview examines Bremer’s tools, training, process, and commitment to custom visualization. Pixel Pioneers I Bremer
  3400. Pixel sorting generative process. Tonon's essay surveys pixel sorting as an artist-written process for reorganizing raster information. https://www.paolotonon.com/pixel-sorting-generative-process/. I Tonon
  3401. Pixelated Audio. Pixelated Audio’s Splice episode supplies a retrospective account of Cipher Prime, co-founded by Saint and Stallwood. https://pixelatedaudio.com/splice/. I Stallwood
  3402. PIXELS exhibition details and hybrid installation. VernissageTV I CryptoWiener
  3403. Pixxelpoint 2008. The festival's alternate archived catalogue places Confession 2.0 within an international new-media program. https://www.mediamatic.net/image/2016/12/12/pixxelpoint.pdf. I Tonon
  3404. Pixxelpoint catalogue. Pixxelpoint's 2007 catalogue profiles Tonon as a web designer and digital artist rooted in the humanities and technical practice. https://www.pixxelpoint.org/2007/icns/katalog.pdf. I Tonon
  3405. Pixxelpoint festival profile: academic positions and Scrollbars (Floor Piece) (1999), the transition from browser art to gallery installation. pixxelpoint.org I Leegte
  3406. Pixxelpoint's 2003 archive lists four static images by Tonon among the festival selections. pixxelpoint-2003 I Tonon
  3407. Places of Existence. The Places of Existence record explains a generative social narrative constructed through geometric architectural forms. https://sadikaksu.com/work/places-of-existence. I Aksu
  3408. Platform. A Platform journal issue analyzes Data-Masks in relation to recognition technology, camouflage, and machine vision. https://platformjmc.com/wp-content/uploads/2017/08/platform-8-1.pdf. I Crispin
  3409. Platform page for a subsequent project that references Dominikus's recognition from The Inner World and provides context on his generative output. gm.studio (2023) I Dominikus
  3410. Platform page presenting Spaghettification with additional context on generative series. Verse.works I Moore
  3411. Playform’s exhibition page identifies Seda Turec as sturec, records her Izmir birthplace, and explains the MRI-based process behind My Brain on Drugs. Playform exhibition I sturec
  3412. Playform’s interview records sturec’s artistic development, entry into crypto art, humor, and AI process. Playform interview I sturec
  3413. Playform’s survey of women NFT creators summarizes sturec’s background, geographic mobility, and geometric abstraction. Playform profile I sturec
  3414. Please Respond. Please Respond summarizes Vallejo’s generative practice and its relationship to kinetic art. https://www.pleaserespond.art/artists/juan-pedro-vallejo. I Vallejo
  3415. Please Respond 01.03. Zancan's series archive records Isaksen's contribution within the ten-part Please Respond project. https://zancan.art/Series/Please-Respond/12138/please-respond-01-03-mathias-isaksen. I Isaksen
  3416. Plexus Projects documents Snell's 2019 solo presentation Bamboo Forest and summarizes his computational practice. plexus-bamboo-forest I Snell
  3417. Plots gallery. PZS's plots gallery indexes work involving pen plotting, tilings, three-dimensional line systems, and long-format drawings. https://blog.pzs.me/gallery/. I PZS
  3418. Plottables hosts Scratch, the fourth project in Matto's Zenerative series, exploring time and efficiency. Plottables I matto
  3419. Plottables, the Art Blocks-powered on-chain platform for pen-plotter generative art, where Matto released Scratch and Time Between the Lines is Thread Through the Mind. plottables.io III No. 12
  3420. Plotter Materials Issue One lists ge1doot within a survey of contemporary and historical machine-drawing practices. Plotter Materials I Ferrandez
  3421. PLS&TY. “Synesthesia launch announcement.” https://x.com/plsandtybased/status/1481017008858742789. Accessed 18 September 2026. II 235
  3422. Plus Magazine identifies Devereux’s double-pendulum photograph as an image of chaotic behaviour published in 50 Visions of Mathematics. Plus Magazine I Devereux
  3423. Pocko Gallery. Pocko Gallery’s A.R.E exhibition included Catt in a survey of international generative artists. https://www.pocko.com/exhibitions/are-generative-hut. I Catt
  3424. Podcast discussion featuring the collaborators. Minters & Makers podcast I Murata; I Penne
  3425. Podcast EP117 with Aluan Wang. A Mandarin-language podcast episode (EP117) features Aluan Wang (Wang Xin-Ren) on NFTs, platform governance, and the founding of akaSwap. https://www.podcastrepublic.net/podcast/1484923390. I AluanWang
  3426. Podcast episode featuring Dominikus Baur in conversation about data visualization projects and methodologies. Explore Explain (2024) I Dominikus
  3427. Podcast episode on generative practice. Proof podcast I Sun
  3428. Pointers project page. The artist's project page describes Pointers as a simulation of one hundred variations on one idea. https://steviep.xyz/pointers. I Pikelny
  3429. Poised Venture Studio identifies Jarl Rosenlykke as a generative Art Blocks artist and summarizes his entrepreneurial and exhibition background. poised-profile I Rosenlykke
  3430. Poland Pavilion at Expo 2025. The official Expo report credits Ignac and Variable and explains how Generations gathered visitors’ parametric plants. https://expo.gov.pl/en/bez-kategorii/gold-for-poland-pavilion-at-expo-2025-osaka-kansai/. I Ignac
  3431. Poland’s official Expo 2025 exhibition page credits Ignac with Spirit Plant and Generations and explains their participatory parametric systems. Expo 2025 I Ignac
  3432. Polychrome Music release. Upstream records the sold-out release of Polychrome Music, its three-channel music engine, and Rhizome beneficiary structure. https://www.upstreamgallery.nl/news/1165/collaborative-nft-project-polychrome-music-by-rafael-rozendaal-danny-wolfers-sold-out-on-art-blocks. I Rozendaal; I Wolfers
  3433. Polypaths at Galerie Met. Galerie Met presented the solo exhibition Aluan Wang: Polypaths (August 23 to September 6, 2025), displaying generative works that simulate plant branching and growth through custom algorithmic systems. https://galeriemet.com/past-exhibitions/aluan-wang-polypaths. I AluanWang
  3434. Portal at Bright Moments. Bright Moments collection page for Portal, including the ten Art Blocks editions. https://app.brightmoments.io/collections/portal/94000000. I Davis
  3435. Portfolio PDF. The Clockwork (Klockspelet): interactive sound and light installation in Kungsparken, Gothenburg, in collaboration with Jens Thoms Ivarsson, 2025. https://www.datocms-assets.com/74560/1774597941-en_jimmy-herdberg_portfolio.pdf. I JMY
  3436. Portfólio: Monica Rizzolli. Amarello's Portuguese-language portfolio traces Rizzolli's drawing, residency, mapping, and early computational practice. https://amarello.com.br/2017/06/arte/portfolio-monica-rizzolli/. I Rizzolli
  3437. Posit Technical Talk. A Posit PBC talk by Pedersen on API-first package design offers insight into the technical mindset that also informs his generative systems. https://www.youtube.com/watch?v=mtUKYGvkXm8. I Pedersen
  3438. Postmasters Art Network. Postmasters' Art Network exhibition page details the project within BIG DATA. https://www.postmastersart.com/archive/barablab22/barablab_artnetwork.html. I BarabasiLab
  3439. Postmasters presented BIG DATA (networking the artworld) in New York in 2022. Postmasters I BarabasiLab
  3440. Posts archive. PZS's posts archive dates Summoning Ritual alongside the artist's plotting, fabrication, and game-development projects. https://blog.pzs.me/posts/. I PZS
  3441. PR Newswire coverage of Hypercube.art highlights the involvement of artist Alina Karo in the platform's founding and early drops. PR Newswire I Electralina
  3442. Preet Shihn / Rough.js contributors. “Rough.js licence.” https://github.com/rough-stuff/rough/blob/master/LICENSE. Accessed 18 September 2026. II 249
  3443. Press coverage of Ting's light-based practice and Glow project in the context of immersive video and light art. Collater.al feature I Ting
  3444. Press index. Merrill's maintained press index gathers interviews, panels, podcasts, and exhibition walkthroughs. https://lostpixels.io/press. I Merrill
  3445. Press release on the record-breaking $100K sale of Right Place & Right Time on Async Art, September 2020. PR Newswire I Kane
  3446. Pretty Blocks collection. Teia archives early works published under the Pretty Blocks name on Tezos. https://www.teia.rocks/prettyblocks/collection. I Stein
  3447. Princeton University identifies Lightbreak as a generative light algorithm and documents its 2024 festival screening. Princeton film program I Shannon
  3448. Principles of consistency, flexibility, and hierarchy from enterprise design systems translate into generative visual complexity. Zeplin Blog I Benhorin
  3449. PRINT Magazine. PRINT discusses Grasser's abstract type generator and its invitation for users to create through adjustable rules. https://www.printmag.com/typography/abstract-type-generator-turns-typists-into-artists/. I Grasser
  3450. Printfest’s artist archive records Devereux’s stated interest in bridging science, mathematics, and nature through printmaking. Printfest artist archive I Devereux
  3451. Printfest’s sponsors and awards record identifies Devereux as the 2019 McClures Award recipient. Printfest award record I Devereux
  3452. Process 8. The Pompidou collection record documents Process 8 as a software-based work acquired by the museum. https://www.centrepompidou.fr/en/ressources/oeuvre/cgbq9d. I REAS
  3453. Process, Methodologies, and Physical Work. This studio conversation for Unit London connects Hobbs's software methods to drawing, painting, plotting, and physical finishing. https://www.tylerxhobbs.com/words/process-methodologies-and-physical-work-with-unit. I Hobbs
  3454. Processing Community Day Bangalore lists Kapoor as a speaker and describes his complexity driven practice. Processing India I Kapoor
  3455. Processing Foundation. The Processing Foundation describes its mission to expand access to software literacy in the visual arts. https://processingfoundation.org/. I REAS
  3456. Processing Foundation. “p5.js reference: colorMode.” https://p5js.org/reference/p5/colorMode/. Accessed 18 September 2026. II 180
  3457. Processing Foundation. “p5.js reference: strokeWeight.” https://p5js.org/reference/p5/strokeWeight/. Accessed 18 September 2026. II 181
  3458. Processing tutorial overview. The official tutorial explains Processing as an environment for visual applications, animation, interaction, and rapid code sketches. https://processing.org/tutorials/overview/. I REAS
  3459. Processing, Overview: visual software literacy, free and open-source distribution, immediate feedback, cross-platform access, and community extension. processing.org I REAS
  3460. Processing, People: the 2001 founding, 2012 Processing Foundation, and 2023 leadership transition. processing.org I REAS
  3461. Profile. Official profile with DCA's education, Houston base, and code-based practice. https://danielcalderonarenas.com/profile. I Calderon Arenas
  3462. Profile on daily practice and sustainability. ArtRKL profile I Sun
  3463. Profile page situating Dominikus Baur's background in data visualization and design within exhibition contexts. V2_ I Dominikus
  3464. Programmed at the Whitney. Upstream places Rozendaal's work in the Whitney exhibition Programmed: Rules, Codes, and Choreographies in Art. https://www.upstreamgallery.nl/news/468/whitney-museum-group-show-with-rafael-rozendaal. I Rozendaal
  3465. Programming Graphics II. Skillshare’s course record outlines Davis’s lessons on generative animation and publishing programmed graphics. https://www.skillshare.com/en/classes/programming-graphics-ii-generative-art-animation/388564917/projects. I Davis
  3466. Project analysis and critical text on E.A.T. Works describing the conceptual framework, visual techniques, and artist statement for Systems Madness. E.A.T. Works I Blanton
  3467. Project description emphasizes the intent to evoke happy narratives through digital roller coasters. Verse project description · 2022 I Blockwares
  3468. Project links. Connolly’s Linktree preserves links to Depot, Elefante, Mantle, Repeater, Divisions, and Elementals. https://linktr.ee/_mconnolly_. I Connolly
  3469. Project listing and descriptive text for Augmented Sequence on a dedicated generative art platform. Verse Works: Augmented Sequence I toiminto.eth
  3470. Project listing and descriptive text for Collapsed Sequence on a dedicated generative art platform. Verse Works: Collapsed Sequence I toiminto.eth
  3471. Project page biography of collaborator Jason Ting, a New Haven new media artist and UC San Diego Interdisciplinary Computing and the Arts graduate, with the interactive viewer for the collection. Transitions interactive viewer (Jason Ting) I Bilfield
  3472. PROOF. PROOF's artist archive indexes Kovach and editorial material on his mathematical and generative practice. https://www.proof.xyz/artists/ben-kovach. I Kovach
  3473. Proof. Proof platform page for Relics project in Grails IV. https://www.proof.xyz/grails/season-4/relics. I Tsukamoto
  3474. Proof of History and additional projects. CryptoWiener site I CryptoWiener
  3475. Proof of Origin FAQ describing the childhood drawing incorporated into the 2023 PROOF Grails release. gazers.art/proof-of-origin-faq I Kane
  3476. Proof of Work. Proof of Work’s exhibition guide documents an early institutional treatment of art made with and about blockchain systems. https://artviewer.org/wp-content/uploads/2018/12/ProofOfWork_ExhibtionGuide_EN.pdf. I steen
  3477. PROOF presents Viridaria with project details and an artist interview. PROOF I Ridgley
  3478. Proof.xyz artist profile. Proof.xyz hosts an artist profile highlighting Xie's background in engineering and her focus on lifelike forms. https://www.proof.xyz/artists/emily-xie. I Xie
  3479. proof.xyz/artists/snowfro. PROOF's Snowfro archive gathers Bookends (Study), the Grails II reveal video, and two long-form podcast appearances. https://www.proof.xyz/artists/snowfro. I Calderon
  3480. PROOF’s artist record associates Ryan Bell with Ephemeral Tides and links archival media concerning his work. PROOF profile I Bell
  3481. PROOF’s exhibition record presents StackSlash as Milligan’s generative work and documents its maximum supply. PROOF I Milligan
  3482. Proscenium. The artist's technical introduction explains the heightmap, deterministic simulation, nineteen styles, and seventeen palettes. https://paragraph.com/@remnynt/proscenium. I Griffith
  3483. Protocol Overview. Fxhash’s protocol overview contrasts long-form, short-form, and evolving forms of generative art. https://docs.fxhash.xyz/usdfxh/protocol-overview. I Pandelune
  3484. ps2.praystation.v4. An archived PrayStation project page documents the 2001 ps2.praystation.v4 work and summarizes Davis’s rule-based image-making practice. https://praystation.myportfolio.com/001-ps2praystationv4. I Davis
  3485. Psykato process. Zumbrunn’s process video documents Psykato, an earlier generative WebGL series based on kaleidoscopic transformation. https://vimeo.com/224387333. I Zumbrunn
  3486. Public Art Blocks guide. Public.com's Art Blocks guide summarizes the platform's role in generative art NFTs. https://public.com/learn/art-blocks-generative-art-guide. I Kapoor; I Tsukamoto
  3487. Public records of live-coding performances and teaching activities establish Dianov's dual commitment to artistic production and pedagogical transmission. Demozoo event archive I Dianov
  3488. Public source repository confirming fully on-chain implementation and auditable parameters. Singularity source code I Tsukamoto
  3489. Publications. The publications archive records Reas's monographs and collaborative publications on process, form, code, and software culture. https://reas.com/publications. I REAS
  3490. PubMed. PubMed indexes "Nature's reach: narrow work has broad impact," co-authored by Barabási. https://pubmed.ncbi.nlm.nih.gov/31695218/. I BarabasiLab
  3491. PUC-Rio research report. A PUC-Rio research report analyzes Open Source Art as an interactive setting for manipulating code and observing simulated physical and biological systems. https://www.puc-rio.br/ensinopesq/ccpg/pibic/relatorio_resumo2024/download/relatorios/CTCH/DAD/CTCH-DAD-Rel000029-001933-11-00.pdf. I Vamoss
  3492. Punch Card Collective. “Perpetua official description.” https://perpetua.punchcardcollective.com/. Accessed 19 September 2026. I Punch Card Collective; II 277
  3493. punk6529, thread on the 6529 NFT Fund, 7 February 2022. threadreaderapp.com III No. 26
  3494. punk6529, thread on the museum's Art Blocks strategy, 18 September 2021. threadreaderapp.com III No. 26
  3495. Punks As Told By CryptoPunks. Punks As Told By CryptoPunks opens with Hall and Watkinson recounting the collection's creation, launch, community, and transfer in a filmed oral history. https://nftnow.com/punks-as-told-by-cryptopunks/. I Larva Labs
  3496. Putting the art in chart. Spotify hosts a 2025 conversation with Bremer about creative visualization and her book Chart. https://open.spotify.com/episode/34v7xTf8lrBpestBqsrUGW. I Bremer
  3497. PZS describes Azulejos as an on-chain vector project designed for pen plotting and details its physical production. project essay I PZS
  3498. PZS recounts experiments with particle fields, tilings, laser-cut woodblocks, and custom pen plotters. artist essay I PZS
  3499. PZS. “Summoning Ritual development account.” 16 December 2021. https://pzs.me/posts/summoning-ritual/. Accessed 18 September 2026. I PZS; II 231
  3500. queen of hearts. SuperRare's artwork record for queen of hearts documents a generative work by hex6c tagged with Processing. https://superrare.com/artwork/eth/0xb932a70A57673d89f4acfFBE830E8ed7f75Fb9e0/20641. I hex6c
  3501. Queue by Queue. Queue by Queue documents Davidson’s programming sandbox based on sequencing actions and solving spatial puzzles. https://thebuffed.itch.io/queue-by-queue. I Davidson
  3502. Quintessential Ventures features a profile of Ryan Junee, detailing his engineering background, Stanford education, and entrepreneurial history including Y Combinator involvement. Ryan Junee Profile I Electralina
  3503. r0zk0. “Avalon official description.” http://r0zk0.art. Accessed 19 September 2026. II 341
  3504. R100 Studio documents We Speak Music as an arts and science collaboration between Reeps One, Dada Bots, and Bell Labs' E.A.T. program. R100 Studio I dadabots
  3505. r4v3n. Anthony Hiley-Mann joined Studio Visit with r4v3n for a long-form conversation about generative art, systems, and creative process. https://r4v3n.art/media/mountvitruvius. I Hiley-Mann
  3506. r4v3n. The artist’s project index connects the AB[500] releases to Color Streams, Marfa, Dots, and selected one-of-one works. https://r4v3n.art/projects. I r4v3n
  3507. r4v3n. The first-party Dots: Composites page describes collector-built compositions assembled from selected Dots. https://r4v3n.art/dots-composites. I r4v3n
  3508. r4v3n. “Artist biography.” https://r4v3n.art/. Accessed 18 September 2026. I r4v3n; II 154
  3509. r4v3n. “Happy Accident artist entry.” https://r4v3n.art/token/0x3B3ee1931Dc30C1957379FAc9aba94D1C48a5405/91767. Accessed 18 September 2026. II 154
  3510. r4v3n’s first-party media archive presents Studio Visit, Beyond the Blocks, and Desert Dialogues. Artist media archive I r4v3n
  3511. r4v3n’s first-party project page presents Dots as an evolving ecosystem and relates it to the painterly language of the two AB[500] projects. Dots project I r4v3n
  3512. Radix. “About Rob Dixon.” https://radixart.io/about.html. Accessed 18 September 2026. II 104
  3513. Radix. “Early Eccentrics.” https://radixart.io/work-early-eccentrics.html. Accessed 17 September 2026. II 140
  3514. Radix. “Eccentrics 2: Orbits.” https://radixart.io/work-eccentrics2.html. Accessed 17 September 2026. II 140
  3515. Radix. “Eccentrics1 artist project page.” https://radixart.io/work-eccentrics1.html. Accessed 18 September 2026. II 104
  3516. Radix. “Order Prints for Eccentrics 2.” 31 August 2021. https://radixart.io/blog-001-eccentrics2-prints.html. Accessed 17 September 2026. II 140
  3517. Radix. “Order Prints for Eccentrics1.” 25 July 2021. https://radixart.io/blog-000-eccentrics-prints.html. Accessed 18 September 2026. II 104
  3518. Rafaël Rozendaal artist talk. EYE Filmmuseum's artist-talk page surveys Rozendaal's evolution from web-only practice to textiles, installations, writing, and lectures. https://www.eyefilm.nl/en/whats-on/rafael-rozendaal-artist-talk/270233. I Rozendaal
  3519. Rafaël Rozendaal at net-art.org. The net-art.org archive situates Rozendaal's discrete domains and public-ownership stipulation within browser-art history. https://net-art.org/rafael-rosendaal. I Rozendaal
  3520. Rafaël Rozendaal at The Armory Show. The Armory Show presentation joined website works and lenticular paintings as digital and physical systems of changing colour. https://www.e-flux.com/announcements/185856/rafael-rozendaal-at-the-armory-show/. I Rozendaal
  3521. Rafaël Rozendaal at the EPO. The European Patent Office collection explains how the Abstract Browsing plug-in translates web pages into geometric tapestries. https://report-archive.epo.org/about-us/office/social-responsibility/art/workplace/artists/rozendaal.html. I Rozendaal
  3522. Rafaël Rozendaal biography. The Postmasters biography lists Rozendaal's solo exhibitions, museum presentations, collections, commissions, and publications. https://www.postmastersart.com/BIOS/Rozendaal_bio.pdf. I Rozendaal
  3523. Rafaël Rozendaal exhibition featuring Polychrome Music at Museum Folkwang. Museum Folkwang I Wolfers
  3524. Rafaël Rozendaal interview. Fellowship interviews Rozendaal about the changing meaning of digital art, his browser-based practice, and the relationship between code, painting, and institutional display. https://fellowship.xyz/artist/rafael-rozendaal. I Rozendaal
  3525. Rafaël Rozendaal. “newrafael.com, artist's official website.” newrafael.com. https://www.newrafael.com. Accessed 20 September 2026. I Rozendaal; II 330; II 359; II 487
  3526. Rafaël Rozendaal, Art Website Sales Contract: ownership, domain transfer, artist credit, and continuing public accessibility. artwebsitesalescontract.com ↩ I Rozendaal
  3527. Rafaël Rozendaal: Almost There. The Whitney documents Almost There, a 2015-17 sunrise and sunset commission that temporarily eclipsed the museum's website. https://whitney.org/exhibitions/rafael-rozendaal. I Rozendaal
  3528. Ragnar Digital. Ragnar Digital surveys Wander's progression from drawing and plotters to generative systems and interactive projects. https://www.ragnardigital.art/artists/lars-wander. I Wander
  3529. Ragnar Digital provides biographical, educational, professional, and process information about QianQian. artist-profile I QianQian
  3530. Ragnar Digital. “Radiance, 2020 plotter drawing.” https://www.ragnardigital.art/collection/radiance. Accessed 17 September 2026. II 107
  3531. rahul iyer. “Semblance official description.” https://rahul.fun/semblance. Accessed 19 September 2026. II 442
  3532. Rain Blooms mechanics. Tanimoto’s detailed Rain Blooms account explains its extended, multivalued, deterministic cellular automaton. https://kazuhirotanimoto.com/works/rain_blooms/. I Tanimoto
  3533. Raleigh Fine Arts Society. The Raleigh Fine Arts Society catalogue includes Blazejack and Levenson’s work and an account of their ecofeminist painting practice. https://ralfinearts.org/wp-content/uploads/2024/10/RFAS-2024-AE-catalogue-for-website.pdf. I Punch Card Collective
  3534. RalenArc. “Enigma official description.” https://ralenarc.com/. Accessed 19 September 2026. II 435
  3535. Ralgo’s project notes document Seasky’s cloud layering, iterative light, colour constraints, painterly references, sea textures, and relationship to Quantum Places Lost in Time. Seasky notes I Ralgo
  3536. Ramenons l'internet. Alexanne Laplante discusses attending Labadie's conference on the living Internet. https://alexannelaplante.com/ramenons-linternet-dil-y-a-10-ans/. I Labadie
  3537. RandomWalk Triangles. Corallo’s RandomWalk Triangles video documents an experiment built with Processing on a regular triangular tessellation. https://vimeo.com/10021555. I Corallo
  3538. Rantum / Generative Artworks. “Generative Arts to launch Enchiridion in 2nd Art Blocks project.” 2 July 2021. https://rantumxyz.netlify.app/posts/generative-arts-to-launch-enchiridion-in-2nd-art-blocks-project/. Accessed 17 September 2026. II 035; II 102
  3539. Rantum / Luke Shannon. “Luke Shannon to return with followup to The Opera.” 2 July 2021. https://rantumxyz.netlify.app/posts/luke-shannon-to-return-with-followup-to-the-opera/. Accessed 18 September 2026. II 061
  3540. Rarity patterns. A large-scale study analyzes how rarity patterns relate to price dynamics across NFT collections. https://arxiv.org/abs/2204.10243. I TheElephantNL; I onlygenerated
  3541. Rasheed’s project record explains how Dreamcatcher combines EEG data, generative form, and subconscious imagery. Dreamcatcher I Rasheed
  3542. Raster. Raster aggregates Sadık Aksu and xnmtrc's tokenized works across platforms. https://www.raster.art/artist/xnmtrc. I Aksu
  3543. Raster. Raster aggregates Ruben Alexander's tokenized works across platforms. https://www.raster.art/artist/ruben-alexander. I Alexander
  3544. Raster. Raster aggregates Erin Beesley's tokenized works across platforms. https://www.raster.art/artist/erin-bee. I Beesley
  3545. Raster. Raster aggregates Philip Bell's tokenized works across platforms. https://www.raster.art/artist/philip-bell. I Bell
  3546. Raster. Raster aggregates Ryan Bell's tokenized works across platforms. https://www.raster.art/artist/ryan-bell. I Bell
  3547. Raster. Raster also features a dedicated artwork page for the Systems Madness collection with project information. https://www.raster.art/artwork/systems-madness-by-claudia-hart-and-andrew-blanton. I Blanton
  3548. Raster. Raster aggregates Roni Block's tokenized works across platforms. https://www.raster.art/artist/roni-block. I Block
  3549. Raster. Raster aggregates Nadieh Bremer's tokenized works across platforms. https://www.raster.art/artist/nadieh-bremer. I Bremer
  3550. Raster. Raster maintains an artist profile page for Bryan Brinkman with examples of his digital and generative works. https://www.raster.art/artist/bryan-brinkman. I Brinkman
  3551. Raster. Raster aggregates Jason Brown - Shawn Douglas's tokenized works across platforms. https://www.raster.art/artist/jason-brown-shawn-douglas. I Brown
  3552. Raster. Raster aggregates Jake Brukhman's tokenized works across platforms. https://www.raster.art/artist/jake-brukhman. I Brukhman
  3553. Raster. Raster aggregates Galo Canizares (itsgalo)'s tokenized works across platforms. https://www.raster.art/artist/galo-canizares. I Canizares
  3554. Raster. Raster aggregates Daniel Catt's tokenized works across platforms. https://www.raster.art/artist/daniel-catt. I Catt
  3555. Raster. Raster aggregates Mitchell F. Chan's tokenized works across platforms. https://www.raster.art/artist/mitchell-f-chan. I Chan
  3556. Raster. Raster aggregates Martijn Cohen's tokenized works across platforms. https://www.raster.art/artist/martijn-cohen. I Cohen
  3557. Raster. Raster aggregates Michael Connolly's tokenized works across platforms. https://www.raster.art/artist/michael-connolly. I Connolly
  3558. Raster. Raster aggregates Guido Corallo's tokenized works across platforms. https://www.raster.art/artist/guido-corallo. I Corallo
  3559. Raster. Raster aggregates Mark Cotton's tokenized works across platforms. https://www.raster.art/artist/mark-cotton. I Cotton
  3560. Raster. Raster aggregates Sterling Crispin's tokenized works across platforms. https://www.raster.art/artist/sterling-crispin. I Crispin
  3561. Raster. Raster aggregates The Cyclops Group's tokenized works across platforms. https://www.raster.art/artist/the-cyclops-group. I Cyclops Group
  3562. Raster. Raster aggregates James Dalessandro's tokenized works across platforms. https://www.raster.art/artist/james-dalessandro. I Dalessandro
  3563. Raster. Raster aggregates Eric Davidson's tokenized works across platforms. https://www.raster.art/artist/eric-davidson. I Davidson
  3564. Raster. Raster aggregates Simon De Mai's tokenized works across platforms. https://www.raster.art/artist/simon-de-mai. I De Mai
  3565. Raster. Raster archives the duo under its dist.cs identity. https://www.raster.art/artist/distcs. I DistCollective
  3566. Raster. Raster aggregates donnoh's tokenized works across platforms. https://www.raster.art/artist/donnoh. I donnoh
  3567. Raster. Raster aggregates Tara Donovan's tokenized works across platforms. https://www.raster.art/artist/tara-donovan. I Donovan
  3568. Raster. Raster aggregates Eltono's tokenized works across platforms. https://www.raster.art/artist/eltono. I Eltono
  3569. Raster. Raster aggregates encapsuled's tokenized works across platforms. https://www.raster.art/artist/encapsuled. I encapsuled
  3570. Raster. Raster aggregates Ento's tokenized works across platforms. https://www.raster.art/artist/ento. I Ento
  3571. Raster. Raster aggregates espina's tokenized works across platforms. https://www.raster.art/artist/espina. I espina
  3572. Raster. Raster aggregates Pedro Falco's tokenized works across platforms. https://www.raster.art/artist/falko. I Falco
  3573. Raster. Raster aggregates Junia Farquhar's tokenized works across platforms. https://www.raster.art/artist/junia-farquhar. I Farquhar
  3574. Raster. Raster aggregates Gerard Ferrandez (ge1doot)'s tokenized works across platforms. https://www.raster.art/artist/gerard-ferrandez. I Ferrandez
  3575. Raster. Raster aggregates Olga Fradina's tokenized works across platforms. https://www.raster.art/artist/olga-fradina. I Fradina
  3576. Raster. Raster aggregates Julien Gachadoat's tokenized works across platforms. https://www.raster.art/artist/julien-gachadoat. I Gachadoat
  3577. Raster. Raster aggregates Jacob Gold's tokenized works across platforms. https://www.raster.art/artist/jacob-gold. I Gold
  3578. Raster. Raster aggregates Martin Grasser's tokenized works across platforms. https://www.raster.art/artist/martin-grasser. I Grasser
  3579. Raster. Raster aggregates greatjones's tokenized works across platforms. https://www.raster.art/artist/greatjones. I greatjones
  3580. Raster. Raster aggregates Jimmy Griffith (remnynt)'s tokenized works across platforms. https://www.raster.art/artist/remnynt. I Griffith
  3581. Raster. Raster aggregates Maksim Hapeyenka's tokenized works across platforms. https://www.raster.art/artist/maksim-hapeyenka. I Hapeyenka
  3582. Raster. Raster maintains a market and oeuvre profile for Licia He. https://www.raster.art/artist/licia-he. I He
  3583. Raster. Raster aggregates Heeey's tokenized works across platforms. https://www.raster.art/artist/heeey. I Heeey
  3584. Raster. Raster aggregates Henry's tokenized works across platforms. https://www.raster.art/artist/henrysdev-amnda. I Henry
  3585. Raster. Raster aggregates Jess Hewitt's tokenized works across platforms. https://www.raster.art/artist/jess-hewitt. I Hewitt
  3586. Raster. Raster aggregates Loie Hollowell's tokenized works across platforms. https://www.raster.art/artist/loie-hollowell. I Hollowell
  3587. Raster. Raster aggregates Samuel Honigstein (Samsy)'s tokenized works across platforms. https://www.raster.art/artist/samsy. I Honigstein
  3588. Raster. Raster aggregates Marcin Ignac's tokenized works across platforms. https://www.raster.art/artist/marcin-ignac. I Ignac
  3589. Raster. Raster aggregates ilithya's tokenized works across platforms. https://www.raster.art/artist/ilithya-x-erin-wajufos. I ilithya
  3590. Raster. Raster aggregates Luca Ionescu's tokenized works across platforms. https://www.raster.art/artist/luca-ionescu. I Ionescu
  3591. Raster. Raster aggregates ippsketch's tokenized works across platforms. https://www.raster.art/artist/ippsketch. I ippsketch
  3592. Raster. Raster aggregates Mathias Isaksen's tokenized works across platforms. https://www.raster.art/artist/mathias-isaksen. I Isaksen
  3593. Raster. Raster aggregates IsmaHelio's tokenized works across platforms. https://www.raster.art/artist/ismahelio. I IsmaHelio
  3594. Raster. Raster aggregates rahul iyer's tokenized works across platforms. https://www.raster.art/artist/rahul-iyer. I iyer
  3595. Raster. Raster aggregates Cooper Jamieson's tokenized works across platforms. https://www.raster.art/artist/cooper-jamieson. I Jamieson
  3596. Raster. Raster aggregates Roman Janajev's tokenized works across platforms. https://www.raster.art/artist/roman-janajev. I Janajev
  3597. Raster. Raster aggregates Jiwa's tokenized works across platforms. https://www.raster.art/artist/jiwa. I Jiwa
  3598. Raster. Raster aggregates johan's tokenized works across platforms. https://www.raster.art/artist/johan. I johan
  3599. Raster. Raster aggregates Stina Jones's tokenized works across platforms. https://www.raster.art/artist/stina-jones. I Jones
  3600. Raster. Raster aggregates KALA's tokenized works across platforms. https://www.raster.art/artist/kala. I KALA
  3601. Raster. Raster aggregates Kalis's tokenized works across platforms. https://www.raster.art/artist/kalis. I Kalis
  3602. Raster. Raster aggregates Fahad Karim's tokenized works across platforms. https://www.raster.art/artist/fahad-karim. I Karim
  3603. Raster. Raster aggregates Orr Kislev's tokenized works across platforms. https://www.raster.art/artist/orr-kislev. I Kislev
  3604. Raster. Raster aggregates Ben Kovach's tokenized works across platforms. https://www.raster.art/artist/ben-kovach. I Kovach
  3605. Raster. Raster aggregates Manuel Larino's tokenized works across platforms. https://www.raster.art/artist/manuel-larino. I Larino
  3606. Raster. Raster aggregates last-even's tokenized works across platforms. https://www.raster.art/artist/last-even. I last-even
  3607. Raster. Raster aggregates Golan Levin's tokenized works across platforms. https://www.raster.art/artist/golan-levin. I Levin
  3608. Raster. Raster aggregates LIA's tokenized works across platforms. https://www.raster.art/artist/lia. I LIA
  3609. Raster. Raster aggregates Ofir Liberman's tokenized works across platforms. https://www.raster.art/artist/ofir-liberman. I Liberman
  3610. Raster. Raster aggregates Jinyao Lin's tokenized works across platforms. https://www.raster.art/artist/jinyao-lin. I Lin
  3611. Raster. Raster aggregates Yi-Wen Lin's tokenized works across platforms. https://www.raster.art/artist/yi-wen-lin. I Lin
  3612. Raster. Raster aggregates Omar Lobato's tokenized works across platforms. https://www.raster.art/artist/omar-lobato. I Lobato
  3613. Raster. Raster’s verified LoVid activity record indexes the duo’s market and collection activity. https://www.raster.art/artist/lovid. I LoVid
  3614. Raster. Raster aggregates Jonas Lund's tokenized works across platforms. https://www.raster.art/artist/jonas-lund. I Lund
  3615. Raster. Raster aggregates Laya Mathikshara's tokenized works across platforms. https://www.raster.art/artist/laya-mathikshara. I Mathikshara
  3616. Raster. Raster aggregates James Merrill's tokenized works across platforms. https://www.raster.art/artist/james-merrill. I Merrill
  3617. Raster. Raster aggregates MODNAR WOLF's tokenized works across platforms. https://www.raster.art/artist/modnar-wolf. I MODNAR WOLF
  3618. Raster. Raster aggregates Motus Art's tokenized works across platforms. https://www.raster.art/artist/motus-art. I Motus Art
  3619. Raster. Raster aggregates n e o's tokenized works across platforms. https://www.raster.art/artist/n-e-o. I n e o
  3620. Raster. Raster aggregates Night Sea's tokenized works across platforms. https://www.raster.art/artist/night-sea. I Night Sea
  3621. Raster. Raster aggregates Grant Oesterling's tokenized works across platforms. https://www.raster.art/artist/grant-oesterling. I Oesterling
  3622. Raster. Raster aggregates oliveskin's tokenized works across platforms. https://www.raster.art/artist/oliveskin. I oliveskin
  3623. Raster. Raster aggregates Operator's tokenized works across platforms. https://www.raster.art/artist/operator. I Operator
  3624. Raster. Raster aggregates Orpheusk's tokenized works across platforms. https://www.raster.art/artist/orpheusk. I Orpheusk
  3625. Raster. Raster aggregates Lisa Orth's tokenized works across platforms. https://www.raster.art/artist/lisa-orth. I Orth
  3626. Raster. Raster aggregates Trevor Paglen's tokenized works across platforms. https://www.raster.art/artist/trevor-paglen. I Paglen
  3627. Raster. Raster aggregates Pandelune's tokenized works across platforms. https://www.raster.art/artist/pandelune. I Pandelune
  3628. Raster. Raster aggregates Parse/Error's tokenized works across platforms. https://www.raster.art/artist/parseerror. I Parse/Error
  3629. Raster. Raster aggregates Emanuele Pasin's tokenized works across platforms. https://www.raster.art/artist/emanuele-pasin. I Pasin
  3630. Raster. Raster aggregates Phaust's tokenized works across platforms. https://www.raster.art/artist/phaust. I Phaust
  3631. Raster. Raster aggregates phenomena's tokenized works across platforms. https://www.raster.art/artist/phenomena. I phenomena
  3632. Raster. Raster aggregates phil's tokenized works across platforms. https://www.raster.art/artist/phil. I phil
  3633. Raster. Raster aggregates PLS&TY's tokenized works across platforms. https://www.raster.art/artist/plsty. I PLS&TY
  3634. Raster. Raster aggregates john provencher's tokenized works across platforms. https://www.raster.art/artist/john-provencher. I provencher
  3635. Raster. Raster aggregates Punch Card Collective's tokenized works across platforms. https://www.raster.art/artist/punch-card-collective. I Punch Card Collective
  3636. Raster. Raster aggregates PZS's tokenized works across platforms. https://www.raster.art/artist/pzs. I PZS
  3637. Raster. Raster aggregates QianQian's tokenized works across platforms. https://www.raster.art/artist/qian-qian. I QianQian
  3638. Raster. Raster aggregates r0zk0's tokenized works across platforms. https://www.raster.art/artist/r0zk0. I r0zk0
  3639. Raster. Raster aggregates r4v3n's tokenized works across platforms. https://www.raster.art/artist/r4v3n. I r4v3n
  3640. Raster. Raster aggregates RalenArc's tokenized works across platforms. https://www.raster.art/artist/ralenarc. I RalenArc
  3641. Raster. Raster aggregates Ralgo's tokenized works across platforms. https://www.raster.art/artist/ralgo. I Ralgo
  3642. Raster. Raster aggregates Fabin Rasheed's tokenized works across platforms. https://www.raster.art/artist/fabin-rasheed. I Rasheed
  3643. Raster. Raster aggregates Harvey Rayner's tokenized works across platforms. https://www.raster.art/artist/harvey-rayner. I Rayner
  3644. Raster. Raster indexes Reben's on-chain artworks including his two Art Blocks projects and related generative editions. https://www.raster.art/artist/alexander-reben. I Reben
  3645. Raster. Raster aggregates REMO x DCsan's tokenized works across platforms. https://www.raster.art/artist/remo-x-dcsan. I REMO x DCsan
  3646. Raster. Raster aggregates Shane Richardson's tokenized works across platforms. https://www.raster.art/artist/shane-richardson. I Richardson
  3647. Raster. Raster aggregates Tim Richardson + Sean Zellmer's tokenized works across platforms. https://www.raster.art/artist/tim-richardson-sean-zellmer. I Richardson
  3648. Raster. Raster aggregates Tabor Robak's tokenized works across platforms. https://www.raster.art/artist/tabor-robak. I Robak
  3649. Raster. Raster aggregates Jake Rockland's tokenized works across platforms. https://www.raster.art/artist/jake-rockland. I Rockland
  3650. Raster. Raster aggregates Rosenlykke's tokenized works across platforms. https://www.raster.art/artist/rosenlykke. I Rosenlykke
  3651. Raster. Raster aggregates Niel de la Rouviere's tokenized works across platforms. https://www.raster.art/artist/niel-de-la-rouviere. I de la Rouviere
  3652. Raster. Raster aggregates SAB's tokenized works across platforms. https://www.raster.art/artist/sab. I SAB
  3653. Raster. Raster aggregates SAB & K2xL's tokenized works across platforms. https://www.raster.art/artist/sab-k2xl. I SAB & K2xL
  3654. Raster. Raster aggregates Nat Sarkissian's tokenized works across platforms. https://www.raster.art/artist/nat-sarkissian. I Sarkissian
  3655. Raster. Raster aggregates Jeremy Schoenherr (Jeres)'s tokenized works across platforms. https://www.raster.art/artist/jeres. I Schoenherr
  3656. Raster. Raster aggregates Luke Shannon's tokenized works across platforms. https://www.raster.art/artist/luke-shannon. I Shannon
  3657. Raster. Raster aggregates Neel Shivdasani's tokenized works across platforms. https://www.raster.art/artist/neel-shivdasani. I Shivdasani
  3658. Raster. Raster aggregates Marcelo Soria-Rodríguez's tokenized works across platforms. https://www.raster.art/artist/marcelo-soria-rodriguez. I Soria-Rodríguez
  3659. Raster. Raster aggregates Sputniko!'s tokenized works across platforms. https://www.raster.art/artist/sputniko. I Sputniko!
  3660. Raster. Raster aggregates Cole Sternberg's tokenized works across platforms. https://www.raster.art/artist/cole-sternberg. I Sternberg
  3661. Raster. Raster aggregates Sasha Stiles's tokenized works across platforms. https://www.raster.art/artist/sasha-stiles. I Stiles
  3662. Raster. Raster aggregates Per Kristian Stoveland's tokenized works across platforms. https://www.raster.art/artist/per-kristian-stoveland. I Stoveland
  3663. Raster. Raster aggregates Stranger in the Q's tokenized works across platforms. https://www.raster.art/artist/stranger-in-the-q. I Stranger in the Q
  3664. Raster. Raster aggregates Ryan Struhl's tokenized works across platforms. https://www.raster.art/artist/ryan-struhl. I Struhl
  3665. Raster. Raster aggregates sturec's tokenized works across platforms. https://www.raster.art/artist/sturec. I sturec
  3666. Raster. Raster aggregates William Tan's tokenized works across platforms. https://www.raster.art/artist/william-tan. I Tan
  3667. Raster. Raster aggregates Kazuhiro Tanimoto's tokenized works across platforms. https://www.raster.art/artist/kazuhiro-tanimoto. I Tanimoto
  3668. Raster. Raster aggregates Tengil's tokenized works across platforms. https://www.raster.art/artist/tengil. I Tengil
  3669. Raster. Raster aggregates Tezumie's tokenized works across platforms. https://www.raster.art/artist/tezumie. I Tezumie
  3670. Raster. Raster aggregates TheElephantNL's tokenized works across platforms. https://www.raster.art/artist/theelephantnl. I TheElephantNL
  3671. Raster. Raster aggregates thetechnocratic's tokenized works across platforms. https://www.raster.art/artist/thetechnocratic. I thetechnocratic
  3672. Raster. Raster aggregates Third Vision's tokenized works across platforms. https://www.raster.art/artist/third-vision. I Third Vision
  3673. Raster. Raster aggregates Paolo Tonon's tokenized works across platforms. https://www.raster.art/artist/paolo-tonon. I Tonon
  3674. Raster. Raster aggregates tuplart's tokenized works across platforms. https://www.raster.art/artist/tuplart. I tuplart
  3675. Raster. Raster aggregates umatha's tokenized works across platforms. https://www.raster.art/artist/umatha. I umatha
  3676. Raster. Raster aggregates usnea's tokenized works across platforms. https://www.raster.art/artist/usnea. I usnea
  3677. Raster. Raster aggregates Juan Pedro Vallejo's tokenized works across platforms. https://www.raster.art/artist/juan-pedro-vallejo. I Vallejo
  3678. Raster. Raster aggregates Vamoss's tokenized works across platforms. https://www.raster.art/artist/vamoss. I Vamoss
  3679. Raster. Raster's verified artist page indexes Velitchkova's oeuvre and activity. https://www.raster.art/artist/iskra-velitchkova. I Velitchkova
  3680. Raster. Raster aggregates Nicole Vella's tokenized works across platforms. https://www.raster.art/artist/nicole-vella. I Vella
  3681. Raster. Raster aggregates VES3L's tokenized works across platforms. https://www.raster.art/artist/ves3l. I VES3L
  3682. Raster. Raster aggregates Jos Vromans's tokenized works across platforms. https://www.raster.art/artist/jos-vromans. I Vromans
  3683. Raster. Raster preserves a marketplace and provenance record for an edition of Vromans's Astratta. https://www.raster.art/token/ethereum/0xd8b7cc75e22031a72d7b8393113ef2536e17bde6/1000500138. I Vromans
  3684. Raster. Raster aggregates Erin Wajufos's tokenized works across platforms. https://www.raster.art/artist/erin-wajufos. I Wajufos
  3685. Raster. Raster aggregates Lars Wander's tokenized works across platforms. https://www.raster.art/artist/lars-wander. I Wander
  3686. Raster. Raster aggregates Zachariah Watson's tokenized works across platforms. https://www.raster.art/artist/zachariah-watson. I Watson
  3687. Raster. Raster aggregates WAWAA's tokenized works across platforms. https://www.raster.art/artist/wawaa. I WAWAA
  3688. Raster. Raster aggregates Emily Weil's tokenized works across platforms. https://www.raster.art/artist/emily-weil. I Weil
  3689. Raster. Raster aggregates WhaleStreet x pxlq's tokenized works across platforms. https://www.raster.art/artist/whalestreet-x-pxlq. I WhaleStreet x pxlq
  3690. Raster. Raster aggregates Robert Whitman's tokenized works across platforms. https://www.raster.art/artist/robert-whitman. I Whitman
  3691. Raster. Raster aggregates xenoliss's tokenized works across platforms. https://www.raster.art/artist/xenoliss. I xenoliss
  3692. Raster. Raster aggregates Hannah Yan's tokenized works across platforms. https://www.raster.art/artist/hannah-yan. I Yan
  3693. Raster. Raster aggregates Yazid's tokenized works across platforms. https://www.raster.art/artist/yazid. I Yazid
  3694. Raster. Raster aggregates Zeblocks's tokenized works across platforms. https://www.raster.art/artist/zeblocks. I Zeblocks
  3695. Raster. Raster aggregates Florian Zumbrunn's tokenized works across platforms. https://www.raster.art/artist/florian-zumbrunn. I Zumbrunn
  3696. Raster. Raster aggregates zVault's tokenized works across platforms. https://www.raster.art/artist/jorge-ledezma. I zVault
  3697. Raster API. Raster’s API documentation explains its verified artist-credit and artist-by-slug data structures. https://docs.api.raster.art/. I WAWAA; I onlygenerated; I xenoliss
  3698. Raster archives Aerial View as a 2021 Art Blocks work by daLenz with 1,000 items and project metadata. Raster artwork archive I daLenz
  3699. Raster archives Man’s biography, alternate names, addresses, and exhibition history. raster-profile I Man
  3700. Raster Artist Profile. Raster.art maintains an artist profile page for 0xphiiil within its platform archive of generative practitioners. https://www.raster.art/artist/0xphiiil. I 0xphiiil
  3701. Raster artist profile. The Raster.art profile for Abhishek Das archives examples of his generative works and establishes his presence on the platform. https://www.raster.art/artist/abhishek-das. I Das
  3702. Raster artist profile archives Blockwares within a specialized generative art database. Raster profile · 2022 I Blockwares
  3703. Raster Collaborative Profile. The Raster profile for the collaborative team documents Asemica within a broader on-chain art archive. https://www.raster.art/artist/emily-edelman-dima-ofman-andrew-badr. I Badr; I Ofman
  3704. Raster collection archive. A Raster collector archive documents a collected Tropism work and attributes the series to Shivdasani. https://www.raster.art/collector/0xe245fb5a9cdc6b9fd274ae21d1c4592e83ede36c. I Shivdasani
  3705. Raster documentation of Divergence highlighting its interactive motion and layer-based structure. Raster Divergence I Bednar
  3706. Raster documents DDUST's Ethereum-responsive storm and collector-adjustable on-chain palettes. Raster archive I Jiwa
  3707. Raster FAQ. Raster’s FAQ describes the scope of its artist and marketplace indexing. https://www.raster.art/p/faq. I Pandelune; I xenoliss
  3708. Raster hosts the Implications collection with bidding functionality and collector information. Raster Art I Boyarsky
  3709. Raster lists Craig Hughes & Eric Hughes with an oeuvre entry for Center Pivot comprising 222 works. Raster profile I Hughes
  3710. Raster maintains a dedicated archival profile for Kelly Milligan. Raster I Milligan
  3711. Raster maintains a verified oeuvre and activity profile for Emily Edelman. Raster profile I Edelman
  3712. Raster maintains an artist archive for Eric De Giuli. Raster archive I De Giuli
  3713. Raster maintains an artist archive for Sarah Ridgley. Raster I Ridgley
  3714. Raster maintains an artist record for Insigħt with oeuvre, activity, and market views. raster-profile I Insigħt
  3715. Raster token. Raster's token page for Aerial View #896 preserves item-level metadata for an individual daLenz output. https://www.raster.art/token/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/35000896. I daLenz
  3716. Raster token record. Raster documents an on-chain example from Memories of Digital Data with collection and provenance information. https://www.raster.art/token/ethereum/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/428000076. I Tanimoto
  3717. Raster verifies DisruptedStar's artist profile and lists works including Organic Diffusion, Voyager, DisOrder, and Cables and Clouds. raster-profile I DisruptedStar
  3718. Raster verifies Eko33's real Raster artist profile and presents works from the platform archive. Raster profile I Duclaux
  3719. Raster's artist page identifies Bjørn Staal, also known as nonfigurativ, as a Norwegian artist, programmer, and researcher, and notes his co-founding of Void in 2015. Raster profile I Nonfigurativ
  3720. Raster's artist profile lists Slook's oeuvre and records Backwards as 300 works. Raster profile I Slook
  3721. Raster's artist profile verifies Ionson's Raster presence under bard-ionson. Raster profile I Ionson
  3722. Raster's token record documents an animated Dipolar edition and its available viewing and export modes. Raster token record I Farquhar
  3723. Raster's verified artist profile lists Amy Goodchild's oeuvre, including Meaningless as 270 works. raster-profile I Goodchild
  3724. raster.art. Raster, "24 Heures by Alexis André": project description and edition details. https://raster.art/artwork/24-heures-by-alexis-andre. I André
  3725. Raster.art. Raster.art hosts HyperHash with bidding and collection activity. https://www.raster.art/artwork/hyperhash-by-beervangeer. I Beervangeer
  3726. raster.art. Geometry Runners by Richard Lord on Raster.art, showing market activity and collector data. https://www.raster.art/artwork/geometry-runners-by-richard-lord. I Lord
  3727. raster.art. Nebula #75 listed on Raster.art with provenance and trait data for the 154-edition collection. https://www.raster.art/token/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/210000075. I RVig
  3728. Raster.art. Raster.art archives multiple generative artworks by Bart Simons including Blush #01 and Contort. https://raster.art/artwork/blush-01-by-bart-simons. I Simons
  3729. Raster.art description of 444(4) as extremely experimental, quintessential generative art with infinite deterministic instances. Raster.art I Shvembldr
  3730. Raster.art documents additional works by Brad Damico including pre Art Blocks digital editions. Raster.art Artwork Record I artplusbrad
  3731. Raster.art maintains a dedicated artist page archiving Brad Damico's portfolio across multiple platforms. Raster.art Profile I artplusbrad
  3732. Raster.art maintains an artist profile for Boreta detailing his affiliations with The Glitch Mob, Superposition, and Hyperspektiv glitch art app. Raster Artist Profile I Boreta
  3733. Raster.art · Metropixeland feature. Raster.art presents Metropixeland, emphasizing its nostalgic yet dynamic pixel metropolis aesthetic inspired by classic simulation games, voxel art, and realtime procedural animation. https://www.raster.art/artwork/metropixeland-by-fernando-jerez. I Jerez
  3734. Raster’s archival profile records Shaik’s identity, aliases, addresses, and association with 256ART. raster-profile I Shaik
  3735. Raster’s artist archive records Butcher’s oeuvre and market activity across digital platforms. Raster I Butcher
  3736. Raster’s token archive identifies 3 Minute Meditations #25 as a 2022 on-chain Art Blocks work by thetechnocratic. Raster archive I thetechnocratic
  3737. Raster’s verified artist archive records WaVyScApE as a collection of 315 works. Raster archive I Lippmann
  3738. Rauschenberg oral history. The Rauschenberg Foundation’s illustrated oral-history transcript records Whitman’s memories of artists, technologies, and performances. https://www.rauschenbergfoundation.org/sites/default/files/WHITMAN_Robert_Final.pdf. I Whitman
  3739. Rayhatching chapters. Pasma's illustrated rayhatching history follows the algorithm from plotter constraints to the long-form Industrial Devolution. https://piterpasma.nl/industrial-devolution/. I Pasma
  3740. Raymond Hill. “Javascript-Voronoi repository.” https://github.com/gorhill/Javascript-Voronoi. Accessed 18 September 2026. II 106
  3741. Rayner.art. Rayner’s CV records on-chain releases, exhibitions, fairs, activations, and talks through 2026. https://rayner.art/about/cv/. I Rayner
  3742. Rayner.art. Rayner’s 2026 works page documents Algorithmic Synesthesia, its visitor co-curation, and its subsequent mint. https://rayner.art/works/2026/. I Rayner
  3743. Rayner’s 2022 works page explains the quasicrystal, hyperbolic, and wavefield structures in Photon's Dream. photons-artist-notes I Rayner
  3744. Rayner’s 2023 works page documents marfaMESH’s NFC interactions, photographic inputs, location and time data, live evolution, and free final mints. marfamesh-artist-notes I Rayner
  3745. Rayner’s biography describes his code-based practice, algorithmic mark-making, and treatment of randomness. artist-bio I Rayner
  3746. Rayner’s Fontana thesis explains its visual primitives, surface logic, generative color, and historical references. fontana-thesis I Rayner
  3747. rct.uk. The Royal Cornwall Museum in Truro, United Kingdom, hosts the Algorithmic Art Season 2019 featuring the artist's computational works. https://www.rct.uk/collection/3002437. I Aggott-Hönsch
  3748. Real Life. Real Life Mag discusses Dadabots, neural-network metal, and the cultural meaning of infinite death metal. https://reallifemag.com/dispatches/infinite-death-metal/. I dadabots
  3749. Really Random Rock. Official project text for Really Random Rock, a pen-plotter edition pairing scholars' rocks with a mathematical grid. https://danielcalderonarenas.com/rrr. I Calderon Arenas
  3750. Reben's TED profile describes his MIT training in social robotics and his practice of investigating human-machine relationships through art. TED profile I Reben
  3751. Recent projects include the immersive CASCADE experience in Brooklyn in 2021 and a 2025 presentation on the Sphere in Las Vegas, alongside gallery exhibitions of Vortex in collaboration with Art Blocks. CASCADE project site I Stark
  3752. Recoding workshop. Stereolux presents Gachadoat's workshop on recoding foundational works of generative art with vintage and contemporary plotters. https://stereolux.org/agenda/workshop-recoding-aux-sources-du-dessin-generatif. I Gachadoat
  3753. Recorded conversation exploring the inspirations and structure of the Autology project shortly before release. Cent Conversation I steganon
  3754. Recorded talk in which Dominikus Baur discusses the relationships among data visualization, data art, and generative art practices. Information+ Conference (2024) I Dominikus
  3755. Red Dot documents how visitor brushstrokes were algorithmically combined into Piece 18 and credits Milligan as a creative coder. Red Dot I Milligan
  3756. RED-EYE interview. RED-EYE Magazine published an interview with Jen Stark ahead of the MET Amsterdam conference, discussing mathematical precision, natural inspirations, and immersive art experiences. https://red-eye.world/c/diving-into-nature-s-mathematical-beauty-through-art-with-jen-stark. I Stark
  3757. Reddit Collectible Avatars Gen 3 and Gen 4 participation, documented on CoinMarketCap and Glas's site. CoinMarketCap I Glas
  3758. reddit.com/r/generative. Reddit discussion celebrating Octo Garden #248 as a favourite Factory project. https://www.reddit.com/r/generative/comments/otb4qd/octo_garden_248_by_rich_lord/. I Lord
  3759. Redlion team. “Gazettes on Art Blocks.” https://www.redlion.red/about/projects/gazettes-on-artblocks. Accessed 17 September 2026. II 038
  3760. Redlion team. “What is Redlion Gazette.” https://www.redlion.red/about/gazette/what-is-gazette. Accessed 17 September 2026. II 038
  3761. Refraction. Refraction surveys the analog and virtual dimensions of Stiles’s language-based practice. https://www.refractionfestival.com/editorial/sasha-stiles. I Stiles
  3762. Refraction’s event report identifies ilithya as a participating artist in the 2024 Dig Shibuya screen program. dig-shibuya I ilithya
  3763. regl contributors / Mikola Lysenko. “regl current upstream licence.” https://github.com/regl-project/regl/blob/main/LICENSE. Accessed 17 September 2026. II 032
  3764. regl contributors. “regl 2.1.0 package record.” https://registry.npmjs.org/regl/2.1.0. Accessed 18 September 2026. II 242
  3765. Reimagining Culture. Particle’s podcast discusses Kusano’s AI photography and work connected with Bright Moments, Gucci, and Christie’s. https://www.buzzsprout.com/2248923/episodes/13868899-emi-kusano-reimagining-culture-through-ai-photography. I Kusano
  3766. Reina Sofía. Museo Reina Sofía records its presentation of The American Moon. https://www.museoreinasofia.es/actividad/american-moon/. I Whitman
  3767. release report. 24 Hours of Art reports on Växt during its Art Blocks release period. https://www.24hoursof.art/p/24-hours-of-art-8ab. I Tengil
  3768. Reminiscence. Benjamin Bardou’s Reminiscence press kit documents Collective Memories and its combination of algorithmic composition, image processing, and Giverny data. https://benjaminbardou.com/files/collective-memories/Reminiscence%20-%20Press%20kit.pdf. I Zumbrunn
  3769. Remix the Archive lists Kaufman in its generative-art exhibition presented in Helsinki and New York. exhibition-record I Block
  3770. remnynt. “Proscenium official description.” https://vibes.art. Accessed 19 September 2026. II 485
  3771. Renzo Nucara profiles the three current members of Insigħt as physicist-theorist-artists. medium-profile I Insigħt
  3772. Repeater #132. Le Random catalogues Repeater #132 and preserves Connolly’s artist note for the series. https://www.lerandom.art/collection/repeater-132. I Connolly
  3773. Repository and documentation for open-source Token Art Tools developed and shared by the artist. GitHub Pages I Moore
  3774. Reputation in the art world. The Link discusses the presentation of on-chain generative art to established art-world audiences. https://medium.com/the-link-art-blocks/growing-art-blocks-reputation-in-the-art-world-231928923fe3. I n e o
  3775. ResearchGate records Jamieson's conservation position at Chinati and his academic affiliations and publications. research-profile I Jamieson
  3776. Resident Advisor. Resident Advisor maintains a biography of the DJ and producer. https://ra.co/dj/legowelt/biography. I Wolfers
  3777. Resident Advisor describes Night Sea, its Bay Area context, and Johan Ismael’s role in the audiovisual duo. Resident Advisor I johan
  3778. Resident Advisor documents Wajufos as promoter and performer at the November 2024 &FRIENDS audiovisual showcase. event-record I Wajufos
  3779. Resident Advisor identifies Night Sea as David Grunzweig and Johan Ismael and outlines the duo’s Bay Area audiovisual and musical practice. Resident Advisor I Night Sea
  3780. Resonance spotlight. Tezos Spotlight examines Motus Art's interactive Resonance project and its relationship between observer and system. https://spotlight.tezos.com/article-of-october-2025/. I Motus Art
  3781. Responsive Dreams. Responsive Dreams presents its institutional mission as a festival devoted to art created with code and identifies Santiago as a featured artist. https://responsivedreams.com/. I Santiago
  3782. Responsive Dreams 2024. The festival’s 2024 archive describes its commissioning and exhibition model for generative projects. https://responsivedreams.com/2024. I Santiago
  3783. Responsive Dreams documents Invisibles works, BAI, and Proxima in its Local Art Wall presentation. Local Art Wall I IsmaHelio
  3784. Responsive Dreams hosts the project page for The Light Where We Meet by Amy Goodchild. responsive-dreams I Goodchild
  3785. Responsive Dreams lists IsmaHelio among the artists in its generative-art festival presentation. Responsive Dreams I IsmaHelio; I Larino; I Santiago
  3786. Responsive Dreams records Heeey's participation in a 2024 round table on Barcelona's generative-art ecosystem. Responsive Dreams I Heeey
  3787. Return to Code and Glitch. The artist considers the relationship between code, glitch processes, and artistic distinctiveness. https://sgtslaughtermelon.com/art/return-to-code-and-glitch/. I sgt_slaughtermelon & Tartaria Archivist
  3788. Reva Fan archive. STYLY’s Reva Fan archive connects her to an augmented-reality exhibition of Asian generative artists at Shibuya Scramble Crossing. https://styly.cc/tag/reva-fan/. I Reva
  3789. Reva. “Through the Window: artist development essay.” https://www.revafyw.com/blog/through-the-window. Accessed 18 September 2026. II 204
  3790. Revista VIS publishes Vamoss's co-authored article and records his UFRJ doctoral research and Encontros Digitais work. Revista VIS I Vamoss
  3791. Revolutionary power. HOLO reports on Console Spirituality and characterizes Provencher’s contribution as Doom-based dungeon crawling. https://www.holo.mg/stream/feral-file-lan-party-console-spirituality/. I provencher
  3792. Revolver. Revolver covers Dadabots' Relentless Doppelganger and its deep-learning death metal stream. https://www.revolvermag.com/music/hear-insane-247-livestream-ai-generated-death-metal/. I dadabots
  3793. RGBA.js example II. A noise-based RGBA.js example exposes a custom function and shader construction in the browser. https://codepen.io/strangerintheq/pen/abmaLrO. I Stranger in the Q
  3794. Rhizome ArtBase identifies Re-Move as ten interactive generative works created in Macromedia Director and begun in 1999. Rhizome ArtBase I LIA
  3795. Rhizome Artbase lists four early web works by Jonas Lund. Rhizome Artbase I Lund
  3796. Rhizome ArtBase’s 2023 index records Memories of Digital Data by Kazuhiro Tanimoto. Rhizome ArtBase I Tanimoto
  3797. Rhizome community archive. An archived Rhizome community notice records an early LoVid performance using homemade electronic devices and DIY instruments. https://old.rhizome.org/community/35109/. I LoVid
  3798. Rhizome describes We See in Every Direction as an anonymous communal browsing application. Rhizome editorial I Lund
  3799. Rhizome. “into time .com archive record.” https://artbase.rhizome.org/wiki/Q3178. Accessed 18 September 2026. II 118
  3800. Rhizome receives historic donation. FAD reports the smart-contract transfer of 164 ETH from Endless Nameless to Rhizome. https://fadmagazine.com/2021/08/06/rhizome-receives-largest-donation-in-their-25-year-history-from-the-sale-of-artist-rafael-rozendaals-nft-art/. I Rozendaal
  3801. Rhizome, into time .com, Net Art Anthology: the dedicated domain as a unique, ubiquitous public object. rhizome.org ↩ I Rozendaal
  3802. rhizome.org. Rhizome interview with Leegte on CONT3XT.NET and his sculptural engagement with the virtual. https://rhizome.org/editorial/2010/oct/18/interview-with-jan-robert-leegte-on-cont3xtnet/. I Leegte
  3803. rhizome.org/tags. Rhizome tag archive collecting coverage of Leegte. https://rhizome.org/tags/jan-robert-leegte/. I Leegte
  3804. Rich Lord. “Octo Garden: development and generative system.” https://www.richlord.com/octo-garden. Accessed 17 September 2026. I Lord; II 103
  3805. Rich Lord. “Rich Lord portfolio.” https://www.richlord.com/. Accessed 18 September 2026. I Lord; II 134
  3806. Richardson’s studio biography summarizes his multidisciplinary commissions, screenings, exhibitions, and publications. Studio biography I Richardson
  3807. Ridgley’s Ateliers project note explains its underpainting and non-linear traversal of the pixel array. Ateliers project text I Ridgley
  3808. Ridgley’s project text explains Himinn’s cloud study, combined algorithms, coded underpainting, and on-chain constraints. Himinn project text I Ridgley
  3809. Riga This Week listing for FLEETING INFINITY by SHVEMBLDR exhibition at Digital Art House, September to October 2022. Riga This Week I Shvembldr
  3810. Right Click Save. Right Click Save discusses crypto art contexts with reference to works by artplusbrad. https://www.rightclicksave.com/article/keeping-up-with-crypto-lingo. I artplusbrad
  3811. Right Click Save. Right Click Save published a work-specific page for Colour Computer #62 by Dean Blacc, situating the piece within discussions of generative color and prediction. https://www.rightclicksave.com/index/works/10896/colour-computer-62. I Blacc
  3812. Right Click Save. Right Click Save artist index entry for Bryan Brinkman with role and location details. https://www.rightclicksave.com/index/people/13376/bryan-brinkman. I Brinkman
  3813. Right Click Save. An essay in Right Click Save situates Trossets within explorations of smart-contract aesthetics and the visual language of on-chain generative systems. https://www.rightclicksave.com/article/in-search-of-an-aesthetics-of-smart-contracts. I Carreras
  3814. Right Click Save. Right Click Save maintains an index entry for Carreras cataloguing her roles in creative coding and generative art communities. https://www.rightclicksave.com/index/people/5384/anna-carreras. I Carreras
  3815. Right Click Save. Right Click Save examines Art Blocks’ role in connecting long-form generative art with contemporary-art institutions. https://www.rightclicksave.com/article/when-generative-art-became-contemporary-art-pace-verso-art-blocks-interview. I thetechnocratic
  3816. Right Click Save. Right Click Save considers creative control, curation, and collector participation in long-form generative art. https://www.rightclicksave.com/article/generative-art-and-the-decentralization-of-creativity. I thetechnocratic
  3817. Right Click Save. Alex Estorick examines narrative logic, randomness, and atmosphere in Velitchkova's 2026 project I See Generative. https://www.rightclicksave.com/article/in-emergent-fields-iskra-velitchkova-i-see-generative-wind-alex-estorick. I Velitchkova
  3818. Right Click Save Author Page. The Right Click Save author page by Emily Edelman discusses Asemica as her first long-form generative series. https://www.rightclicksave.com/author/emily-edelman. I Badr
  3819. Right Click Save covered the Cure³ digital generative art section and included Staal's comments on charity and impact. Cure3 RCS I Nonfigurativ
  3820. Right Click Save documents reGEN’s five artists, 1,000 total NFTs, and fundraising purpose for Cure Alzheimer’s Fund. reGEN interview I Soria-Rodríguez
  3821. Right Click Save examines Please Respond as a collaborative generative-art exquisite corpse and names Isaksen among its participants. Right Click Save I Isaksen; I Jovanić
  3822. Right Click Save featured a 2023 interview in which Anna Lucia discussed the conceptual and visual influence of Gee's Bend quilters on her Loom series. Right Click Save I Lucia
  3823. Right Click Save identifies Kislev as a collaborator on Clint Fulkerson’s generative project F(x)ields. Right Click Save I Kislev
  3824. Right Click Save includes Orth’s account of rules, randomness, and generative authorship. The Artists I Orth
  3825. Right Click Save index entry for phase with coverage and contextual notes. Right Click Save phase I Bednar
  3826. Right Click Save interprets Rain Blooms through cellular automata, sound, and Tanimoto’s materials research. Right Click Save I Tanimoto
  3827. Right Click Save interview discussing pixel sorting origins and open-source impact. Right Click Save I Asendorf
  3828. Right Click Save interviews Man about randomness, imitation, authenticity, and generative practice. rcs-interview I Man
  3829. Right Click Save places Edelman and Tina Chang’s collaborative work within blockchain poetry. blockchain poetry I Edelman
  3830. Right Click Save presents Edelman’s discussion of Cosmico, FEMGEN, equity, and generative art. FEMGEN interview I Edelman
  3831. Right Click Save profile. Right Click Save maintains an indexed profile summarizing Dianov's practice and works. https://www.rightclicksave.com/index/people/11558/ivan-dianov. I Dianov
  3832. Right Click Save profiles Orth’s progression from design and tattooing into generative art. Emerging Artists I Orth
  3833. Right Click Save published an extensive interview in which Aaron Penne and Boreta discuss the conceptual foundations and collaborative process behind their generative projects including Rituals. Right Click Save Interview I Boreta; I Penne; I thetechnocratic
  3834. Right Click Save publishes critical essays on the plotter-scanner’s rule-bound but unpredictable image-making process. Right Click Save I Shannon
  3835. Right Click Save records encapsuled's account of the VerticalCrypto Art Residency, education, collaboration, and Web3 practice. rcs-interview I Ionescu; I encapsuled
  3836. Right Click Save records Velitchkova and Zach Lieberman's account of collaboration, variation, and narrative in long-form generative art. Right Click Save I Velitchkova
  3837. Right Click Save reproduced an output from the collection in a 2026 interview about collecting computational media. Right Click Save I Struhl; III No. 43
  3838. Right Click Save situates eBoy within contemporary discussions of pixel art, technostalgia, and digital materiality. Right Click Save I QianQian; I eBoy
  3839. Right Click Save's essay on Marcelo Soria-Rodríguez cites daLenz's Aerial View in relation to contemporary generative art and earlier computational art histories. Right Click Save essay I Soria-Rodríguez; I daLenz
  3840. Right Click Save's Index entry aggregates Jovanić's profile, practices, exhibitions, and coverage across the publication. Right Click Save index I Jovanić
  3841. Right Click Save's interview frames Staal's practice across Void, Immaterial, Entangled, and Losing Oneself. RCS interview I Nonfigurativ
  3842. Right Click Save's interview records Sarkissian's views on code execution, landscape, abstraction, and nature as a generative system. Right Click Save I Sarkissian
  3843. Right Click Save's “Proof of Pixels” conversation documents Wander's account of constraints, enumeration, and surprise in generative systems. Proof of Pixels I Wander
  3844. Right Click Save, An Interview with Monica Rizzolli: Processing education, community work, recognition, environment, and code-based practice. rightclicksave.com ↩ I Rizzolli
  3845. Right Click Save, An Interview with Snowfro (18 July 2022): Art Blocks, generative minting, surprise, artist coherence, and collecting as an encounter shared by artist and collector. rightclicksave.com I Calderon; I daLenz
  3846. Right Click Save, An Interview with Tyler Hobbs, parts 1 and 2 (2021): artistic formation, long-form output spaces, blockchain distribution, collecting, and the public consequences of generative systems. rightclicksave.com I Hobbs
  3847. Right Click Save, Larva Labs on Quine and Code as Art: the Shape, Force, Ribbon, Lattice, and Glyph engines, space modes, and abstract colour. rightclicksave.com ↩ I Larva Labs
  3848. Right Click Save, The Interview: artificial surveys, isometric games, parameter space, and natural systems. rightclicksave.com ↩ I DesLauriers; I matto
  3849. Right Click Save, The Interview: Piter Pasma: demoscene size coding, on-chain character cost, mathematical systems, and code efficiency. rightclicksave.com ↩ I Pasma; I Shvembldr
  3850. Right Click Save, The Power of Processing: Reas and Lauren Lee McCarthy on Processing, UCLA Social Software, access, power, and bias. rightclicksave.com I REAS
  3851. Right Click Save’s 2023 interview discusses Sputniko!’s movement between engineering, art, gender politics, and technological systems. Right Click Save I Sputniko!
  3852. Right Click Save’s 2025 interview connects the artist’s work on degeneration and empathy to family experiences, his banking and data career, and variaciones del yo. Caring Code I Soria-Rodríguez
  3853. Right Click Save’s fx(hash) feature includes Fradina’s comments on long-form practice and artistic community. Right Click Save I Fradina
  3854. rightclicksave.com. Right Click Save, "Art Basel welcomes converging art worlds" (2026): on Zero 10 and the generative art scene. https://www.rightclicksave.com/article/art-basel-zero-10-welcomes-converging-art-worlds. I André
  3855. rightclicksave.com. Right Click Save Magazine interviews Brito for The Generations of Generative Art feature at Gazelli Art House, discussing his practice and nomination for the 2023 Lumen Prize Crypto Art Award. https://www.rightclicksave.com/article/the-generations-of-generative-art-interview-gazelli-art-house. I Brito; I Ferrandez
  3856. rightclicksave.com. Right Click Save, The Interview: generative sound, algorithmic geometry, and ecological-restoration partnerships in the crystalline work. https://www.rightclicksave.com/article/the-interview-john-gerrard-crystalline-work. I Gerrard
  3857. rightclicksave.com. Art Blocks Embraces AI Agents: interview with Jordan Lyall on the Art Blocks MCP and platform evolution. https://www.rightclicksave.com/article/art-blocks-embraces-ai-agents-jordan-lyall-interview. I Lord
  3858. rightclicksave.com (LIFT). Right Click Save, The Art of the Game: Snowfro and Mitchell F. Chan discuss LIFT, gamification, endurance, self-portraiture, and play. https://www.rightclicksave.com/article/the-art-of-the-game-snowfro-mitchell-f-chan-interview-alex-estorick. I Calderon
  3859. Ringer, Pump and Wrapture. Hyperspek connects Ringers, The Eternal Pump, and The Wrapture through their algorithms and collector community. https://hyperspek.com/ringer-pump-and-wrapture/. I Cherniak
  3860. Ringers #191. A Phillips lot page documents Dmitri Cherniak’s Ringers #191 as an Art Blocks ERC-721 work in the sale. https://www.phillips.com/detail/dmitri-cherniak/UK090322/9. I oliveskin
  3861. Ringers #879 lot record. The individual Sotheby's lot record preserves the estimate, provenance, and result for Ringers #879. https://www.sothebys.com/en/buy/auction/2023/grails-part-ii/ringers-879-the-goose?locale=en. I Cherniak
  3862. Ringers #962. The Medici Collection's record for Ringers #962 preserves the work later promised to LACMA. https://www.cozomomedicicollection.com/artwork/ringers-962. I Cherniak
  3863. Ringers #98. Sotheby's Grails record for Ringers #98 preserves the work's provenance, estimate, and auction result. https://www.sothebys.com/en/buy/auction/2023/grails-part-ii/ringers-98. I Cherniak
  3864. Ringers: Simplicity, Complexity, Meaning. DT Journal offers an early collector reading of Ringers' simplicity, complexity, and figurative associations. https://www.dtjournal.com/p/ringers. I Cherniak
  3865. Ritz on Demozoo. Demozoo's Ritz profile catalogues Pasma's demoscene productions, credits, releases, and competition history. https://demozoo.org/sceners/17360/. I Pasma
  3866. Roaming in the Path exhibition. The Ministry of Culture Taiwan presented 'Aluan Wang: Roaming in the Path' in 2020, an exhibition of algorithmic satellite-map migrations that trace natural and cultural terrain through code. https://www.moc.gov.tw/en/News_Content2.aspx?n=468&s=17112. I AluanWang
  3867. Rob Dixon / Radix. “Eccentrics: A Little Off-Center.” 17 December 2021. https://radixart.io/blog-005-eccentrics-off-center-part1.html. Accessed 18 September 2026. II 104; II 140
  3868. Robak's dated exhibition page describes the consumer culture, screen addiction, and electronic sculptures addressed by Casualty Mosaic. Casualty Mosaic I Robak
  3869. Robak's project page describes Colorspace as a real-time animated painting inspired by classic screensavers and interface elements. Colorspace project I Robak
  3870. Robert Hodgin / The Link. “In Conversation with Robert Hodgin.” https://medium.com/the-link-art-blocks/in-conversation-with-robert-hodgin-a985e67a7a2c. Accessed 19 September 2026. I Hodgin; II 275
  3871. Robert Hodgin. “roberthodgin.com portfolio homepage.” https://roberthodgin.com/. Accessed 20 September 2026. II 321
  3872. Robert Hodgin. “Solar Transits official description.” https://roberthodgin.com/solar/. Accessed 19 September 2026. II 420
  3873. Robert Whitman. “New Worlds official description.” https://www.pacegallery.com/journal/robert-whitman-new-worlds. Accessed 19 September 2026. II 399
  3874. Rock Badger Agency, interview with Monica Rizzolli: concrete art, ukiyo-e, botanical illustration, textiles, and porcelain. rockbadgeragency.com ↩ I Rizzolli
  3875. Rock Badger interview covering Melis's practice, influences, rhythm, and the development of Kubikino with Enrico Penzo. rockbadger-interview I Melis
  3876. RocketReach. RocketReach professional profile documenting Mariansky's roles at Bezalel and AI startups. https://rocketreach.co/matty-mariansky-email_3499604. I Mariansky
  3877. Rockland’s Devpost archive records his early software skills, university affiliation, projects, and interest in blockchain. Devpost I Rockland
  3878. Rococo Diffusion Artifacts. ZAZ10TS documents Rococo Diffusion Artifacts as a moving-image encounter among ornament, nature, code, and digital memory. https://vimeo.com/1148161115. I phenomena
  3879. Rodeh's official biography describes her Berlin-based practice, education, representation, residencies, and work with light, sound, safety, and public space. artist-bio I Rodeh
  3880. Rodney Mullen: The Beauty of Skateboarding. BONES Wheels archives a video presentation featuring Rodney Mullen on the beauty of skateboarding. https://bones.com/blog/rodney-mullen-the-beauty-of-skateboarding. I JEANVASCRIPT
  3881. Roehrs & Boetsch artist page. Roehrs and Boetsch artist about page summarizing solo and collaborative exhibitions including Black Scree and Computer's World. https://www.roehrsboetsch.com/artists/detail/kim-asendorf/about/. I Asendorf
  3882. Roehrs and Boetsch page for the Pixel Matter exhibition with Olia Lialina. Roehrs & Boetsch I Asendorf
  3883. Rolling Stone Italy interviews Orth about Sub Pop, album design, music, and her transition into tattooing. Rolling Stone I Orth
  3884. Roman Janajev. “Making a heart and a soul.” 12 October 2021. https://roman-janajev.medium.com/making-a-heart-and-a-soul-3e75ae4f59ff. Accessed 18 September 2026. I Janajev; II 158
  3885. rooftop.talk 24. Panel discussion on new developments in NFTs and crypto art with CryptoWiener members Julia Staudach and Bernhard Nessler. https://stadlerpartner.at/en/insights/rooftop-talk-24-new-developments-on-nfts-crypto-art-copyright-2. I CryptoWiener
  3886. Room Gen Art no. 6. NFT Morning hosts Gachadoat and Florian Zumbrunn for a discussion of sustaining a generative-art practice. https://www.nftmorning.com/p/600-room-gen-art-n6-presentee-par. I Gachadoat; I Zumbrunn
  3887. Roots No Shoots. VernissageTV reviews and documents the audiovisual installation Roots No Shoots at Smack Mellon. https://vernissage.tv/2013/11/29/lovid-roots-no-shoots-smack-mellon-new-york/. I LoVid
  3888. Roots project page. Roots documents Fernando Jerez's continued procedural explorations following the Art Blocks projects, extending themes of generative architecture and worldbuilding. https://www.fernandojerez.com/site/roots/. I Jerez
  3889. ROOTY Show. The ROOTY Show discusses Zumbrunn’s conception of code as a painterly instrument and distinguishes his authored algorithms from generative AI. https://rooty-agency.com/blog/posts/florian-zumbrunn-art-generatif-podcast. I Zumbrunn
  3890. Rosco Kalis records the Art Blocks launch and Amsterdam launch event for Imperfections. Rosco Kalis, 2022 review I Kalis
  3891. Rosco Kalis recounts learning generative art and developing Imperfections with his artist father. Rosco Kalis, 2021 review I Kalis
  3892. Rosenfeld Gallery profiles Rodeh as a Berlin-based visual artist, scenographer, and urban/spatial practitioner working between virtual and physical space. rosenfeld-profile I Rodeh
  3893. Rosenlykke. “Supermental official description.” https://twitter.com/rosenlykke. Accessed 19 September 2026. II 280
  3894. Rostock-Heute’s exhibition report connects Lippmann’s sculpture education and New York computer-art training with his DATA-DADA solo exhibition. exhibition report I Lippmann
  3895. Royal Award catalogue. The Royal Palace Amsterdam catalogue archive preserves Wouter Kalis in the award's historical record. https://www.paleisamsterdam.nl/documents/278/catalogus_190x245_KPVVS_v15_ISSUU.pdf. I Kalis
  3896. Rozendaal gives Rhizome its largest gift. Artnet reports how the 1,000-work Endless Nameless sale produced the largest individual gift in Rhizome's history. https://news.artnet.com/art-world/rafael-rozendaal-rhizome-gift-1996094. I Rozendaal
  3897. Ruben Alexander. “Ruben Alexander portfolio.” https://www.behance.net/urbenz. Accessed 18 September 2026. II 052
  3898. Ruben Alexander. “Star Flower, An ArtBlocks Factory project.” 28 July 2021. https://www.behance.net/gallery/124328347/Star-Flower-An-ArtBlocks-Factory-project. Accessed 18 September 2026. II 052
  3899. Rubinsteyn profile. Alex Rubinsteyn’s personal professional record identifies Punch Card Collective as an ongoing generative fiber-art collaboration. https://rubinsteyn.com/. I Punch Card Collective
  3900. RVig artist statement and toolkit description. artpoint.fr I RVig
  3901. RVig. “Flowers artist documentation.” https://rvig.art/Flowers.html. Accessed 17 September 2026. II 117; II 205
  3902. RVig. “Flowers Print Edition.” https://rvig.art/FlowersPE.html. Accessed 17 September 2026. I RVig; II 117
  3903. RVig on colour palettes extracted from everyday life and nature. x.com/rvig_art I RVig
  3904. RVig profile in the ABS Digital Art Collection. arabbank.ch I RVig
  3905. RVig. “Volute: Story and retrospective Flowers account.” https://rvig.art/Volute.html. Accessed 17 September 2026. I RVig; II 117; II 205; II 381
  3906. rvig.art/Alchimie.html. Alchimie project page on Art Blocks Studio, reconciling the interweaving lines of Flowers with the pixel flows of Volute. https://rvig.art/Alchimie.html. I RVig
  3907. Ryan and Tina Essmaker / Joshua Davis. “Joshua Davis interview.” 17 September 2013. https://thegreatdiscontent.com/interview/joshua-davis/. Accessed 17 September 2026. II 131
  3908. Ryan Bell. “Hyper Drive: A-Side official description.” https://twitter.com/iRyanBell. Accessed 19 September 2026. II 388
  3909. Ryan Green. “ryangreen8 link page.” https://linktr.ee/ryangreen8. Accessed 20 September 2026. II 174; II 353
  3910. Ryan Lee Gallery: Vortex. In 2024, Ryan Lee Gallery presented Jen Stark: Vortex in collaboration with Art Blocks, showcasing physical and digital manifestations of the generative series. https://ryanleegallery.com/exhibitions/jen-stark-vortex/. I Stark
  3911. Ryan Struhl. “Ryan Struhl Instagram.” https://www.instagram.com/rwstruhl/. Accessed 18 September 2026. II 167
  3912. ryley-o.eth. “Flows official description.” https://ryley-o.com/flows. Accessed 19 September 2026. I ryley-o.eth; II 450
  3913. S2E7 Emily Xie interview. SquiggleDAO produced a video conversation tracing Xie's path from software engineer to visual artist working with code and computation. https://www.youtube.com/watch?v=ZEgfh2rihLc. I Xie
  3914. SAB & K2xL. “Assemblage official description.” https://assemblage.live/. Accessed 19 September 2026. II 292
  3915. Sabri Gökmen educator profile. Gökmen’s Udemy educator profile describes his architectural, computational, public-art, and technology-teaching background. https://www.udemy.com/user/sabri-gokmen/. I SAB
  3916. Sail-o-bot #463 discusses the interaction, palette, and variable slices of pxlq's Dynamic Slices. Sail-o-bot I WhaleStreet x pxlq
  3917. Sales data aggregator page tracking transactions for Collapsed Sequence within Art Blocks Presents activity. CryptoSlam Art Blocks Sales Data I toiminto.eth
  3918. Salon 94 Synthesizers. Salon 94 exhibition page for Takeshi Murata's Synthesizers solo show. https://salon94.com/exhibitions/takeshi-murata-synthesizers-2012/. I Murata
  3919. Salone del Mobile. Salone del Mobile published an interview style feature on Studio DRIFT's practice and its relationship to nature, technology, and audience experience. https://www.salonemilano.it/en/articles/studio-drift-lonneke-gordijn. I Drift
  3920. Sample gallery. The artist's sample gallery page documents possible Voyager outputs and presentation material for the project. https://sites.google.com/view/tidally-disrupted-star/voyager/sample-gallery. I DisruptedStar
  3921. Samsung. “Miami Art Week: Samsung Joins Artists from Around the World to Celebrate Art with Samsung Screens.” https://news.samsung.com/us/miami-art-week-celebrate-samsung-screens. Accessed 22 September 2026. II 095
  3922. Samsung's announcement describes Jacobson's 100-work MyBespoke generative collection and its translation onto refrigerator panels. Samsung collaboration I Jacobson
  3923. Samsung: Bespoke. BUOY documents the design and delivery of Jacobson's generative works for customizable Samsung refrigerator panels. https://buoy.studio/work/samsung-bespoke/. I Jacobson
  3924. Samsy. “Fushi No Reality - フシノゲンジツ official description.” http://samsy.ninja. Accessed 19 September 2026. I Honigstein; II 431
  3925. Sander Lutz, "NFT artwork owned by Three Arrows Capital sells for $6.2 million at Sotheby's," Decrypt, 15 June 2023. decrypt.co III No. 26
  3926. Sanity's Behind the Code video features Bjørn Staal discussing mem_brane, AI, light, sound, and growth. Behind the Code I Nonfigurativ
  3927. Santiago at Wildxyz. Wildxyz’s artist presentation situates Santiago’s practice between procedural generation, Romanticism, and machine-readable systems. https://wild.xyz/santiago/. I Santiago
  3928. Santiago. “Cosmodesias artist project page.” https://proper-code.com/cosmodesias/. Accessed 19 September 2026. II 252
  3929. Santiago Linktree. Santiago’s Linktree archive identifies him as a digital artisan and links his 3:19 project. https://linktr.ee/_santiago_. I Santiago
  3930. Sapar Contemporary's exhibition page situates Snell in Art in the Age of Artificial Intelligence with Cheuk Wing Nam and Tom White. sapar-exhibition I Snell
  3931. Sarah Ridgley. “Sarah Ridgley Twitter profile.” https://twitter.com/sarah_ridgley. Accessed 18 September 2026. II 168
  3932. Sasha Stiles CV. The artist’s current CV records her 1980 birth in Pasadena and documents exhibitions, publications, commissions, and performances. https://www.sashastiles.com/_files/ugd/39587f_8d602675e1c64086b2e7f1511a869080.pdf. I Stiles
  3933. Satoshi Says “I developed”. This SuperRare record preserves a Bitcoin-themed work built around language attributed to Satoshi. https://superrare.com/artwork/eth/0xb932a70a57673d89f4acffbe830e8ed7f75fb9e0/says-%22i-developed%22-5350. I Mighty Moose
  3934. Save the Children presents Speziari’s contribution to #CryptoArt4Children and his account of Lost Clods. Save the Children I Speziari
  3935. SCHIRN. SCHIRN interviews Lund about The Fly on the Wall and his use of online disruption to expose network behavior. https://www.schirn.de/en/schirnmag/the-fly-on-the-wall-2020-interview-interviews-en/. I Lund
  3936. Schloss in conversation on "Beyond the Blocks," episode 2, on generative art as a network good, the wealth-preservation comparison to Bitcoin and gold, Snowfro's design decisions, the scale of the contemporary art market, and museum adoption of the Chromie Squiggle. youtube.com ↩ ↩ III No. 40
  3937. Schoenherr’s project essay explains Torrent’s imagery, conceptual framework, shader, base composition, and animation controls. Torrent essay I Schoenherr
  3938. Scholarly author biography. An open-access scholarly author biography connects Jamieson's art education, chemistry training, and conservation work at Chinati. https://escholarship.org/content/qt4717h743/qt4717h743_noSplash_7931f2789b3aa5c9b672fc5912fbfca9.pdf?t=rwky05. I Jamieson
  3939. School for Poetic Computation, about page. sfpc.study I Lieberman
  3940. Science Focus. Science Focus reports on the Dadabots channel and its continuous AI-generated death metal. https://www.sciencefocus.com/news/artificial-intelligence-creates-never-ending-death-metal. I dadabots
  3941. Science published "Quantifying reputation and success in art" in 2018. Science paper I BarabasiLab
  3942. Scientific American. Scientific American examines Stiles’s development of AI-assisted poetry and its realization at MoMA. https://www.scientificamerican.com/article/how-a-poet-uses-ai-to-write-and-why-her-work-is-now-at-moma/. I Stiles
  3943. Scientific Reports published "Quantifying NFT-driven networks in crypto art" in 2022. Scientific Reports I BarabasiLab
  3944. Scott Brewer. “Scott Brewer: Bright Moments and The O.” https://goawaygeek.com/. Accessed 22 September 2026. II 095
  3945. Scoundrels project description: "a limited edition of on-chain generative pixel art characters... a ragtag bunch of thieves and misfits." Verse I Glas
  3946. Scratch continues Matto's investigation of Zen-inspired generative art through texture and algorithmic mark-making. matto.xyz I matto
  3947. Screening information for Legowelt feature animation Ambient Trip Commander. Eye Filmmuseum I Wolfers
  3948. Scribble Together. A recorded community interview for Scribble Together credits Iyer among the participating palette artists. https://minimizer.art/scribbletogether/interview. I Jacobson; I iyer
  3949. Scribbled Boundaries #0. An early community post links Tan’s pre-release interview with Jeff Davis and announces the project’s August 2021 release. https://www.reddit.com/r/generative/comments/p52ay8. I Tan
  3950. scrollbarcomposition.com. Scrollbar Composition (2000), the live web work whose scrollbars jump at random, now in the Stedelijk Museum Amsterdam collection. https://www.scrollbarcomposition.com/. I Leegte
  3951. Scuffed Baseball Aerodynamics. An article recounts the artist's wind-tunnel investigation of asymmetrically rough sports balls. https://ryley-o.com/scuffed-baseball-aerodynamics/. I ryley-o.eth
  3952. Sculpting the Internet. Sculpting the Internet, a solo exhibition on digital materiality at Upstream Gallery. https://www.upstreamgallery.nl/exhibitions/140/sculpting-the-internet. I Leegte
  3953. Sculpture magazine reviews Fieldwork and analyzes the optical concentration of light in Donovan’s repeated units. Sculpture review I Donovan
  3954. Sculpture magazine’s 2005 interview discusses Donovan’s systemic, labor-intensive installations and their relation to Pop and Minimalism. Sculpture interview I Donovan
  3955. SEA plateaus documents Lin's design and web-development work for an online exhibition connecting experimental sound communities across Southeast Asia. SEA plateaus exhibition I Lin
  3956. SEAL credits. SEAL’s project credits identify Reva Fan as a developer of an on-chain collaborative work released around Art Basel Hong Kong. https://seal-abhk.com/about. I Reva
  3957. Sean Bonner, "Jeff Davis," 2 December 2025. seanbonner.com III No. 15
  3958. Sean Capone in conversation with John Gerrard, Pace Gallery, New York, July 2022 (the Endling exhibition): Nauman and minimalism, the Smoke Trees and Dust Storms, and "this is information, this is not image." seancapone.com I Gerrard
  3959. Seattle Art Fair. Penne was featured in a panel at Seattle Art Fair 2022 on bridging the digital and physical, alongside Jennifer Wong and Nato Thompson. https://seattleartfair.com/events/bridging-the-digital-and-physical-the-case-for-a-physical-space-for-nft-art/. I Penne
  3960. Seattle NFT Museum. The Seattle NFT Museum exhibited Penne's work in Artist and the Machine (2022), exploring collaboration between artists and algorithms. https://www.seattlenftmuseum.com/post/is-art-human-exploring-artist-collaboration-with-ai-and-algorithms-at-the-seattle-nft-museum. I Penne
  3961. Secondary marketplace descriptions articulate the project's focus on meaning-making from combinations of blocks. Verse token documentation I Dianov
  3962. Seeds of transcendence. Fakewhale analyzes Dungeoneer as part of a broader inquiry into gaming, ritual, and digital infrastructures. https://log.fakewhale.xyz/every-system-contains-within-itself-the-seeds-of-its-own-transcendence/. I provencher
  3963. Seismic light. Inhabitat reports on Earthquake Lamp’s planisphere form, live seismic connection, and sensory effects. https://inhabitat.com/this-mesmerizing-lamp-reacts-to-earthquakes-across-the-globe-in-real-time/. I Parse/Error
  3964. Selfsurfing. The artist’s project archive documents Selfsurfing as a 2012 Chrome extension and performance that clones his browser in real time. https://jonaslund.com/works/selfsurfing/. I Lund
  3965. Semblance project text. A project text details the concepts, interaction, palettes, diffusion, and textile structures behind Semblance. https://rahul.art/semblance. I iyer
  3966. Seneca Women Equality Collection. Nifty Gateway records Jones's Work in Progress in the Seneca Women Equality Collection. https://www.niftygateway.com/collections/senecawomen-vol-1/. I Jones
  3967. SensiLab’s dated conference report records the presentation of research on generative patterns and contemporary quilts at ICCC 2024. conference-report I Oesterling
  3968. Sentience by pxlq asks "What does self-aware art look like?" and was released as part of the Art Blocks Playground collection. Verse I pxlq
  3969. Serpentine's Luba Elliott essay cites Ben Snell's Dio in a discussion of emerging creative AI practices. serpentine-essay I Snell
  3970. Serpentine's record documents the presentation of Drinking Bird Seasons from October 2015 to June 2016. Serpentine archive I Robak
  3971. Sesc Rio documents Vamoss's education, interactive-media background, open-source philosophy, and the participatory mechanics of his exhibition. Sesc Rio I Vamoss
  3972. Sessionize profiles Che-Yu Wu as a contemporary new media artist from Taiwan whose practice infuses algorithmic works with eternal life and emotions in the digital realm, highlighting his background in engineering and education. Sessionize Speaker Profile I Wu
  3973. Seth Goldstein in Conversation. Fakewhale’s conversation with Bright Moments founder Seth Goldstein discusses the organization’s DAO structure, city-based identities, and generative-art program. https://log.fakewhale.xyz/bright-moments-founder-seth-goldstein-in-conversation-with-fakewhale/. I QianQian
  3974. SETI Institute. “Arecibo and the Arecibo Message.” https://www.seti.org/research/seti-101/project-phoenix/arecibo/. Accessed 18 September 2026. II 129
  3975. Seva at Scale. The Seva at Scale Show presents a long-form conversation with Mathikshara about art, entrepreneurship, and social impact. https://creators.spotify.com/pod/profile/sevaatscale/episodes/Laya-Mathikshara-Indias-Youngest-NFT-Artist--E16-e2imd1u. I Mathikshara
  3976. SFAQ interview. In conversation with Takeshi Murata published in SFAQ on his artistic practice. https://www.sfaq.us/2014/07/in-conversation-takeshi-murata-with-peter-cochrane/. I Murata
  3977. SFMOMA screening. SFMOMA online screening and notes on Takeshi Murata's Monster Movie and related works. https://www.sfmoma.org/read/takeshi-murata-monster-movie/. I Murata
  3978. SFPC Fall 2017 Student Showcase. The School for Poetic Computation lists Jacobson in its Fall 2017 student showcase and documents the program's code, critical theory, hardware, and code-poetry curriculum. https://sfpc.study/events/fall-2017-student-showcase. I Jacobson
  3979. SFPC, Zach Lieberman faculty page. sfpc.io I Lieberman
  3980. sgt_slaughtermelon. “Cantographs.” https://sgtslaughtermelon.com/art/cantographs/. Accessed 17 September 2026. I sgt_slaughtermelon & Tartaria Archivist; II 145
  3981. sgt_slaughtermelon. “Hackers and Metadata as an Art Form.” https://sgtslaughtermelon.com/art/hackers-and-metadata-as-an-art-form/. Accessed 17 September 2026. I sgt_slaughtermelon & Tartaria Archivist; II 145
  3982. Shaderism. “Blind Spots official description.” https://shaderism.com/blind-spots. Accessed 19 September 2026. II 484
  3983. Shahinda Abdalla, "Bakhoor: A History of Burning Incense", CSA Maadi; Anthony Marmin, "What is Bakhoor", Maison Anthony Marmin. I Wiederrecht
  3984. Shaik’s 256ART artist profile recounts his movement from software development and poetry into generative art. artist-profile I Shaik
  3985. Shane Richardson. Richardson’s artist statement connects algorithmic composition, geometry, color, and questions of human experience. https://shanerichardson.art/artist-statement. I Richardson
  3986. Shane Richardson. Richardson’s solo-work index documents Billows, Ouroboros, Breathe You, Matron Sol, Rhizometry, and Regalia. https://shanerichardson.art/solo-works. I Richardson
  3987. Shane Richardson. Richardson’s collaboration index records marfaMESH with Harvey Rayner and FINESTRE with Schizzo. https://shanerichardson.art/collab-works. I Richardson
  3988. Shane Richardson. “Shane Richardson studio site.” https://shanerichardson.art. Accessed 18 September 2026. II 164
  3989. Shapes documents a collaborative, fully on-chain system with mutable tokens and multiple generators. Shapes I makio135
  3990. Shapes on a Plane was released on fxhash in June 2022, exploring imaginary structures and worlds through simple shapes intended for small-scale print. MountVitruvius I Hiley-Mann
  3991. Shawn Douglas profile. UCSF Profiles documents Shawn Douglas's institutional appointment and research record in cellular and molecular pharmacology. https://profiles.ucsf.edu/shawn.douglas. I Brown
  3992. Shenkar’s Kadar Center lists Ofir Liberman among its interaction-design collaborators. Kadar Center I Liberman
  3993. Shenkar’s NFT Israel Conference page identifies Liberman as a lecturer and digital artist participating in its 2022 program. Shenkar I Liberman
  3994. SHIFT. SHIFT interviews Sputniko! about her mathematics background, programming, cyberfeminism, and curiosity about future technology. https://www.shift.jp.org/en/archives/2008/06/sputniko.html. I Sputniko!
  3995. Shotgun Players identifies Johan Ismael’s biography, location, mathematical and spiritual contexts, and the conceptual premise of Steps. Shotgun Players I johan
  3996. Show Liu. “ShoppingDesign interview with Wang Hsin-jen.” 14 April 2022. https://www.shoppingdesign.com.tw/post/view/7717. Accessed 17 September 2026. II 139
  3997. Shvembldr. “Ieva: artist's project page on art-is-crime.com.” art-is-crime.com. https://www.art-is-crime.com/articles/ieva. Accessed 20 September 2026. II 331
  3998. Shvembldr. “Overload official description.” https://www.art-is-crime.com/articles/overload. Accessed 19 September 2026. II 440
  3999. Shvembldr post announcing Ieva, explaining that the title carries the name of the investigator in his criminal case and that clicking initiates an investigation. artist post I Shvembldr
  4000. Shvembldr post announcing the TBOA Club as a full-fledged platform created in collaboration with Art Blocks. artist post I Shvembldr
  4001. Shvembldr. “Shvembldr artist website.” https://www.shvembldr.com/. Accessed 17 September 2026. II 135; II 289
  4002. Shvembldr. “TBOA Club official site.” TBOA Club. https://www.tboa.club/. Accessed 17 September 2026. I Shvembldr; II 074; II 186
  4003. Signal to Noise #3. Museum of the Moving Image records LoVid’s performances in the museum-wide Signal to Noise #3 program. https://movingimage.org/archived-events/signal-to-noise-3/. I LoVid
  4004. Siliconera. Siliconera documents the cancellation of Auditorium Duet and attributes the project explanation to Stallwood and Dain Saint. https://www.siliconera.com/auditorium-duet-canceled/. I Stallwood
  4005. Simon De Mai. “Drifting official description.” https://simondemai.xyz/drifting/. Accessed 19 September 2026. II 284
  4006. Simon De Mai. “Spectron: About.” https://simondemai.xyz/spectron/about. Accessed 17 September 2026. II 018
  4007. Singularity archive. LIA’s exhibition archive lists Samsy among the artists in the Singularity generative art exhibition in Venice. https://www.liaworks.com/exhibitions/. I Honigstein
  4008. Singularity institutional record. Fondazione Ugo e Olga Levi records the Decentral Art Pavilion’s presentation of more than 200 NFT works in Venice. https://www.fondazionelevi.it/eventi/decentral-art-pavilion-singularity/. I De Mai
  4009. Skate Sisterhood. VICE examines skateboarding’s individual freedom alongside crews and collective identity. https://www.vice.com/en/article/join-the-skate-sisterhood-in-sorority/. I JEANVASCRIPT
  4010. Skate Video Essentials. The museum’s screening series considers the breadth and influence of skate culture captured on film. https://movingimage.org/series/skate-video-essentials/. I JEANVASCRIPT
  4011. Skateboarding.com discusses the history and cultural importance of street-style skate videos. skate-video-history I JEANVASCRIPT
  4012. Sketchbook A. Verse archives Sketchbook A, a collector-curated generative series derived from more than 1.5 million explored seeds. https://verse.works/artworks/49166333-12b0-4d1c-a1f9-85f314da1c86. I Mapan
  4013. Sketchbook B. HOFA's Sketchbook B record describes Mapan's hand-led process and references to Abstract Expressionism and Impressionism. https://thehouseoffineart.com/artworks/7460/. I Mapan
  4014. Skulptuur #27. Verse archives Skulptuur #27 as an individual work and links it to the complete 1,000-work series. https://verse.works/artworks/522ac897-ca36-4abb-80d5-75de51dbb929/173000027. I Pasma
  4015. Skulptuur Gallery. The dedicated Skulptuur gallery provides a focused visual archive of the full generative series. https://skulpturen.nl/. I Pasma
  4016. Skulptuur Ropsten test mints. The public Ropsten gallery preserves sequential test mints and documents the absence of output cherry-picking before release. https://piterpasma.nl/skulptuur/ropsten/. I Pasma
  4017. Slabs of glass. Ateliers Loire describes the slab-glass process central to Davis's collaboration with the French stained-glass workshop. https://www.ateliers-loire.fr/en/slabs-of-glass.php. I Davis
  4018. Sleek examines Sternberg’s ocean-dragged paintings and his account of environmental damage around Catalina Island. Sleek I Sternberg
  4019. slices.neort.io. NEORT, "Slices" exhibition featuring a live coding session with Alexis André. https://slices.neort.io/. I André
  4020. Smallforest offers a critical description of Axo's ordered structures and frenetic pixel movement. Critical essay I Jiwa
  4021. SMAR Architecture Studio · main site. SMAR Architecture Studio, founded by Fernando Jerez, presents award-winning built work across Western Australia and Madrid, including recent cultural projects such as Science Island Museum. https://www.smar-architects.com/. I Jerez
  4022. SMAR · awards archive. The awards section of SMAR Architecture Studio documents more than twenty international competition wins and major prizes received by Fernando Jerez and the practice. https://www.smar-architects.com/awards. I Jerez
  4023. Smart New World. Kunsthalle Düsseldorf's English exhibition guide contextualizes Robak's 20XX within Smart New World. https://www.kunsthalle-duesseldorf.de/media/smart_new_world_begleitheft_englisch_final.pdf. I Robak
  4024. Smashing Magazine. “Falling In Love With The Web: Inspiring Websites And Tools (Rotae section).” 16 February 2022. https://www.smashingmagazine.com/2022/02/inspiring-websites-tools/. Accessed 18 September 2026. II 192
  4025. Smith College Museum of Art traces Donovan’s movement into printmaking and discusses important early works. Smith College Museum I Donovan
  4026. Smithsonian lecture. The Smithsonian summarizes Paglen’s lecture on surveillance, hidden infrastructure, satellites, and indistinct images. https://americanart.si.edu/node/400. I Paglen
  4027. SMOCA exhibition announcement. SMOCA Biophony I Sun
  4028. Social Media Examiner. Social Media Examiner podcast on Art Blocks business model and generative art ecosystem. https://www.socialmediaexaminer.com/generative-art-the-art-blocks-story/. I Beervangeer; I Pedersen
  4029. Software Structures project text. The Whitney's restored project text preserves Reas's structures, invited implementations, and curatorial framing. https://artport.whitney.org/commissions/software-structures-2016/text.html. I REAS
  4030. Softwarization and Design's Socio-Technics. The Amsterdam Academy of Architecture presents Canizares's public lecture on softwarization, design labor, and the social assumptions embedded in software. https://www.bouwkunst.ahk.nl/actueel/agenda/2023/5/10/public-lecture-softwarization-and-designs-socio-technics/. I Canizares
  4031. Solana's Art Basel Miami Beach announcement names Jean-Jacques Duclaux (Eko33) among the 2023 Artists in Residence. Solana news I Duclaux
  4032. solidnft.com. Solid NFT artist profile documenting Brito's background in music composition, self-taught programming, and generative art practice. https://solidnft.com/cms/collab/. I Brito
  4033. SOLOS exhibitions. SOLOS lists De Giuli’s Zero (Broken Symmetry) among its September 2025 exhibitions. https://solos.gallery/exhibitions. I De Giuli
  4034. SOLOS, Extension: 1.5 million Sketchbook A seeds, 64 selected works, eighteen months of study, and Sketchbook B's inquiry into personal mark-making. solos.gallery ↩ I Mapan
  4035. somniumspace.com. The Museum of Crypto Art hosts a solo exhibition of the artist's work in Somnium Space, ongoing from August 2020. https://somniumspace.com/parcel/3073. I Aggott-Hönsch
  4036. Sónar. Sónar Barcelona lists Carreras in connection with The Generative Art Museum programming and creative coding initiatives. https://sonar.es/en/activity/the-generative-art-museum-creative-coding. I Carreras
  4037. SonOfLasG, Collector's Statement: Latent Dispatch: Studies (Bicycle): a collector's reading of the work as a pre-entanglement record of one model's bicycle archetype, informed by a personal history of cycling and updated after publication of DesLauriers' ACM paper. Paragraph ↩ I DesLauriers
  4038. SonOfLasG, The Gesture Is Archived; The Ink Is Mortal: a collector essay connecting the divergent outputs of Polypaths to Wang's later InkField, where recorded brush gestures are replayed through variable ink simulation. Paragraph I AluanWang
  4039. SonOfLasG, The Pen Comes First: a reading of Mapan's early textile-like experiments, Dragons, Anticyclone, and the Sketchbooks as a continuous inquiry into hand, surface, and translation. x.com ↩ I Mapan
  4040. Sony CSL Paris, researcher profile for Alexis André: toio, Tomonami, collaborations with Issey Miyake and Open Reel Ensemble, and exhibitions at YCAM and SIGGRAPH. csl.sony.fr I André
  4041. Sony CSL, press release on Tomonami (November 2023): the creativity acceleration system and exhibition with ceramic artist Yukio Yoshita. sonycsl.co.jp I André
  4042. Sotheby's. Additional Sotheby's lot for NimBuds #8 from the Digital Art Day Sale, confirming secondary market activity. https://www.sothebys.com/buy/5967d58e-07e6-4319-a108-c3fe206050eb/lots/0db57bbe-29a2-4044-a6b5-4362c48267e5. I Brinkman
  4043. Sotheby's. Sotheby's Digital Art Day Auction catalogue note for AlgoRhythms #608 records its interactive character and 2021 execution within the 1,000 edition series. https://www.sothebys.com/en/buy/auction/2024/digital-art-day-auction-3/algorhythms-608. I Daniel
  4044. Sotheby's. Sotheby's has presented multiple distinct tokens from the AlgoRhythms series across successive Digital Art Day sales, establishing secondary market visibility. https://www.sothebys.com/buy/1a95b5c9-88c0-41c9-9157-6adfee31a681/lots/13717837-9463-4a27-b32f-db1317e497ea. I Daniel
  4045. Sotheby's. Sotheby's catalogue entry records Themes and Variations #111 as a unique work from the 500-output collaboration. https://www.sothebys.com/buy/1a95b5c9-88c0-41c9-9157-6adfee31a681/lots/3c1430d7-ad9c-4ff3-ad9a-6ecc0d41b8ba. I Grasser
  4046. Sotheby's. Sotheby's Contemporary Discoveries catalogue includes The Harvest #0 and Pursuit #0. https://www.sothebys.com/buy/483a2f3f-58b2-442e-8671-bea4058b6aab. I Stoveland
  4047. Sotheby's. Sotheby's video overview of generative art including Tsukamoto in Grails context. https://www.youtube.com/watch?v=pMhxA3ZCJYo. I Tsukamoto
  4048. Sotheby's. Sotheby's lot for Cypher edition confirming continued auction presence. https://www.sothebys.com/buy/162045ae-815c-4fe2-bb43-c93bef643a05/lots/54e9a335-9e94-4bf6-9111-04ed1f59b38d. I Tsukamoto
  4049. Sotheby's. Further Sotheby's Singularity lot with provenance and edition details. https://www.sothebys.com/buy/162045ae-815c-4fe2-bb43-c93bef643a05/lots/680db9cc-763d-4ed8-9c4f-1f9c67af0ddf. I Tsukamoto
  4050. Sotheby's article on Natively Digital describes the sale as bringing together early NFTs, crypto artists, and works demonstrating technical innovation. Sotheby's article I daLenz
  4051. Sotheby's auction listing for Pigments #614 describing domain warping and fractional Brownian motion techniques. sothebys.com I Brito
  4052. Sotheby's catalogue entries for multiple AlgoRhythms tokens describe the collaborative project and supply biographical context for Nicolas Daniel. Sotheby's I Daniel; I Saglam
  4053. Sotheby's catalogue entry documents Searching For Answers On Jupiter, its mechanics, date, medium, and auction context. Sotheby's catalogue I Karim
  4054. Sotheby's catalogues Dynamic Slices #19 as an interactive animation from a 512-iteration generative series. Sotheby's I WhaleStreet x pxlq
  4055. Sotheby's catalogues Velitchkova's physical ink-on-paper work Prayers in its 2022 generative-art auction. Sotheby's I Velitchkova
  4056. Sotheby's describes Edelman's later Illuminated work as drawing on a glyph vocabulary first developed for Asemica. Sotheby's I Ofman
  4057. Sotheby's details how Molnár's drawings and Grasser's algorithm generated the formal variation in their collaboration. Sotheby's I Grasser
  4058. Sotheby's Grails · 2023. Sotheby's Grails Part II catalogue chapter on the evolution of generative art. https://www.sothebys.com/en/auction-catalogue/2023/grails-property-from-an-iconic-digital-art-collection-part-ii/evolution-of-generative-art. I Katzenmeyer; I Zeblocks
  4059. Sotheby's identifies S. Ryan O'Connor and River Davis as collaborators on Bernar Venet's generative EVENT series. Sotheby's catalogue I Jiwa
  4060. Sotheby's Lumen Prize Anniversary auction listing for Penne's Catalina diptych, noting prior exhibition at Art Dubai via Galloire. Sotheby's I Penne
  4061. Sotheby's Lumen Prize auction listing for Luz Difuminada | Alpha Edition, describing the 2024 volumetric rendering work. sothebys.com I Brito
  4062. Sotheby's offered a work from the phase series at auction, placing Bednar's practice within the context of major digital art collections. Sotheby's I Bednar
  4063. Sotheby's, Anticyclone #337: edition size, date, medium, token, contract, and provenance. sothebys.com ↩ I Mapan
  4064. Sotheby's, Archetype #397: Cube rarity, rectangle partitions, and comparison with Sol LeWitt's rule-based cubes. sothebys.com ↩ I Golid
  4065. Sotheby's, Grails: Property from an Iconic Digital Art Collection, Part II (2023): five Fidenza lots and their auction records. sothebys.com I Hobbs
  4066. Sothebys. “sail-o-bots #576, Digital Art Day Sale.” https://www.sothebys.com/en/buy/auction/2024/digital-art-day-sale-2/sail-o-bots-576. Accessed 17 September 2026. II 098
  4067. sothebys.com. Sotheby's Digital Art Day Sale features Pigments #708 from an iconic digital art collection, with full token provenance and ownership history. April 2024. https://www.sothebys.com/buy/162045ae-815c-4fe2-bb43-c93bef643a05/lots/1ce6810a-b59e-4e04-a3d1-77a96e0de0a7. I Brito
  4068. sothebys.com. Sotheby's catalogue record for Chromie Squiggle #9071, including contract, token, medium, execution date, and provenance. https://www.sothebys.com/en/buy/auction/2023/grails-part-ii/chromie-squiggle-9071. I Calderon
  4069. sothebys.com (Digital Art Day). Sotheby's 2025 Digital Art Day overview records Chromie Squiggle #9871 within a cross-section of contemporary digital art. https://www.sothebys.com/en/auction-catalogue/2025/digital-art-day-auction-NF2502/auction-highlights. I Calderon
  4070. sothebys.com (generative art). Sotheby's history of generative art places Chromie Squiggle in a lineage from rule-based avant-gardes to contemporary blockchain work. https://www.sothebys.com/en/articles/generative-art-a-quintessentially-modern-art-form. I Calderon; I Cherniak; I Hobbs
  4071. sothebys.com (Grails). Sotheby's overview of the Grails collection records Chromie Squiggle #1780 among the collection's principal works and the wider 2023 sale programme. https://www.sothebys.com/en/series/grails-property-from-an-iconic-digital-art-collection. I Calderon; I Larva Labs
  4072. sothebys.com/lots/algorhythms-884. Sotheby's Digital Art Day Sale listing for AlgoRhythms #884 from the iconic generative art collection. https://www.sothebys.com/buy/162045ae-815c-4fe2-bb43-c93bef643a05/lots/ba60b25f-e300-4df8-aee5-07ee09286009. I Saglam
  4073. Sotheby’s. Sotheby’s artist record surveys Hollowell’s auction lots and market biography. https://www.sothebys.com/en/artists/loie-hollowell. I Hollowell
  4074. Sotheby’s 2024 catalogue identifies Spectron #249 as an interactive animation within a 400-iteration long-form generative series and records its analog-video lineage. Sotheby’s 2024 I De Mai
  4075. Sotheby’s catalogue describes Butcher’s 2024 Bitcoin-inscribed work 1 of 1 and its inquiry into fungibility. Sotheby’s 1 of 1 I Butcher
  4076. Sotheby’s catalogue documents GHOST #1, its 2024 execution, and its use of noise algorithms and shaders. Sotheby’s catalogue I Lobato
  4077. Sotheby’s catalogue documents the collaborative Snowpepen group offered in its Digital Art Day Sale. Sotheby’s Snowpepen I Butcher
  4078. Sotheby’s catalogue entry describes sturec’s background and details the themes and generative variables of the 750-work series. Sotheby’s Grails I sturec
  4079. Sotheby’s catalogue entry documents Accretion as a one-of-one Bitcoin work executed in 2024 and explains its organic, abstract visual system. Sotheby’s lot I RalenArc
  4080. Sotheby’s catalogue entry explains the static, animated, musical, interactive, and fully on-chain components of Unigrids. Sotheby’s Unigrids I Zeblocks
  4081. Sotheby’s catalogued lattice organism as a physical drawing paired with an NFT and described Beesley’s multidisciplinary technical practice. Sotheby’s catalogue I Beesley
  4082. Sotheby’s catalogued neural triptych as a unique digital work executed in 2020. Sotheby’s digital catalogue I Beesley
  4083. Sotheby’s Digital Art. Sotheby’s Digital Art department archive situates its generative-art sales within a broader program of digital auctions. https://www.sothebys.com/en/departments/digital-art. I steen
  4084. Sotheby’s Digital Art Day. Sotheby’s catalogues a 2022 output from (kinder)Garden, Monuments and explains the collaboration’s code, cube structures, and plottable foliage. https://www.sothebys.com/en/buy/auction/2024/digital-art-day-auction-3/kinder-garden-monuments-96. I Yazid
  4085. Sotheby’s. “Portal #8, Digital Art Day Auction.” 19 September 2024. https://www.sothebys.com/en/buy/auction/2024/digital-art-day-auction/portal-8. Accessed 22 September 2026. I Davis; II 095
  4086. Sotheby’s records sail-o-bots #484 as a 2021 interactive animation from 750 unique iterations. Sotheby’s Digital Art Day I sturec
  4087. Southwest Contemporary reviews Fieldwork’s changing Mylar surfaces and their activation by bodies and natural light. Southwest Contemporary I Donovan
  4088. Sovrn's Painting With Fire page presents Ionson's GAN based fire project and frames it as an exploration of AI and generative image training. Sovrn Painting With Fire I Ionson
  4089. Spaace Marketplace. Spaace marketplace listings and trading for OnChainChain pieces. https://spaace.io/en/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/283001181. I Rizzle, Sebi, Miguelgarest
  4090. Spaace.io hosts marketplace listings for Ottocento tokens that include trait breakdowns such as palette, outfit, and accessory details. Spaace item I Berubara
  4091. spaghetti-bones generator. Bagley supplies an interactive generator allowing exploration of Spaghetti Bones simulation parameters and life-form evolution rules. https://joshua-bagley.com/spaghetti-bones-generator/. I Bagley
  4092. spaghetti-bones test mints. Test mint outputs for Spaghetti Bones provide early visual examples of differential-growth life simulations prior to the full collection release. https://joshua-bagley.com/spaghetti-bones-tmints/. I Bagley
  4093. Speaker profile. Women Talk Design’s speaker archive records Bremer’s professional fields, location, and speaking practice. https://womentalkdesign.com/speakers/nadieh-bremer/. I Bremer
  4094. Speaker profile for an event highlighting Dominikus Baur's expertise in generative design and creative technologies. Munich Creative Business Week I Dominikus
  4095. Speaker spotlight. Pixel Pioneers traces Bremer’s path from astronomy and data science to visualization. https://pixelpioneers.co/blog/2017/speaker-spotlight-data-visualisations-with-nadieh-bremer. I Bremer
  4096. Speaker stories. Women Talk Design discusses Bremer’s growth as a public speaker and her response to virtual presentation formats. https://womentalkdesign.com/2020/10/nadieh-bremer-on-how-shes-overcome-anxiety-and-grown-as-a-speaker/. I Bremer
  4097. Special Projects page detailing a commissioned sculptural exhibition of eight works across sixteen panels and 49,952 hand-painted dowels, including a twenty-foot logo piece color-matched to the client's brand. Matt Bilfield: Special Projects I Bilfield
  4098. Spider attribution. A Steam Workshop record preserves attribution and a direct link to an additional Stranger in the Q CodePen work. https://steamcommunity.com/sharedfiles/filedetails/?id=2886685294&l=english. I Stranger in the Q
  4099. Spotify. Spotify hosts a podcast episode on Dadabots, CJ Carr, and the future of music. https://open.spotify.com/episode/0p24ND0qx3fI3BIcnh4Vsv. I dadabots
  4100. Spotify. The After Dinner Mints podcast featured MountVitruvius in March 2023 for a 45-minute conversation about his generative art practice. https://open.spotify.com/episode/0B1I0L3FR0J5j8cBXLVCtk. I Hiley-Mann
  4101. Spotify Trending Topics Tech Talk. Podcast interview with Bernhard Nessler discussing CryptoWiener NFT pioneers and building the analog pixel metaverse. https://open.spotify.com/episode/3d2Tf8Qwuq01aC84LyLb1T. I CryptoWiener
  4102. Sputniko!'s official biography identifies her as Founder and CEO of Cradle Inc. and records her institutional career. Official biography I Sputniko!
  4103. Square One Gallery. Square One Gallery's Methodical Colors news post presents original paintings by Moses and describes his Panama-based geometric practice. https://www.squareonegallery.com/news/11-emmanuel-moses-methodical-colors-original-works-now-available-at-square-one-gallery/. I Autonomoses
  4104. Square One Gallery's artist page and related news describe Moses's Panama-based geometric painting practice and 2024 gallery activity. Square One profile I Autonomoses
  4105. SquiggleDAO Podcast, S1E1, "VonMises The Minter of 100's of Squiggles," 8 September 2023. buzzsprout.com III No. 36
  4106. squigglefoundation.org. Squiggle Foundation's main archive maps museum holdings, gallery presentations, project history, and the foundation's preservation work. https://www.squigglefoundation.org/. I Calderon
  4107. squigglefoundation.org/learn. Squiggle Foundation's learning archive: a detailed chronology of Snowfro, Art Blocks, and the algorithmic vocabulary of Chromie Squiggle. https://www.squigglefoundation.org/learn. I Calderon
  4108. Stability AI. Stability AI introduces Stable Audio 2.0 and its structured long-form audio generation capabilities. https://stability.ai/news-updates/stable-audio-2-0. I dadabots
  4109. Standalone smart contract artworks with built-in marketplace functions. art.han.io I Saglam
  4110. Standard Vision covered a showcase that highlighted Anna Lucia's fusion of generative art with physical quilting techniques connected to Gee's Bend traditions. StandardVision I Lucia
  4111. StandardVision artist showcase. Standard Vision curated a site-specific showcase of selected Memories of Qilin outputs in 2025, exploring architectural-scale presentation. https://standardvision.com/news/standardvision-generative-artist-emily-xie. I Xie
  4112. StandardVision documents its public presentation of Orth’s generative artwork with Vellum LA. StandardVision I Orth
  4113. StandardVision’s Future Stages record credits Zellmer in an immersive program concerning bodies and emerging technology. Future Stages I Richardson
  4114. Start with NFTs details the visual variables and block-level mechanics of CryptoArte. project-breakdown I Brocher
  4115. State of Digital Art in Atlanta. An Atlanta Regional Commission report includes Shivdasani in its survey of Atlanta’s digital-art community. https://cdn.atlantaregional.org/wp-content/uploads/arc-etr-report-on-responsible-artificial-intelligence-the-state-of-digital-art-in-atlanta-q3-2022.pdf. I Shivdasani
  4116. Statistical and historical record of the Autology collection on a specialized NFT analytics platform. NFT Price Floor I steganon
  4117. SteamDB episode archive. SteamDB archives publication information for The FOO Show episode devoted to Brown and Douglas's DNA-nanotechnology environment. https://steamdb.info/app/593931/. I Brown
  4118. Stedelijk Dig Deeper. Stedelijk's Dig Deeper page discusses Studio Drift's relation to humans, nature, and technology. https://www.stedelijk.nl/en/digdeeper/studio-drift. I Drift
  4119. Stedelijk Museum's Studio Drift: Coded Nature page frames the studio's work through nature, technology, and human relationships. Stedelijk I Drift
  4120. Stefano Contiero. “Artist Statement.” https://stefanocontiero.com/statement. Accessed 18 September 2026. II 070
  4121. Stefano Contiero at Kate Vass Galerie. Kate Vass Galerie presents the artist page for Stefano Contiero, confirming gallery representation and availability of generative works across ETH and Tezos collections. https://www.katevassgalerie.com/stefano-contiero. I Contiero
  4122. Stefano Contiero. “Essenza (2022).” https://stefanocontiero.com/art/essenza. Accessed 17 September 2026. I Contiero; II 122
  4123. Stefano Contiero. “Essenza official description.” https://stefanocontiero.com/essenza. Accessed 19 September 2026. II 346
  4124. Stefano Contiero official biography detailing birth year, Italo-Dominican heritage, and self-taught generative practice. stefanocontiero.com/about I Contiero
  4125. Stefano Contiero on Artsy. Artsy maintains a comprehensive artist page documenting biography, auction results, exhibition history, and available works by Stefano Contiero. https://www.artsy.net/artist/stefano-contiero. I Contiero
  4126. Stefano Contiero on Verse. Verse maintains the primary artist profile and project archives for Stefano Contiero, documenting background, practice, and detailed descriptions of Frammenti, Rinascita, and Saturazione. https://verse.works/stefano-contiero. I Contiero
  4127. Stefano Contiero. “Rinascita (2021).” https://stefanocontiero.com/art/rinascita. Accessed 17 September 2026. II 122
  4128. steganon. “Assorted Positivity (artist project page).” https://steganon.com/ap.html. Accessed 20 September 2026. I steganon; II 310
  4129. steganon. “Autology: the backstory and decoder.” https://steganon.com/autology.html. Accessed 18 September 2026. II 203
  4130. Stella Artois and Water.org. Water.org documents the partnership, 1,024-work collection, perpetual proceeds, and sellout time. https://water.org/partners/stellaartois/. I Stein
  4131. Stella Artois partners with Water.org. NFT Culture preserves contemporary coverage of the collaboration and charitable structure. https://www.nftculture.com/hof/stella-artois-partners-with-water-org-to-provide-safe-water-access-to-families-in-need-around-the-globe-2/. I Stein
  4132. Stella Artois presenta The Drop Artois. Dossier Net provides Spanish-language contemporary coverage of the campaign and its generative collection. https://dossiernet.com/articulo/stella-artois-presenta-the-drop-artois-una-serie-de-nfts-para-ayudar-a-acceder-al-agua-potable/28315. I Stein
  4133. Stereolux documents a Lionel Radisson workshop on generative graphics and motion design with p5.js and Observable. Stereolux workshop I makio135
  4134. Sterling Crispin. “Flourish official description.” https://www.sterlingcrispin.com/flourish.html. Accessed 19 September 2026. I Crispin; II 447
  4135. Stern describes Still Moving as an “unreading” of a poem and relates it to bodies, networks, and identity. Nathaniel Stern I Stiles
  4136. Sternberg’s project statement explains the summer collection’s climate context, visual structures, and generative parameters. summer project statement I Sternberg
  4137. Steve Pikelny / CryptoGateway. “CryptoGateway: Fake Internet Money artist-authored fictional interview.” 28 August 2021. https://cryptogateway.0ms.co/fake-internet-money. Accessed 18 September 2026. II 149
  4138. Steve Pikelny. “CryptoGodKing artist presentation.” https://steviep.xyz/cryptogodking/. Accessed 17 September 2026. II 044
  4139. Steve Pikelny. “Fake Internet Money artist project website.” https://steviep.xyz/fake-internet-money. Accessed 18 September 2026. I Pikelny; II 149
  4140. Steve Pikelny. “I Saw It In A Dream: artist landing page.” https://steviep.xyz/i-saw-it-in-a-dream/. Accessed 17 September 2026. I Pikelny; II 108
  4141. Steve Pikelny. “Pointers official description.” https://steviep.xyz. Accessed 19 September 2026. II 390
  4142. Stiles discusses generative poetry, language art, and the terminology surrounding her practice. Le Random I Stiles
  4143. STIRworld connects Tanchum’s generative landscapes to organic behavior, synthetic nature, computational error, and immersive practice. stirworld-profile I phenomena
  4144. STIRworld feature. Feature on Ting's code-based practice inspired by natural phenomena, light, and geometric patterns, with discussion of his Art Blocks and installation work. https://www.stirworld.com/see-features-new-media-artist-jason-ting-creates-code-art-inspired-by-natural-phenomena. I Ting
  4145. Storybench’s 2022 interview discusses Bremer’s workflow, custom visual forms, and turn toward generative art. Storybench I Bremer
  4146. Stoveland's official biography confirms his Oslo base, 2015 co-founding of Void, creative-coding practice, and childhood years in Kenya and Zimbabwe. artist biography I Stoveland
  4147. Strands of Solitude #028. Arab Bank Switzerland records Strands of Solitude #028 in its collection and describes the series' connection-isolation theme. https://www.arabbank.ch/about-us/art/collection/strands-of-solitude-028/. I Mapan
  4148. Strands of Solitude #047. Le Random's collection note reads Strands of Solitude through density, negative space, flow fields, and the paradox of digital connection. https://www.lerandom.art/collection/strands-of-solitude-047. I Mapan
  4149. Strands of Solitude at Tonic. Tonic's series archive records Strands of Solitude among its digital and physical art releases. https://tonic.xyz/series/. I Mapan
  4150. Strange Attractor. Artpoint records Strange Attractor as a generative work shaped by natural motion, calligraphy, curvature noise, and a Dadras attractor. https://www.artpoint.fr/artworks/strange-attractor-parse-error. I Parse/Error
  4151. Stranger in the Q. “Tentura official description.” https://strangerintheq.github.io/tentura. Accessed 19 September 2026. II 265
  4152. Strathclyde’s publication record summarizes Devereux and collaborators’ peer-reviewed research on automated object detection in reactor inspection imagery. Reactor inspection research I Devereux
  4153. Street Gallery documents Shaik’s 2023 My Generative Piano exhibition and describes its image-and-sound mechanics. street-gallery I Shaik
  4154. Strings: interactive audiovisual work description. jmy.art/essay/strings I JMY
  4155. Structural Complexity Through Visual Clarity. Waiting To Be Signed discusses Golid's route to Art Blocks, the histories of both AB[500] projects, authorship, colour, and Monument. https://poddtoppen.se/podcast/1603062755/waiting-to-be-signed/structural-complexity-through-visual-clarity-interview-with-kjetil-golid. I Golid
  4156. Structural Leaf Venation Patterns. Kadir Has University’s repository provides the publication record and abstract for Gökmen’s peer-reviewed research on structural leaf-venation patterns. https://hdl.handle.net/20.500.12469/4344. I SAB
  4157. Structural Leaf Venation Patterns. ScienceDirect presents Gökmen’s peer-reviewed study of leaf-venation algorithms, structural optimization, digital fabrication, and the Calyx case study. https://www.sciencedirect.com/science/article/pii/S0010448521001603. I SAB
  4158. Studio Artera. Studio Artera describes Zumbrunn’s movement between tailor-made algorithms, printed images, pastel, pigment, and physical gesture. https://en.studioartera.com/artistes/florian-zumbrunn. I Zumbrunn
  4159. Studio Day 55. A dated studio entry records the use of Bell’s Risomotion tools in a print and animation workflow. https://www.larrywolf51.com/2026/03/. I Bell
  4160. studio interview. The Generosity as Medium interview surveys Sternberg’s studio practice, Pacific voyage, civic project, and working methods. https://www.colesternberg.com/everything/2020/7/28/generosity-as-medium-an-interview-with-cole-sternberg-in-his-studio. I Sternberg
  4161. Studio Visit. The Francisco Carolinum exhibition presents six chapters on algorithms, attention, networks, and value in the art world. https://jonaslund.com/exhibitions/studio-visit-how-to-make-art-in-the-age-of-algorithms. I Lund
  4162. Studio Visit. The Ian Rogers episode records a conversation about digital music, platforms, and creative technology. https://r4v3n.art/media/ian-rogers. I r4v3n
  4163. Studio Visit. The DCA episode considers collecting, patronage, and the development of generative art. https://r4v3n.art/media/dca. I r4v3n
  4164. Studio Visit with r4v3n records Ridgley discussing JavaScript, p5.js, algorithmic brushes, and highly ordered chaos. Studio Visit I Ridgley
  4165. Studio Visit, episode 6. Studio Visit with r4v3n speaks with DCA about education, chance, language, natural forms, and computational media. https://music.amazon.co.jp/podcasts/1f1a6c3a-816b-467f-9b9b-8e1a2bcfdc7f/episodes/fb2a9c3a-04a2-48d8-82c5-628508aac93c/studio-visit-with-r4v3n-episode-6---dca. I Calderon Arenas
  4166. Studio-15. A 1stDibs object record archives Studio-15, a colourful abstract painting attributed to Wolffia Inc. https://www.1stdibs.com/art/paintings/abstract-paintings/wolffia-inc-studio-15-wolffia-inc-contemporary-colorful-abstract-painting/id-a_10954732/. I Wolffia Inc
  4167. sturec. “Creating Generative Art: Tips, Tricks, and Inspiration.” 12 January 2023. https://sturec.art/blog/creating-generative-art-tips.html. Accessed 17 September 2026. II 098
  4168. sturec. “Sailobots NFT Collection on Artblocks.io.” https://sturec.art/sailobots-nft-collection.html. Accessed 17 September 2026. I sturec; II 098
  4169. sturec. “Sailobots repository README.” https://github.com/sturec5/sailobots-nft. Accessed 17 September 2026. II 098
  4170. Sturec’s project page describes the Conflict Series, its TouchDesigner production, and its psychological themes. Conflict Series I sturec
  4171. Subnet Show. A podcast episode interviews Rosco Kalis about blockchain development and the Imperfections collaboration. https://podcasts.apple.com/hk/podcast/subnet-show/id1584419349. I Kalis
  4172. Subnet Show identifies a 2022 Rosco Kalis interview covering Imperfections and his software projects. Subnet Show I Kalis
  4173. Sunrise. The Japan Generative Art Foundation presents Sunrise and explains its segmented-video system. https://generativeart.or.jp/civic-canvas-gallery-vol1-dialog/civic-canvas-gallery/sunrise-kazuhiro-tanimoto. I Tanimoto
  4174. Super Dakota's exhibition record explains the workplace setting, technological labor themes, performance, and Explosions installation in IMPACT. Super Dakota I Robak
  4175. Superblob documents a 2013 face-tracking installation presented at the National Museum of Contemporary Art in Bucharest. installation-account I Superblob
  4176. Superblob documents Four Seconds as an iOS timing game organized around stopping a timer at four seconds. project-account I Superblob
  4177. Superblob documents Particle Music and an RNBO workshop at the 2024 Web Audio Conference at Purdue University. conference-account I Superblob
  4178. Superblob documents Pixel Music as an image-based iOS sequencer with MIDI and audiovisual workflows. project-account I Superblob
  4179. Superblob documents projects and tools developed during the Musical Web program at the School for Poetic Computation. program-account I Superblob
  4180. Superblob explains how Simulated Horizons combines generated prompts and images with pixel sorting, curation, and haiku. project-account I Superblob
  4181. Superblob. “Superblob studio.” https://superblob.studio/. Accessed 17 September 2026. II 130
  4182. Superblob. “Tangled: development account.” https://superblob.studio/projects/tangled. Accessed 17 September 2026. I Superblob; II 130
  4183. Supermedium. “wasd-controls, A-Frame 1.2.0 documentation.” A-Frame. https://aframe.io/docs/1.2.0/components/wasd-controls.html. Accessed 20 September 2026. II 144
  4184. SuperRare. SuperRare maintains a dedicated Ralgo creator page and work archive. https://superrare.com/ralgo. I Ralgo
  4185. SuperRare artist archive. SuperRare’s artist archive indexes Mighty Moose’s one-of-one works and several larger collections. https://superrare.com/mightymoose. I Mighty Moose
  4186. SuperRare artists. SuperRare’s artist directory includes erin bee among the platform’s artist records. https://superrare.com/explore/artists/all. I Beesley; I hex6c
  4187. SuperRare hosts the artist profile and primary marketplace presence for artplusbrad. SuperRare Profile I artplusbrad
  4188. SuperRare preserves Brukhman’s platform account and collecting identity. superrare I Brukhman
  4189. SuperRare profile. SuperRare's artist page catalogues Ionson's works and notes permanent work in the Bodleian Library, Oxford University. https://superrare.com/bardionson. I Ionson
  4190. SuperRare's editorial by Ionson gives an autobiographical account of his path through programming, writing, Paik, video, sculpture, and oscilloscope work. SuperRare editorial I Ionson
  4191. SuperRare's editorial identifies hex6c as a data scientist and generative artist active in crypto art since June 2018. SuperRare editorial I hex6c
  4192. SuperRare's January 2020 update documents hex6c's text-mining analysis of artwork metadata. SuperRare update I hex6c
  4193. superrare.com/daimalyad. SuperRare hosts the artist's profile and selected works including the 2025 piece The Cry of the Earth. https://superrare.com/daimalyad. I Aggott-Hönsch
  4194. SuperRare: Kristy Glas. SuperRare Burn exhibition featuring Glas's The Dragon of Fire. https://superrare.com/kristyglas. I Glas
  4195. SuperRare’s 2020 weekly update documents INSOMNIA: A Nocturnal CryptoArt Journey by K0ch. SuperRare weekly I k0ch
  4196. SuperRare’s Generative and AI Art Week archive associates k0ch with INSOMNIA, Corvus Project, a virtual exhibition, and two interviews. SuperRare program archive I k0ch
  4197. SuperUber documents Vamoss's inclusion in its interactive and immersive NFT Rio exhibition at Parque Lage. NFT Rio I Vamoss
  4198. Surface. Surface presents Sternberg’s account of a focal work associated with FREESTATE. https://www.surfacemag.com/articles/cole-sternberg-artist-statement/. I Sternberg
  4199. Surface interviews Donovan about work, experimentation, inspiration, and the development of her practice. Surface I Donovan
  4200. Susan Happersett's conference report discusses Vromans's custom-software-generated work The Root Two Tunnel. conference report I Vromans
  4201. Susanthitanon’s Stack Overflow profile records activity across JavaScript, Backbone.js, jQuery, HTML, and related technologies. stack-overflow I Susanthitanon
  4202. Swipe Left on Reality. The World Economic Forum lists Tanchum as a participant in a public discussion about AI, reality, trust, and human experience. https://www.weforum.org/open-forum/sessions/open-forum-swipe-left-on-reality/. I phenomena
  4203. Swiss Institute lists Hollowell in Regift at Luma Westbau and gives the exhibition dates. swiss-institute-regift I Hollowell
  4204. Swordfish Works publishes a detailed artist profile on Charlotte Dann's creative technology and puzzle work. Swordfish Works Artist Profile I Dann
  4205. Systematic Approaches to Art Making. Hobbs examines rule-based and systematic precedents for art made through repeatable procedures. https://www.tylerxhobbs.com/words/systematic-approaches-to-art-making. I Hobbs
  4206. Tabor Robak. The New Yorker reviews Robak's screen works, highlighting Where's My Water? and its digitally inflected Pop language. https://www.newyorker.com/goings-on-about-town/art/tabor-robak. I Robak
  4207. Tabor Robak. The Whitney artist record identifies Robak and links his work in the museum's collection. https://whitney.org/artists/19893. I Robak
  4208. Tabor Robak. CTM Festival's archive discusses Robak's post-retro digital aesthetic, virtual culture, and music collaborations. https://archive2013-2020.ctm-festival.de/archive/all-artists/p-t/tabor-robak/. I Robak
  4209. Tabor Robak on Video Games. Swiss Institute's video records Robak discussing gaming technology and the construction of digital environments. https://vimeo.com/150692891. I Robak
  4210. Taidelehti. Taidelehti reviews Repetition and Noise in the Finnish National Gallery’s Remix the Archive exhibition. https://taidelehti.fi/kansallisgallerian-akkilahto-kryptomaailmaan/. I Schoenherr
  4211. Takens Theorem essay on time and NFTs, citing Alien Clock as a favorite exploration of time in generative art. Medium I Shvembldr
  4212. Talking Galleries. Talking Galleries features Carreras in connection with discussions on the evolving relationship between artists, galleries, and digital markets. https://www.talkinggalleries.com/project/anna-carreas/. I Carreras
  4213. Tanchum’s biography defines his practice through computational artworks for public and institutional environments. artist-biography I phenomena
  4214. Tang Contemporary Art records the inclusion and technical presentation of A Heaven in a Wild Flower in its 2025 Beijing exhibition. Tang Contemporary I Reva
  4215. Tanimoto’s project account describes the work’s autobiographical origins, visual system, white-noise sound, and argument about digital impermanence. Project archive I Tanimoto
  4216. Tann, Vuputuri, and Chang. A study proposes a contextual generative method for modeling the future transaction histories of NFT collections. https://arxiv.org/abs/2210.15493. I onlygenerated
  4217. Tan’s project essay discusses density gradients, overlapping blocks, color strips, artistic references, and the collection’s development. artist essay I Tan
  4218. Tara Donovan. “QWERTY official description.” https://www.pacegallery.com/journal/tara-donovan-qwerty. Accessed 19 September 2026. I Donovan; II 362
  4219. Tate's art-term material frames Bauhaus as a movement joining modern art, design, function, and simplified form. Tate Bauhaus term I cryptobauhaus
  4220. Tater Goes to Vote. Alexander’s Tater Goes to Vote post preserves another strand of his NFT-related image and writing practice. https://www.waivio.com/%40rubenalexander/tater-goes-to-vote. I Alexander
  4221. TBA21 collection, Western Flag (Spindletop, Texas) 2017: the Channel 4 Earth Day commission, the Lucas Gusher, and the work as an invisible sculpture and warning of climate change. tba21.org/WesternFlag I Gerrard
  4222. TBOA / Shvembldr. “Insect Battle.” https://www.tboa.club/insect_battle. Accessed 17 September 2026. II 135
  4223. Technical notebook discussing signed-distance functions in the context of Quarantine. Observable I Moore
  4224. Technical.ly. Technical.ly reports Stallwood’s account of Cipher Prime’s early business history and the proposed Auditorium sequel. https://technical.ly/uncategorized/cipher-prime-launches-kickstarter-to-raise-money-for-auditorium-sequel-major-turning-point-for-old-city-gamers/. I Stallwood
  4225. Techspressionism. A filmed artist-to-artist conversation addresses Stiles’s language practice and A LIVING POEM. https://techspressionism.com/video/interview/sasha-stiles/. I Stiles
  4226. Techspressionism lists Simon De Mai among the artists in its juried NFT Now exhibition. NFT Now I De Mai
  4227. TED documents Levin’s 2004 presentation of custom audiovisual performance software. ted-software-art I Levin
  4228. TED documents Savasta’s TEDx talk about quantum mechanics, culture, and Insigħt’s digital art practice. tedx-talk I Insigħt
  4229. TED Fellows. TED Fellows profiles Sputniko!’s work across mythology, science, gender equality, and social entrepreneurship. https://fellows.ted.com/fellows/11826024. I Sputniko!
  4230. TEDTalentSearch. Reben's early TEDTalentSearch video presents kinetic and interactive artworks investigating human-machine boundaries. https://www.youtube.com/watch?v=JTjbRZTQy_c. I Reben
  4231. TEDx Talks. Reben's TEDxSanFrancisco talk is also available via the TEDx Talks YouTube channel. https://www.youtube.com/watch?v=8QUq8JTvoNM. I Reben
  4232. TEDxSanFrancisco hosts Reben's 2018 talk in which an AI, trained on TED talks, generates a script that he performs live. TED Talk I Reben
  4233. TEDxUdine. TEDxUdine's 2023 conversation with Massimo Franceschet addresses the meeting of digital art, blockchain, and his teaching in data and network science. https://www.tedxudine.com/massimo-franceschet-arte-digitale/. I hex6c
  4234. teia archive. teia.rocks archives on-chain channels and activity associated with the artist. https://teia.rocks/ivan_dianov/channels. I Dianov
  4235. Tel Aviv Museum. Tel Aviv Museum of Art features Mariansky in NFT: One of a Kinds. https://www.tamuseum.org.il/en/exhibition/nft-one-kinds/. I Mariansky
  4236. Tel Aviv Museum of Art documents Tanchum’s visual-effects background and the real-time energy logic of In Bloom. tama-in-bloom I phenomena
  4237. Teletext is Art. Teletext is Art profile of Bernhard Nessler (Nissla) and CryptoWiener collective practice. https://www.teletextart.com/artists-2022/nissla/. I CryptoWiener
  4238. Ten Things to Know About CryptoPunks. Christie's primer describes CryptoPunks' generative portraits, fixed contract, punk references, and 2021 nine-work sale. https://www.christies.com/en/stories/10-things-to-know-about-cryptopunks-94347afeea234209a7739c240149f769. I Larva Labs
  4239. Tengil. “Nära official description.” https://www.tengil.art/art/nara. Accessed 19 September 2026. II 430
  4240. Tengil. “Växt official description.” https://www.tengil.art/art/vext. Accessed 19 September 2026. II 488
  4241. Terroir statistics. CoinStats records Terroir’s collection description and supply. https://coinstats.app/nft/terroir_by_kelly_milligan/. I Milligan
  4242. Testo launch. Outposts reports the Art Blocks Studio release of Testo and its relationship to Carattere and Linea. https://outposts.io/article/art-blocks-studio-welcomes-new-collection-by-encapsuled-a5647413-43a8-4ace-a462-3dc75b96f62d. I encapsuled
  4243. Tezos Art Week: inside the minds of top NFT artists. TZ APAC's Tezos Art Week feature gathers leading NFT artists, including Aluan Wang, on process, the Tezos ecosystem, and generative practice. https://www.tzapac.com/articles/tezos-art-week-special-inside-the-minds-of-some-of-the-top-nft-artists-in-the-ecosystem/. I AluanWang; I Bell; I Yazid
  4244. Tezos describes UDNĒ, the participating artists, and the program's public discussions. Tezos Art Basel I DistCollective
  4245. Tezos Events. The Tezos event listing names Hewitt among 28 contributors to Víctor Doval’s collaborative generative work Sum. https://lu.ma/e5dadbi2. I Hewitt
  4246. Tezos Spotlight. Tezos Spotlight summarizes the Tezos Lounge at Art Basel 2022, including work by Eko33. https://spotlight.tezos.com/tezos-featured-in-forbes-com-best-of-art-basel/. I Duclaux
  4247. Tezumie. “Assembly official description.” https://tezumie.github.io/. Accessed 19 September 2026. II 438
  4248. Tezumie's 256ART profile supplies the artist's account of learning art and programming and identifies the practice's principal media. 256ART profile I Tezumie
  4249. TGAM. The Generative Art Museum hosts a dedicated artist page for Carreras summarizing her studio output and exhibition record. https://tgam.xyz/artist/AnnaCarreras. I Carreras
  4250. TGAM. The Generative Art Museum publishes articles on exhibitions, Art Blocks Weekend, and public programs around generative art. https://tgam.xyz/articles. I daLenz
  4251. TGAM. The Generative Art Museum’s INPUT OUTPUT brochure profiles He and her effort to bridge digital and physical practice. https://tgam.xyz/exhibitions/issue-06-input-output/brochure. I He
  4252. TGAM Artist Archive. The Generative Art Museum artist page and exhibition records highlight Pedersen's inclusion in thematic presentations of on-chain and algorithmic work. https://tgam.xyz/artist/thomaslinpedersen. I Pedersen
  4253. TGAM documents Heeey's inclusion and exhibited work in the 2025 Bootleg Gallery. Bootleg Gallery I Heeey
  4254. TGAM exhibition context. The Generative Art Museum’s fxhash article records Red Pill among its past exhibitions and identifies Bell as a featured artist. https://www.fxhash.xyz/article/tgam%3A-a-casual-chat-with-thefunnyguys. I Bell
  4255. The .ART registry documents the locations, participation mechanics, and completion of The Pilgrimage. .ART I Rasheed
  4256. The 1999 IAMAS catalogue documents Weil’s background and explains the five gestural phases and creative-computation aims of Screen Play. IAMAS catalogue I Weil
  4257. The 2014 YouTube interview captures Ryan Green discussing the origins and ambitions of That Dragon, Cancer shortly before its public crowdfunding campaign. YouTube 2014 Interview I Green
  4258. The 2025 Art Blocks Weekend announcement summarizes both Color Magic Planets and 8, including their edition counts, dates, and stated inspirations. Art Blocks Weekend release I Ionson
  4259. The 21st Japan Media Arts Festival lists Light-bending material as a Jury Selection media installation. JMAF award I Tanimoto
  4260. The 256ART platform overview explains its fully on-chain storage and rendering model. platform-overview I Shaik; I Tezumie
  4261. The 80.lv technical article examines specific creative-coding experiments by the artist involving Three.js, physics, and algorithmic form generation. 80.lv Technical Article I Koskela
  4262. The 80’s and the Machine. MOCA LIVE speaks with Kusano about her 1980s-oriented aesthetic, AI practice, fashion, and crypto art in Japan. https://music.amazon.in/podcasts/7decb3dc-bba3-4fb9-aa95-cfb7a877b1b3/episodes/43725104-fde5-4515-af62-3cba723c7e95/moca-live-moca-live-emi-kusano-the-80%E2%80%99s-the-machine. I Kusano
  4263. The Accomparts artist profile describes Electralina as the creative partnership of Alina Karo and Ryan Junee, focused on generative and code-based art. Accomparts Profile I Electralina
  4264. The ADM: Behind the Code episode features 0xphiiil discussing the creative coding and conceptual underpinnings of Zupermat. Art Blocks ADM Video I 0xphiiil
  4265. The aerial landscape art entry summarizes the art-historical relationship between overhead views, mapping, flight, photography, and abstraction. Aerial landscape overview I daLenz
  4266. The AI and Faith member profile presents Ryan Green's current perspective on technology, creativity, and the preservation of human presence in digital work. AI and Faith Ryan Green I Green
  4267. The AI Art Magazine profile recording Melis's statement on AI, process, authorship, and poetic systems. ai-art-magazine I Melis
  4268. The Akbank Sanat catalogue identifies Dist Collective and describes Morphosis as generative creative coding. exhibition catalogue I DistCollective
  4269. The Aldrich. The Aldrich press release introduces Space Between as Hollowell’s first museum survey and East Coast museum presentation. https://thealdrich.org/client-uploads/images-general/Loie-Hollowell_PR_The-Aldrich_1_2_24.pdf. I Hollowell
  4270. The Angie project page credits Susanthitanon as a developer and describes its conversational and search-based mechanics. angie-project I Susanthitanon
  4271. The Anne and Michael Spalter Digital Art Collection, Dmitri Cherniak: the Rinkeby test-network outputs and their presentation as ten grouped master prints. spalterdigital.com I Cherniak
  4272. The Apeirographer's Manifesto, originally published June 2016 and revised August 2019. apeirography.art/manifesto I Aggott-Hönsch
  4273. The AR Doodle project page explains Ismael’s implementation and shader mechanics for the mobile drawing tool. AR Doodle I johan
  4274. The Archi Doodles record connects generative technique with architectural sketching habits and conventions. archi-doodles I Aksu
  4275. The Art Basel presentation announcement names Bell among the artists whose algorithms powered participatory, real-time minting in Basel in 2022. Basel presentation I Bell
  4276. The Art Blocks charity report connects Maps for grief with donations to four educational and community organizations. Art Blocks charity I Labadie; I Richardson; I Santiago
  4277. The Art Blocks drop-time guide uses Orthogone #0 and explains early platform release mechanics. The Link I Pandelune
  4278. The Art Blocks interview records Kapoor's references to Physarum, differential growth, and research papers on natural structures. Cent Art Blocks mirror I Kapoor
  4279. The Art Blocks Minters & Makers episode records a 2022 conversation with Andrew Badr, Emily Edelman, and Dima Ofman. Minters & Makers I Ofman
  4280. The Art Blocks Official YouTube channel hosted an After Dinner Mints episode featuring Aaron Penne and Boreta discussing their upcoming Rituals drop. Art Blocks Interview Video I Boreta
  4281. The Art Directors Club of Europe identifies Janajev as a Slovak programmer and lists his awarded creative-technology work. ADCE directory I Janajev
  4282. The Art From Code project essay explains how displayed source code, seed, reflections, and screen dimensions shape the generated work. project essay I Vromans
  4283. The Art Institute of Chicago interview considers intentional glitch and the manipulation of technological systems through Jamie Fenton’s practice. glitch-context I Oesterling
  4284. The Art Newspaper. The Art Newspaper obituary assesses Whitman’s experiments with performance, participation, and technology. https://www.theartnewspaper.com/2024/01/22/robert-whitman-happenings-artist-technology-obituary. I Whitman
  4285. The Art Newspaper interview discusses Hollowell’s use of abstraction to represent pregnancy and childbirth from lived experience. art-newspaper I Hollowell
  4286. The Art Newspaper reported the patron gift that brought Robak's digital work to the Serpentine. Art Newspaper I Robak
  4287. The Art of Space Filling examines image construction within Penrose tilings and other tessellations. research-paper I umatha
  4288. The art of the screensaver. VICE examines Rozendaal's Sleep Mode exhibition and his argument for screensavers as moving paintings. https://www.vice.com/nl/article/de-nieuwe-tentoonstelling-van-rafal-rozendaal-viert-de-kunst-van-de-screensaver/. I Rozendaal
  4289. The Art of Zooming In. MISA’s conversation addresses intimacy, multidimensional identity, and femininity on screen. https://www.misa.art/articles/maya-man-in-conversation-with-margaret-murphy. I Man
  4290. The Artifex Project mission statement and artist roster. Artifex About I Glas
  4291. The Artifex Project notes Glas's ability to create fantasy worlds and tell stories through color. Artifex Artist Page I Glas
  4292. The Artifex Project NYC takeover documentation: Times Square billboards and Brooklyn Bridge projections, May 2021. Artifex News I Glas
  4293. The artist announced the closure of an allowlist for Ottocento and shared the official mint page on the X platform. X announcement · 2024 I Berubara
  4294. The artist explains the coordinate and shader system developed to present Flows consistently across displays. technical-essay I ryley-o.eth
  4295. The artist explains the E__ system’s gradients, ribbons, containers, genotypes, mutation, breeding, and selective process. artist essay I onlygenerated
  4296. The artist reflects on wind-tunnel testing, flow visualization, and its influence on his generative work. essay I ryley-o.eth
  4297. The artist's about page states her London background, education, use of JavaScript and technology, and interest in randomness, nonsense, and meaning. artist-about I Goodchild
  4298. The artist's biographical and practice statement explains his use of self-authored tools, parameter changes, iteration, and computational surprise. artist biography I Vromans
  4299. The artist's biography documents his aeronautics education, eight years in Boeing's Flight Sciences group, and generative practice. biography I ryley-o.eth
  4300. The artist's project record dates Attraction, confirms its 444 outputs, and documents its 3,327 bytes of on-chain JavaScript. Attraction record I Vromans
  4301. The artist's works archive identifies the four Mineral prototypes as research for the Mineral series presented through +GRAPH. artist archive I Gachadoat
  4302. The artist’s catalogue records works, installations, media, editions, and exhibition contexts. artist-catalogue I phenomena
  4303. The artist’s construction notes describe heart glitches, soul deviations, echoes, beams, palettes, and root regions as interacting sources of variation. mechanics notes I Janajev
  4304. The artist’s current biography and statement describe her Tokyo-based full-time practice, her training, her three-part framework of systems, robots, and materials, and her focus on emotionally expressive generative plotting. artist statement I He
  4305. The artist’s episode page describes the Generative Artworks conversation about digital work, plotters, three-dimensional printing, and embroidery. Studio Visit, Generative Artworks I r4v3n
  4306. The artist’s episode page describes the Sarah Ridgley conversation about code-based mark-making and organized randomness. Studio Visit, Sarah Ridgley I r4v3n
  4307. The artist’s episode page records the Marfa conversation with Snowfro, DCA, and Jeff Davis about Art Blocks. Desert Dialogues I r4v3n
  4308. The artist’s exhibition archive records museum installations, gallery exhibitions, screenings, and public presentations. exhibitions-archive I phenomena
  4309. The Artist’s New Tools. An institutional event record frames code as a creative material capable of producing extensive visual variation. https://toledomuseum.org/events/events-info/the-artists-new-tools-art-code-generative-systems. I Lobato
  4310. The artist’s own project essay documents entretiempos’s time-scale premise, visual parameters, interactions, and controls. artist project essay I Soria-Rodríguez
  4311. The artist’s project record explains Data Storm’s collective-motion references and its use of changing data feeds. Data Storm I Parse/Error
  4312. The artist’s résumé documents his graphics and HCI education, technical practice, and professional experience. résumé I johan
  4313. The artist’s shop biography describes an introspective, algorithmic practice concerned with consciousness, hypnotic sensation, and emerging technologies. practice-profile I ilithya
  4314. The Artnet NFT 30. Artnet's NFT 30 issue profiles Cherniak as an early generative artist working with blockchain distribution. https://media.artnet.com/image/upload/v1639428795/2021/12/THE_ARTNET_NFT_30_2_qzwphy.pdf. I Cherniak; I REAS
  4315. The arXiv paper Generating Albums with SampleRNN describes album-scale neural synthesis, generated titles, generated artwork, and human-curated versus automated methods. arXiv Albums I dadabots
  4316. The arXiv paper Generating Black Metal and Math Rock explains dadabots' modified SampleRNN approach to raw audio generation in extreme genres. arXiv Black Metal I dadabots
  4317. The Asemic writing entry summarizes the field as wordless, open semantic writing that fuses text and image. Asemic writing I Ofman
  4318. The Audioscope GitHub repository describes the project as audio visualizers true to the sound. source-code I Lu
  4319. The Bandcamp release page for ANK documents KALA's electronic music practice under the KALAB moniker and its engagement with numbers and binary systems. ANK I KALA
  4320. The Biofeedback Art Research Network explores intersections of biological data and creative expression. BARN I Beervangeer
  4321. The bitforms press document identifies Ridgley’s participation in Code Chronicles. bitforms gallery I Ridgley
  4322. The Blanton Museum presents artists using algorithms and generative models to interpret cultural and natural subjects. Run the Code I Åström
  4323. The Block. The Block reports on Sotheby’s Art Blocks-powered generative-art auction and its market reception. https://www.theblock.co/post/241617/sothebys-generative-art-auction-nabs-1-2-million-selling-out-in-less-than-an-hour. I steen
  4324. The Block, "MoMA adds CryptoPunks and Chromie Squiggles NFTs to permanent collection following coordinated donation," 21 December 2025. theblock.co III No. 1
  4325. The Block, "Vincent Van Dough launches new NFT gallery," 22 November 2022. theblock.co III No. 3
  4326. The Block, "Vincent Van Dough launches NFT fund with Three Arrows Capital," 30 August 2021. theblock.co III No. 3
  4327. The Boys of Summer. Wildxyz’s collection study connects The Boys of Summer with Chan’s earlier Digital Zones, LeWitt, and Homer projects. https://wild.xyz/mitchell-f-chan/the-boys-of-summer/. I Chan
  4328. The Boys of Summer: An In-Depth Look. Wade Wallerstein examines the work’s combination of video game, tokenized portraits, and marketplace performance. https://paragraph.com/%40wildxyz/the-boys-of-summer-an-in-depth-look. I Chan
  4329. The Bridges Mathematical Art Galleries archive lists Vromans among participants in its 2019 conference exhibition. Bridges 2019 I Vromans
  4330. The Bridges Mathematical Art Galleries documents artistic uses of Penrose tiles, symmetry, self-similarity, and perceptual ambiguity. institutional-context I umatha
  4331. The Bright Moments collection page documents the physical-gallery restriction and combinatorial portrait system. Collection archive I phil
  4332. The Brilliance interview. This interview captures Jen Stark describing her labor-intensive paper cutting process and the meditative, psychedelic precision of her sculptural constructions. https://www.thebrilliance.com/interviews/jen-stark. I Stark
  4333. The Brooklyn Museum provides a collection record for an Untitled sculpture by Donovan. Brooklyn Museum I Donovan
  4334. The Brooklyn Rail. The Brooklyn Rail reviews A LIVING POEM and discusses its relation to MoMA’s text-art collection. https://brooklynrail.org/2026/02/artseen/sasha-stiles-a-living-poem/. I Stiles
  4335. The Brooklyn Rail examines The Boys of Summer as a game about statistics, systemic inequity, and constrained choice. criticism I Chan
  4336. The Brooklyn Rail interview documents Whitman’s preference for performance or theater piece over the term Happening. Brooklyn Rail I Whitman
  4337. The Brooklyn Rail offers a critical assessment of the book’s gender politics, aesthetics, and merchandising. brooklyn-rail-review I Man
  4338. The Buzzsprout site for the Minters and Makers podcast archives the episode and related show information involving the artists. Minters & Makers Archive I Verkhovskiy
  4339. The Cent interview presents Emily Edelman, Dima Ofman, and Andrew Badr as the team behind Asemica before the Art Blocks release. Cent I Ofman
  4340. The Center for Global Art interview discusses photography, video editing, personal experience, intentional imperfection, and glitch. CGA interview I Mighty Moose
  4341. The Chinati Foundation identifies Jamieson as a conservation maintenance assistant who also helped fabricate Robert Irwin's new work. chinati-newsletter I Jamieson
  4342. The City of Białystok records Dudko’s early projects and illuminated river intervention. city-archive I Dudko
  4343. The city of Montreal informed the conceptual framework and title of his later generative art project. Art Blocks Interview I tobin
  4344. The Cloudy Package Inc. page states that Davidson worked alone and created the game’s art, mechanics, music, and sound effects. cloudy-package I Davidson
  4345. The Code Chronicles catalogue discusses Nymph, In Thy Orisons and its evolving, overwritten floral composition. Code Chronicles catalogue I Ridgley
  4346. The Code Sketches project page documents the custom Cinder and GLSL system and its live controls. Code Sketches I johan
  4347. The Collaborative Creative Coding Through Drawing Robots project explains how plotters connect programming with physical artifacts. education project I He
  4348. The collection appears in the 2024 TASCHEN collector's edition ON NFTs with an accompanying essay by Tyler Hobbs. TASCHEN catalogue, 2024 I Xie
  4349. The collection participates in dialogues between musicians and visual generative platforms. Echoes Podcast I tobin
  4350. The Collective Podcast. The Collective Podcast offers a long-form conversation about Davis’s path through coding, design, and digital art. https://www.thecollectivepodcast.com/episodes/249-joshua-davis. I Davis
  4351. The collective’s peer-reviewed project paper explains the simulated loom, matrix model, and intervention into gendered assumptions about weaving and programming. project paper I Punch Card Collective
  4352. The Computer Vision Art Gallery documents Nanorganics and its BigSleep-assisted process. CVPR gallery I Rasheed
  4353. The conversation examines Pedersen's transition from professional data visualization work to blockchain generative art and the conceptual questions that drive his projects. Art Blocks Conversation I Pedersen
  4354. The corresponding Raster artwork page aggregates market and collection data for the series. Raster artwork · 2022 I Blockwares
  4355. The Cresta Awards entry explains the probabilistic brush simulation and Milligan’s creative-coding credit on Piece 18. Cresta Awards I Milligan
  4356. The Cult of CryptoPunks. TechCrunch traces CryptoPunks from a small 2017 experiment through its 2021 collector culture and Autoglyphs sequel. https://techcrunch.com/2021/04/08/the-cult-of-cryptopunks/. I Larva Labs
  4357. The current project record clarifies the different equations governing particles and colored backgrounds. project-record I ryley-o.eth
  4358. The Cyclops Group. “Crypt official description.” https://cyclopsgroup.art. Accessed 19 September 2026. II 441
  4359. The Czech Technical University documents Velitchkova's participation in a panel about AI, art, and post-human creativity. CTU Prague I Velitchkova
  4360. The dadabots FAQ defines the project as a band, hackathon team, and ephemeral research lab. FAQ I dadabots
  4361. The dadabots music archive lists livestreams, albums, collaborations, contest works, and experimental AI music projects. Music archive I dadabots
  4362. The dadabots science archive lists their research publications and neural synthesis experiments. Science archive I dadabots
  4363. The Deambular publication details the project’s walking procedures and connection between exhibition room and city. Deambular I Eltono
  4364. The dedicated project page for Cushions describes the generative system based on Truchet tiles and connected components, along with the extensive feature set and variation possibilities. Cushions project page I Das
  4365. The Design Tools Hackathon 2018 featured Benhorin presenting on design systems and custom solutions for scalable interfaces. Medium I Benhorin
  4366. The dialog() exhibition site lists Reva Fan among the artists representing Beijing in its four-city Asian survey. dialog() I Reva
  4367. The DigiArt21 entry frames That Dragon, Cancer as a significant computer game produced by Ryan Green that merges personal narrative with digital form. DigiArt21 That Dragon Cancer I Green
  4368. The Digital Art Awards record describes Pulsewidth Selection as a real-time generative installation using code and a custom PWM dithering style. pulsewidth-awards I Motus Art
  4369. The Disruptive Gallery. The Disruptive Gallery launched Forms In Flux, an exhibition featuring new works by MountVitruvius, in 2025. https://x.com/disruptive_art_/status/1925991044321022041. I Hiley-Mann
  4370. The Disruptive Gallery credits. The Disruptive Gallery credits identify Through Curved Air #104 among the generative works used in its presentation. https://www.tdg.art/image-credits. I Gold
  4371. The Door as the first custom series smart contract on SuperRare, October 2021. NFT Now I Kane
  4372. The Douglas Lab downloads archive credits Jason Brown and Shawn Douglas with the site's artwork. Douglas Lab archive I Brown
  4373. The Economics of Non-Fungible Tokens analyzes visual features, transactions, market segmentation, and valuation. NFT economics I sgt_slaughtermelon & Tartaria Archivist
  4374. The ensō symbol has entered the digital realm through NFTs such as generative collections on Art Blocks that algorithmically vary the circle. Grokipedia I matto
  4375. The Epilogue Gaming essay reflects on the affective impact and structural innovations of That Dragon, Cancer nearly four years after release. Epilogue Gaming essay I Green
  4376. The Eretz Israel Museum’s biennale conference program names Liberman among the creators of Material Flow Collective’s Organism 144. Eretz Israel Museum I Liberman
  4377. The ethPandaOps contract index identifies the address as GenArt721Core and labels its owner Artblocks. contract index I oliveskin
  4378. The exhibition announcement documents DistCollective's inclusion and the live-minting format at Art Basel Miami Beach. Performance in Code I DistCollective
  4379. The exhibition Banks and Roots at Morera presents Carreras's generative digital work Bancals, which models algorithmic growth and evolution inspired by landscape and cultural form. Morera Exhibition I Carreras
  4380. The exhibition press release specifies the works, New York presentation, and planned Paris Photo presentation of Replacement Character. Exhibition release I Shannon
  4381. The FADER. The FADER profiles Sputniko! as a Tokyo artist working between pop performance, design, and gallery presentation. https://www.thefader.com/2011/10/05/meet-three-of-tokyos-top-designer-artists. I Sputniko!
  4382. The FEMGEN interview discusses Ridgley’s organic marks, repetition, and collaboration with the computer. FEMGEN I Ridgley
  4383. The Fictional Lullaby project page documents its generative premise, thirty plotted paintings, and presentation through +GRAPH. project archive I He
  4384. The Field compresses artworks from previous collections into a 64x64 matrix as generative substrate. Deca I Beervangeer
  4385. The FILE São Paulo 2018 catalogue documents Sean Zellmer’s Lava King and his use of WebGL, mathematics, and deterministic systems. FILE catalogue I Richardson
  4386. The film chapter Venesis narrates the gallery’s post-lockdown origin and community formation. Venesis I phil
  4387. The FinALe. Bright Moments' Venice finale included Pasma among more than sixty artists generating new on-chain works. https://www.brightmoments.io/venezia. I Pasma
  4388. The Finnish National Gallery’s Combine24 announcement names Kaufman and Portrait Robot among ten shortlisted entries. competition-record I Block
  4389. The first var(semic) movement discusses prior perception, apparent randomness, and seeded generative systems. parsing-patterns I encapsuled
  4390. The Floral Neurons project record details its 2024 MARKK Museum presentation, shader technology, and hand-tracking interaction. floral-neurons I ilithya
  4391. The FOO Show episode 3. The FOO Show episode places Brown and Douglas together in a virtual reconstruction of the Douglas laboratory. https://store.steampowered.com/app/593931/Episode_3__Making_Nanomachines_from_DNA/. I Brown
  4392. The Frontier project record connects Tezumie's geometric landscape system to Wyoming and Precisionism. Frontier record I Tezumie
  4393. The fxhash editorial “Beauty in Code” surveys Hashed Arcs and places it within Yazid’s wider generative practice. fxhash editorial I Yazid
  4394. The fxhash generative music history cites Viznut's 2011 challenge as the direct influence on ByteBeats. fxhash I Turner
  4395. The fxhash “fxGems” survey selects Hashed Cities among notable representational projects released in November 2021. fxhash survey I Yazid
  4396. The Galerie Wolkenbank catalogue contains Wolf Lieser’s account of generative painting and accompanied Lippmann’s 2011 solo exhibition. exhibition catalogue I Lippmann
  4397. The Game of Life. The Game of Life: Emergence in Generative Art paired Golid with Jared S. Tarbell, Alexander Reben, and Manoloide. https://www.katevassgalerie.com/game-of-life-emergence-in-generative-art-1. I Golid
  4398. The Geeks Under Grace review situates That Dragon, Cancer within broader discussions of games as vehicles for difficult personal and spiritual content. Geeks Under Grace review I Green
  4399. The Gelbox press kit explains gel electrophoresis, its abstract band patterns, and the simulation's educational purpose. Gelbox press kit I Brown
  4400. The Generative Art Learning Summit listing names ilithya among the instructors for Spanish-language classes in Mexico City. learning-summit I ilithya
  4401. The Generative Art Museum. The Generative Art Museum examines technology’s role in widening artistic production and cultural participation. https://tgam.xyz/exhibitions/issue-05-world-wide-art. I Wander; I steen
  4402. The Generative Art Museum artist profile details the transition from visual effects to real-time WebGL practice and recurring thematic concerns. TGAM Artist Profile I Koskela
  4403. The Generative Art Museum describes Anna Lucia as an interdisciplinary artist who writes custom software that generates art and creates textile works using embroidery machines to translate craft techniques into algorithmic systems. The Generative Art Museum I Lucia
  4404. The Generative Art Museum documents Larino's participation in its Sónar 2025 presentation. Sónar 2025 I Larino
  4405. The Generative Art Museum interview records Bell’s biography, early engagement with programming, fractal interests, working methods, and exhibition examples. TGAM interview I Bell
  4406. The Generative Art Museum interview traces Dudko’s path from photography and digital manipulation to 3D printing and generative code. responsive-dreams I Dudko
  4407. The Generative Art Museum profile summarizes Jovanić as an artist and programmer from Belgrade with a doctorate in Digital Arts and BSc in Computer Science. TGAM profile I Jovanić
  4408. The Generative Art Museum profiles Dudko’s work across generative art, installation, photography, scenography, and 3D printing. museum-profile I Dudko
  4409. The Generative Art Museum profiles his interest in the total cognitive space of systems and human-machine relations. TGAM profile I Soria-Rodríguez
  4410. The Generative Art Museum profiles IsmaHelio’s architectural training, international experience, and interest in controlled randomness. TGAM artist profile I IsmaHelio
  4411. The Generative Art Museum profiles Wander as a German-born computer artist in New York who began publishing generative work in 2020. TGAM profile I Wander
  4412. The Generative Art Museum surveys Orth’s multidisciplinary career and abstract generative practice. TGAM I Orth
  4413. The Generative Art Museum's YouTube presentation introduces Goodchild and The Light Where We Meet. tgam-video I Goodchild
  4414. The Generative Art Museum’s institutional history records IsmaHelio in its inaugural December 2021 exhibition. TGAM history I IsmaHelio
  4415. The Generative Art Museum’s “She Codes” page identifies Bremer as a participating data and generative artist. TGAM I Bremer
  4416. The Generative Art Summit Berlin page profiles Aaron Penne as an artist and engineer working with systems in Seattle, with reference to his collaborative practice. Generative Art Summit Profile I Boreta; I Penne
  4417. The Generative Art Summit biography documents Ridgley’s Arkansas base, letterpress background, themes, and exhibition history. Art Meets Science I Ridgley
  4418. The generative system produces wide formal diversity while maintaining underlying harmonic logic. Verse Works I tobin
  4419. The GIF Show. Rhizome’s archive documents LoVid’s inclusion in The GIF Show, curated by Marisa Olson in San Francisco. https://archive.rhizome.org/exhibition/gifshow/. I LoVid
  4420. The Glitch Forge introduction defines a collaborative model joining artists' source imagery with generative raster code. Glitch Forge I sgt_slaughtermelon & Tartaria Archivist
  4421. The Glocal Citizens podcast documents Turner's career at Sony, Netflix, and his subsequent move to Web3. Glocal Citizens I Turner
  4422. The gm.studio Apollo page includes Slook's account of coding, flow fields, Perlin noise, and generative iteration. gm.studio Apollo I Slook
  4423. The gm.studio collection page presents Factura and Isaksen's account of recursive cutting as a formative process. Factura I Isaksen
  4424. The Godfather of Generative Art Goes Global. Decrypt profiles Reas's career and the six-city launch of 923 Empty Rooms. https://decrypt.co/151933/godfather-generative-art-goes-global-casey-reas. I REAS
  4425. The Gradient’s podcast presents an extended conversation with Parikh about generative art and AI for creativity. Gradient podcast I Parikh
  4426. The Guardian. The Guardian reports on Operation Earnest Voice as a four-day performance using fake news and advertising to expose online political manipulation. https://www.theguardian.com/artanddesign/2019/jan/11/performance-art-piece-spends-four-days-trying-to-reverse-brexit. I Lund
  4427. The Gyaan Project's 2023 episode discusses KALA's generative practice, multidisciplinary background, and education. Gyaan Project I KALA
  4428. The Hammer Museum explains assemblage as three-dimensional composition made by combining found objects. Hammer Museum I SAB & K2xL
  4429. The Hammer Museum explains how accumulation, pattern, light, and material properties guide Donovan’s forms. Hammer Museum I Donovan
  4430. The Herbert F. Johnson Museum of Art at Cornell University page outlines the site-specific Cosmos installation and its scientific homage. Cornell Museum I Villareal
  4431. The Horizon Worlds project page describes Ismael’s procedural skydome and its performance constraints. Skydome I johan
  4432. The Hug.art platform publishes a biographical artist profile describing Rob Dixon (Radix) as a generative artist, programmer, and writer based in California. Hug.art Artist Profile I Dixon
  4433. The Human & Machine / DCsan. “Exploring the creative industry’s unexplored with interactive NFTs.” 11 July 2022. https://technode.global/2022/07/11/exploring-the-creative-industrys-unexplored-with-interactive-nfts-podcast/. Accessed 18 September 2026. I REMO x DCsan; II 057; II 228
  4434. The Hypercube Art Medium publication references Electralina's generative collections, including early drops such as Window to the Soul. Hypercube Art Medium I Electralina
  4435. The ICA at VCU survey account documents Hollowell’s ten-year development, materials, influences, and working process. ica-survey I Hollowell
  4436. The ICA Boston describes Donovan’s 2008 survey and its focus on repeated actions applied to everyday materials. ICA Boston I Donovan
  4437. The Inaccessible Worlds essay discusses discovered and constructed glitches and continued software collaboration with Tartaria Archivist. Inaccessible Worlds I sgt_slaughtermelon & Tartaria Archivist
  4438. The Independent published a 2015 profile tracing Justin Boreta's path from Goleta to co founding The Glitch Mob in the Los Angeles electronic music scene. Independent Profile I Boreta
  4439. The Index. The Index Podcast addresses Brukhman’s views on the convergence of artificial intelligence, blockchain, Web3, and NFTs. https://podcasts.apple.com/us/podcast/coinfund-insights-ceo-jake-brukhman-on-ai-blockchain/id1572579079?i=1000648540739. I Brukhman
  4440. The Indian Express reported that Mathikshara's NFT work appeared at India Art Fair in 2022. Indian Express I Mathikshara
  4441. The Indian Express reports on Rasheed and Murali Doraiswamy’s mental-health artworks at Art Dubai Digital. Indian Express I Rasheed
  4442. The Indian Express reports on Rasheed’s EEG-based sculpture and his use of AI as a creative tool. Indian Express I Rasheed
  4443. The Indie Gamer Chick interview records extended conversation with Ryan and Amy Green about the narrative and emotional design choices in That Dragon, Cancer. Indie Gamer Chick interview I Green
  4444. The Indigo Design Award record credits Labadie on the IIM generative identity and lists its 2024 awards. Indigo Award I Labadie
  4445. The INLINE project page credits Susanthitanon as a full-stack developer and documents the service’s modular architecture. inline-project I Susanthitanon
  4446. The institutional introduction to Meta.space explains its relational account of space and lists r0zk0. OÖ Kultur I r0zk0
  4447. The internet as a canvas. KABK's lecture page introduces Rozendaal's practice across browsers, ownership, visitors, exhibitions, and BYOB. https://www.kabk.nl/en/events/studium-generale-lecture-rafael-rozendaal. I Rozendaal
  4448. The Invisible Valence movement presents encapsuled's account of asemic marks as prompts for private decoding and imaginative completion. invisible-valence I encapsuled
  4449. The ISAM project integrated ambitious original visuals with live sound performance. Resident Advisor I tobin
  4450. The Jakarta Post discussed Mathikshara within a wider account of access and participation in NFT art. Jakarta Post I Mathikshara
  4451. The Japan Media Arts Festival profile records Tanimoto’s 1983 birth in Kanagawa, doctorate in engineering, and functional-materials research. JMAF profile I Tanimoto
  4452. The Jerusalem Post’s 2022 Design Week report features Liberman’s The Source within the event’s program. Jerusalem Post I Liberman
  4453. The Jewish Museum describes the materials, ritual references, and performance structure of Retzuot. Jewish Museum I LoVid
  4454. The Jodhpur Arts Week program describes Timelines at Ghanta Ghar as an algorithm-driven digital clock connecting past and present. Jodhpur Arts Week I KALA
  4455. The Joy of Computing archive characterizes Midi Matches as a MIDI-compatible multiplayer improvisation project. Recurse archive I Henry
  4456. The Junkspace record identifies the project's plan-based interpretation and its variable architectural components. junkspace I Aksu
  4457. The Kadir Has University repository summarizes Gökmen’s research into generative leaf-venation networks, parametric inputs, optimization, and digital fabrication. venation research I SAB
  4458. The KIKK 2018 program lists Mimêsis by Samuel Honigstein and Henry Daubrez within the festival’s augmented reality tour. KIKK program I Honigstein
  4459. The Klingspor Museum’s international archive lists Ryan Struhl as an American type designer. Klingspor Museum I Struhl
  4460. The Knowledge’s extended interview discusses Crispin’s generative practice, technological futures, and the computational beauty of nature. The Knowledge I Crispin
  4461. The Korea Herald covered A.A. Murakami's exploration of human perception limits in a 2023 exhibition at Hyundai Motor Studio. Korea Herald I A.A.Murakami
  4462. The Lab. The Lab identifies the shared contract as GenArt721Core and associates its ownership label with Art Blocks. https://lab.ethpandaops.io/ethereum/contracts/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270. I Alexander; I Hapeyenka; I SAB & K2xL; I last-even
  4463. The LAL ART Collection explains how CryptoArte paintings translate consecutive Ethereum blocks into images. lal-art I Brocher
  4464. The Last Knight page documents Davidson’s two-hour Godot development challenge. last-knight I Davidson
  4465. The Ledger Stax presentation profiles Ridgley’s code-driven mark-making and describes Florilège. Ledger Stax I Ridgley
  4466. The Line 665. The Line maintains an artist and blockchain-market archive for Jones. https://www.theline.wtf/artists/stina-jones. I Jones
  4467. The Link describes the 1 of 1 of X model in which unique works belong to a predefined generative edition. Edition model I TheElephantNL; I n e o
  4468. The Link's essay on the completed Art Blocks Curated series frames the numbered Curated sets as a roadmap for the early generative art movement. The Link essay I daLenz; I matto; I n e o
  4469. The London Art Biennale identifies Under the Sakuras as a generative print finished with colored pencil and oil pastel. London Art Biennale I Zumbrunn
  4470. The Long Stretch. Christine König Galerie's The Long Stretch archive documents Rodeh's 2020 exhibition and related works in safety, bollards, light, and printed surfaces. https://christinekoeniggalerie.com/exhibitions/alona-rodeh-the-long-stretch/. I Rodeh
  4471. The Los Angeles Review of Books chronicles a year of using Glance Back and considers its private archive. larb-essay I Man
  4472. The Lumen Prize official site announced Aaron Penne x Boreta as the winner of the inaugural 2022 NFT Award for Rituals - Venice. Lumen Prize Winners I Boreta
  4473. The Lumina market record reports the December 6, 2023 release date and a collection of 81 works. Lumina record I DistCollective
  4474. The MacArthur Foundation profiles Paglen’s investigations of covert power and identifies him as a 2017 fellow. MacArthur Fellow I Paglen
  4475. The MacArthur profile analyzes Donovan’s transformations of light, surface, color, and mass. MacArthur profile I Donovan
  4476. The Mature Glitch essay describes a composite practice using Processing textures, wrecked imagery, collage, and mapping. Mature Glitch I sgt_slaughtermelon & Tartaria Archivist
  4477. The Medium essay Analyzing The NFT Revolution references Beauty in the Hurting as an example within broader trends in generative and on-chain art. NFT Revolution Medium essay I Green
  4478. The Metropolitan Museum of Art documents Donovan’s gallery-encompassing Mylar installation and its phenomenological effects. The Met I Donovan
  4479. The Metropolitan Museum of Art's Heilbrunn essay describes the Bauhaus as a 1919 Weimar school founded by Walter Gropius to unify art and design. Met Heilbrunn essay I cryptobauhaus
  4480. The Minters & Makers index records Watson’s episode within the Art Blocks podcast archive. Podcast index I Watson; I Wolffia Inc
  4481. The Mirage Festival programme documents Radisson's education, Processing Lyon activity, and interactive installation Making Noise. Mirage Festival I makio135
  4482. The Museum of Art + Light in Manhattan, Kansas will open EMULATION: Selections from the Art Blocks 500 on March 4, 2026, bringing together ten internationally recognised artists who write code as their primary creative medium. MoA+L I Hiley-Mann
  4483. The Museum of Art + Light lists EMULATION among its current exhibitions and confirms its March 4 to August 16, 2026 run. emulation-museum I Rayner; I Soria-Rodríguez
  4484. The Museum of Contemporary Art Tokyo identifies Kusano’s early Harajuku photography and her focus on youth culture, retrofuturism, and technology. MOT programme I Kusano
  4485. The Museum of Crypto Art timeline records the 2018 CryptoArte launch. moca-timeline I Brocher
  4486. The Museum of Data documents the materials, datasets, fabrication process, and politics of Data-Masks. Museum of Data I Crispin
  4487. The Museum of Fine Arts, Houston presented the large-scale Floating World exhibition featuring interconnected immersive installations from May to September 2025. MFAH Exhibition I A.A.Murakami
  4488. The Museum of the Moving Image documents skate video as artistic expression, instruction, and community-building media. moving-image I JEANVASCRIPT
  4489. The Museum of the Moving Image names Provencher as an artist in its Easel Engine media-wall series. MoMI I provencher
  4490. The Museum of the Moving Image program documents Ridgley’s 2025 presentation with LIA. Museum of the Moving Image I Ridgley
  4491. The museum’s exhibition brochure documents IsmaHelio’s computational practice and participation in its first issue. TGAM brochure I IsmaHelio
  4492. The Myriad People paper documents nine exhibited artworks and 124 open-source projects supporting new-media art. research-paper I Block
  4493. The National Galleries of Scotland outlines the history and material logic of assemblage. National Galleries Scotland I SAB & K2xL
  4494. The National Gallery of Art artwork page describes the acquisition, scale, and ongoing presentation of Multiverse. National Gallery of Art I Villareal
  4495. The National Museum of Science and Technology lists Kling and Kaufman in the gallery program for Dome Dreaming. museum-program I Block
  4496. The needs essay explains the reduction of complex pixel-sorted textures into geometric studies of color and gradient. needs I sgt_slaughtermelon & Tartaria Archivist
  4497. The neuro-symbolic generative-art paper contrasts neural and symbolic approaches to autonomous image generation. Neuro-symbolic art I Parikh
  4498. The New Indian Express described the workshops and Mathikshara's plan to tokenize participants' art for their benefit. New Indian Express I Mathikshara
  4499. The New Museum’s NEW INC announcement lists Provencher in the 2022 to 2023 Art and Code track. NEW INC I provencher
  4500. The New Old Master. SSENSE profiles Robak's computer-generated practice and position within contemporary digital art. https://www.ssense.com/en-pr/editorial/culture/tabor-robak-the-new-old-master/. I Robak
  4501. The New Yorker. The New Yorker reviewed MoMA's Bauhaus retrospective and provides critical context for the movement's modernist influence. https://www.newyorker.com/magazine/2009/11/16/bauhaus-rules. I cryptobauhaus
  4502. The NFT Magazine. The NFT Magazine examined artificial intelligence and generative art in its seventh issue. https://thenftmag.io/07-issue-artificial-intelligence-generative-art/. I matto
  4503. The nft now podcast examines Butcher’s visual communication practice and early engagement with blockchain ownership. nft now podcast I Butcher
  4504. The NGV collection record specifies the date, media, and acquisition details of Megafauna. NGV collection I Robak
  4505. The NGV documents the virtual-reality extension of Megafauna developed with Deakin MotionLab. NGV and Deakin I Robak
  4506. The NGV identifies Robak as born in 1986 and a 2010 graduate of Pacific Northwest College of Art. NGV profile I Robak
  4507. The NGV Triennial account explains Megafauna through its Magi, technological references, and ethical concerns. NGV Triennial I Robak
  4508. The Nomad Magazine, The Power of Oil (Kimberly Bradley): the Flags series, gasoline on the Danube, Amazon, Nile and Yangtze, the thin-film refraction algorithm built with Helmut Bressler, and "toxic sublimity." the-nomad-magazine.com I Gerrard
  4509. The NTUA museum records Lin's participation in an exhibition examining relationships among matter, screens, and space. NTUA museum I Lin
  4510. The objkt profile traces Velitchkova's transition from data visualization to generative art and discusses the role of Madrid in her thinking. objkt I Velitchkova
  4511. The ODA project record describes its room-based structure, spatial dualities, and collaboration with Víctor Doval. oda I Aksu
  4512. The official Art Blocks Weekend programme records the Bootleg Gallery within the 2025 Marfa programme. Marfa programme I Heeey
  4513. The official documentary page describes the Venice-to-Venice narrative and its 10,000 CryptoCitizens. Documentary I phil
  4514. The official documentation presents CryptoVenetians as a local collection and an educational route into wallet use and security. City collections I phil
  4515. The official press release for the Art of Punk exhibition at Francisco Carolinum Linz situates generative projects including those by redlioneye in institutional context. ooekultur Art of Punk Press Release I redlioneye
  4516. The official project account links We Vielen Met De Sterren to techniques from (Dis)connected and details its audiovisual system. sterren-project I Shaik
  4517. The official project page explains Glance Back’s unexpected daily capture and locally stored archive. glance-back I Man
  4518. The official project page explains how animated eyes carry the central idea of silent recognition. eyes-project I Shaik
  4519. The official project page frames an evolving animated work around growth and experimentation. alive-project I Shaik
  4520. The official technical page documents the Wigner-function visualization, Schrödinger evolution, WebGL2 rendering, and on-chain JavaScript. technical-documentation I Insigħt
  4521. The official That Dragon, Cancer site page Our Family provides biographical context on Ryan Green's background as programmer and game developer alongside the family's story. That Dragon Cancer Our Family I Green
  4522. The Oracle. Raster records The Oracle by Jones as a 2021 edition of 40 released through Nifty Gateway. https://www.raster.art/artwork/the-oracle-by-stina-jones. I Jones
  4523. The order generated from chaos. A Medium essay explores the emergence of order from chaos in Aluan Wang's Automatic Messages, situating the work within his evolving algorithmic practice and cultural references. https://medium.com/@c2x3_NFTpress/the-order-generated-from-chaos-generative-artist-aluan-and-his-new-work-automatic-messages-9a078f17bbaf. I AluanWang
  4524. The Org. The Org profiles Peter Boyer’s engineering leadership and background in software, architecture, and computational geometry. https://theorg.com/org/higharc/org-chart/peter-boyer. I Punch Card Collective
  4525. The Org outlines Bart Simons's career as Senior Designer and Creative Developer at CLEVER°FRANKE alongside his generative art practice. The Org Bart Simons I Simons
  4526. The ossia score article credits Kaufman with two prompts used during Genuary 2022. community-record I Block
  4527. The Outline. The Outline reviews Coditany of Timeness as a black metal album generated through neural network methods. https://theoutline.com/post/2556/this-frostbitten-black-metal-album-was-created-by-an-artificial-intelligence. I dadabots
  4528. The Pace Gallery artist page documents Villareal's career trajectory, exhibition history, and current representation. Pace Gallery I Villareal
  4529. The paper Generative Escher Meshes presents a computational method for creating periodic, Escher-like tileable imagery. arXiv I Cohen
  4530. The Patron Age. The Patron Age previews Rain Blooms and its presentation with Art Blocks Studio and NEORT++. https://thepatronage.art/the-patron-age-may-18-2026/. I Tanimoto
  4531. The Pen Comes First at Paragraph. The original publication of SonOfLasG's essay preserves the same argument and source list in the writer's Paragraph archive. https://paragraph.com/@sonoflasg/the-pen-comes-first. I Mapan
  4532. The People’s AI. The People’s AI examines decentralized AI, open-source models, agents, governance, and crypto-backed AI ventures. https://podcasts.apple.com/us/podcast/why-were-headed-into-deai-summer-w-coinfunds-jake-brukhman/id1792518750?i=1000698931429. I Brukhman
  4533. The People’s Graphic Design Archive credits Orth as designer of the 1989 Bleach album artwork. PGDA I Orth
  4534. The Pixel Cats collection on Rarible, described by Glas as having a cult following. Rarible profile I Glas
  4535. The Please Respond artist page records Isaksen's transformation of the inherited system and his use of techniques from Factura and Gumbo. Please Respond artist page I Isaksen
  4536. The Please Respond presale page documents the ten-artist sequential algorithm handoff. Please Respond overview I Isaksen
  4537. The podcast episode discusses Lin’s creative history and the continuity between Web1 and Web3 practice. Nan Bao Jian Ni podcast I Lin
  4538. The Pop Up Art Galerie project record documents a 2022 two-wall projection installation in Hamburg. popup-installation I ilithya
  4539. The position paper Crypto Art: A Decentralized View frames crypto art through cultural and technical participants. crypto-art-paper I Brukhman; I donnoh; I hex6c
  4540. The Present Age. Transcript of a podcast episode in which Bryan Brinkman explains NFTs, generative art on Art Blocks, and his path from SNL to crypto. https://www.readtpa.com/p/podcast-bryan-brinkman. I Brinkman
  4541. The PrimiDance project description notes the artist's fascination with primitive building blocks and computer-generated imagery. Verse I Benhorin
  4542. The PrimiLife system creates unexpected drawings with colors borrowed from the Mediterranean environment. Spaace I Benhorin
  4543. The Profile interview discusses consistency, Swiss graphic design, visual identity, and productizing expertise. The Profile I Butcher
  4544. The project page details Lucky Clover’s collaboration, generative features, viewer controls, charitable context, and relationship to the drone work. Lucky Clover project I Sputniko!
  4545. The project record documents how public interaction determined the development of Pubblico. Pubblico I Eltono
  4546. The Proof platform hosted and documented an exhibition presentation of Windwoven by Radix within its curated program. Proof Windwoven Exhibition I Dixon
  4547. The publisher’s record documents the 24 projects, technical process, and publication details of Data Sketches. Routledge I Bremer
  4548. The Pure Form exhibition page curated by Melinda Wang lists Brad Damico among participating artists in the 2019 virtual group show. Pure Form Exhibition I artplusbrad
  4549. The Ransom Note. The Ransom Note featured an extensive conversation on Wolfers artistic philosophy and output. https://www.theransomnote.com/music/news/stirring-up-the-sour-porridge-false-flag-in-conversation-with-legowelt/. I Wolfers
  4550. The re fold and identifies its institutional supporters. I Block
  4551. The re https://rethread.art/projects/recreation/ I Block
  4552. The Regalia project page describes Richardson’s practice and the work’s ten-layer digital-to-physical process. Regalia I Richardson
  4553. the reliquary source code. The public repository for the reliquary preserves its interactive JavaScript system and project documentation. https://github.com/vibes-art/the-reliquary. I Griffith
  4554. The Responsive Dreams festival schedule archives the artist's inclusion in the 2023 program of screenings and live minting events. Responsive Dreams Festival Archive I Koskela
  4555. The Robert Rauschenberg Foundation documents Whitman’s participation in 9 Evenings and co-founding of E.A.T. Rauschenberg Foundation I Whitman
  4556. The Roger Penrose puzzle. Escher in The Palace discusses the relationship between Roger Penrose, geometric puzzles, and Escher’s final tessellation. https://escherinhetpaleis.nl/en/about-escher/escher-today/the-roger-penrose-puzzle?lang=en. I Cohen
  4557. The Rooster Magazine published insights from eBoy on the pixel as modular unit in 2021. Rooster Magazine I eBoy
  4558. The Rothko Museum describes Dudko’s virtual Totem and its role in the New Spirituality exhibition. rothko-museum I Dudko
  4559. The Rule and the Bloom. MASSAGE Magazine presents an extended discussion of rules, cellular automata, and Rain Blooms. https://themassage.jp/en/archives/27661. I Tanimoto
  4560. The Runner (LIVE). Christine König Galerie's The Runner (LIVE) archive documents Rodeh's 2017 sound, light, and sculptural installation at KOENIG2. https://christinekoeniggalerie.com/exhibitions/alona-rodeh-the-runner-live/. I Rodeh
  4561. The sale raised over 5,000 ETH, approximately $15.3 million. The Block I Lord
  4562. The Scoop. The Scoop considers CoinFund’s organization and the relationship between crypto-native knowledge and traditional finance. https://podcasts.apple.com/us/podcast/coinfund-executives-explain-why-crypto-is-the-obvious/id1460134454?i=1000559085063. I Brukhman
  4563. The Seattle NFT Museum identifies Bit by Bit as a 2022 exhibition focused on pixels and generative digital practice. Bit-by-Bit I Canizares; I Pedersen
  4564. The Sensthesia project account details its microphone-responsive visuals, JavaScript implementation, and frequency-analysis mechanics. Sensthesia I Zeblocks
  4565. The sentiment of crypto art. Medium article by hex6c discussing the same sentiment analysis and Glas's narrative approach. https://hex6c.medium.com/the-sentiment-of-crypto-art-c8f0cd9927d5. I Glas
  4566. The Sentiment of Crypto Art (CEUR). Academic paper analyzing sentiment in crypto art, with Glas's Spring Bloom cited as an exemplar of joy and surprise. https://ceur-ws.org/Vol-2989/long_paper10.pdf. I Glas
  4567. The Shed notice. Pace's Shed notice documents Fragile Future in New York. https://www.pacegallery.com/journal/drift-shed/. I Drift
  4568. The Smithsonian American Art Museum video interview captures Villareal discussing his approach to light and viewer experience. Smithsonian Interview I Villareal
  4569. The Smithsonian artist record describes Paglen’s interdisciplinary practice and records his 1974 birth in Camp Springs, Maryland. Smithsonian biography I Paglen
  4570. The Smithsonian exhibition record explains the scope and critical framing of the 2018 to 2019 survey Sites Unseen. Sites Unseen I Paglen
  4571. The Smithsonian oral history preserves Whitman’s reflections on performance, direction, and mystery in art. Smithsonian I Whitman
  4572. The Somi Arian Podcast presents a 2022 conversation with Brocher about generative art in Web3. somi-arian-podcast I Brocher
  4573. The Sonatina project page documents the plotter, microphone, algorithmic audio processing, and Marfa presentation. Sonatina I johan
  4574. The Sotheby's sale press release lists kai among the Art Blocks artists represented. Sotheby's PR I Turner
  4575. The Soul, a 2022 audio-visual generative work by Che-Yu Wu presented by Unit London, features dynamic algorithms producing subtle color shifts and luminosity within a cosmic ocular form inspired by Olafur Eliasson's The Weather Project. Unit London The Soul Exhibition I Wu
  4576. The Sound and Music Computing conference program credits Kaufman on sys https://smcnetwork.org/smc2023/SMC_2023_Concert_Program.pdf I Block
  4577. The Spanish Cultural Center in Buenos Aires describes Falco's background and his research into data, real-time processes, generative systems, databases, and procedural modeling. CCEBA-profile I Falco
  4578. The Sphere. “The Sphere: espina collaborator biography.” https://www.thesphere.as/about-us/. Accessed 18 September 2026. I espina; II 093; II 152
  4579. The Spotify episode of Minters and Makers features Artem Verkhovskiy and Andy Shaw discussing their work and the broader Art Blocks context in December 2022. Minters & Makers Podcast I Verkhovskiy
  4580. The Sprites project page identifies a collection of 32 on-chain works released under a Creative Commons license. sprites-project I Jones
  4581. The Stable Audio 3 arXiv paper lists CJ Carr and Zack Zukowski among the authors and describes fast latent diffusion models for variable-length audio generation. Stable Audio 3 I dadabots
  4582. The Stylus project record documents a workflow linking Processing, CNC movement, a tablet, and digital output. Stylus I Eltono
  4583. The SuperRare catalogue entry presents It’s All Coming Together as an animated response to adoption, access, and technological futurity. It’s All Coming Together I Mighty Moose
  4584. The SuperRare entry describes The BlackRock Meeting as an imagined encounter between Satoshi and BlackRock executives. The BlackRock Meeting I Mighty Moose
  4585. The SuperRare record describes the eighty-first work in a 101-piece AI-assisted collection about psychological interaction between code and DNA. Our conversations I Mighty Moose
  4586. The SuperRare record for beauty behind the tech documents its hand-drawn source, digitization, animation, and layered Ethereum motif. beauty behind the tech I Mighty Moose
  4587. The SuperRare record for objectified ptTWO #7 identifies its photographed dollar bill and subsequent noise and glitch treatment. objectified ptTWO #7 I Mighty Moose
  4588. The SuperRare record for The Bolted City describes a city held together through continuous spinning motion. The Bolted City I Mighty Moose
  4589. The Sweet Escape. Upstream Gallery documents Robak's 2025 participation in The Sweet Escape with Massively Multiplayer Chandelier. https://www.upstreamgallery.nl/exhibitions/260/the-sweet-escape. I Robak
  4590. The Taoyuan Technology Art Festival archive documents Lin’s curatorial role in its 2020 edition. TAxT archive I Lin
  4591. The Tel Aviv Museum of Art lists Liberman among the creators in NFT: One of a Kinds. Tel Aviv Museum I Liberman
  4592. The Telly Awards records Wajufos as co-director of the Silver-winning 2021 Creative Code Festival. award-record I Wajufos
  4593. The TGAM interviews section documents the artist's participation in the Responsive Dreams festival interview series. TGAM Interviews I Koskela
  4594. The Think Christian article discusses the theological and emotional dimensions of That Dragon, Cancer and Ryan Green's approach to its creation. Think Christian That Dragon Cancer I Green
  4595. The this.generation exhibition presented Mathikshara's Breathe in, Breathe out within an inquiry into code-based practices. this.generation I Mathikshara
  4596. The title evokes both the city of Montreal and scaled relational or musical dynamics. Pan M 360 Interview I tobin
  4597. The Toledo Museum of Art connects early computer art to contemporary algorithmic image-making. Infinite Images I Lobato; I Rizzolli; I tuplart; I Åström
  4598. The Tools of Generative. A University of California, Santa Barbara teaching text cites ps2.praystation.v4 while discussing tools and precedents of generative art. https://www.mat.ucsb.edu/~g.legrady/academic/courses/20f594/txt/genart.pdf. I Davis
  4599. The TouchDesigner Summit archive outlines a workshop on generative design, custom tools, and parameterized visual systems associated with Liberman and Ben Benhorin. TouchDesigner Summit I Liberman
  4600. The Truth of Generative Art. Right Click Save publishes Edelman’s interview with Adam Berninger about Feral File and generative art. https://www.rightclicksave.com/article/the-truth-of-generative-art-interview-adam-berninger-feral-file. I Edelman; I Orth
  4601. The University of California paper describes Gelbox as a simulation connecting experimental parameters with electrophoresis output. Gelbox paper I Brown
  4602. The University of Central Florida project page documents an interface that turns poetic sound patterns into quilt designs. patchwork-poetics I Oesterling
  4603. The University of Kentucky profile documents Canizares's education, interdisciplinary practice, publications, and research interests. UKY-profile I Canizares
  4604. The University of Kentucky research record summarizes Canizares's chapter on studying digitally produced architectural archives. Retro-gamer I Canizares
  4605. The University of Kentucky research record summarizes Canizares's peer-reviewed study of CAD and architectural labor. CAD-labor I Canizares
  4606. The University of Messina records a public event about Insigħt and the relationship between art and quantum technologies. university-event I Insigħt
  4607. The University of Mississippi art talk record lists Ben Snell and describes his machine-oriented artistic practice. olemiss-art-talk I Snell
  4608. The University of Strathclyde research profile documents Devereux’s work in image processing, machine learning, computer vision, physics, and applied mathematics. Strathclyde profile I Devereux
  4609. The University of Sydney documents Canizares's participation in Pressure: Architecture, Process and the Print Studio at Tin Sheds Gallery from June 11 to July 24, 2026. Pressure I Canizares
  4610. The University of Toronto BMC speaker series announcement details Ryan Green's 2021 presentation on narrative, creative direction, and Numinous Games. BMC Speaker Series 2021 I Green
  4611. The V&A records Ignac’s 2018 workshop on transforming complex information into visual narratives with open-source tools. V&A I Ignac
  4612. The V&A situates generative practice within a broad field of digital art and design. V&A collection I Åström
  4613. The V&A traces algorithmic art to laboratory-based computer and plotter practices of the 1960s. V&A history I Åström
  4614. The V01D. Frieze records the dates and Los Angeles venue for The V01D, an exhibition by Joshua Davis (Praystation). https://www.frieze.com/event/joshua-davis-praystation-v01d. I Davis
  4615. The Vale Magazine. The Vale Magazine discusses the campus-wide environmental project thirsty while drowning. https://thevalemagazine.com/2022/12/02/thirsty-while-drowning-an-interview-with-artist-cole-sternberg/. I Sternberg
  4616. The Vale Magazine interviews Tanchum about the architectural, sensing, and data-responsive behavior of Moments in Time. vale-interview I phenomena
  4617. The Verge covered the endless death metal livestream and the copyright questions around AI-generated music. The Verge I dadabots
  4618. The Verge published a 2014 profile detailing the founders' backgrounds, remote collaboration methods, and philosophical rejection of retro framing. The Verge I eBoy
  4619. The Verse platform presents Ego Death as a study of identity in the digital era dominated by NFT avatars, accompanied by a poetic statement on the elusiveness of self. Verse Project Page I Electralina
  4620. The Verse series page for High Tide supplies additional curatorial framing of the artists' engagement with natural mathematical phenomena. Verse High Tide I Verkhovskiy
  4621. The Verse series page for Low Tide extends the curatorial presentation of the tidal theme across the duo's related projects. Verse Low Tide I Verkhovskiy
  4622. The Verse series page for Total Strangers includes the artists' statement on the revelatory potential of generative mark-making for human features. Verse Total Strangers I Verkhovskiy
  4623. The VERSE.works platform provides comprehensive documentation and an interactive interface for exploring traits within the Bloom series by Blockchance. VERSE.works series page I Blockchance
  4624. The VERSE.works project page contains the artist's statement describing the neuron-inspired origins of Cells and the subsequent parameter exploration. VERSE Cells I Hevey
  4625. The VERSE.works series page presents Beauty in the Hurting as a generative exploration of flocking and collective pattern. VERSE Beauty in the Hurting I Green
  4626. The Verse.works series page supplies the conceptual description of Blind Spots as abstract intimate portraits concerned with consciousness and digital systems. Verse.works Series Page I Koskela
  4627. The Victoria and Albert Museum records Painting with Plotters as a participatory Digital Design Weekend event held in September 2024. V&A event I He
  4628. The Vimeo interview discusses Isaksen's conversion of an inherited two-dimensional system into a three-dimensional environment. Video interview I Isaksen
  4629. The Vivid Gallery artist page outlines professional origins in visual effects and the subsequent focus on algorithmic and generative graphics. Vivid Gallery Artist Page I Koskela
  4630. The Voyager interactive guide documents live mode, high resolution, screen fitting, monochrome, gravitational wave, offset, and grain controls. voyager-guide I DisruptedStar
  4631. The Washington Post profiles Reben's amalGAN series, in which AI reads his brain activity to generate oil paintings. Washington Post AI art I Reben
  4632. The Washington Post reports on Reben's The First Law robot, which autonomously decides whether to prick a human finger. Washington Post I Reben
  4633. The Watchful Forest and other Adventure Series works on MakersPlace, with accompanying prose. Verse Works I Glas
  4634. The Web Design Museum preserves documentation of eBoy's early web presence and pixel contributions from 1999 onward. Web Design Museum I eBoy
  4635. The Whitney explains the sources, hourly structure, and critical frame of A Realistic Day In My Life Living In New York City. whitney-exhibition I Man
  4636. The Whitney Museum defines generative art through autonomous systems, instructions, and algorithms that enable formal variation. Whitney Programmed I tuplart
  4637. The Whitney Museum records Whitman’s life dates, media, and role as a co-founder of Experiments in Art and Technology. Whitney I Whitman
  4638. The Whitney records Colorwheel as a custom software-generated animation in multichannel configurations. Whitney collection I Robak
  4639. The Whitney’s artist record documents Man’s museum commission and broader internet-based practice. whitney-profile I Man
  4640. The Wikipedia entry for That Dragon, Cancer outlines the game's development by Ryan and Amy Green under Numinous Games and its basis in personal family experience. Wikipedia That Dragon Cancer I Green
  4641. The Wire. The Wire preview describes Passport as a non-narrative theater work using video, sound, and artist-made props. https://www.thewire.co.uk/news/18654/robert-whitman_passport. I Whitman
  4642. The Wired profile examines Ryan Green's motivations and the emotional architecture of That Dragon, Cancer as an interactive work. Wired That Dragon Cancer I Green
  4643. The work is interactive: viewers can click and drag to rotate the scene. ARTOGO exhibition notes I Lord
  4644. The World of Chinese profiles Fan Yiwen’s background, Shanghai practice, generative method, influences, and extended debugging process. World of Chinese I Reva
  4645. The YouTube documentary covering Wu's Chaos Laboratory solo exhibition at Taipei 101 records the technical and curatorial decisions involved in scaling generative particle systems to five-screen immersive environments with live sensor interaction. Chaos Laboratory Exhibition Video I Wu
  4646. The YouTube documentary produced by The Verge visually documents the collective's working process and historical context. The Verge I eBoy
  4647. theartnewspaper.com. The Art Newspaper reports on RVig winning the 2024 ABS Digital Art Prize and the significance of renaming the award from NFT to Digital Art Prize. https://www.theartnewspaper.com/2024/06/24/as-winner-of-renamed-abs-digital-art-prize-is-announced-have-we-reached-a-turning-point-for-conversations-around-nfts-and-culture. I RVig
  4648. Theatre Ash provides Lin’s education and an account of his multimedia and theatre work. Theatre Ash profile I Lin
  4649. theMagger. A review places Dist Collective's Mina within the conceptual oppositions of Seçici İletken. https://www.themagger.com/secici-iletken-sergi-inceleme/. I DistCollective
  4650. Themify customer story. Themify profiles the Amsterdam design partnership of Wouter Kalis and Corinne de Korver and discusses their minimalist approach. https://themify.me/blog/make-first-class-websites-themifys-ultra-theme. I Kalis
  4651. themontyreport.com/p/snowfro. The Monty Report's long-form interview covers Calderon's technical history, collecting, optimism, governance, and the pressures of leading Art Blocks. https://www.themontyreport.com/p/snowfro. I Calderon
  4652. thependulumswing. “Gels: video on YouTube (registry website field).” YouTube. https://www.youtube.com/watch?v=Q2zRJf3stwc. Accessed 20 September 2026. II 327
  4653. There's No Distance. The gallery release for There's No Distance records an earlier solo presentation of Reas's generative works. https://www.bitforms.art/wp-content/uploads/2024/09/cr_press-release.pdf. I REAS
  4654. There's Paint in my Computer. The artist's signed Mirror essay develops Proscenium's conceptual argument about software, simulation, painting, and world-building. https://vibes.mirror.xyz/VtC_6-aMX_woVyHQIihhcWWMTn-Gb7glnS_00wzsPfQ. I Griffith
  4655. thetechnocratic. “3 Minute Meditations official description.” https://twitter.com/thetechn0cratic. Accessed 19 September 2026. II 339
  4656. Third Vision identifies Amilton L. Paglia as a Brazilian generative artist using computation to explore beauty and perception. artist-profile I Third Vision
  4657. Third Vision. “Miragem official description.” https://www.thirdvision.xyz/miragem. Accessed 19 September 2026. II 378
  4658. Thirteen Ghosts. Catt’s Thirteen Ghosts project documents animated digital works accompanied by plotter-ready SVG files and physical components. https://thirteenghosts.revdancatt.com/. I Catt
  4659. This 1stDibs interview documents PLS&TY’s visual collaborations, image-led scoring process, and curatorial role in Oceans Lost. 1stDibs interview I PLS&TY
  4660. This 2023 interview documents Lin's Taiwanese background, London practice, computer-science education, WebGL work, and cross-cultural approach. ARTouch interview I Lin
  4661. This archive entry catalogs Hodgin's profile and project history on a generative art platform. Right Click Save People index I Hodgin
  4662. This article discusses Hodgin's role as co-founder and Head of R&D at Rare Volume alongside his artistic practice. Right Click Save I Hodgin
  4663. This article presents an extended interview with Emily Edelman that situates Asemica within her broader generative and typographic concerns while crediting the collaborative coding contributions. Expanded Art Interview I Badr
  4664. This biography lists exhibitions at the Smithsonian Design Museum, San Francisco Exploratorium, and Wing Luke Asian Museum. Le Random profile I Hodgin
  4665. This conversation features the three collaborators discussing the conceptual origins, technical development, and aesthetic intentions behind Asemica shortly before its release. Cent Conversation I Badr
  4666. This critical profile examines Butcher’s adoption of generative art through Opepen, Trademark, and Signature. nft now Gateway I Butcher
  4667. This exhibition page documents Hodgin's Magnetosphere Fragment at the Museum of the Moving Image. Museum of the Moving Image I Hodgin
  4668. This in-depth video interview explores Andrew Badr's background, his path into Art Blocks as both collector and artist, and the development of Asemica in detail. YouTube Deep Dive I Badr
  4669. This interview describes the social beginnings of PLS&TY’s DJ practice and his movement from informal mixes to live sets. PLAYY. I PLS&TY
  4670. This interview details Pedersen's early experiments with generative systems and the influence of his data visualization practice on his artistic development. TGAM Interview I Pedersen
  4671. This interview discusses interpretive openness in PLS&TY’s music and his limited music-and-art NFT releases. iEDM I PLS&TY
  4672. This interview discusses the travel inspiration and nonlinear visual narrative behind Run Wild / Feeling Forever. EDM Identity I PLS&TY
  4673. This interview explains Eltono’s distinction between the conditions of street work and gallery production. Ekosystem I Eltono
  4674. This interview explains how Tommy Leas formed the PLS&TY name and discusses his background and creative identity. FUXWITHIT I PLS&TY
  4675. This interview identifies Stoveland's principal software tools and early creative-coding history. NFTPORTAL I Stoveland
  4676. This interview records PLS&TY’s description of inspiration and his music-making process. Nexus Radio 2023 I PLS&TY
  4677. This interview records Stoveland's iterative process of thinking, coding, testing, and revising. Dalos Dov I Stoveland
  4678. This interview surveys PLS&TY’s early influences, production career, and performance history. DJ Life I PLS&TY
  4679. This interview traces Butcher’s move from agency work to Visualize Value’s publishing and product model. Business of Business I Butcher
  4680. This interview traces Eltono’s beginnings in railway graffiti and his 1999 turn toward brush-painted geometric forms. Tall Dark Roast I Eltono
  4681. This is Paper characterized Loom as a long-form generative series defined by horizontal and vertical threads woven into abstract compositions. This is Paper I Lucia
  4682. This journal piece and accompanying series page document Asemica's visual language and its place within ongoing conversations about symbol systems and generative processes. Verse Journal and Series I Badr
  4683. This local press article describes the display of Asemica works in Marfa and offers a concise account of the project's asemic and typographic foundations. Big Bend Sentinel Coverage I Badr; I Ofman; III No. 40
  4684. This podcast episode examines Your World of Text and its cultural resonance, providing context for Badr's long-standing interest in collaborative textual systems. Cult or Just Weird Podcast I Badr
  4685. This podcast episode includes Exstasis in its discussion of generative artworks available at comparatively accessible prices. market-podcast I Oesterling
  4686. This portfolio documents the randomized participatory procedure used for Automatic Painting in Tokyo. Artist portfolio I Eltono
  4687. This profile and interview explore Pedersen's biography, his dual career in software engineering and art, and the evolution of his generative practice. Unit London Interview I Pedersen
  4688. This profile documents Badr's participation in the School for Poetic Computation and situates his early projects within experimental pedagogy and practice. SFPC Artist Profile I Badr
  4689. This profile traces PLS&TY’s musical formation and the production history of Good Vibes. Miami New Times I PLS&TY
  4690. This research paper examines the translation of generative patterns into contemporary quilts. computational-quilts I Oesterling
  4691. This source records Hodgin's participation in the Decode exhibition at the Victoria and Albert Museum and other institutional presentations. Creative Applications profile I Hodgin
  4692. This speaker biography outlines Hodgin's background in simulation, data visualization, and immersive work. DDD Milano speaker profile I Hodgin
  4693. This speaker profile documents Hodgin's lectures and conference appearances including at FITC. FITC speaker profile I Hodgin
  4694. This talk addresses Hodgin's views on making art in the age of AI and the value of sustained generative processes. KIKK Festival talk I Hodgin
  4695. This talk transcript and video record Hodgin reflecting on creativity, AI, and twenty years of generative practice. Automattic dev/ai/nyc talk I Hodgin
  4696. This video record documents Human Unreadable at HEK Basel within Exploring the Decentralized Web: Art on the Blockchain. HEK installation I Operator
  4697. Thomas Lin Pedersen. “Emergence: artist account.” 3 June 2020. https://thomaslinpedersen.art/work/emergence/. Accessed 17 September 2026. II 142
  4698. Thomas Lin Pedersen. “Genesis: artist account.” 2 September 2019. https://thomaslinpedersen.art/work/genesis/. Accessed 17 September 2026. II 142
  4699. Thomas Lin Pedersen. “Rapture: artist development and technical account.” 23 August 2021. https://thomaslinpedersen.art/work/rapture/. Accessed 17 September 2026. II 142
  4700. Thomas Lin Pedersen. “Screens: artist documentation.” 31 January 2022. https://thomaslinpedersen.art/work/screens/. Accessed 18 September 2026. II 244
  4701. Three.js at IDIS. Falco's IDIS article explains Three.js as a JavaScript library for browser-based graphics and interactive installations. https://proyectoidis.org/three-js/. I Falco
  4702. three.js authors. “examples/js/math/ConvexHull.js at r124.” https://github.com/mrdoob/three.js/blob/r124/examples/js/math/ConvexHull.js. Accessed 20 September 2026. II 175
  4703. three.js authors. “three.js LICENSE at r124.” https://github.com/mrdoob/three.js/blob/r124/LICENSE. Accessed 20 September 2026. II 175
  4704. three.js authors. “three@0.124.0 MIT licence.” https://cdn.jsdelivr.net/npm/three@0.124.0/LICENSE. Accessed 17 September 2026. II 116; II 120
  4705. Tibout Shaik. “(Dis)connected official description.” https://twitter.com/ShaikTibout. Accessed 19 September 2026. II 427
  4706. Tide Predictor launch. Wave Farm records Tide Predictor’s launch program and 400-edition algorithmic release. https://wavefarm.org/radio/wgxc/schedule/cxtg0m. I LoVid
  4707. Time Atlas project page. The official collection page presents Tonon's second Art Blocks project and links its live presentation and marketplace context. https://www.paolotonon.com/time-atlas-%F0%9F%8C%90/. I Tonon
  4708. TIME included Dadabots in a feature on musicians using AI to create otherwise impossible songs and sounds. TIME I dadabots
  4709. TIME reported that Beesley encountered CryptoKitties in 2017, taught herself coding in 2019, and made generative images and videos. TIME profile I Beesley
  4710. Time Travel in a Subconscious Mind: project description and flow field algorithm. jmy.art/essay/time-travel-in-a-subconscious-mind I JMY
  4711. Times Square Arts documented the Floating World installation project in New York. Times Square Arts I A.A.Murakami
  4712. Times Square Arts profile. Born 1983 in Miami, FL, Jen Stark is a multidisciplinary visual artist whose work draws inspiration from sacred geometry, fractals, and organic growth patterns, with recent large-scale digital presentations. https://www.timessquarenyc.org/artists/jen-stark. I Stark
  4713. Timespace. Variable documents Timespace as a spatial visualization derived from the studio’s Dropbox files. https://variable.io/timespace/. I Ignac
  4714. TIME’s 2021 reporting describes Art Blocks within the expansion of NFT and generative art. time-art-blocks I Brukhman; I Ento; I REMO x DCsan
  4715. TIME’s earlier 2021 account examines blockchain minting, digital collecting, speculation, and art. time-nft-art I Brukhman
  4716. Tique. Tique considers Studio Practice as a staged production system structured around labor, judgment, and commercial success. https://tique.art/features/jonas-lund-studio-practice-biz/. I Lund
  4717. To Reflect A World Where All Life Is Work. Rhizome presents Chan’s argument that contemporary life is increasingly represented by game loops. https://cdn.rhizome.org/events/artwrld-mitchell-chan/. I Chan
  4718. Tobin continues to release music under multiple aliases while exploring intersections of sound and image. CHIRP Radio Interview I tobin
  4719. Tobin has released music under aliases including Two Fingers, Only Child Tyrant, and Figueroa. Fuxwithit Interview I tobin
  4720. toiminto. “toiminto studio site.” https://toiminto.swaeg.net. Accessed 18 September 2026. II 165; II 312
  4721. Token detail pages confirm that Gazettes highlights classic formatting such as multi-column layouts, mastheads, and typographic hierarchies through generative processes. CheckNFT Token Context I redlioneye
  4722. Token-level pages on alternative marketplaces supply further documentation of individual outputs. Spaace Abstraction Token I Hevey
  4723. Tokyo Art Beat. Tokyo Art Beat lists the exhibition schedule and frames the work through emergent order and chaos. https://www.tokyoartbeat.com/en/events/-/Kazuhiro-Tanimoto-Rain-Blooms-Worlds-Emerging-from-Computation/neort/2026-05-15. I Tanimoto
  4724. Tokyo Art Beat’s 2011 interview covers Sputniko!’s education, programming background, critical-design training, and bicultural visual language. Tokyo Art Beat I Sputniko!
  4725. Toledo Museum of Art. The Toledo Museum of Art's Infinite Images project documents Themes & Variations #368 and its joint attribution to Molnár and Grasser. https://infiniteimages.toledomuseum.org/artwork/themes-variations-368. I Grasser
  4726. Toledo Museum of Art, exhibition record for Fidenza #871, loaned for the exhibition. infiniteimages.toledomuseum.org I Hobbs
  4727. Toledo Museum of Art, William Mapan: physical-to-digital process, teaching, influences, major series, and Infinite Images context. toledomuseum.org ↩ I Mapan
  4728. Toledo Museum presents Infinite Images. Art Miami Magazine reviews Infinite Images and Rizzolli's place in its history of algorithms. https://artmiamimagazine.com/toledo-museum-of-art-presents-infinite-images/. I Rizzolli
  4729. Tommy Guerrero interview. A long-form interview with Tommy Guerrero discusses street skating, style, flow, video parts, and the urban landscape. https://www.skateboarding.com/news/pioneer-tommy-guerrero-full-interview-the-streets-of-san-francisco. I JEANVASCRIPT
  4730. Toner Magazine analyzed the isometric pixorama works central to eBoy's mature style. Toner Magazine I eBoy
  4731. Tonic archive. Tonic's collection archive records Rhythm & the Machine as an August 2023 release. https://tonic.xyz/collection/chromesthesia-ascend/. I Wander
  4732. Tonic.xyz. Tonic.xyz announced Machine Dreams, another series by Dean Blacc exploring generative watercolor and color theory inspired by historical painters. https://www.linkedin.com/posts/tonicxyz_we-are-thrilled-to-officially-announce-machine-activity-7117237325851496448-crRy. I Blacc
  4733. Tonon's essay on typography stresses the balance of forms, spacing, and scale required for clarity. typography I Tonon
  4734. Tonon's interview transcript explains Time Atlas 🌐 through city positions, local time, light conditions, population-linked pendulums, and real-time operation. project-mechanics I Tonon
  4735. Tonon's launch interview traces his formation from humanities and communication through experimental web design to Swiss graphics, Bauhaus, Constructivism, and Futurism. launch-interview I Tonon
  4736. Tonon's project record explains that Flood Season used Processing and a customized pixel-sorting script. flood-season I Tonon
  4737. Tonon's Tangity screensaver record details its responsive geographic grid, city data, time calculations, and daylight behavior. screensaver I Tonon
  4738. touchdesigner channel. Dautheribes's Vimeo channel gathers TouchDesigner experiments and commissioned interactive installations. https://vimeo.com/channels/1496565. I Dautheribes
  4739. TouchDesigner talk. Derivative introduces Parse/Error’s 2025 TouchDesigner presentation and summarizes his data-driven, generative practice. https://derivative.ca/community-post/london-dublin-paris-touchdesigner-events-summer-2025/72928. I Parse/Error
  4740. Tracing the Line. Vetro's Tracing the Line places DesLauriers among one hundred contemporary artists using drawing machines and pen plotters. https://vetroeditions.com/products/tracing-the-line. I DesLauriers; I Gachadoat
  4741. Traits and generative variety in the collection. Verse works token examples I Murata
  4742. TRAME's Riflessi. Design Milk on TRAME's Riflessi and Davis's movement between digital systems and physical production. https://design-milk.com/trames-riflessi-encourages-artists-to-create-in-digital-physical-spaces/. I Davis
  4743. Transcendent Bodies. Art21’s hosted film follows Hollowell’s return to the studio after pregnancy and her construction of dimensional paintings. https://vimeo.com/536085504. I Hollowell
  4744. Transmediale artist page. Transmediale artist page confirming participation in the festival's programs on digital culture and media art. https://transmediale.de/en/people/kim-asendorf. I Asendorf
  4745. Treccani defines asemic writing as a movement between literary and visual art that removes lexical value from the sign. Treccani I Ofman
  4746. Tree_Line catalogue. The bitforms Tree_Line catalogue documents the physical and digital presentation of (kinder)Garden, Monuments. https://www.bitforms.art/wp-content/uploads/2025/06/tree_line-catalog-10.pdf. I Yazid
  4747. Trevor Paglen. “PRELUDES official description.” https://www.pacegallery.com/journal/trevor-paglen-preludes/. Accessed 19 September 2026. II 397
  4748. Trichro-matic was released on Art Blocks Curated in November 2023 as a 600-edition generative piece focusing on colour as a representation of structure and depth, featuring both hand-selected and algorithmically-generated palettes. MountVitruvius I Hiley-Mann
  4749. TripleTen. TripleTen cites Yan’s visualization work as an example of presenting data projects effectively. https://tripleten.com/blog/posts/9-steps-to-create-an-effective-data-science-portfolio. I Yan
  4750. tuplart. “D-D-Dots official description.” https://www.tuplart.com. Accessed 19 September 2026. II 351
  4751. Turner's CryptoKitties genome research is cited in technical documentation as the first deciphering of the 256-bit genome system. GitHub I Turner
  4752. Twelve Questions About CryptoPunks. Artnet's market explainer asks how the portraits, attributes, on-chain ownership, and 2021 Christie’s sale fit art-market conventions. https://news.artnet.com/market/cryptopunks-christies-explainer-1966228. I Larva Labs
  4753. TWIML’s interview addresses Parikh’s work on AI, creativity, preference prediction, and neuro-symbolic art. TWIML interview I Parikh
  4754. Twitter post by minimizer_art noting Alex's colorblindness and Stephen's role in handling colors for the duo's projects. x.com I Generative Artworks
  4755. Two Bored Apes discusses Act of Emotion in a September 2022 episode about contemporary generative-art releases. Two Bored Apes I Milligan
  4756. Two Bored Apes. “Episode 3: You Say Qatar, I Say Qatar.” 24 August 2021. https://www.buzzsprout.com/1828034/episodes/9068081-episode-3-you-say-qatar-i-say-qatar. Accessed 17 September 2026. II 135
  4757. Two Bored Apes included the collection in an Art Blocks discussion published on 5 October 2021. Two Bored Apes I Struhl
  4758. Two Masters at the Confluence of Disciplines. GNcrypto profiles the two-person Zeblocks collaboration and compares the audiovisual systems of Unigrids and Beatboxes. https://www.gncrypto.news/news/zeblocks-two-masters-at-the-confluence-of-disciplines/. I Zeblocks
  4759. twoboredapes.com/.../episode-3-you-say-qatar-i-say-qatar. Two Bored Apes podcast episode discussing Alien Insects, the TBOA Club ecosystem, and Shvembldr's monthly Playground release strategy. https://www.twoboredapes.com/1828034/episodes/9068081-episode-3-you-say-qatar-i-say-qatar. I Shvembldr
  4760. Tyler D. Warner. “The Evolving Economics of NFT Summer.” 17 August 2021. https://tyler-d-warner.medium.com/the-evolving-economics-of-nft-summer-how-nft-staking-dutch-auctions-and-fractionalization-are-548156868769. Accessed 18 September 2026. II 129; II 132
  4761. Tyler Hobbs and the Random Power of Generative Art. Decential profiles Hobbs's use of controlled randomness and the reception of Fidenza. https://www.decential.io/articles/tyler-hobbs-and-the-random-power-of-generative-art. I Hobbs
  4762. Tyler Hobbs at Unit London. Unit London represents Hobbs and maintains an artist page with biography, works, exhibitions, and publications. https://unitlondon.com/artists/tyler-hobbs/. I Hobbs
  4763. Tyler Hobbs at Unit London. Artnet News reviews Mechanical Hand and Hobbs's effort to carry algorithmic structures into physical media. https://news.artnet.com/art-world/tyler-hobbs-unit-london-2268851. I Hobbs
  4764. Tyler Hobbs CV. Unit London's curriculum vitae records Hobbs's exhibitions, collections, talks, and publications. https://unitlondon.com/wp-content/uploads/2022/07/Tyler-Hobbs-CV.pdf. I Hobbs
  4765. Tyler Hobbs, Color Arrangement in Generative Art: palette selection, colour placement, adjacency, distribution, and repetition as separate compositional problems. tylerxhobbs.com I Hobbs
  4766. Tyler Hobbs, Creating Soft Textures Generatively: layered irregularities, subtle marks, and computational approaches to tactile surface. tylerxhobbs.com I Hobbs
  4767. Tyler Hobbs, Fidenza: the flow-field algorithm, seven scales, collision checking, margins, shape systems, and fourteen palettes. tylerxhobbs.com I Hobbs
  4768. Tyler Hobbs, Incomplete Control exhibition record: 100 works produced and revealed live at Bright Moments New York from 9 to 12 December 2021. tylerxhobbs.com I Hobbs
  4769. Tyler Hobbs, Incomplete Control: analogue marks, imperfection, entropy, and the tension between computational precision and human irregularity. tylerxhobbs.com I Hobbs
  4770. Tyler Hobbs, Intellectualism Has Hampered Generative Art: an argument for visual communication over technical cleverness or explanatory theory alone. tylerxhobbs.com I Hobbs
  4771. Tyler Hobbs, Randomness in the Composition of Artwork: the use of constrained randomness as an authored compositional tool. tylerxhobbs.com I Hobbs
  4772. Tyler Hobbs, The Importance of Generative Art (2021): programming as a defining contemporary material that shapes communication, memory, and social relations. tylerxhobbs.com I Hobbs
  4773. Tyler Hobbs, The Rise of Long-Form Generative Art (2021): large public output sets, the removal of artist curation, and the viewer's encounter with a complete possibility space. tylerxhobbs.com I Hobbs
  4774. Tyler Hobbs, Utilizing Random Number Generator Seeds: deterministic seeds, reproducible outputs, and controlled variation. tylerxhobbs.com I Hobbs
  4775. tylerxhobbs.com. Tyler Hobbs's official site brings together his artworks, writing, exhibitions, and biography. https://www.tylerxhobbs.com/. I Hobbs
  4776. TZ APAC. TZ APAC interviews Yazid about adopting NFTs, accepting an artistic identity, and developing his practice within Asian digital-art communities. https://www.tzapac.com/articles/nft-art-in-asia/. I Yazid
  4777. TZ APAC describes Bell’s software-engineering background, process-led approach, visual concerns, and analogy between generative art and sculpture. TZ APAC profile I Bell; I Yazid
  4778. UC eScholarship. A University of California thesis discusses Auditorium’s interactive musical structure and cites an interview with Stallwood about its design. https://escholarship.org/content/qt5wj1q3j2/qt5wj1q3j2_noSplash_acebdab5dd7deef5a298570f711f1976.pdf. I Stallwood
  4779. UC Santa Barbara. The UC Santa Barbara profile connects Hollowell’s education to her subsequent museum and curatorial activity. https://ccs.ucsb.edu/news/2023/loie-hollowell-05-ccs-art-continues-her-creativity-painter. I Hollowell
  4780. UC thesis. Crispin’s University of California thesis develops the concept of the Technological Other through biometric surveillance and machine perception. https://www.sterlingcrispin.com/Sterling_Crispin_Data-masks_MS_Thesis.pdf. I Crispin
  4781. UCC Organism. Variable documents UCC Organism as a live institutional visualization distributed across more than 30 campus screens. https://variable.io/ucc-organism/. I Ignac
  4782. UCLA documents the exhibition of Jamieson's silkscreen #85 in its 2022 Winstein Commons art show. ucla-art-show I Jamieson
  4783. UCSF faculty profile. The UCSF faculty page outlines Douglas's work in DNA nanotechnology and his development of the cadnano design system. https://cmp.ucsf.edu/faculty/shawn-douglas. I Brown
  4784. UFG Loops of Wisdom. Exhibition and lecture context exploring how CryptoWiener captured cultural icons on the Ethereum network. https://ausstellungen.ufg.at/loopsofwisdom/project/crypto-wiener-captured-cultural-icons/. I CryptoWiener
  4785. Ujjwal Agarwal. MutualArt records Ujjwal Agarwal's Timelines exhibition at Method in Mumbai. https://www.mutualart.com/Artist/Ujjwal-Agarwal/C70E5126C9832AFA/Biography. I KALA
  4786. Ujjwal Agarwal / KALA. “Pizza 1o1 on Artblocks.io.” 25 February 2022. https://medium.com/@ujjwalagarwal_11889/pizza-1o1-on-artblocks-io-46e52c2b9e0d. Accessed 18 September 2026. II 236
  4787. UltraDAO curated release of Isles upon Deemed Rivers & Other Wonders (2022). ultradao.org I Aggott-Hönsch
  4788. UltraDAO lists Momenta by r0zk0 as Series Two of its Ultra Curated program. UltraDAO I r0zk0
  4789. UltraWave 369 reflects "our deep longing for unity, belonging and understanding of the universe" through 369 units of light. Verse I Beervangeer
  4790. uMathA. “Ad Extremum Terrae official description.” https://umatha.art/aet/. Accessed 19 September 2026. II 402
  4791. UMK comprises 762 long-form outputs released May 2023 on Art Blocks Presents; multiple algorithms generate diverse machinic forms as the core of the Defrag Trilogy examining human-machine relations. Ultrabionika / UMK page I Jerez
  4792. UNC Charlotte identifies Gökmen as a computational designer, researcher, educator, assistant professor, and graduate program director, and records his Georgia Tech graduate training and doctoral research. UNC Charlotte profile I SAB
  4793. UNC Lineberger. UNC Lineberger profiles Alex Rubinsteyn’s work across machine learning, genomics, and computational immunology. https://unclineberger.org/directory/alex-rubinsteyn/. I Punch Card Collective
  4794. Uncirculated Fake Internet Money. Ensemble documents the collaboration that translated Fake Internet Money into plotted and physical form. https://www.ensemble.art/project/uncirculated-fake-internet-money. I Pikelny
  4795. undead wyverns on Verse. Verse preserves the project record for undead wyverns. https://verse.works/series/undead-wyverns-by-hideo. I HIDΞ0
  4796. UNESCO MuseumWeek. UNESCO describes MuseumWeek as a global initiative supported by the organisation since 2016. https://www.unesco.org/en/node/250319. I Phaust
  4797. UNFRAMED. UNFRAMED presents McAteer's Hard Light and Aqueduct in its Pisa digital art exhibition. https://www.unframedshow.com/owenmcateer.html. I Motus Art
  4798. unframed.lacma.org. LACMA Unframed on the spring-equinox phase of SPIRITS, the Indian Ocean works rising on the museum's homepage. https://unframed.lacma.org/2026/03/19/tipping-points-john-gerrard-indian-ocean-spirits-rise-spring-equinox. I Gerrard
  4799. Union Square Ventures describes its DAO transaction and Bright Moments’ early organizational model. USV I phil
  4800. Unit London. The Unit London feature on The Pixel Generation gives context for Jovanić's participation in pixel-focused digital art discourse. https://unitlondon.com/voices/the-pixel-generation/. I Jovanić
  4801. Unit London / Loren Bednar. “Loren Bednar: Inspirations and Working Process.” 26 April 2023. https://unitlondon.com/2023-04-26/loren-bednar-inspirations-and-working-process/. Accessed 18 September 2026. I Bednar; II 068; II 188
  4802. Unit London feature and Art Blocks collection pages documenting Contiero's recognition among top NFT artists in 2021 and ongoing exhibition history. unitlondon.com feature I Contiero
  4803. Unit London page documenting the Pressed Pause release and contextualising Bednar's exhibition participation. Unit London Pressed Pause I Bednar
  4804. Unit London published an essay exploring generative music and worldbuilding that references the Rituals and Passages projects by Boreta and Aaron Penne. Unit London Essay I Boreta; I Penne
  4805. Unit London published an extensive interview and artist feature profiling Loren Bednar's career, recent interactive projects, and exhibition history. Unit London Voices I Bednar
  4806. Unit London, Tyler Hobbs: Mechanical Hand (2023): plotted, painted, and hand-finished works joining algorithmic structure to physical process. unitlondon.com I Hobbs
  4807. Unit London, Wet and Saturated Process: the 2024 exhibition joining GAN-generated botanical images with wet-plate collodion photographs made with Erika Weitz. unitlondon.com I REAS
  4808. Unit London, Zachary Lieberman: Circles, Blobs, Ripples exhibition, March 2024. unitlondon.com I Lieberman
  4809. United States Artists. United States Artists profiles the studio's experimental research and innovative building practice. https://www.unitedstatesartists.org/artists/arandalasch. I Aranda\Lasch
  4810. unitlondon.com. Unit London, Liminal Space, the online group exhibition that included her work. https://unitlondon.com/exhibitions/liminal-space-online-group-exhibition/. I Wiederrecht
  4811. Universal Rayhatcher. Raster preserves the 551-work Universal Rayhatcher series as a browsable project archive. https://www.raster.art/artwork/27984. I Pasma
  4812. University institutional page. HSE University maintains institutional context for Dianov's teaching in generative and data art. https://www.hse.ru/en/. I Dianov
  4813. University of Oregon visiting artist lecture. In October 2022, Jen Stark delivered a visiting artist lecture at the University of Oregon titled A Psychedelic Dive into Art, Fractals, and NFTs. https://artdesign.uoregon.edu/art/events/visiting-artist-lecture/jen-stark. I Stark
  4814. University of Washington researchers use iterations of a Kaufman sketch in their study of remixing creative code. research-paper I Block
  4815. Unleashing the Creative Power of Code. Forbes places Archetype among Art Blocks projects that demonstrate code's creative agency and the growth of generative art. https://www.forbes.com/sites/digital-assets/2023/03/28/unleashing-the-creative-power-of-code-what-generative-artists-can-teach-us-about-ai-and-nfts/. I Golid
  4816. UNPAINTED discusses nature, Perlin-noise landscapes, recursive trees, minimal code, and digital painting in Lippmann’s practice. gallery profile I Lippmann
  4817. UNPAINTED summarizes Lippmann’s education, exhibitions, installations, and shift toward working mainly with code. UNPAINTED biography I Lippmann
  4818. UNPAINTED’s art-store record documents Lippmann’s NoiseScape series as a physical work within his digital practice. NoiseScape record I Lippmann
  4819. UOC Talk. Carreras delivered a talk on creative programming at the Cátedra Telefónica-UOC, archived on Vimeo, addressing code as a medium for artistic inquiry. https://vimeo.com/171542257. I Carreras
  4820. Up and Down. Escher in The Palace examines how Escher combined multiple perspectives to produce an apparently logical but impossible image. https://escherinhetpaleis.nl/en/about-escher/masterpieces/up-and-down. I Cohen
  4821. Upfest 2016. An archived copy of the 2016 Upfest program lists Jones among participating artists in Bristol's urban art festival. https://www.scribd.com/document/317542893/upfest-2016-map. I Jones
  4822. Uprise Art’s profile links Eltono’s interest in generative art to the changing life of unsanctioned public works. Uprise Art I Eltono
  4823. Upstream Gallery announcement of the Window release on Art Blocks (2022), linking mid-grey interfaces to ancient bas-relief carving. upstreamgallery.nl I Leegte
  4824. Upstream Gallery, Anti Social: Abstract Browsing, web speed, slow weaving, and the relationship between the Jacquard loom and computing. upstreamgallery.nl ↩ I Rozendaal
  4825. Upstream Gallery, Books: new diptych paintings, the open-book structure, Rozendaal's economy of line and colour, and the blank page as focused possibility. upstreamgallery.nl ↩ I Rozendaal
  4826. Upstream Gallery: Leegte presenting new work at Paris Photo 2025 with Office Impart; Wanderer described as an autonomous digital flâneur roaming a physical map through blockchain transactions. upstreamgallery.nl I Leegte
  4827. USDA Agricultural Research Service describes a modified center pivot capable of independently watering and fertilising many small zones. USDA ARS pivot control I Hughes
  4828. USGS identifies the High Plains, or Ogallala, aquifer as the U.S. groundwater resource with the greatest long-term depletion. USGS aquifer depletion I Hughes
  4829. Using Inflation to Lay a P3 Tiling. The Bridges paper introduces fractal pavers derived from inflation of a Penrose tiling for two-dimensional and three-dimensional assemblies. https://archive.bridgesmathart.org/2021/bridges2021-277.html. I umatha
  4830. usnea social archive. A third-party archive preserves usnea's description as a generative and digital artist and architect, along with posts announcing transparency. https://mobile.twstalker.com/usneart. I usnea
  4831. Utsavam. Festivals From India documents Utsavam at DakshinaChitra Museum and names Mathikshara among its participants. https://www.festivalsfromindia.com/festival-detail/utsavam. I Mathikshara
  4832. V001: In Real Time. Verse's V001: In Real Time included Archetype #367 in a 2025 survey of blockchain-based art. https://verse.works/exhibitions/v001-in-real-time. I Golid
  4833. Vallejo and Eva Noriega discuss software-based audiovisual works, loops, real-time operation, and interaction. academic paper I Vallejo
  4834. Vallejo’s project essay details the divided-circle construction, color sequences, perceptual aims, and output families. Interferences essay I Vallejo
  4835. Vamoss on GitHub. Vamoss's GitHub profile preserves his open-source software, generative-art projects, and public code archive. https://github.com/Vamoss. I Vamoss
  4836. Vamoss on Observable. Vamoss's Observable profile preserves fifteen public notebooks, including a notebook for Arte de Código Aberto at Museu do Amanhã. https://observablehq.com/@vamoss. I Vamoss
  4837. Vamoss. “Vamoss studio site.” https://vamoss.com.br. Accessed 18 September 2026. I Vamoss; II 162
  4838. vangoghmuseum.nl (press). The Van Gogh Museum's press release announcing Leegte's digital work. https://www.vangoghmuseum.nl/en/about/news-and-press/press-releases/van-gogh-museum-presents-digital-work-of-artist-jan-robert-leegte. I Leegte
  4839. var(verse). The var(verse) archive places encapsuled's generative conversation within a curated program of computational poetry. https://theverseverse.com/varverse. I encapsuled
  4840. Variable documents Ignac’s Eyeo presentation on the relationship between computer graphics, data visualization, and his practice. Eyeo talk I Ignac
  4841. Variable documents Museum Week as a data-driven artwork shaped by the activity of participating museums and their audiences. Museum Week I Ignac
  4842. Variable documents PEX as a modular toolkit and visual programming environment used in its computational practice. PEX I Ignac
  4843. Variable documents Tangent as a generative animation in which agents trace lines over morphing geometry. Tangent I Ignac
  4844. Variable. “Variable studio and Marcin Ignac profile.” https://variable.io/studio/. Accessed 18 September 2026. I Ignac; II 171
  4845. Variation Paris. Variation Media Art Fair profiles LIA and documents the generative audiovisual work Three Suns. https://variation.paris/artists/lia/. I LIA
  4846. VatorNews’s 2025 podcast identifies Brukhman as CoinFund’s founder and CEO and records a discussion of digital identity. vatornews I Brukhman
  4847. Växt preview. Mint or Skip previews Växt as a colorful abstract release concerned with the experience of walking through a garden. https://mintorskip.beehiiv.com/p/people-arent-happy-nft-drama. I Tengil; I Vella
  4848. Vebjørn Isaksen. “Dendro official description.” https://vebits.codes/dendro. Accessed 19 September 2026. II 439
  4849. Vebjørn Isaksen. “Strata official description.” https://vebits.codes. Accessed 19 September 2026. II 270
  4850. Velitchkova's dedicated project essay explains the conceptual and material development of INK. INK project essay I Velitchkova
  4851. Vellum LA lists Milligan in Immutable, its 2022 exhibition devoted to generative art, algorithms, collectors, constraint, and freedom. Vellum LA I Milligan; I Tengil; I Vromans; I r0zk0
  4852. Vellum LA’s exhibition record places Edelman in Artists Who Code and explains its curatorial framework. Vellum LA I Edelman
  4853. Vellum profile on boundary-pushing practice. Vellum I Sun
  4854. Venus Over Manhattan. Venus Over Manhattan documented the Evolving Pixels exhibition, which included Colour Computer (related generative project) by Dean Blacc among ten artists. https://www.venusovermanhattan.com/digital-items/evolving-pixels. I Blacc; I JEANVASCRIPT
  4855. Venus Over Manhattan, Snowfro: Chromie Squiggles (12–26 February 2022): the artist's first solo gallery exhibition, with more than fifty works presented on permanent displays and organised by formal type. venusovermanhattan.com I Calderon
  4856. Verisart. Verisart summarizes a public discussion about generative art held alongside GEN/GEN, with He among the participating artists. https://verisart.com/blog/whats-new-about-generative-art-by-verisart-and-gazelli-art-house. I He
  4857. Verisart interview with Brito discussing his systematic approach to creative process and the emergence of art from algorithmic systems. verisart.com I Brito
  4858. Vernissage TV, Zach Lieberman at MuDA Museum of Digital Art Zurich, exhibition walkthrough and interview with Co-Director Christian Etter, April 2019. vernissage.tv I Lieberman
  4859. Vernissage TV: DYOR. Vernissage TV coverage of the DYOR exhibition with full artist list and curatorial context. https://vernissage.tv/2022/10/24/dyor-group-exhibition-at-kunsthalle-zurich-interview-with-nina-roehrs/. I Glas
  4860. Vero Beach Museum of Art surveys Blazejack and Levenson’s long collaborative practice and its ecological, mythological, and speculative concerns. VBMA I Punch Card Collective
  4861. Verse. Verse hosted a conversation with A.A. Murakami on bridging physical installations and digital explorations of nature and technology. https://verse.works/journal/aa-murakami. I A.A.Murakami
  4862. Verse. Totem collaboration between Beervangeer and Studio Poca on Verse. https://verse.works/items/ethereum/0x7c3ea2b7b3befa1115ab51c09f0c9f245c500b18/16000017. I Beervangeer
  4863. Verse. Verse catalogs PrimiLife as the second chapter in the Primitive Trilogy. https://verse.works/series/primilife-by-wuwa. I Benhorin
  4864. Verse. Verse catalogs PrimiEnd as a 256-item ERC-721 collection on Ethereum. https://verse.works/series/primiend-by-wuwa. I Benhorin
  4865. Verse. Verse.works presents Generative Abstraction and Beyond Part III, including Carreras's work within a survey of contemporary generative practices. https://verse.works/exhibitions/generative-abstraction-part-3. I Carreras
  4866. Verse. Verse.works maintains a dedicated series page for AlgoRhythms documenting its generative audio-visual premise. https://verse.works/series/algorhythms-by-han-nicolas-daniel. I Daniel
  4867. Verse. Verse.works maintains a dedicated series page for AlgoBeats documenting its evolution from the earlier project. https://verse.works/series/algobeats-by-han-nicolas-daniel. I Daniel
  4868. Verse. Verse lists The Anatomy of Reflection by Jovanić as a 2025 series with 46 items. https://verse.works/series/the-anatomy-of-reflection-by-aleksandra-jovanic. I Jovanić
  4869. VERSE. VERSE.works presents the Para Bellum series with full project documentation. https://verse.works/series/para-bellum-by-matty-mariansky. I Mariansky
  4870. VERSE. VERSE lists an individual Kubikino artwork with Art Blocks collection metadata. https://verse.works/artworks/9c0d495f-9b39-4963-955e-e08baf7dfa9c/464000285. I Melis
  4871. Verse. Verse's item page for Asemica #246 records token-level traits for one output from the series. https://verse.works/items/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000246. I Ofman
  4872. Verse. Verse Works hosts Penne's artist page with collection links and market data for Apparitions, Return, and Rituals - Venice. https://verse.works/aaron-penne. I Penne
  4873. Verse Artist Profile. Verse.works hosts an artist profile and collection overview for 0xphiiil that includes Zupermat and additional works. https://verse.works/@0xPhiiil. I 0xphiiil
  4874. Verse artist profile. Verse.works maintains a dedicated artist page documenting Xie's New York-based practice and key projects. https://verse.works/emily-xie. I Xie
  4875. Verse artwork. Verse artwork page for The Liths of Sisyphus #527 by nonfigurativ. https://verse.works/artworks/e16c590a-d343-4d9a-a263-1b797d42587f/124000527. I Nonfigurativ
  4876. Verse artwork record. Verse preserves a marketplace artwork record for Perpetua #134. https://verse.works/artworks/bcb75f93-54ef-434e-817f-b00e03c6b0ab/277000134. I Punch Card Collective
  4877. Verse Color Magic Planets. Verse indexes Color Magic Planets with release details, item count, token standard, and contract information. https://verse.works/series/color-magic-planets-by-brd-ionson. I Ionson
  4878. Verse describes ♫ ByteBeats as generative music in 40 to 140 bytes on-chain, synthesizing audio and video through bitwise operations. Verse series I dadabots
  4879. Verse explains the live computation, hardware-level variation, and symmetry-breaking physics of Zero (Broken Symmetry). Verse exhibition I De Giuli
  4880. Verse. “Glitch Galactic #16 by Eliya Stein.” https://verse.works/items/verse/dc5acece-7f38-489c-a2a4-044fb5c713ce/16. Accessed 18 September 2026. II 081
  4881. Verse item page. Individual item view on Verse with detailed trait information for a specific OnChainChain token. https://verse.works/items/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/283001132. I Rizzle, Sebi, Miguelgarest
  4882. Verse lists mono no aware #37 with project description and provenance. Verse Item I Boyarsky
  4883. Verse maintains a dedicated series record for Roll Some Bones. Verse I iyer
  4884. Verse maintains a marketplace and provenance record for Scribblines #111. Verse artwork record I Orpheusk
  4885. Verse maintains an artist page for Bart Simons listing multiple series including Beeldelementen and Wirwar. Verse Artist Page I Simons
  4886. Verse Meets. Verse presents an artist interview focused on Wander's background and developing generative practice. https://verse.works/journal/verse-meets-lars-wander. I Wander
  4887. Verse platform description of the generative series and its thematic focus. Verse works series I Vittoria
  4888. Verse platform preserves records for the Mellifera series by artplusbrad. Verse: Mellifera Series I artplusbrad
  4889. Verse platform preserves series level documentation for Ode to Roy by artplusbrad. Verse: Ode to Roy Series I artplusbrad
  4890. Verse presents Exhibition: 3291 as a market and series page for the cryptobauhaus collection. Verse series page I cryptobauhaus
  4891. Verse presents Jenim by Orr Kislev and Alona Rodeh with project context around denim, labour, indigo, seams, and generative variation. verse-jenim I Rodeh
  4892. Verse presents Neural Sediments by Jean-Jacques Duclaux (Eko33) as a 300-work Art Blocks Curated series. Verse series I Duclaux
  4893. Verse presents Schema by DRIFT with Jeff Davis as a series connected to AB[500], Pace Gallery, and Art Blocks. Verse I Drift
  4894. Verse presents the series Beeldelementen by Bart Simons as part of its platform for digital art. Verse Beeldelementen I Simons
  4895. Verse preserves an individual Facets token listing and collection metadata for secondary-market context. artwork-listing I Lu
  4896. Verse preserves the project description of Aerial View as a bird's-eye city block with illuminated and twisted buildings and light trails. Verse series page I daLenz
  4897. Verse Primitives. Verse.works archives and offers secondary market works from the Primitives series. https://verse.works/series/primitives-by-aranda-lasch. I Aranda\Lasch
  4898. Verse. “Prismatic on Verse (archive and market panel).” https://verse.works/series/prismatic-by-eliya-stein. Accessed 18 September 2026. I Stein; II 194
  4899. Verse project archive and Art Blocks collection page for Rinascita, characterizing the work as legacy of Essenza and celebration of gratitude and epiphany. verse.works/series/rinascita-by-stefano-contiero I Contiero
  4900. Verse project archive describing Frammenti as an examination of memory as an ever-changing mosaic of fragments. verse.works/series/frammenti-by-stefano-contiero I Contiero
  4901. Verse project archive describing Saturazione as navigation through overwhelming color and detail while staying afloat. verse.works/series/saturazione-by-stefano-contiero I Contiero
  4902. Verse provides a detailed project description of Implications, including its conceptual framework and technical innovations. Verse Works I Boyarsky
  4903. Verse provides token-level marketplace and provenance records for individual Center Pivot works. Verse item record I Hughes
  4904. Verse. “Recursion series page, Verse.” https://verse.works/series/recursion-by-hevey. Accessed 18 September 2026. I Hevey; II 189
  4905. Verse Series Archive. The Verse series page archives Asemica outputs and secondary market information. https://verse.works/series/asemica-by-emily-edelman-dima-ofman-andrew-badr. I Badr
  4906. Verse series page. Verse.works series page for Dianov's Sand project demonstrating continued platform presence. https://verse.works/series/sand-by-ivan-dianov. I Dianov
  4907. Verse series pages aggregate project-level information and individual token views for Gazettes. Verse Series Overview I redlioneye
  4908. Verse SuperRare Series. Verse platform supplies catalogue data for the SuperRare body of work by artplusbrad. https://verse.works/series/superrare-by-artplusbrad-3. I artplusbrad
  4909. Verse Token Record. Verse platform documents individual tokens and series from the artist's collections. https://verse.works/items/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000476. I artplusbrad
  4910. Verse Works archived the Invasion Percolation series description and Art Blocks project context. Verse Works I BarabasiLab
  4911. Verse Works archives and presents early test images and works from the Eccentrics generative collections originally released on Art Blocks. Early Eccentrics on Verse I Dixon
  4912. Verse Works documents the project's placement within Art Blocks Presents and Factory heritage series alongside on-chain technical specifications. Verse Works I eBoy
  4913. Verse Works entry for the Parade series with project description and traits. Verse Parade I Bednar
  4914. Verse Works hosts a series page for Windwoven by Radix, another generative project extending the artist's algorithmic explorations. Windwoven Series on Verse I Dixon
  4915. Verse Works hosts the Ceramics series page with trait-based exploration tools and project context. Verse Works Series Page I Dann
  4916. Verse Works listing for Cat#71 documenting the multi-platform Pixel Cats collection. Verse I Glas
  4917. Verse Works maintains a dedicated series page for Eccentrics Playing Cards by Radix, documenting the extension of the generative algorithms into physical card editions. Eccentrics Playing Cards on Verse I Dixon
  4918. Verse Works page for Apparitions, noting its Art Blocks Curated status and 1,500-edition release. Verse I Penne
  4919. Verse Works page for Return, describing the 300-edition Playground release as a meditation on returning inward. Verse I Penne
  4920. Verse Works page for Rituals - Venice, describing the collaboration between Penne, Boreta, and Bright Moments. Verse I Penne
  4921. Verse Works presents individual token pages and series context for specific outputs from Inspirals, confirming on-chain details and collector provenance for the collection. Inspirals Token Example on Verse I Dixon
  4922. Verse Works series. Verse platform series page describing OnChainChain as whimsical high end metaverse fashion. https://verse.works/series/onchainchain-by-rizzle-sebi-miguelgarest. I Rizzle, Sebi, Miguelgarest
  4923. Verse Works series description for Wave Schematics. Verse Works I Katzenmeyer
  4924. Verse's archive page for Túnel Dimensional preserves the Art Blocks project context and the Tunnel Series description. Verse archive I Autonomoses
  4925. Verse's Art Blocks Curated overview contextualizes Curated as a major category of generative art projects. Verse Art Blocks Curated I Kapoor
  4926. Verse's artist page indexes Staal's works and editions, including Entangled, Immaterial, Losing Oneself, and related pieces. Verse I Nonfigurativ
  4927. Verse's Cattleya page records the series framing, artist, blockchain, item count, and orchid-centered project description. verse-cattleya I Snell
  4928. Verse's exhibition archive lists michelangelo (encapsuled) in the 2025 Computational Poetry presentation by NEORT++. verse-exhibitions I Fradina; I Ralgo; I Sarkissian; I encapsuled
  4929. Verse's Fleur series page presents the project through collection metadata and trait filtering. verse I AnaPet
  4930. Verse's series page indexes Backwards by Asaf Slook and identifies the Art Blocks Presents collection context. Verse Backwards I Slook
  4931. Verse's series page records Meaningless as a May 2023 Ethereum ERC-721 collection with 270 items. verse-meaningless I Goodchild
  4932. Verse, Algorithmic catcher in the rye: plotter constraints, signed-distance fields, surface-oriented lines, and the development of rayhatching. verse.works ↩ I Pasma
  4933. Verse, Kjetil Golid: biography, exhibitions, open-source practice, and the equilibrium between chaos and intentionality. verse.works ↩ I Golid
  4934. Verse.works. Verse.works hosts related generative series by Dean Blacc, including explorations of color and emotional states through generative processes. https://verse.works/series/colour-computer-by-dean-blacc. I Blacc
  4935. Verse.works. Verse.works individual artwork page for Machine Dreams #052 provides technical and conceptual details on Dean Blacc's generative watercolor approach. https://verse.works/artworks/aae88e00-6538-4539-a2f1-53b8152d92f2/52. I Blacc
  4936. verse.works. Verse Works page for Contractual Obligations, documenting the 250-edition RarePass airdrop and market data. https://verse.works/series/contractual-obligations-by-matt-kane. I Kane
  4937. verse.works. Verse gallery in London presents Lieberman's digital art NFTs on LED screens, showcasing the growing field of NFT art. https://verse.works/zach-lieberman. I Lieberman
  4938. verse.works. Octo Garden #330 listed on Verse.works, a curated NFT platform. https://verse.works/items/verse/60707004-1a5a-41e3-9b3d-be1fcf9236cf/103000330. I Lord
  4939. verse.works. Verse.works listing for RVig's Art Blocks collections including Volute and Nebula. https://verse.works/series/rvig-by-rvig. I RVig
  4940. verse.works (exhibition). VERSE exhibition page for Mountains and Drop Shadows, London, 2023. https://verse.works/exhibitions/here2023-mountains-and-drop-shadows. I Leegte
  4941. Verse.works archives the project description emphasizing the interplay of form, motion, and color through isometric projection. Verse archive I AMNDA
  4942. Verse.works describes Pixel Glass as "subtle and beautiful pixellated glass." Verse I Turner
  4943. Verse.works describes the project as an infinite documentary focused on the lives of pseudo-random rectangular cuboids. Verse Zupermat Series I 0xphiiil
  4944. Verse.works Good Vibrations series. Verse.works hosts both the Good Vibrations series page and journal content that documents Aluan Wang's algorithmic practice and its evolution across multiple projects. https://verse.works/series/good-vibrations-by-aluan-wang. I AluanWang
  4945. Verse.works hosts the series page for Rituals - Venice by Aaron Penne x Boreta, providing marketplace and project context for the 1,000 editions. Verse Series Page I Boreta
  4946. Verse.works hosts the Trichro-matic collection page, describing the project as meditating on perception with elements that change their relationships as the viewer explores each output. Verse I Hiley-Mann
  4947. Verse.works item. Example artwork page from the RIBONZ series on Verse.works. https://verse.works/items/verse/4c68bbdf-5d3d-4ec3-a614-ac6915dcdaf4/80. I Danooka
  4948. Verse.works project description for Empyrean describing it as an exploration of form modeled after the highest heaven, domain of the fifth element. verse.works I Generative Artworks
  4949. Verse.works project description for Pigments describing the exploration of colour and spatial distortion, with pieces meant to run endlessly. verse.works I Brito
  4950. Verse.works project description for The Blocks of Art, noting the ART BLOCKS letter system and TBOA club membership. Verse I Shvembldr
  4951. Verse.works provides an interactive archive and description of the Fermented Fruit generative series. Verse.works I cyberia
  4952. Verse.works · Stations series. Verse.works hosts the Stations series, presenting Fernando Jerez's 900 on-chain generative stations within its curated platform for digital and generative art. https://verse.works/series/stations-by-fernando-jerez. I Jerez
  4953. Verse.works, Alexis André activity profile: exhibitions at Art Basel, Siggraph, and COP26, and auctions at Sotheby's and Christie's. verse.works I André
  4954. verse.works/art-blocks-500. Verse's AB[500] page situates the first 500 Art Blocks projects, the framework in which Chimera, Metropolis, and Bokeh are preserved. https://verse.works/art-blocks-500. I Kozlowski
  4955. verse.works/journal. VERSE journal interview, Leegte on pushing the boundaries of net art. https://verse.works/journal/jan-robert-leegte-on-pushing-the-boundaries. I Leegte
  4956. verse.works/series/gravity-16-by-jimmy-herdberg. Verse.works listing: Gravity 16 series page with traits and release information. https://verse.works/series/gravity-16-by-jimmy-herdberg. I JMY
  4957. verse.works/series/hashtractors-by-darien-brito. Verse.works series page for Hashtractors with release date, item count, and contract details. https://verse.works/series/hashtractors-by-darien-brito. I Brito
  4958. verse.works/series/vahria-by-darien-brito. Verse.works series page for Vahria with trait filtering and project description. https://verse.works/series/vahria-by-darien-brito. I Brito
  4959. Verse.works: Transitions by Jason Ting x Matt Bilfield. Market and series page for the Transitions collaboration detailing attributes, interactivity, and edition structure within the Verse.works platform. https://verse.works/series/transitions-by-jason-ting-matt-bilfield. I Ting
  4960. Verse’s exhibition record explains the tactile premise and presentation of Texture Part II. Verse exhibition I Fradina
  4961. VerticalCrypto Art. VerticalCrypto Art's annual review describes its 2021 curatorial, residency, and community programmes. https://medium.com/verticalcryptoart/verticalcrypto-arts-2021-roundup-december-31st-2cc6fbad433c. I Ionescu
  4962. VerticalCrypto auction participation. VerticalCrypto Art I Katzenmeyer
  4963. Vertical’s event report states that its NFT Rome presentation featured five contemporary generative artists and accompanying talks. Vertical report I Pasin
  4964. Vertu Fine Art outlines Rockland’s education, software career, Art Blocks role, Arizona association, and the material inspirations behind Opuntia. Vertu Fine Art I Rockland
  4965. VES3L described an early generative study built from lines placed in a perturbed Perlin noise field. process note I VES3L
  4966. VES3L published a dithering experiment exploring a separate constrained generative procedure. process study I VES3L
  4967. VES3L published a Genuary experiment developed under the constraint of a single curve. process study I VES3L
  4968. VES3L. “Seedlings official description.” https://www.ves3l.com/collections/seedlings. Accessed 19 September 2026. II 373
  4969. Vetreria Murano Design. “History of Murrine.” 18 October 2021. https://vetreriamuranodesign.com/en/news-en/storia-delle-murrine/. Accessed 18 September 2026. II 191
  4970. Vetro Editions describes the Pathways catalogue, its 2018 to 2023 scope and its treatment of Gachadoat's process. publication profile I Gachadoat
  4971. Vetro Editions documents Pathways as 121 unique book covers forming an eleven-by-eleven fictional map. publisher record I Gachadoat
  4972. vibes source code. The artist's public repository preserves the original JavaScript renderer and deployed Solidity contract for vibes. https://github.com/vibes-art/vibes. I Griffith
  4973. VICE. VICE surveys Crispin’s early digital practice and its engagement with technological singularity. https://www.vice.com/en/article/sterling-crispin-toys-with-singularity/. I Crispin
  4974. VICE examines Tanchum’s transition from visual effects toward computer-generated art concerned with credibility and perception. vice-profile I phenomena
  4975. VICE profiles Lippmann’s generative paintings, electronic-music influences, natural associations, and use of Processing. VICE profile I Lippmann
  4976. VICE’s interview records LIA’s comments on relational forms, changing computational capacity, screen resolution, and the persistence of mathematical principles across tools. VICE interview I LIA
  4977. Victoria and Albert Museum, Degrees of Disruption: Vera Molnar and Generative Art: more than fifty historical and contemporary works, opening 16 October 2026 at V&A South Kensington. vam.ac.uk ↩ I DesLauriers
  4978. Video documentation of conference and festival appearances provides evidence of the performative dimension of Dianov's practice. TIMECODE conference video I Dianov
  4979. Video interview examining production process and conceptual intentions behind Flux. Art Blocks Official I Moore
  4980. Villanova University. Villanova University describes Sternberg’s campus-wide exhibition focused on environmental sustainability. https://www.villanova.edu/vu/magazine/spring-2023/nova-moment-thirsty-while-drowning.html. I Sternberg
  4981. Villareal Studio. “Villareal Studio Ownership License.” https://www.cosmicreef.io/villarealstudioownership-1. Accessed 18 September 2026. II 240
  4982. Vimeo. Vimeo hosts Melis's moving-image archive, including film works connected to her animation practice. https://vimeo.com/carolinamelis. I Melis
  4983. Vimeo. Vimeo hosts Dove Cade L'Ombra, identifying it as a Museo Nivola commissioned animated film. https://vimeo.com/197260718. I Melis
  4984. Vimeo. Reben's Vimeo profile hosts video documentation of projects including Deeply Artificial Trees and BlabDroid. https://vimeo.com/artboffin. I Reben
  4985. Vimeo describes Arkade London as an interactive, real-time audio-reactive experiment using WebGL and the Web Audio API. Arkade video I Honigstein
  4986. Vimeo hosts Davis’s introduction to a class on programming generative-art animation. animation-class I Davis
  4987. Vimeo hosts De Mai’s Spectron 0002 with music credited to Warner Jepson. Spectron video I De Mai
  4988. Vimeo hosts Lu's Audioscope video under Conundrumer and links it to the explanatory Medium essay. video I Lu
  4989. Vimeo Larry series. Vimeo compilation of Larry series collaborations between Murata and Rutledge. https://vimeo.com/1014222807. I Murata
  4990. vimeo.com. Vimeo documentation of Metamorphosis I, an animated and interactive project focused on mutability, perfect looping, and infinite generation. September 2025. https://vimeo.com/1118376286. I Brito
  4991. Virginia Tech documents Parikh’s academic work in artificial intelligence and computer vision. Virginia Tech I Parikh
  4992. Virtual events study. A project study of virtual events credits Honigstein in the Tomorrowland technical team. https://storage.googleapis.com/seamk-production/2022/08/9bd40f86-selvitys-uudenlaiset-yhteistyot-virtuaalitapahtumissa-vibiol-zoja-experience.pdf. I Honigstein
  4993. Virtual Reality at UCSF. UCSF's virtual-reality resource identifies the Douglas Lab's DNA-origami virtual laboratory and Douglas's VR research activity. https://vr.ucsf.edu/. I Brown
  4994. Visual Indeterminacy in GAN Art. A scholarly paper examines visual indeterminacy as an aesthetic property of GAN-generated art. https://arxiv.org/abs/1910.04639. I Henry
  4995. Visualize Value’s current biography documents Butcher’s location, design education, advertising career, founding of the daily visual practice in 2019, and current studio and school. Visualize Value I Butcher
  4996. vixra.org. The artist publishes The multitude behind the Buddhabrot on viXra.org, an academic paper exploring fractal mathematical forms. http://vixra.org/abs/1604.0392. I Aggott-Hönsch
  4997. Vogue Business covered Gucci and Christie's Parallel Universes project and named Goodchild among the selected generative artists. vogue-gucci-christies I Goodchild
  4998. Volume DAO. Volume DAO documents Generative Taipei On-Site and Lin's participation in its interactive area. https://volumedao.xyz/generative-taipei-2023/. I Lin; I Yazid
  4999. Volume DAO explains Lin and Naiting Liu's generative interpretation of Miao embroidery and its digital materiality. Interpretation I Lin
  5000. Volume DAO explains the live-mint format and mathematical structure of Lin's Sequencing. Generative Taipei interactivity I Lin
  5001. Volume DAO explains the random-walk process, non-overlapping strokes, interpretive premise, and 426 iterations of Automatism. Volume DAO artwork note I Yazid
  5002. Volume DAO profile. Volume DAO profiles Aluan Wang as the first Taiwanese digital artist to enter Art Blocks and founder of akaSwap, Asia's pioneering Tezos NFT platform for generative art. https://volumedao.xyz/gtos-aluanwang/. I AluanWang
  5003. Vortex is an interactive generative NFT collection of 1,000 iterations released on Art Blocks on December 13, 2021, with parameters controlling color palette, edge details, number of layers, and tunnel styles; each edition is uniquely generated upon minting. Project announcement I Stark
  5004. Vortex project page. The dedicated project page for Vortex details the generative parameters and interactive nature of the 1,000 unique outputs available on Art Blocks. https://www.jenstark.com/vortex. I Stark
  5005. Voxel.js documents an open-source modular toolkit for creating browser-based three-dimensional voxel games. voxel-js I JEANVASCRIPT
  5006. Vromans's Tiny Code archive presents generative browser artworks built from highly compressed HTML and JavaScript. Tiny Code I Vromans
  5007. W3C. “Media Capture and Streams.” https://www.w3.org/TR/mediacapture-streams/. Accessed 18 September 2026. II 057
  5008. W3C. “Pointer Events, current specification.” https://www.w3.org/TR/pointerevents3/. Accessed 18 September 2026. II 054
  5009. W3C. “Web Audio API 1.1, first public working draft.” https://www.w3.org/TR/webaudio/. Accessed 18 September 2026. II 057
  5010. WABE documents Tropism’s inclusion in the 2022 DIGATL exhibition at Underground Atlanta. WABE exhibition report I Shivdasani
  5011. Waiting To Be Signed. A 2026 long-form conversation covers Griffith's coding and game-development background, Proscenium, and the release of Architectonica. https://podcasts.apple.com/ch/podcast/cave-painting-in-the-digital-age-interview-with-remnynt/id1603062755?i=1000768964409&l=en-GB. I Griffith
  5012. Waiting To Be Signed. The Waiting To Be Signed episode explores Velitchkova's background, long-form practice, place, and collecting culture. https://podcasts.apple.com/at/podcast/the-distance-of-a-bird-interview-with-iskra-velitchkova/id1603062755?i=1000655810789. I Velitchkova
  5013. Waiting To Be Signed presents a long-form audio interview with Orth about her art and career. Podcast interview I Orth
  5014. Wajufos's portfolio describes her work across post-production, animation, new media, and Creative Code Art curation. artist-portfolio I Wajufos
  5015. Walker Reader. The Walker Art Center Reader situates Whitman’s projected-image practice within expanded cinema and the media avant-garde. https://www.walkerart.org/reader/artists-cinema-projected-images/. I Whitman
  5016. Wallpaper. Wallpaper reports on Layer Canvas and the display of code-based generative artworks in dedicated digital frames. https://www.wallpaper.com/tech/layer-generative-art-display. I daLenz
  5017. WangXiang's 2020 critical profile identifies donnoh as Luca Donno and discusses his minimal geometric practice and Solar Wind. critical profile I donnoh
  5018. WARPER PARTY. A 2022 event listing places Wajufos among the visual artists performing at WARPER PARTY in Queens. https://ra.co/events/1543879. I Wajufos
  5019. waves.leegte.org. Waves, a generative web work in the artist's online series. https://waves.leegte.org/. I Leegte
  5020. WAWAA. “About WAWAA.” https://www.wawaa.studio/about. Accessed 18 September 2026. II 124
  5021. WAWAA. “Timepiece project and attribute guide.” https://www.wawaa.studio/timepiece. Accessed 18 September 2026. I WAWAA; II 124
  5022. WAWAA’s Brickwork project page traces its connection to Freehand and documents its spatial, plotting, and material systems. Brickwork project I WAWAA
  5023. WAWAA’s project introduction explains Freehand’s elements, media simulations, conceptual premise, and invitation to view outputs individually or in sets. Freehand introduction I WAWAA
  5024. WAWAA’s stroke study details the noise functions and construction of Freehand’s pen, flat-brush, and round-brush marks. Freehand strokes I WAWAA
  5025. Ways of Making. Stony Brook’s video portal records LoVid’s participation in Ways of Making: A Dialogue about Processes. https://scgp.stonybrook.edu/video_portal/results.php?event_id=132. I LoVid
  5026. We Make Money Not Art discusses Lippmann’s prints and animations at DAM Berlin within a broader interview about exhibiting digital fine art. DAM discussion I Lippmann
  5027. We Three Heads documents Davidson’s solo programming and sound work on a game made in less than 48 hours. three-heads I Davidson
  5028. Weave #8. Raster archives Weave #8 as a 2021 fxhash work by Third Vision. https://www.raster.art/token/tezos/KT1KEa8z6vWXDJrVqtMrAeDVzsvxat3kHaCE/1471. I Third Vision
  5029. Web Audio Conference. The Web Audio Conference’s institutional site describes its interdisciplinary forum for web audio, music technology, and digital practice. https://webaudioconf.com/. I Superblob
  5030. web.leegte.org. Web (Doteunmc), a browser-based work by the artist. https://web.leegte.org/. I Leegte
  5031. Web3 Buddha. Chan’s essay explains his approach to shaders, aesthetics, generative processes, and idea-driven software art. https://medium.com/%40mitchellfchan/web3-buddha-a-very-opinionated-explainer-of-how-i-create-think-about-aesthetics-in-the-age-of-ai-7135e1dbb0fa. I Chan
  5032. Web3 Galaxy Brain. This extended interview examines vibes, the reliquary, Griffith's transition from games, and his use of interactive on-chain systems. https://web3galaxybrain.com/episode/vibes.art-and-the-reliquary-with-remnynt. I Griffith
  5033. Web3 Travel Guides: Los Angeles. Forbes reports on Distance, its LACMA context, Paul Klee source, aerial views, and Stark Bar display. https://www.forbes.com/sites/digital-assets/2023/09/11/web3-travel-guides-6-nft-friendly-hubs-in-los-angeles/. I Mapan
  5034. WebWire (Stella Artois press release). “Stella Artois Partners with WATER.ORG to Provide Safe Water Access to Families in Need around The Globe.” 22 March 2022. https://www.webwire.com/ViewPressRel.asp?aId=286832. Accessed 18 September 2026. I Stein; II 081
  5035. WebWire reports on Hypercube's entry into Web3 and notes Ryan Junee's role as founder and technology entrepreneur behind the platform. WebWire Press Release I Electralina
  5036. Weil’s detailed project essay describes the data, motion, textures, and viewer controls in After Even Night. After Even Night I Weil
  5037. Weil’s project account explains that Pressed compresses 1,500 video frames into one image using C++ code. Pressed I Weil
  5038. Weisman profile. The Weisman Art Museum maintains an institutional artist profile for Whitman. https://wam.umn.edu/robert-whitman. I Whitman
  5039. Wellfound. Wells Found lists Struhl among the people associated with Rally Space, documenting his wider technology context. https://wellfound.com/company/rally-space/people. I Struhl
  5040. Wellfound’s Storylog team record identifies Susanthitanon as a Bangkok founder with computer engineering and front-end development experience. founder-profile I Susanthitanon
  5041. WELT. WELT profiles Lund’s engagement with art-market economics, optimization, and flipping. https://www.welt.de/kultur/article136752335/Wenn-Gemaelde-zu-Trojanern-werden.html. I Lund
  5042. WePresent. Comprehensive artist profile on WePresent detailing her use of color and poetic elements. https://wepresent.wetransfer.com/artists/amber-vittoria. I Vittoria
  5043. westernflag.johngerrard.net. The dedicated Western Flag site, on the 2017 Spindletop simulation commissioned by Channel 4. http://westernflag.johngerrard.net/. I Gerrard
  5044. WFonts preserves Cappuccino Serif metadata naming Ryan Struhl as designer and manufacturer. WFonts I Struhl
  5045. What Is Art Blocks?. Decrypt explains Art Blocks' rise through projects including Fidenza and the platform's transaction-time generation model. https://decrypt.co/79534/what-is-art-blocks-why-nfts-suddenly-selling-millions-ethereum. I Hobbs
  5046. What is generative art?. The Art Newspaper examines definitions and historical precedents for generative art. https://www.theartnewspaper.com/2022/07/18/what-is-generative-art-and-why-does-it-matter. I Henry
  5047. What Programming Brings to Art. Hobbs considers what code contributes to artistic thinking beyond speed, automation, or visual effect. https://www.tylerxhobbs.com/words/what-programming-brings-to-art. I Hobbs
  5048. Whitechapel Gallery’s Q&A addresses data, A/B testing, networks, and the art market. Whitechapel Q&A I Lund
  5049. Whitewall. Whitewall's artist profile summarizes DRIFT's founders, team, and technology driven practice. https://whitewall.art/the-list/the-list-drift/. I Drift
  5050. Whitney Hart, "The Interview: Melissa Wiederrecht", Right Click Save, 23 August 2023. rightclicksave.com ↩ ↩ I Wiederrecht
  5051. Whitney Museum of American Art, collection record for Abstract Browsing 17 03 05 (Google) and its display in Programmed. whitney.org ↩ I Rozendaal
  5052. Why I use fountain pens with pen plotters. Merrill explains his choice of fountain pens, ink flow, refillable reservoirs, and mixable archival colors for plotted drawings. https://lostpixels.io/writings/fountain-pens-plotters. I Merrill
  5053. Why Sotheby's Metaverse Pays Artist Royalties. Sotheby's discussion of artist royalties uses Hobbs and Art Blocks to examine compensation in digital secondary markets. https://www.sothebys.com/en/articles/why-sothebys-metaverse-is-committed-to-paying-artists-royalties. I Hobbs
  5054. Wikipedia compiles the founding date, members, headquarters locations, and comprehensive exhibition chronology of eBoy. Wikipedia I eBoy
  5055. Wikipedia contributors. “Murrine (Wikipedia).” Wikipedia. https://en.wikipedia.org/wiki/Murrine. Accessed 18 September 2026. II 191
  5056. Wikipedia supplies a concise, regularly updated overview of Villareal's biography, education, and selected public commissions. Wikipedia I Villareal
  5057. wikipedia.org. Wikipedia entry on the Irish artist, biography, works, and collections. https://en.wikipedia.org/wiki/John_Gerrard_(artist). I Gerrard
  5058. Wildxyz describes Bubble’s market-responsive states and smart-contract rules. Bubble project I Santiago
  5059. Will, Trinity and Bjørn Staal / Waiting To Be Signed. “Bjørn Staal: Entangled Cities interview transcript.” https://wtbs.show/BjrnStaal.html. Accessed 17 September 2026. II 126
  5060. William M. Peaster / Metaversal. “How to Mint Art Blocks NFTs.” 30 March 2021. https://metaversal.banklesshq.com/p/how-to-mint-art-blocks-nfts. Accessed 17 September 2026. II 037; II 038
  5061. William Mapan at Bright Moments. Bright Moments' artist page introduces Mapan's digital practice and his Mexico City project 1935. https://www.brightmoments.io/william-mapan. I Mapan
  5062. William Mapan at Kanbas. Kanbas archives Mapan's biography and major projects, including Anticyclone, Distance, and Strands of Solitude. https://kanbas.art/artists/william-mapan. I Mapan
  5063. William Mapan at Ragnar Digital. Ragnar Digital's profile traces Mapan's physical studies, JavaScript systems, art-historical references, exhibitions, and collections. https://www.ragnardigital.art/artists/william-mapan. I Mapan
  5064. William Mapan at Verse. Verse's profile surveys Mapan's major series, art-historical references, exhibitions, and teaching practice. https://verse.works/william-mapan. I Mapan
  5065. William Tan. “Generative Scribbling.” 12 September 2021. https://medium.com/@williamsutantotan/generative-scribbling-a4362b14e4f. Accessed 18 September 2026. II 132
  5066. willstall. “Subtle official description.” https://willstall.com/projects/subtle. Accessed 19 September 2026. II 446
  5067. Window, 2022, project page: vanilla JavaScript generating standard HTML DOM elements, responsive resizing, and an homage to 1997 interface aesthetics. window.leegte.org I Leegte
  5068. Winter. Winter presents the output of a pixel-sorting algorithm written as a C++ TouchDesigner operator. https://vimeo.com/358525066. I Dautheribes
  5069. Wintercircus hosted Entangled by Bjørn Staal, presented by fxhash, describing the installation as an encounter between physical experience, digital interaction, and quantum mechanics. Wintercircus event I Nonfigurativ
  5070. WIPO profiles Kusano’s generative practice and her perspective on creativity, technology, and intellectual property. WIPO profile I Kusano
  5071. WIRED. Bruce Sterling’s WIRED column records LIA’s experiments with filament sculpture and digitally mediated fabrication. https://www.wired.com/2014/02/lia-filament-structures/. I LIA
  5072. Wired describes the 1952 patent and the later spread of automated center-pivot crop circles. Wired history I Hughes
  5073. Wired traces Davis’s move from Colorado to New York, his Pratt years, and the personal sites that established his reputation. wired-profile I Davis
  5074. Wireful to Wireless. Louisiana State University announces LoVid’s Wireful to Wireless lecture on audiovisual synthesizer practice. https://design.lsu.edu/calendar/tali-hinkis-kyle-lapidus-lovid-wireful-to-wireless-school-of-art-lecture/. I LoVid
  5075. Wolffia Inc. Artsy maintains an artist archive for Wolffia Inc. https://www.artsy.net/artist/wolffia-inc. I Wolffia Inc
  5076. Wolffia Inc studio film. A Vimeo film follows the British abstract artist Wolffia Inc during a day in her Lincoln studio. https://vimeo.com/568810891. I Wolffia Inc
  5077. Wolffia Inc, Emily Jackson. Pierre Frey presents a dedicated media feature on Wolffia Inc and Emily Jackson. https://www.pierrefrey.com/en/media-center/wolffia-inc-emily-jackson-1. I Wolffia Inc
  5078. Wolffia Inc.'s profile connects Emily Jackson's physical practice, recurring forms, and collective pattern to the ilumz collaboration. wolffia-profile I Motus Art
  5079. Women NFT Artists in the Metaverse. 1stDibs Introspective discusses Jones's participation in the women-led exhibition IDentity: (Self)-Made by Women. https://www.1stdibs.com/introspective-magazine/?p=1006811. I Jones
  5080. Words. The artist's writing archive collects essays, project notes, conversations, and lectures on generative art. https://www.tylerxhobbs.com/words. I Hobbs
  5081. Works. The official works index surveys digital, plotted, and hand-finished bodies of work. https://www.tylerxhobbs.com/works. I Hobbs
  5082. Works by Anna Carreras, including multiple examples from the Trossets series, have been exhibited and collected within programs of The Generative Art Museum, notably in Issue #06: Input Output. TGAM Exhibitions I Carreras
  5083. Works from the NimBuds series have been offered at Sotheby's auctions. Sotheby's NimBuds Lot I Brinkman
  5084. World Economic Forum. The World Economic Forum identifies Tanchum’s public-scale AI practice and the presentation of Human Atmospheres in Davos. https://www.weforum.org/people/ronen-tanchum/. I phenomena
  5085. World Wide Art brochure. The Generative Art Museum’s exhibition brochure considers blockchain-based art within a global account of technological culture. https://tgam.xyz/exhibitions/issue-05-world-wide-art/brochure. I Wander; I steen
  5086. WU Magazine names Donnoh and Speziari among artists portrayed for Davide Aichino's Cryptoverse project. WU Magazine I donnoh
  5087. wuwa (Ben Benhorin). “Selected generative art projects.” wuwa.org, artist site. https://wuwa.org/art. Accessed 18 September 2026. II 084; II 458
  5088. wuwa (Ben Benhorin). “The Primitive Trilogy.” wuwa.org, artist site. https://wuwa.notion.site/The-Primitive-Trilogy-1ab01565b3bf4f699c9731dc6ea36faf. Accessed 18 September 2026. II 084; II 150
  5089. wuwa. “PrimiEnd official description.” https://wuwa.org/primitives. Accessed 19 September 2026. II 271
  5090. x.com (Fellowship documentary). Alejandro Cartagena's eleven-minute documentary interview with Gerrard for Fellowship, on making art with the tools of today and his claim that computing power is the most contemporary tool an artist has. https://x.com/halecar2/status/2067594611896222047. I Gerrard
  5091. XIBT described BIG DATA (networking the artworld) as a data-driven critique of contemporary art power structures. XIBT I BarabasiLab
  5092. Xie was named a 2024 Lumen Prize Still Image Award finalist for Memories of Qilin and the related project Interwoven, a generative reinterpretation of a historic LACMA quilt. Observer article, 2024 I Xie
  5093. Xie's practice has been profiled in contexts emphasizing the fusion of code, myth, and textile traditions, including essays on Avant Arte. Avant Arte essay, 2024 I Xie
  5094. xnmtrc. “Freeplan: An Architectural Art Blocks Project.” 28 April 2022. https://www.xnmtrc.com/post/freeplan-an-architectural-art-blocks-project. Accessed 18 September 2026. II 238
  5095. Yan’s writing archive documents her Genuary participation and experiments across p5.js, flow fields, waves, and algorithmic painting. Medium I Yan
  5096. Yapı Dergisi documents Ornament is Prime, a studio led by Gökmen that reconsidered ornament through digital architectural design. Ornament is Prime I SAB
  5097. Yazid. “Automatism official description.” https://twitter.com/Yazid. Accessed 19 September 2026. II 274
  5098. Yeo Workshop. Yeo Workshop’s catalogue situates Sternberg’s work within the ecological concerns of Threads and Tensions. https://www.yeoworkshop.com/usr/documents/exhibitions/list_of_works_url/12/final-tt-catalogue.pdf. I Sternberg
  5099. Yeo Workshop’s biography outlines Sternberg’s media and his concern with nature, human aspiration, and time. Yeo Workshop biography I Sternberg
  5100. Yi-Wen Lin. “Rippling official description.” https://wensday.co/rippling. Accessed 19 September 2026. II 419
  5101. Yogita Khatri, "NFT collector Vincent Van Dough interview," The Block, 11 September 2021. theblock.co III No. 3
  5102. Yotam Mann. “Tone14.8.15 MIT licence.” https://unpkg.com/tone@14.8.15/LICENSE.md. Accessed 18 September 2026. II 065
  5103. You Have 12 Seconds. You Have 12 Seconds documents a Godot prototype built around 3D movement, teleportation, and a short timer. https://thebuffed.itch.io/you-have-12-seconds. I Davidson
  5104. YouTube. Ledger Podcast episode with Erick Calderon on the rise of generative art and Art Blocks. https://www.youtube.com/watch?v=MNKcIc24uQ8. I Beervangeer
  5105. YouTube. YouTube video documenting Totem collaboration between Beer Van Geer and Julie De Ruijter. https://www.youtube.com/watch?v=3BZphU6SlMc. I Beervangeer
  5106. YouTube. YouTube conversation between Pablo Stanley and Bryan Brinkman exploring life, art, and a new drop. https://www.youtube.com/watch?v=6fQKCJO0tyY. I Brinkman
  5107. YouTube. YouTube discussion recorded live from Marfa featuring Bryan Brinkman in conversation about his practice. https://www.youtube.com/watch?v=R_ptajZ_Zt4. I Brinkman
  5108. YouTube. The Nifty podcast interview with Bryan Brinkman on the role of generative art and system-based approaches in his NimBuds and NimTeens collections. https://www.youtube.com/watch?v=T2AwIrnt_7U. I Brinkman
  5109. YouTube. Art Blocks Official presents After Dinner Mints: Behind the Code, a video conversation with Carreras and collector aramunu on the making of Trossets. https://www.youtube.com/watch?v=gEcKnsJQNYg. I Carreras
  5110. YouTube. EYECatalunya archives an interview with Carreras discussing her early interactive and generative installations. https://www.youtube.com/watch?v=_37uu68m1qU. I Carreras
  5111. YouTube. The Dadabots YouTube channel hosts livestreams, videos, and public audiovisual experiments. https://www.youtube.com/c/dadabots_official. I dadabots
  5112. YouTube. CONVO EP2 features a long-form video discussion of Dadabots' origins, creative process, neural synthesis, and Web3 work. https://www.youtube.com/watch?v=4WEfOk8kSNY. I dadabots
  5113. YouTube. YouTube hosts a video interview with Tyler Hobbs that gives broader context for generative art practice and artist process. https://www.youtube.com/watch?v=8tTGJvijoDw. I daLenz
  5114. YouTube. A video page documents Eko33's solo exhibition at Unpaired Gallery, curated by Kate Vass. https://www.youtube.com/watch?v=2n2_27Q7e14. I Duclaux
  5115. YouTube. A live interview from Marfa Art Blocks Weekend at the Thunderbird Marfa explored his iterative process and generative art as storytelling. https://www.youtube.com/watch?v=UUCV0EbMObg. I Hiley-Mann
  5116. YouTube. The Generative Art Museum YouTube channel documents live generative outputs and festival context for the artist's work. https://www.youtube.com/watch?v=LCO3hRjBKcw. I Koskela
  5117. YouTube. The Generative Art Museum produced a recorded creative coding session with Anna Lucia that addresses her methods and the evolution of her practice. https://youtube.com/watch?v=g3Qb62fYPe8. I Lucia
  5118. YouTube. A public video on asemic writing provides general visual background for the broader practice of unreadable writing. https://www.youtube.com/watch?v=S7tD_ocM310. I Ofman
  5119. YouTube. Fireside chat at NFT.NYC 2022 with Aaron Penne (Art Blocks Director of Engineering) and Ian Utile. https://www.youtube.com/watch?v=bWq9zdeQLFI. I Penne
  5120. YouTube. Official video for Boreta & Aaron Penne's Infinite Portal from the Rituals album, extending the Venice project to streaming platforms. https://www.youtube.com/watch?v=Q79EHCYszrM. I Penne
  5121. YouTube. Documentation of the Passages live-minting installation at Bright Moments, March 2023, showing the sensory deprivation chamber experience. https://www.youtube.com/watch?v=FE4Rl8QgYH4. I Penne
  5122. YouTube. A video interview explores the breadth of Legowelt's creative output in music and beyond. https://www.youtube.com/watch?v=14c9PQkkirQ. I Wolfers
  5123. YouTube channel. The artist's YouTube channel archives Voyager and other video material linked from the project pages. https://www.youtube.com/%40disruptedstar. I DisruptedStar
  5124. YouTube CryptoWiener podcast. Video discussion on CryptoWiener as NFT pioneers building their analog pixel metaverse. https://www.youtube.com/watch?v=1zwngF2X-wA. I CryptoWiener; I Murata
  5125. YouTube profile. This YouTube video presents Ionson as an NFT and Art Blocks artist and links his work to Nam June Paik. https://www.youtube.com/watch?v=UvCyjpxRDw8. I Ionson
  5126. YouTube Snowcash tour. Virtual tour video of Snowcash x CryptoWiener exhibition in Cryptovoxels. https://www.youtube.com/watch?v=Hlbo_dXt_ng. I CryptoWiener
  5127. YouTube summit talk. Summit talk video featuring Bernhard Nessler and collective perspectives on generative and blockchain art. https://www.youtube.com/watch?v=YY3UtJOc6Ec. I CryptoWiener
  5128. YouTube technical interview "ADM: Behind the Code | Paths by Darien Brito" covering ray marching, Phong model, gamma correction, and deformations. youtube.com I Brito
  5129. youtube.com. The NFT Awards 2020 ceremony video documents the finalist presentation including Ancestral Memory. https://www.youtube.com/watch?v=EKq_DTqh7PM. I Aggott-Hönsch
  5130. youtube.com. Art Blocks, "Episode 17: Art Blocks After Dinner Mints w/ Alexis André" (September 2021): podcast interview with collector keight. https://www.youtube.com/watch?v=jjn03L1lpu8. I André
  5131. youtube.com. nftnow, "How Art Blocks Is Paving the Way for Generative Art On-Chain": documentary featuring Friendship Bracelets. https://www.youtube.com/watch?v=syB0aftXENU. I André; I Rizzle, Sebi, Miguelgarest; I pxlq
  5132. youtube.com. TateShots: John Gerrard on Western Flag and the real-time simulation behind it. https://www.youtube.com/watch?v=RCVCqbqwSN0. I Gerrard
  5133. youtube.com. Compressed Landscapes, video on the Van Gogh Museum project. https://www.youtube.com/watch?v=XopQS0AOYi8. I Leegte
  5134. youtube.com. KONIG GALERIE includes Lieberman in The Artist Is Online, a virtual exhibition in Decentraland presenting digital paintings and sculptures in a virtual world. https://www.youtube.com/watch?v=7VyGfjUkGrk. I Lieberman
  5135. youtube.com. Art Blocks: Exclusive NFT Interview with Snowfro and The Roadmap, featuring discussion of platform curated projects including Geometry Runners. https://www.youtube.com/watch?v=9jAMbhdVmVc. I Lord
  5136. youtube.com. Les Fleurs du Mal generative art video: three-minute UHD loop showing Baudelaire's 126 poems as evolving ribbons. https://www.youtube.com/watch?v=dZISyH-yHbY. I RVig
  5137. youtube.com/@digitalarthouse/videos. Digital Art House YouTube channel featuring exhibition documentation and multimedia presentations of Shvembldr's work. https://www.youtube.com/@digitalarthouse/videos. I Shvembldr
  5138. youtube.com/RVig. RVig Generative Art YouTube channel featuring video documentation of works including Les Fleurs du Mal. https://www.youtube.com/channel/UCAJOtij7BRJeXl04a6xmHXA. I RVig
  5139. youtube.com/shorts/Pp6xCToq-_4. YouTube short documenting the FLEETING INFINITY exhibition at Digital Art House, Riga, with footage of interactive generative art installations. https://m.youtube.com/shorts/Pp6xCToq-_4. I Shvembldr
  5140. youtube.com/watch?v=kN6ww1CyXvo. YouTube video documentation of the FLEETING INFINITY exhibition at Digital Art House, Riga, describing it as the first generative art exhibition in Latvia. https://www.youtube.com/watch?v=kN6ww1CyXvo. I Shvembldr
  5141. youtube.com/watch?v=QGZYUMMwgzM. Space #13 - Generative Art 101: YouTube discussion featuring Gravity 16 among Art Blocks and fxhash projects. https://www.youtube.com/watch?v=QGZYUMMwgzM. I JMY
  5142. youtube.com/watch?v=Qhg-lBCdgeo. Video of Bilfield's peg-sculpture practice presented alongside the JoAnne Artman Gallery artist page, showing the hand-painted dowel works in close detail. https://www.youtube.com/watch?v=Qhg-lBCdgeo. I Bilfield
  5143. Z-Huge was released in October 2021 as a self-published collection of 512 generative sketches exploring curl noise, colour, and constraints. MountVitruvius I Hiley-Mann
  5144. Zach Lieberman. “Box Light Studies official description.” https://www.instagram.com/zach.lieberman/. Accessed 19 September 2026. II 494
  5145. Zach Lieberman, project documentation on personal site. zach.li I Lieberman
  5146. Zachariah Watson. “Arcadia official description.” https://zchwtsn.com/work/arcadia. Accessed 19 September 2026. II 350
  5147. Zachary Kaplan / Rhizome. “Announcing the Endless Nameless Gift from Rafaël Rozendaal.” 5 August 2021. https://old.rhizome.org/editorial/2021/aug/05/announcing-a-major-benefit-gift-from-rafael-rozendaal/. Accessed 18 September 2026. II 118
  5148. Zapper. Zapper.xyz indexes the Para Bellum collection on Ethereum. https://zapper.xyz/nft/ethereum/category/general/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261. I Mariansky
  5149. Zapper offers blockchain data and explorer tools for the Fermented Fruit NFT collection. Zapper Explorer I cyberia
  5150. Zapper's NFT page records Fleur by AnaPet as a 300 item Ethereum collection with owner and holder data. zapper I AnaPet
  5151. ZAZ10TS. ZAZ10TS documents Rococo Diffusion Artifacts as a Times Square presentation concerned with nature, code, ornament, and machine memory. https://www.zaz10ts.com/ronen-tanchum. I phenomena
  5152. Zbąszyń Cultural Centre announced Dudko’s 2021 solo exhibition Ex Machina and described its interdisciplinary context. ex-machina I Dudko
  5153. Zeblocks. Zeblocks’ official site brings together the duo’s identity and the Unigrids, Beatboxes, and Sensthesia project archive. https://zeblocks.com/. I Zeblocks
  5154. Zeblocks market biography. MutualArt records Zeblocks’ auction results and identifies Unigrids #239 in its market archive. https://www.mutualart.com/Artist/Zeblocks/5501D736D23ED40D/Biography. I Zeblocks
  5155. Zeblocks. “Zeblocks, home page and Beatboxes project page.” https://zeblocks.com/beatboxes.html. Accessed 20 September 2026. II 144
  5156. Zeblocks’ current Lumens site documents its on-chain flowfield, AI-enhanced alternate layer, viewer toggle, and continuing elemental series. Lumens I Zeblocks
  5157. Zeblocks’ project video documents Beatboxes as 841 immersive virtual-reality audiovisual rooms. Beatboxes video I Zeblocks
  5158. Zeneca. “Letter 10: Art Blocks (Letters from a Zeneca).” Letters from a Zeneca, 30 June 2021. https://www.zeneca.xyz/p/letter-10-art-blocks. Accessed 17 September 2026. I Catt; I Glas; II 073
  5159. Zeneca's collector essay recalls the rapid Algobots sellout and its role in his early engagement with Art Blocks. collector-essay I Jones
  5160. Zeneca, "ART. BLOCKS. UPDATE." thread on X, 1 August 2021. x.com III No. 7
  5161. Zeneca, "Letter 10: Art Blocks," Letters from a Zeneca, 30 June 2021. zeneca33.substack.com III No. 7
  5162. Zeneca, "Letter 19: Art Blocks (2)," Letters from a Zeneca, 20 September 2021. zeneca33.substack.com III No. 7
  5163. Zenerative is Matto's series of Zen-inspired generative art projects spanning Art Blocks, Plottables, and independent contracts. Zenerative I matto
  5164. Zero 10. The Zero 10 programme lists Art Blocks and Larva Labs in the inaugural Art Basel Miami Beach digital-art sector. https://www.artbasel.com/miami-beach/zero-10?lang=en. I Larva Labs
  5165. Zero Decaf. A collecting guide cites 80s Pop Variety Pack as an accessible Art Blocks collection. https://zerodecaf.com/low-cost-art-blocks-collection/. I Catt
  5166. Zérodeux discusses the algorithmic analysis behind The Fear of Missing Out. Zérodeux interview I Lund
  5167. Zero’s NFT Rome program lists Pasin in the “Art in a decentralized ecosystem” discussion and records the Generative Art Corner exhibition. NFT Rome program I Pasin
  5168. Zharta reports that marfaMESH used badge-recorded encounters to alter participants’ linked artworks. Zharta I Richardson
  5169. ZKM. ZKM’s artist record documents Lund’s works, publications, exhibitions, and talks within its program and collection context. https://zkm.de/en/persons/jonas-lund. I Lund
  5170. ZKM Center for Art and Media Karlsruhe, Messa di Voce (2003) by Golan Levin and Zach Lieberman. zkm.de I Lieberman
  5171. ZKM. “CryptoArt exhibition.” https://zkm.de/en/exhibition/2021/04/cryptoart. Accessed 17 September 2026. I Calderon; I Davis; I Ferrandez; I Golid; I Larva Labs; II 010; II 011; II 016; II 024; II 025
  5172. ZKM identifies Levin as an artist in its collection and records his exhibitions and publications. zkm-profile I Levin
  5173. ZKM interview. ZKM presents a video interview with Crispin made in connection with GLOBALE: Infosphere. https://zkm.de/en/media/videos/sterling-crispin-data-masks-2013. I Crispin
  5174. ZKM Karlsruhe. ZKM Center for Art and Media Karlsruhe holds Apparitions #1110 in its collection as a generative algorithm on Ethereum. https://zkm.de/en/persons/aaron-penne. I Penne
  5175. ZKM names Mathikshara among the contributors represented in its NFT collection exhibition. ZKM I Mathikshara
  5176. ZKM's Art Network page explains the institutional network model behind the project. ZKM Art Network I BarabasiLab
  5177. ZKM's exhibition page gives biographical context for Albert-László Barabási and his art-science career. ZKM Hidden Patterns I BarabasiLab
  5178. zkm.de (LIFT #147). ZKM collection record for LIFT (a self portrait) #147, acquired as a computer-based on-chain work with variable installation dimensions. https://zkm.de/en/artworks/lift-a-self-portrait-147. I Calderon
  5179. zkm.de/en/artwork/chromie-squiggle-100. ZKM collection record for Chromie Squiggle #100, catalogued as an on-chain generative algorithm and digital animation. https://zkm.de/en/artwork/chromie-squiggle-100. I Calderon
  5180. Znikać. The Municipal Cultural Centre in Łomża documents Znikać and its automated photographic mechanism. https://www.mdk.lomza.pl/wiadomosc/pawel-dudko-znikac. I Dudko
  5181. 寶博朋友說. “Contemporary podcast launch notes featuring Aluan Wang.” 20 August 2021. https://podcasts.apple.com/ie/podcast/id1484923390?i=1000532606596. Accessed 17 September 2026. II 139
  5182. 豆泥, 混沌三幕劇:解碼阿亂的加密、取樣、演算謎團, a collector-led investigation of the Chaos trilogy based on correspondence with Wang and inspection of project files, sampling, and stored assets. Matters I AluanWang

Platform, chain and licence records 3,042

  1. “"Seasky Aria", collection page, OpenSea.” https://opensea.io/collection/seasky-aria. Accessed 20 September 2026. II 457
  2. “AB5D, "3:19 by Santiago", earlier essay (credited to Kimi, Moonshot AI). Read 20 September 2026.” https://ab5d.xyz/series/319-by-santiago/. Accessed 20 September 2026. II 319
  3. “AB5D, "Archetype by Kjetil Golid", earlier series essay.” https://ab5d.xyz/series/archetype-by-kjetil-golid/. Accessed 20 September 2026. II 025
  4. “AB5D, "CENTURY by Casey REAS", earlier series essay.” https://ab5d.xyz/series/century-by-casey-reas/. Accessed 20 September 2026. II 100; II 365
  5. “AB5D, "Coalition by Generative Artworks", earlier series essay.” https://ab5d.xyz/series/coalition-by-generative-artworks/. Accessed 20 September 2026. II 416
  6. “AB5D, "Construction Token by Jeff Davis", earlier series essay, citing the Processing.js 1.4.6 licence (.” https://raw.githubusercontent.com/processing-js/processing-js/v1.4.6/bundle/LICENSE. Accessed 20 September 2026. II 001
  7. “AB5D, "dino pals by hideo", earlier essay, read 20 September 2026 (its licence and Zdog notes cite the Dapper Labs NFT License 2.0 and the Zdog 1.1.2 package manifest).” https://ab5d.xyz/series/dino-pals-by-hideo/. Accessed 20 September 2026. II 075
  8. “AB5D, "Elevated Deconstructions by luxpris", earlier essay.” https://ab5d.xyz/series/elevated-deconstructions-by-luxpris/. Accessed 20 September 2026. II 008
  9. “AB5D, "mono no aware by ixnayokay", earlier essay.” https://ab5d.xyz/series/mono-no-aware-by-ixnayokay/. Accessed 20 September 2026. II 172
  10. “AB5D, "Nebula by RVig", previous essay.” https://ab5d.xyz/series/nebula-by-rvig/. Accessed 20 September 2026. II 205
  11. “AB5D, "Neophyte MMXXII by Sterling Crispin", earlier essay. Read 20 September 2026.” https://ab5d.xyz/series/neophyte-mmxxii-by-sterling-crispin/. Accessed 20 September 2026. II 273
  12. “AB5D, "Patchwork Saguaros by Jake Rockland", earlier series essay.” https://ab5d.xyz/series/patchwork-saguaros-by-jake-rockland/. Accessed 20 September 2026. II 067; II 454
  13. “AB5D, "Petro National by John Gerrard", earlier essay.” https://ab5d.xyz/series/petro-national-by-john-gerrard/. Accessed 20 September 2026. II 315
  14. “AB5D, "Pre-Process by Casey REAS", earlier series essay.” https://ab5d.xyz/series/pre-process-by-casey-reas/. Accessed 20 September 2026. II 385
  15. “AB5D, "Reflection by Jeff Davis", earlier essay.” https://ab5d.xyz/series/reflection-by-jeff-davis/. Accessed 20 September 2026. II 206
  16. “AB5D, "Rotor by Sebastián Brocher (CryptoArte)", series essay. Read 2026-09-20.” https://ab5d.xyz/series/rotor-by-sebastian-brocher-cryptoarte/. Accessed 20 September 2026. II 478
  17. “AB5D, "Sentience", earlier essay. Read 20 September 2026.” https://ab5d.xyz/series/sentience-by-pxlq/. Accessed 20 September 2026. II 020; II 078; II 079
  18. “AB5D, "SL/CE by Stranger in the Q", earlier series essay. Read 20 September 2026.” https://ab5d.xyz/series/slce-by-stranger-in-the-q/. Accessed 20 September 2026. II 418
  19. “AB5D, "Sonoran Roadways by Jake Rockland", earlier series essay.” https://ab5d.xyz/series/sonoran-roadways-by-jake-rockland/. Accessed 20 September 2026. II 454
  20. “AB5D, "Space Birds by Mark Cotton", earlier version of this essay.” https://ab5d.xyz/series/space-birds-by-mark-cotton/. Accessed 20 September 2026. II 173
  21. “AB5D, "Space Debris [m'aider]", earlier essay by Kimi, revised by GPT-6 Astra. Read 21 September 2026.” https://ab5d.xyz/series/space-debris-maider-by-whalestreet-x-pxlq/. Accessed 20 September 2026. II 078
  22. “AB5D, "Space Debris [ravaged] by WhaleStreet x pxlq", revised draft, September 2026.” https://ab5d.xyz/series/space-debris-ravaged-by-whalestreet-x-pxlq/. Accessed 20 September 2026. II 078; II 079; II 080
  23. “AB5D, "Space Debris [warning] by WhaleStreet x pxlq", revised draft, September 2026.” https://ab5d.xyz/series/space-debris-warning-by-whalestreet-x-pxlq/. Accessed 20 September 2026. II 078; II 079
  24. “AB5D, "Speckled Summits by Jake Rockland", earlier series essay.” https://ab5d.xyz/series/speckled-summits-by-jake-rockland/. Accessed 20 September 2026. II 110
  25. “AB5D, "Squares and Triangles by Maksim Hapeyenka", earlier series essay. Read 20 September 2026.” https://ab5d.xyz/series/squares-and-triangles-by-maksim-hapeyenka/. Accessed 20 September 2026. II 220
  26. “AB5D, "Squares by Martin Grasser" (earlier essay), read 21 September 2026.” https://ab5d.xyz/series/squares-by-martin-grasser/. Accessed 20 September 2026. II 326
  27. “AB5D, "Subscapes by Matt DesLauriers", earlier essay.” https://ab5d.xyz/series/subscapes-by-matt-deslauriers/. Accessed 20 September 2026. II 053
  28. “AB5D, "The Eternal Pump by Dmitri Cherniak", earlier essay, read 20 September 2026.” https://ab5d.xyz/series/the-eternal-pump-by-dmitri-cherniak/. Accessed 20 September 2026. II 022
  29. “AB5D, "The Wrapture by Dmitri Cherniak", earlier series essay.” https://ab5d.xyz/series/the-wrapture-by-dmitri-cherniak/. Accessed 20 September 2026. II 229
  30. “AB5D, "transparency by usnea", earlier essay, research date 19 September 2026.” https://ab5d.xyz/series/transparency-by-usnea/. Accessed 20 September 2026. II 423
  31. “AB5D, "Utopia by ge1doot" (earlier essay), read 20 September 2026.” https://ab5d.xyz/series/utopia-by-ge1doot/. Accessed 20 September 2026. II 016
  32. “AB5D, "View Card by Jeff Davis", earlier essay.” https://ab5d.xyz/series/view-card-by-jeff-davis/. Accessed 20 September 2026. II 006; II 206
  33. “AB5D, "Where The Wind Blows by MODNAR WOLF", earlier series essay, read 21 September 2026.” https://ab5d.xyz/series/where-the-wind-blows-by-modnar-wolf/. Accessed 20 September 2026. II 282
  34. “AB5D, earlier essay on KARMA by KALA.” https://ab5d.xyz/series/karma-by-kala/. Accessed 20 September 2026. II 408
  35. “AB5D, earlier essay on Unigrids by Zeblocks.” https://ab5d.xyz/series/unigrids-by-zeblocks/. Accessed 20 September 2026. II 013
  36. “AB5D, previous essay on Being Yourself While Fitting In. Read 20 September 2026.” https://ab5d.xyz/series/being-yourself-while-fitting-in-by-lia/. Accessed 20 September 2026. II 335
  37. “Art Blocks documentation, "Minters for Artists" (Dutch Auction with Settlement). Read 2026-09-21.” https://docs.artblocks.io/creator-onboarding/artists/minters/. Accessed 20 September 2026. I WAWAA; II 416
  38. “Art Blocks generator, live view of CENTURY 2052 #6 (the same generator serves every token shown on this page).” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/369000006. Accessed 23 September 2026. II 365
  39. “Art Blocks marketplace, "Sentience #133". Read 20 September 2026.” https://www.artblocks.io/marketplace/asset/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/20000133. Accessed 20 September 2026. II 020
  40. “Art Blocks marketplace, NimBuds listings, read 20 September 2026.” https://www.artblocks.io/marketplace/collections/nimbuds-by-bryan-brinkman. Accessed 20 September 2026. II 011
  41. “Art Blocks project pages for 70s Pop Series One (project 46), 70s Pop Super Fun Summertime Bonus Pack 🍸 (project 61) and 70s Pop Series Two (project 85). Read 21 September 2026.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/46,. Accessed 20 September 2026. II 111
  42. “Art Blocks public GraphQL index, projects_metadata for project 2 (including the full program) and tokens_metadata for all 500 tokens, with project records and earliest mints for projects 0 and 1 for comparison.” https://artblocks-mainnet.hasura.app/v1/graphql. Accessed 20 September 2026. II 001; II 002; II 003; II 004; II 005; II 006; II 007; II 008; II 009; II 010; II 011; II 012; II 013; II 014; II 015; II 016; II 017; II 018; II 019; II 020; II 021; II 022; II 023; II 024; II 025; II 026; II 027; II 028; II 029; II 030; II 031; II 032; II 033; II 034; II 035; II 036; II 037; II 038; II 039; II 040; II 041; II 042; II 043; II 044; II 045; II 046; II 047; II 048; II 049; II 050; II 051; II 052; II 053; II 054; II 055; II 056; II 057; II 058; II 059; II 060; II 061; II 062; II 063; II 064; II 065; II 066; II 067; II 068; II 069; II 070; II 071; II 072; II 073; II 074; II 075; II 076; II 077; II 078; II 079; II 080; II 081; II 082; II 083; II 084; II 085; II 086; II 087; II 088; II 089; II 090; II 091; II 092; II 093; II 094; II 095; II 096; II 097; II 098; II 099; II 100; II 101; II 102; II 103; II 104; II 105; II 106; II 107; II 108; II 109; II 110; II 111; II 112; II 113; II 114; II 115; II 116; II 117; II 118; II 119; II 120; II 121; II 122; II 123; II 124; II 125; II 126; II 127; II 128; II 129; II 130; II 131; II 132; II 133; II 134; II 135; II 136; II 137; II 138; II 139; II 140; II 141; II 142; II 143; II 144; II 145; II 146; II 147; II 148; II 149; II 150; II 151; II 152; II 153; II 154; II 155; II 156; II 157; II 158; II 159; II 160; II 161; II 162; II 163; II 164; II 165; II 166; II 167; II 168; II 169; II 170; II 171; II 172; II 173; II 174; II 175; II 176; II 177; II 178; II 179; II 180; II 181; II 182; II 183; II 184; II 185; II 186; II 187; II 188; II 189; II 190; II 191; II 192; II 193; II 194; II 195; II 196; II 197; II 198; II 199; II 200; II 201; II 202; II 203; II 204; II 205; II 206; II 207; II 208; II 209; II 210; II 211; II 212; II 213; II 214; II 215; II 216; II 217; II 218; II 219; II 220; II 221; II 222; II 223; II 224; II 225; II 226; II 227; II 228; II 229; II 230; II 231; II 232; II 233; II 234; II 235; II 236; II 237; II 238; II 239; II 240; II 241; II 242; II 243; II 244; II 245; II 246; II 247; II 248; II 249; II 250; II 251; II 252; II 253; II 254; II 255; II 256; II 257; II 258; II 259; II 260; II 261; II 262; II 263; II 264; II 265; II 266; II 267; II 268; II 269; II 270; II 271; II 272; II 273; II 274; II 275; II 276; II 277; II 278; II 279; II 280; II 281; II 282; II 283; II 284; II 285; II 286; II 287; II 288; II 289; II 290; II 291; II 292; II 293; II 294; II 295; II 296; II 297; II 298; II 299; II 300; II 301; II 302; II 303; II 304; II 305; II 306; II 307; II 308; II 309; II 310; II 311; II 312; II 313; II 314; II 315; II 316; II 317; II 318; II 319; II 320; II 321; II 322; II 323; II 324; II 325; II 326; II 327; II 328; II 329; II 330; II 331; II 332; II 333; II 334; II 335; II 336; II 337; II 338; II 339; II 340; II 341; II 342; II 343; II 344; II 345; II 346; II 347; II 348; II 349; II 350; II 351; II 352; II 353; II 354; II 355; II 356; II 357; II 358; II 359; II 360; II 361; II 362; II 363; II 364; II 365; II 366; II 367; II 368; II 369; II 370; II 371; II 372; II 373; II 374; II 375; II 376; II 377; II 378; II 379; II 380; II 381; II 382; II 383; II 384; II 385; II 386; II 387; II 388; II 389; II 390; II 391; II 392; II 393; II 394; II 395; II 396; II 397; II 398; II 399; II 400; II 401; II 402; II 403; II 404; II 405; II 406; II 407; II 408; II 409; II 410; II 411; II 412; II 413; II 414; II 415; II 416; II 417; II 418; II 419; II 420; II 421; II 422; II 423; II 424; II 425; II 426; II 427; II 428; II 429; II 430; II 431; II 432; II 433; II 434; II 435; II 436; II 437; II 438; II 439; II 440; II 441; II 442; II 443; II 444; II 445; II 446; II 447; II 448; II 449; II 450; II 451; II 452; II 453; II 454; II 455; II 456; II 457; II 458; II 459; II 460; II 461; II 462; II 463; II 464; II 465; II 466; II 467; II 468; II 469; II 470; II 471; II 472; II 473; II 474; II 475; II 476; II 477; II 478; II 479; II 480; II 481; II 482; II 483; II 484; II 485; II 486; II 487; II 488; II 489; II 490; II 491; II 492; II 493; II 494; II 495; II 496; II 497; II 498; II 499; II 500; III No. 10; III No. 14; III No. 19; III No. 2; III No. 21; III No. 23; III No. 27; III No. 29; III No. 30; III No. 32; III No. 34; III No. 35; III No. 37; III No. 39; III No. 42; III No. 47; III No. 48; III No. 5; III No. 50; III No. 6; III No. 8
  43. “Art Blocks token pages, SL/CE #25 and #37. Read 20 September 2026.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/419000025. Accessed 20 September 2026. II 418
  44. “Art Blocks, "100 PRINT by Ben Kovach", project page with artist notes.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/310. Accessed 20 September 2026. II 301
  45. “Art Blocks, "70s Pop Ghost Bonus Pack 👻 by Daniel Catt", project page and artist profile. Read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/111. Accessed 20 September 2026. II 111
  46. “Art Blocks, "AB[500]".” https://www.artblocks.io/discover/ab-500. Accessed 20 September 2026. I Alexander; I Benhorin; I Calderon Arenas; I Falco; I Oesterling; I Tan; I WhaleStreet x pxlq; I greatjones; I xenoliss; II 205; II 478
  47. “Art Blocks, "Archetype by Kjetil Golid", collection page and artist biography.” https://www.artblocks.io/collection/archetype-by-kjetil-golid. Accessed 20 September 2026. I Golid; II 025
  48. “Art Blocks, "Art Blocks 101: How to Purchase".” https://www.artblocks.io/articles/art-blocks-how-to-purchase. Accessed 20 September 2026. I Tan; I espina; I usnea; I Åström; II 492
  49. “Art Blocks, "Art Blocks at Art Basel Miami: Presenting Quine by Larva Labs".” https://www.artblocks.io/articles/art-basel-miami-presenting-quine-larva-labs. Accessed 20 September 2026. I Larva Labs; II 497
  50. “Art Blocks, "Being Yourself While Fitting In by LIA", project page. Read 20 September 2026.” https://www.artblocks.io/project/342. Accessed 20 September 2026. II 335
  51. “Art Blocks, "Breaking the Box of Perception: Three Artists Confront the Face of the Infinite", with photographs of the physical works.” https://www.artblocks.io/articles/breaking-the-box-of-perception-three-artists-confront-the-face-of-the-infinite. Accessed 20 September 2026. II 492
  52. “Art Blocks, "CENTURY 2052 by Casey REAS", collection page.” https://www.artblocks.io/collection/century-2052-by-casey-reas. Accessed 23 September 2026. II 365
  53. “Art Blocks, "Cerebellum by Laya Mathikshara & Santiago", collection page. Read 20 September 2026.” https://www.artblocks.io/collection/cerebellum-by-laya-mathikshara-and-santiago. Accessed 20 September 2026. I Mathikshara; I Santiago; II 319; II 405
  54. “Art Blocks, "Coalition by Generative Artworks", collection page with artist text.” https://www.artblocks.io/collection/coalition-by-generative-artworks. Accessed 20 September 2026. I Generative Artworks; II 416
  55. “Art Blocks, "Contractions by Loie Hollowell", Art Blocks x Pace project page.” https://artblocks.io/collaborations/artblocksxpace/projects/0x64780ce53f6e966e18a22af13a2f97369580ec11/3. Accessed 20 September 2026. II 366
  56. “Art Blocks, "Corners by Rafaël Rozendaal", project page.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/292. Accessed 20 September 2026. II 285
  57. “Art Blocks, "Daniel Calderon Arenas (DCA)", artist page.” https://www.artblocks.io/artists/daniel-calderon-arenas. Accessed 20 September 2026. I Calderon Arenas; II 002
  58. “Art Blocks, "dino pals by HIDΞ0", collection page. Read 20 September 2026.” https://www.artblocks.io/collection/dino-pals-by-hideo. Accessed 20 September 2026. I HIDΞ0; II 075
  59. “Art Blocks, "Elevated Deconstructions by luxpris", collection page.” https://www.artblocks.io/collection/elevated-deconstructions-by-luxpris. Accessed 20 September 2026. I Katzenmeyer; II 008
  60. “Art Blocks, "Factory".” https://www.artblocks.io/discover/factory. Accessed 20 September 2026. I Alexander; I Blockwares; I Ento; I REMO x DCsan; I TheElephantNL; I Verkhovskiy; I cyberia; I espina; I toiminto.eth; I xenoliss; II 080; II 220
  61. “Art Blocks, "Fluiroso #48" and "Fluiroso #97", token pages showing AB5D as owner. Read 2026-09-21.” https://www.artblocks.io/token/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/473000048. Accessed 20 September 2026. II 478
  62. “Art Blocks, "Fluiroso by Sebastián Brocher (CryptoArte)", collection and marketplace pages, with artist biography. Read 2026-09-20.” https://www.artblocks.io/collection/fluiroso-by-sebastian-brocher-cryptoarte. Accessed 20 September 2026. II 478
  63. “Art Blocks, "Fragments of an Infinite Field by Monica Rizzolli", artist notes.” https://www.artblocks.io/collection/fragments-of-an-infinite-field-by-monica-rizzolli. Accessed 20 September 2026. I Rizzolli; II 155
  64. “Art Blocks, "Gerard Ferrandez (ge1doot)", artist page.” https://www.artblocks.io/artists/gerard-ferrandez. Accessed 20 September 2026. I Ferrandez; II 016
  65. “Art Blocks, "Gizmobotz by Mark Cotton", project 105.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105. Accessed 20 September 2026. II 173
  66. “Art Blocks, "Ignition - ge1doot", project 9.” https://www.artblocks.io/project/9. Accessed 20 September 2026. II 016
  67. “Art Blocks, "ilumz by Wolffia Inc. & Motus Art", collection page. Read 21 September 2026.” https://www.artblocks.io/collection/ilumz-by-wolffia-inc-and-motus-art. Accessed 20 September 2026. II 425
  68. “Art Blocks, "Imposter Syndrome by ippsketch" project and marketplace pages.” https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/390. Accessed 20 September 2026. II 379
  69. “Art Blocks, "Josh Katzenmeyer (luxpris)", artist page.” https://www.artblocks.io/artists/luxpris. Accessed 20 September 2026. I Katzenmeyer; II 008; II 136
  70. “Art Blocks, "JPEG by Jan Robert Leegte", Presents project page.” https://artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/371. Accessed 20 September 2026. II 361
  71. “Art Blocks, "Kim Asendorf", Curated artist page.” https://www.artblocks.io/curated/artists/kim-asendorf. Accessed 20 September 2026. II 422
  72. “Art Blocks, "mono no aware by ixnayokay", project page.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/175. Accessed 20 September 2026. I Boyarsky; II 172
  73. “Art Blocks, "Nebula by RVig", project and marketplace pages.” https://www.artblocks.io/project/210. Accessed 20 September 2026. II 205
  74. “Art Blocks, "Neogen Space Monkeys by Dalek x Generative Artworks", collection page.” https://www.artblocks.io/collection/neogen-space-monkeys-by-dalek-x-generative-artworks. Accessed 20 September 2026. I Generative Artworks; II 416
  75. “Art Blocks, "NimBuds #209", token page, owner AB5D. Read 20 September 2026.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/10000209. Accessed 20 September 2026. II 011
  76. “Art Blocks, "NimTeens by Bryan Brinkman", collection page.” https://www.artblocks.io/collection/nimteens-by-bryan-brinkman. Accessed 20 September 2026. I Brinkman; II 011; II 400
  77. “Art Blocks, "Non Either by Rafaël Rozendaal", project page.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/260. Accessed 20 September 2026. II 251
  78. “Art Blocks, "Playground".” https://www.artblocks.io/discover/playground. Accessed 20 September 2026. I Alexander; I Cherniak; I REAS; I Åström; II 020
  79. “Art Blocks, "Poetics of the Infinite", exhibition page.” https://www.artblocks.io/exhibitions/poetics-of-the-infinite. Accessed 20 September 2026. II 492
  80. “Art Blocks, "Presents".” https://www.artblocks.io/discover/presents. Accessed 20 September 2026. I DisruptedStar; I Shaik; I Slook; II 080; II 418; II 423
  81. “Art Blocks, "Purchase BUSY by James Merrill".” https://www.artblocks.io/collection/busy-by-james-merrill/purchase. Accessed 20 September 2026. II 495
  82. “Art Blocks, "Reflection by Jeff Davis", collection page, read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/208. Accessed 20 September 2026. II 206
  83. “Art Blocks, "Reservation by Generative Artworks", collection page.” https://www.artblocks.io/collection/reservation-by-generative-artworks. Accessed 20 September 2026. II 416
  84. “Art Blocks, "Seasky by Ralgo", collection page.” https://www.artblocks.io/collection/0x99a9b7c1116f9ceeb1652de04d5969cce509b069-459. Accessed 20 September 2026. II 457
  85. “Art Blocks, "Sentience by pxlq" collection page. Read 20 and 21 September 2026.” https://www.artblocks.io/collection/sentience-by-pxlq. Accessed 20 September 2026. II 020
  86. “Art Blocks, "SL/CE by Stranger in the Q", project page with artist biography. Read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/419. Accessed 20 September 2026. II 418
  87. “Art Blocks, "Sonoran Roadways - Jake Rockland", project page. Read 21 September 2026.” https://www.artblocks.io/project/461. Accessed 20 September 2026. I Rockland; II 454
  88. “Art Blocks, "Space Birds by Mark Cotton", project page. Read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/177. Accessed 20 September 2026. II 173
  89. “Art Blocks, "Space Debris [m'aider] by WhaleStreet x pxlq" collection page. Read 21 September 2026.” https://www.artblocks.io/collection/space-debris-maider-by-whalestreet-x-pxlq. Accessed 20 September 2026. I WhaleStreet x pxlq; II 078
  90. “Art Blocks, "Space Debris [ravaged]" collection page. Read 20 September 2026.” https://www.artblocks.io/collection/space-debris-ravaged-by-whalestreet-x-pxlq. Accessed 20 September 2026. II 080
  91. “Art Blocks, "Space Debris [warning] by WhaleStreet x pxlq" collection page. Read 21 September 2026.” https://www.artblocks.io/collection/space-debris-warning-by-whalestreet-x-pxlq. Accessed 20 September 2026. II 079
  92. “Art Blocks, "Speckled Summits - Jake Rockland", project page with artist statement. Read 21 September 2026.” https://www.artblocks.io/project/109. Accessed 20 September 2026. I Rockland; II 110
  93. “Art Blocks, "Squares and Triangles by Maksim Hapeyenka" marketplace collection page (five listings from 0.6 ETH). Read 21 September 2026.” https://www.artblocks.io/marketplace/collections/squares-and-triangles-by-maksim-hapeyenka. Accessed 20 September 2026. II 220
  94. “Art Blocks, "Squares by Martin Grasser", collection page.” https://www.artblocks.io/collection/squares-by-martin-grasser. Accessed 20 September 2026. I Grasser; II 326
  95. “Art Blocks, "Subscapes by Matt DesLauriers", collection page with artist biography. Read 20 September 2026.” https://www.artblocks.io/collection/subscapes-by-matt-deslauriers. Accessed 20 September 2026. I DesLauriers; II 053
  96. “Art Blocks, "Symbol 1 by Emily Weil", collection page.” https://www.artblocks.io/collection/symbol-1-by-emily-weil. Accessed 20 September 2026. II 404
  97. “Art Blocks, "Tentura by Stranger in the Q", project page (Factory). Read 21 September 2026.” https://www.artblocks.io/collections/factory/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/265. Accessed 20 September 2026. II 418
  98. “Art Blocks, "The Eternal Pump by Dmitri Cherniak", collection page.” https://www.artblocks.io/collection/the-eternal-pump-by-dmitri-cherniak. Accessed 20 September 2026. I Cherniak; II 022; II 229
  99. “Art Blocks, "The Final Three: AB500 Comes Full Circle", 2025.” https://www.artblocks.io/articles/the-final-three-ab500-comes-full-circle. Accessed 20 September 2026. I Blockchance; I Calderon; I Calderon Arenas; I Davis; I Tan; I greatjones; I xenoliss; II 001; II 002; III No. 15
  100. “Art Blocks, "The Harvest by Per Kristian Stoveland", project page with artist biography.” https://www.artblocks.io/collections/curated/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/407. Accessed 20 September 2026. II 398
  101. “Art Blocks, "The Wrapture", project page.” https://www.artblocks.io/project/234. Accessed 20 September 2026. II 022; II 229
  102. “Art Blocks, "transparency by usnea", project page. Read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/427. Accessed 20 September 2026. II 423
  103. “Art Blocks, "Two Mathematicians by BY MA", collection page (Factory, released 8 February 2022).” https://www.artblocks.io/collection/two-mathematicians-by-by-ma;. Accessed 20 September 2026. II 464
  104. “Art Blocks, "Utopia #4 by ge1doot", token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/15000004. Accessed 20 September 2026. II 016
  105. “Art Blocks, "Utopia by ge1doot", collection page. Read 20 September 2026.” https://www.artblocks.io/collection/utopia-by-ge1doot. Accessed 20 September 2026. I Ferrandez; II 016
  106. “Art Blocks, "View Card by Jeff Davis", collection page, read 20 September 2026.” https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/6. Accessed 20 September 2026. II 006
  107. “Art Blocks, "while true by Lars Wander", collection page with artist biography. Read 20 September 2026.” https://www.artblocks.io/marketplace/collections/while-true-by-lars-wander. Accessed 20 September 2026. II 492
  108. “Art Blocks, "William Mapan" artist page.” https://www.artblocks.io/artists/william-mapan. Accessed 20 September 2026. I Mapan; II 294
  109. “Art Blocks, "Woman, Life, Freedom by Armaghan Fatemi", collection page. Read 21 September 2026.” https://www.artblocks.io/collection/woman-life-freedom-by-armaghan-fatemi. Accessed 20 September 2026. I Fatemi; II 464
  110. “Art Blocks, "World Flag by John Gerrard", collection page.” https://www.artblocks.io/collection/world-flag-by-john-gerrard. Accessed 20 September 2026. I Gerrard; II 315
  111. “Art Blocks, Anticyclone collection page, listings as viewed 2026-09-20.” https://www.artblocks.io/collection/anticyclone-by-william-mapan. Accessed 20 September 2026. I Mapan; II 294
  112. “Art Blocks, artist page "ippsketch".” https://www.artblocks.io/artists/ippsketch. Accessed 20 September 2026. I ippsketch; II 379
  113. “Art Blocks, artist page "pxlq". Read 21 September 2026.” https://www.artblocks.io/artists/pxlq. Accessed 20 September 2026. I pxlq; II 020; II 078; II 079
  114. “Art Blocks, artist page for HIDΞ0. Read 20 September 2026.” https://www.artblocks.io/artists/hideo. Accessed 20 September 2026. I HIDΞ0; II 075
  115. “Art Blocks, artist page for Zeblocks.” https://www.artblocks.io/artists/zeblocks. Accessed 20 September 2026. II 013
  116. “Art Blocks, artist profile "LIA", address 0xf48e3a3bcca259005527f395c4080cd68a80a0fe.” https://www.artblocks.io/user/0xf48e3a3bcca259005527f395c4080cd68a80a0fe. Accessed 20 September 2026. II 335
  117. “Art Blocks, artist profile, "Armaghan Fatemi".” https://www.artblocks.io/artists/armaghan-fatemi. Accessed 20 September 2026. II 464
  118. “Art Blocks, artist profile, "Bryan Brinkman".” https://www.artblocks.io/artists/bryan-brinkman. Accessed 20 September 2026. II 011
  119. “Art Blocks, artist profile, Maksim Hapeyenka. Read 20 September 2026.” https://www.artblocks.io/artists/maksim-hapeyenka. Accessed 20 September 2026. II 220
  120. “Art Blocks, KARMA by KALA project page.” https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/414. Accessed 20 September 2026. II 408
  121. “Art Blocks, token page for Squares and Triangles #64, showing AB5D as owner. Read 20 September 2026.” https://www.artblocks.io/marketplace/asset/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/218000064. Accessed 20 September 2026. II 220
  122. “Art Blocks, token page for Squares and Triangles #72 (owner drCCO) and profile of 0xd4f11b5f55c20fc71c4d533d1d4c1106747a9772. Read 21 September 2026.” https://www.artblocks.io/token/218000072. Accessed 20 September 2026. II 220
  123. “Ashima Arts and Stefan Gustavson, webgl-noise licence (MIT).” https://raw.githubusercontent.com/ashima/webgl-noise/master/LICENSE. Accessed 20 September 2026. II 022; II 198; II 230
  124. “Creative Commons, "Attribution-NonCommercial 4.0 International" deed.” https://creativecommons.org/licenses/by-nc/4.0/. Accessed 20 September 2026. II 001; II 007; II 017; II 018; II 022; II 026; II 028; II 029; II 032; II 033; II 034; II 035; II 040; II 042; II 044; II 047; II 049; II 050; II 052; II 056; II 059; II 072; II 074; II 076; II 077; II 084; II 088; II 090; II 091; II 092; II 095; II 098; II 103; II 105; II 110; II 134; II 160; II 161; II 163; II 170; II 177; II 183; II 184; II 187; II 188; II 189; II 194; II 195; II 196; II 197; II 198; II 208; II 216; II 218; II 222; II 223; II 225; II 226; II 227; II 230; II 232; II 233; II 234; II 236; II 237; II 238; II 242; II 244; II 245; II 255; II 256; II 257; II 262; II 263; II 264; II 265; II 270; II 271; II 275; II 277; II 278; II 279; II 282; II 289; II 292; II 294; II 298; II 299; II 300; II 301; II 302; II 305; II 308; II 309; II 310; II 314; II 316; II 317; II 318; II 321; II 331; II 336; II 337; II 346; II 350; II 352; II 362; II 363; II 365; II 366; II 367; II 368; II 373; II 376; II 378; II 380; II 384; II 386; II 390; II 393; II 394; II 396; II 397; II 398; II 399; II 401; II 402; II 407; II 410; II 412; II 415; II 416; II 417; II 419; II 420; II 421; II 424; II 426; II 430; II 433; II 434; II 435; II 436; II 437; II 439; II 440; II 441; II 442; II 445; II 446; II 447; II 449; II 452; II 453; II 454; II 455; II 456; II 458; II 459; II 460; II 461; II 462; II 463; II 467; II 470; II 471; II 473; II 474; II 479; II 481; II 482; II 483; II 484; II 485; II 486; II 488; II 491; II 494; II 495; II 498
  125. “Creative Commons, Attribution 4.0 International, legal code.” https://creativecommons.org/licenses/by/4.0/legalcode. Accessed 20 September 2026. II 418
  126. “Creative Commons, Attribution-NonCommercial-ShareAlike 4.0 International deed.” https://creativecommons.org/licenses/by-nc-sa/4.0/deed.en. Accessed 20 September 2026. II 492
  127. “Erick Calderon (Snowfro), "In Conversation with Jeff Davis", Art Blocks Journal, 7 February 2021.” https://www.artblocks.io/articles/in-conversation-with-jeff-davis. Accessed 20 September 2026. I Davis; II 001; II 017
  128. “Erick Calderon (Snowfro), "Introducing Art Blocks 500", Art Blocks.” https://www.artblocks.io/articles/art-blocks-500-complete-collection. Accessed 20 September 2026. I REMO x DCsan; I Santiago; I Tan; I Whitman; I greatjones; I tuplart; I xenoliss; I Åström; II 016; II 205; II 220; II 379; II 408; II 418; II 423; II 457; II 497
  129. “Etherscan address pages for 0xecba5f51925e6ccec26da38dcd7d5305f6bdfbcb (manyjeans.eth), 0xef80395b4943e1741c92a6f2119eba58cfed889a (gnz0.eth) and 0xd6dd6961d3224958fcd306b76a991ab974ec1ebc (purplehat.eth), read 21 September 2026; OpenSea profile for 0xdcd4bfd2fbc2d3274c9b7ff9eb708edc4f6fb283 (no ENS name).” https://etherscan.io/address/. Accessed 20 September 2026. II 110
  130. “Etherscan address pages, read 21 September 2026: talmadge.eth,.” https://etherscan.io/address/0x5a5617ba16beba3d04ae3c6b1e9d522c1856763c. Accessed 20 September 2026. II 418
  131. “Etherscan transaction pages, read 20 September 2026: #1 mint,.” https://etherscan.io/tx/0x3ff01eb60fcfa815b47307fde86217eb6ddfc07dbd675f1eb23a339c161b8fc6;. Accessed 20 September 2026. II 319
  132. “Etherscan transaction records, read 21 September 2026 via.” https://etherscan.io/tx/. Accessed 20 September 2026. II 110; II 454
  133. “Etherscan, "100 PRINT #47". Read 21 September 2026.” https://etherscan.io/nft/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/310000047. Accessed 20 September 2026. II 301
  134. “Etherscan, address 0x0950B9217D745C2f6fcC26F9EE02676de7aBE6D0 ("WhaleStreet: Deployer"). Read 21 September 2026.” https://etherscan.io/address/0x0950b9217d745c2f6fcc26f9ee02676de7abe6d0. Accessed 20 September 2026. II 078
  135. “Etherscan, address 0x354eB0F1138B821eD4Ed87daeC492D598a1A1a0c. Read 21 September 2026.” https://etherscan.io/address/0x354eB0F1138B821eD4Ed87daeC492D598a1A1a0c. Accessed 20 September 2026. II 079
  136. “Etherscan, address 0x43cc80b0d94c86c0c1184d1a0eec42fbe51a00a9 (ralgo.eth).” https://etherscan.io/address/0x43cc80b0d94c86c0c1184d1a0eec42fbe51a00a9. Accessed 20 September 2026. II 457
  137. “Etherscan, address 0x9c718ebbf5c709667cd3bc24d957d8f898131dd2 (birth-ent.eth), the project's artist address. Read 21 September 2026 by automated extraction.” https://etherscan.io/address/0x9c718ebbf5c709667cd3bc24d957d8f898131dd2. Accessed 20 September 2026. II 220
  138. “Etherscan, address 0x9e37bdc1efd5828465dfc3fce33ae1cc47e0439a.” https://etherscan.io/address/0x9e37bdc1efd5828465dfc3fce33ae1cc47e0439a. Accessed 20 September 2026. II 457
  139. “Etherscan, address 0xd1aae7eb26b1053b23b20a4a40cf29acb71b19a0 (PullSplit contract). Read 2026-09-21.” https://etherscan.io/address/0xd1aae7eb26b1053b23b20a4a40cf29acb71b19a0. Accessed 20 September 2026. II 416
  140. “Etherscan, address page for owenmoore.eth (holder of #25). Read 21 September 2026.” https://etherscan.io/address/0xf429690d7f1b2ef1dd77c150831f4367e366aeac. Accessed 20 September 2026. II 366
  141. “Etherscan, address page for the 14-token holder (Safe smart account). Read 21 September 2026.” https://etherscan.io/address/0x76d078d7e5755b66ff50166863329d27f2566b43. Accessed 20 September 2026. II 366
  142. “Etherscan, address page for the holder of #46 (first funded by mikelazar.eth). Read 21 September 2026.” https://etherscan.io/address/0xf45cb1c1d2b1184c0137a822d6171f86a0608608. Accessed 20 September 2026. II 366
  143. “Etherscan, address pages for 0x9722d218f61128623addbf618d291ac33777805b and 0x0f0eae91990140c560d4156db4f00c854dc8f09e. Read 21 September 2026.” https://etherscan.io/address/0x0f0eae91990140c560d4156db4f00c854dc8f09e. Accessed 20 September 2026. II 111
  144. “Etherscan, Art Blocks token 260000021 (Non Either #21). Read 21 September 2026.” https://etherscan.io/nft/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/260000021. Accessed 20 September 2026. II 251
  145. “Etherscan, Art Blocks token 260000093 (Non Either #93). Read 21 September 2026.” https://etherscan.io/nft/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/260000093. Accessed 20 September 2026. II 251
  146. “Etherscan, Art Blocks tokens 292000013 and 292000051 (Corners #13 and #51). Read 21 September 2026.” https://etherscan.io/nft/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/292000013. Accessed 20 September 2026. II 285
  147. “Etherscan, bulk transfers to ab500dao.eth, 7 and 19 September 2025.” https://etherscan.io/tx/0x6bfcc557bcee94c6bf5b13ae87ca1ced7c7cf909b3e55a8949b28ce1f41f6301. Accessed 20 September 2026. II 478
  148. “Etherscan, Coalition #11 (token 420000011): owner ab500dao.eth and last sale. Read 2026-09-21.” https://etherscan.io/nft/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/420000011. Accessed 20 September 2026. II 416
  149. “Etherscan, Coalition #21 (token 420000021): owner and last sale. Read 2026-09-21.” https://etherscan.io/nft/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/420000021. Accessed 20 September 2026. II 416
  150. “Etherscan, Coalition #27 (token 420000027): owner and last sale. Read 2026-09-21.” https://etherscan.io/nft/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/420000027. Accessed 20 September 2026. II 416
  151. “Etherscan, Coalition #36 (token 420000036): owner and last sale. Read 2026-09-21.” https://etherscan.io/nft/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/420000036. Accessed 20 September 2026. II 416
  152. “Etherscan, contract 0x742fd09cbbeb1ec4e3d6404dfc959a324deb50e6 (NFTStrategyRange, SquiggleStrategy), with verified source. Read 21 September 2026.” https://etherscan.io/address/0x742fd09cbbeb1ec4e3d6404dfc959a324deb50e6#code. Accessed 20 September 2026. II 002
  153. “Etherscan, mint of #5, transaction 0xf21624a3d780c18c010779befa63a41f26dee0d50757a33af1476f8f3b8e5c93, 28 November 2022.” https://etherscan.io/tx/0xf21624a3d780c18c010779befa63a41f26dee0d50757a33af1476f8f3b8e5c93. Accessed 20 September 2026. II 379
  154. “Etherscan, mint of #99, transaction 0xaf8024128a3d850adc8b1003032f1aa0f31bc300056b768561852e483eeff1b6, 28 November 2022.” https://etherscan.io/tx/0xaf8024128a3d850adc8b1003032f1aa0f31bc300056b768561852e483eeff1b6. Accessed 20 September 2026. II 379
  155. “Etherscan, mint transaction of Contractions #1, 28 October 2022.” https://etherscan.io/tx/0xfe43ea80dd2a06bac7ef2f89e4348bb0d73a05ad4d232b6e589237c6831428fd. Accessed 20 September 2026. II 366
  156. “Etherscan, mint transaction of Contractions #141, 28 October 2022.” https://etherscan.io/tx/0x9103f647137efe49c6f9239f87a13be2143f5b1e7bdf725ef641136cc2ceff0b. Accessed 20 September 2026. II 366
  157. “Etherscan, mint transactions for Corners #0 (0xaec8e19c…), #1 (0xd7119c23…), #2 (0x6eaeb1fa…), #3 (0xc984a2c1…), #13 (0x099ad6ab…) and #51 (0x729bf261…), hashes from the Art Blocks index, with the artist's address page. Read 21 September 2026.” https://etherscan.io/tx/0xd7119c23d0440243efafbb14bdeec3b1659757d147e38903d96d38d4fbe4cf04. Accessed 20 September 2026. II 285
  158. “Etherscan, mint transactions for project 330 on the Art Blocks minter 0xD94C7060808f3c876824E57e685702f3834D2e13:.” https://etherscan.io/tx/0xd48c24063e37124e120fb88664e8e7ada3c8c585d666867477c67b74f344b83f. Accessed 20 September 2026. II 326
  159. “Etherscan, MinterDAExpSettlementV1, contract 0xfdE58c821D1c226b4a45c22904de20b114EDe7E7, created by Art Blocks: Deployer 2. Read 21 September 2026.” https://etherscan.io/address/0xfdE58c821D1c226b4a45c22904de20b114EDe7E7. Accessed 20 September 2026. II 454
  160. “Etherscan, MirrorDutchAuctionProxy 0xeADDbe18595ef7a45c540ecD01a12997856D6983 (the "100 Print | Draft Pick" drop). Read 21 September 2026.” https://etherscan.io/address/0xeADDbe18595ef7a45c540ecD01a12997856D6983. Accessed 20 September 2026. II 301
  161. “Etherscan, NFT page for Contractions #157 (last sale) and address page for jasonoutland.eth. Read 21 September 2026.” https://etherscan.io/nft/0x64780ce53f6e966e18a22af13a2f97369580ec11/3000157. Accessed 20 September 2026. II 366
  162. “Etherscan, NFT page for Contractions #46 (last sale). Read 21 September 2026.” https://etherscan.io/nft/0x64780ce53f6e966e18a22af13a2f97369580ec11/3000046. Accessed 20 September 2026. II 366
  163. “Etherscan, NFT page for Seasky #54.” https://etherscan.io/nft/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/459000054. Accessed 20 September 2026. II 457
  164. “Etherscan, NFT pages for tokens 111000000, 111000007, 111000008, 111000015, 111000020, 111000031, 111000032, 111000039 and 111000043, "Last Sale (Item)" and owner fields. Read 21 September 2026.” https://etherscan.io/nft/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/111000015. Accessed 20 September 2026. II 111
  165. “Etherscan, OpenSea purchase of #48 for 0.1295 ETH, 14 August 2025.” https://etherscan.io/tx/0x24448ae4f3bede0e08f973d6a33f5c8e1f2269bfe6103d77550e9c6c243d61a6. Accessed 20 September 2026. II 478
  166. “Etherscan, OpenSea purchase of #97 for 0.147 ETH, 14 August 2025.” https://etherscan.io/tx/0xc1c365d32347899580063e82a7643a35c793bbb674da7fb36a0fa4ceb8b82315. Accessed 20 September 2026. II 478
  167. “Etherscan, OpenSea sales of #5: 29 November 2022 (.” https://etherscan.io/tx/0x523b737849c422d363cd47a1ed54af7e8458f181920609a669cfcfc7894ace5e),. Accessed 20 September 2026. II 379
  168. “Etherscan, primary-market transactions for SL/CE, read 21 September 2026: #0 purchase, 16 February 2023,.” https://etherscan.io/tx/0x3950e138c1afcb3d04aa5dde88054e3d7adfd4f8ac53475b0bdc647c739de3f1. Accessed 20 September 2026. II 418
  169. “Etherscan, primary-sale and transfer pages, read 20 to 21 September 2026: #2.” https://etherscan.io/tx/0x9cefcd838c8f2092128c7e21210772fede00b51de12db1ccc34dd6acfb89b423. Accessed 20 September 2026. II 425
  170. “Etherscan, Seaport offer fulfilment including #48, 14 September 2024.” https://etherscan.io/tx/0x16519d590dda2074bb022fcadee8f0c82250699d9810f0b5bd0717d1072c9f2e. Accessed 20 September 2026. II 478
  171. “Etherscan, secondary transactions for SL/CE, read 21 September 2026: #5.” https://etherscan.io/tx/0xefb74441f76d1c1a8190af6d247cbe6e704afd4493ea06ff8a59e6b7c58bebae. Accessed 20 September 2026. II 418
  172. “Etherscan, secondary-sale transaction pages, read 21 September 2026: #31.” https://etherscan.io/tx/0x4cd4d6c4e4b44c1ffa71a13fcdad193042235ba32e9be8e6bba6264e1ed8632a. Accessed 20 September 2026. II 425
  173. “Etherscan, transaction 0x009cebe9…36e31c, Seaport 1.6, 0.0701 WETH, token 80000066, 14 August 2025.” https://etherscan.io/tx/0x009cebe93566c0c50e4936c6e7cc1cd3a0c0098b38b47a2d90cca31b2236e31c. Accessed 20 September 2026. II 079
  174. “Etherscan, transaction 0x09c24fff…dac75: purchase of #36, 0.67 ETH sent, 13 March 2023.” https://etherscan.io/tx/0x09c24fff2c1809eed8d3648fe3a6fcda9d33a31ac41226ffbdc6f421b54dac75. Accessed 20 September 2026. II 416
  175. “Etherscan, transaction 0x0e1a7cdc…0fce9e, mintWithRandomness (randomResult 87) from WhaleStreet: Deployer, token 79000092, 23 September 2021.” https://etherscan.io/tx/0x0e1a7cdc665bfae8a656362edcf719a6af39cb432dc768ad48848430eb0fce9e. Accessed 20 September 2026. II 078
  176. “Etherscan, transaction 0x104d7eb0…a4ef0133b, Seaport 1.6 fulfillAvailableAdvancedOrders, 0.189 ETH for tokens 79000037 and 79000069, 22 September 2025.” https://etherscan.io/tx/0x104d7eb056ea11bafb2b10eff5c32f8a6548973dd42bfc1a044c107a4ef0133b. Accessed 20 September 2026. II 078
  177. “Etherscan, transaction 0x350a9d87…e8e4: OpenSea sale of #11 for 0.222 ETH, 22 September 2025.” https://etherscan.io/tx/0x350a9d874c34480e9e4411ab71af71a821503bead52b8bb59738107dd2f4e8e4. Accessed 20 September 2026. II 416
  178. “Etherscan, transaction 0x42ed2540…0c20b, OpenSea Wyvern atomicMatch_, 3 ETH, token 80000003, 22 August 2021.” https://etherscan.io/tx/0x42ed254086d3d770442c96193db508aedd04cfd324bf7fe33d4b7a8426f0c20b. Accessed 20 September 2026. II 079
  179. “Etherscan, transaction 0x49191fe3…04cf233, OpenSea Wyvern atomicMatch_, 3.65 ETH, token 79000077 to 7564.eth, 27 August 2021.” https://etherscan.io/tx/0x49191fe38aa1e415dec846f2467e7d9607ca5d1fb86812b310ce9133b04cf233. Accessed 20 September 2026. II 078
  180. “Etherscan, transaction 0x5075a537…da0899, Chainlink VRF Coordinator V1 fulfillRandomnessRequest, token 80000066, 31 August 2021.” https://etherscan.io/tx/0x5075a5375b78f97d68061afff2d6f239d5abe9f2ddf5fe565ed550e3acda0899. Accessed 20 September 2026. II 079
  181. “Etherscan, transaction 0x5093c641…970d2: transfer of #36 to 0xecc6…2cdb, 13 March 2023.” https://etherscan.io/tx/0x5093c6413142fb7b275e4722d197130068e2c20adf3a24ae97a1dd70ed5970d2. Accessed 20 September 2026. II 416
  182. “Etherscan, transaction 0x54727a6a…1f5446, Chainlink VRF Coordinator V1 fulfillRandomnessRequest, token 79000069 to zest.eth, 19 August 2021.” https://etherscan.io/tx/0x54727a6a4b6b377785c3c5bcd486c9c6286986e2805e99d44c983c808f1f5446. Accessed 20 September 2026. II 078
  183. “Etherscan, transaction 0x5c03107b…71c545, mintWithRandomness from WhaleStreet: Deployer, token 79000000, 1 June 2021.” https://etherscan.io/tx/0x5c03107bce5d5f7d7059cf98f510d9f7783ea0850dfa4c596be4ee0af271c545. Accessed 20 September 2026. II 078
  184. “Etherscan, transaction 0x5dbe9707…80440e5, OpenSea Wyvern atomicMatch_, 2.9 ETH, token 79000070, 24 August 2021.” https://etherscan.io/tx/0x5dbe970717fec0bf8d277d3931982783a6055749c74b56e3be13ca8eb80440e5. Accessed 20 September 2026. II 078
  185. “Etherscan, transaction 0x6e5578b6…25617: bulk transfer including #0 from 0xecc6…2cdb, 27 September 2024.” https://etherscan.io/tx/0x6e5578b6e852bf48bfee8415f2ce773f4c16e4c7962ddd7dc0110127ebe25617. Accessed 20 September 2026. II 416
  186. “Etherscan, transaction 0x76c51be5…cfaab6d, OpenSea Wyvern atomicMatch_, 1 ETH, token 79000037 to frostwood.eth, 3 October 2021.” https://etherscan.io/tx/0x76c51be518c9efcb1547d8bf0516565692bbe994b6e58329293ca5e41cfaab6d. Accessed 20 September 2026. II 078
  187. “Etherscan, transaction 0x7baf3c8a…c362, Seaport 1.6, 0.15 ETH, Art Blocks token 20000133, 27 September 2025. Read 21 September 2026.” https://etherscan.io/tx/0x7baf3c8a15dffd68912dfc75b0d997a2c1fce29c35d489c6b6fed166f827c362. Accessed 20 September 2026. II 020
  188. “Etherscan, transaction 0x8782c154…5260d0, Seaport 1.6 fulfillAdvancedOrder, 0.05 WETH, token 79000037, 27 August 2025.” https://etherscan.io/tx/0x8782c154fe3c5d73aa9f596b85d705132a6ee9349ad2fa5f0b633b9bab5260d0. Accessed 20 September 2026. II 078
  189. “Etherscan, transaction 0x8b8b8af2…51c4e8, with the ENS label silversurfer888.eth for 0x207b3C1083a62E282d375A11F52730879CbfBbbB.” https://etherscan.io/tx/0x8b8b8af2c7af83eb21370204d0b293b615735b7b029168a869260be96151c4e8. Accessed 20 September 2026. II 078; II 079
  190. “Etherscan, transaction 0x8c6071d8…2262: OpenSea purchase of #21 (0.6 ETH) and #27 (0.69 ETH) by jabulon.eth, 14 March 2023.” https://etherscan.io/tx/0x8c6071d8b938b8a9f92b5ec7f13eaf9cf9bd706bbb0e8b4a840334d562b32262. Accessed 20 September 2026. II 416
  191. “Etherscan, transaction 0x91fd29e6…1403f: purchase of Coalition #0 by 0xecc6…2cdb through MinterSetPriceV2 for 0.35 ETH, 7 February 2023.” https://etherscan.io/tx/0x91fd29e65a6898fc5abb246fa27d3160630afa5f4907dcdc5f1130f3cd21403f. Accessed 20 September 2026. II 416
  192. “Etherscan, transaction 0x9f96e77a…ae1201, OpenSea Wyvern atomicMatch_, 3 ETH, token 79000070 from riverryan.eth, 22 August 2021.” https://etherscan.io/tx/0x9f96e77aca48dad96f07528393cd1faf3804896e707dd6d83bfcc1c326ae1201. Accessed 20 September 2026. II 078
  193. “Etherscan, transaction 0xa563bc17…d8a3: OpenSea sale of #36 from 0xecc6…2cdb to p1cky.eth for 0.7875 WETH, 22 March 2023.” https://etherscan.io/tx/0xa563bc1755fd9ad533367302f6ae65b259c0a4234dd07c1d290aeca4e2a3d8fa. Accessed 20 September 2026. II 416
  194. “Etherscan, transaction 0xb131efde…58b5: first public purchase (#1), 1.4 ETH sent to the settlement minter, 13 March 2023.” https://etherscan.io/tx/0xb131efde4d8871487ceb3bb176ff7c9600d7b338bff888f516165596b50d58b5. Accessed 20 September 2026. II 416
  195. “Etherscan, transaction 0xbdf4cac7…f321c, Seaport 1.6, 0.1647 ETH, token 80000066, 24 September 2025.” https://etherscan.io/tx/0xbdf4cac7125256f95332899315b31e692d59af5be75ac77d168f8c6b702f321c. Accessed 20 September 2026. II 079
  196. “Etherscan, transaction 0xc6e406c1…9a83c4, mintWithRandomness from WhaleStreet: Deployer, token 80000000, 1 June 2021.” https://etherscan.io/tx/0xc6e406c135c1f7724ff285c37ced8a1be09e2aefb640f9b0a3a0018c0a9a83c4. Accessed 20 September 2026. II 079
  197. “Etherscan, transaction 0xd44555d6…685d4c, OpenSea Wyvern v1, 12.5 ETH, Art Blocks token 20000010, 27 August 2021. Read 21 September 2026.” https://etherscan.io/tx/0xd44555d6632f8006c36d7598bc3a45989c5d911190eba4c49d52ee00e6685d4c. Accessed 20 September 2026. II 020
  198. “Etherscan, transaction 0xe6e33b90…7e9af, OpenSea Wyvern atomicMatch_, 1.5 ETH, token 80000003, 7 August 2021.” https://etherscan.io/tx/0xe6e33b90a178600703672f57dd4d296ee4b5b5ed85476484defd908c1017e9af. Accessed 20 September 2026. II 079
  199. “Etherscan, transaction 0xedee1af5…69af7: bulk transfer including #0 to alexvault.eth, 12 October 2024.” https://etherscan.io/tx/0xedee1af519ecf87683e74b82c7b9166289b32c1caa760f2d3466ec1838c69af7. Accessed 20 September 2026. II 416
  200. “Etherscan, transaction minting #1 through MinterSetPriceMerkleV5, 14 December 2023, and the minter contract page. Read 2026-09-21.” https://etherscan.io/tx/0xe3e9b1c84c51b7c742c53970adf5eed6ea8b961551edc00ecddc246cc1a439b7. Accessed 20 September 2026. II 478
  201. “Etherscan, transaction minting #54 through the Dutch-auction minter, 18 December 2023. Read 2026-09-21.” https://etherscan.io/tx/0x0042a2595b8448ba40e14eaff1c1d362c50e6424c322955a00e3463de731715c. Accessed 20 September 2026. II 478
  202. “Etherscan, transactions labelled as phishing, read 21 September 2026: #9, 7 July 2023,.” https://etherscan.io/tx/0xa96b532e28bd7ca0c1722208f57bf32678b383f5be9f1261b2a1786805fa3434. Accessed 20 September 2026. II 418
  203. “Hannah Vanek, "In Conversation With Matt and John of Larva Labs", OpenSea, 9 October 2025.” https://opensea.io/blog/articles/in-conversation-with-matt-and-john-of-larva-labs. Accessed 20 September 2026. I Larva Labs; II 497
  204. “JD, "In Conversation with Matt DesLauriers on Subscapes", Art Blocks (undated).” https://www.artblocks.io/articles/in-conversation-with-matt-deslauriers-on-subscapes. Accessed 20 September 2026. I DesLauriers; II 053
  205. “Jean-Michel Pailhon, "Reflection on Emily Xie's Memories of Qilin", Art Blocks Journal.” https://www.artblocks.io/articles/reflection-on-emily-xie-memories-of-qilin. Accessed 20 September 2026. I Xie; II 276
  206. “Jeff Davis, "In Conversation with Bryan Brinkman on NimBuds", Art Blocks, 14 January 2021.” https://www.artblocks.io/articles/in-conversation-with-bryan-brinkman-on-nimbuds. Accessed 20 September 2026. II 011
  207. “Jeff Davis, "In Conversation with Casey REAS on CENTURY", Art Blocks (date not shown on page).” https://www.artblocks.io/articles/in-conversation-with-casey-reas-on-century. Accessed 20 September 2026. I REAS; II 100; II 365
  208. “Jeff Davis, "In Conversation with Dmitri Cherniak", Art Blocks, 2021.” https://www.artblocks.io/articles/in-conversation-with-dmitri-cherniak. Accessed 20 September 2026. I Cherniak; II 014
  209. “Jeff Davis, "In Conversation with Guillaume (Arsonic) of Zeblocks", Art Blocks Spectrum.” https://www.artblocks.io/info/spectrum/in-conversation-with-guillaume-arsonic-of-zeblocks. Accessed 20 September 2026. II 013
  210. “Jeff Davis, "In Conversation with Monica Rizzolli", Art Blocks Spectrum.” https://www.artblocks.io/info/spectrum/in-conversation-with-monica-rizzolli. Accessed 20 September 2026. II 155
  211. “Jeff Davis, "In Conversation with Tyler Hobbs on Fidenza", Art Blocks, 4 June 2021.” https://www.artblocks.io/articles/in-conversation-with-tyler-hobbs-on-fidenza. Accessed 20 September 2026. I Hobbs; II 082
  212. “Jeff Davis, "In Conversation with William Mapan", Art Blocks, 27 April 2022.” https://www.artblocks.io/articles/in-conversation-with-william-mapan. Accessed 20 September 2026. I Mapan; II 294
  213. “Jordan Kantor, "In Conversation with Aaron Boyarsky (ixnayokay) on because unless until", Art Blocks (undated in the copy read).” https://www.artblocks.io/articles/in-conversation-with-aaron-boyarsky-ixnayokay-on-because-unless-until. Accessed 20 September 2026. I Boyarsky; II 172
  214. “Jordan Kantor, "In Conversation with Casey REAS on Pre-Process", Art Blocks, 2022 (before release; exact date not shown).” https://www.artblocks.io/articles/in-conversation-with-casey-reas-on-pre-process. Accessed 20 September 2026. I REAS; II 385
  215. “Jordan Kantor, "In Conversation with James Merrill", Art Blocks.” https://www.artblocks.io/articles/in-conversation-with-james-merrill. Accessed 20 September 2026. I Merrill; II 495
  216. “Jordan Kantor, "In Conversation with Kim Asendorf on Cargo", Art Blocks, 27 March 2023.” https://www.artblocks.io/info/spectrum/in-conversation-with-kim-asendorf-on-cargo. Accessed 20 September 2026. II 422
  217. “Jordan Kantor, "In Conversation with Per Kristian Stoveland", Art Blocks Spectrum (undated).” https://www.artblocks.io/info/spectrum/in-conversation-with-per-kristian-stoveland. Accessed 20 September 2026. II 398
  218. “Karthik Ram, wesanderson R package, palette definitions.” https://raw.githubusercontent.com/karthik/wesanderson/master/R/colors.R. Accessed 20 September 2026. II 020; II 078; II 079
  219. “KeyMinter2, 0x262E6B790B0513c662df1f688A4c9cA1275b0c7e, verified source (HEART_BEAT_START_TIME, EPOCH_PERIOD, SEASON_START_EPOCH), as read for the companion warning essay.” https://etherscan.io/address/0x262E6B790B0513c662df1f688A4c9cA1275b0c7e. Accessed 20 September 2026. II 078
  220. “Local renders of #0, #15, #30, #48, #97 and #103 in headless Chromium with p5.js 1.0.0 (npm package), at 310, 620 and 1,240 pixels, run to the automatic pause; p5.js 1.0.0 source for colorMode, lerpColor, setAlpha and the p5.Color constructor; dimensions of the media proxy renders of #48 and #97. Author's own tests, 2026-09-20. Live renderer:.” https://generator.artblocks.io/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/473000048. Accessed 20 September 2026. II 478
  221. “Megan DeMatteo, "In Conversation With Jeff Davis", OpenSea, 24 March 2025.” https://opensea.io/blog/articles/in-conversation-with-jeff-davis. Accessed 20 September 2026. I Davis; II 006; II 206
  222. “NFT License 2.0.” https://www.nftlicense.org/. Accessed 20 September 2026. II 011; II 016; II 058; II 060; II 063; II 065; II 069; II 073; II 081; II 101; II 102; II 104; II 111; II 115; II 141; II 144; II 153; II 175; II 176; II 178; II 186; II 191; II 241; II 327
  223. “NiftyFifty (SquiggleDAO), "Inside the Algorithm: A Journey Through Squiggle Metadata", Art Blocks Journal.” https://www.artblocks.io/articles/chromie-squiggle-algorithm-guide. Accessed 20 September 2026. I Calderon; I steen; I Åström; II 003
  224. “OpenSea Crew, "Spotlight, January 2021", OpenSea blog, 29 January 2021.” https://opensea.io/blog/articles/spotlight-january-2021. Accessed 20 September 2026. II 020; II 079
  225. “OpenSea, "100 PRINT by Ben Kovach" collection page. Read 21 September 2026.” https://opensea.io/collection/100-print-by-ben-kovach. Accessed 20 September 2026. I Kovach; II 301
  226. “OpenSea, "3:19 by Santiago." collection page. Read 20 September 2026.” https://opensea.io/collection/3-19-by-santiago. Accessed 20 September 2026. II 319
  227. “OpenSea, "70s Pop Ghost Haunted" collection, contract 0x495f947276749ce646f68ac8c248420045cb7b5e. Read 21 September 2026.” https://opensea.io/collection/revdancatts-70s-pop-ghost-haunted. Accessed 20 September 2026. II 111
  228. “OpenSea, "Being Yourself While Fitting In by LIA" collection page. Read 20 September 2026 by automated extraction.” https://opensea.io/collection/being-yourself-while-fitting-in-by-lia. Accessed 20 September 2026. II 335
  229. “OpenSea, "Coalition by Generative Artworks" collection page, top sales. Read 2026-09-21 by automated extraction.” https://opensea.io/collection/coalition-by-generative-artworks. Accessed 20 September 2026. II 416
  230. “OpenSea, "Contractions by Loie Hollowell" collection page. Read 21 September 2026.” https://opensea.io/collection/contractions-by-loie-hollowell. Accessed 20 September 2026. II 366
  231. “OpenSea, "Corners by Rafaël Rozendaal" collection page. Read 21 September 2026.” https://opensea.io/collection/corners-by-rafael-rozendaal. Accessed 20 September 2026. II 285
  232. “OpenSea, "Fluiroso by Sebastián Brocher (CryptoArte)", collection page. Read 2026-09-21.” https://opensea.io/collection/fluiroso-by-sebastian-brocher-cryptoarte. Accessed 20 September 2026. II 478
  233. “OpenSea, "Golden Token | Reflections" collection page, contract 0x802c30ebd6806fce10176727a9a1874d0dc08cf7, read 20 September 2026.” https://opensea.io/collection/golden-token-reflections. Accessed 20 September 2026. II 206
  234. “OpenSea, "ilumz by Wolffia Inc. & Motus Art", collection, activity and #25 pages. Read 21 September 2026 via automated extraction.” https://opensea.io/collection/ilumz-by-wolffia-inc-motus-art. Accessed 20 September 2026. I Motus Art; I Wolffia Inc; II 425
  235. “OpenSea, "Nebula by RVig" collection page, read 21 September 2026 (automated extraction).” https://opensea.io/collection/nebula-by-rvig. Accessed 20 September 2026. II 205
  236. “OpenSea, "Non Either by Rafaël Rozendaal" collection page. Read 21 September 2026.” https://opensea.io/collection/non-either-by-rafael-rozendaal. Accessed 20 September 2026. II 251
  237. “OpenSea, "Pre-Process by Casey REAS" collection page. Read 20 September 2026.” https://opensea.io/collection/pre-process-by-casey-reas. Accessed 20 September 2026. II 385
  238. “OpenSea, "Reflection by Jeff Davis" collection page, read 20 September 2026.” https://opensea.io/collection/reflection-by-jeff-davis. Accessed 20 September 2026. II 206
  239. “OpenSea, "Space Debris [m'aider] by WhaleStreet x pxlq" collection page. Read 21 September 2026.” https://opensea.io/collection/space-debris-m-aider-by-whalestreet-x-pxlq. Accessed 20 September 2026. II 078
  240. “OpenSea, "Space Debris [warning] by WhaleStreet x pxlq" collection page, with listings and last-sale prices. Read 21 September 2026.” https://opensea.io/collection/space-debris-warning-by-whalestreet-x-pxlq. Accessed 20 September 2026. II 079
  241. “OpenSea, "Squares and Triangles #17" item page (owner artbydots). Read 21 September 2026 by automated extraction.” https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/218000017. Accessed 20 September 2026. II 220
  242. “OpenSea, "Squares and Triangles by Maksim Hapeyenka" collection activity feed. Read 21 September 2026 by automated extraction; prices shown in US dollars, undated.” https://opensea.io/collection/squares-and-triangles-by-maksim-hapeyenka/activity. Accessed 20 September 2026. II 220
  243. “OpenSea, "The OpenSea Flagship Collection".” https://opensea.io/learn/nft/the-opensea-flagship-collection. Accessed 20 September 2026. II 011
  244. “OpenSea, "transparency by usnea", collection page, read through automated extraction on 20 September 2026 (figures unconfirmed).” https://opensea.io/collection/transparency-by-usnea. Accessed 20 September 2026. II 423
  245. “OpenSea, "Utopia #21", item page. Read 20 September 2026.” https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/15000021. Accessed 20 September 2026. II 016
  246. “OpenSea, "Utopia #216", item page. Read 20 September 2026.” https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/15000216. Accessed 20 September 2026. II 016
  247. “OpenSea, "Utopia by ge1doot", collection page. Read 20 September 2026.” https://opensea.io/collection/utopia-by-ge1doot. Accessed 20 September 2026. II 016
  248. “OpenSea, "View Card by Jeff Davis" collection page, read 20 September 2026.” https://opensea.io/collection/view-card-by-jeff-davis. Accessed 20 September 2026. II 006
  249. “OpenSea, "Where The Wind Blows by MODNAR WOLF" collection page, read by automated extraction.” https://opensea.io/collection/where-the-wind-blows-by-modnar-wolf. Accessed 20 September 2026. II 282
  250. “OpenSea, "while true (fabric) by Lars Wander" collection page, read 20 September 2026.” https://opensea.io/collection/while-true-fabric-by-lars-wander. Accessed 20 September 2026. II 492
  251. “OpenSea, "while true by Lars Wander" collection page, read 20 September 2026 through an automated extraction.” https://opensea.io/collection/while-true-by-lars-wander. Accessed 20 September 2026. II 492
  252. “OpenSea, "Woman, Life, Freedom by Armaghan Fatemi", collection page and item pages for #4 and #13. Read 21 September 2026.” https://opensea.io/collection/woman-life-freedom-by-armaghan-fatemi. Accessed 20 September 2026. II 464
  253. “OpenSea, Contractions #46 item page (owner shown as LazarVault). Read 21 September 2026.” https://opensea.io/assets/ethereum/0x64780ce53f6e966e18a22af13a2f97369580ec11/3000046. Accessed 20 September 2026. II 366
  254. “OpenSea, JPEG by Jan Robert Leegte collection, read 21 September 2026.” https://opensea.io/collection/jpeg-by-jan-robert-leegte. Accessed 20 September 2026. II 361
  255. “Three.js r124, CurvePath.getPoints (arcs sampled at twice the requested divisions).” https://raw.githubusercontent.com/mrdoob/three.js/r124/src/extras/core/CurvePath.js. Accessed 20 September 2026. II 022
  256. A representative OpenSea token page for High Tide reproduces the project description of waves transforming microcosmic sand landscapes. OpenSea High Tide Token I Verkhovskiy
  257. Aaron Penne. “Apparitions #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/28000000. Accessed 17 September 2026. II 029
  258. Aaron Penne. “Apparitions #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/28000001. Accessed 17 September 2026. II 029
  259. Aaron Penne. “Apparitions #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/28000010. Accessed 17 September 2026. II 029
  260. Aaron Penne. “Apparitions #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/28000020. Accessed 17 September 2026. II 029
  261. AB5D / Ethereum / Art Blocks. “Portal ownership snapshot, Ethereum block 26030389.” AB5D. https://ab5d.xyz/series/portal-by-jeff-davis/evidence.json. Accessed 22 September 2026. II 095
  262. AB5D. “Aaron Penne artist dossier.” https://ab5d.xyz/artists/aaron-penne/. Accessed 18 September 2026. II 170
  263. AB5D. “Alexander Reben (artBoffin) artist dossier.” https://ab5d.xyz/artists/alexander-reben-artboffin/. Accessed 18 September 2026. II 190
  264. AB5D. “Alexis André artist dossier.” https://ab5d.xyz/artists/alexis-andre/. Accessed 17 September 2026. II 076
  265. AB5D. “amon tobin artist dossier.” https://ab5d.xyz/artists/amon-tobin/. Accessed 20 September 2026. II 313
  266. AB5D. “Artem Verkhovskiy x Andy Shaw artist dossier.” https://ab5d.xyz/artists/artem-verkhovskiy-x-andy-shaw/. Accessed 20 September 2026. II 318
  267. AB5D. “Blockchance artist dossier.” https://ab5d.xyz/artists/blockchance/. Accessed 18 September 2026. II 169
  268. AB5D. “Blockwares artist dossier.” https://ab5d.xyz/artists/blockwares/. Accessed 20 September 2026. II 316
  269. AB5D. “Casey REAS artist dossier.” https://ab5d.xyz/artists/casey-reas/. Accessed 18 September 2026. II 161
  270. AB5D. “cyberia artist dossier.” https://ab5d.xyz/artists/cyberia/. Accessed 20 September 2026. II 314
  271. AB5D. “Eliya Stein artist dossier.” https://ab5d.xyz/artists/eliya-stein/. Accessed 17 September 2026. II 081; II 194
  272. AB5D. “Eliya Stein links (verified bibliography).” https://ab5d.xyz/artists/eliya-stein/links/. Accessed 18 September 2026. II 194
  273. AB5D. “Eltono artist dossier.” https://ab5d.xyz/artists/eltono/. Accessed 18 September 2026. II 187
  274. AB5D. “Fahad Karim artist dossier.” https://ab5d.xyz/artists/fahad-karim/. Accessed 20 September 2026. II 324
  275. AB5D. “Fernando Jerez artist dossier.” https://ab5d.xyz/artists/fernando-jerez/. Accessed 20 September 2026. II 322
  276. AB5D. “Hevey artist dossier.” https://ab5d.xyz/artists/hevey/. Accessed 18 September 2026. II 189
  277. AB5D. “HIDΞ0 artist dossier.” https://ab5d.xyz/artists/hideo/. Accessed 20 September 2026. II 329
  278. AB5D. “Jacob Gold artist dossier.” https://ab5d.xyz/artists/jacob-gold/. Accessed 19 September 2026. II 195
  279. AB5D. “Jason Brown - Shawn Douglas artist dossier.” https://ab5d.xyz/artists/jason-brown-shawn-douglas/. Accessed 20 September 2026. II 327
  280. AB5D. “johan artist dossier.” https://ab5d.xyz/artists/johan/. Accessed 20 September 2026. II 325
  281. AB5D. “Kazuhiro Tanimoto artist dossier.” https://ab5d.xyz/artists/kazuhiro-tanimoto/. Accessed 20 September 2026. II 317
  282. AB5D. “Kristy Glas artist dossier.” https://ab5d.xyz/artists/kristy-glas/. Accessed 17 September 2026. II 073
  283. AB5D. “Licia He artist dossier.” https://ab5d.xyz/artists/licia-he/. Accessed 20 September 2026. II 323
  284. AB5D. “Loren Bednar artist dossier.” https://ab5d.xyz/artists/loren-bednar/. Accessed 18 September 2026. II 188
  285. AB5D. “Matt Jacobson artist dossier.” https://ab5d.xyz/artists/matt-jacobson/. Accessed 18 September 2026. II 163
  286. AB5D. “Maya Man artist dossier.” https://ab5d.xyz/artists/maya-man/. Accessed 20 September 2026. II 332
  287. AB5D. “Melissa Wiederrecht artist dossier.” https://ab5d.xyz/artists/melissa-wiederrecht/. Accessed 20 September 2026. II 320
  288. AB5D. “Nadieh Bremer artist dossier.” https://ab5d.xyz/artists/nadieh-bremer/. Accessed 18 September 2026. II 192
  289. AB5D. “Orpheusk artist dossier.” https://ab5d.xyz/artists/orpheusk/. Accessed 20 September 2026. II 328
  290. AB5D. “Pandelune artist dossier.” https://ab5d.xyz/artists/pandelune/. Accessed 18 September 2026. II 191
  291. AB5D. “Piter Pasma artist dossier.” https://ab5d.xyz/artists/piter-pasma/. Accessed 18 September 2026. II 166
  292. AB5D. “Rafaël Rozendaal artist dossier.” https://ab5d.xyz/artists/rafael-rozendaal/. Accessed 20 September 2026. II 330
  293. AB5D. “Robert Hodgin artist dossier.” https://ab5d.xyz/artists/robert-hodgin/. Accessed 20 September 2026. II 321
  294. AB5D. “Ryan Struhl artist dossier.” https://ab5d.xyz/artists/ryan-struhl/. Accessed 18 September 2026. II 167
  295. AB5D. “Sarah Ridgley artist dossier.” https://ab5d.xyz/artists/sarah-ridgley/. Accessed 18 September 2026. II 168
  296. AB5D. “Shane Richardson artist dossier.” https://ab5d.xyz/artists/shane-richardson/. Accessed 18 September 2026. II 164
  297. AB5D. “Shvembldr artist dossier.” https://ab5d.xyz/artists/shvembldr/. Accessed 17 September 2026. II 074; II 186; II 331
  298. AB5D. “toiminto artist dossier.” https://ab5d.xyz/artists/toiminto/. Accessed 18 September 2026. II 165
  299. AB5D. “Vamoss artist dossier.” https://ab5d.xyz/artists/vamoss/. Accessed 18 September 2026. II 162
  300. AB5D. “zVault (Jorge Ledezma) artist dossier.” https://ab5d.xyz/artists/jorge-ledezma/. Accessed 18 September 2026. II 193
  301. Accento item record. OpenSea’s item record preserves an individual Accento work and its contract metadata. https://opensea.io/assets/ethereum/0x1c9954128727d15adadf44286d933a416c3b64d6/9. I Pasin
  302. Ad Extremum Terrae activity. OpenSea's activity view preserves sales, mints, transfers, listings, and offers for the collection. https://opensea.io/collection/ad-extremum-terrae-by-umatha/activity. I umatha
  303. Ad Extremum Terrae explore. OpenSea's exploration view catalogues individual Ad Extremum Terrae outputs and recent sales. https://opensea.io/collection/ad-extremum-terrae-by-umatha/explore. I umatha
  304. Ad Extremum Terrae holders. OpenSea's holders view documents collection ownership distribution alongside the collection's trait categories. https://opensea.io/collection/ad-extremum-terrae-by-umatha/holders. I umatha
  305. Ad Extremum Terrae traits. OpenSea's traits view enumerates palettes, scenes, backgrounds, coloring styles, and storm states. https://opensea.io/collection/ad-extremum-terrae-by-umatha/traits. I umatha
  306. Additional Art Blocks token pages supply verifiable on-chain details for late-edition Gazettes works. Art Blocks Gazettes #909 I redlioneye
  307. Additional filtered collection views demonstrate output diversity within Cells. Art Blocks Cells Filtered I Hevey
  308. Additional token catalogue entry providing consistent metadata for another Autology edition. Autology Token Entry I steganon
  309. Additional token catalogue entry providing consistent metadata for another Autology edition. Autology Token Entry I steganon
  310. Additional token catalogue entry providing consistent metadata for another Autology edition. Autology Token Entry I steganon
  311. Additional token documentation illustrates the range of compositional and chromatic variation achieved by the generative system. Art Blocks token I AMNDA
  312. Additional token documentation on Art Blocks reinforces the on-chain attributes shared across all 199 pieces. Art Blocks token #50 · 2022 I Blockwares
  313. Additional token page for edition 99000114 demonstrating range within Spaghettification series. Art Blocks I Moore
  314. Additional token page for edition 99000227 further sampling Spaghettification parameter space. Art Blocks I Moore
  315. Additional token pages on Art Blocks archive further editions and demonstrate the range of generative outcomes. Art Blocks Gazettes #114 I redlioneye
  316. After Dinner Mints. Art Blocks presents an interview episode with itsgalo about his generative practice. https://www.artblocks.io/articles/after-dinner-mints-with-itsgalo-ep-64. I Canizares
  317. After Dinner Mints 47. Art Blocks archives episode 47 of After Dinner Mints with ippsketch. https://www.artblocks.io/article/after-dinner-mints-with-ippsketch-ep-47. I ippsketch
  318. After Dinner Mints, episode 02. The second After Dinner Mints episode, an early Art Blocks conversation with DCA. https://www.artblocks.io/articles/after-dinner-mints-with-daniel-calderon-arenas-ep-02. I Calderon Arenas
  319. After Dinner Mints, episode 27. The twenty-seventh After Dinner Mints episode, returning to DCA's practice and the generative art community. https://www.artblocks.io/articles/after-dinner-mints-with-daniel-calderon-arenas-ep-27. I Calderon Arenas
  320. After Dinner Mints, episode 31. Episode 31 of After Dinner Mints records Hobbs and Art Blocks founder Erick Calderon discussing Fidenza after release. https://www.artblocks.io/articles/after-dinner-mints-with-tyler-hobbs-and-bonafidehan-ep-31. I Hobbs
  321. Alexander Reben / Art Blocks. “SpiroFlakes by Alexander Reben.” Art Blocks. https://www.artblocks.io/collection/spiroflakes-by-alexander-reben. Accessed 17 September 2026. I Reben; II 133
  322. Alexander Reben. “SpiroFlakes #0 original renderer and canonical token.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/136000000. Accessed 17 September 2026. II 133
  323. Alexander Reben. “SpiroFlakes #1 original renderer and canonical token.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/136000001. Accessed 17 September 2026. II 133
  324. Alexander Reben. “SpiroFlakes #10 original renderer and canonical token.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/136000010. Accessed 17 September 2026. II 133
  325. Alexander Reben. “SpiroFlakes #20 original renderer and canonical token.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/136000020. Accessed 17 September 2026. II 133
  326. Alexander Reben. “SpiroFlakes #449 original renderer and canonical token.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/136000449. Accessed 17 September 2026. II 133
  327. Alexis André. “24 Heures #10: original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/201000010. Accessed 18 September 2026. II 197
  328. Alexis André. “24 Heures #1: original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/201000001. Accessed 18 September 2026. II 197
  329. Alexis André. “24 Heures #20: original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/201000020. Accessed 18 September 2026. II 197
  330. Alexis André. “720 Minutes #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/27000000. Accessed 17 September 2026. II 028
  331. Alexis André. “720 Minutes #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/27000001. Accessed 17 September 2026. II 028
  332. Alexis André. “720 Minutes #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/27000010. Accessed 17 September 2026. II 028
  333. Alexis André. “720 Minutes #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/27000020. Accessed 17 September 2026. II 028
  334. Alexis André. “Friendship Bracelets official description.” https://info.artblocks.io/spectrum/the-friendship-bracelet-project. Accessed 19 September 2026. II 370
  335. Alexis André. “Obicera #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/130000000. Accessed 18 September 2026. II 129
  336. Alexis André. “Obicera #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/130000001. Accessed 18 September 2026. II 129
  337. Alexis André. “Obicera #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/130000010. Accessed 18 September 2026. II 129
  338. Alexis André. “Obicera #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/130000020. Accessed 18 September 2026. II 129
  339. Alexis André. “Obicera #393.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/130000393. Accessed 18 September 2026. II 129
  340. Alexis André. “Void #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/42000000. Accessed 17 September 2026. II 047
  341. Alexis André. “Void #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/42000001. Accessed 17 September 2026. II 047
  342. Alexis André. “Void #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/42000010. Accessed 17 September 2026. II 047
  343. Alexis André. “Void #139.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/42000139. Accessed 17 September 2026. II 047
  344. Alexis André. “Void #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/42000020. Accessed 17 September 2026. II 047
  345. Alida Sun / Art Blocks. “glitch crystal monsters #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/114000000. Accessed 17 September 2026. II 114
  346. Alida Sun / Art Blocks. “glitch crystal monsters #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/114000001. Accessed 17 September 2026. II 114
  347. Alida Sun / Art Blocks. “glitch crystal monsters #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/114000010. Accessed 17 September 2026. II 114
  348. Alida Sun / Art Blocks. “glitch crystal monsters #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/114000020. Accessed 17 September 2026. II 114
  349. Alida Sun / Art Blocks. “glitch crystal monsters #950.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/114000950. Accessed 17 September 2026. II 114
  350. Aluan Wang. “Good Vibrations #0 original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/140000000. Accessed 17 September 2026. II 139
  351. Aluan Wang. “Good Vibrations #1 original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/140000001. Accessed 17 September 2026. II 139
  352. Aluan Wang. “Good Vibrations #10 original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/140000010. Accessed 17 September 2026. II 139
  353. Aluan Wang. “Good Vibrations #20 original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/140000020. Accessed 17 September 2026. II 139
  354. Aluan Wang. “Good Vibrations #637 original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/140000637. Accessed 17 September 2026. II 139
  355. Amoeba #204. OpenSea's record for Amoeba #204 identifies the token as part of Amoeba by last even on the shared Ethereum contract. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/182000204. I last-even
  356. An Art Blocks collector interview describes the collection's annual cycle of wildfire and regeneration. Art Blocks interview I Sarkissian
  357. An Art Blocks essay situates serial algorithmic art through seriality, algorithms, constraint, and collector participation. Art Blocks Journal I Alexander; I Jacobson; I Rizzolli; I Tan; I espina; I Åström
  358. An Art Blocks explainer published by OpenSea describes how an artist’s algorithm and token seed generate deterministic outputs. Art Blocks explainer I Beesley; I Cohen; I REMO x DCsan; I last-even; I tuplart; I usnea
  359. An Art Blocks token record documents Utopia’s generated traits, including time, sky color, and structure. Utopia traits I Ferrandez
  360. An indexed Art Blocks marketplace record identifies planets as an Art Blocks Factory project by donnoh. planets listing I donnoh
  361. An individual token listing on OpenSea details traits, ownership, and market activity for a specific work from the series. OpenSea item I Berubara
  362. An official Art Blocks token record documents Spectron’s collection association and parameter traits. Art Blocks token I De Mai
  363. An official Art Blocks token record documents the collection-specific attributes assigned to Aithérios #330. Aithérios #330 I zVault
  364. An official Art Blocks token record documents the collection-specific attributes assigned to Libertad Parametrizada #81. Libertad Parametrizada #81 I zVault
  365. An official Art Blocks token record identifies Dear Hash, by MODNAR WOLF and displays collection-level feature frequencies. dear-hash-token I MODNAR WOLF
  366. An official Art Blocks token record identifies Jenim traits including seams, tinting, composition, and dye pattern. Art Blocks token I Kislev
  367. An official Bent token record enumerates system traits including size, shading, line treatments, bending mechanism, and dividing mechanism. Bent traits I ippsketch
  368. An official token record lists visual, structural, and musical traits used by the collection. token-traits I Shaik
  369. An OpenSea editorial article presents an extended live conversation with Radix from Marfa, covering his biography, creative process, thematic intentions, and specific reflections on Inspirals, Eccentrics, and later works. OpenSea Marfa Conversation I Dixon
  370. Anna Carreras. “Trossets #0 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/147000000. Accessed 17 September 2026. II 148
  371. Anna Carreras. “Trossets #1 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/147000001. Accessed 17 September 2026. II 148
  372. Anna Carreras. “Trossets #10 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/147000010. Accessed 17 September 2026. II 148
  373. Anna Carreras. “Trossets #20 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/147000020. Accessed 17 September 2026. II 148
  374. Anna Carreras. “Trossets #566 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/147000566. Accessed 17 September 2026. II 148
  375. Antennas record. The marketplace record identifies an on-chain work from Antennas by gcrll and its Art Blocks project contract. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000045. I Corallo
  376. API & MCP documentation. The API and MCP guide documents the available fields, browser fetch example, agent tools, attribution, licensing, and image-rights boundary. https://ab5d.xyz/api/. I André; I Blanton; I Calderon Arenas; I Cherniak; I Gachadoat; I Grasser; I He; I Hobbs; I Jovanić; I Lieberman; I Lucia; I Mapan; I Stark; I Stiles; I Velitchkova; I Wander; I Zumbrunn
  377. Aranda\Lasch. “Primitives official description.” https://info.artblocks.io/spectrum/in-conversation-with-aranda-lasch. Accessed 19 September 2026. II 364
  378. Arcadia collection archive. The OpenSea collection record named in contemporary Arcadia criticism preserves a collection-specific marketplace route. https://opensea.io/collection/arcadia-by-zachariah-watson. I Watson
  379. Art Blocks. Art Blocks Curated collection represents the platform's vision for generative art innovation. https://www.artblocks.io/discover/curated. I Beervangeer; I Hevey; I WAWAA
  380. Art Blocks. Art Blocks artist directory entry confirms Dean Blacc's presence and links to active collections on the platform. https://www.artblocks.io/artists/dean-blacc. I Blacc
  381. Art Blocks. Carreras is profiled on the Art Blocks artist directory as a generative artist and creative coder developing proprietary algorithms for each project. https://www.artblocks.io/artists/anna-carreras. I Carreras
  382. Art Blocks. The official collection record documents the expanded 80s Pop project. https://www.artblocks.io/project/346. I Catt
  383. Art Blocks. An Art Blocks token record exposes the parameter vocabulary used within 70s Pop Series Two. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/85000183?hideNavigationArrows=true. I Catt
  384. Art Blocks. The official collection record dates Space Birds and identifies its 48 unique artworks. https://www.artblocks.io/collection/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270-177. I Cotton
  385. Art Blocks. Art Blocks artist page for Han Saglam references the AlgoRhythms and AlgoBeats collaborations as key projects. https://www.artblocks.io/artists/han-saglam. I Daniel; I Saglam
  386. Art Blocks. Art Blocks records DistCollective and Lumina within its artist and project index. https://www.artblocks.io/artists/distcollective. I DistCollective
  387. Art Blocks. Art Blocks records Eltono’s generative practice and both platform projects. https://www.artblocks.io/artists/eltono. I Eltono
  388. Art Blocks. Additional filtered views and token archives extend the documentary record of generative variation. https://www.artblocks.io/collection/abstraction-by-hevey?attributes=%7B%22Small+Colored+Shapes%22:%7B%22type%22:%22enum%22,%22options%22:%7B%22Yes%22:true%7D%7D%7D. I Hevey
  389. Art Blocks. Art Blocks records Tracing Archetypes as a later Jovanić release with The Generative Art Museum. https://www.artblocks.io/collection/tracing-archetypes-by-aleksandra-jovanic-x-the-generative-art-museum. I Jovanić
  390. Art Blocks. Art Blocks’ artist record identifies Emiliano as k0ch and brings both Factory projects together under his current identity. https://www.artblocks.io/artists/k0ch. I k0ch
  391. Art Blocks. Art Blocks records LIA’s biography and both platform projects. https://www.artblocks.io/artists/lia. I LIA
  392. Art Blocks. Art Blocks’ artist record brings together Billows, Ouroboros, and Breathe You under Shane Richardson’s current identity. https://www.artblocks.io/artists/shane-richardson. I Richardson
  393. Art Blocks. Art Blocks’ token record documents Breathe You #85, the work reproduced in this dossier, and its generated Circles trait. https://www.artblocks.io/token/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/75000085. I Richardson
  394. Art Blocks. Art Blocks records Keepsakes - Curated as a 16-work project by Stoveland. https://www.artblocks.io/collection/keepsakes-curated-by-per-kristian-stoveland. I Stoveland
  395. Art Blocks. Artist profile outlining practice and project history on the platform. https://www.artblocks.io/artists/hideki-tsukamoto. I Tsukamoto
  396. Art Blocks. Art Blocks’ verified project page identifies Automatism as a Factory release comprising 426 unique artworks and records its March 2022 release. https://www.artblocks.io/collections/presents/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/281. I Yazid
  397. Art Blocks. “(Dis)connected by Tibout Shaik collection page.” https://www.artblocks.io/collection/disconnected-by-tibout-shaik. Accessed 19 September 2026. I Shaik; II 427
  398. Art Blocks / Alexis André. “Obicera collection and indexed record.” https://www.artblocks.io/collection/obicera-by-alexis-andre. Accessed 18 September 2026. I André; II 129
  399. Art Blocks / Alexis André. “Void project record and Art Blocks index.” https://www.artblocks.io/collection/void-by-alexis-andre. Accessed 17 September 2026. I André; II 047
  400. Art Blocks / Artem Verkhovskiy x Andy Shaw. “Low Tide project page and exact-identity indexed record.” https://www.artblocks.io/collection/low-tide-by-artem-verkhovskiy-x-andy-shaw. Accessed 18 September 2026. I Verkhovskiy; II 106; II 151
  401. Art Blocks / artplusbrad. “Ode to Roy by artplusbrad.” https://www.artblocks.io/collection/ode-to-roy-by-artplusbrad. Accessed 18 September 2026. I artplusbrad; II 063
  402. Art Blocks / Bård Ionson. “Color Magic Planets project record and Art Blocks index.” https://www.artblocks.io/collection/color-magic-planets-by-bard-ionson. Accessed 18 September 2026. I Ionson; II 058
  403. Art Blocks / Beervangeer. “UltraWave 369 official collection and indexed project.” https://www.artblocks.io/collection/ultrawave-369-by-beervangeer. Accessed 18 September 2026. II 153
  404. Art Blocks / Bright Moments. “CryptoVenetian project record and index.” https://www.artblocks.io/collection/cryptovenetian-by-bright-moments. Accessed 18 September 2026. I phil; II 096
  405. Art Blocks / Chaosconstruct. “Synapses project record and Art Blocks index.” https://www.artblocks.io/collection/synapses-by-chaosconstruct. Accessed 17 September 2026. I Kapoor; II 040
  406. Art Blocks / Dadabots x kai. “ByteBeats project record and Art Blocks index.” https://www.artblocks.io/collection/bytebeats-by-dadabots-x-kai. Accessed 17 September 2026. I Turner; I dadabots; II 039
  407. Art Blocks / daLenz. “Aerial View project record and Art Blocks index.” https://www.artblocks.io/collection/aerial-view-by-dalenz. Accessed 17 September 2026. I daLenz; II 036
  408. Art Blocks / Daniel Catt. “70s Pop Series One project record and Art Blocks index.” https://www.artblocks.io/collection/70s-pop-series-one-by-daniel-catt. Accessed 17 September 2026. I Catt; II 041
  409. Art Blocks / Darien Brito. “Hashtractors project record and Art Blocks index.” https://www.artblocks.io/collection/hashtractors-by-darien-brito. Accessed 18 September 2026. I Brito; II 094
  410. Art Blocks / DCA. “Gen 3 project record and Art Blocks index.” https://www.artblocks.io/collection/gen-3-by-dca. Accessed 17 September 2026. I Calderon Arenas; II 048
  411. Art Blocks / Eliya Stein. “Gravity Grid project record and Art Blocks index.” https://www.artblocks.io/collection/gravity-grid-by-eliya-stein. Accessed 17 September 2026. I Stein; II 046
  412. Art Blocks / espina. “Sigils project record and Art Blocks index.” https://www.artblocks.io/collection/sigils-by-espina. Accessed 18 September 2026. II 093
  413. Art Blocks / Falko. “Asterisms project record and Art Blocks index.” https://www.artblocks.io/collection/asterisms-by-falko. Accessed 18 September 2026. II 051
  414. Art Blocks / ge1doot. “Aurora IV project record and Art Blocks index.” https://www.artblocks.io/collection/aurora-iv-by-ge1doot. Accessed 18 September 2026. I Ferrandez; II 054
  415. Art Blocks / ge1doot. “R3sonance project record and Art Blocks index.” https://www.artblocks.io/collection/r3sonance-by-ge1doot. Accessed 17 September 2026. I Ferrandez; II 024
  416. Art Blocks / Generative Artworks. “Enchiridion project record and Art Blocks index.” https://www.artblocks.io/collection/enchiridion-by-generative-artworks. Accessed 18 September 2026. I Generative Artworks; II 102
  417. Art Blocks / Hevey. “Cells collection and indexed project record.” https://www.artblocks.io/collection/cells-by-hevey. Accessed 18 September 2026. I Hevey; II 121
  418. Art Blocks / Jake Brukhman. “Event Horizon Sunset (Series C) project record and Art Blocks index.” https://www.artblocks.io/collection/event-horizon-sunset-series-c-by-jake-brukhman. Accessed 18 September 2026. I Brukhman; II 060
  419. Art Blocks / Jake Rockland. “Dot Matrix Gradient Study collection and fresh indexed record.” https://www.artblocks.io/collection/dot-matrix-gradient-study-by-jake-rockland. Accessed 18 September 2026. II 147
  420. Art Blocks / Jake Rockland. “Stipple Sunsets project record and Art Blocks index.” https://www.artblocks.io/collection/stipple-sunsets-by-jake-rockland. Accessed 18 September 2026. II 049
  421. Art Blocks / Jason Ting. “Bubble Blobby official collection.” https://www.artblocks.io/collection/bubble-blobby-by-jason-ting. Accessed 18 September 2026. I Ting; II 064
  422. Art Blocks / Jeff Davis. “Portal project record and Art Blocks index.” https://www.artblocks.io/collection/portal-by-jeff-davis. Accessed 17 September 2026. I Davis; II 095
  423. Art Blocks / Jeff Davis. “Rhythm project record and Art Blocks index.” https://www.artblocks.io/collection/rhythm-by-jeff-davis. Accessed 18 September 2026. I Davis; II 056
  424. Art Blocks / Jimmy Herdberg. “Gravity 12 project record and Art Blocks index.” https://www.artblocks.io/collection/gravity-12-by-jimmy-herdberg. Accessed 18 September 2026. I JMY; II 097
  425. Art Blocks / Jimmy Herdberg. “Gravity16 official collection and fresh indexed record.” https://www.artblocks.io/collection/gravity-16-by-jimmy-herdberg. Accessed 18 September 2026. I JMY; II 160
  426. Art Blocks / john provencher. “spawn official collection.” https://www.artblocks.io/collection/spawn-by-john-provencher. Accessed 17 September 2026. I provencher; II 156
  427. Art Blocks / Joshua Bagley. “Dreams project record and Art Blocks index.” https://www.artblocks.io/collection/dreams-by-joshua-bagley. Accessed 17 September 2026. I Bagley; II 092
  428. Art Blocks / Joshua Davis. “Organized Disruption by Joshua Davis / PrayStation.” https://www.artblocks.io/collection/organized-disruption-by-joshua-davis-praystation. Accessed 17 September 2026. I Davis; II 131
  429. Art Blocks / k0ch. “Origami Dream project record and Art Blocks index.” https://www.artblocks.io/collection/origami-dream-by-k0ch. Accessed 17 September 2026. I k0ch; II 043
  430. Art Blocks / k0ch. “Unknown Signals collection and fresh indexed record.” https://www.artblocks.io/collection/unknown-signals-by-k0ch. Accessed 18 September 2026. I k0ch; II 141
  431. Art Blocks / kai. “27-Bit Digital project record and Art Blocks index.” https://www.artblocks.io/collection/27-bit-digital-by-kai. Accessed 17 September 2026. I Turner; II 021
  432. Art Blocks / kai. “Pixel Glass project record and Art Blocks index.” https://www.artblocks.io/collection/pixel-glass-by-kai. Accessed 17 September 2026. I Turner; II 023
  433. Art Blocks / Kjetil Golid. “Paper Armada project record and Art Blocks index.” https://www.artblocks.io/collection/paper-armada-by-kjetil-golid. Accessed 17 September 2026. I Golid; II 037
  434. Art Blocks / Loren Bednar. “phase collection and fresh indexed project record.” https://www.artblocks.io/collection/phase-by-loren-bednar. Accessed 18 September 2026. I Bednar; II 143
  435. Art Blocks / Loren Bednar. “Traversals official collection.” https://www.artblocks.io/collection/traversals-by-loren-bednar. Accessed 18 September 2026. I Bednar; II 068
  436. Art Blocks / Luke Shannon. “The Opera project record and Art Blocks index.” https://www.artblocks.io/collection/the-opera-by-luke-shannon. Accessed 18 September 2026. I Shannon; II 061
  437. Art Blocks / luxpris. “Wave Schematics collection and indexed record.” https://www.artblocks.io/collection/wave-schematics-by-luxpris. Accessed 18 September 2026. I Katzenmeyer; II 136
  438. Art Blocks / Mark Cotton. “Gizmobotz project and exact indexed record.” https://www.artblocks.io/collection/gizmobotz-by-mark-cotton. Accessed 18 September 2026. I Cotton; II 109
  439. Art Blocks / Matt Jacobson. “Watercolor Dreams project record and Art Blocks index.” https://www.artblocks.io/collection/watercolor-dreams-by-numbersinmotion. Accessed 18 September 2026. I Jacobson; II 059
  440. Art Blocks / Michael Connolly. “Divisions project record and index.” https://www.artblocks.io/collection/divisions-by-michael-connolly. Accessed 18 September 2026. II 105
  441. Art Blocks / Michael Connolly. “Elementals project record and Art Blocks index.” https://www.artblocks.io/collection/elementals-by-michael-connolly. Accessed 17 September 2026. I Connolly; II 042
  442. Art Blocks / MightyMoose. “P:X project record and Art Blocks index.” https://www.artblocks.io/collection/px-by-mightymoose. Accessed 18 September 2026. I Mighty Moose; II 055
  443. Art Blocks / Mitchell F. Chan. “LeWitt Generator Generator project and indexed record.” https://www.artblocks.io/collection/lewitt-generator-generator-by-mitchell-f-chan. Accessed 18 September 2026. I Chan; II 115
  444. Art Blocks / MODNAR WOLF. “Dear Hash, project record and Art Blocks index.” https://www.artblocks.io/collection/dear-hash-by-modnar-wolf. Accessed 18 September 2026. II 050
  445. Art Blocks / nonfigurativ. “The Liths of Sisyphus by nonfigurativ.” https://www.artblocks.io/collection/the-liths-of-sisyphus-by-nonfigurativ. Accessed 17 September 2026. I Nonfigurativ; II 126
  446. Art Blocks / onlygenerated. “[Dis]entanglement project record and Art Blocks index.” https://www.artblocks.io/collection/disentanglement-by-onlygenerated. Accessed 18 September 2026. II 101
  447. Art Blocks / Owen Moore. “Spaghettification project record and index.” https://www.artblocks.io/collection/spaghettification-by-owen-moore. Accessed 18 September 2026. I Moore; II 099
  448. Art Blocks / r4v3n. “Moments collection and fresh project record.” https://www.artblocks.io/collection/moments-by-r4v3n. Accessed 18 September 2026. I r4v3n; II 154
  449. Art Blocks / Radix. “Eccentrics project record and Art Blocks index.” https://www.artblocks.io/collection/eccentrics-by-radix. Accessed 18 September 2026. I Dixon; II 104
  450. Art Blocks / Rafaël Rozendaal. “Endless Nameless project and indexed record.” https://www.artblocks.io/collection/endless-nameless-by-rafael-rozendaal. Accessed 18 September 2026. I Rozendaal; II 118
  451. Art Blocks / Redlioneye Gazette. “Gazettes project record and Art Blocks index.” https://www.artblocks.io/collection/gazettes-by-redlioneye-gazette. Accessed 17 September 2026. I redlioneye; II 038
  452. Art Blocks / REMO x DCsan. “Talking Blocks project record and Art Blocks index.” https://www.artblocks.io/collection/talking-blocks-by-remo-x-dcsan. Accessed 18 September 2026. II 057
  453. Art Blocks / Rich Lord. “Geometry Runners collection.” https://www.artblocks.io/collection/geometry-runners-by-rich-lord. Accessed 18 September 2026. I Lord; II 134
  454. Art Blocks / Rich Lord. “Octo Garden project record and Art Blocks index.” https://www.artblocks.io/collection/octo-garden-by-rich-lord. Accessed 17 September 2026. I Lord; II 103
  455. Art Blocks / Roman Janajev. “a heart and a soul official collection and fresh index.” https://www.artblocks.io/collection/a-heart-and-a-soul-by-roman-janajev. Accessed 18 September 2026. II 158
  456. Art Blocks / Ruben Alexander. “Star Flower project record and Art Blocks index.” https://www.artblocks.io/collection/star-flower-by-ruben-alexander. Accessed 18 September 2026. II 052
  457. Art Blocks / Shvembldr. “Alien Clock project and exact indexed record.” https://www.artblocks.io/collection/alien-clock-by-shvembldr. Accessed 18 September 2026. I Shvembldr; II 112
  458. Art Blocks / steen & n-e-o. “Calendart collection and indexed record.” https://www.artblocks.io/collection/calendart-by-steen-and-n-e-o. Accessed 18 September 2026. II 127
  459. Art Blocks / steen. “steen artist profile.” https://www.artblocks.io/artists/steen-x-n-e-o. Accessed 18 September 2026. II 127
  460. Art Blocks / Stefano Contiero. “Frammenti official collection.” https://www.artblocks.io/collection/frammenti-by-stefano-contiero. Accessed 18 September 2026. I Contiero; II 070
  461. Art Blocks / Stefano Contiero. “Rinascita by Stefano Contiero.” https://www.artblocks.io/collection/rinascita-by-stefano-contiero. Accessed 17 September 2026. I Contiero; II 122
  462. Art Blocks / Steve Pikelny. “CryptoGodKing project record and Art Blocks index.” https://www.artblocks.io/collection/cryptogodking-by-steve-pikelny. Accessed 17 September 2026. I Pikelny; II 044
  463. Art Blocks / Steve Pikelny. “Fake Internet Money collection and fresh indexed record.” https://www.artblocks.io/collection/fake-internet-money-by-steve-pikelny. Accessed 18 September 2026. I Pikelny; II 149
  464. Art Blocks / Stina Jones. “Algobots project record and Art Blocks index.” https://www.artblocks.io/collection/algobots-by-stina-jones. Accessed 17 September 2026. II 045
  465. Art Blocks / sturec. “sail-o-bots project record and Art Blocks index.” https://www.artblocks.io/collection/sail-o-bots-by-sturec. Accessed 17 September 2026. II 098
  466. Art Blocks / Superblob. “Tangled by Superblob.” https://www.artblocks.io/collection/tangled-by-superblob. Accessed 17 September 2026. I Superblob; II 130
  467. Art Blocks / TheElephantNL. “Dot Grid by TheElephantNL.” https://www.artblocks.io/collection/dot-grid-by-theelephantnl. Accessed 17 September 2026. I TheElephantNL; II 137
  468. Art Blocks / TheElephantNL. “TheElephantNL artist profile.” https://www.artblocks.io/artists/theelephantnl. Accessed 17 September 2026. II 137
  469. Art Blocks / WAWAA. “Timepiece collection and current index.” https://www.artblocks.io/collection/timepiece-by-wawaa. Accessed 18 September 2026. II 124
  470. Art Blocks / William Tan. “Scribbled Boundaries collection and indexed record.” https://www.artblocks.io/collection/scribbled-boundaries-by-william-tan. Accessed 18 September 2026. II 132
  471. Art Blocks / Xenoliss. “Galaxiss project record and Art Blocks index.” https://www.artblocks.io/collection/galaxiss-by-xenoliss. Accessed 17 September 2026. II 034
  472. Art Blocks. “24 Heures #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/201000000. Accessed 18 September 2026. II 197
  473. Art Blocks. “24 Heures #96 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/201000096. Accessed 18 September 2026. II 197
  474. Art Blocks. “24 Heures by Alexis André.” https://www.artblocks.io/collection/24-heures-by-alexis-andre. Accessed 18 September 2026. I André; II 197
  475. Art Blocks. “3 Minute Meditations by thetechnocratic collection page.” https://www.artblocks.io/collection/3-minute-meditations-by-thetechnocratic. Accessed 19 September 2026. II 339
  476. Art Blocks. “444(4) live renderer with interaction tests, token 191000268.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/191000268. Accessed 18 September 2026. II 186
  477. Art Blocks. “444(4) static preview media, tokens 19100000/191000001/191000010/191000020/191000268.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/191000268.png. Accessed 18 September 2026. II 186
  478. Art Blocks. “444(4): official collection page.” https://www.artblocks.io/collection/4444-by-shvembldr. Accessed 18 September 2026. I Shvembldr; II 186
  479. Art Blocks. “70s Pop Series Two by Daniel Catt, project page.” https://www.artblocks.io/collection/70s-pop-series-two-by-daniel-catt. Accessed 18 September 2026. I Catt; II 086
  480. Art Blocks. “70s Pop Super Fun Summertime Bonus Pack 🍸 by Daniel Catt.” https://www.artblocks.io/collection/70s-pop-super-fun-summertime-bonus-pack-by-daniel-catt. Accessed 18 September 2026. II 062
  481. Art Blocks. “720 Minutes project record and Art Blocks index.” https://www.artblocks.io/collection/720-minutes-by-alexis-andre. Accessed 17 September 2026. I André; II 028
  482. Art Blocks. “8 by Bard Ionson, collection page.” https://www.artblocks.io/collection/8-by-bard-ionson. Accessed 18 September 2026. I Ionson; II 176
  483. Art Blocks. “80s Pop Variety Pack - for experts only 🕹 by Daniel Catt collection page.” https://www.artblocks.io/collection/80s-pop-variety-pack-for-experts-only-by-daniel-catt. Accessed 19 September 2026. I Catt; II 338
  484. Art Blocks. “923 EMPTY ROOMS by Casey REAS collection page.” https://www.artblocks.io/collection/923-empty-rooms-by-casey-reas. Accessed 19 September 2026. I REAS; II 461
  485. Art Blocks. “AB5D complete linked-wallet profile.” https://www.artblocks.io/profile/ab5d. Accessed 18 September 2026. II 062; II 063; II 064; II 065; II 066; II 068; II 069; II 070; II 071; II 072; II 073; II 074; II 076; II 081; II 083; II 084; II 085; II 086; II 087; II 088; II 089; II 090; II 106; II 107; II 108; II 109; II 112; II 113; II 114; II 115; II 116; II 117; II 118; II 119; II 120; II 121; II 122; II 123; II 124; II 125; II 126; II 127; II 128; II 129; II 130; II 131; II 132; II 133; II 134; II 135; II 136; II 137; II 138; II 139; II 140; II 141; II 142; II 143; II 145; II 146; II 147; II 148; II 149; II 150; II 151; II 152; II 153; II 154; II 156; II 157; II 158; II 160; II 171; II 210; II 212; II 213; II 214; II 215; II 216; II 217; II 218; II 219; II 221; II 222; II 223; II 224; II 225; II 257; II 258; II 259; II 260; II 261; II 262; II 263; II 264; II 265; II 266; II 267; II 268; II 269; II 270; II 271; II 272; II 274; II 275; II 277; II 278; II 279; II 280; II 281; II 283; II 284; II 286; II 287; II 288; II 289; II 290; II 291; II 292; II 293; II 295; II 296; II 297; II 298; II 299; II 300; II 302; II 303; II 304; II 305; II 306; II 333; II 334; II 336; II 337; II 338; II 339; II 340; II 341; II 342; II 343; II 344; II 345; II 346; II 347; II 348; II 349; II 350; II 351; II 352; II 353; II 354; II 355; II 356; II 357; II 358; II 359; II 360; II 362; II 363; II 364; II 367; II 368; II 369; II 370; II 371; II 372; II 373; II 374; II 375; II 376; II 377; II 378; II 380; II 381; II 382; II 383; II 384; II 386; II 387; II 388; II 389; II 390; II 391; II 392; II 393; II 394; II 395; II 396; II 397; II 399; II 400; II 401; II 402; II 403; II 405; II 406; II 407; II 409; II 410; II 411; II 412; II 413; II 414; II 415; II 417; II 419; II 420; II 421; II 424; II 426; II 427; II 428; II 429; II 430; II 431; II 432; II 433; II 434; II 435; II 436; II 437; II 438; II 439; II 440; II 441; II 442; II 443; II 444; II 445; II 446; II 447; II 448; II 449; II 450; II 452; II 453; II 455; II 456; II 458; II 459; II 460; II 461; II 462; II 463; II 465; II 466; II 467; II 468; II 469; II 470; II 471; II 472; II 473; II 474; II 475; II 476; II 477; II 479; II 480; II 481; II 482; II 483; II 484; II 485; II 486; II 487; II 488; II 489; II 490; II 491; II 493; II 494; II 496; II 498; II 499; II 500
  486. Art Blocks. “Abstraction by Hevey.” https://www.artblocks.io/collection/abstraction-by-hevey. Accessed 18 September 2026. I Hevey; II 069
  487. Art Blocks. “Act of Emotion by Kelly Milligan collection page.” https://www.artblocks.io/collection/act-of-emotion-by-kelly-milligan. Accessed 19 September 2026. II 352
  488. Art Blocks. “Ad Extremum Terrae by uMathA collection page.” https://www.artblocks.io/collection/ad-extremum-terrae-by-umatha. Accessed 19 September 2026. II 402
  489. Art Blocks. “Aitherios live renderer, token 196000781.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/196000781. Accessed 18 September 2026. II 193
  490. Art Blocks. “Aitherios static preview media, tokens 196000000/196000001/196000002/196000500/196000781.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/196000781.png. Accessed 18 September 2026. II 193
  491. Art Blocks. “Aitherios: official collection page.” https://www.artblocks.io/collection/aitherios-by-jorge-ledezma. Accessed 18 September 2026. I zVault; II 193
  492. Art Blocks. “Alan Ki Aankhen live renderer, token 333000266.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/333000266. Accessed 20 September 2026. II 324
  493. Art Blocks. “Alan Ki Aankhen static preview media, tokens 333000000/333000001/333000010/333000020/333000266.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/333000266.png. Accessed 20 September 2026. II 324
  494. Art Blocks. “Alan Ki Aankhen: official collection page.” https://www.artblocks.io/collection/alan-ki-aankhen-by-fahad-karim. Accessed 20 September 2026. II 324
  495. Art Blocks. “AlgoBeats by Han x Nicolas Daniel collection page.” https://www.artblocks.io/collection/algobeats-by-han-x-nicolas-daniel. Accessed 19 September 2026. I Daniel; I Saglam; II 288
  496. Art Blocks. “AlgoRhythms by Han x Nicolas Daniel.” https://www.artblocks.io/collection/algorhythms-by-han-x-nicolas-daniel. Accessed 18 September 2026. I Daniel; I Saglam; II 065
  497. Art Blocks. “Alien DNA by Shvembldr collection page.” https://www.artblocks.io/collection/alien-dna-by-shvembldr. Accessed 19 September 2026. I Shvembldr; II 289
  498. Art Blocks. “AlphaModica project and token record.” https://www.artblocks.io/collection/alphamodica-by-danooka. Accessed 18 September 2026. I Danooka; II 233
  499. Art Blocks. “Amoeba by last-even, collection page.” https://www.artblocks.io/collection/amoeba-by-last-even. Accessed 18 September 2026. II 181
  500. Art Blocks. “Ancient Courses of Fictional Rivers by Robert Hodgin collection page.” https://www.artblocks.io/collection/ancient-courses-of-fictional-rivers-by-robert-hodgin. Accessed 19 September 2026. I Hodgin; II 275
  501. Art Blocks and Alida Sun. “glitch crystal monsters project page.” Art Blocks. https://www.artblocks.io/collection/glitch-crystal-monsters-by-alida-sun. Accessed 17 September 2026. I Sun; II 114
  502. Art Blocks and Jason Ting x Matt Bilfield. “Transitions official collection.” Art Blocks. https://www.artblocks.io/collection/transitions-by-jason-ting-x-matt-bilfield. Accessed 17 September 2026. I Bilfield; I Ting; II 116
  503. Art Blocks and Julien Gachadoat. “Radiance project page.” Art Blocks. https://www.artblocks.io/collection/radiance-by-julien-gachadoat. Accessed 17 September 2026. I Gachadoat; II 107
  504. Art Blocks. “Andradite by Eltono.” https://www.artblocks.io/collection/andradite-by-eltono. Accessed 17 September 2026. I Eltono; II 071
  505. Art Blocks announces Jiwa as the inaugural artist in its OpenSea residency program in Marfa. Residency announcement I Jiwa
  506. Art Blocks announces Larino's 2025 Art Blocks and OpenSea residency in Marfa. residency announcement I Larino
  507. Art Blocks. “Antennas #0 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000000.png. Accessed 18 September 2026. II 072
  508. Art Blocks. “Antennas #1 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000001.png. Accessed 18 September 2026. II 072
  509. Art Blocks. “Antennas #10 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000010.png. Accessed 18 September 2026. II 072
  510. Art Blocks. “Antennas #20 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000020.png. Accessed 18 September 2026. II 072
  511. Art Blocks. “Antennas #27 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000027.png. Accessed 17 September 2026. II 072
  512. Art Blocks. “Antennas by gcrll: official collection page.” https://www.artblocks.io/collection/antennas-by-gcrll. Accessed 17 September 2026. II 072
  513. Art Blocks. “Antennas live renderer, token 70000027.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/70000027. Accessed 17 September 2026. II 072
  514. Art Blocks. “APEX by phenomena collection page.” https://www.artblocks.io/collection/apex-by-phenomena. Accessed 19 September 2026. II 283
  515. Art Blocks. “Apparitions project record and Art Blocks index.” https://www.artblocks.io/collection/apparitions-by-aaron-penne. Accessed 17 September 2026. I Penne; II 029
  516. Art Blocks. “Aragnation by Devi Parikh and Abhishek Das collection page.” https://www.artblocks.io/collection/aragnation-by-devi-parikh-and-abhishek-das. Accessed 19 September 2026. I Parikh; II 393
  517. Art Blocks. “Arcadia by Zachariah Watson collection page.” https://www.artblocks.io/collection/arcadia-by-zachariah-watson. Accessed 19 September 2026. II 350
  518. Art Blocks. “Art Blocks live renderer for 70s Pop Series Two #0, static case.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/85000000. Accessed 18 September 2026. II 086
  519. Art Blocks. “Art Blocks live renderer for 70s Pop Series Two #228, animated case.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/85000228. Accessed 18 September 2026. II 086
  520. Art Blocks. “Art Blocks live renderer for Orthogone #476, static verification and canvas shape observation.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000476. Accessed 18 September 2026. II 089
  521. Art Blocks. “Art Blocks live renderer for planets #359, measured motion observation.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/91000359. Accessed 18 September 2026. II 090
  522. Art Blocks. “Art Blocks live renderer for PrimiDance #200, animation and interaction testing.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/84000200. Accessed 18 September 2026. II 084
  523. Art Blocks. “Art Blocks live renderer for project 145 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/145000126. Accessed 20 September 2026. II 144
  524. Art Blocks. “Art Blocks live renderer for project 170 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/170000004. Accessed 18 September 2026. II 178
  525. Art Blocks. “Art Blocks live renderer for project 178 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/178000335. Accessed 20 September 2026. II 174
  526. Art Blocks. “Art Blocks live renderer for project 179 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/179000018. Accessed 18 September 2026. II 176
  527. Art Blocks. “Art Blocks live renderer for project 180 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/180000025. Accessed 20 September 2026. II 175
  528. Art Blocks. “Art Blocks live renderer for project 181 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/181000122. Accessed 18 September 2026. II 177
  529. Art Blocks. “Art Blocks live renderer for project 182 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/182000181. Accessed 18 September 2026. II 181
  530. Art Blocks. “Art Blocks live renderer for project 183 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/183000031. Accessed 18 September 2026. II 179
  531. Art Blocks. “Art Blocks live renderer for project 185 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/185000064. Accessed 18 September 2026. II 180
  532. Art Blocks. “Art Blocks live renderer for project 187 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/187000040. Accessed 18 September 2026. II 184
  533. Art Blocks. “Art Blocks live renderer for project 188 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/188000737. Accessed 18 September 2026. II 185
  534. Art Blocks. “Art Blocks live renderer for project 189 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/189000704. Accessed 18 September 2026. II 182
  535. Art Blocks. “Art Blocks live renderer for project 190 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/190000047. Accessed 18 September 2026. II 183
  536. Art Blocks. “Art Blocks live renderer for project 313 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/313000315. Accessed 20 September 2026. II 307
  537. Art Blocks. “Art Blocks live renderer for project 315 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/315000018. Accessed 20 September 2026. II 308
  538. Art Blocks. “Art Blocks live renderer for project 316 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/316000588. Accessed 20 September 2026. II 309
  539. Art Blocks. “Art Blocks live renderer for project 317 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/317000122. Accessed 20 September 2026. II 311
  540. Art Blocks. “Art Blocks live renderer for project 318 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/318000321. Accessed 20 September 2026. II 312
  541. Art Blocks. “Art Blocks live renderer for project 319 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/319000395. Accessed 20 September 2026. II 310
  542. Art Blocks. “Art Blocks live renderer for project 77 tokens.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/77000263. Accessed 20 September 2026. II 077
  543. Art Blocks. “Art Blocks live renderer for Stroming #80, static verification.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/86000080. Accessed 18 September 2026. II 088
  544. Art Blocks. “Art Blocks rendered still images for project 77 tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/77000263.png. Accessed 20 September 2026. II 077
  545. Art Blocks artist. The artist's general Art Blocks profile lists his full project history including Materialistic, Trichro-matic, and Renders Game. https://www.artblocks.io/artists/anthony-hiley-mann. I Hiley-Mann
  546. Art Blocks artist. Art Blocks maintains an artist record for Jos Vromans within its generative-art platform. https://www.artblocks.io/artists/0x00ef256c967703ec84acdbee0b9690d3bbcbd6dc. I Vromans
  547. Art Blocks artist page. The Art Blocks platform profiles Joshua Bagley as a generative artist inspired by science and nature, living and working in Massachusetts. https://www.artblocks.io/artists/joshua-bagley. I Bagley
  548. Art Blocks artist page. Art Blocks artist directory entry summarizes Xie's algorithmic approach and cultural references. https://www.artblocks.io/artists/emily-xie. I Xie
  549. Art Blocks artist profile. Official Art Blocks artist profile providing biography and project overview for Kim Asendorf. https://www.artblocks.io/artists/kim-asendorf. I Asendorf
  550. Art Blocks artist profile. Art Blocks hosts the official artist profile page for Stefano Contiero with links to all collections, edition information, and background summary. https://www.artblocks.io/profile/stefan_contiero. I Contiero
  551. Art Blocks artist profile. Art Blocks' artist profile records Griffith's biography, earlier works, and Proscenium within his platform history. https://www.artblocks.io/artists/remnynt. I Griffith
  552. Art Blocks artist profile. Art Blocks profiles Shaik as a generative artist, collector, and founder of 256ART. https://www.artblocks.io/profile/tib-256art. I Shaik
  553. Art Blocks artist profile describing Brito's practice spanning computer graphics, sound art, generative art, and complex systems. artblocks.io/artists/darien-brito I Brito
  554. Art Blocks artist record. Art Blocks maintains an artist record linking Joshua Davis / PrayStation to his platform projects. https://www.artblocks.io/artists/0xfbc78f494ad61d90f02a3258e527de1321095acb. I Davis
  555. Art Blocks artist record. Art Blocks identifies SAB as a computational designer, academic, and digital artist and lists Spiromorphs among his projects. https://www.artblocks.io/artists/sab. I SAB; I SAB & K2xL
  556. Art Blocks. “Asemica #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000000. Accessed 18 September 2026. II 202
  557. Art Blocks. “Asemica #783.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000783. Accessed 18 September 2026. II 202
  558. Art Blocks. “Asemica collection.” https://www.artblocks.io/collection/asemica-by-emily-edelman-dima-ofman-andrew-badr. Accessed 18 September 2026. I Badr; I Ofman; II 202
  559. Art Blocks. “Assemblage by SAB & K2xL collection page.” https://www.artblocks.io/collection/assemblage-by-sab-and-k2xl. Accessed 19 September 2026. II 292
  560. Art Blocks. “Assembly by Tezumie collection page.” https://www.artblocks.io/collection/assembly-by-tezumie. Accessed 19 September 2026. I Tezumie; II 438
  561. Art Blocks. “Assorted Positivity by steganon, collection page.” https://www.artblocks.io/collection/assorted-positivity-by-steganon. Accessed 20 September 2026. II 310
  562. Art Blocks. “Attraction by Jos Vromans collection page.” https://www.artblocks.io/collection/attraction-by-jos-vromans. Accessed 18 September 2026. II 223
  563. Art Blocks. “Augmented Sequence #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/169000000. Accessed 18 September 2026. II 165
  564. Art Blocks. “Augmented Sequence #476 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/169000476. Accessed 18 September 2026. II 165
  565. Art Blocks. “Augmented Sequence by toiminto.” https://www.artblocks.io/collection/augmented-sequence-by-toiminto. Accessed 18 September 2026. II 165
  566. Art Blocks. “Augmented Sequence project page.” https://www.artblocks.io/project/169. Accessed 18 September 2026. II 165
  567. Art Blocks. “Augury by LoVid collection page.” https://www.artblocks.io/collection/augury-by-lovid. Accessed 19 September 2026. I LoVid; II 432
  568. Art Blocks. “Autology #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/209000000. Accessed 18 September 2026. II 203
  569. Art Blocks. “Autology #309.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/209000309. Accessed 18 September 2026. II 203
  570. Art Blocks. “Autology collection.” https://www.artblocks.io/collection/autology-by-steganon. Accessed 18 September 2026. II 203
  571. Art Blocks. “Automatism by Yazid collection page.” https://www.artblocks.io/collection/automatism-by-yazid. Accessed 19 September 2026. II 274
  572. Art Blocks. “autoRAD official collection.” https://www.artblocks.io/collection/autorad-by-sgtslaughtermelon-and-tartaria-archivist. Accessed 17 September 2026. II 145
  573. Art Blocks. “Avalon by r0zk0 collection page.” https://www.artblocks.io/collection/avalon-by-r0zk0. Accessed 19 September 2026. II 341
  574. Art Blocks. “Axo by jiwa collection page.” https://www.artblocks.io/collection/axo-by-jiwa. Accessed 19 September 2026. I Jiwa; II 480
  575. Art Blocks. “Backwards by Asaf Slook collection page.” https://www.artblocks.io/collection/backwards-by-asaf-slook. Accessed 19 September 2026. II 436
  576. Art Blocks. “Bakhoor Assandal by Melissa Wiederrecht collection page.” https://www.artblocks.io/collection/bakhoor-assandal-by-melissa-wiederrecht. Accessed 19 September 2026. I Wiederrecht; II 475
  577. Art Blocks. “Balance by Kelly Milligan x Amber Vittoria collection page.” https://www.artblocks.io/collection/balance-by-kelly-milligan-x-amber-vittoria. Accessed 19 September 2026. I Milligan; I Vittoria; II 489
  578. Art Blocks. “Balletic by Motus Art collection page.” https://www.artblocks.io/collection/balletic-by-motus-art. Accessed 19 September 2026. II 333
  579. Art Blocks. “Beatboxes by Zeblocks, collection page.” https://www.artblocks.io/collection/beatboxes-by-zeblocks. Accessed 20 September 2026. I Zeblocks; II 144
  580. Art Blocks. “Beauty in the Hurting by Ryan Green, collection page.” https://www.artblocks.io/collection/beauty-in-the-hurting-by-ryan-green. Accessed 20 September 2026. I Green; II 174
  581. Art Blocks. “Beauty of Skateboarding #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/202000000. Accessed 18 September 2026. II 199
  582. Art Blocks. “Beauty of Skateboarding #5.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/202000005. Accessed 18 September 2026. II 199
  583. Art Blocks. “Beauty of Skateboarding by JEANVASCRIPT.” https://www.artblocks.io/collection/beauty-of-skateboarding-by-jeanvascript. Accessed 18 September 2026. II 199
  584. Art Blocks. “because unless until by ixnayokay collection page.” https://www.artblocks.io/collection/because-unless-until-by-ixnayokay. Accessed 19 September 2026. I Boyarsky; II 466
  585. Art Blocks. “Bent project record and Art Blocks index.” https://www.artblocks.io/collection/bent-by-ippsketch. Accessed 19 September 2026. I ippsketch; II 209
  586. Art Blocks. “Blaschke Ballet #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/167000000. Accessed 18 September 2026. II 163
  587. Art Blocks. “Blaschke Ballet #477 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/167000477. Accessed 18 September 2026. II 163
  588. Art Blocks. “Blaschke Ballet by NumbersInMotion.” https://www.artblocks.io/collection/blaschke-ballet-by-numbersinmotion. Accessed 18 September 2026. I Jacobson; II 163
  589. Art Blocks. “Blaschke Ballet project page.” https://www.artblocks.io/project/167. Accessed 18 September 2026. II 163
  590. Art Blocks. “Blind Spots by Shaderism collection page.” https://www.artblocks.io/collection/blind-spots-by-shaderism. Accessed 19 September 2026. I Koskela; II 484
  591. Art Blocks. “Blockbob Rorschach by eBoy, collection page.” https://www.artblocks.io/collection/blockbob-rorschach-by-eboy. Accessed 18 September 2026. I eBoy; II 185
  592. Art Blocks. “Bloom #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000000. Accessed 18 September 2026. II 169
  593. Art Blocks. “Bloom #23 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000023. Accessed 18 September 2026. II 169
  594. Art Blocks. “Bloom by Blockchance.” https://www.artblocks.io/collection/bloom-by-blockchance. Accessed 18 September 2026. II 169
  595. Art Blocks. “Bloom project page.” https://www.artblocks.io/project/168. Accessed 18 September 2026. II 169
  596. Art Blocks. “Bokeh by mpkoz collection page.” https://www.artblocks.io/collection/bokeh-by-mpkoz. Accessed 19 September 2026. I Kozlowski; II 491
  597. Art Blocks. “Box Light Studies by Zach Lieberman collection page.” https://www.artblocks.io/collection/box-light-studies-by-zach-lieberman. Accessed 19 September 2026. I Lieberman; II 494
  598. Art Blocks. “Breathe You #233 original renderer and independently observed animation.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/75000233. Accessed 18 September 2026. II 083
  599. Art Blocks. “Breathe You #4 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/75000004. Accessed 18 September 2026. II 083
  600. Art Blocks. “Breathe You by raregonzo, project page.” https://www.artblocks.io/collection/breathe-you-by-raregonzo. Accessed 18 September 2026. I Richardson; II 083
  601. Art Blocks. “Bright by Heeey collection page.” https://www.artblocks.io/collection/bright-by-heeey. Accessed 19 September 2026. II 448
  602. Art Blocks. “Calian by Eric De Giuli collection page.” https://www.artblocks.io/collection/calian-by-eric-de-giuli. Accessed 19 September 2026. I De Giuli; II 410
  603. Art Blocks. “Canonical token page checks for Breathe You sampled tokens.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/75000233. Accessed 18 September 2026. II 083
  604. Art Blocks. “Canonical token page checks for Orthogone sampled tokens.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000476. Accessed 18 September 2026. II 089
  605. Art Blocks. “Canonical token page checks for Panelscape sampled tokens.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/83000103. Accessed 18 September 2026. II 085
  606. Art Blocks. “Canonical token page checks for planets sampled tokens.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/91000359. Accessed 18 September 2026. II 090
  607. Art Blocks. “Canonical token page checks for PrimiDance sampled tokens.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/84000200. Accessed 18 September 2026. II 084
  608. Art Blocks. “Canonical token pages for sampled (Dis)connected outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/431000000. Accessed 19 September 2026. II 427
  609. Art Blocks. “Canonical token pages for sampled 3 Minute Meditations outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/345000000. Accessed 19 September 2026. II 339
  610. Art Blocks. “Canonical token pages for sampled 80s Pop Variety Pack - for experts only 🕹 outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/346000000. Accessed 19 September 2026. II 338
  611. Art Blocks. “Canonical token pages for sampled Act of Emotion outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/364000000. Accessed 19 September 2026. II 352
  612. Art Blocks. “Canonical token pages for sampled Ad Extremum Terrae outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/404000000. Accessed 19 September 2026. II 402
  613. Art Blocks. “Canonical token pages for sampled AlgoBeats outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/289000000. Accessed 19 September 2026. II 288
  614. Art Blocks. “Canonical token pages for sampled Alien DNA outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/294000000. Accessed 19 September 2026. II 289
  615. Art Blocks. “Canonical token pages for sampled Ancient Courses of Fictional Rivers outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/284000000. Accessed 19 September 2026. II 275
  616. Art Blocks. “Canonical token pages for sampled APEX outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/291000000. Accessed 19 September 2026. II 283
  617. Art Blocks. “Canonical token pages for sampled Aragnation outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/401000000. Accessed 19 September 2026. II 393
  618. Art Blocks. “Canonical token pages for sampled Arcadia outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/358000000. Accessed 19 September 2026. II 350
  619. Art Blocks. “Canonical token pages for sampled Assemblage outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/300000000. Accessed 19 September 2026. II 292
  620. Art Blocks. “Canonical token pages for sampled Assembly outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000000. Accessed 19 September 2026. II 438
  621. Art Blocks. “Canonical token pages for sampled Attraction outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/229000000. Accessed 18 September 2026. II 223
  622. Art Blocks. “Canonical token pages for sampled Augury outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/440000000. Accessed 19 September 2026. II 432
  623. Art Blocks. “Canonical token pages for sampled Automatism outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/281000000. Accessed 19 September 2026. II 274
  624. Art Blocks. “Canonical token pages for sampled Avalon outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/347000000. Accessed 19 September 2026. II 341
  625. Art Blocks. “Canonical token pages for sampled Axo outputs.” https://www.artblocks.io/token/1/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/480000000. Accessed 19 September 2026. II 480
  626. Art Blocks. “Canonical token pages for sampled Backwards outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/451000000. Accessed 19 September 2026. II 436
  627. Art Blocks. “Canonical token pages for sampled Bakhoor Assandal outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/479000000. Accessed 19 September 2026. II 475
  628. Art Blocks. “Canonical token pages for sampled Balance outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/489000000. Accessed 19 September 2026. II 489
  629. Art Blocks. “Canonical token pages for sampled Balletic outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/343000000. Accessed 19 September 2026. II 333
  630. Art Blocks. “Canonical token pages for sampled because unless until outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/472000000. Accessed 19 September 2026. II 466
  631. Art Blocks. “Canonical token pages for sampled Blind Spots outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/484000000. Accessed 19 September 2026. II 484
  632. Art Blocks. “Canonical token pages for sampled Bokeh outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/496000000. Accessed 19 September 2026. II 491
  633. Art Blocks. “Canonical token pages for sampled Box Light Studies outputs.” https://www.artblocks.io/token/1/0xab0000000000aa06f89b268d604a9c1c41524ac6/499000000. Accessed 19 September 2026. II 494
  634. Art Blocks. “Canonical token pages for sampled Bright outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/448000000. Accessed 19 September 2026. II 448
  635. Art Blocks. “Canonical token pages for sampled Calian outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/416000000. Accessed 19 September 2026. II 410
  636. Art Blocks. “Canonical token pages for sampled Cattleya outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/308000000. Accessed 19 September 2026. II 302
  637. Art Blocks. “Canonical token pages for sampled Center Pivot outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/297000000. Accessed 19 September 2026. II 296
  638. Art Blocks. “Canonical token pages for sampled Ceramics outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/417000000. Accessed 19 September 2026. II 412
  639. Art Blocks. “Canonical token pages for sampled Cerebellum outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/412000000. Accessed 19 September 2026. II 405
  640. Art Blocks. “Canonical token pages for sampled chaos comes with the summer haze outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/405000000. Accessed 19 September 2026. II 411
  641. Art Blocks. “Canonical token pages for sampled Click outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/263000000. Accessed 19 September 2026. II 264
  642. Art Blocks. “Canonical token pages for sampled Colorspace outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/309000000. Accessed 19 September 2026. II 304
  643. Art Blocks. “Canonical token pages for sampled Contrast Agent outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/391000000. Accessed 19 September 2026. II 413
  644. Art Blocks. “Canonical token pages for sampled Crypt outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/453000000. Accessed 19 September 2026. II 441
  645. Art Blocks. “Canonical token pages for sampled CryptoCountries: The Unpublished Archives of a Mythical World Traveler outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/348000000. Accessed 19 September 2026. II 340
  646. Art Blocks. “Canonical token pages for sampled Cytographia outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/487000000. Accessed 19 September 2026. II 486
  647. Art Blocks. “Canonical token pages for sampled D-D-Dots outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/357000000. Accessed 19 September 2026. II 351
  648. Art Blocks. “Canonical token pages for sampled Daisies outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/312000000. Accessed 19 September 2026. II 306
  649. Art Blocks. “Canonical token pages for sampled Dendro outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/443000000. Accessed 19 September 2026. II 439
  650. Art Blocks. “Canonical token pages for sampled Departed outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/350000000. Accessed 19 September 2026. II 356
  651. Art Blocks. “Canonical token pages for sampled Diggly Collects All outputs.” https://www.artblocks.io/token/1/0xababababab20053426ad1c782de9ea8444358070/4000000. Accessed 19 September 2026. II 499
  652. Art Blocks. “Canonical token pages for sampled Dipolar outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/385000000. Accessed 19 September 2026. II 392
  653. Art Blocks. “Canonical token pages for sampled Divenire outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/314000000. Accessed 19 September 2026. II 305
  654. Art Blocks. “Canonical token pages for sampled Divergence outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/432000000. Accessed 19 September 2026. II 424
  655. Art Blocks. “Canonical token pages for sampled Dopamine Machines outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/457000000. Accessed 19 September 2026. II 456
  656. Art Blocks. “Canonical token pages for sampled Drawings for a Monument outputs.” https://www.artblocks.io/token/1/0xab00000000002ade39f58f9d8278a31574ffbe77/3000000. Accessed 19 September 2026. II 498
  657. Art Blocks. “Canonical token pages for sampled Drifting outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/286000000. Accessed 19 September 2026. II 284
  658. Art Blocks. “Canonical token pages for sampled Ego Death outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/386000000. Accessed 19 September 2026. II 374
  659. Art Blocks. “Canonical token pages for sampled Electriz outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/216000000. Accessed 18 September 2026. II 212
  660. Art Blocks. “Canonical token pages for sampled Enigma outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/439000000. Accessed 19 September 2026. II 435
  661. Art Blocks. “Canonical token pages for sampled entretiempos outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000000. Accessed 19 September 2026. II 257
  662. Art Blocks. “Canonical token pages for sampled Erratic outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/362000000. Accessed 19 September 2026. II 354
  663. Art Blocks. “Canonical token pages for sampled Escherly Seeds outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/465000000. Accessed 19 September 2026. II 467
  664. Art Blocks. “Canonical token pages for sampled Essenza outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/356000000. Accessed 19 September 2026. II 346
  665. Art Blocks. “Canonical token pages for sampled Exhibition: 3291 outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/266000000. Accessed 19 September 2026. II 262
  666. Art Blocks. “Canonical token pages for sampled Exstasis outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/460000000. Accessed 19 September 2026. II 453
  667. Art Blocks. “Canonical token pages for sampled Faceless outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/311000000. Accessed 19 September 2026. II 303
  668. Art Blocks. “Canonical token pages for sampled Fleur outputs.” https://www.artblocks.io/token/1/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/378000000. Accessed 19 September 2026. II 371
  669. Art Blocks. “Canonical token pages for sampled Floating World Genesis outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/1000000. Accessed 19 September 2026. II 343
  670. Art Blocks. “Canonical token pages for sampled flora, fauna, false gods & floods outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/361000000. Accessed 19 September 2026. II 353
  671. Art Blocks. “Canonical token pages for sampled Flourish outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/454000000. Accessed 19 September 2026. II 447
  672. Art Blocks. “Canonical token pages for sampled Flows outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/435000000. Accessed 19 September 2026. II 450
  673. Art Blocks. “Canonical token pages for sampled Flux outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/296000000. Accessed 19 September 2026. II 291
  674. Art Blocks. “Canonical token pages for sampled Foliage outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/270000000. Accessed 19 September 2026. II 258
  675. Art Blocks. “Canonical token pages for sampled Fontana outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/367000000. Accessed 19 September 2026. II 358
  676. Art Blocks. “Canonical token pages for sampled Forecast outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/470000000. Accessed 19 September 2026. II 471
  677. Art Blocks. “Canonical token pages for sampled Friendship Bracelets outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/0. Accessed 19 September 2026. II 370; II 396
  678. Art Blocks. “Canonical token pages for sampled Fushi No Reality - フシノゲンジツ outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/430000000. Accessed 19 September 2026. II 431
  679. Art Blocks. “Canonical token pages for sampled Gas Wars outputs.” https://www.artblocks.io/token/1/0xab0000000000aa06f89b268d604a9c1c41524ac6/505000000. Accessed 19 September 2026. II 496
  680. Art Blocks. “Canonical token pages for sampled Getijde outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/226000000. Accessed 18 September 2026. II 218
  681. Art Blocks. “Canonical token pages for sampled geVIENNAratives outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/220000000. Accessed 18 September 2026. II 217
  682. Art Blocks. “Canonical token pages for sampled Glass outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/344000000. Accessed 19 September 2026. II 336
  683. Art Blocks. “Canonical token pages for sampled Glasshouse INAT outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/467000000. Accessed 19 September 2026. II 468
  684. Art Blocks. “Canonical token pages for sampled Glow outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/230000000. Accessed 18 September 2026. II 222
  685. Art Blocks. “Canonical token pages for sampled Good, Computer outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/396000000. Accessed 19 September 2026. II 384
  686. Art Blocks. “Canonical token pages for sampled Gumbo outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/462000000. Accessed 19 September 2026. II 459
  687. Art Blocks. “Canonical token pages for sampled Hōrō outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/301000000. Accessed 19 September 2026. II 297
  688. Art Blocks. “Canonical token pages for sampled Human Unreadable outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/455000000. Accessed 19 September 2026. II 443
  689. Art Blocks. “Canonical token pages for sampled Hyper Drive: A-Side outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/392000000. Accessed 19 September 2026. II 388
  690. Art Blocks. “Canonical token pages for sampled Immaterial outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/481000000. Accessed 19 September 2026. II 482
  691. Art Blocks. “Canonical token pages for sampled Imperfections outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/303000000. Accessed 19 September 2026. II 295
  692. Art Blocks. “Canonical token pages for sampled Implications outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/395000000. Accessed 19 September 2026. II 383
  693. Art Blocks. “Canonical token pages for sampled Incomplete Control outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/228000000. Accessed 18 September 2026. II 225
  694. Art Blocks. “Canonical token pages for sampled Ingress outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/377000000. Accessed 19 September 2026. II 375
  695. Art Blocks. “Canonical token pages for sampled INK outputs.” https://www.artblocks.io/token/1/0xab0000000000aa06f89b268d604a9c1c41524ac6/497000000. Accessed 19 September 2026. II 493
  696. Art Blocks. “Canonical token pages for sampled Interferences outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/354000000. Accessed 19 September 2026. II 347
  697. Art Blocks. “Canonical token pages for sampled Intersections outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/373000000. Accessed 19 September 2026. II 359
  698. Art Blocks. “Canonical token pages for sampled Invasion Percolation outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/295000000. Accessed 19 September 2026. II 293
  699. Art Blocks. “Canonical token pages for sampled Invisibles outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/446000000. Accessed 19 September 2026. II 437
  700. Art Blocks. “Canonical token pages for sampled Isodream outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/274000000. Accessed 19 September 2026. II 269
  701. Art Blocks. “Canonical token pages for sampled Jenim outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000000. Accessed 19 September 2026. II 409
  702. Art Blocks. “Canonical token pages for sampled Kai-Gen outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/227000000. Accessed 18 September 2026. II 224
  703. Art Blocks. “Canonical token pages for sampled Kubikino outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/464000000. Accessed 19 September 2026. II 463
  704. Art Blocks. “Canonical token pages for sampled l.o outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/463000000. Accessed 19 September 2026. II 460
  705. Art Blocks. “Canonical token pages for sampled Lacunae outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/269000000. Accessed 19 September 2026. II 260
  706. Art Blocks. “Canonical token pages for sampled Libra outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/398000000. Accessed 19 September 2026. II 395
  707. Art Blocks. “Canonical token pages for sampled Life and Love and Nothing outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/476000000. Accessed 19 September 2026. II 472
  708. Art Blocks. “Canonical token pages for sampled Liquid Ruminations outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/278000000. Accessed 19 September 2026. II 278
  709. Art Blocks. “Canonical token pages for sampled Longing outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/413000000. Accessed 19 September 2026. II 406
  710. Art Blocks. “Canonical token pages for sampled Loom outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/213000000. Accessed 18 September 2026. II 210
  711. Art Blocks. “Canonical token pages for sampled Lucky Clover outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/478000000. Accessed 19 September 2026. II 474
  712. Art Blocks. “Canonical token pages for sampled Lumina outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/474000000. Accessed 19 September 2026. II 470
  713. Art Blocks. “Canonical token pages for sampled Marfa Yucca outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/1000000. Accessed 19 September 2026. II 377; II 461
  714. Art Blocks. “Canonical token pages for sampled marfaMESH outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/2000000. Accessed 19 September 2026. II 476
  715. Art Blocks. “Canonical token pages for sampled Mazinaw outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/288000000. Accessed 19 September 2026. II 279
  716. Art Blocks. “Canonical token pages for sampled Meaningless outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/444000000. Accessed 19 September 2026. II 445
  717. Art Blocks. “Canonical token pages for sampled Melancholic Magical Maiden outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/493000000. Accessed 19 September 2026. II 490
  718. Art Blocks. “Canonical token pages for sampled Mellifera outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/425000000. Accessed 19 September 2026. II 414
  719. Art Blocks. “Canonical token pages for sampled Memories of Digital Data outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/428000000. Accessed 19 September 2026. II 421
  720. Art Blocks. “Canonical token pages for sampled Metaphysics outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/382000000. Accessed 19 September 2026. II 382
  721. Art Blocks. “Canonical token pages for sampled Mind Maze outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/298000000. Accessed 19 September 2026. II 290
  722. Art Blocks. “Canonical token pages for sampled Miragem outputs.” https://www.artblocks.io/token/1/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/389000000. Accessed 19 September 2026. II 378
  723. Art Blocks. “Canonical token pages for sampled Muttenz outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/452000000. Accessed 19 September 2026. II 458
  724. Art Blocks. “Canonical token pages for sampled Mycelia outputs.” https://www.artblocks.io/token/1/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/458000000. Accessed 19 September 2026. II 452
  725. Art Blocks. “Canonical token pages for sampled Naïve outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/483000000. Accessed 19 September 2026. II 483
  726. Art Blocks. “Canonical token pages for sampled Nära outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/437000000. Accessed 19 September 2026. II 430
  727. Art Blocks. “Canonical token pages for sampled Net Net Net outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/441000000. Accessed 19 September 2026. II 449
  728. Art Blocks. “Canonical token pages for sampled Neural Sediments outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/418000000. Accessed 19 September 2026. II 434
  729. Art Blocks. “Canonical token pages for sampled New Worlds outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/4000000. Accessed 19 September 2026. II 399
  730. Art Blocks. “Canonical token pages for sampled NimTeens outputs.” https://www.artblocks.io/token/1/0x64780ce53f6e966e18a22af13a2f97369580ec11/408000000. Accessed 19 September 2026. II 400
  731. Art Blocks. “Canonical token pages for sampled Ode to Penrose outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/307000000. Accessed 19 September 2026. II 299
  732. Art Blocks. “Canonical token pages for sampled Ode to Untitled outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/359000000. Accessed 19 September 2026. II 348
  733. Art Blocks. “Canonical token pages for sampled OnChainChain outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/283000000. Accessed 19 September 2026. I Rizzle, Sebi, Miguelgarest; II 287
  734. Art Blocks. “Canonical token pages for sampled ORI outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/379000000. Accessed 19 September 2026. II 380
  735. Art Blocks. “Canonical token pages for sampled Ottocento outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/374000000. Accessed 19 September 2026. II 389
  736. Art Blocks. “Canonical token pages for sampled Overload outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/450000000. Accessed 19 September 2026. II 440
  737. Art Blocks. “Canonical token pages for sampled Paths outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/217000000. Accessed 18 September 2026. II 213
  738. Art Blocks. “Canonical token pages for sampled Perpetua outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/277000000. Accessed 19 September 2026. II 277
  739. Art Blocks. “Canonical token pages for sampled Pieces of Me outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/222000000. Accessed 18 September 2026. II 215
  740. Art Blocks. “Canonical token pages for sampled Pointers outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/387000000. Accessed 19 September 2026. II 390
  741. Art Blocks. “Canonical token pages for sampled Pointila outputs.” https://www.artblocks.io/token/1/0x64780ce53f6e966e18a22af13a2f97369580ec11/353000000. Accessed 19 September 2026. II 344
  742. Art Blocks. “Canonical token pages for sampled PRELUDES outputs.” https://www.artblocks.io/token/1/0x145789247973c5d612bf121e9e4eef84b63eb707/5000000. Accessed 19 September 2026. II 397
  743. Art Blocks. “Canonical token pages for sampled PrimiEnd outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/268000000. Accessed 19 September 2026. II 271
  744. Art Blocks. “Canonical token pages for sampled Primitives outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/368000000. Accessed 19 September 2026. II 364
  745. Art Blocks. “Canonical token pages for sampled Primordial outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/302000000. Accessed 19 September 2026. II 300
  746. Art Blocks. “Canonical token pages for sampled Proscenium outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/486000000. Accessed 19 September 2026. II 485
  747. Art Blocks. “Canonical token pages for sampled pseudomods outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/272000000. Accessed 19 September 2026. II 266
  748. Art Blocks. “Canonical token pages for sampled Quantum Collapses outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/275000000. Accessed 19 September 2026. II 268
  749. Art Blocks. “Canonical token pages for sampled QWERTY outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/2000000. Accessed 19 September 2026. II 362
  750. Art Blocks. “Canonical token pages for sampled Race Condition outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/393000000. Accessed 19 September 2026. II 387
  751. Art Blocks. “Canonical token pages for sampled RASTER outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/341000000. Accessed 19 September 2026. II 337
  752. Art Blocks. “Canonical token pages for sampled Recollection outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/475000000. Accessed 19 September 2026. II 473
  753. Art Blocks. “Canonical token pages for sampled Rectangles (for Herbert) outputs.” https://www.artblocks.io/token/1/0x64780ce53f6e966e18a22af13a2f97369580ec11/370000000. Accessed 19 September 2026. II 363
  754. Art Blocks. “Canonical token pages for sampled Renders Game outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/415000000. Accessed 19 September 2026. II 407
  755. Art Blocks. “Canonical token pages for sampled Rippling outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/421000000. Accessed 19 September 2026. II 419
  756. Art Blocks. “Canonical token pages for sampled Sandaliya outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/366000000. Accessed 19 September 2026. II 357
  757. Art Blocks. “Canonical token pages for sampled Schema outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/7000000. Accessed 19 September 2026. II 479
  758. Art Blocks. “Canonical token pages for sampled Seedlings outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/380000000. Accessed 19 September 2026. II 373
  759. Art Blocks. “Canonical token pages for sampled Semblance outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/447000000. Accessed 19 September 2026. II 442
  760. Art Blocks. “Canonical token pages for sampled send/receive outputs.” https://www.artblocks.io/token/1/0xababababab20053426ad1c782de9ea8444358070/5000000. Accessed 19 September 2026. II 500
  761. Art Blocks. “Canonical token pages for sampled siempre en mí, siempre en ti outputs.” https://www.artblocks.io/token/1/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/477000000. Accessed 19 September 2026. II 477
  762. Art Blocks. “Canonical token pages for sampled Silhouette outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/273000000. Accessed 19 September 2026. II 267
  763. Art Blocks. “Canonical token pages for sampled SKEUOMORPHS outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/422000000. Accessed 19 September 2026. II 417
  764. Art Blocks. “Canonical token pages for sampled Solar Transits outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/423000000. Accessed 19 September 2026. II 420
  765. Art Blocks. “Canonical token pages for sampled Spaghetti Bones outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/456000000. Accessed 19 September 2026. II 455
  766. Art Blocks. “Canonical token pages for sampled Speak To Me outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/449000000. Accessed 19 September 2026. II 444
  767. Art Blocks. “Canonical token pages for sampled Spiromorphs outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/221000000. Accessed 18 September 2026. II 216
  768. Art Blocks. “Canonical token pages for sampled Spotlight outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/256000000. Accessed 19 September 2026. II 261
  769. Art Blocks. “Canonical token pages for sampled Staccato outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/351000000. Accessed 19 September 2026. II 345
  770. Art Blocks. “Canonical token pages for sampled Stains on a Canvas outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/365000000. Accessed 19 September 2026. II 355
  771. Art Blocks. “Canonical token pages for sampled Still Moving outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/433000000. Accessed 19 September 2026. II 428
  772. Art Blocks. “Canonical token pages for sampled Strata outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/276000000. Accessed 19 September 2026. II 270
  773. Art Blocks. “Canonical token pages for sampled Structures outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/381000000. Accessed 19 September 2026. II 368
  774. Art Blocks. “Canonical token pages for sampled Subtle outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/438000000. Accessed 19 September 2026. II 446
  775. Art Blocks. “Canonical token pages for sampled Such A Lovely Time outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/400000000. Accessed 19 September 2026. II 394
  776. Art Blocks. “Canonical token pages for sampled Supermental outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/285000000. Accessed 19 September 2026. II 280
  777. Art Blocks. “Canonical token pages for sampled Systems Madness outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/442000000. Accessed 19 September 2026. II 433
  778. Art Blocks. “Canonical token pages for sampled Tentura outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/265000000. Accessed 19 September 2026. II 265
  779. Art Blocks. “Canonical token pages for sampled The Field outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/399000000. Accessed 19 September 2026. II 391
  780. Art Blocks. “Canonical token pages for sampled The Inner World outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/352000000. Accessed 19 September 2026. II 342
  781. Art Blocks. “Canonical token pages for sampled Thereidoscope outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/264000000. Accessed 19 September 2026. II 259
  782. Art Blocks. “Canonical token pages for sampled This Is Not A Rock outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/471000000. Accessed 19 September 2026. II 465
  783. Art Blocks. “Canonical token pages for sampled Thoughts of Meadow outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/355000000. Accessed 19 September 2026. II 349
  784. Art Blocks. “Canonical token pages for sampled Through Curved Air outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/397000000. Accessed 19 September 2026. II 386
  785. Art Blocks. “Canonical token pages for sampled Tide Predictor outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/376000000. Accessed 19 September 2026. II 369
  786. Art Blocks. “Canonical token pages for sampled Time Atlas 🌐 outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/219000000. Accessed 18 September 2026. II 214
  787. Art Blocks. “Canonical token pages for sampled Time travel in a subconscious mind outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/271000000. Accessed 19 September 2026. II 263
  788. Art Blocks. “Canonical token pages for sampled Torrent outputs.” https://www.artblocks.io/token/1/0x145789247973c5d612bf121e9e4eef84b63eb707/466000000. Accessed 19 September 2026. II 462
  789. Art Blocks. “Canonical token pages for sampled Totem of Taste outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/349000000. Accessed 19 September 2026. II 360
  790. Art Blocks. “Canonical token pages for sampled Tout tracé outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/409000000. Accessed 19 September 2026. II 401
  791. Art Blocks. “Canonical token pages for sampled Trichro-matic outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/482000000. Accessed 19 September 2026. II 481
  792. Art Blocks. “Canonical token pages for sampled Tropism outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/224000000. Accessed 18 September 2026. II 221
  793. Art Blocks. “Canonical token pages for sampled Túnel Dimensional outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/293000000. Accessed 19 September 2026. II 286
  794. Art Blocks. “Canonical token pages for sampled Twist outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/490000000. Accessed 19 September 2026. II 487
  795. Art Blocks. “Canonical token pages for sampled Twos outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/469000000. Accessed 19 September 2026. II 469
  796. Art Blocks. “Canonical token pages for sampled UMK outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/436000000. Accessed 19 September 2026. II 429
  797. Art Blocks. “Canonical token pages for sampled Vahria outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/340000000. Accessed 19 September 2026. II 334
  798. Art Blocks. “Canonical token pages for sampled Växt outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/488000000. Accessed 19 September 2026. II 488
  799. Art Blocks. “Canonical token pages for sampled Volute outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/394000000. Accessed 19 September 2026. II 381
  800. Art Blocks. “Canonical token pages for sampled Vortex outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/225000000. Accessed 18 September 2026. II 219
  801. Art Blocks. “Canonical token pages for sampled VOXΞL outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/384000000. Accessed 19 September 2026. II 372
  802. Art Blocks. “Canonical token pages for sampled Voyager outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/434000000. Accessed 19 September 2026. II 426
  803. Art Blocks. “Canonical token pages for sampled Wabi Sabi outputs.” https://www.artblocks.io/token/1/0x64780ce53f6e966e18a22af13a2f97369580ec11/375000000. Accessed 19 September 2026. II 367
  804. Art Blocks. “Canonical token pages for sampled WaVyScApE outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/406000000. Accessed 19 September 2026. II 403
  805. Art Blocks. “Canonical token pages for sampled Window outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/280000000. Accessed 19 September 2026. II 272
  806. Art Blocks. “Canonical token pages for sampled Worlds Within outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/424000000. Accessed 19 September 2026. II 415
  807. Art Blocks. “Canonical token pages for sampled Your Story outputs.” https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/388000000. Accessed 19 September 2026. II 376
  808. Art Blocks. “Canonical token pages for sampled Zoologic outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/287000000. Accessed 19 September 2026. II 281
  809. Art Blocks. “Canonical token pages for sampled Zupermat outputs.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/305000000. Accessed 19 September 2026. II 298
  810. Art Blocks. “CatBlocks #0 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000000.png. Accessed 18 September 2026. II 073
  811. Art Blocks. “CatBlocks #1 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000001.png. Accessed 18 September 2026. II 073
  812. Art Blocks. “CatBlocks #10 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000010.png. Accessed 18 September 2026. II 073
  813. Art Blocks. “CatBlocks #20 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000020.png. Accessed 18 September 2026. II 073
  814. Art Blocks. “CatBlocks #347 official static preview.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000347.png. Accessed 17 September 2026. II 073
  815. Art Blocks. “CatBlocks by Kristy Glas: official collection page.” https://www.artblocks.io/collection/catblocks-by-kristy-glas. Accessed 17 September 2026. I Glas; II 073
  816. Art Blocks. “CatBlocks live renderer, token 73000347.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/73000347. Accessed 17 September 2026. II 073
  817. Art Blocks. “Cattleya by Ben Snell collection page.” https://www.artblocks.io/collection/cattleya-by-ben-snell. Accessed 19 September 2026. I Snell; II 302
  818. Art Blocks. “Center Pivot by Craig Hughes & Eric Hughes collection page.” https://www.artblocks.io/collection/center-pivot-by-craig-hughes-and-eric-hughes. Accessed 19 September 2026. I Hughes; II 296
  819. Art Blocks. “Ceramics by Charlotte Dann collection page.” https://www.artblocks.io/collection/ceramics-by-charlotte-dann. Accessed 19 September 2026. I Dann; II 412
  820. Art Blocks. “chaos comes with the summer haze by Cole Sternberg collection page.” https://www.artblocks.io/collection/chaos-comes-with-the-summer-haze-by-cole-sternberg. Accessed 19 September 2026. II 411
  821. Art Blocks characterizes its platform as a venue for artist-authored algorithmic systems activated by collectors. Art Blocks platform I Struhl
  822. Art Blocks. “Chimera project and token record.” https://www.artblocks.io/collection/chimera-by-mpkoz. Accessed 18 September 2026. I Kozlowski; II 230
  823. Art Blocks. “Chroma Theory by Pawel Dudko, collection page.” https://www.artblocks.io/collection/chroma-theory-by-pawel-dudko. Accessed 18 September 2026. I Dudko; II 178
  824. Art Blocks. “Click by Ivan Dianov collection page.” https://www.artblocks.io/collection/click-by-ivan-dianov. Accessed 19 September 2026. I Dianov; II 264
  825. Art Blocks. “Collapsed Sequence by toiminto, collection page.” https://www.artblocks.io/collection/collapsed-sequence-by-toiminto. Accessed 20 September 2026. II 312
  826. Art Blocks collection context. Art Blocks lists Subtle among William Stallwood’s projects and situates it within the Art Blocks Presents program. https://www.artblocks.io/collection/0x99a9b7c1116f9ceeb1652de04d5969cce509b069-375?attributes=%7B%22Stroke+algorithm%22%3A%7B%22type%22%3A%22number%22%2C%22min%22%3A12%2C%22max%22%3A12%2C%22domain%22%3A%5B10%2C22%5D%7D%7D. I Stallwood
  827. Art Blocks collection page. Memories of Qilin (1,024 editions) was released on 21 March 2022 through Art Blocks Curated and remains the artist's most widely recognized project. https://www.artblocks.io/collection/memories-of-qilin-by-emily-xie. I Xie
  828. Art Blocks collection page for Cargo. Art Blocks I Asendorf
  829. Art Blocks collection page for Gazers, noting 1,000 editions released December 6, 2021. artblocks.io/collection/gazers-by-matt-kane I Kane
  830. Art Blocks Collector Profile. Collector profile page showing ownership examples of OnChainChain tokens. https://www.artblocks.io/profile/0xa5855f4f40a409ffde3a171eb616926aec5d7b9c. I Rizzle, Sebi, Miguelgarest
  831. Art Blocks. “Color Study project record and Art Blocks index.” https://www.artblocks.io/collection/color-study-by-jeff-davis. Accessed 17 September 2026. I Davis; II 017
  832. Art Blocks. “Colorspace by Tabor Robak collection page.” https://www.artblocks.io/collection/colorspace-by-tabor-robak. Accessed 19 September 2026. I Robak; II 304
  833. Art Blocks. “Contrast Agent by Tim Richardson + Sean Zellmer collection page.” https://www.artblocks.io/collection/contrast-agent-by-tim-richardson-sean-zellmer. Accessed 19 September 2026. II 413
  834. Art Blocks. “Coquina live renderer, token 198000005.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/198000005. Accessed 19 September 2026. II 195
  835. Art Blocks. “Coquina static preview media, tokens 198000000/198000001/198000005/198000100/198000386.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/198000005.png. Accessed 18 September 2026. II 195
  836. Art Blocks. “Coquina: official collection page.” https://www.artblocks.io/collection/coquina-by-jacob-gold. Accessed 18 September 2026. II 195
  837. Art Blocks. “Cosmic Reef project and token record.” https://www.artblocks.io/collection/cosmic-reef-by-leo-villareal. Accessed 18 September 2026. I Villareal; II 240
  838. Art Blocks. “Cosmodesias project record.” https://www.artblocks.io/collection/cosmodesias-by-santiago. Accessed 19 September 2026. I Mathikshara; II 252
  839. Art Blocks creator documentation explains token hashes, deterministic randomness, and project construction. Art Blocks Docs I Alexander; I Cyclops Group; I MODNAR WOLF; I Orpheusk; I espina
  840. Art Blocks. “Crypt by The Cyclops Group collection page.” https://www.artblocks.io/collection/crypt-by-the-cyclops-group. Accessed 19 September 2026. II 441
  841. Art Blocks. “Cryptoblots project record and Art Blocks index.” https://www.artblocks.io/collection/cryptoblots-by-daim-aggott-honsch. Accessed 17 September 2026. I Aggott-Hönsch; II 005
  842. Art Blocks. “CryptoCountries: The Unpublished Archives of a Mythical World Traveler by Michael G Devereux collection page.” https://www.artblocks.io/collection/cryptocountries-the-unpublished-archives-of-a-mythical-world-traveler-by-michael-g-devereux. Accessed 19 September 2026. II 340
  843. Art Blocks. “CryptoNewYorker by QianQian, collection page.” https://www.artblocks.io/collection/cryptonewyorker-by-qian-qian. Accessed 18 September 2026. I QianQian; II 182
  844. Art Blocks. “Cushions collection.” https://www.artblocks.io/collection/cushions-by-devi-parikh. Accessed 18 September 2026. II 226
  845. Art Blocks. “Cyber Cities project record and Art Blocks index.” https://www.artblocks.io/collection/cyber-cities-by-pxlq. Accessed 17 September 2026. I pxlq; II 015; II 031
  846. Art Blocks. “Cytographia by Golan Levin collection page.” https://www.artblocks.io/collection/cytographia-by-golan-levin. Accessed 19 September 2026. I Levin; II 486
  847. Art Blocks. “D-D-Dots by tuplart collection page.” https://www.artblocks.io/collection/d-d-dots-by-tuplart. Accessed 19 September 2026. II 351
  848. Art Blocks. “Daisies by Natthakit Susanthitanon (NSmag) collection page.” https://www.artblocks.io/collection/daisies-by-natthakit-susanthitanon-nsmag. Accessed 19 September 2026. II 306
  849. Art Blocks defines Collaborations as its co-branded release framework, notes its launch with Pace Verso, and lists Contractions. artblocks-collaborations I Hollowell; I Paglen; I Pandelune; I REAS
  850. Art Blocks. “Dendro by Vebjørn Isaksen collection page.” https://www.artblocks.io/collection/dendro-by-vebjorn-isaksen. Accessed 19 September 2026. II 439
  851. Art Blocks. “Departed by Alexis André collection page.” https://www.artblocks.io/collection/departed-by-alexis-andre. Accessed 19 September 2026. I André; II 356
  852. Art Blocks describes Beervangeer's practice as creating "modern day rituals" using generative art to explore the unconscious. Art Blocks artist page I Beervangeer
  853. Art Blocks describes its platform as a place where artists publish algorithms that collectors activate as one-of-a-kind blockchain artworks. platform record I xenoliss
  854. Art Blocks details the concept, two-phase release, pricing, wallet limit, and 500-second mint window for Gas Wars. Art Blocks article I Butcher; I Tan
  855. Art Blocks. “Diggly Collects All by DCA collection page.” https://www.artblocks.io/collection/diggly-collects-all-by-dca. Accessed 19 September 2026. I Calderon Arenas; II 499
  856. Art Blocks. “Dipolar by Junia Farquhar collection page.” https://www.artblocks.io/collection/dipolar-by-junia-farquhar. Accessed 19 September 2026. I Farquhar; II 392
  857. Art Blocks discusses geometry as Rayner’s response to painting’s boundlessness and details his Algorithmic Synesthesia presentation at Art Basel Hong Kong in March 2026. art-basel-interview I Rayner
  858. Art Blocks. “Dive project record and Art Blocks index.” https://www.artblocks.io/collection/dive-by-rafael-rozendaal. Accessed 19 September 2026. I Rozendaal; II 207
  859. Art Blocks. “Divenire by Emanuele Pasin collection page.” https://www.artblocks.io/collection/divenire-by-emanuele-pasin. Accessed 19 September 2026. II 305
  860. Art Blocks. “Divergence by Loren Bednar collection page.” https://www.artblocks.io/collection/divergence-by-loren-bednar. Accessed 19 September 2026. I Bednar; II 424
  861. Art Blocks documentation explains hash-seeded deterministic generation. Art Blocks docs I MODNAR WOLF; I Orpheusk; I REMO x DCsan; I TheElephantNL; I WAWAA; I Wajufos; I usnea; I Åström
  862. Art Blocks documents Flourish and Neophyte MMXXII in the 2026 EMULATION exhibition at the Museum of Art + Light. EMULATION I Crispin; I Hiley-Mann; I Milligan; I Oesterling; I Rayner; I Soria-Rodríguez; I Velitchkova; I greatjones; I xenoliss
  863. Art Blocks documents its token metadata, live generator, and media-proxy services. token APIs I Cyclops Group; I espina
  864. Art Blocks documents Jacobson's birth year, New York base, mathematics education, teaching, exhibitions, plotter practice, and creation of Plottables. Art Blocks profile I Jacobson
  865. Art Blocks documents Motion Pictures as a collection of 100 unique artworks. later collection I Shivdasani
  866. Art Blocks documents Scene, Palette, Background, Coloring Style, and storm-state attributes for an Ad Extremum Terrae output. official-token I umatha
  867. Art Blocks documents Stitchables as Jacobson and Luke Shannon's platform for translating generative systems into machine embroidery. Stitchables profile I Jacobson
  868. Art Blocks documents the attributes and provenance interface for a representative Imperfections output. Art Blocks token record I Kalis
  869. Art Blocks documents the V3 core contract and its encoding of project and invocation numbers in token IDs. core contract I Cyclops Group; I MODNAR WOLF; I Orpheusk; I Third Vision; I espina; I greatjones; I last-even
  870. Art Blocks. “Dopamine Machines by Steve Pikelny collection page.” https://www.artblocks.io/collection/dopamine-machines-by-steve-pikelny. Accessed 19 September 2026. I Pikelny; II 456
  871. Art Blocks. “Drawings for a Monument by Jeff Davis collection page.” https://www.artblocks.io/collection/drawings-for-a-monument-by-jeff-davis. Accessed 19 September 2026. I Davis; II 498
  872. Art Blocks. “Dream Engine project and token record.” https://www.artblocks.io/collection/dream-engine-by-remo-x-dcsan. Accessed 18 September 2026. II 228
  873. Art Blocks. “Drifting by Simon De Mai collection page.” https://www.artblocks.io/collection/drifting-by-simon-de-mai. Accessed 19 September 2026. II 284
  874. Art Blocks. “Dynamic Slices project record and Art Blocks index.” https://www.artblocks.io/collection/dynamic-slices-by-pxlq. Accessed 17 September 2026. II 004; II 015; II 031
  875. Art Blocks. “Edifice #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/204000000. Accessed 18 September 2026. II 196
  876. Art Blocks. “Edifice #85 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/204000085. Accessed 18 September 2026. II 196
  877. Art Blocks. “Edifice by Ben Kovach.” https://www.artblocks.io/collection/edifice-by-ben-kovach. Accessed 18 September 2026. I Kovach; II 196
  878. Art Blocks. “Ego Death by electralina collection page.” https://www.artblocks.io/collection/ego-death-by-electralina. Accessed 19 September 2026. I Electralina; II 374
  879. Art Blocks. “Electriz by Che-Yu Wu collection page.” https://www.artblocks.io/collection/electriz-by-che-yu-wu. Accessed 18 September 2026. I Wu; II 212
  880. Art Blocks. “Empyrean project record and Art Blocks index.” https://www.artblocks.io/collection/empyrean-by-generative-artworks. Accessed 17 September 2026. I Generative Artworks; II 035
  881. Art Blocks. “EnergySculpture project record and Art Blocks index.” https://www.artblocks.io/collection/energysculpture-by-beervangeer. Accessed 17 September 2026. I Beervangeer; II 027
  882. Art Blocks. “Enigma by RalenArc collection page.” https://www.artblocks.io/collection/enigma-by-ralenarc. Accessed 19 September 2026. I RalenArc; II 435
  883. Art Blocks. “Ensō project record and Art Blocks index.” https://www.artblocks.io/collection/enso-by-matto. Accessed 17 September 2026. II 033; III No. 12
  884. Art Blocks. “entretiempos by Marcelo Soria-Rodríguez collection page.” https://www.artblocks.io/collection/entretiempos-by-marcelo-soria-rodriguez. Accessed 19 September 2026. I Soria-Rodríguez; II 257
  885. Art Blocks. “Erratic by Owen Moore collection page.” https://www.artblocks.io/collection/erratic-by-owen-moore. Accessed 19 September 2026. I Moore; II 354
  886. Art Blocks. “Escherly Seeds by Martijn Cohen collection page.” https://www.artblocks.io/collection/escherly-seeds-by-martijn-cohen. Accessed 19 September 2026. II 467
  887. Art Blocks. “Essenza by Stefano Contiero collection page.” https://www.artblocks.io/collection/essenza-by-stefano-contiero. Accessed 19 September 2026. I Contiero; II 346
  888. Art Blocks. “Exhibition: 3291 by cryptobauhaus collection page.” https://www.artblocks.io/collection/exhibition-3291-by-cryptobauhaus. Accessed 19 September 2026. II 262
  889. Art Blocks explains generative art as artist-authored code combining defined parameters with controlled randomness. Art Blocks overview I Alexander; I Benhorin; I Calderon; I Cohen; I REMO x DCsan; I Tan; I TheElephantNL; I espina; I n e o; I steen; I tuplart; I usnea; I Åström
  890. Art Blocks explains its model of artists publishing algorithmic systems that collectors activate. platform context I Santiago
  891. Art Blocks explains its platform as a place where artists publish algorithmic systems activated by collectors. Art Blocks marketplace I donnoh
  892. Art Blocks. “Exstasis by Grant Oesterling collection page.” https://www.artblocks.io/collection/exstasis-by-grant-oesterling. Accessed 19 September 2026. II 453
  893. Art Blocks. “Fabin Rasheed artist profile.” https://www.artblocks.io/artists/fabin-rasheed. Accessed 18 September 2026. II 066
  894. Art Blocks. “Faceless by greatjones collection page.” https://www.artblocks.io/collection/faceless-by-greatjones. Accessed 19 September 2026. II 303
  895. Art Blocks. “Facets project and token record.” https://www.artblocks.io/collection/facets-by-conundrumer. Accessed 18 September 2026. I Lu; I donnoh; II 242
  896. Art Blocks. “FAKE IT TILL YOU MAKE IT live renderer, token 337000658.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/337000658. Accessed 20 September 2026. II 332
  897. Art Blocks. “FAKE IT TILL YOU MAKE IT static preview media, tokens 337000000/337000001/337000010/337000020/337000658.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/337000658.png. Accessed 20 September 2026. II 332
  898. Art Blocks. “FAKE IT TILL YOU MAKE IT: official collection page.” https://www.artblocks.io/collection/fake-it-till-you-make-it-by-maya-man. Accessed 20 September 2026. I Man; II 332
  899. Art Blocks. “Fermented Fruit live renderer, token 321000059.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/321000059. Accessed 20 September 2026. II 314
  900. Art Blocks. “Fermented Fruit static preview media, tokens 321000000/321000001/321000059/321000100/321000139.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/321000059.png. Accessed 20 September 2026. II 314
  901. Art Blocks. “Fermented Fruit: official collection page.” https://www.artblocks.io/collection/fermented-fruit-by-cyberia. Accessed 20 September 2026. I cyberia; II 314
  902. Art Blocks. “Fernweh project and token record.” https://www.artblocks.io/collection/fernweh-by-oliveskin. Accessed 18 September 2026. II 247
  903. Art Blocks. “Fleur by AnaPet collection page.” https://www.artblocks.io/collection/fleur-by-anapet. Accessed 19 September 2026. I AnaPet; II 371
  904. Art Blocks. “Floating World Genesis by A.A. Murakami collection page.” https://www.artblocks.io/collection/floating-world-genesis-by-aa-murakami. Accessed 19 September 2026. I A.A.Murakami; II 343
  905. Art Blocks. “flora, fauna, false gods & floods by Ryan Green collection page.” https://www.artblocks.io/collection/flora-fauna-false-gods-and-floods-by-ryan-green. Accessed 19 September 2026. I Green; II 353
  906. Art Blocks. “Flourish by Sterling Crispin collection page.” https://www.artblocks.io/collection/flourish-by-sterling-crispin. Accessed 19 September 2026. I Crispin; II 447
  907. Art Blocks. “Flows by ryley-o.eth collection page.” https://www.artblocks.io/collection/flows-by-ryley-oeth. Accessed 19 September 2026. II 450
  908. Art Blocks. “Flux by Owen Moore collection page.” https://www.artblocks.io/collection/flux-by-owen-moore. Accessed 19 September 2026. I Moore; II 291
  909. Art Blocks. “FOCUS by Matto, collection page.” https://www.artblocks.io/collection/focus-by-matto. Accessed 18 September 2026. II 177; III No. 12
  910. Art Blocks. “Foliage by Falko collection page.” https://www.artblocks.io/collection/foliage-by-falko. Accessed 19 September 2026. II 258
  911. Art Blocks. “Fontana by Harvey Rayner | patterndotco collection page.” https://www.artblocks.io/collection/fontana-by-harvey-rayner-or-patterndotco. Accessed 19 September 2026. I Rayner; II 358
  912. Art Blocks. “Forecast by Manuel Larino collection page.” https://www.artblocks.io/collection/forecast-by-manuel-larino. Accessed 19 September 2026. I Larino; II 471
  913. Art Blocks. “Freehand project record and Art Blocks index.” https://www.artblocks.io/collection/freehand-by-wawaa. Accessed 19 September 2026. I WAWAA; II 208
  914. Art Blocks. “Freeplan project and token record.” https://www.artblocks.io/collection/freeplan-by-xnmtrc. Accessed 18 September 2026. II 238
  915. Art Blocks. “Friendship Bracelets by Alexis André collection page.” https://www.artblocks.io/collection/friendship-bracelets-by-alexis-andre. Accessed 19 September 2026. I André; II 370
  916. Art Blocks. “Fushi No Reality - フシノゲンジツ by Samsy collection page.” https://www.artblocks.io/collection/fushi-no-reality-by-samsy. Accessed 19 September 2026. I Honigstein; II 431
  917. Art Blocks. “Gas Wars by Jack Butcher collection page.” https://www.artblocks.io/collection/gas-wars-by-jack-butcher. Accessed 19 September 2026. I Butcher; II 496
  918. Art Blocks. “Gels live renderer, token 322000047.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/322000047. Accessed 20 September 2026. II 327
  919. Art Blocks. “Gels static preview media, tokens 322000000/322000001/322000010/322000020/322000047.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/322000047.png. Accessed 20 September 2026. II 327
  920. Art Blocks. “Gels: official collection page.” https://www.artblocks.io/collection/gels-by-jason-brown-shawn-douglas. Accessed 20 September 2026. II 327
  921. Art Blocks. “Gen 2 project record and Art Blocks index.” https://www.artblocks.io/collection/gen-2-by-dca. Accessed 17 September 2026. I Calderon Arenas; II 019
  922. Art Blocks. “Getijde by Bart Simons collection page.” https://www.artblocks.io/collection/getijde-by-bart-simons. Accessed 18 September 2026. I Simons; II 218
  923. Art Blocks. “geVIENNAratives by CryptoWiener collection page.” https://www.artblocks.io/collection/geviennaratives-by-cryptowiener. Accessed 18 September 2026. I CryptoWiener; II 217
  924. Art Blocks. “GHOST IN THE CODE live renderer, token 323000067.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/323000067. Accessed 20 September 2026. II 317
  925. Art Blocks. “GHOST IN THE CODE static preview media, tokens 323000000/323000001/323000067/323000200/323000403.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/323000067.png. Accessed 20 September 2026. II 317
  926. Art Blocks. “GHOST IN THE CODE: official collection page.” https://www.artblocks.io/collection/ghost-in-the-code-by-kazuhiro-tanimoto. Accessed 20 September 2026. I Tanimoto; II 317
  927. Art Blocks. “Glass by Eric De Giuli collection page.” https://www.artblocks.io/collection/glass-by-eric-de-giuli. Accessed 19 September 2026. II 336
  928. Art Blocks. “Glasshouse INAT by Aleksandra Jovanić collection page.” https://www.artblocks.io/collection/glasshouse-inat-by-aleksandra-jovanic. Accessed 19 September 2026. I Jovanić; II 468
  929. Art Blocks. “Glow by Jason Ting collection page.” https://www.artblocks.io/collection/glow-by-jason-ting. Accessed 18 September 2026. I Ting; II 222
  930. Art Blocks. “Good Vibrations official collection.” https://www.artblocks.io/collection/good-vibrations-by-aluan-wang. Accessed 17 September 2026. I AluanWang; II 139
  931. Art Blocks. “Good, Computer by Dean Blacc collection page.” https://www.artblocks.io/collection/good-computer-by-dean-blacc. Accessed 19 September 2026. I Blacc; II 384
  932. Art Blocks. “Gumbo by Mathias Isaksen collection page.” https://www.artblocks.io/collection/gumbo-by-mathias-isaksen. Accessed 19 September 2026. II 459
  933. Art Blocks. “HashCrash project and token record.” https://www.artblocks.io/collection/hashcrash-by-beervangeer. Accessed 18 September 2026. II 241
  934. Art Blocks. “Haywire Café project record.” https://www.artblocks.io/collection/haywire-cafe-by-jess-hewitt. Accessed 19 September 2026. II 253
  935. Art Blocks. “Heavenly Bodies project and token record.” https://www.artblocks.io/collection/heavenly-bodies-by-ento. Accessed 18 September 2026. II 239
  936. Art Blocks. “Hieroglyphs project record and Art Blocks index.” https://www.artblocks.io/collection/hieroglyphs-by-pxlq. Accessed 17 September 2026. I pxlq; II 031
  937. Art Blocks. “Himinn #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/171000000. Accessed 18 September 2026. II 168
  938. Art Blocks. “Himinn #395 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/171000395. Accessed 18 September 2026. II 168
  939. Art Blocks. “Himinn by Sarah Ridgley.” https://www.artblocks.io/collection/himinn-by-sarah-ridgley. Accessed 18 September 2026. I Ridgley; II 168
  940. Art Blocks. “Himinn project page.” https://www.artblocks.io/project/171. Accessed 18 September 2026. II 168
  941. Art Blocks. “Hōrō by makio135 collection page.” https://www.artblocks.io/collection/horo-by-makio135. Accessed 19 September 2026. II 297
  942. Art Blocks hosts the project page for Mellifera recording its 58 edition count and March 2023 release. Art Blocks: Mellifera I artplusbrad
  943. Art Blocks. “Human Unreadable by Operator collection page.” https://www.artblocks.io/collection/human-unreadable-by-operator. Accessed 19 September 2026. I Operator; II 443
  944. Art Blocks. “Hyper Drive: A-Side by Ryan Bell collection page.” https://www.artblocks.io/collection/hyper-drive-a-side-by-ryan-bell. Accessed 19 September 2026. I Bell; II 388
  945. Art Blocks. “HyperHash project record and Art Blocks index.” https://www.artblocks.io/collection/hyperhash-by-beervangeer. Accessed 17 September 2026. II 012
  946. Art Blocks. “I Saw It in a Dream collection.” https://www.artblocks.io/collection/i-saw-it-in-a-dream-by-steve-pikelny. Accessed 17 September 2026. I Pikelny; II 108
  947. Art Blocks identifies Arcadia #90 as part of Watson’s Factory collection and documents its project-specific visual attributes. Art Blocks record I Watson
  948. Art Blocks identifies BarabasiLab as a network-science lab led by Albert-László Barabási. Art Blocks artist I BarabasiLab
  949. Art Blocks identifies Exhibition: 3291 by cryptobauhaus as a 400-artwork Factory collection released on 24 February 2022. Art Blocks token page I cryptobauhaus
  950. Art Blocks identifies Haywire Café as a Factory project by Jess Hewitt and displays its generative traits on an official token record. Art Blocks I Hewitt
  951. Art Blocks identifies Heeey and lists Bright among the artist's projects. Art Blocks artist I Heeey
  952. Art Blocks identifies Kovach as an American visual artist born in 1991 who began making art with code in 2017. Art Blocks profile I Kovach
  953. Art Blocks identifies Masonry as a Factory project by Eric Davidson and records its generative traits. art-blocks I Davidson
  954. Art Blocks identifies Milligan as a generative artist and coder in Titirangi whose practice spans static prints and interactive browser works. Art Blocks profile I Milligan
  955. Art Blocks identifies Motus Art as Owen McAteer and characterizes his minimalist generative practice through movement, flow, and numbers. art-blocks-profile I Motus Art
  956. Art Blocks identifies Rayner’s art school and summarizes his code-based practice. art-blocks-profile I Rayner
  957. Art Blocks identifies Squares and Triangles as project 218 by Maksim Hapeyenka and records 80 works. project record I Hapeyenka
  958. Art Blocks identifies Tengil as a Malmö-based Swedish autodidact combining engineering, marine ecology, and naturally inspired algorithmic abstraction. artist-profile I Tengil
  959. Art Blocks identifies the artist as Jeff, explains the ippsketch name, and places him in Austin. Art Blocks profile I ippsketch
  960. Art Blocks identifies the artists, release date, and total of 186 unique Isodream artworks. Art Blocks collection I Henry
  961. Art Blocks identifies Velitchkova as a Bulgarian artist born in 1988, living and working in Madrid, whose practice combines generative systems with physical media. Art Blocks artist profile I Velitchkova
  962. Art Blocks. “Ieva live renderer, token 339000227.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/339000227. Accessed 20 September 2026. II 331
  963. Art Blocks. “Ieva static preview media, tokens 339000000/339000001/339000010/339000020/339000227.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/339000227.png. Accessed 20 September 2026. II 331
  964. Art Blocks. “Ieva: official collection page.” https://www.artblocks.io/collection/ieva-by-shvembldr. Accessed 20 September 2026. I Shvembldr; II 331
  965. Art Blocks. “Ignition project record and Art Blocks index.” https://www.artblocks.io/collection/ignition-by-ge1doot. Accessed 17 September 2026. I Ferrandez; II 010
  966. Art Blocks. “Immaterial by Bjørn Staal collection page.” https://www.artblocks.io/collection/immaterial-by-bjorn-staal. Accessed 19 September 2026. I Nonfigurativ; II 482
  967. Art Blocks. “Imperfections by Kalis collection page.” https://www.artblocks.io/collection/imperfections-by-kalis. Accessed 19 September 2026. I Kalis; II 295
  968. Art Blocks. “Implications by ixnayokay collection page.” https://www.artblocks.io/collection/implications-by-ixnayokay. Accessed 19 September 2026. I Boyarsky; II 383
  969. Art Blocks. “InC project and token record.” https://www.artblocks.io/collection/inc-by-hex6c. Accessed 18 September 2026. II 243
  970. Art Blocks. “Incantation live renderer, token 82000016.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/82000016. Accessed 18 September 2026. II 081
  971. Art Blocks. “Incantation static preview media, tokens 82000000/82000001/82000010/82000016/82000020.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/82000016.png. Accessed 17 September 2026. II 081
  972. Art Blocks. “Incantation: official collection page.” https://www.artblocks.io/collection/incantation-by-eliya-stein. Accessed 18 September 2026. I Stein; II 081
  973. Art Blocks. “Incomplete Control by Tyler Hobbs collection page.” https://www.artblocks.io/collection/incomplete-control-by-tyler-hobbs. Accessed 18 September 2026. I Hobbs; II 225
  974. Art Blocks. “Ingress by Paweł Dudko collection page.” https://www.artblocks.io/collection/ingress-by-pawel-dudko. Accessed 19 September 2026. II 375
  975. Art Blocks. “INK by Iskra Velitchkova collection page.” https://www.artblocks.io/collection/ink-by-iskra-velitchkova. Accessed 19 September 2026. I Velitchkova; II 493
  976. Art Blocks. “Inspirals project record and Art Blocks index.” https://www.artblocks.io/collection/inspirals-by-radix. Accessed 17 September 2026. I Dixon; II 030
  977. Art Blocks. “Interferences by Juan Pedro Vallejo collection page.” https://www.artblocks.io/collection/interferences-by-juan-pedro-vallejo. Accessed 19 September 2026. II 347
  978. Art Blocks. “Intersections by Rafaël Rozendaal collection page.” https://www.artblocks.io/collection/intersections-by-rafael-rozendaal. Accessed 19 September 2026. I Rozendaal; II 359
  979. Art Blocks interviewed Canizares about his path into creative coding, the origins and mechanics of RASTER, and his interest in pixels, movement, and gesture. Art-Blocks-interview I Canizares
  980. Art Blocks interviewed Mathikshara and Santiago about their practices, collaboration, and the mechanics of Cerebellum. Art Blocks interview I Mathikshara; I Santiago
  981. Art Blocks interviews Kusano about her background, collaboration with Yurika Sayo, and the development and themes of her debut coding project. Art Blocks interview I Kusano
  982. Art Blocks interviews Man about inspirational graphics, software, intimacy, and public performance. art-blocks-interview I Man
  983. Art Blocks interviews Stern and Stiles about Still Moving’s local motion tracking and interactive literary structure. Art Blocks interview I Stiles
  984. Art Blocks interviews the artist about his technical formation, artistic influences, and the development and temporal mechanics of entretiempos. Art Blocks interview I Soria-Rodríguez
  985. Art Blocks. “Invasion Percolation by BarabásiLab collection page.” https://www.artblocks.io/collection/invasion-percolation-by-barabasilab. Accessed 19 September 2026. I BarabasiLab; II 293
  986. Art Blocks. “Invisibles by Ismahelio collection page.” https://www.artblocks.io/collection/invisibles-by-ismahelio. Accessed 19 September 2026. II 437
  987. Art Blocks. “Isodream by henrysdev & AMNDA collection page.” https://www.artblocks.io/collection/isodream-by-henrysdev-and-amnda. Accessed 19 September 2026. I AMNDA; II 269
  988. Art Blocks. “Jenim by Orr Kislev & Alona Rodeh collection page.” https://www.artblocks.io/collection/jenim-by-orr-kislev-and-alona-rodeh. Accessed 19 September 2026. I Kislev; I Rodeh; II 409
  989. Art Blocks. “Jiometory No Compute project and token record.” https://www.artblocks.io/collection/jiometory-no-compute-by-samsy. Accessed 18 September 2026. I Honigstein; II 227
  990. Art Blocks Journal. Art Blocks Journal documents interviews, exhibitions, and writing about algorithmic art and blockchain technology. https://www.artblocks.io/articles. I daLenz; I greatjones
  991. Art Blocks. “Kai-Gen by Takeshi Murata, Christopher Rutledge, J. Krispy collection page.” https://www.artblocks.io/collection/kai-gen-by-takeshi-murata-christopher-rutledge-j-krispy. Accessed 18 September 2026. I Murata; II 224
  992. Art Blocks. “Kubikino by Carolina Melis collection page.” https://www.artblocks.io/collection/kubikino-by-carolina-melis. Accessed 19 September 2026. I Melis; II 463
  993. Art Blocks. “l.o by Night Sea collection page.” https://www.artblocks.io/collection/lo-by-night-sea. Accessed 19 September 2026. I Night Sea; I johan; II 460
  994. Art Blocks. “Lacunae by James Dalessandro collection page.” https://www.artblocks.io/collection/lacunae-by-james-dalessandro. Accessed 19 September 2026. II 260
  995. Art Blocks. “Latent Spirits live renderer, token 329000298.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/329000298. Accessed 20 September 2026. II 321
  996. Art Blocks. “Latent Spirits static preview media, tokens 329000000/329000001/329000200/329000298/329000399.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/329000298.png. Accessed 20 September 2026. II 321
  997. Art Blocks. “Latent Spirits: official collection page.” https://www.artblocks.io/collection/latent-spirits-by-robert-hodgin. Accessed 20 September 2026. I Hodgin; II 321
  998. Art Blocks. “Lava Glow by JEANVASCRIPT.” https://www.artblocks.io/collection/lava-glow-by-jeanvascript. Accessed 17 September 2026. I JEANVASCRIPT; II 120
  999. Art Blocks. “Legends of Metaterra project and token record.” https://www.artblocks.io/collection/legends-of-metaterra-by-hideo. Accessed 18 September 2026. I HIDΞ0; II 246
  1000. Art Blocks. “Letters to My Future Self #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/174000000. Accessed 18 September 2026. II 167
  1001. Art Blocks. “Letters to My Future Self #689 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/174000689. Accessed 18 September 2026. II 167
  1002. Art Blocks. “Letters to My Future Self by Ryan Struhl.” https://www.artblocks.io/collection/letters-to-my-future-self-by-ryan-struhl. Accessed 18 September 2026. I Struhl; II 167
  1003. Art Blocks. “Letters to My Future Self project page.” https://www.artblocks.io/project/174. Accessed 18 September 2026. II 167
  1004. Art Blocks. “Libertad Parametrizada by zJorge, Art Blocks collection page.” https://www.artblocks.io/collection/libertad-parametrizada-by-zjorge. Accessed 18 September 2026. I zVault; II 091
  1005. Art Blocks. “Libertad Parametrizada original renderers and control observations.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/92000080. Accessed 18 September 2026. II 091
  1006. Art Blocks. “Libra by Cooper Jamieson collection page.” https://www.artblocks.io/collection/libra-by-cooper-jamieson. Accessed 19 September 2026. II 395
  1007. Art Blocks. “Life and Love and Nothing by Nat Sarkissian collection page.” https://www.artblocks.io/collection/life-and-love-and-nothing-by-nat-sarkissian. Accessed 19 September 2026. I Sarkissian; II 472
  1008. Art Blocks. “Light Beams project record and Art Blocks index.” https://www.artblocks.io/collection/light-beams-by-jason-ting. Accessed 17 September 2026. I Ting; II 032
  1009. Art Blocks. “Liquid Ruminations by Eliya Stein collection page.” https://www.artblocks.io/collection/liquid-ruminations-by-eliya-stein. Accessed 19 September 2026. I Stein; II 278
  1010. Art Blocks lists Billows as a live 78-work Studio collection released on 9 January 2026. Art Blocks, Billows I Richardson
  1011. Art Blocks lists Reben's artist profile and his two published generative art projects on the platform. Art Blocks artist I Reben
  1012. Art Blocks lists umatha's two platform projects and identifies their respective program categories. artist-record I umatha
  1013. Art Blocks. “little boxes on the hillsides, child by LIA, collection page.” https://www.artblocks.io/collection/little-boxes-on-the-hillsides-child-by-lia. Accessed 18 September 2026. I LIA; II 180
  1014. Art Blocks. “Live generator renderer for (Dis)connected.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/431000000. Accessed 19 September 2026. II 427
  1015. Art Blocks. “Live generator renderer for 3 Minute Meditations.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/345000000. Accessed 19 September 2026. II 339
  1016. Art Blocks. “Live generator renderer for 80s Pop Variety Pack - for experts only 🕹.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/346000000. Accessed 19 September 2026. II 338
  1017. Art Blocks. “Live generator renderer for Act of Emotion.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/364000000. Accessed 19 September 2026. II 352
  1018. Art Blocks. “Live generator renderer for Ad Extremum Terrae.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/404000000. Accessed 19 September 2026. II 402
  1019. Art Blocks. “Live generator renderer for AlgoBeats.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/289000000. Accessed 19 September 2026. II 288
  1020. Art Blocks. “Live generator renderer for Alien DNA.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/294000000. Accessed 19 September 2026. II 289
  1021. Art Blocks. “Live generator renderer for Ancient Courses of Fictional Rivers.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/284000000. Accessed 19 September 2026. II 275
  1022. Art Blocks. “Live generator renderer for APEX.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/291000000. Accessed 19 September 2026. II 283
  1023. Art Blocks. “Live generator renderer for Aragnation.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/401000000. Accessed 19 September 2026. II 393
  1024. Art Blocks. “Live generator renderer for Arcadia.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/358000000. Accessed 19 September 2026. II 350
  1025. Art Blocks. “Live generator renderer for Assemblage.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/300000000. Accessed 19 September 2026. II 292
  1026. Art Blocks. “Live generator renderer for Assembly.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000000. Accessed 19 September 2026. II 438
  1027. Art Blocks. “Live generator renderer for Attraction.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/229000000. Accessed 18 September 2026. II 223
  1028. Art Blocks. “Live generator renderer for Augury.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/440000000. Accessed 19 September 2026. II 432
  1029. Art Blocks. “Live generator renderer for Automatism.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/281000000. Accessed 19 September 2026. II 274
  1030. Art Blocks. “Live generator renderer for Avalon.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/347000000. Accessed 19 September 2026. II 341
  1031. Art Blocks. “Live generator renderer for Axo.” https://generator.artblocks.io/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/480000000. Accessed 19 September 2026. II 480
  1032. Art Blocks. “Live generator renderer for Backwards.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/451000000. Accessed 19 September 2026. II 436
  1033. Art Blocks. “Live generator renderer for Bakhoor Assandal.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/479000000. Accessed 19 September 2026. II 475
  1034. Art Blocks. “Live generator renderer for Balance.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/489000000. Accessed 19 September 2026. II 489
  1035. Art Blocks. “Live generator renderer for Balletic.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/343000000. Accessed 19 September 2026. II 333
  1036. Art Blocks. “Live generator renderer for because unless until.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/472000000. Accessed 19 September 2026. II 466
  1037. Art Blocks. “Live generator renderer for Blind Spots.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/484000000. Accessed 19 September 2026. II 484
  1038. Art Blocks. “Live generator renderer for Bokeh.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/496000000. Accessed 19 September 2026. II 491
  1039. Art Blocks. “Live generator renderer for Box Light Studies.” https://generator.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/499000000. Accessed 19 September 2026. II 494
  1040. Art Blocks. “Live generator renderer for Bright.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/448000000. Accessed 19 September 2026. II 448
  1041. Art Blocks. “Live generator renderer for Calian.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/416000000. Accessed 19 September 2026. II 410
  1042. Art Blocks. “Live generator renderer for Cattleya.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/308000000. Accessed 19 September 2026. II 302
  1043. Art Blocks. “Live generator renderer for Center Pivot.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/297000000. Accessed 19 September 2026. II 296
  1044. Art Blocks. “Live generator renderer for Ceramics.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/417000000. Accessed 19 September 2026. II 412
  1045. Art Blocks. “Live generator renderer for Cerebellum.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/412000000. Accessed 19 September 2026. II 405
  1046. Art Blocks. “Live generator renderer for chaos comes with the summer haze.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/405000000. Accessed 19 September 2026. II 411
  1047. Art Blocks. “Live generator renderer for Click.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/263000000. Accessed 19 September 2026. II 264
  1048. Art Blocks. “Live generator renderer for Colorspace.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/309000000. Accessed 19 September 2026. II 304
  1049. Art Blocks. “Live generator renderer for Contrast Agent.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/391000000. Accessed 19 September 2026. II 413
  1050. Art Blocks. “Live generator renderer for Crypt.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/453000000. Accessed 19 September 2026. II 441
  1051. Art Blocks. “Live generator renderer for CryptoCountries: The Unpublished Archives of a Mythical World Traveler.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/348000000. Accessed 19 September 2026. II 340
  1052. Art Blocks. “Live generator renderer for Cytographia.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/487000000. Accessed 19 September 2026. II 486
  1053. Art Blocks. “Live generator renderer for D-D-Dots.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/357000000. Accessed 19 September 2026. II 351
  1054. Art Blocks. “Live generator renderer for Daisies.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/312000000. Accessed 19 September 2026. II 306
  1055. Art Blocks. “Live generator renderer for Dendro.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/443000000. Accessed 19 September 2026. II 439
  1056. Art Blocks. “Live generator renderer for Departed.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/350000000. Accessed 19 September 2026. II 356
  1057. Art Blocks. “Live generator renderer for Diggly Collects All.” https://generator.artblocks.io/0xababababab20053426ad1c782de9ea8444358070/4000000. Accessed 19 September 2026. II 499
  1058. Art Blocks. “Live generator renderer for Dipolar.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/385000000. Accessed 19 September 2026. II 392
  1059. Art Blocks. “Live generator renderer for Divenire.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/314000000. Accessed 19 September 2026. II 305
  1060. Art Blocks. “Live generator renderer for Divergence.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/432000000. Accessed 19 September 2026. II 424
  1061. Art Blocks. “Live generator renderer for Dopamine Machines.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/457000000. Accessed 19 September 2026. II 456
  1062. Art Blocks. “Live generator renderer for Drawings for a Monument.” https://generator.artblocks.io/0xab00000000002ade39f58f9d8278a31574ffbe77/3000000. Accessed 19 September 2026. II 498
  1063. Art Blocks. “Live generator renderer for Drifting.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/286000000. Accessed 19 September 2026. II 284
  1064. Art Blocks. “Live generator renderer for Ego Death.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/386000000. Accessed 19 September 2026. II 374
  1065. Art Blocks. “Live generator renderer for Electriz.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/216000000. Accessed 18 September 2026. II 212
  1066. Art Blocks. “Live generator renderer for Enigma.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/439000000. Accessed 19 September 2026. II 435
  1067. Art Blocks. “Live generator renderer for entretiempos.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000000. Accessed 19 September 2026. II 257
  1068. Art Blocks. “Live generator renderer for Erratic.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/362000000. Accessed 19 September 2026. II 354
  1069. Art Blocks. “Live generator renderer for Escherly Seeds.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/465000000. Accessed 19 September 2026. II 467
  1070. Art Blocks. “Live generator renderer for Essenza.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/356000000. Accessed 19 September 2026. II 346
  1071. Art Blocks. “Live generator renderer for Exhibition: 3291.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/266000000. Accessed 19 September 2026. II 262
  1072. Art Blocks. “Live generator renderer for Exstasis.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/460000000. Accessed 19 September 2026. II 453
  1073. Art Blocks. “Live generator renderer for Faceless.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/311000000. Accessed 19 September 2026. II 303
  1074. Art Blocks. “Live generator renderer for Fleur.” https://generator.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/378000000. Accessed 19 September 2026. II 371
  1075. Art Blocks. “Live generator renderer for Floating World Genesis.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/1000000. Accessed 19 September 2026. II 343
  1076. Art Blocks. “Live generator renderer for flora, fauna, false gods & floods.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/361000000. Accessed 19 September 2026. II 353
  1077. Art Blocks. “Live generator renderer for Flourish.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/454000000. Accessed 19 September 2026. II 447
  1078. Art Blocks. “Live generator renderer for Flows.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/435000000. Accessed 19 September 2026. II 450
  1079. Art Blocks. “Live generator renderer for Flux.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/296000000. Accessed 19 September 2026. II 291
  1080. Art Blocks. “Live generator renderer for Foliage.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/270000000. Accessed 19 September 2026. II 258
  1081. Art Blocks. “Live generator renderer for Fontana.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/367000000. Accessed 19 September 2026. II 358
  1082. Art Blocks. “Live generator renderer for Forecast.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/470000000. Accessed 19 September 2026. II 471
  1083. Art Blocks. “Live generator renderer for Friendship Bracelets.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/0. Accessed 19 September 2026. II 370; II 396
  1084. Art Blocks. “Live generator renderer for Fushi No Reality - フシノゲンジツ.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/430000000. Accessed 19 September 2026. II 431
  1085. Art Blocks. “Live generator renderer for Gas Wars.” https://generator.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/505000000. Accessed 19 September 2026. II 496
  1086. Art Blocks. “Live generator renderer for Getijde.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/226000000. Accessed 18 September 2026. II 218
  1087. Art Blocks. “Live generator renderer for geVIENNAratives.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/220000000. Accessed 18 September 2026. II 217
  1088. Art Blocks. “Live generator renderer for Glass.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/344000000. Accessed 19 September 2026. II 336
  1089. Art Blocks. “Live generator renderer for Glasshouse INAT.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/467000000. Accessed 19 September 2026. II 468
  1090. Art Blocks. “Live generator renderer for Glow.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/230000000. Accessed 18 September 2026. II 222
  1091. Art Blocks. “Live generator renderer for Good, Computer.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/396000000. Accessed 19 September 2026. II 384
  1092. Art Blocks. “Live generator renderer for Gumbo.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/462000000. Accessed 19 September 2026. II 459
  1093. Art Blocks. “Live generator renderer for Hōrō.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/301000000. Accessed 19 September 2026. II 297
  1094. Art Blocks. “Live generator renderer for Human Unreadable.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/455000000. Accessed 19 September 2026. II 443
  1095. Art Blocks. “Live generator renderer for Hyper Drive: A-Side.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/392000000. Accessed 19 September 2026. II 388
  1096. Art Blocks. “Live generator renderer for Immaterial.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/481000000. Accessed 19 September 2026. II 482
  1097. Art Blocks. “Live generator renderer for Imperfections.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/303000000. Accessed 19 September 2026. II 295
  1098. Art Blocks. “Live generator renderer for Implications.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/395000000. Accessed 19 September 2026. II 383
  1099. Art Blocks. “Live generator renderer for Incomplete Control.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/228000000. Accessed 18 September 2026. II 225
  1100. Art Blocks. “Live generator renderer for Ingress.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/377000000. Accessed 19 September 2026. II 375
  1101. Art Blocks. “Live generator renderer for INK.” https://generator.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/497000000. Accessed 19 September 2026. II 493
  1102. Art Blocks. “Live generator renderer for Interferences.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/354000000. Accessed 19 September 2026. II 347
  1103. Art Blocks. “Live generator renderer for Intersections.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/373000000. Accessed 19 September 2026. II 359
  1104. Art Blocks. “Live generator renderer for Invasion Percolation.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/295000000. Accessed 19 September 2026. II 293
  1105. Art Blocks. “Live generator renderer for Invisibles.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/446000000. Accessed 19 September 2026. II 437
  1106. Art Blocks. “Live generator renderer for Isodream.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/274000000. Accessed 19 September 2026. II 269
  1107. Art Blocks. “Live generator renderer for Jenim.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000000. Accessed 19 September 2026. II 409
  1108. Art Blocks. “Live generator renderer for Kai-Gen.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/227000000. Accessed 18 September 2026. II 224
  1109. Art Blocks. “Live generator renderer for Kubikino.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/464000000. Accessed 19 September 2026. II 463
  1110. Art Blocks. “Live generator renderer for l.o.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/463000000. Accessed 19 September 2026. II 460
  1111. Art Blocks. “Live generator renderer for Lacunae.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/269000000. Accessed 19 September 2026. II 260
  1112. Art Blocks. “Live generator renderer for Libra.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/398000000. Accessed 19 September 2026. II 395
  1113. Art Blocks. “Live generator renderer for Life and Love and Nothing.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/476000000. Accessed 19 September 2026. II 472
  1114. Art Blocks. “Live generator renderer for Liquid Ruminations.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/278000000. Accessed 19 September 2026. II 278
  1115. Art Blocks. “Live generator renderer for Longing.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/413000000. Accessed 19 September 2026. II 406
  1116. Art Blocks. “Live generator renderer for Loom.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/213000000. Accessed 18 September 2026. II 210
  1117. Art Blocks. “Live generator renderer for Lucky Clover.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/478000000. Accessed 19 September 2026. II 474
  1118. Art Blocks. “Live generator renderer for Lumina.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/474000000. Accessed 19 September 2026. II 470
  1119. Art Blocks. “Live generator renderer for Marfa Yucca.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/1000000. Accessed 19 September 2026. II 377; II 461
  1120. Art Blocks. “Live generator renderer for marfaMESH.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/2000000. Accessed 19 September 2026. II 476
  1121. Art Blocks. “Live generator renderer for Mazinaw.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/288000000. Accessed 19 September 2026. II 279
  1122. Art Blocks. “Live generator renderer for Meaningless.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/444000000. Accessed 19 September 2026. II 445
  1123. Art Blocks. “Live generator renderer for Melancholic Magical Maiden.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/493000000. Accessed 19 September 2026. II 490
  1124. Art Blocks. “Live generator renderer for Mellifera.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/425000000. Accessed 19 September 2026. II 414
  1125. Art Blocks. “Live generator renderer for Memories of Digital Data.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/428000000. Accessed 19 September 2026. II 421
  1126. Art Blocks. “Live generator renderer for Metaphysics.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/382000000. Accessed 19 September 2026. II 382
  1127. Art Blocks. “Live generator renderer for Mind Maze.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/298000000. Accessed 19 September 2026. II 290
  1128. Art Blocks. “Live generator renderer for Miragem.” https://generator.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/389000000. Accessed 19 September 2026. II 378
  1129. Art Blocks. “Live generator renderer for Muttenz.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/452000000. Accessed 19 September 2026. II 458
  1130. Art Blocks. “Live generator renderer for Mycelia.” https://generator.artblocks.io/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/458000000. Accessed 19 September 2026. II 452
  1131. Art Blocks. “Live generator renderer for Naïve.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/483000000. Accessed 19 September 2026. II 483
  1132. Art Blocks. “Live generator renderer for Nära.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/437000000. Accessed 19 September 2026. II 430
  1133. Art Blocks. “Live generator renderer for Net Net Net.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/441000000. Accessed 19 September 2026. II 449
  1134. Art Blocks. “Live generator renderer for Neural Sediments.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/418000000. Accessed 19 September 2026. II 434
  1135. Art Blocks. “Live generator renderer for New Worlds.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/4000000. Accessed 19 September 2026. II 399
  1136. Art Blocks. “Live generator renderer for NimTeens.” https://generator.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/408000000. Accessed 19 September 2026. II 400
  1137. Art Blocks. “Live generator renderer for Ode to Penrose.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/307000000. Accessed 19 September 2026. II 299
  1138. Art Blocks. “Live generator renderer for Ode to Untitled.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/359000000. Accessed 19 September 2026. II 348
  1139. Art Blocks. “Live generator renderer for OnChainChain.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/283000000. Accessed 19 September 2026. II 287
  1140. Art Blocks. “Live generator renderer for ORI.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/379000000. Accessed 19 September 2026. II 380
  1141. Art Blocks. “Live generator renderer for Ottocento.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/374000000. Accessed 19 September 2026. II 389
  1142. Art Blocks. “Live generator renderer for Overload.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/450000000. Accessed 19 September 2026. II 440
  1143. Art Blocks. “Live generator renderer for Paths.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/217000000. Accessed 18 September 2026. II 213
  1144. Art Blocks. “Live generator renderer for Perpetua.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/277000000. Accessed 19 September 2026. II 277
  1145. Art Blocks. “Live generator renderer for Pieces of Me.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/222000000. Accessed 18 September 2026. II 215
  1146. Art Blocks. “Live generator renderer for Pointers.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/387000000. Accessed 19 September 2026. II 390
  1147. Art Blocks. “Live generator renderer for Pointila.” https://generator.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/353000000. Accessed 19 September 2026. II 344
  1148. Art Blocks. “Live generator renderer for PRELUDES.” https://generator.artblocks.io/0x145789247973c5d612bf121e9e4eef84b63eb707/5000000. Accessed 19 September 2026. II 397
  1149. Art Blocks. “Live generator renderer for PrimiEnd.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/268000000. Accessed 19 September 2026. II 271
  1150. Art Blocks. “Live generator renderer for Primitives.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/368000000. Accessed 19 September 2026. II 364
  1151. Art Blocks. “Live generator renderer for Primordial.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/302000000. Accessed 19 September 2026. II 300
  1152. Art Blocks. “Live generator renderer for Proscenium.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/486000000. Accessed 19 September 2026. II 485
  1153. Art Blocks. “Live generator renderer for pseudomods.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/272000000. Accessed 19 September 2026. II 266
  1154. Art Blocks. “Live generator renderer for Quantum Collapses.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/275000000. Accessed 19 September 2026. II 268
  1155. Art Blocks. “Live generator renderer for QWERTY.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/2000000. Accessed 19 September 2026. II 362
  1156. Art Blocks. “Live generator renderer for Race Condition.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/393000000. Accessed 19 September 2026. II 387
  1157. Art Blocks. “Live generator renderer for RASTER.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/341000000. Accessed 19 September 2026. II 337
  1158. Art Blocks. “Live generator renderer for Recollection.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/475000000. Accessed 19 September 2026. II 473
  1159. Art Blocks. “Live generator renderer for Rectangles (for Herbert).” https://generator.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/370000000. Accessed 19 September 2026. II 363
  1160. Art Blocks. “Live generator renderer for Renders Game.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/415000000. Accessed 19 September 2026. II 407
  1161. Art Blocks. “Live generator renderer for Rippling.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/421000000. Accessed 19 September 2026. II 419
  1162. Art Blocks. “Live generator renderer for Sandaliya.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/366000000. Accessed 19 September 2026. II 357
  1163. Art Blocks. “Live generator renderer for Schema.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/7000000. Accessed 19 September 2026. II 479
  1164. Art Blocks. “Live generator renderer for Seedlings.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/380000000. Accessed 19 September 2026. II 373
  1165. Art Blocks. “Live generator renderer for Semblance.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/447000000. Accessed 19 September 2026. II 442
  1166. Art Blocks. “Live generator renderer for send/receive.” https://generator.artblocks.io/0xababababab20053426ad1c782de9ea8444358070/5000000. Accessed 19 September 2026. II 500
  1167. Art Blocks. “Live generator renderer for siempre en mí, siempre en ti.” https://generator.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/477000000. Accessed 19 September 2026. II 477
  1168. Art Blocks. “Live generator renderer for Silhouette.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/273000000. Accessed 19 September 2026. II 267
  1169. Art Blocks. “Live generator renderer for SKEUOMORPHS.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/422000000. Accessed 19 September 2026. II 417
  1170. Art Blocks. “Live generator renderer for Solar Transits.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/423000000. Accessed 19 September 2026. II 420
  1171. Art Blocks. “Live generator renderer for Spaghetti Bones.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/456000000. Accessed 19 September 2026. II 455
  1172. Art Blocks. “Live generator renderer for Speak To Me.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/449000000. Accessed 19 September 2026. II 444
  1173. Art Blocks. “Live generator renderer for Spiromorphs.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/221000000. Accessed 18 September 2026. II 216
  1174. Art Blocks. “Live generator renderer for Spotlight.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/256000000. Accessed 19 September 2026. II 261
  1175. Art Blocks. “Live generator renderer for Staccato.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/351000000. Accessed 19 September 2026. II 345
  1176. Art Blocks. “Live generator renderer for Stains on a Canvas.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/365000000. Accessed 19 September 2026. II 355
  1177. Art Blocks. “Live generator renderer for Still Moving.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/433000000. Accessed 19 September 2026. II 428
  1178. Art Blocks. “Live generator renderer for Strata.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/276000000. Accessed 19 September 2026. II 270
  1179. Art Blocks. “Live generator renderer for Structures.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/381000000. Accessed 19 September 2026. II 368
  1180. Art Blocks. “Live generator renderer for Subtle.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/438000000. Accessed 19 September 2026. II 446
  1181. Art Blocks. “Live generator renderer for Such A Lovely Time.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/400000000. Accessed 19 September 2026. II 394
  1182. Art Blocks. “Live generator renderer for Supermental.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/285000000. Accessed 19 September 2026. II 280
  1183. Art Blocks. “Live generator renderer for Systems Madness.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/442000000. Accessed 19 September 2026. II 433
  1184. Art Blocks. “Live generator renderer for Tentura.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/265000000. Accessed 19 September 2026. II 265
  1185. Art Blocks. “Live generator renderer for The Field.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/399000000. Accessed 19 September 2026. II 391
  1186. Art Blocks. “Live generator renderer for The Inner World.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/352000000. Accessed 19 September 2026. II 342
  1187. Art Blocks. “Live generator renderer for Thereidoscope.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/264000000. Accessed 19 September 2026. II 259
  1188. Art Blocks. “Live generator renderer for This Is Not A Rock.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/471000000. Accessed 19 September 2026. II 465
  1189. Art Blocks. “Live generator renderer for Thoughts of Meadow.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/355000000. Accessed 19 September 2026. II 349
  1190. Art Blocks. “Live generator renderer for Through Curved Air.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/397000000. Accessed 19 September 2026. II 386
  1191. Art Blocks. “Live generator renderer for Tide Predictor.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/376000000. Accessed 19 September 2026. II 369
  1192. Art Blocks. “Live generator renderer for Time Atlas 🌐.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/219000000. Accessed 18 September 2026. II 214
  1193. Art Blocks. “Live generator renderer for Time travel in a subconscious mind.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/271000000. Accessed 19 September 2026. II 263
  1194. Art Blocks. “Live generator renderer for Torrent.” https://generator.artblocks.io/0x145789247973c5d612bf121e9e4eef84b63eb707/466000000. Accessed 19 September 2026. II 462
  1195. Art Blocks. “Live generator renderer for Totem of Taste.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/349000000. Accessed 19 September 2026. II 360
  1196. Art Blocks. “Live generator renderer for Tout tracé.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/409000000. Accessed 19 September 2026. II 401
  1197. Art Blocks. “Live generator renderer for Trichro-matic.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/482000000. Accessed 19 September 2026. II 481
  1198. Art Blocks. “Live generator renderer for Tropism.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/224000000. Accessed 18 September 2026. II 221
  1199. Art Blocks. “Live generator renderer for Túnel Dimensional.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/293000000. Accessed 19 September 2026. II 286
  1200. Art Blocks. “Live generator renderer for Twist.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/490000000. Accessed 19 September 2026. II 487
  1201. Art Blocks. “Live generator renderer for Twos.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/469000000. Accessed 19 September 2026. II 469
  1202. Art Blocks. “Live generator renderer for UMK.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/436000000. Accessed 19 September 2026. II 429
  1203. Art Blocks. “Live generator renderer for Vahria.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/340000000. Accessed 19 September 2026. II 334
  1204. Art Blocks. “Live generator renderer for Växt.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/488000000. Accessed 19 September 2026. II 488
  1205. Art Blocks. “Live generator renderer for Volute.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/394000000. Accessed 19 September 2026. II 381
  1206. Art Blocks. “Live generator renderer for Vortex.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/225000000. Accessed 18 September 2026. II 219
  1207. Art Blocks. “Live generator renderer for VOXΞL.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/384000000. Accessed 19 September 2026. II 372
  1208. Art Blocks. “Live generator renderer for Voyager.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/434000000. Accessed 19 September 2026. II 426
  1209. Art Blocks. “Live generator renderer for Wabi Sabi.” https://generator.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/375000000. Accessed 19 September 2026. II 367
  1210. Art Blocks. “Live generator renderer for WaVyScApE.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/406000000. Accessed 19 September 2026. II 403
  1211. Art Blocks. “Live generator renderer for Window.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/280000000. Accessed 19 September 2026. II 272
  1212. Art Blocks. “Live generator renderer for Worlds Within.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/424000000. Accessed 19 September 2026. II 415
  1213. Art Blocks. “Live generator renderer for Your Story.” https://generator.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/388000000. Accessed 19 September 2026. II 376
  1214. Art Blocks. “Live generator renderer for Zoologic.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/287000000. Accessed 19 September 2026. II 281
  1215. Art Blocks. “Live generator renderer for Zupermat.” https://generator.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/305000000. Accessed 19 September 2026. II 298
  1216. Art Blocks. “Longing by phenomena collection page.” https://www.artblocks.io/collection/longing-by-phenomena. Accessed 19 September 2026. II 406
  1217. Art Blocks. “Loom by Anna Lucia collection page.” https://www.artblocks.io/collection/loom-by-anna-lucia. Accessed 18 September 2026. I Lucia; II 210
  1218. Art Blocks. “Lucky Clover by Sputniko! collection page.” https://www.artblocks.io/collection/lucky-clover-by-sputniko. Accessed 19 September 2026. I Sputniko!; II 474
  1219. Art Blocks. “Lumina by DistCollective collection page.” https://www.artblocks.io/collection/lumina-by-distcollective. Accessed 19 September 2026. II 470
  1220. Art Blocks. “Machine Comics project record.” https://www.artblocks.io/collection/machine-comics-by-roni-block. Accessed 19 September 2026. I Block; II 256
  1221. Art Blocks maintains a dedicated artist page linking de la Rouviere to Silhouette. Artist archive I de la Rouviere
  1222. Art Blocks maintains a dedicated artist profile page with biography and practice overview for Charlotte Dann. Art Blocks Artist Profile I Dann
  1223. Art Blocks maintains a set record identifying nine collections in Curated Series 4. series archive I Tan
  1224. Art Blocks maintains an artist record connecting Edelman with Asemica, Twos, and other projects. Art Blocks artist I Edelman
  1225. Art Blocks maintains an artist record connecting Erin Beesley with pseudomods. Art Blocks artist I Beesley
  1226. Art Blocks maintains an artist record for espina and attributes the relevant projects to that artist account. Art Blocks artist I espina
  1227. Art Blocks maintains the collection page for Hatches by Rob Dixon (Radix), released in January 2026 as a continuation of his on-platform practice. Hatches Collection Page I Dixon
  1228. Art Blocks. “Maps for grief project and token record.” https://www.artblocks.io/collection/maps-for-grief-by-louis-andre-labadie. Accessed 18 September 2026. II 234
  1229. Art Blocks. “Maps of Nothing by Steve Pikelny, collection page.” https://www.artblocks.io/collection/maps-of-nothing-by-steve-pikelny. Accessed 20 September 2026. I Pikelny; II 309
  1230. Art Blocks. “Maps project and token record.” https://www.artblocks.io/collection/maps-by-john-provencher. Accessed 18 September 2026. II 237
  1231. Art Blocks. “Marfa Yucca by Daniel Calderon Arenas collection page.” https://www.artblocks.io/collection/marfa-yucca-by-daniel-calderon-arenas. Accessed 19 September 2026. I Calderon Arenas; II 377
  1232. Art Blocks. “marfaMESH by Harvey Rayner collection page.” https://www.artblocks.io/collection/marfamesh-by-harvey-rayner. Accessed 19 September 2026. I Rayner; I Richardson; II 476
  1233. Art Blocks marketplace. The platform’s secondary-market interface includes Gizmobotz among Art Blocks Factory works. https://www.artblocks.io/secondary-marketplace. I Cotton; I Dautheribes; I MODNAR WOLF; I Pandelune; I Rizzle, Sebi, Miguelgarest; I n e o
  1234. Art Blocks Marketplace. Art Blocks’ marketplace category page displays Dear Hash, among works circulating through the platform. https://www.artblocks.io/marketplace/category/stitchables. I MODNAR WOLF
  1235. Art Blocks marketplace record. Art Blocks’ marketplace surface identifies Primordial as a Jacob Gold Factory collection in current listings. https://www.artblocks.io/marketplace/artists/sebastian-brocher-cryptoarte. I Gold
  1236. Art Blocks. “Masonry project record.” https://www.artblocks.io/collection/masonry-by-eric-davidson. Accessed 19 September 2026. II 254
  1237. Art Blocks. “Mazinaw by Eric De Giuli collection page.” https://www.artblocks.io/collection/mazinaw-by-eric-de-giuli. Accessed 19 September 2026. I De Giuli; II 279
  1238. Art Blocks. “Meaningless by Amy Goodchild collection page.” https://www.artblocks.io/collection/meaningless-by-amy-goodchild. Accessed 19 September 2026. I Goodchild; II 445
  1239. Art Blocks. “mecha suits by hideo, collection page.” https://www.artblocks.io/collection/mecha-suits-by-hideo. Accessed 20 September 2026. I HIDΞ0; II 175
  1240. Art Blocks media proxy. “Static PNG renders of sampled (Dis)connected tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/431000000.png. Accessed 19 September 2026. II 427
  1241. Art Blocks media proxy. “Static PNG renders of sampled 3 Minute Meditations tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/345000000.png. Accessed 19 September 2026. II 339
  1242. Art Blocks media proxy. “Static PNG renders of sampled 80s Pop Variety Pack - for experts only 🕹 tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/346000000.png. Accessed 19 September 2026. II 338
  1243. Art Blocks media proxy. “Static PNG renders of sampled Act of Emotion tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/364000000.png. Accessed 19 September 2026. II 352
  1244. Art Blocks media proxy. “Static PNG renders of sampled Ad Extremum Terrae tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/404000000.png. Accessed 19 September 2026. II 402
  1245. Art Blocks media proxy. “Static PNG renders of sampled AlgoBeats tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/289000000.png. Accessed 19 September 2026. II 288
  1246. Art Blocks media proxy. “Static PNG renders of sampled Alien DNA tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/294000000.png. Accessed 19 September 2026. II 289
  1247. Art Blocks media proxy. “Static PNG renders of sampled Ancient Courses of Fictional Rivers tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/284000000.png. Accessed 19 September 2026. II 275
  1248. Art Blocks media proxy. “Static PNG renders of sampled APEX tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/291000000.png. Accessed 19 September 2026. II 283
  1249. Art Blocks media proxy. “Static PNG renders of sampled Aragnation tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/401000000.png. Accessed 19 September 2026. II 393
  1250. Art Blocks media proxy. “Static PNG renders of sampled Arcadia tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/358000000.png. Accessed 19 September 2026. II 350
  1251. Art Blocks media proxy. “Static PNG renders of sampled Assemblage tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/300000000.png. Accessed 19 September 2026. II 292
  1252. Art Blocks media proxy. “Static PNG renders of sampled Assembly tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/445000000.png. Accessed 19 September 2026. II 438
  1253. Art Blocks media proxy. “Static PNG renders of sampled Attraction tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/229000000.png. Accessed 18 September 2026. II 223
  1254. Art Blocks media proxy. “Static PNG renders of sampled Augury tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/440000000.png. Accessed 19 September 2026. II 432
  1255. Art Blocks media proxy. “Static PNG renders of sampled Automatism tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/281000000.png. Accessed 19 September 2026. II 274
  1256. Art Blocks media proxy. “Static PNG renders of sampled Avalon tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/347000000.png. Accessed 19 September 2026. II 341
  1257. Art Blocks media proxy. “Static PNG renders of sampled Axo tokens.” https://media-proxy.artblocks.io/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/480000000.png. Accessed 19 September 2026. II 480
  1258. Art Blocks media proxy. “Static PNG renders of sampled Backwards tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/451000000.png. Accessed 19 September 2026. II 436
  1259. Art Blocks media proxy. “Static PNG renders of sampled Bakhoor Assandal tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/479000000.png. Accessed 19 September 2026. II 475
  1260. Art Blocks media proxy. “Static PNG renders of sampled Balance tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/489000000.png. Accessed 19 September 2026. II 489
  1261. Art Blocks media proxy. “Static PNG renders of sampled Balletic tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/343000000.png. Accessed 19 September 2026. II 333
  1262. Art Blocks media proxy. “Static PNG renders of sampled because unless until tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/472000000.png. Accessed 19 September 2026. II 466
  1263. Art Blocks media proxy. “Static PNG renders of sampled Blind Spots tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/484000000.png. Accessed 19 September 2026. II 484
  1264. Art Blocks media proxy. “Static PNG renders of sampled Bokeh tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/496000000.png. Accessed 19 September 2026. II 491
  1265. Art Blocks media proxy. “Static PNG renders of sampled Box Light Studies tokens.” https://media-proxy.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/499000000.png. Accessed 19 September 2026. II 494
  1266. Art Blocks media proxy. “Static PNG renders of sampled Bright tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/448000000.png. Accessed 19 September 2026. II 448
  1267. Art Blocks media proxy. “Static PNG renders of sampled Calian tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/416000000.png. Accessed 19 September 2026. II 410
  1268. Art Blocks media proxy. “Static PNG renders of sampled Cattleya tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/308000000.png. Accessed 19 September 2026. II 302
  1269. Art Blocks media proxy. “Static PNG renders of sampled Center Pivot tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/297000000.png. Accessed 19 September 2026. II 296
  1270. Art Blocks media proxy. “Static PNG renders of sampled Ceramics tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/417000000.png. Accessed 19 September 2026. II 412
  1271. Art Blocks media proxy. “Static PNG renders of sampled Cerebellum tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/412000000.png. Accessed 19 September 2026. II 405
  1272. Art Blocks media proxy. “Static PNG renders of sampled chaos comes with the summer haze tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/405000000.png. Accessed 19 September 2026. II 411
  1273. Art Blocks media proxy. “Static PNG renders of sampled Click tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/263000000.png. Accessed 19 September 2026. II 264
  1274. Art Blocks media proxy. “Static PNG renders of sampled Colorspace tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/309000000.png. Accessed 19 September 2026. II 304
  1275. Art Blocks media proxy. “Static PNG renders of sampled Contrast Agent tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/391000000.png. Accessed 19 September 2026. II 413
  1276. Art Blocks media proxy. “Static PNG renders of sampled Crypt tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/453000000.png. Accessed 19 September 2026. II 441
  1277. Art Blocks media proxy. “Static PNG renders of sampled CryptoCountries: The Unpublished Archives of a Mythical World Traveler tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/348000000.png. Accessed 19 September 2026. II 340
  1278. Art Blocks media proxy. “Static PNG renders of sampled Cytographia tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/487000000.png. Accessed 19 September 2026. II 486
  1279. Art Blocks media proxy. “Static PNG renders of sampled D-D-Dots tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/357000000.png. Accessed 19 September 2026. II 351
  1280. Art Blocks media proxy. “Static PNG renders of sampled Daisies tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/312000000.png. Accessed 19 September 2026. II 306
  1281. Art Blocks media proxy. “Static PNG renders of sampled Dendro tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/443000000.png. Accessed 19 September 2026. II 439
  1282. Art Blocks media proxy. “Static PNG renders of sampled Departed tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/350000000.png. Accessed 19 September 2026. II 356
  1283. Art Blocks media proxy. “Static PNG renders of sampled Diggly Collects All tokens.” https://media-proxy.artblocks.io/0xababababab20053426ad1c782de9ea8444358070/4000000.png. Accessed 19 September 2026. II 499
  1284. Art Blocks media proxy. “Static PNG renders of sampled Dipolar tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/385000000.png. Accessed 19 September 2026. II 392
  1285. Art Blocks media proxy. “Static PNG renders of sampled Divenire tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/314000000.png. Accessed 19 September 2026. II 305
  1286. Art Blocks media proxy. “Static PNG renders of sampled Divergence tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/432000000.png. Accessed 19 September 2026. II 424
  1287. Art Blocks media proxy. “Static PNG renders of sampled Dopamine Machines tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/457000000.png. Accessed 19 September 2026. II 456
  1288. Art Blocks media proxy. “Static PNG renders of sampled Drawings for a Monument tokens.” https://media-proxy.artblocks.io/0xab00000000002ade39f58f9d8278a31574ffbe77/3000000.png. Accessed 19 September 2026. II 498
  1289. Art Blocks media proxy. “Static PNG renders of sampled Drifting tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/286000000.png. Accessed 19 September 2026. II 284
  1290. Art Blocks media proxy. “Static PNG renders of sampled Ego Death tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/386000000.png. Accessed 19 September 2026. II 374
  1291. Art Blocks media proxy. “Static PNG renders of sampled Electriz tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/216000000.png. Accessed 18 September 2026. II 212
  1292. Art Blocks media proxy. “Static PNG renders of sampled Enigma tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/439000000.png. Accessed 19 September 2026. II 435
  1293. Art Blocks media proxy. “Static PNG renders of sampled entretiempos tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/267000000.png. Accessed 19 September 2026. II 257
  1294. Art Blocks media proxy. “Static PNG renders of sampled Erratic tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/362000000.png. Accessed 19 September 2026. II 354
  1295. Art Blocks media proxy. “Static PNG renders of sampled Escherly Seeds tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/465000000.png. Accessed 19 September 2026. II 467
  1296. Art Blocks media proxy. “Static PNG renders of sampled Essenza tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/356000000.png. Accessed 19 September 2026. II 346
  1297. Art Blocks media proxy. “Static PNG renders of sampled Exhibition: 3291 tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/266000000.png. Accessed 19 September 2026. II 262
  1298. Art Blocks media proxy. “Static PNG renders of sampled Exstasis tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/460000000.png. Accessed 19 September 2026. II 453
  1299. Art Blocks media proxy. “Static PNG renders of sampled Faceless tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/311000000.png. Accessed 19 September 2026. II 303
  1300. Art Blocks media proxy. “Static PNG renders of sampled Fleur tokens.” https://media-proxy.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/378000000.png. Accessed 19 September 2026. II 371
  1301. Art Blocks media proxy. “Static PNG renders of sampled Floating World Genesis tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/1000000.png. Accessed 19 September 2026. II 343
  1302. Art Blocks media proxy. “Static PNG renders of sampled flora, fauna, false gods & floods tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/361000000.png. Accessed 19 September 2026. II 353
  1303. Art Blocks media proxy. “Static PNG renders of sampled Flourish tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/454000000.png. Accessed 19 September 2026. II 447
  1304. Art Blocks media proxy. “Static PNG renders of sampled Flows tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/435000000.png. Accessed 19 September 2026. II 450
  1305. Art Blocks media proxy. “Static PNG renders of sampled Flux tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/296000000.png. Accessed 19 September 2026. II 291
  1306. Art Blocks media proxy. “Static PNG renders of sampled Foliage tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/270000000.png. Accessed 19 September 2026. II 258
  1307. Art Blocks media proxy. “Static PNG renders of sampled Fontana tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/367000000.png. Accessed 19 September 2026. II 358
  1308. Art Blocks media proxy. “Static PNG renders of sampled Forecast tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/470000000.png. Accessed 19 September 2026. II 471
  1309. Art Blocks media proxy. “Static PNG renders of sampled Friendship Bracelets tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/0.png. Accessed 19 September 2026. II 370; II 396
  1310. Art Blocks media proxy. “Static PNG renders of sampled Fushi No Reality - フシノゲンジツ tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/430000000.png. Accessed 19 September 2026. II 431
  1311. Art Blocks media proxy. “Static PNG renders of sampled Gas Wars tokens.” https://media-proxy.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/505000000.png. Accessed 19 September 2026. II 496
  1312. Art Blocks media proxy. “Static PNG renders of sampled Getijde tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/226000000.png. Accessed 18 September 2026. II 218
  1313. Art Blocks media proxy. “Static PNG renders of sampled geVIENNAratives tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/220000000.png. Accessed 18 September 2026. II 217
  1314. Art Blocks media proxy. “Static PNG renders of sampled Glass tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/344000000.png. Accessed 19 September 2026. II 336
  1315. Art Blocks media proxy. “Static PNG renders of sampled Glasshouse INAT tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/467000000.png. Accessed 19 September 2026. II 468
  1316. Art Blocks media proxy. “Static PNG renders of sampled Glow tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/230000000.png. Accessed 18 September 2026. II 222
  1317. Art Blocks media proxy. “Static PNG renders of sampled Good, Computer tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/396000000.png. Accessed 19 September 2026. II 384
  1318. Art Blocks media proxy. “Static PNG renders of sampled Gumbo tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/462000000.png. Accessed 19 September 2026. II 459
  1319. Art Blocks media proxy. “Static PNG renders of sampled Hōrō tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/301000000.png. Accessed 19 September 2026. II 297
  1320. Art Blocks media proxy. “Static PNG renders of sampled Human Unreadable tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/455000000.png. Accessed 19 September 2026. II 443
  1321. Art Blocks media proxy. “Static PNG renders of sampled Hyper Drive: A-Side tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/392000000.png. Accessed 19 September 2026. II 388
  1322. Art Blocks media proxy. “Static PNG renders of sampled Immaterial tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/481000000.png. Accessed 19 September 2026. II 482
  1323. Art Blocks media proxy. “Static PNG renders of sampled Imperfections tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/303000000.png. Accessed 19 September 2026. II 295
  1324. Art Blocks media proxy. “Static PNG renders of sampled Implications tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/395000000.png. Accessed 19 September 2026. II 383
  1325. Art Blocks media proxy. “Static PNG renders of sampled Incomplete Control tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/228000000.png. Accessed 18 September 2026. II 225
  1326. Art Blocks media proxy. “Static PNG renders of sampled Ingress tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/377000000.png. Accessed 19 September 2026. II 375
  1327. Art Blocks media proxy. “Static PNG renders of sampled INK tokens.” https://media-proxy.artblocks.io/0xab0000000000aa06f89b268d604a9c1c41524ac6/497000000.png. Accessed 19 September 2026. II 493
  1328. Art Blocks media proxy. “Static PNG renders of sampled Interferences tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/354000000.png. Accessed 19 September 2026. II 347
  1329. Art Blocks media proxy. “Static PNG renders of sampled Intersections tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/373000000.png. Accessed 19 September 2026. II 359
  1330. Art Blocks media proxy. “Static PNG renders of sampled Invasion Percolation tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/295000000.png. Accessed 19 September 2026. II 293
  1331. Art Blocks media proxy. “Static PNG renders of sampled Invisibles tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/446000000.png. Accessed 19 September 2026. II 437
  1332. Art Blocks media proxy. “Static PNG renders of sampled Isodream tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/274000000.png. Accessed 19 September 2026. II 269
  1333. Art Blocks media proxy. “Static PNG renders of sampled Jenim tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/410000000.png. Accessed 19 September 2026. II 409
  1334. Art Blocks media proxy. “Static PNG renders of sampled Kai-Gen tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/227000000.png. Accessed 18 September 2026. II 224
  1335. Art Blocks media proxy. “Static PNG renders of sampled Kubikino tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/464000000.png. Accessed 19 September 2026. II 463
  1336. Art Blocks media proxy. “Static PNG renders of sampled l.o tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/463000000.png. Accessed 19 September 2026. II 460
  1337. Art Blocks media proxy. “Static PNG renders of sampled Lacunae tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/269000000.png. Accessed 19 September 2026. II 260
  1338. Art Blocks media proxy. “Static PNG renders of sampled Libra tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/398000000.png. Accessed 19 September 2026. II 395
  1339. Art Blocks media proxy. “Static PNG renders of sampled Life and Love and Nothing tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/476000000.png. Accessed 19 September 2026. II 472
  1340. Art Blocks media proxy. “Static PNG renders of sampled Liquid Ruminations tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/278000000.png. Accessed 19 September 2026. II 278
  1341. Art Blocks media proxy. “Static PNG renders of sampled Longing tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/413000000.png. Accessed 19 September 2026. II 406
  1342. Art Blocks media proxy. “Static PNG renders of sampled Loom tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/213000000.png. Accessed 18 September 2026. II 210
  1343. Art Blocks media proxy. “Static PNG renders of sampled Lucky Clover tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/478000000.png. Accessed 19 September 2026. II 474
  1344. Art Blocks media proxy. “Static PNG renders of sampled Lumina tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/474000000.png. Accessed 19 September 2026. II 470
  1345. Art Blocks media proxy. “Static PNG renders of sampled Marfa Yucca tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/1000000.png. Accessed 19 September 2026. II 377; II 461
  1346. Art Blocks media proxy. “Static PNG renders of sampled marfaMESH tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/2000000.png. Accessed 19 September 2026. II 476
  1347. Art Blocks media proxy. “Static PNG renders of sampled Mazinaw tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/288000000.png. Accessed 19 September 2026. II 279
  1348. Art Blocks media proxy. “Static PNG renders of sampled Meaningless tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/444000000.png. Accessed 19 September 2026. II 445
  1349. Art Blocks media proxy. “Static PNG renders of sampled Melancholic Magical Maiden tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/493000000.png. Accessed 19 September 2026. II 490
  1350. Art Blocks media proxy. “Static PNG renders of sampled Mellifera tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/425000000.png. Accessed 19 September 2026. II 414
  1351. Art Blocks media proxy. “Static PNG renders of sampled Memories of Digital Data tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/428000000.png. Accessed 19 September 2026. II 421
  1352. Art Blocks media proxy. “Static PNG renders of sampled Metaphysics tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/382000000.png. Accessed 19 September 2026. II 382
  1353. Art Blocks media proxy. “Static PNG renders of sampled Mind Maze tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/298000000.png. Accessed 19 September 2026. II 290
  1354. Art Blocks media proxy. “Static PNG renders of sampled Miragem tokens.” https://media-proxy.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/389000000.png. Accessed 19 September 2026. II 378
  1355. Art Blocks media proxy. “Static PNG renders of sampled Muttenz tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/452000000.png. Accessed 19 September 2026. II 458
  1356. Art Blocks media proxy. “Static PNG renders of sampled Mycelia tokens.” https://media-proxy.artblocks.io/0xea698596b6009a622c3ed00dd5a8b5d1cae4fc36/458000000.png. Accessed 19 September 2026. II 452
  1357. Art Blocks media proxy. “Static PNG renders of sampled Naïve tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/483000000.png. Accessed 19 September 2026. II 483
  1358. Art Blocks media proxy. “Static PNG renders of sampled Nära tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/437000000.png. Accessed 19 September 2026. II 430
  1359. Art Blocks media proxy. “Static PNG renders of sampled Net Net Net tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/441000000.png. Accessed 19 September 2026. II 449
  1360. Art Blocks media proxy. “Static PNG renders of sampled Neural Sediments tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/418000000.png. Accessed 19 September 2026. II 434
  1361. Art Blocks media proxy. “Static PNG renders of sampled New Worlds tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/4000000.png. Accessed 19 September 2026. II 399
  1362. Art Blocks media proxy. “Static PNG renders of sampled NimTeens tokens.” https://media-proxy.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/408000000.png. Accessed 19 September 2026. II 400
  1363. Art Blocks media proxy. “Static PNG renders of sampled Ode to Penrose tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/307000000.png. Accessed 19 September 2026. II 299
  1364. Art Blocks media proxy. “Static PNG renders of sampled Ode to Untitled tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/359000000.png. Accessed 19 September 2026. II 348
  1365. Art Blocks media proxy. “Static PNG renders of sampled OnChainChain tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/283000000.png. Accessed 19 September 2026. II 287
  1366. Art Blocks media proxy. “Static PNG renders of sampled ORI tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/379000000.png. Accessed 19 September 2026. II 380
  1367. Art Blocks media proxy. “Static PNG renders of sampled Ottocento tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/374000000.png. Accessed 19 September 2026. II 389
  1368. Art Blocks media proxy. “Static PNG renders of sampled Overload tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/450000000.png. Accessed 19 September 2026. II 440
  1369. Art Blocks media proxy. “Static PNG renders of sampled Paths tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/217000000.png. Accessed 18 September 2026. II 213
  1370. Art Blocks media proxy. “Static PNG renders of sampled Perpetua tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/277000000.png. Accessed 19 September 2026. II 277
  1371. Art Blocks media proxy. “Static PNG renders of sampled Pieces of Me tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/222000000.png. Accessed 18 September 2026. II 215
  1372. Art Blocks media proxy. “Static PNG renders of sampled Pointers tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/387000000.png. Accessed 19 September 2026. II 390
  1373. Art Blocks media proxy. “Static PNG renders of sampled Pointila tokens.” https://media-proxy.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/353000000.png. Accessed 19 September 2026. II 344
  1374. Art Blocks media proxy. “Static PNG renders of sampled PRELUDES tokens.” https://media-proxy.artblocks.io/0x145789247973c5d612bf121e9e4eef84b63eb707/5000000.png. Accessed 19 September 2026. II 397
  1375. Art Blocks media proxy. “Static PNG renders of sampled PrimiEnd tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/268000000.png. Accessed 19 September 2026. II 271
  1376. Art Blocks media proxy. “Static PNG renders of sampled Primitives tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/368000000.png. Accessed 19 September 2026. II 364
  1377. Art Blocks media proxy. “Static PNG renders of sampled Primordial tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/302000000.png. Accessed 19 September 2026. II 300
  1378. Art Blocks media proxy. “Static PNG renders of sampled Proscenium tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/486000000.png. Accessed 19 September 2026. II 485
  1379. Art Blocks media proxy. “Static PNG renders of sampled pseudomods tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/272000000.png. Accessed 19 September 2026. II 266
  1380. Art Blocks media proxy. “Static PNG renders of sampled Quantum Collapses tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/275000000.png. Accessed 19 September 2026. II 268
  1381. Art Blocks media proxy. “Static PNG renders of sampled QWERTY tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/2000000.png. Accessed 19 September 2026. II 362
  1382. Art Blocks media proxy. “Static PNG renders of sampled Race Condition tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/393000000.png. Accessed 19 September 2026. II 387
  1383. Art Blocks media proxy. “Static PNG renders of sampled RASTER tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/341000000.png. Accessed 19 September 2026. II 337
  1384. Art Blocks media proxy. “Static PNG renders of sampled Recollection tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/475000000.png. Accessed 19 September 2026. II 473
  1385. Art Blocks media proxy. “Static PNG renders of sampled Rectangles (for Herbert) tokens.” https://media-proxy.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/370000000.png. Accessed 19 September 2026. II 363
  1386. Art Blocks media proxy. “Static PNG renders of sampled Renders Game tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/415000000.png. Accessed 19 September 2026. II 407
  1387. Art Blocks media proxy. “Static PNG renders of sampled Rippling tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/421000000.png. Accessed 19 September 2026. II 419
  1388. Art Blocks media proxy. “Static PNG renders of sampled Sandaliya tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/366000000.png. Accessed 19 September 2026. II 357
  1389. Art Blocks media proxy. “Static PNG renders of sampled Schema tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/7000000.png. Accessed 19 September 2026. II 479
  1390. Art Blocks media proxy. “Static PNG renders of sampled Seedlings tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/380000000.png. Accessed 19 September 2026. II 373
  1391. Art Blocks media proxy. “Static PNG renders of sampled Semblance tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/447000000.png. Accessed 19 September 2026. II 442
  1392. Art Blocks media proxy. “Static PNG renders of sampled send/receive tokens.” https://media-proxy.artblocks.io/0xababababab20053426ad1c782de9ea8444358070/5000000.png. Accessed 19 September 2026. II 500
  1393. Art Blocks media proxy. “Static PNG renders of sampled siempre en mí, siempre en ti tokens.” https://media-proxy.artblocks.io/0x942bc2d3e7a589fe5bd4a5c6ef9727dfd82f5c8a/477000000.png. Accessed 19 September 2026. II 477
  1394. Art Blocks media proxy. “Static PNG renders of sampled Silhouette tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/273000000.png. Accessed 19 September 2026. II 267
  1395. Art Blocks media proxy. “Static PNG renders of sampled SKEUOMORPHS tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/422000000.png. Accessed 19 September 2026. II 417
  1396. Art Blocks media proxy. “Static PNG renders of sampled Solar Transits tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/423000000.png. Accessed 19 September 2026. II 420
  1397. Art Blocks media proxy. “Static PNG renders of sampled Spaghetti Bones tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/456000000.png. Accessed 19 September 2026. II 455
  1398. Art Blocks media proxy. “Static PNG renders of sampled Speak To Me tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/449000000.png. Accessed 19 September 2026. II 444
  1399. Art Blocks media proxy. “Static PNG renders of sampled Spiromorphs tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/221000000.png. Accessed 18 September 2026. II 216
  1400. Art Blocks media proxy. “Static PNG renders of sampled Spotlight tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/256000000.png. Accessed 19 September 2026. II 261
  1401. Art Blocks media proxy. “Static PNG renders of sampled Staccato tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/351000000.png. Accessed 19 September 2026. II 345
  1402. Art Blocks media proxy. “Static PNG renders of sampled Stains on a Canvas tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/365000000.png. Accessed 19 September 2026. II 355
  1403. Art Blocks media proxy. “Static PNG renders of sampled Still Moving tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/433000000.png. Accessed 19 September 2026. II 428
  1404. Art Blocks media proxy. “Static PNG renders of sampled Strata tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/276000000.png. Accessed 19 September 2026. II 270
  1405. Art Blocks media proxy. “Static PNG renders of sampled Structures tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/381000000.png. Accessed 19 September 2026. II 368
  1406. Art Blocks media proxy. “Static PNG renders of sampled Subtle tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/438000000.png. Accessed 19 September 2026. II 446
  1407. Art Blocks media proxy. “Static PNG renders of sampled Such A Lovely Time tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/400000000.png. Accessed 19 September 2026. II 394
  1408. Art Blocks media proxy. “Static PNG renders of sampled Supermental tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/285000000.png. Accessed 19 September 2026. II 280
  1409. Art Blocks media proxy. “Static PNG renders of sampled Systems Madness tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/442000000.png. Accessed 19 September 2026. II 433
  1410. Art Blocks media proxy. “Static PNG renders of sampled Tentura tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/265000000.png. Accessed 19 September 2026. II 265
  1411. Art Blocks media proxy. “Static PNG renders of sampled The Field tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/399000000.png. Accessed 19 September 2026. II 391
  1412. Art Blocks media proxy. “Static PNG renders of sampled The Inner World tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/352000000.png. Accessed 19 September 2026. II 342
  1413. Art Blocks media proxy. “Static PNG renders of sampled Thereidoscope tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/264000000.png. Accessed 19 September 2026. II 259
  1414. Art Blocks media proxy. “Static PNG renders of sampled This Is Not A Rock tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/471000000.png. Accessed 19 September 2026. II 465
  1415. Art Blocks media proxy. “Static PNG renders of sampled Thoughts of Meadow tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/355000000.png. Accessed 19 September 2026. II 349
  1416. Art Blocks media proxy. “Static PNG renders of sampled Through Curved Air tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/397000000.png. Accessed 19 September 2026. II 386
  1417. Art Blocks media proxy. “Static PNG renders of sampled Tide Predictor tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/376000000.png. Accessed 19 September 2026. II 369
  1418. Art Blocks media proxy. “Static PNG renders of sampled Time Atlas 🌐 tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/219000000.png. Accessed 18 September 2026. II 214
  1419. Art Blocks media proxy. “Static PNG renders of sampled Time travel in a subconscious mind tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/271000000.png. Accessed 19 September 2026. II 263
  1420. Art Blocks media proxy. “Static PNG renders of sampled Torrent tokens.” https://media-proxy.artblocks.io/0x145789247973c5d612bf121e9e4eef84b63eb707/466000000.png. Accessed 19 September 2026. II 462
  1421. Art Blocks media proxy. “Static PNG renders of sampled Totem of Taste tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/349000000.png. Accessed 19 September 2026. II 360
  1422. Art Blocks media proxy. “Static PNG renders of sampled Tout tracé tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/409000000.png. Accessed 19 September 2026. II 401
  1423. Art Blocks media proxy. “Static PNG renders of sampled Trichro-matic tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/482000000.png. Accessed 19 September 2026. II 481
  1424. Art Blocks media proxy. “Static PNG renders of sampled Tropism tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/224000000.png. Accessed 18 September 2026. II 221
  1425. Art Blocks media proxy. “Static PNG renders of sampled Túnel Dimensional tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/293000000.png. Accessed 19 September 2026. II 286
  1426. Art Blocks media proxy. “Static PNG renders of sampled Twist tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/490000000.png. Accessed 19 September 2026. II 487
  1427. Art Blocks media proxy. “Static PNG renders of sampled Twos tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/469000000.png. Accessed 19 September 2026. II 469
  1428. Art Blocks media proxy. “Static PNG renders of sampled UMK tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/436000000.png. Accessed 19 September 2026. II 429
  1429. Art Blocks media proxy. “Static PNG renders of sampled Vahria tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/340000000.png. Accessed 19 September 2026. II 334
  1430. Art Blocks media proxy. “Static PNG renders of sampled Växt tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/488000000.png. Accessed 19 September 2026. II 488
  1431. Art Blocks media proxy. “Static PNG renders of sampled Volute tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/394000000.png. Accessed 19 September 2026. II 381
  1432. Art Blocks media proxy. “Static PNG renders of sampled Vortex tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/225000000.png. Accessed 18 September 2026. II 219
  1433. Art Blocks media proxy. “Static PNG renders of sampled VOXΞL tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/384000000.png. Accessed 19 September 2026. II 372
  1434. Art Blocks media proxy. “Static PNG renders of sampled Voyager tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/434000000.png. Accessed 19 September 2026. II 426
  1435. Art Blocks media proxy. “Static PNG renders of sampled Wabi Sabi tokens.” https://media-proxy.artblocks.io/0x64780ce53f6e966e18a22af13a2f97369580ec11/375000000.png. Accessed 19 September 2026. II 367
  1436. Art Blocks media proxy. “Static PNG renders of sampled WaVyScApE tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/406000000.png. Accessed 19 September 2026. II 403
  1437. Art Blocks media proxy. “Static PNG renders of sampled Window tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/280000000.png. Accessed 19 September 2026. II 272
  1438. Art Blocks media proxy. “Static PNG renders of sampled Worlds Within tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/424000000.png. Accessed 19 September 2026. II 415
  1439. Art Blocks media proxy. “Static PNG renders of sampled Your Story tokens.” https://media-proxy.artblocks.io/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/388000000.png. Accessed 19 September 2026. II 376
  1440. Art Blocks media proxy. “Static PNG renders of sampled Zoologic tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/287000000.png. Accessed 19 September 2026. II 281
  1441. Art Blocks media proxy. “Static PNG renders of sampled Zupermat tokens.” https://media-proxy.artblocks.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/305000000.png. Accessed 19 September 2026. II 298
  1442. Art Blocks. “Media-proxy PNGs for Augmented Sequence sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/169000000.png. Accessed 18 September 2026. II 165
  1443. Art Blocks. “Media-proxy PNGs for Blaschke Ballet sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/167000000.png. Accessed 18 September 2026. II 163
  1444. Art Blocks. “Media-proxy PNGs for Bloom sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000000.png. Accessed 18 September 2026. II 169
  1445. Art Blocks. “Media-proxy PNGs for Himinn sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/171000000.png. Accessed 18 September 2026. II 168
  1446. Art Blocks. “Media-proxy PNGs for Letters sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/174000000.png. Accessed 18 September 2026. II 167
  1447. Art Blocks. “Media-proxy PNGs for Ouroboros sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/166000000.png. Accessed 18 September 2026. II 164
  1448. Art Blocks. “Media-proxy PNGs for Phototaxis sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/164000000.png. Accessed 18 September 2026. II 161
  1449. Art Blocks. “Media-proxy PNGs for Rituals sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/172000000.png. Accessed 18 September 2026. II 170
  1450. Art Blocks. “Media-proxy PNGs for Skulptuur sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/173000000.png. Accessed 18 September 2026. II 166
  1451. Art Blocks. “Media-proxy PNGs for We sample tokens.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/153000000.png. Accessed 18 September 2026. II 162
  1452. Art Blocks. “Melancholic Magical Maiden by Emi Kusano collection page.” https://www.artblocks.io/collection/melancholic-magical-maiden-by-emi-kusano. Accessed 19 September 2026. I Kusano; II 490
  1453. Art Blocks. “Mellifera by artplusbrad collection page.” https://www.artblocks.io/collection/mellifera-by-artplusbrad. Accessed 19 September 2026. II 414
  1454. Art Blocks. “Memories of Digital Data by Kazuhiro Tanimoto collection page.” https://www.artblocks.io/collection/memories-of-digital-data-by-kazuhiro-tanimoto. Accessed 19 September 2026. I Tanimoto; II 421
  1455. Art Blocks. “Mental pathways by fabianospeziari x donnoh, collection page.” https://www.artblocks.io/collection/mental-pathways-by-fabianospeziari-x-donnoh. Accessed 18 September 2026. II 183
  1456. Art Blocks. “Messengers by Alexis André: official collection page.” https://www.artblocks.io/collection/messengers-by-alexis-andre. Accessed 17 September 2026. I André; II 076
  1457. Art Blocks. “Messengers live renderer, token 68000086.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/68000086. Accessed 17 September 2026. II 076
  1458. Art Blocks. “Messengers static preview media, tokens 68000000/68000001/68000010/68000020/68000086.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/68000086.png. Accessed 18 September 2026. II 076
  1459. Art Blocks. “Metaphysics by Jinyao Lin collection page.” https://www.artblocks.io/collection/metaphysics-by-jinyao-lin. Accessed 19 September 2026. II 382
  1460. Art Blocks. “Metropixeland live renderer, token 331000040.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/331000040. Accessed 20 September 2026. II 322
  1461. Art Blocks. “Metropixeland static preview media, tokens 331000000/331000001/331000040/331000225/331000449.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/331000040.png. Accessed 20 September 2026. II 322
  1462. Art Blocks. “Metropixeland: official collection page.” https://www.artblocks.io/collection/metropixeland-by-fernando-jerez. Accessed 20 September 2026. I Jerez; II 322
  1463. Art Blocks. “Metropolis by mpkoz collection page.” https://www.artblocks.io/collection/metropolis-by-mpkoz. Accessed 19 September 2026. I Kozlowski; II 396
  1464. Art Blocks. “Mind Maze by Parse/Error collection page.” https://www.artblocks.io/collection/mind-maze-by-parseerror. Accessed 19 September 2026. II 290
  1465. Art Blocks. “Miragem by Third Vision collection page.” https://www.artblocks.io/collection/miragem-by-third-vision. Accessed 19 September 2026. II 378
  1466. Art Blocks. “montreal friend scale live renderer, token 320000495.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/320000495. Accessed 20 September 2026. II 313
  1467. Art Blocks. “montreal friend scale static preview media, tokens 320000000/320000001/320000010/320000020/320000495.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/320000495.png. Accessed 20 September 2026. II 313
  1468. Art Blocks. “montreal friend scale: official collection page.” https://www.artblocks.io/collection/montreal-friend-scale-by-amon-tobin. Accessed 20 September 2026. I tobin; II 313
  1469. Art Blocks. “Murano Fantasy live renderer, token 193000017.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/193000017. Accessed 18 September 2026. II 191
  1470. Art Blocks. “Murano Fantasy static preview media, tokens 193000000/193000001/193000010/193000017/193000031.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/193000017.png. Accessed 18 September 2026. II 191
  1471. Art Blocks. “Murano Fantasy: official collection page.” https://www.artblocks.io/collection/murano-fantasy-by-pandelune. Accessed 18 September 2026. I Pandelune; II 191
  1472. Art Blocks. “Muttenz by wuwa collection page.” https://www.artblocks.io/collection/muttenz-by-wuwa. Accessed 19 September 2026. I Benhorin; II 458
  1473. Art Blocks. “Mycelia by JMY collection page.” https://www.artblocks.io/collection/mycelia-by-jmy. Accessed 19 September 2026. I JMY; II 452
  1474. Art Blocks. “Naïve by Olga Fradina collection page.” https://www.artblocks.io/collection/naive-by-olga-fradina. Accessed 19 September 2026. II 483
  1475. Art Blocks. “Nära by Tengil collection page.” https://www.artblocks.io/collection/nara-by-tengil. Accessed 19 September 2026. II 430
  1476. Art Blocks. “Net Net Net by ilithya x Erin Wajufos collection page.” https://www.artblocks.io/collection/net-net-net-by-ilithya-x-erin-wajufos. Accessed 19 September 2026. II 449
  1477. Art Blocks. “Neural Sediments by Eko33 collection page.” https://www.artblocks.io/collection/neural-sediments-by-eko33. Accessed 19 September 2026. I Duclaux; II 434
  1478. Art Blocks. “New Worlds by Robert Whitman collection page.” https://www.artblocks.io/collection/new-worlds-by-robert-whitman. Accessed 19 September 2026. I Whitman; II 399
  1479. Art Blocks. “Ode to Penrose by uMathA collection page.” https://www.artblocks.io/collection/ode-to-penrose-by-umatha. Accessed 19 September 2026. II 299
  1480. Art Blocks. “OnChainChain by Rizzle, Sebi, Miguelgarest collection page.” https://www.artblocks.io/collection/onchainchain-by-rizzle-sebi-miguelgarest. Accessed 19 September 2026. I Rizzle, Sebi, Miguelgarest; II 287
  1481. Art Blocks. “ORI by James Merrill collection page.” https://www.artblocks.io/collection/ori-by-james-merrill. Accessed 19 September 2026. II 380
  1482. Art Blocks. “Orthogone by Pandelune, project page.” https://www.artblocks.io/collection/orthogone-by-pandelune. Accessed 18 September 2026. II 089
  1483. Art Blocks. “Ottocento by Berubara collection page.” https://www.artblocks.io/collection/ottocento-by-berubara. Accessed 19 September 2026. I Berubara; II 389
  1484. Art Blocks. “Ouroboros #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/166000000. Accessed 18 September 2026. II 164
  1485. Art Blocks. “Ouroboros #409 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/166000409. Accessed 18 September 2026. II 164
  1486. Art Blocks. “Ouroboros by Shane Rich | raregonzo.” https://www.artblocks.io/collection/ouroboros-by-shane-rich-or-raregonzo. Accessed 18 September 2026. I Richardson; II 164
  1487. Art Blocks. “Ouroboros project page.” https://www.artblocks.io/project/166. Accessed 18 September 2026. II 164
  1488. Art Blocks. “Overload by Shvembldr collection page.” https://www.artblocks.io/collection/overload-by-shvembldr. Accessed 19 September 2026. I Shvembldr; II 440
  1489. Art Blocks. “Panelscape #103 original renderer, observed motion.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/83000103. Accessed 18 September 2026. II 085
  1490. Art Blocks. “Panelscape 🅰🅱 by Paolo Tonon, project page.” https://www.artblocks.io/collection/panelscape-by-paolo-tonon. Accessed 18 September 2026. II 085
  1491. Art Blocks. “Para Bellum project record.” https://www.artblocks.io/collection/para-bellum-by-matty-mariansky. Accessed 19 September 2026. I Mariansky; II 255
  1492. Art Blocks. “Parade live renderer with interaction tests, token 197000274.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/197000274. Accessed 18 September 2026. II 188
  1493. Art Blocks. “Parade static preview media, tokens 197000000/197000001/197000010/197000020/197000274.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/197000274.png. Accessed 18 September 2026. II 188
  1494. Art Blocks. “Parade: official collection page.” https://www.artblocks.io/collection/parade-by-loren-bednar. Accessed 18 September 2026. I Bednar; II 188
  1495. Art Blocks. “Paramecircle live renderer, token 195000022.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/195000022. Accessed 18 September 2026. II 190
  1496. Art Blocks. “Paramecircle static preview media, tokens 195000000/195000001/195000010/195000020/195000022.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/195000022.png. Accessed 18 September 2026. II 190
  1497. Art Blocks. “Paramecircle: official collection page.” https://www.artblocks.io/collection/paramecircle-by-alexander-reben-artboffin. Accessed 18 September 2026. I Reben; II 190
  1498. Art Blocks partner profile. Art Blocks describes the Disruptive Gallery and identifies its presentation of Stoveland's Keepsakes project. https://www.artblocks.io/partners/disruptive-gallery. I Stoveland
  1499. Art Blocks. “Pathfinders project record and Art Blocks index.” https://www.artblocks.io/collection/pathfinders-by-luxpris. Accessed 17 September 2026. I Katzenmeyer; II 026
  1500. Art Blocks. “Paths by Darien Brito collection page.” https://www.artblocks.io/collection/paths-by-darien-brito. Accessed 18 September 2026. I Brito; II 213
  1501. Art Blocks. “Patterns of Life #361, original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/87000361. Accessed 18 September 2026. II 087
  1502. Art Blocks. “Patterns of Life by Vamoss, project page.” https://www.artblocks.io/collection/patterns-of-life-by-vamoss. Accessed 18 September 2026. I Vamoss; II 087
  1503. Art Blocks. “Perpetua by Punch Card Collective collection page.” https://www.artblocks.io/collection/perpetua-by-punch-card-collective. Accessed 19 September 2026. II 277
  1504. Art Blocks. “Petri by Fabin Rasheed.” https://www.artblocks.io/collection/petri-by-fabin-rasheed. Accessed 18 September 2026. II 066
  1505. Art Blocks. “Photon's Dream by Harvey Rayner | patterndotco, collection page.” https://www.artblocks.io/collection/photons-dream-by-harvey-rayner-or-patterndotco. Accessed 20 September 2026. I Rayner; II 307
  1506. Art Blocks. “Phototaxis #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/164000000. Accessed 18 September 2026. II 161
  1507. Art Blocks. “Phototaxis #684 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/164000684. Accessed 18 September 2026. II 161
  1508. Art Blocks. “Phototaxis by Casey REAS.” https://www.artblocks.io/collection/phototaxis-by-casey-reas. Accessed 18 September 2026. I REAS; II 161
  1509. Art Blocks. “Phototaxis project page sales notes.” https://www.artblocks.io/project/164. Accessed 18 September 2026. II 161
  1510. Art Blocks. “Pieces of Me by r4v3n collection page.” https://www.artblocks.io/collection/pieces-of-me-by-r4v3n. Accessed 18 September 2026. I r4v3n; II 215
  1511. Art Blocks. “Pizza 1o1 project and token record.” https://www.artblocks.io/collection/pizza-1o1-by-kala. Accessed 18 September 2026. II 236
  1512. Art Blocks. “Placement #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/205000000. Accessed 18 September 2026. II 200
  1513. Art Blocks. “Placement #157.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/205000157. Accessed 18 September 2026. II 200
  1514. Art Blocks. “Placement by Cooper Jamieson.” https://www.artblocks.io/collection/placement-by-cooper-jamieson. Accessed 18 September 2026. II 200
  1515. Art Blocks. “planets by donnoh, project page.” https://www.artblocks.io/collection/planets-by-donnoh. Accessed 18 September 2026. II 090
  1516. Art Blocks. “Pointers by Steve Pikelny collection page.” https://www.artblocks.io/collection/pointers-by-steve-pikelny. Accessed 19 September 2026. I Pikelny; II 390
  1517. Art Blocks. “Pointila by Phaust collection page.” https://www.artblocks.io/collection/pointila-by-phaust. Accessed 19 September 2026. II 344
  1518. Art Blocks. “Polychrome Music live renderer, token 336000009.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/336000009. Accessed 20 September 2026. II 330
  1519. Art Blocks. “Polychrome Music static preview media, tokens 336000000/336000001/336000009/336000010/336000020.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/336000009.png. Accessed 20 September 2026. II 330
  1520. Art Blocks. “Polychrome Music: official collection page.” https://www.artblocks.io/collection/polychrome-music-by-rafael-rozendaal-and-danny-wolfers-legowelt. Accessed 20 September 2026. I Rozendaal; I Wolfers; II 330
  1521. Art Blocks. “PRELUDES by Trevor Paglen collection page.” https://www.artblocks.io/collection/preludes-by-trevor-paglen. Accessed 19 September 2026. I Paglen; II 397
  1522. Art Blocks presents Jamieson's description of a practice probing phenomenology and digital materiality. art-blocks-profile I Jamieson
  1523. Art Blocks preserves the official record of Bloom's release date as October 5, 2021, and confirms the edition count of 285 unique artworks. Art Blocks project token I Blockchance
  1524. Art Blocks. “PrimiDance by wuwa, project page.” https://www.artblocks.io/collection/primidance-by-wuwa. Accessed 18 September 2026. I Benhorin; II 084
  1525. Art Blocks. “PrimiEnd by wuwa collection page.” https://www.artblocks.io/collection/primiend-by-wuwa. Accessed 19 September 2026. I Benhorin; II 271
  1526. Art Blocks. “Primitives by Aranda\Lasch collection page.” https://www.artblocks.io/collection/primitives-by-arandalasch. Accessed 19 September 2026. I Aranda\Lasch; II 364
  1527. Art Blocks. “Primordial by Jacob Gold collection page.” https://www.artblocks.io/collection/primordial-by-jacob-gold. Accessed 19 September 2026. II 300
  1528. Art Blocks. “Prismatic live renderer, token 199000004.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/199000004. Accessed 18 September 2026. II 194
  1529. Art Blocks. “Prismatic static preview media, tokens 199000000/199000001/199000004/199000028/199000213.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/199000004.png. Accessed 18 September 2026. II 194
  1530. Art Blocks Profile Example. Additional artist associated profile with multiple OnChainChain holdings. https://www.artblocks.io/profile/0x4410bb5accef3848bc7b64131ceb3d54740682e8. I Rizzle, Sebi, Miguelgarest
  1531. Art Blocks profile, abcollector. artblocks.io III No. 32
  1532. Art Blocks profile, blueflame. artblocks.io III No. 6
  1533. Art Blocks profile, dbochman.eth. artblocks.io III No. 21
  1534. Art Blocks profile, drcco. artblocks.io III No. 19
  1535. Art Blocks profile, durtis. artblocks.io III No. 50
  1536. Art Blocks profile, gnz0. artblocks.io III No. 5
  1537. Art Blocks profile, hans. artblocks.io III No. 30
  1538. Art Blocks profile, manyjeans. artblocks.io III No. 29
  1539. Art Blocks profile, neffnet. artblocks.io III No. 35
  1540. Art Blocks profile, ss888. artblocks.io III No. 2
  1541. Art Blocks profile, visavi. artblocks.io III No. 14
  1542. Art Blocks profiles Brocher’s background and identifies Rotor and Fluiroso among his projects. art-blocks-profile I Brocher
  1543. Art Blocks profiles Honigstein and lists his two projects, multidisciplinary practice, and London and Paris base. Art Blocks artist profile I Honigstein
  1544. Art Blocks profiles Isaksen as an Oslo-based generative artist and creative coder with training in applied physics and mathematics. Art Blocks profile I Isaksen
  1545. Art Blocks profiles Stallwood as a Philadelphia-based shader artist and outlines the technical and professional development of his practice. Art Blocks artist profile I Stallwood
  1546. Art Blocks project record. Art Blocks records (Dis)connected as a 48-work Presents collection released in 2023. https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/431. I Shaik
  1547. Art Blocks project redirect. Art Blocks provides the institutional platform record for the release, including edition count and release date. https://www.artblocks.io/project/434. I DisruptedStar
  1548. Art Blocks. “Proscenium by remnynt collection page.” https://www.artblocks.io/collection/proscenium-by-remnynt. Accessed 19 September 2026. I Griffith; II 485
  1549. Art Blocks provides biographical information about Boyarsky's education and artistic focus. Art Blocks Artist Profile I Boyarsky
  1550. Art Blocks provides the artist biography, birth year, location, practice summary, and exhibition recognitions. Art Blocks artist I Duclaux
  1551. Art Blocks. “pseudomods by erin bee collection page.” https://www.artblocks.io/collection/pseudomods-by-erin-bee. Accessed 19 September 2026. I Beesley; II 266
  1552. Art Blocks published an After Dinner Mints interview with Weil on 21 March 2023. Art Blocks interview I Weil
  1553. Art Blocks published an in-depth interview with Anthony Hiley-Mann discussing his creative history, his mother's influence as a fashion designer, his early experiments with music programming, and the development of Trichro-matic. Art Blocks I Hiley-Mann
  1554. Art Blocks. “Quantum Collapses by Insigħt collection page.” https://www.artblocks.io/collection/quantum-collapses-by-insigt. Accessed 19 September 2026. I Insigħt; II 268
  1555. Art Blocks. “Quarantine by Owen Moore, collection page.” https://www.artblocks.io/collection/quarantine-by-owen-moore. Accessed 18 September 2026. II 179
  1556. Art Blocks. “QWERTY by Tara Donovan collection page.” https://www.artblocks.io/collection/qwerty-by-tara-donovan. Accessed 19 September 2026. I Donovan; II 362
  1557. Art Blocks. “Race Condition by Jonas Lund collection page.” https://www.artblocks.io/collection/race-condition-by-jonas-lund. Accessed 19 September 2026. I Lund; II 387
  1558. Art Blocks. “Rapture official collection.” https://www.artblocks.io/collection/rapture-by-thomas-lin-pedersen. Accessed 17 September 2026. I Pedersen; II 142
  1559. Art Blocks. “RASTER by itsgalo collection page.” https://www.artblocks.io/collection/raster-by-itsgalo. Accessed 19 September 2026. I Canizares; II 337
  1560. Art Blocks. “Recollection by Robert Hodgin collection page.” https://www.artblocks.io/collection/recollection-by-robert-hodgin. Accessed 19 September 2026. I Hodgin; II 473
  1561. Art Blocks records 1,024 unique artworks and a release date of 17 August 2021. Art Blocks collection I Tan
  1562. Art Blocks records 3 Minute Meditations as a Factory collection of 159 unique artworks released on 31 August 2022. Art Blocks collection I thetechnocratic
  1563. Art Blocks records 30 works and an 8 December 2023 release for Marfa: Outtakes. Art Blocks, Marfa: Outtakes I r4v3n
  1564. Art Blocks records 52 works and a 9 February 2024 release for Dots: Composites. Art Blocks, Dots: Composites I r4v3n
  1565. Art Blocks records Algobots as 500 unique works released on April 6, 2021. art-blocks-collection I Jones
  1566. Art Blocks records APEX as 377 unique artworks released on April 15, 2022. art-blocks-apex I phenomena
  1567. Art Blocks records Azulejos by PZS within its Plottables marketplace. platform record I PZS
  1568. Art Blocks records Being Yourself While Fitting In as a 56-work Factory project released on August 15, 2022 and documents its layered shapes, animation, and conformity-versus-expression theme. Art Blocks collection I LIA
  1569. Art Blocks records Brise Soleil as a 100-work Bright Moments release dated September 22, 2022. Brise Soleil I zVault
  1570. Art Blocks records Canizares's 1989 birth in Madrid, Lexington base, architectural education, teaching role, and platform projects. Art-Blocks-profile I Canizares
  1571. Art Blocks records circle(s) as a 120-work Verse project released in 2023. Art Blocks circle(s) I provencher
  1572. Art Blocks records connect-close as Jacobson and Luke Shannon's Stitchables collection released on November 11, 2024. connect-close I Jacobson
  1573. Art Blocks records Connolly’s birth in Leeds, education, United Kingdom base, and multidisciplinary practice. art-blocks-profile I Connolly
  1574. Art Blocks records Crypt as a 54-work Art Blocks Presents collection by The Cyclops Group, released May 17, 2023. Art Blocks collection I Cyclops Group
  1575. Art Blocks records D-D-Dots as a 160-artwork Factory collection released on October 3, 2022. Art Blocks collection I tuplart
  1576. Art Blocks records Defrag Me as a live Studio project released February 25, 2025, and explains its interactive puzzle mechanics and relation to Libertad Parametrizada. Defrag Me I zVault
  1577. Art Blocks records Dolor Gravitacional as a 100-work Bright Moments release dated November 1, 2023. Dolor Gravitacional I zVault
  1578. Art Blocks records Dot Matrix Gradient Study as 540 unique works released on August 28, 2021. Art Blocks I Rockland
  1579. Art Blocks records Dynamic Slices as a 512-work pxlq collection released on 12 December 2020. Art Blocks Dynamic Slices I WhaleStreet x pxlq
  1580. Art Blocks records Faceless as a collection of 250 unique artworks released on May 18, 2022. Art Blocks collection I greatjones
  1581. Art Blocks records Farquhar's birth, Oxford base, physics research, artistic practice, and exhibition history. Art Blocks artist profile I Farquhar
  1582. Art Blocks records Freeplan as 128 unique artworks released on January 20, 2022. art-blocks I Aksu
  1583. Art Blocks records Gizmobotz as a 1,000-work Factory collection released on July 17, 2021. Art Blocks Gizmobotz I Cotton
  1584. Art Blocks records Gumbo as 400 unique artworks released on July 19, 2023. Gumbo collection I Isaksen
  1585. Art Blocks records Hollowell’s birth, education, New York base, themes, and institutional collections. artblocks-artist I Hollowell
  1586. Art Blocks records Ingress as 256 unique artworks released on November 23, 2022. ingress I Dudko
  1587. Art Blocks records Jiwa's birth in Virginia Beach, Berlin base, education and code-centered practice. Art Blocks profile I Jiwa
  1588. Art Blocks records Longing as 247 unique artworks released on February 17, 2023. art-blocks-longing I phenomena
  1589. Art Blocks records LoVid’s members, birthplaces, New York base, collaborative history, and platform projects. Art Blocks artist profile I LoVid
  1590. Art Blocks records Maps as 90 unique artworks released January 21, 2022. Art Blocks Maps I provencher
  1591. Art Blocks records Merrill's biography and multidisciplinary practice. Art Blocks artist I Merrill
  1592. Art Blocks records Neophyte MMXXII as 168 unique artworks released on 22 March 2022. Art Blocks Neophyte I Crispin
  1593. Art Blocks records Ode to Penrose as 300 unique artworks released on May 2, 2022. official-collection I umatha
  1594. Art Blocks records Panelscape 🅰🅱 as 525 unique artworks released on 8 June 2021. panelscape-record I Tonon
  1595. Art Blocks records Patchwork Saguaros as 72 unique works released on May 15, 2021. Art Blocks I Rockland
  1596. Art Blocks records Pointila as a 200-artwork Factory collection released on 9 September 2022. Art Blocks collection I Phaust
  1597. Art Blocks records Roll Some Bones as a 250-work Studio collection. Art Blocks Studio I iyer
  1598. Art Blocks records Rotor as a 285-work Factory collection released on June 17, 2022. rotor-record I Brocher
  1599. Art Blocks records Seasky as 100 unique artworks released on 4 October 2023. Art Blocks I Ralgo
  1600. Art Blocks records Seedlings as 200 unique artworks released on 21 November 2022. Art Blocks I VES3L
  1601. Art Blocks records Semblance as a 185-work Art Blocks Presents collection released on July 11, 2023. Art Blocks I iyer
  1602. Art Blocks records SL/CE as 40 unique artworks released on 3 April 2023. Art Blocks SL/CE I Stranger in the Q
  1603. Art Blocks records Soria-Rodríguez’s 1977 birth in Almería, Madrid base, engineering background, and human-machine practice. Art Blocks profile I Soria-Rodríguez
  1604. Art Blocks records Space Birds as a 48-work Factory collection released on October 14, 2021. Art Blocks Space Birds I Cotton
  1605. Art Blocks records Strata as 650 unique artworks released on March 11, 2022. art-blocks-strata I Isaksen
  1606. Art Blocks records Supermental as 400 unique artworks released on April 5, 2022. art-blocks I Rosenlykke
  1607. Art Blocks records Time Atlas 🌐 as 412 unique artworks released on 8 December 2021. time-atlas-record I Tonon
  1608. Art Blocks records transparency as 29 unique artworks released on March 27, 2023. Art Blocks collection I usnea
  1609. Art Blocks records Unigrids as 421 unique artworks released on January 26, 2021, with static, animated, musical, interactive, and on-chain components. Art Blocks Unigrids I Zeblocks
  1610. Art Blocks records Yazid’s participation with Eltono and Iskra Velitchkova in episode 15 of its Minters & Makers discussion series. Art Blocks talk I Yazid
  1611. Art Blocks. “Rectangles (for Herbert) by Jeff Davis collection page.” https://www.artblocks.io/collection/rectangles-for-herbert-by-jeff-davis. Accessed 19 September 2026. I Davis; II 363
  1612. Art Blocks. “Recursion live renderer with interaction tests, token 192000113.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/192000113. Accessed 18 September 2026. II 189
  1613. Art Blocks. “Recursion static preview media, tokens 192000000/192000001/192000010/192000020/192000113.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/192000113.png. Accessed 18 September 2026. II 189
  1614. Art Blocks. “Recursion: official collection page.” https://www.artblocks.io/collection/recursion-by-hevey. Accessed 18 September 2026. I Hevey; II 189
  1615. Art Blocks. “Renders Game by MountVitruvius collection page.” https://www.artblocks.io/collection/renders-game-by-mountvitruvius. Accessed 19 September 2026. I Hiley-Mann; II 407
  1616. Art Blocks. “Return by Aaron Penne, collection page.” https://www.artblocks.io/collection/return-by-aaron-penne. Accessed 20 September 2026. I Penne; II 077
  1617. Art Blocks. “Rippling by Yi-Wen Lin collection page.” https://www.artblocks.io/collection/rippling-by-yi-wen-lin. Accessed 19 September 2026. I Lin; II 419
  1618. Art Blocks. “Rituals - Venice #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/172000000. Accessed 18 September 2026. II 170
  1619. Art Blocks. “Rituals - Venice #407 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/172000407. Accessed 18 September 2026. II 170
  1620. Art Blocks. “Rituals - Venice by Aaron Penne x Boreta.” https://www.artblocks.io/collection/rituals-venice-by-aaron-penne-x-boreta. Accessed 18 September 2026. I Boreta; I Penne; II 170
  1621. Art Blocks. “Rituals - Venice project page.” https://www.artblocks.io/project/172. Accessed 18 September 2026. II 170
  1622. Art Blocks. “Roamings project and token record.” https://www.artblocks.io/collection/roamings-by-luca-ionescu. Accessed 18 September 2026. II 245
  1623. Art Blocks. “Rotae live renderer, token 194000267.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/194000267. Accessed 18 September 2026. II 192
  1624. Art Blocks. “Rotae static preview media, tokens 194000000/194000001/194000100/194000267/194000300.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/194000267.png. Accessed 18 September 2026. II 192
  1625. Art Blocks. “Rotae: official collection page.” https://www.artblocks.io/collection/rotae-by-nadieh-bremer. Accessed 18 September 2026. I Bremer; II 192
  1626. Art Blocks. “Rotor by Sebastián Brocher (CryptoArte), collection page.” https://www.artblocks.io/collection/rotor-by-sebastian-brocher-cryptoarte. Accessed 20 September 2026. II 308
  1627. Art Blocks. “Running Moon live renderer, token 334000423.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/334000423. Accessed 20 September 2026. II 323
  1628. Art Blocks. “Running Moon static preview media, tokens 334000000/334000001/334000010/334000020/334000423.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/334000423.png. Accessed 20 September 2026. II 323
  1629. Art Blocks. “Running Moon: official collection page.” https://www.artblocks.io/collection/running-moon-by-licia-he. Accessed 20 September 2026. I He; II 323
  1630. Art Blocks. “Sandaliya by Melissa Wiederrecht collection page.” https://www.artblocks.io/collection/sandaliya-by-melissa-wiederrecht. Accessed 19 September 2026. I Wiederrecht; II 357
  1631. Art Blocks. “Saturazione #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/200000000. Accessed 18 September 2026. II 198
  1632. Art Blocks. “Saturazione #97 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/200000097. Accessed 18 September 2026. II 198
  1633. Art Blocks. “Saturazione by Stefano Contiero.” https://www.artblocks.io/collection/saturazione-by-stefano-contiero. Accessed 18 September 2026. I Contiero; II 198
  1634. Art Blocks. “Schema by DRIFT with Jeff Davis collection page.” https://www.artblocks.io/collection/schema-by-drift-with-jeff-davis. Accessed 19 September 2026. I Davis; I Drift; II 479
  1635. Art Blocks. “Scoundrels #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/203000000. Accessed 18 September 2026. II 201
  1636. Art Blocks. “Scoundrels #1965.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/203001965. Accessed 18 September 2026. II 201
  1637. Art Blocks. “Scoundrels by Kristy Glas.” https://www.artblocks.io/collection/scoundrels-by-kristy-glas. Accessed 18 September 2026. I Glas; II 201
  1638. Art Blocks. “Screens project and token record.” https://www.artblocks.io/collection/screens-by-thomas-lin-pedersen. Accessed 18 September 2026. II 244
  1639. Art Blocks. “Scribblines live renderer, token 335000042.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/335000042. Accessed 20 September 2026. II 328
  1640. Art Blocks. “Scribblines static preview media, tokens 335000000/335000001/335000010/335000020/335000042.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/335000042.png. Accessed 20 September 2026. II 328
  1641. Art Blocks. “Scribblines: official collection page.” https://www.artblocks.io/collection/scribblines-by-orpheusk. Accessed 20 September 2026. I Orpheusk; II 328
  1642. Art Blocks. “Seedlings by VES3L collection page.” https://www.artblocks.io/collection/seedlings-by-ves3l. Accessed 19 September 2026. II 373
  1643. Art Blocks. “Semblance by rahul iyer collection page.” https://www.artblocks.io/collection/semblance-by-rahul-iyer. Accessed 19 September 2026. II 442
  1644. Art Blocks. “send/receive by Snowfro collection page.” https://www.artblocks.io/collection/sendreceive-by-snowfro. Accessed 19 September 2026. I Calderon; II 500
  1645. Art Blocks. “siempre en mí, siempre en ti by Marcelo Soria-Rodríguez collection page.” https://www.artblocks.io/collection/siempre-en-mi-siempre-en-ti-by-marcelo-soria-rodriguez. Accessed 19 September 2026. I Soria-Rodríguez; II 477
  1646. Art Blocks. “Silhouette by Niel de la Rouviere collection page.” https://www.artblocks.io/collection/silhouette-by-niel-de-la-rouviere. Accessed 19 September 2026. I de la Rouviere; II 267
  1647. Art Blocks. “Singularity project record and Art Blocks index.” https://www.artblocks.io/collection/singularity-by-hideki-tsukamoto. Accessed 17 September 2026. I Tsukamoto; II 009
  1648. Art Blocks. “SKEUOMORPHS by itsgalo collection page.” https://www.artblocks.io/collection/skeuomorphs-by-itsgalo. Accessed 19 September 2026. I Canizares; II 417
  1649. Art Blocks. “Skulptuur #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/173000000. Accessed 18 September 2026. II 166
  1650. Art Blocks. “Skulptuur #108 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/173000108. Accessed 18 September 2026. II 166
  1651. Art Blocks. “Skulptuur by Piter Pasma.” https://www.artblocks.io/collection/skulptuur-by-piter-pasma. Accessed 18 September 2026. I Pasma; II 166
  1652. Art Blocks. “Skulptuur project page.” https://www.artblocks.io/project/173. Accessed 18 September 2026. II 166
  1653. Art Blocks. “Solar Transits by Robert Hodgin collection page.” https://www.artblocks.io/collection/solar-transits-by-robert-hodgin. Accessed 19 September 2026. I Hodgin; II 420
  1654. Art Blocks. “Spaghetti Bones by Joshua Bagley collection page.” https://www.artblocks.io/collection/spaghetti-bones-by-joshua-bagley. Accessed 19 September 2026. I Bagley; II 455
  1655. Art Blocks. “Speak To Me by Lisa Orth collection page.” https://www.artblocks.io/collection/speak-to-me-by-lisa-orth. Accessed 19 September 2026. I Orth; II 444
  1656. Art Blocks. “Spectron project record and Art Blocks index.” https://www.artblocks.io/collection/spectron-by-simon-de-mai. Accessed 17 September 2026. II 018
  1657. Art Blocks. “Spiromorphs by SAB collection page.” https://www.artblocks.io/collection/spiromorphs-by-sab. Accessed 18 September 2026. II 216
  1658. Art Blocks. “Spotlight by Joshua Bagley collection page.” https://www.artblocks.io/collection/spotlight-by-joshua-bagley. Accessed 19 September 2026. I Bagley; II 261
  1659. Art Blocks. “Staccato by Philip Bell collection page.” https://www.artblocks.io/collection/staccato-by-philip-bell. Accessed 19 September 2026. I Bell; II 345
  1660. Art Blocks. “Stains on a Canvas by Omar Lobato collection page.” https://www.artblocks.io/collection/stains-on-a-canvas-by-omar-lobato. Accessed 19 September 2026. II 355
  1661. Art Blocks. “Stations project record.” https://www.artblocks.io/collection/stations-by-fernando-jerez. Accessed 19 September 2026. I Jerez; II 250
  1662. Art Blocks. “Steps live renderer, token 332000124.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/332000124. Accessed 20 September 2026. II 325
  1663. Art Blocks. “Steps static preview media, tokens 332000000/332000001/332000010/332000020/332000124.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/332000124.png. Accessed 20 September 2026. II 325
  1664. Art Blocks. “Steps: official collection page.” https://www.artblocks.io/collection/steps-by-johan. Accessed 20 September 2026. II 325
  1665. Art Blocks. “Still Moving by Nathaniel Stern and Sasha Stiles collection page.” https://www.artblocks.io/collection/still-moving-by-nathaniel-stern-and-sasha-stiles. Accessed 19 September 2026. I Stiles; II 428
  1666. Art Blocks. “Strata by Vebjørn Isaksen collection page.” https://www.artblocks.io/collection/strata-by-vebjorn-isaksen. Accessed 19 September 2026. II 270
  1667. Art Blocks. “Stroming by Bart Simons, project page.” https://www.artblocks.io/collection/stroming-by-bart-simons. Accessed 18 September 2026. I Simons; II 088
  1668. Art Blocks. “Structures by Hevey collection page.” https://www.artblocks.io/collection/structures-by-hevey. Accessed 19 September 2026. I Hevey; II 368
  1669. Art Blocks. “Subtle by willstall collection page.” https://www.artblocks.io/collection/subtle-by-willstall. Accessed 19 September 2026. II 446
  1670. Art Blocks. “Such A Lovely Time by petitsapin collection page.” https://www.artblocks.io/collection/such-a-lovely-time-by-petitsapin. Accessed 19 September 2026. II 394
  1671. Art Blocks. “Sudfah live renderer, token 328000130.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/328000130. Accessed 20 September 2026. II 320
  1672. Art Blocks. “Sudfah static preview media, tokens 328000000/328000001/328000130/328000200/328000400.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/328000130.png. Accessed 20 September 2026. II 320
  1673. Art Blocks. “Sudfah: official collection page.” https://www.artblocks.io/collection/sudfah-by-melissa-wiederrecht. Accessed 20 September 2026. I Wiederrecht; II 320
  1674. Art Blocks. “Summoning Ritual project and token record.” https://www.artblocks.io/collection/summoning-ritual-by-pzs. Accessed 18 September 2026. II 231
  1675. Art Blocks. “Supermental by Rosenlykke collection page.” https://www.artblocks.io/collection/supermental-by-rosenlykke. Accessed 19 September 2026. II 280
  1676. Art Blocks surveys De Giuli’s development from generative landscapes to works about abstraction, quantum mechanics, and life. Art Blocks profile I De Giuli
  1677. Art Blocks. “Swing live renderer, token 184000240.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/184000240. Accessed 18 September 2026. II 187
  1678. Art Blocks. “Swing static preview media, tokens 184000000/184000001/184000010/184000020/184000240.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/184000240.png. Accessed 18 September 2026. II 187
  1679. Art Blocks. “Swing: official collection page.” https://www.artblocks.io/collection/swing-by-eltono. Accessed 18 September 2026. I Eltono; II 187
  1680. Art Blocks. “Synesthesia project and token record.” https://www.artblocks.io/collection/synesthesia-by-plsandty. Accessed 18 September 2026. II 235
  1681. Art Blocks. “Systems Madness by Claudia Hart and Andrew Blanton collection page.” https://www.artblocks.io/collection/systems-madness-by-claudia-hart-and-andrew-blanton. Accessed 19 September 2026. I Blanton; II 433
  1682. Art Blocks technical documentation, Post Parameters: on-chain configurable parameters that allow artworks to evolve while preserving artist-defined constraints. docs.artblocks.io I Calderon Arenas; I Larva Labs; I MODNAR WOLF
  1683. Art Blocks. “Tentura by Stranger in the Q collection page.” https://www.artblocks.io/collection/tentura-by-stranger-in-the-q. Accessed 19 September 2026. II 265
  1684. Art Blocks terms. Art Blocks' published user terms describe the service as encompassing the creation, purchase, sale, exchange, and modification of digital assets. https://www.artblocks.io/user-terms.pdf?_rsc=yy7x5. I Pandelune; I greatjones
  1685. Art Blocks. “The Blocks of Art by Shvembldr: official collection page.” https://www.artblocks.io/collection/the-blocks-of-art-by-shvembldr. Accessed 17 September 2026. I Shvembldr; II 074
  1686. Art Blocks. “The Blocks of Art live renderer, token 74000000.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/74000000. Accessed 17 September 2026. II 074
  1687. Art Blocks. “The Field by Beervangeer collection page.” https://www.artblocks.io/collection/the-field-by-beervangeer. Accessed 19 September 2026. I Beervangeer; II 391
  1688. Art Blocks. “The Inner World by Dominikus collection page.” https://www.artblocks.io/collection/the-inner-world-by-dominikus. Accessed 19 September 2026. I Dominikus; II 342
  1689. Art Blocks. “THE SOURCE CoDE by Ofir Liberman, collection page.” https://www.artblocks.io/collection/the-source-code-by-ofir-liberman. Accessed 18 September 2026. I Liberman; II 184
  1690. Art Blocks. “the spring begins with the first rainstorm by Cole Sternberg, collection page.” https://www.artblocks.io/collection/the-spring-begins-with-the-first-rainstorm-by-cole-sternberg. Accessed 20 September 2026. II 311
  1691. Art Blocks. “Thereidoscope by Daïm Aggott-Hönsch collection page.” https://www.artblocks.io/collection/thereidoscope-by-daim-aggott-honsch. Accessed 19 September 2026. I Aggott-Hönsch; II 259
  1692. Art Blocks. “This Is Not A Rock by Nicole Vella collection page.” https://www.artblocks.io/collection/this-is-not-a-rock-by-nicole-vella. Accessed 19 September 2026. II 465
  1693. Art Blocks. “Thoughts of Meadow by Eric Davidson collection page.” https://www.artblocks.io/collection/thoughts-of-meadow-by-eric-davidson. Accessed 19 September 2026. II 349
  1694. Art Blocks. “Through Curved Air by Jacob Gold collection page.” https://www.artblocks.io/collection/through-curved-air-by-jacob-gold. Accessed 19 September 2026. II 386
  1695. Art Blocks. “Through the Window #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/207000000. Accessed 18 September 2026. II 204
  1696. Art Blocks. “Through the Window #498.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/207000498. Accessed 18 September 2026. II 204
  1697. Art Blocks. “Through the Window collection.” https://www.artblocks.io/collection/through-the-window-by-reva. Accessed 18 September 2026. I Reva; II 204
  1698. Art Blocks. “Tide Predictor by LoVid collection page.” https://www.artblocks.io/collection/tide-predictor-by-lovid. Accessed 19 September 2026. I LoVid; II 369
  1699. Art Blocks. “Time Atlas 🌐 by Paolo Tonon collection page.” https://www.artblocks.io/collection/time-atlas-by-paolo-tonon. Accessed 18 September 2026. II 214
  1700. Art Blocks. “Time Squared project and token record.” https://www.artblocks.io/collection/time-squared-by-steen-x-n-e-o. Accessed 18 September 2026. I n e o; I steen; II 232
  1701. Art Blocks. “Time travel in a subconscious mind by Jimmy Herdberg collection page.” https://www.artblocks.io/collection/time-travel-in-a-subconscious-mind-by-jimmy-herdberg. Accessed 19 September 2026. I JMY; II 263
  1702. Art Blocks Token. An example token page provides additional description of the project's conceptual focus on cumulative inaccuracies and perceptual harmonies. https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/396000006. I Blacc
  1703. Art Blocks token. Additional token page providing visual and metadata reference for the series. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000111. I Danooka
  1704. Art Blocks token. A live token record identifies an Imperfections output, its attributes, and its on-chain context. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/303000435. I Kalis
  1705. Art Blocks token detail. Additional Art Blocks token records, including for edition #123, consistently affirm the collection parameters and generative nature of Bloom. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000123. I Blockchance
  1706. Art Blocks token page for a representative phase work. Art Blocks phase token I Bednar
  1707. Art Blocks token page for a representative Traversals work. Art Blocks Traversals token I Bednar
  1708. Art Blocks token pages identify Backwards by Asaf Slook in the Art Blocks Presents context and show collection traits. Art Blocks token I Slook
  1709. Art Blocks token pages list project attributes including origin, background, and orientation. Art Blocks token I Kapoor
  1710. Art Blocks token record. The token record documents an individual Race Condition output and its extensive generative attributes. https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/393/tokens/393000324. I Lund
  1711. Art Blocks. “Torrent by Jeres collection page.” https://www.artblocks.io/collection/torrent-by-jeres. Accessed 19 September 2026. II 462
  1712. Art Blocks. “Total Strangers live renderer, token 326000478.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/326000478. Accessed 20 September 2026. II 318
  1713. Art Blocks. “Total Strangers static preview media, tokens 326000000/326000001/326000010/326000478/326000537.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/326000478.png. Accessed 20 September 2026. II 318
  1714. Art Blocks. “Total Strangers: official collection page.” https://www.artblocks.io/collection/total-strangers-by-artem-verkhovskiy-x-andy-shaw. Accessed 20 September 2026. I Verkhovskiy; II 318
  1715. Art Blocks. “Totem of Taste by Hannah Yan collection page.” https://www.artblocks.io/collection/totem-of-taste-by-hannah-yan. Accessed 19 September 2026. II 360
  1716. Art Blocks. “Tout tracé by Florian Zumbrunn collection page.” https://www.artblocks.io/collection/tout-trace-by-florian-zumbrunn. Accessed 19 September 2026. II 401
  1717. Art Blocks. “Trichro-matic by MountVitruvius collection page.” https://www.artblocks.io/collection/trichro-matic-by-mountvitruvius. Accessed 19 September 2026. I Hiley-Mann; II 481
  1718. Art Blocks. “Tropism by Neel Shivdasani collection page.” https://www.artblocks.io/collection/tropism-by-neel-shivdasani. Accessed 18 September 2026. I Shivdasani; II 221
  1719. Art Blocks. “Trossets official collection.” https://www.artblocks.io/collection/trossets-by-anna-carreras. Accessed 17 September 2026. I Carreras; II 148
  1720. Art Blocks. “Túnel Dimensional by Autonomoses collection page.” https://www.artblocks.io/collection/tunel-dimensional-by-autonomoses. Accessed 19 September 2026. I Autonomoses; II 286
  1721. Art Blocks. “Twist by Rafaël Rozendaal collection page.” https://www.artblocks.io/collection/twist-by-rafael-rozendaal. Accessed 19 September 2026. I Rozendaal; II 487
  1722. Art Blocks. “Two Mathematicians project and token record.” https://www.artblocks.io/collection/two-mathematicians-by-by-ma. Accessed 18 September 2026. I Fatemi; II 249
  1723. Art Blocks. “Twos by Emily Edelman collection page.” https://www.artblocks.io/collection/twos-by-emily-edelman. Accessed 19 September 2026. II 469
  1724. Art Blocks. “UMK by Fernando Jerez collection page.” https://www.artblocks.io/collection/umk-by-fernando-jerez. Accessed 19 September 2026. II 429
  1725. Art Blocks. “undead wyverns live renderer, token 338000040.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/338000040. Accessed 20 September 2026. II 329
  1726. Art Blocks. “undead wyverns static preview media, tokens 338000000/338000001/338000010/338000020/338000040.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/338000040.png. Accessed 20 September 2026. II 329
  1727. Art Blocks. “undead wyverns: official collection page.” https://www.artblocks.io/collection/undead-wyverns-by-hideo. Accessed 20 September 2026. I HIDΞ0; II 329
  1728. Art Blocks. “Undercover project and token record.” https://www.artblocks.io/collection/undercover-by-artplusbrad. Accessed 18 September 2026. I artplusbrad; II 248
  1729. Art Blocks. “Vahria by Darien Brito collection page.” https://www.artblocks.io/collection/vahria-by-darien-brito. Accessed 19 September 2026. I Brito; II 334
  1730. Art Blocks. “Vamoss artist profile.” https://www.artblocks.io/artists/vamoss. Accessed 18 September 2026. I Vamoss; II 087
  1731. Art Blocks. “Variant Plan project record and Art Blocks index.” https://www.artblocks.io/collection/variant-plan-by-jeff-davis. Accessed 17 September 2026. I Davis; II 007
  1732. Art Blocks. “Växt by Tengil collection page.” https://www.artblocks.io/collection/vaxt-by-tengil. Accessed 19 September 2026. II 488
  1733. Art Blocks. “Volute by RVig collection page.” https://www.artblocks.io/collection/volute-by-rvig. Accessed 19 September 2026. I RVig; II 381
  1734. Art Blocks. “Vortex by Jen Stark collection page.” https://www.artblocks.io/collection/vortex-by-jen-stark. Accessed 18 September 2026. I Stark; II 219
  1735. Art Blocks. “VOXΞL by JEANVASCRIPT collection page.” https://www.artblocks.io/collection/vox3l-by-jeanvascript. Accessed 19 September 2026. I JEANVASCRIPT; II 372
  1736. Art Blocks. “Voyager by DisruptedStar collection page.” https://www.artblocks.io/collection/voyager-by-disruptedstar. Accessed 19 September 2026. I DisruptedStar; II 426
  1737. Art Blocks. “Wabi Sabi by Kazuhiro Tanimoto collection page.” https://www.artblocks.io/collection/wabi-sabi-by-kazuhiro-tanimoto. Accessed 19 September 2026. I Tanimoto; II 367
  1738. Art Blocks. “WaVyScApE by Holger Lippmann collection page.” https://www.artblocks.io/collection/wavyscape-by-holger-lippmann. Accessed 19 September 2026. II 403
  1739. Art Blocks. “We #0 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/153000000. Accessed 18 September 2026. II 162
  1740. Art Blocks. “We #1010 token page.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/153001010. Accessed 18 September 2026. II 162
  1741. Art Blocks. “We by Vamoss.” https://www.artblocks.io/collection/we-by-vamoss. Accessed 18 September 2026. I AMNDA; I Vamoss; II 162
  1742. Art Blocks. “We project page sales and identity notes.” https://www.artblocks.io/project/153. Accessed 18 September 2026. II 162
  1743. Art Blocks. “Window by Jan Robert Leegte collection page.” https://www.artblocks.io/collection/window-by-jan-robert-leegte. Accessed 19 September 2026. I Leegte; II 272
  1744. Art Blocks. “Woah La Coaster live renderer, token 324000046.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/324000046. Accessed 20 September 2026. II 316
  1745. Art Blocks. “Woah La Coaster static preview media, tokens 324000000/324000001/324000046/324000100/324000198.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/324000046.png. Accessed 20 September 2026. II 316
  1746. Art Blocks. “Woah La Coaster: official collection page.” https://www.artblocks.io/collection/woah-la-coaster-by-blockwares. Accessed 20 September 2026. I Blockwares; II 316
  1747. Art Blocks. “Worlds Within by Jason Ting collection page.” https://www.artblocks.io/collection/worlds-within-by-jason-ting. Accessed 19 September 2026. I Ting; II 415
  1748. Art Blocks. “Your Story by encapsuled collection page.” https://www.artblocks.io/collection/your-story-by-encapsuled. Accessed 19 September 2026. I encapsuled; II 376
  1749. Art Blocks. “Zoologic by ixnayokay collection page.” https://www.artblocks.io/collection/zoologic-by-ixnayokay. Accessed 19 September 2026. I Boyarsky; II 281
  1750. Art Blocks. “Zupermat by 0xphiiil collection page.” https://www.artblocks.io/collection/zupermat-by-0xphiiil. Accessed 19 September 2026. I 0xphiiil; II 298
  1751. Art Blocks · Fernando Jerez artist profile. The Art Blocks artist profile for Fernando Jerez collects his on-chain projects, mint history, and platform biography. https://www.artblocks.io/artists/0x7d330020927d35d7a96011cc59af5161e37cda62. I Jerez
  1752. Art Blocks · UMK project page. UMK by Fernando Jerez contains 762 long-form generative outputs released May 2023 on Art Blocks Presents, exploring machinic forms and the Defrag Trilogy of human-technology relations. https://www.artblocks.io/collections/presents/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/436. I Jerez
  1753. Art Blocks' 2022 interview documents Robak's early computer use and the precise generative and interactive mechanics of Colorspace. Art Blocks interview I Robak
  1754. Art Blocks' artist page lists Amy Goodchild and her recent projects, including Meaningless and The light where we meet. art-blocks-artist I Goodchild
  1755. Art Blocks' artist profile describes Kapoor as a generative artist interested in natural and social systems. Art Blocks artist profile I Kapoor
  1756. Art Blocks' artist profile identifies Bård Ionson and summarizes his practice as exploring distortions between physical, digital, and spiritual realities. Art Blocks artist I Ionson
  1757. Art Blocks' current artist profile identifies Jorge Ledezma as zVault and groups his recent projects under that name. Art Blocks profile I zVault
  1758. Art Blocks' token page for Fleur #217 records the project's trait categories and token metadata. token-traits I AnaPet
  1759. Art Blocks, Bokeh exhibition page, summarizing the work as sculptures, lighting, and digital pieces that uncover subtle layers of form and light. artblocks.io exhibition I Kozlowski
  1760. Art Blocks, CENTURY 2052: 50 works, release at the artist's fiftieth birthday, transition on 20 October 2052, and status as a gift. artblocks.io I REAS
  1761. Art Blocks, CENTURY: 1,000 unique artworks released 25 June 2021. artblocks.io I REAS
  1762. Art Blocks, Dmitri Cherniak: biography, 1988 birth in Canada, New York base, McGill degrees in physiology and computer science, and automation as the artist's primary medium. artblocks.io I Cherniak
  1763. Art Blocks, Erick Calderon (Snowfro): biography, birth in Mexico City, Houston base, work in ceramic tile, and practice across projection, code, 3D printing, and sculpture. artblocks.io I Calderon
  1764. Art Blocks, Fidenza by Tyler Hobbs: 999 editions, released 11 June 2021, and the flow field as the project's central organising structure. artblocks.io I Hobbs
  1765. Art Blocks, God in the Algorithm: Cozomo de' Medici on Fidenza (2022): a collector's account of repeated looking, variation, and interpretation across the series. artblocks.io I Hobbs
  1766. Art Blocks, In Conversation with Piter Pasma: coding from age nine, 1997 demoscene entry, four prize-winning 4K demos, drawing, and computational science. artblocks.io ↩ I Pasma
  1767. Art Blocks, Rafaël Rozendaal: biography, Amsterdam birth, New York base, internet-as-canvas practice, media, and exhibition history. artblocks.io ↩ I Rozendaal
  1768. Art Blocks, Ringers by Dmitri Cherniak: 1,000 editions released on 31 January 2021. artblocks.io I Cherniak
  1769. Art Blocks, The Wrapture by Dmitri Cherniak: 50 minted editions released on 15 December 2021. artblocks.io I Cherniak
  1770. Art Blocks: Jason Ting artist profile. Official Art Blocks artist profile with biography, location, and overview of Ting's generative practice and on-chain projects. https://www.artblocks.io/artists/jason-ting. I Ting
  1771. Art Blocks’ 2023 interview documents Fradina’s education, career path, coding practice, and development of Naïve. Art Blocks interview I Fradina
  1772. Art Blocks’ 2023 interview documents Vella’s education, technical development, working process, and the mechanics and ideas of This Is Not A Rock. Art Blocks interview I Vella
  1773. Art Blocks’ artist archive lists both Jenim and Petrography Case in Kislev’s project record. Art Blocks artist I Kislev
  1774. Art Blocks’ artist profile summarizes RalenArc’s physical-art background, generative practice, visual vocabulary, and exhibition history. Art Blocks artist I RalenArc
  1775. Art Blocks’ artist record brings r4v3n’s Factory and later Studio projects together. Art Blocks artist record I r4v3n
  1776. Art Blocks’ Curated program preview gives the November 22, 2023 release date and curatorial description for Naïve. Art Blocks preview I Fradina; I Griffith; I Tengil
  1777. Art Blocks’ current Studio listing identifies variaciones del yo as a 125-work project and shows works still available. Art Blocks Studio I Soria-Rodríguez
  1778. Art Blocks’ extended interview details Cytographia’s development, sources, behavior, and ecological premise. art-blocks-interview I Levin
  1779. Art Blocks’ interview documents Griffith’s education, games career, early terrain experiments, palette system, and development of Proscenium. Art Blocks interview I Griffith
  1780. Art Blocks’ interview traces Tanimoto’s childhood interests, scientific career, and comparison of artistic and scientific creation. Art Blocks interview I Tanimoto
  1781. Art Blocks’ record for Seedlings #160 documents a specific combination of origin, palette, curvature, branching, and window traits. token record I VES3L
  1782. Art Blocks’ Santiago record lists his projects and summarizes his code-based practice. artist record I Santiago
  1783. Art Blocks’ token record demonstrates the live view, provenance, and attribute presentation of an individual pseudomods output. Token record I Beesley
  1784. Art Blocks’ token record documents the traits of Moments #0, reproduced in this dossier. Art Blocks, Moments #0 I r4v3n
  1785. Art Blocks’ token record documents the traits of Pieces of Me #74, reproduced in this dossier. Art Blocks, Pieces of Me #74 I r4v3n
  1786. Art Blocks’ token record for selected work #0 identifies its symbol, palette, lifeform, wave, noise, capsule, and position traits. Art Blocks, Unknown Signals #0 I k0ch
  1787. Art Blocks’ token record identifies selected work #74 as the character “soul” and records its Ghost and Light edition traits. Art Blocks, Origami Dream #74 I k0ch
  1788. Art Blocks’ token record identifies Steps by johan and documents the collection’s parameter traits. Art Blocks Steps I johan
  1789. artblocks.io/articles. Art Blocks, In Conversation with Melissa Wiederrecht: her path into generative art and the making of Sudfah. https://www.artblocks.io/articles/in-conversation-with-melissa-wiederrecht. I Wiederrecht
  1790. artblocks.io/articles/we-had-to-make-a-film-about-chromie-squiggle. Art Blocks introduces First Generation: Chromie Squiggle, its documentary on the project as an experiment in blockchain entropy and a proof that became an artwork. https://www.artblocks.io/articles/we-had-to-make-a-film-about-chromie-squiggle. I Calderon; I xenoliss
  1791. artblocks.io/artists/melissa-wiederrecht. Art Blocks artist page: her curated and presents projects, with biography and links. https://www.artblocks.io/artists/melissa-wiederrecht. I Wiederrecht
  1792. artblocks.io/artists/michael-kozlowski. Art Blocks profile for Michael Kozlowski, listing his published projects on the platform. https://www.artblocks.io/artists/michael-kozlowski. I Kozlowski
  1793. artblocks.io/collection/chromie-squiggle-by-snowfro. Chromie Squiggle on Art Blocks: project zero, released 27 November 2020, with 10,000 unique outputs. https://www.artblocks.io/collection/chromie-squiggle-by-snowfro. I Calderon
  1794. artblocks.io/collection/lift-a-self-portrait-by-snowfro. LIFT (a self portrait) on Art Blocks: 1,000 game-based generative self-portraits released in August 2025. https://www.artblocks.io/collection/lift-a-self-portrait-by-snowfro. I Calderon
  1795. artblocks.io/collection/one-more-day-by-aaron-penne. One More Day (2024) is a 50-edition Studio project released May 23, 2024, continuing Penne's exploration of generative abstraction. https://www.artblocks.io/collection/one-more-day-by-aaron-penne. I Penne
  1796. artblocks.io/profile/jimmy-herdberg. Art Blocks artist profile: collection history and marketplace listings. https://www.artblocks.io/profile/jimmy-herdberg. I JMY
  1797. artblocks.io/token/101000028. Art Blocks token page for Enchiridion #28, showing trait details and live generator view. https://www.artblocks.io/token/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000028. I Generative Artworks
  1798. artblocks.io/token/103000103. Art Blocks token page for Octo Garden #103, showing project metadata and mint details. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000103. I Lord
  1799. artblocks.io/token/138000778. Art Blocks token page for Geometry Runners #778, showing project metadata and mint details. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000778. I Lord
  1800. Artem Verkhovskiy x Andy Shaw / Art Blocks. “High Tide collection and artist statement.” https://www.artblocks.io/collection/high-tide-by-artem-verkhovskiy-x-andy-shaw. Accessed 17 September 2026. I Verkhovskiy; II 151
  1801. Artem Verkhovskiy x Andy Shaw. “High Tide #0 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/151000000. Accessed 17 September 2026. II 151
  1802. Artem Verkhovskiy x Andy Shaw. “High Tide #1 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/151000001. Accessed 17 September 2026. II 151
  1803. Artem Verkhovskiy x Andy Shaw. “High Tide #10 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/151000010. Accessed 17 September 2026. II 151
  1804. Artem Verkhovskiy x Andy Shaw. “High Tide #20 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/151000020. Accessed 17 September 2026. II 151
  1805. Artem Verkhovskiy x Andy Shaw. “High Tide #572 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/151000572. Accessed 17 September 2026. II 151
  1806. Artem Verkhovskiy x Andy Shaw. “Low Tide #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/107000000. Accessed 18 September 2026. II 106
  1807. Artem Verkhovskiy x Andy Shaw. “Low Tide #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/107000001. Accessed 18 September 2026. II 106
  1808. Artem Verkhovskiy x Andy Shaw. “Low Tide #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/107000010. Accessed 18 September 2026. II 106
  1809. Artem Verkhovskiy x Andy Shaw. “Low Tide #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/107000020. Accessed 18 September 2026. II 106
  1810. Artem Verkhovskiy x Andy Shaw. “Low Tide #348.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/107000348. Accessed 18 September 2026. II 106
  1811. Artist FAQ. Art Blocks specifies browser, JavaScript, dependency, testing, and deterministic-randomness requirements for artists. https://docs.artblocks.io/creator-onboarding/artists/faq/. I Cohen; I usnea
  1812. Artist profile detailing daily practice and generative foundations. Art Blocks profile I Sun
  1813. Artist profile page on Art Blocks providing background on Claudia Hart's emergence in the 1990s and her collaborative practice with Andrew Blanton. Art Blocks I Blanton
  1814. artplusbrad / Art Blocks. “Ode to Roy #0, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000000. Accessed 18 September 2026. II 063
  1815. artplusbrad / Art Blocks. “Ode to Roy #1, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000001. Accessed 18 September 2026. II 063
  1816. artplusbrad / Art Blocks. “Ode to Roy #10, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000010. Accessed 18 September 2026. II 063
  1817. artplusbrad / Art Blocks. “Ode to Roy #20, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000020. Accessed 18 September 2026. II 063
  1818. artplusbrad / Art Blocks. “Ode to Roy #599, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000599. Accessed 18 September 2026. II 063
  1819. artplusbrad / Art Blocks. “Ode to Roy #905, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000905. Accessed 18 September 2026. II 063
  1820. artplusbrad / Art Blocks. “Ode to Untitled: artist statement.” https://www.artblocks.io/collection/ode-to-untitled-by-artplusbrad. Accessed 18 September 2026. I artplusbrad; II 063; II 348
  1821. artplusbrad. “Undercover #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/251000000. Accessed 18 September 2026. II 248
  1822. artplusbrad. “Undercover #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/251000001. Accessed 18 September 2026. II 248
  1823. artplusbrad. “Undercover #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/251000010. Accessed 18 September 2026. II 248
  1824. artplusbrad. “Undercover #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/251000020. Accessed 18 September 2026. II 248
  1825. artplusbrad. “Undercover #65.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/251000065. Accessed 18 September 2026. II 248
  1826. At the Still Point of the Turning World: Algorithmic Self Portrait, 2025, by Matto, Art Blocks Studio, the fifth project in the Zenerative series, its title drawn from T.S. Eliot's Four Quartets. artblocks.io III No. 12
  1827. Attribute-filtered views on Art Blocks illustrate palette and structural parameter ranges used in Structures. Art Blocks Structures Filtered I Hevey
  1828. Bård Ionson. “Color Magic Planets #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/58000000. Accessed 18 September 2026. II 058
  1829. Bård Ionson. “Color Magic Planets #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/58000001. Accessed 18 September 2026. II 058
  1830. Bård Ionson. “Color Magic Planets #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/58000010. Accessed 18 September 2026. II 058
  1831. Bård Ionson. “Color Magic Planets #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/58000020. Accessed 18 September 2026. II 058
  1832. Bård Ionson. “Color Magic Planets #43.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/58000043. Accessed 18 September 2026. II 058
  1833. Bart Simons. “Rendered preview images for Stroming invocations 0, 80, 249 and 6 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/86000080.png. Accessed 18 September 2026. II 088
  1834. Beervangeer / Art Blocks. “UltraWave 369 final invocation #368.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000368. Accessed 18 September 2026. II 153
  1835. Beervangeer. “EnergySculpture #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/26000000. Accessed 17 September 2026. II 027
  1836. Beervangeer. “EnergySculpture #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/26000001. Accessed 17 September 2026. II 027
  1837. Beervangeer. “EnergySculpture #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/26000010. Accessed 17 September 2026. II 027
  1838. Beervangeer. “EnergySculpture #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/26000020. Accessed 17 September 2026. II 027
  1839. Beervangeer. “HashCrash #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/248000000. Accessed 18 September 2026. II 241
  1840. Beervangeer. “HashCrash #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/248000001. Accessed 18 September 2026. II 241
  1841. Beervangeer. “HashCrash #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/248000010. Accessed 18 September 2026. II 241
  1842. Beervangeer. “HashCrash #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/248000020. Accessed 18 September 2026. II 241
  1843. Beervangeer. “HashCrash #361.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/248000361. Accessed 18 September 2026. II 241
  1844. Beervangeer. “HyperHash #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/11000000. Accessed 17 September 2026. II 012
  1845. Beervangeer. “HyperHash #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/11000001. Accessed 17 September 2026. II 012
  1846. Beervangeer. “HyperHash #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/11000010. Accessed 17 September 2026. II 012
  1847. Beervangeer. “HyperHash #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/11000020. Accessed 17 September 2026. II 012
  1848. Beervangeer. “The Field official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-beervangeer-the-field. Accessed 19 September 2026. II 391
  1849. Beervangeer. “UltraWave 369 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000000. Accessed 18 September 2026. II 153
  1850. Beervangeer. “UltraWave 369 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000001. Accessed 18 September 2026. II 153
  1851. Beervangeer. “UltraWave 369 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000010. Accessed 18 September 2026. II 153
  1852. Beervangeer. “UltraWave 369 #162.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000162. Accessed 18 September 2026. II 153
  1853. Beervangeer. “UltraWave 369 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/157000020. Accessed 18 September 2026. II 153
  1854. Behind the Code: Really Random Rock. Behind the Code follows DCA through the creative and plotting process for Really Random Rock. https://www.artblocks.io/articles/behind-the-code-really-random-rock-by-daniel-calderon-arenas-dca. I Calderon Arenas
  1855. Ben Kovach. “Edifice #10: original generator.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/204000010. Accessed 18 September 2026. II 196
  1856. Ben Kovach. “Edifice #1: original generator.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/204000001. Accessed 18 September 2026. II 196
  1857. Ben Kovach. “Edifice #20: original generator.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/204000020. Accessed 18 September 2026. II 196
  1858. Bosque de Chapultepec on Art Blocks. Bosque de Chapultepec on Art Blocks, the 100-work Bright Moments Mexico City edition. https://www.artblocks.io/collection/bosque-de-chapultepec-by-daniel-calderon-arenas. I Calderon Arenas
  1859. Bosque de Chapultepec on OpenSea. OpenSea's collection record for the 100-work Bosque de Chapultepec edition. https://opensea.io/collection/bosque-de-chapultepec-by-daniel-calderon-arenas. I Calderon Arenas
  1860. bramp / Apache Software Foundation. “Connected-component-labelling licence.” https://raw.githubusercontent.com/bramp/Connected-component-labelling/master/LICENSE. Accessed 18 September 2026. II 226
  1861. Brian Hann / color-scheme-js contributors. “color-scheme-js upstream source.” GitHub. https://raw.githubusercontent.com/c0bra/color-scheme-js/master/lib/color-scheme.js. Accessed 18 September 2026. II 089
  1862. Bright Moments. “CryptoVenetian #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/95000000. Accessed 18 September 2026. II 096
  1863. Bright Moments. “CryptoVenetian #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/95000001. Accessed 18 September 2026. II 096
  1864. Bright Moments. “CryptoVenetian #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/95000010. Accessed 18 September 2026. II 096
  1865. Bright Moments. “CryptoVenetian #118.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/95000118. Accessed 18 September 2026. II 096
  1866. Bright Moments. “CryptoVenetian #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/95000020. Accessed 18 September 2026. II 096
  1867. BY MA. “Two Mathematicians #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/242000000. Accessed 18 September 2026. II 249
  1868. BY MA. “Two Mathematicians #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/242000001. Accessed 18 September 2026. II 249
  1869. BY MA. “Two Mathematicians #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/242000010. Accessed 18 September 2026. II 249
  1870. BY MA. “Two Mathematicians #106.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/242000106. Accessed 18 September 2026. II 249
  1871. BY MA. “Two Mathematicians #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/242000020. Accessed 18 September 2026. II 249
  1872. Casey Reas on Art Blocks. Art Blocks' artist profile gathers Reas's biography and five projects in the foundational set. https://www.artblocks.io/artists/casey-reas. I REAS
  1873. Chaosconstruct. “Synapses #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/39000000. Accessed 17 September 2026. II 040
  1874. Chaosconstruct. “Synapses #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/39000001. Accessed 17 September 2026. II 040
  1875. Chaosconstruct. “Synapses #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/39000010. Accessed 17 September 2026. II 040
  1876. Chaosconstruct. “Synapses #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/39000020. Accessed 17 September 2026. II 040
  1877. Charlotte Dann. “Ceramics official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-charlotte-dann-on-ceramics. Accessed 19 September 2026. II 412
  1878. Code Generates Art. Larva Labs discusses code, iteration, and the close of the historical Art Blocks Curated series. https://www.artblocks.io/articles/quines-larva-labs-final-curated. I Larva Labs; I usnea; I xenoliss; I Åström
  1879. Collector and market insights. Art Blocks Collector Spotlight I Katzenmeyer
  1880. Collector Spotlight: AC. An Art Blocks collector profile shows four Ringers together and discusses collecting generative art as personal conviction. https://www.artblocks.io/articles/art-blocks-collector-spotlight-acthecollector. I Cherniak; I DesLauriers
  1881. Collector-facing marketplace record confirming edition structure and availability for Assorted Positivity. OpenSea Collection Record I steganon
  1882. Color functions structurally in Benhorin's work, delineating depth and creating rhythm through labyrinthine compositions. Art Blocks Token I Benhorin
  1883. Construction Token. Construction Token, 500 editions, project 2 and one of the three collections released at the platform's launch. https://www.artblocks.io/collection/construction-token-by-jeff-davis. I Davis
  1884. conundrumer. “Facets #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/249000000. Accessed 18 September 2026. II 242
  1885. conundrumer. “Facets #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/249000001. Accessed 18 September 2026. II 242
  1886. conundrumer. “Facets #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/249000010. Accessed 18 September 2026. II 242
  1887. conundrumer. “Facets #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/249000020. Accessed 18 September 2026. II 242
  1888. conundrumer. “Facets #252.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/249000252. Accessed 18 September 2026. II 242
  1889. Cooper Jamieson. “Placement #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/205000001. Accessed 18 September 2026. II 200
  1890. Cooper Jamieson. “Placement #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/205000010. Accessed 18 September 2026. II 200
  1891. Cooper Jamieson. “Placement #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/205000020. Accessed 18 September 2026. II 200
  1892. Corners. Corners is a 64-work Playground project released in April 2022. https://www.artblocks.io/collection/corners-by-rafael-rozendaal. I Rozendaal
  1893. Creative Commons. “Attribution-NonCommercial-NoDerivatives 4.0 International.” https://creativecommons.org/licenses/by-nc-nd/4.0/. Accessed 18 September 2026. II 166; II 168; II 179; II 190; II 193; II 203; II 207; II 209; II 210; II 213; II 219; II 221; II 239; II 248; II 272; II 274; II 283; II 284; II 285; II 286; II 290; II 291; II 295; II 297; II 304; II 306; II 313; II 320; II 323; II 324; II 325; II 326; II 329; II 330; II 332; II 334; II 340; II 342; II 344; II 345; II 347; II 348; II 354; II 355; II 357; II 358; II 359; II 361; II 369; II 371; II 374; II 382; II 387; II 392; II 395; II 406; II 409; II 411; II 414; II 422; II 432; II 444; II 468; II 475; II 476; II 480; II 487
  1894. Creative Commons. “Attribution-NonCommercial-NoDerivatives 4.0 legal code.” https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.en. Accessed 18 September 2026. II 118; II 128; II 133; II 140
  1895. Creative Commons. “Attribution-NonCommercial-ShareAlike 4.0 International legal code.” https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode.en. Accessed 17 September 2026. II 119; II 148; II 154
  1896. Creative Commons. “Attribution-ShareAlike 4.0 International.” https://creativecommons.org/licenses/by-sa/4.0/. Accessed 18 September 2026. II 169; II 185
  1897. Creative Commons. “CC BY 4.0 operative licence.” https://creativecommons.org/licenses/by/4.0/legalcode.en. Accessed 18 September 2026. II 158
  1898. Creative Commons. “CC BY-NC-SA 4.0 deed.” https://creativecommons.org/licenses/by-nc-sa/4.0/. Accessed 18 September 2026. II 087; II 162; II 164; II 165; II 167; II 174; II 192; II 204; II 212; II 215; II 231; II 247; II 249; II 252; II 253; II 260; II 261; II 267; II 281; II 296; II 307; II 312; II 319; II 328; II 333; II 353; II 364; II 381; II 383; II 389; II 405; II 425; II 428; II 466; II 477; II 493
  1899. Creative Commons. “CC BY-NC4.0 operative terms.” https://creativecommons.org/licenses/by-nc/4.0/legalcode.en. Accessed 18 September 2026. II 064; II 068; II 070; II 071; II 093; II 097; II 107; II 108; II 109; II 112; II 114; II 116; II 117; II 121; II 122; II 124; II 125; II 127; II 129; II 130; II 131; II 135; II 136; II 138; II 139; II 142; II 143; II 145; II 146; II 147; II 149; II 150; II 152; II 156; II 171
  1900. Creative Commons. “CC BY-ND 2.0 deed.” https://creativecommons.org/licenses/by-nd/2.0/. Accessed 18 September 2026. II 235
  1901. Creative Commons. “CC BY-SA 3.0 deed.” https://creativecommons.org/licenses/by-sa/3.0/. Accessed 17 September 2026. II 098
  1902. Creative Commons. “Creative Commons licence index.” https://creativecommons.org/licenses/. Accessed 18 September 2026. II 243
  1903. Creative Commons. “Deed: Attribution 4.0 International.” https://creativecommons.org/licenses/by/4.0/. Accessed 18 September 2026. II 181; II 217; II 250; II 254; II 303; II 322; II 349; II 431
  1904. Creative Commons. “Deed: Attribution-NonCommercial-ShareAlike 3.0 Unported.” https://creativecommons.org/licenses/by-nc-sa/3.0/. Accessed 18 September 2026. II 180
  1905. Creative Commons. “Legal code: Attribution-NonCommercial-NoDerivatives 4.0 International.” https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode. Accessed 20 September 2026. II 311
  1906. Creative Commons. “Reported artwork licence label CC BY-NC 2.0.” https://creativecommons.org/licenses/by-nc/2.0/. Accessed 19 September 2026. II 472
  1907. Creative Commons. “Reported artwork licence label The images/animations created by this project is CC0.” https://creativecommons.org/publicdomain/zero/1.0/. Accessed 19 September 2026. II 280; II 288
  1908. Dadabots x kai. “ByteBeats #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/38000000. Accessed 18 September 2026. II 039
  1909. Dadabots x kai. “ByteBeats #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/38000001. Accessed 17 September 2026. II 039
  1910. Dadabots x kai. “ByteBeats #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/38000010. Accessed 17 September 2026. II 039
  1911. Dadabots x kai. “ByteBeats #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/38000020. Accessed 17 September 2026. II 039
  1912. DADABOTS x KAI. “ByteBeats #472.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/38000472. Accessed 18 September 2026. II 039
  1913. Daïm Aggott-Hönsch. “Cryptoblots #0.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/3000000. Accessed 17 September 2026. II 005
  1914. Daïm Aggott-Hönsch. “Cryptoblots #1.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/3000001. Accessed 17 September 2026. II 005
  1915. Daïm Aggott-Hönsch. “Cryptoblots #10.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/3000010. Accessed 17 September 2026. II 005
  1916. Daïm Aggott-Hönsch. “Cryptoblots #20.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/3000020. Accessed 17 September 2026. II 005
  1917. daLenz. “Aerial View #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/35000000. Accessed 17 September 2026. II 036
  1918. daLenz. “Aerial View #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/35000001. Accessed 17 September 2026. II 036
  1919. daLenz. “Aerial View #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/35000010. Accessed 17 September 2026. II 036
  1920. daLenz. “Aerial View #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/35000020. Accessed 17 September 2026. II 036
  1921. Daniel Catt / Art Blocks. “Summertime Bonus Pack #0 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/61000000. Accessed 18 September 2026. II 062
  1922. Daniel Catt / Art Blocks. “Summertime Bonus Pack #1 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/61000001. Accessed 18 September 2026. II 062
  1923. Daniel Catt / Art Blocks. “Summertime Bonus Pack #10 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/61000010. Accessed 18 September 2026. II 062
  1924. Daniel Catt / Art Blocks. “Summertime Bonus Pack #30 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/61000030. Accessed 18 September 2026. II 062
  1925. Daniel Catt. “70s Pop Series One #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/46000000. Accessed 17 September 2026. II 041
  1926. Daniel Catt. “70s Pop Series One #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/46000001. Accessed 17 September 2026. II 041
  1927. Daniel Catt. “70s Pop Series One #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/46000010. Accessed 17 September 2026. II 041
  1928. Daniel Catt. “70s Pop Series One #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/46000020. Accessed 17 September 2026. II 041
  1929. Daniel Catt. “Rendered preview images for 70s Pop Series Two invocations 0, 10, 228 and 248 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/85000228.png. Accessed 18 September 2026. II 086
  1930. Danooka. “AlphaModica #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000000. Accessed 18 September 2026. II 233
  1931. Danooka. “AlphaModica #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000001. Accessed 18 September 2026. II 233
  1932. Danooka. “AlphaModica #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000010. Accessed 18 September 2026. II 233
  1933. Danooka. “AlphaModica #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000020. Accessed 18 September 2026. II 233
  1934. Danooka. “AlphaModica #58.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/238000058. Accessed 18 September 2026. II 233
  1935. Darien Brito / Art Blocks. “Pigments by Darien Brito.” Art Blocks. https://www.artblocks.io/collection/pigments-by-darien-brito. Accessed 17 September 2026. I Brito; II 128
  1936. Darien Brito. “Hashtractors #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/90000000. Accessed 18 September 2026. II 094
  1937. Darien Brito. “Hashtractors #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/90000001. Accessed 18 September 2026. II 094
  1938. Darien Brito. “Hashtractors #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/90000010. Accessed 18 September 2026. II 094
  1939. Darien Brito. “Hashtractors #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/90000020. Accessed 18 September 2026. II 094
  1940. Darien Brito. “Hashtractors #96.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/90000096. Accessed 18 September 2026. II 094
  1941. Darien Brito. “Pigments #0 original renderer and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/129000000. Accessed 17 September 2026. II 128
  1942. Darien Brito. “Pigments #1 original renderer and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/129000001. Accessed 17 September 2026. II 128
  1943. Darien Brito. “Pigments #10 original renderer and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/129000010. Accessed 17 September 2026. II 128
  1944. Darien Brito. “Pigments #20 original renderer and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/129000020. Accessed 17 September 2026. II 128
  1945. Darien Brito. “Pigments #455 original renderer and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/129000455. Accessed 17 September 2026. II 128
  1946. DCA. “Gen 2 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/18000000. Accessed 17 September 2026. II 019
  1947. DCA. “Gen 2 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/18000001. Accessed 17 September 2026. II 019
  1948. DCA. “Gen 2 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/18000010. Accessed 17 September 2026. II 019
  1949. DCA. “Gen 2 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/18000020. Accessed 17 September 2026. II 019
  1950. DCA. “Gen 3 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/48000000. Accessed 17 September 2026. II 048
  1951. DCA. “Gen 3 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/48000001. Accessed 17 September 2026. II 048
  1952. DCA. “Gen 3 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/48000010. Accessed 17 September 2026. II 048
  1953. DCA. “Gen 3 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/48000020. Accessed 17 September 2026. II 048
  1954. DCA. “Gen 3 #838.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/48000838. Accessed 17 September 2026. II 048
  1955. Devi Parikh. “Cushions #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/231000000. Accessed 18 September 2026. II 226
  1956. Devi Parikh. “Cushions #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/231000001. Accessed 18 September 2026. II 226
  1957. Devi Parikh. “Cushions #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/231000010. Accessed 18 September 2026. II 226
  1958. Devi Parikh. “Cushions #150.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/231000150. Accessed 18 September 2026. II 226
  1959. Devi Parikh. “Cushions #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/231000020. Accessed 18 September 2026. II 226
  1960. dino pals on OpenSea. OpenSea preserves ownership and transaction records for dino pals. https://opensea.io/collection/dino-pals-by-hideo. I HIDΞ0
  1961. Dipolar 45. An individual OpenSea catalogue record identifies Dipolar number 45 as an ERC-721 work on Ethereum. https://opensea.io/assets/ethereum/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/385000045. I Farquhar
  1962. Dipolar activity. OpenSea's collection activity record documents Dipolar's edition count and secondary-market activity. https://opensea.io/collection/dipolar-by-junia-farquhar/activity. I Farquhar
  1963. Dipolar edition record. Art Blocks' edition record provides a work-level view of Dipolar number 10. https://www.artblocks.io/token/1/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/385000010?attributes=%7B%22Layout%22%3A%7B%22type%22%3A%22enum%22%2C%22options%22%3A%7B%22Square%22%3Atrue%7D%7D%7D. I Farquhar
  1964. Discover Art Blocks. Art Blocks’ discovery interface provides access to its historical collection categories. https://www.artblocks.io/discover. I MODNAR WOLF; I Orpheusk; I Pandelune; I REMO x DCsan; I SAB & K2xL; I Tan; I Third Vision; I encapsuled; I greatjones; I n e o; I steen; I xenoliss; I Åström
  1965. donnoh. “planets #359, #496, #11 and #10: preview and original-renderer observations.” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/91000359.png. Accessed 18 September 2026. II 090
  1966. Doodle Cats collection on OpenSea, launched December 2020. OpenSea I Glas
  1967. Dot Matrix Gradient Study #411. OpenSea records Dot Matrix Gradient Study #411 within Rockland’s Art Blocks collection. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000411. I Rockland
  1968. Dynamic Slices by pxlq consists of 512 different artworks released on December 12, 2020. Art Blocks I pxlq
  1969. Edifice market archive. OpenSea's collection record archives Edifice on its secondary marketplace. https://opensea.io/collection/edifice-by-ben-kovach. I Kovach
  1970. Eko33. “Neural Sediments official description.” https://www.artblocks.io/info/spectrum/in-conversation-jean-jacques-duclaux-eko33-neural-sediments. Accessed 19 September 2026. II 434
  1971. Elevate Heart on Art Blocks. Elevate Heart on Art Blocks, a 1,000-work SquiggleDAO Studios edition. https://www.artblocks.io/collection/elevate-heart-by-daniel-calderon-arenas. I Calderon Arenas
  1972. Eliya Stein and Art Blocks. “Labyrometry official collection and artist statement.” Art Blocks. https://www.artblocks.io/collection/labyrometry-by-eliya-stein. Accessed 17 September 2026. I Stein; II 125
  1973. Eliya Stein and Art Blocks. “Prismatic official artist statement.” Art Blocks. https://www.artblocks.io/collection/prismatic-by-eliya-stein. Accessed 17 September 2026. I Stein; II 125; II 194
  1974. Eliya Stein. “Gravity Grid #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/45000000. Accessed 17 September 2026. II 046
  1975. Eliya Stein. “Gravity Grid #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/45000001. Accessed 17 September 2026. II 046
  1976. Eliya Stein. “Gravity Grid #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/45000010. Accessed 17 September 2026. II 046
  1977. Eliya Stein. “Gravity Grid #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/45000020. Accessed 17 September 2026. II 046
  1978. Eliya Stein. “Gravity Grid #61.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/45000061. Accessed 17 September 2026. II 046
  1979. Eliya Stein. “Labyrometry #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/127000000. Accessed 17 September 2026. II 125
  1980. Eliya Stein. “Labyrometry #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/127000001. Accessed 17 September 2026. II 125
  1981. Eliya Stein. “Labyrometry #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/127000010. Accessed 17 September 2026. II 125
  1982. Eliya Stein. “Labyrometry #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/127000020. Accessed 17 September 2026. II 125
  1983. Eliya Stein. “Labyrometry #416.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/127000416. Accessed 17 September 2026. II 125
  1984. Eliya Stein on Art Blocks. Art Blocks gathers Stein's platform biography and collection record. https://www.artblocks.io/artists/eliya-stein. I Stein
  1985. Eltono / Art Blocks. “Andradite #0 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/71000000. Accessed 17 September 2026. II 071
  1986. Eltono / Art Blocks. “Andradite #1 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/71000001. Accessed 17 September 2026. II 071
  1987. Eltono / Art Blocks. “Andradite #10 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/71000010. Accessed 17 September 2026. II 071
  1988. Eltono / Art Blocks. “Andradite #165 original output.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/71000165. Accessed 17 September 2026. II 071
  1989. Emily Edelman, Dima Ofman and Andrew Badr. “Asemica #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000001. Accessed 18 September 2026. II 202
  1990. Emily Edelman, Dima Ofman and Andrew Badr. “Asemica #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000010. Accessed 18 September 2026. II 202
  1991. Emily Edelman, Dima Ofman and Andrew Badr. “Asemica #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/206000020. Accessed 18 September 2026. II 202
  1992. Endless. Art Blocks records Endless (5,607,250 to Infinity), Jacobson's Plottables collaboration with Modnar Wolf. https://www.artblocks.io/collection/endless-5607250-to-infinity-by-modnar-wolf-x-numbersinmotion. I Jacobson
  1993. ento. “Heavenly Bodies #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/247000000. Accessed 18 September 2026. II 239
  1994. ento. “Heavenly Bodies #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/247000001. Accessed 18 September 2026. II 239
  1995. ento. “Heavenly Bodies #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/247000010. Accessed 18 September 2026. II 239
  1996. ento. “Heavenly Bodies #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/247000020. Accessed 18 September 2026. II 239
  1997. ento. “Heavenly Bodies #45.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/247000045. Accessed 18 September 2026. II 239
  1998. Eric Davidson. “Masonry #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000000. Accessed 19 September 2026. II 254
  1999. Eric Davidson. “Masonry #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000001. Accessed 19 September 2026. II 254
  2000. Eric Davidson. “Masonry #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000010. Accessed 19 September 2026. II 254
  2001. Eric Davidson. “Masonry #178.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000178. Accessed 19 September 2026. II 254
  2002. Eric Davidson. “Masonry #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000020. Accessed 19 September 2026. II 254
  2003. Eric Davidson. “Masonry #22.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000022. Accessed 19 September 2026. II 254
  2004. Eric Davidson. “Masonry #88.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/259000088. Accessed 19 September 2026. II 254
  2005. Eric De Giuli. “Calian official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-eric-de-giuli-on-calian. Accessed 19 September 2026. II 410
  2006. Erick Calderon outlines Art Blocks’ on-chain preservation goals and reconstruction methods. Preservation I Generative Artworks; I Santiago; I Tan; I TheElephantNL; I espina; I steen; I steganon; I Åström
  2007. Erick Calderon, "In Conversation with Jeff Davis," first published on Cent, 7 February 2021. artblocks.io III No. 15
  2008. espina / Art Blocks. “Sigils #56, AB5D collection.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/93000056. Accessed 18 September 2026. II 093
  2009. espina / Art Blocks. “Warp #0: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/154000000. Accessed 17 September 2026. II 152
  2010. espina / Art Blocks. “Warp #10: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/154000010. Accessed 17 September 2026. II 152
  2011. espina / Art Blocks. “Warp #1: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/154000001. Accessed 17 September 2026. II 152
  2012. espina / Art Blocks. “Warp #20: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/154000020. Accessed 17 September 2026. II 152
  2013. espina / Art Blocks. “Warp #99: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/154000099. Accessed 17 September 2026. II 152
  2014. espina / Art Blocks. “Warp collection.” https://www.artblocks.io/collection/warp-by-espina. Accessed 17 September 2026. II 152
  2015. espina. “Sigils #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/93000000. Accessed 18 September 2026. II 093
  2016. espina. “Sigils #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/93000001. Accessed 18 September 2026. II 093
  2017. espina. “Sigils #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/93000010. Accessed 18 September 2026. II 093
  2018. espina. “Sigils #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/93000020. Accessed 18 September 2026. II 093
  2019. Ethereum / Etherscan. “Edition1 historical mint transaction.” 23 August 2021. https://etherscan.io/tx/0xb60cbb35bcf2affcc3407c854afeefd69ebb012b88e6f4ae820e9248e18b8630. Accessed 17 September 2026. II 142
  2020. Ethereum / Etherscan. “Edition1 mint transaction.” 21 August 2021. https://etherscan.io/tx/0x2ae7625a13bc39df161ae8429daab60de903194c25d8727d71ba34878b448189. Accessed 17 September 2026. II 139
  2021. Ethereum / Etherscan. “Edition1023 mint transaction.” 21 August 2021. https://etherscan.io/tx/0xe42e62de841674022c060c4213ba51a09a3d56649ba9548a17a7c3ca7cfb3bc5. Accessed 17 September 2026. II 139
  2022. Ethereum / Etherscan. “Edition999 historical mint transaction.” 23 August 2021. https://etherscan.io/tx/0xdb6e23e2a824c87f9cfaeba8e321ae028408a1f3dcddd4f2e20b45201a0691aa. Accessed 17 September 2026. II 142
  2023. Ethereum / Etherscan. “High Tide #1 mint transaction.” https://etherscan.io/tx/0x68a8f45f0ee93a6e30923b4c6e802129a8b42241ea2fc10f3e6030590d593bdc. Accessed 17 September 2026. II 151
  2024. Ethereum / Etherscan. “High Tide #744 mint transaction.” https://etherscan.io/tx/0xa9f57880a1930edf04ceca8fa83ff63aacec72b0a314073472aed0ef452bcf86. Accessed 17 September 2026. II 151
  2025. Ethereum / Etherscan. “spawn #1 mint transaction.” https://etherscan.io/tx/0x9fdbe77ac27425a96e12c6ffbec5b467d914d1b333e0dd8b7bd5ddfcb4f7a5be. Accessed 17 September 2026. II 156
  2026. Ethereum / Etherscan. “spawn #1000 mint transaction.” https://etherscan.io/tx/0xdb0ca501505d4847d90cbb912cb88c8998fd0c6d9cec6e3049c96dcba1b0ff05. Accessed 17 September 2026. II 156
  2027. Ethereum transaction / Etherscan. “Ecumenopolis edition 1 mint transaction.” https://etherscan.io/tx/0x99f7b3a3041f03fd251e6a34c5330aa0e0e077ad269989cadc548a30050ac462. Accessed 17 September 2026. II 119
  2028. Ethereum transaction / Etherscan. “Ecumenopolis edition 675 mint transaction.” https://etherscan.io/tx/0xb63303283359170ea745d93fea5b8278d8ef3658a35b97511b8e866ff412e8e9. Accessed 17 September 2026. II 119
  2029. Ethereum transaction / Etherscan. “Flowers edition 1 mint transaction.” https://etherscan.io/tx/0x04e2ae6fb33732c86f0c5133e8bdcd9579e08310a873d1d9240b888e9052d401. Accessed 17 September 2026. II 117
  2030. Ethereum transaction / Etherscan. “Flowers edition 6157 mint transaction.” https://etherscan.io/tx/0xd19095ba18185643dae937f0780f3d1e2fca90aef309fd7ecc169300f1d3ea3f. Accessed 17 September 2026. II 117
  2031. Ethereum transaction participants. “autoRAD #1 mint transaction.” Etherscan, 30 August 2021. https://etherscan.io/tx/0xa058cfa934ca030222b593f5dce856aa167f793725227b9e8e148a68f4327d6e. Accessed 17 September 2026. II 145
  2032. Ethereum transaction participants. “autoRAD #999 mint transaction.” Etherscan, 30 August 2021. https://etherscan.io/tx/0xe3bc95ba63286dbd25454a897e08f76a6c56edd88953e9451a7b70bc73a4ad01. Accessed 17 September 2026. II 145
  2033. Ethereum transaction participants. “Trossets #1 mint transaction.” Etherscan, 3 September 2021. https://etherscan.io/tx/0x57c87558770016d9900084b67260fd8a8946aa40965980b2472d364f00863e8b. Accessed 17 September 2026. II 148
  2034. Ethereum transaction participants. “Trossets #999 mint transaction.” Etherscan, 3 September 2021. https://etherscan.io/tx/0xa1b35b44579690b0ed529c72491c6267d3991c32f1db6832f0b3f9845aae8266. Accessed 17 September 2026. II 148
  2035. Ethereum transaction record via Etherscan. “Rinascita #1 mint transaction.” https://etherscan.io/tx/0xbb975e93030ea68667926d61d2d905cf092b88d8aa8490f95e70482449d62dc6. Accessed 17 September 2026. II 122
  2036. Ethereum transaction record via Etherscan. “Rinascita #1110 mint transaction.” https://etherscan.io/tx/0x157e99f4edc9cd73859075576e9f8bfe85a45305cbab41cf5a314bce549cb38f. Accessed 17 September 2026. II 122
  2037. Ethereum transaction record via Etherscan. “The Liths of Sisyphus #1 mint transaction.” https://etherscan.io/tx/0xbacb7865cf771f204c2f4e3e5928894e7c3a76de76e0183038f055e335040140. Accessed 17 September 2026. II 126
  2038. Ethereum transaction record via Etherscan. “The Liths of Sisyphus #7 mint transaction.” https://etherscan.io/tx/0xb2fa40a1bf19c954c4dbc62c4cf5cca74711e53ed05a724b92cc3029cd11e204. Accessed 17 September 2026. II 126
  2039. Ethereum transaction record via Etherscan. “The Liths of Sisyphus #776 mint transaction.” https://etherscan.io/tx/0x97d6a93e88b1a736d6f6b867e3a3fd9eb20414a9a616aba8730a9b42e8743e17. Accessed 17 September 2026. II 126
  2040. Etherscan / Ethereum. “Dot Grid edition 1 mint transaction.” https://etherscan.io/tx/0xf65677897e61f7092cbb328e6b3781e98f12c8647ddd3b43f1edf525ba533565. Accessed 17 September 2026. II 137
  2041. Etherscan / Ethereum. “Dot Grid edition 999 mint transaction.” https://etherscan.io/tx/0x34a20a10ef9b1ee16e4e55dade38fe4bd7e3dc9bf5b8fc51d2b768a14e3df1fe. Accessed 17 September 2026. II 137
  2042. Etherscan / Ethereum. “Organized Disruption edition 1 mint transaction.” https://etherscan.io/tx/0x739878e2738d093280a142deeb609587048025dae5fe6d33df7d1b75f6bceb93. Accessed 17 September 2026. II 131
  2043. Etherscan / Ethereum. “Organized Disruption edition 999 mint transaction.” https://etherscan.io/tx/0x602f61acfebbf0eb3e21954286e4508f54f0b0afc7f23ec3c418cad77927d8c8. Accessed 17 September 2026. II 131
  2044. Etherscan / Ethereum. “Tangled edition 1 mint transaction.” https://etherscan.io/tx/0xdb04f45a225332fc909d6ebaf5e229195dc50e57bda755b3589abdc5477eae18. Accessed 17 September 2026. II 130
  2045. Etherscan / Ethereum. “Tangled edition 383 mint transaction.” https://etherscan.io/tx/0xeda9d86cadc5c8869eae50b343bf5de3896f1ad682d7ffbc59f07ead85184b23. Accessed 17 September 2026. II 130
  2046. Etherscan documents how contract-address queries retrieve information for ERC-721 and other token standards. Etherscan documentation I SAB & K2xL
  2047. Etherscan exposes the Art Blocks ERC-721 contract's verified GenArt721Core source code and callable functions. contract-record I last-even
  2048. Fabin Rasheed / Art Blocks. “Petri #0 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/67000000. Accessed 18 September 2026. II 066
  2049. Fabin Rasheed / Art Blocks. “Petri #1 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/67000001. Accessed 18 September 2026. II 066
  2050. Fabin Rasheed / Art Blocks. “Petri #10 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/67000010. Accessed 18 September 2026. II 066
  2051. Fabin Rasheed / Art Blocks. “Petri #15 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/67000015. Accessed 18 September 2026. II 066
  2052. Fabin Rasheed / Art Blocks. “Petri #20 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/67000020. Accessed 18 September 2026. II 066
  2053. Factory set. Art Blocks’ Factory set archive preserves Factory as a distinct collecting category. https://www.artblocks.io/profile/0x03b62034398db8a9bc154a690140dcc86447ac61/sets/factory. I REMO x DCsan
  2054. Falko. “Asterisms #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/47000000. Accessed 18 September 2026. II 051
  2055. Falko. “Asterisms #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/47000001. Accessed 18 September 2026. II 051
  2056. Falko. “Asterisms #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/47000010. Accessed 18 September 2026. II 051
  2057. Falko. “Asterisms #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/47000020. Accessed 18 September 2026. II 051
  2058. Falko. “Asterisms #23.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/47000023. Accessed 18 September 2026. II 051
  2059. Features Script. Art Blocks explains requirements for deterministic feature scripts and token-derived metadata. https://help.artblocks.io/Features-Script-08909f45295041d5a0ca1b6813d03f36. I JEANVASCRIPT
  2060. Fernando Jerez. “Stations #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000000. Accessed 19 September 2026. II 250
  2061. Fernando Jerez. “Stations #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000001. Accessed 19 September 2026. II 250
  2062. Fernando Jerez. “Stations #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000010. Accessed 19 September 2026. II 250
  2063. Fernando Jerez. “Stations #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000020. Accessed 19 September 2026. II 250
  2064. Fernando Jerez. “Stations #463.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000463. Accessed 19 September 2026. II 250
  2065. Fernando Jerez. “Stations #842.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/246000842. Accessed 19 September 2026. II 250
  2066. Five-year timeline. Art Blocks’ interactive timeline connects AB[500] with the platform’s five-year history. https://www.artblocks.io/articles/interactive-timeline-art-blocks-5-year-journey. I Alexander; I Tan; I greatjones; I Åström
  2067. Fjäll marketplace archive. OpenSea archives Fjäll, an earlier Tengil generative collection launched in May 2022. https://opensea.io/collection/fjall-by-tengil. I Tengil
  2068. Foliage asset. An OpenSea asset record identifies an edition from Foliage by Falko and its Ethereum contract. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/270000228. I Falco
  2069. Full Circle. Full Circle, the official exhibition joining DCA, Jeff Davis, and Snowfro at the close of the foundational set. https://www.artblocks.io/exhibitions/full-circle. I Calderon; I Calderon Arenas; I Davis
  2070. Further token views illustrate the visual consistency and variation inherent to the generative model. Art Blocks token #160 · 2022 I Blockwares
  2071. ge1doot. “Aurora IV #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/56000000. Accessed 18 September 2026. II 054
  2072. ge1doot. “Aurora IV #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/56000001. Accessed 18 September 2026. II 054
  2073. ge1doot. “Aurora IV #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/56000010. Accessed 18 September 2026. II 054
  2074. ge1doot. “Aurora IV #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/56000020. Accessed 18 September 2026. II 054
  2075. ge1doot. “Aurora IV #93.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/56000093. Accessed 18 September 2026. II 054
  2076. ge1doot. “Ignition #0.” 6 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/9000000. Accessed 17 September 2026. II 010
  2077. ge1doot. “Ignition #1.” 8 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/9000001. Accessed 17 September 2026. II 010
  2078. ge1doot. “Ignition #10.” 8 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/9000010. Accessed 17 September 2026. II 010
  2079. ge1doot. “Ignition #20.” 8 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/9000020. Accessed 17 September 2026. II 010
  2080. ge1doot on OpenSea. OpenSea’s account page preserves a marketplace profile identifying ge1doot as a creator of interactive NFTs. https://opensea.io/ge1doot?embed=acx. I Ferrandez
  2081. ge1doot. “R3sonance #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/19000000. Accessed 17 September 2026. II 024
  2082. ge1doot. “R3sonance #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/19000001. Accessed 17 September 2026. II 024
  2083. ge1doot. “R3sonance #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/19000010. Accessed 17 September 2026. II 024
  2084. ge1doot. “R3sonance #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/19000020. Accessed 17 September 2026. II 024
  2085. Generative Alchemy #1. Art Blocks records Generative Alchemy as a 2023 Plottables work outside the AB[500]. https://www.artblocks.io/token/1/0xa319c382a702682129fcbf55d514e61a16f97f9c/20000001. I Stein
  2086. Generative Artworks / Art Blocks. “Democracity #0 official image.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000000.png. Accessed 17 September 2026. II 157
  2087. Generative Artworks / Art Blocks. “Democracity #1 official image.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000001.png. Accessed 17 September 2026. II 157
  2088. Generative Artworks / Art Blocks. “Democracity #10 official image.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000010.png?t=1767699421. Accessed 17 September 2026. II 157
  2089. Generative Artworks / Art Blocks. “Democracity #20 official image.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000020.png?t=1767706372. Accessed 17 September 2026. II 157
  2090. Generative Artworks / Art Blocks. “Democracity #37 official image.” https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000037.png. Accessed 17 September 2026. II 157
  2091. Generative Artworks / Art Blocks. “Democracity collection and artist statement.” https://www.artblocks.io/collection/democracity-by-generative-artworks. Accessed 17 September 2026. I Generative Artworks; II 157; II 416
  2092. Generative Artworks / Art Blocks. “Enchiridion #657, AB5D collection.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000657. Accessed 18 September 2026. II 102
  2093. Generative Artworks. “Democracity #0, original interactive renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000000. Accessed 18 September 2026. II 157
  2094. Generative Artworks. “Democracity #1, original interactive renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000001. Accessed 18 September 2026. II 157
  2095. Generative Artworks. “Democracity #10, original interactive renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000010. Accessed 18 September 2026. II 157
  2096. Generative Artworks. “Democracity #20, original interactive renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000020. Accessed 18 September 2026. II 157
  2097. Generative Artworks. “Democracity #37, original interactive renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000037. Accessed 18 September 2026. II 157
  2098. Generative Artworks. “Empyrean #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/33000000. Accessed 17 September 2026. II 035
  2099. Generative Artworks. “Empyrean #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/33000001. Accessed 17 September 2026. II 035
  2100. Generative Artworks. “Empyrean #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/33000010. Accessed 17 September 2026. II 035
  2101. Generative Artworks. “Empyrean #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/33000020. Accessed 17 September 2026. II 035
  2102. Generative Artworks. “Enchiridion #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000000. Accessed 18 September 2026. II 102
  2103. Generative Artworks. “Enchiridion #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000001. Accessed 18 September 2026. II 102
  2104. Generative Artworks. “Enchiridion #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000010. Accessed 18 September 2026. II 102
  2105. Generative Artworks. “Enchiridion #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000020. Accessed 18 September 2026. II 102
  2106. Genesis. Genesis, 512 editions, the 2017 proof-of-concept code released as Art Blocks Curated project 1 on launch day. https://www.artblocks.io/collection/genesis-by-dca. I Calderon Arenas
  2107. Good Vibrations on OpenSea. The Good Vibrations secondary market on OpenSea documents the 1,024-edition collection, sales history, and per-token traits. https://opensea.io/collection/good-vibrations-by-aluan-wang. I AluanWang
  2108. GraphQL reference. Art Blocks documentation explains how project metadata records scripts, invocation limits, hashes, traits, and release information. https://docs.artblocks.io/developer/graphql/. I Connolly; I Cyclops Group; I MODNAR WOLF; I Third Vision; I n e o
  2109. Han x Nicolas Daniel / Art Blocks. “AlgoRhythms #0 original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/64000000. Accessed 18 September 2026. II 065
  2110. Han x Nicolas Daniel / Art Blocks. “AlgoRhythms #1 original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/64000001. Accessed 18 September 2026. II 065
  2111. Han x Nicolas Daniel / Art Blocks. “AlgoRhythms #10 original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/64000010. Accessed 18 September 2026. II 065
  2112. Han x Nicolas Daniel / Art Blocks. “AlgoRhythms #574 original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/64000574. Accessed 18 September 2026. II 065
  2113. Harvey Rayner | patterndotco. “Fontana official description.” https://info.artblocks.io/spectrum/in-conversation-with-harvey-rayner. Accessed 19 September 2026. II 358
  2114. Hevey / Art Blocks. “Abstraction #0, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/69000000. Accessed 18 September 2026. II 069
  2115. Hevey / Art Blocks. “Abstraction #1, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/69000001. Accessed 18 September 2026. II 069
  2116. Hevey / Art Blocks. “Abstraction #10, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/69000010. Accessed 18 September 2026. II 069
  2117. Hevey / Art Blocks. “Abstraction #20, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/69000020. Accessed 18 September 2026. II 069
  2118. Hevey / Art Blocks. “Abstraction #66, original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/69000066. Accessed 18 September 2026. II 069
  2119. Hevey. “Cells #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/122000000. Accessed 18 September 2026. II 121
  2120. Hevey. “Cells #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/122000001. Accessed 18 September 2026. II 121
  2121. Hevey. “Cells #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/122000010. Accessed 18 September 2026. II 121
  2122. Hevey. “Cells #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/122000020. Accessed 18 September 2026. II 121
  2123. Hevey. “Cells #71.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/122000071. Accessed 18 September 2026. II 121
  2124. hex6c. “InC #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/244000000. Accessed 18 September 2026. II 243
  2125. hex6c. “InC #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/244000001. Accessed 18 September 2026. II 243
  2126. hex6c. “InC #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/244000010. Accessed 18 September 2026. II 243
  2127. hex6c. “InC #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/244000020. Accessed 18 September 2026. II 243
  2128. hex6c. “InC #60.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/244000060. Accessed 18 September 2026. II 243
  2129. Hideki Tsukamoto. “Singularity #0.” 1 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/8000000. Accessed 17 September 2026. II 009
  2130. Hideki Tsukamoto. “Singularity #1.” 1 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/8000001. Accessed 17 September 2026. II 009
  2131. Hideki Tsukamoto. “Singularity #10.” 1 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/8000010. Accessed 17 September 2026. II 009
  2132. Hideki Tsukamoto. “Singularity #20.” 1 January 2021. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/8000020. Accessed 17 September 2026. II 009
  2133. hideo / Art Blocks. “celestial cyclones #0 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/113000000. Accessed 17 September 2026. II 113
  2134. hideo / Art Blocks. “celestial cyclones #1 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/113000001. Accessed 17 September 2026. II 113
  2135. hideo / Art Blocks. “celestial cyclones #10 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/113000010. Accessed 17 September 2026. II 113
  2136. hideo / Art Blocks. “celestial cyclones #140 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/113000140. Accessed 17 September 2026. II 113
  2137. hideo / Art Blocks. “celestial cyclones #20 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/113000020. Accessed 17 September 2026. II 113
  2138. hideo / Art Blocks. “celestial cyclones collection.” https://www.artblocks.io/collection/celestial-cyclones-by-hideo. Accessed 17 September 2026. I HIDΞ0; II 113
  2139. hideo. “Legends of Metaterra #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/253000000. Accessed 18 September 2026. II 246
  2140. hideo. “Legends of Metaterra #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/253000001. Accessed 18 September 2026. II 246
  2141. hideo. “Legends of Metaterra #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/253000010. Accessed 18 September 2026. II 246
  2142. hideo. “Legends of Metaterra #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/253000020. Accessed 18 September 2026. II 246
  2143. hideo. “Legends of Metaterra #725.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/253000725. Accessed 18 September 2026. II 246
  2144. Hieroglyphs by pxlq has achieved over 433 ETH in total trading volume with 545 unique owners. OpenSea I pxlq
  2145. Hjalmar Åström and Art Blocks. “Nucleus official collection and artist statement.” Art Blocks. https://www.artblocks.io/collection/nucleus-by-hjalmar-astrom. Accessed 17 September 2026. II 123
  2146. Hjalmar Åström. “Nucleus #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/123000000. Accessed 17 September 2026. II 123
  2147. Hjalmar Åström. “Nucleus #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/123000001. Accessed 17 September 2026. II 123
  2148. Hjalmar Åström. “Nucleus #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/123000010. Accessed 17 September 2026. II 123
  2149. Hjalmar Åström. “Nucleus #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/123000020. Accessed 17 September 2026. II 123
  2150. Hjalmar Åström. “Nucleus #428.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/123000428. Accessed 17 September 2026. II 123
  2151. Holger Lippmann. “WaVyScApE official description.” https://info.artblocks.io/spectrum/in-conversation-with-holger-lippmann-on-wavyscape. Accessed 19 September 2026. II 403
  2152. I. collection record. Art Blocks records I. as a 240-work Studio collection released on March 6, 2025. https://www.artblocks.io/collection/i-by-ryley-oeth?attributes=%7B%22emotion+a%22%3A%7B%22type%22%3A%22enum%22%2C%22options%22%3A%7B%22serenity%22%3Atrue%7D%7D%7D. I ryley-o.eth
  2153. Ignition token record. An Art Blocks token page preserves the traits, ownership state, and live-render option for an Ignition output. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/9000185. I Ferrandez
  2154. Impossible Distance. The official record documents Impossible Distance and its split structure reaching across a gap. https://www.artblocks.io/collection/impossible-distance-by-ippsketch. I ippsketch
  2155. In a Marfa interview, Jiwa discusses his path from programming and other creative practices into generative art. OpenSea interview I Jiwa
  2156. In Conversation with Tyler Hobbs. OpenSea's conversation ranges across Hobbs's background, creative coding, Fidenza, and the balance between control and surprise. https://opensea.io/blog/articles/in-conversation-with-tyler-hobbs. I Hobbs
  2157. In the Behind the Code series, Anna Carreras elaborates on the development process, modular construction blocks, and conceptual themes of emergence and diversity in Trossets through dialogue with a collector. Art Blocks Behind the Code I Carreras
  2158. Individual token page on Art Blocks confirming the October 2021 release of Augmented Sequence and providing edition context. Art Blocks: Augmented Sequence #60 I toiminto.eth
  2159. Individual token pages on Art Blocks demonstrate the standardized presentation of each edition. Art Blocks token example · 2022 I Blockwares
  2160. Individual token pages on Art Blocks display on-chain renders, attributes, and provenance for specific outputs from the edition. Art Blocks token I AMNDA
  2161. ippsketch. “Bent #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/214000000. Accessed 19 September 2026. II 209
  2162. ippsketch. “Bent #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/214000001. Accessed 19 September 2026. II 209
  2163. ippsketch. “Bent #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/214000010. Accessed 19 September 2026. II 209
  2164. ippsketch. “Bent #154.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/214000154. Accessed 19 September 2026. II 209
  2165. ippsketch. “Bent #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/214000020. Accessed 19 September 2026. II 209
  2166. Jake Brukhman. “Event Horizon Sunset (Series C) #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/60000000. Accessed 18 September 2026. II 060
  2167. Jake Brukhman. “Event Horizon Sunset (Series C) #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/60000001. Accessed 18 September 2026. II 060
  2168. Jake Brukhman. “Event Horizon Sunset (Series C) #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/60000010. Accessed 18 September 2026. II 060
  2169. Jake Brukhman. “Event Horizon Sunset (Series C) #165.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/60000165. Accessed 18 September 2026. II 060
  2170. Jake Brukhman. “Event Horizon Sunset (Series C) #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/60000020. Accessed 18 September 2026. II 060
  2171. Jake Rockland. “Dot Matrix Gradient Study #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000000. Accessed 18 September 2026. II 147
  2172. Jake Rockland. “Dot Matrix Gradient Study #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000001. Accessed 18 September 2026. II 147
  2173. Jake Rockland. “Dot Matrix Gradient Study #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000010. Accessed 18 September 2026. II 147
  2174. Jake Rockland. “Dot Matrix Gradient Study #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000020. Accessed 18 September 2026. II 147
  2175. Jake Rockland. “Dot Matrix Gradient Study #377.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/149000377. Accessed 18 September 2026. II 147
  2176. Jake Rockland. “Stipple Sunsets #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000000. Accessed 18 September 2026. II 049
  2177. Jake Rockland. “Stipple Sunsets #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000001. Accessed 18 September 2026. II 049
  2178. Jake Rockland. “Stipple Sunsets #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000010. Accessed 18 September 2026. II 049
  2179. Jake Rockland. “Stipple Sunsets #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000020. Accessed 18 September 2026. II 049
  2180. James Merrill. “ORI official description.” https://info.artblocks.io/spectrum/in-conversation-with-james-merrill. Accessed 19 September 2026. II 380
  2181. Jason Ting. “Bubble Blobby #0 official output.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/62000000. Accessed 18 September 2026. II 064
  2182. Jason Ting. “Bubble Blobby #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/62000001. Accessed 18 September 2026. II 064
  2183. Jason Ting. “Bubble Blobby #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/62000010. Accessed 18 September 2026. II 064
  2184. Jason Ting. “Bubble Blobby #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/62000020. Accessed 18 September 2026. II 064
  2185. Jason Ting. “Bubble Blobby #30 official recording.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/62000030. Accessed 18 September 2026. II 064
  2186. Jason Ting. “Light Beams #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/32000000. Accessed 17 September 2026. II 032
  2187. Jason Ting. “Light Beams #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/32000001. Accessed 17 September 2026. II 032
  2188. Jason Ting. “Light Beams #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/32000010. Accessed 17 September 2026. II 032
  2189. Jason Ting. “Light Beams #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/32000020. Accessed 17 September 2026. II 032
  2190. Jason Ting x Matt Bilfield / Art Blocks. “Transitions #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/117000000. Accessed 17 September 2026. II 116
  2191. Jason Ting x Matt Bilfield / Art Blocks. “Transitions #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/117000001. Accessed 17 September 2026. II 116
  2192. Jason Ting x Matt Bilfield / Art Blocks. “Transitions #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/117000010. Accessed 17 September 2026. II 116
  2193. Jason Ting x Matt Bilfield / Art Blocks. “Transitions #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/117000020. Accessed 17 September 2026. II 116
  2194. Jason Ting x Matt Bilfield / Art Blocks. “Transitions #634.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/117000634. Accessed 17 September 2026. II 116
  2195. JEANVASCRIPT. “Beauty of Skateboarding #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/202000001. Accessed 18 September 2026. II 199
  2196. JEANVASCRIPT. “Beauty of Skateboarding #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/202000010. Accessed 18 September 2026. II 199
  2197. JEANVASCRIPT. “Beauty of Skateboarding #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/202000020. Accessed 18 September 2026. II 199
  2198. JEANVASCRIPT. “Lava Glow #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/110000000. Accessed 17 September 2026. II 120
  2199. JEANVASCRIPT. “Lava Glow #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/110000001. Accessed 17 September 2026. II 120
  2200. JEANVASCRIPT. “Lava Glow #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/110000010. Accessed 17 September 2026. II 120
  2201. JEANVASCRIPT. “Lava Glow #190.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/110000190. Accessed 17 September 2026. II 120
  2202. JEANVASCRIPT. “Lava Glow #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/110000020. Accessed 17 September 2026. II 120
  2203. Jeff Davis / Aaron Penne. “In Conversation with Aaron Penne on Apparitions.” 15 March 2021. https://www.artblocks.io/articles/in-conversation-with-aaron-penne-on-apparitions. Accessed 17 September 2026. II 029
  2204. Jeff Davis / Alexis André. “In Conversation with Alexis André on 720 Minutes.” 4 March 2021. https://www.artblocks.io/articles/in-conversation-with-alexis-andre. Accessed 17 September 2026. II 028; II 047; II 076
  2205. Jeff Davis / Arjit Kapoor. “In Conversation with Arjit Kapoor (Chaosconstruct) on Synapses.” 2 April 2021. https://www.artblocks.io/articles/in-conversation-with-arjit-kapoor-chaosconstruct-on-synapses. Accessed 17 September 2026. I Kapoor; II 040
  2206. Jeff Davis / Art Blocks. “In Conversation with Gerard Ferrandez (ge1doot).” 6 January 2021. https://www.artblocks.io/articles/in-conversation-with-gerard-ferrandez-ge1doot. Accessed 17 September 2026. I Ferrandez; II 010; II 016; II 024
  2207. Jeff Davis / Art Blocks. “In Conversation with Hideki Tsukamoto.” 31 December 2020. https://www.artblocks.io/articles/in-conversation-with-hideki-tsukamoto. Accessed 17 September 2026. II 009
  2208. Jeff Davis / Art Blocks. “In Conversation with Leo Villareal.” 20 January 2022. https://www.artblocks.io/articles/in-conversation-with-leo-villareal. Accessed 18 September 2026. II 240
  2209. Jeff Davis / Art Blocks. “In Conversation with Loren Bednar.” 18 August 2021. https://www.artblocks.io/articles/in-conversation-with-loren-bednar. Accessed 18 September 2026. II 068; II 143
  2210. Jeff Davis / Art Blocks. “In Conversation with pxlq.” 17 February 2021. https://www.artblocks.io/articles/in-conversation-with-pxlq. Accessed 17 September 2026. II 004
  2211. Jeff Davis / Art Blocks. “In Conversation with Stefano Contiero.” 19 May 2021. https://www.artblocks.io/articles/in-conversation-with-stefano-contiero. Accessed 18 September 2026. II 070
  2212. Jeff Davis / Art Blocks. “Neighborhood #0: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/146000000. Accessed 17 September 2026. II 146
  2213. Jeff Davis / Art Blocks. “Neighborhood #10: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/146000010. Accessed 17 September 2026. II 146
  2214. Jeff Davis / Art Blocks. “Neighborhood #1: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/146000001. Accessed 17 September 2026. II 146
  2215. Jeff Davis / Art Blocks. “Neighborhood #20: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/146000020. Accessed 17 September 2026. II 146
  2216. Jeff Davis / Art Blocks. “Neighborhood #234: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/146000234. Accessed 17 September 2026. II 146
  2217. Jeff Davis / Art Blocks. “Neighborhood collection.” https://www.artblocks.io/collection/neighborhood-by-jeff-davis. Accessed 17 September 2026. I Davis; II 146
  2218. Jeff Davis / Beervangeer. “In Conversation with Beervangeer on HyperHash.” 20 January 2021. https://www.artblocks.io/articles/in-conversation-with-beervangeer-on-hyperhash. Accessed 17 September 2026. II 012; II 027
  2219. Jeff Davis / Ben Kovach. “In Conversation with Ben Kovach.” Art Blocks, 4 November 2021. https://www.artblocks.io/articles/in-conversation-with-ben-kovach. Accessed 18 September 2026. II 196
  2220. Jeff Davis / daLenz. “In Conversation with daLenz.” 25 March 2021. https://www.artblocks.io/articles/in-conversation-with-dalenz. Accessed 17 September 2026. II 036
  2221. Jeff Davis / Darien Brito. “In Conversation with Darien Brito.” 4 August 2021. https://www.artblocks.io/articles/in-conversation-with-darien-brito. Accessed 18 September 2026. II 094; II 128
  2222. Jeff Davis / DCA. “In Conversation with Daniel Calderon Arenas (DCA).” 4 February 2021. https://www.artblocks.io/articles/in-conversation-with-daniel-calderon-arenas-dca. Accessed 17 September 2026. I Calderon Arenas; II 048
  2223. Jeff Davis / ippsketch. “In Conversation with Ippsketch.” 23 November 2021. https://www.artblocks.io/articles/in-conversation-with-ippsketch. Accessed 19 September 2026. II 209
  2224. Jeff Davis / Jason Ting. “In Conversation with Jason Ting.” 6 May 2021. https://www.artblocks.io/articles/in-conversation-with-jason-ting. Accessed 17 September 2026. II 032; II 064
  2225. Jeff Davis / Josh Katzenmeyer. “In Conversation with Josh Katzenmeyer (luxpris).” 2 March 2021. https://www.artblocks.io/articles/in-conversation-with-josh-katzenmeyer-luxpris. Accessed 17 September 2026. II 026; II 136
  2226. Jeff Davis / Joshua Bagley. “In Conversation with Joshua Bagley on Dreams.” 15 June 2021. https://www.artblocks.io/articles/in-conversation-with-joshua-bagley-on-dreams. Accessed 17 September 2026. II 092
  2227. Jeff Davis / Kaigani Turner. “In Conversation with Kaigani Turner (kai).” 17 February 2021. https://www.artblocks.io/articles/in-conversation-with-kaigani-turner-kai. Accessed 17 September 2026. II 021
  2228. Jeff Davis / Matt Jacobson. “In Conversation with Matt Jacobson.” 28 April 2021. https://www.artblocks.io/articles/in-conversation-with-matt-jacobson. Accessed 18 September 2026. I Jacobson; II 059
  2229. Jeff Davis / Michael Connolly. “In Conversation with Michael Connolly.” 14 April 2021. https://www.artblocks.io/articles/in-conversation-with-michael-connolly. Accessed 17 September 2026. I Connolly; II 042
  2230. Jeff Davis / Michael Kozlowski. “In Conversation with Michael Kozlowski (mpkoz).” 5 January 2022. https://www.artblocks.io/articles/in-conversation-with-michael-kozlowski-mpkoz. Accessed 18 September 2026. I Kozlowski; II 230
  2231. Jeff Davis / Rafaël Rozendaal. “In Conversation with Rafaël Rozendaal on Endless Nameless.” 28 July 2021. https://www.artblocks.io/articles/in-conversation-with-rafael-rozendaal-on-endless-nameless. Accessed 18 September 2026. I Rozendaal; II 118; II 207
  2232. Jeff Davis / Rich Lord. “In Conversation with Richard Lord.” 26 August 2021. https://www.artblocks.io/articles/in-conversation-with-richard-lord. Accessed 18 September 2026. II 134
  2233. Jeff Davis / Rob Dixon. “In Conversation with Rob Dixon (Radix) on Inspirals.” 18 March 2021. https://www.artblocks.io/articles/in-conversation-with-rob-dixon-radix-on-inspirals. Accessed 17 September 2026. II 030
  2234. Jeff Davis / Samsy. “In Conversation with Samsy.” 16 December 2021. https://www.artblocks.io/articles/in-conversation-with-samsy. Accessed 18 September 2026. I Honigstein; II 227
  2235. Jeff Davis / Simon De Mai. “In Conversation with Simon De Mai on Spectron.” 12 February 2021. https://www.artblocks.io/articles/in-conversation-with-simon-de-mai-on-spectron. Accessed 17 September 2026. I De Mai; II 018
  2236. Jeff Davis / Stina Jones. “In Conversation with Stina Jones.” 9 April 2021. https://www.artblocks.io/articles/in-conversation-with-stina-jones. Accessed 17 September 2026. I Jones; II 045
  2237. Jeff Davis / William Tan / Art Blocks. “In Conversation with William Tan.” 12 August 2021. https://www.artblocks.io/articles/in-conversation-with-william-tan. Accessed 18 September 2026. II 132
  2238. Jeff Davis and Alida Sun. “In Conversation with Alida Sun.” Art Blocks, 20 July 2021. https://www.artblocks.io/articles/in-conversation-with-alida-sun. Accessed 17 September 2026. II 114
  2239. Jeff Davis and Anna Carreras. “In Conversation with Anna Carreras.” Art Blocks, 1 September 2021. https://www.artblocks.io/articles/in-conversation-with-anna-carreras. Accessed 17 September 2026. II 148
  2240. Jeff Davis. “Color Study #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/16000000. Accessed 17 September 2026. II 017
  2241. Jeff Davis. “Color Study #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/16000001. Accessed 17 September 2026. II 017
  2242. Jeff Davis. “Color Study #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/16000010. Accessed 17 September 2026. II 017
  2243. Jeff Davis. “Color Study #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/16000020. Accessed 17 September 2026. II 017
  2244. Jeff Davis. “In Conversation with Amon Tobin (Art Blocks Artist Insights).” Art Blocks, 5 June 2022. https://www.artblocks.io/info/spectrum/in-conversation-with-amon-tobin. Accessed 20 September 2026. II 313
  2245. Jeff Davis. “In Conversation with Fahad Karim (Art Blocks artist interview).” Art Blocks, 22 July 2022. https://www.artblocks.io/info/spectrum/in-conversation-with-fahad-karim. Accessed 20 September 2026. II 324
  2246. Jeff Davis. “In Conversation with Licia He (Art Blocks artist interview).” Art Blocks, 11 July 2022. https://info.artblocks.io/spectrum/in-conversation-with-licia-he. Accessed 20 September 2026. II 323
  2247. Jeff Davis. “In Conversation With Maya Man (Art Blocks Artist Insights).” Art Blocks, 5 August 2022. https://info.artblocks.io/spectrum/in-conversation-with-maya-man. Accessed 20 September 2026. II 332
  2248. Jeff Davis. “In Conversation with Melissa Wiederrecht (Art Blocks artist interview).” Art Blocks, 27 June 2022. https://www.artblocks.io/article/in-conversation-with-melissa-wiederrecht. Accessed 20 September 2026. II 320
  2249. Jeff Davis on Art Blocks. Art Blocks artist profile with biography and platform collections. https://www.artblocks.io/artists/jeff-davis. I Davis
  2250. Jeff Davis. “Portal #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/94000000. Accessed 17 September 2026. II 095
  2251. Jeff Davis. “Portal #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/94000001. Accessed 17 September 2026. II 095
  2252. Jeff Davis. “Portal #2.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/94000002. Accessed 17 September 2026. II 095
  2253. Jeff Davis. “Portal #3.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/94000003. Accessed 17 September 2026. II 095
  2254. Jeff Davis. “Portal #6.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/94000006. Accessed 17 September 2026. II 095
  2255. Jeff Davis. “Rhythm #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/57000000. Accessed 18 September 2026. II 056
  2256. Jeff Davis. “Rhythm #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/57000001. Accessed 18 September 2026. II 056
  2257. Jeff Davis. “Rhythm #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/57000010. Accessed 18 September 2026. II 056
  2258. Jeff Davis. “Rhythm #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/57000020. Accessed 18 September 2026. II 056
  2259. Jeff Davis. “Rhythm #254.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/57000254. Accessed 18 September 2026. II 056
  2260. Jeff Davis. “Variant Plan #0.” 20 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/5000000. Accessed 17 September 2026. II 007
  2261. Jeff Davis. “Variant Plan #1.” 20 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/5000001. Accessed 17 September 2026. II 007
  2262. Jeff Davis. “Variant Plan #10.” 20 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/5000010. Accessed 17 September 2026. II 007
  2263. Jeff Davis. “Variant Plan #20.” 20 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/5000020. Accessed 17 September 2026. II 007
  2264. Jeff Davis, Art Blocks profile, including bio and set-holder badges. artblocks.io III No. 15
  2265. Jeff Davis’s Art Blocks interview covers Rayner’s development, long-form practice, Fontana, and generative color. art-blocks-interview I Rayner
  2266. Jeff Davis’s interview documents Milligan’s background, development since 2016, working process, and mechanics and intentions for Act of Emotion. Art Blocks interview I Milligan
  2267. Jeres. “Torrent official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-jeremy-schoenherr-jeres-on-torrent. Accessed 19 September 2026. II 462
  2268. Jess Hewitt. “Haywire Café #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/262000000. Accessed 19 September 2026. II 253
  2269. Jess Hewitt. “Haywire Café #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/262000001. Accessed 19 September 2026. II 253
  2270. Jess Hewitt. “Haywire Café #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/262000010. Accessed 19 September 2026. II 253
  2271. Jess Hewitt. “Haywire Café #184.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/262000184. Accessed 19 September 2026. II 253
  2272. Jess Hewitt. “Haywire Café #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/262000020. Accessed 19 September 2026. II 253
  2273. Jimmy Herdberg / Art Blocks. “Gravity 12 #442, AB5D collection.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/96000442. Accessed 18 September 2026. II 097
  2274. Jimmy Herdberg. “Gravity 12 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/96000000. Accessed 18 September 2026. II 097
  2275. Jimmy Herdberg. “Gravity 12 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/96000001. Accessed 18 September 2026. II 097
  2276. Jimmy Herdberg. “Gravity 12 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/96000010. Accessed 18 September 2026. II 097
  2277. Jimmy Herdberg. “Gravity 12 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/96000020. Accessed 18 September 2026. II 097
  2278. Jimmy Herdberg. “Gravity16 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/165000000. Accessed 18 September 2026. II 160
  2279. Jimmy Herdberg. “Gravity16 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/165000001. Accessed 18 September 2026. II 160
  2280. Jimmy Herdberg. “Gravity16 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/165000010. Accessed 18 September 2026. II 160
  2281. Jimmy Herdberg. “Gravity16 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/165000020. Accessed 18 September 2026. II 160
  2282. Jimmy Herdberg. “Gravity16 #224.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/165000224. Accessed 18 September 2026. II 160
  2283. Jiometory token record. The Art Blocks token record preserves collection attributes and provenance information for a Jiometory No Compute edition. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000452. I Honigstein
  2284. john provencher. “Maps #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/241000000. Accessed 18 September 2026. II 237
  2285. john provencher. “Maps #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/241000001. Accessed 18 September 2026. II 237
  2286. john provencher. “Maps #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/241000010. Accessed 18 September 2026. II 237
  2287. john provencher. “Maps #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/241000020. Accessed 18 September 2026. II 237
  2288. john provencher. “Maps #7.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/241000007. Accessed 18 September 2026. II 237
  2289. john provencher. “spawn #0 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/161000000. Accessed 17 September 2026. II 156
  2290. john provencher. “spawn #1 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/161000001. Accessed 17 September 2026. II 156
  2291. john provencher. “spawn #10 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/161000010. Accessed 17 September 2026. II 156
  2292. john provencher. “spawn #20 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/161000020. Accessed 17 September 2026. II 156
  2293. john provencher. “spawn #488 original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/161000488. Accessed 17 September 2026. II 156
  2294. Jordan Kantor / Joshua Bagley. “In Conversation with Joshua Bagley on Spaghetti Bones.” 31 July 2023. https://www.artblocks.io/articles/in-conversation-with-joshua-bagley-on-spaghetti-bones. Accessed 17 September 2026. II 092
  2295. Jordan Kantor / Per Kristian Stoveland. “In Conversation with Per Kristian Stoveland.” 17 January 2023. https://www.artblocks.io/articles/in-conversation-with-per-kristian-stoveland. Accessed 17 September 2026. I Stoveland; II 126
  2296. Jordan Kantor / Steve Pikelny. “In Conversation with Steve Pikelny on Dopamine Machines.” 16 June 2023. https://www.artblocks.io/articles/in-conversation-with-steve-pikelny-on-dopamine-machines. Accessed 17 September 2026. II 108; II 149
  2297. Jordan Kantor's interview documents Isaksen's development, working methods, technical decisions, and sources for Gumbo. Art Blocks interview I Isaksen
  2298. Jordan Kantor’s Art Blocks interview documents De Giuli’s biography, process, scientific interests, and the mechanics connecting Glass, Mazinaw, and Calian. Art Blocks interview I De Giuli
  2299. Jordan Kantor’s interview records Tengil’s formation, working methods, and account of the conceptual relationship between Nära and Växt. interview I Tengil
  2300. Joshua Bagley / Art Blocks. “Ecumenopolis #0 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/119000000. Accessed 17 September 2026. II 119
  2301. Joshua Bagley / Art Blocks. “Ecumenopolis #1 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/119000001. Accessed 17 September 2026. II 119
  2302. Joshua Bagley / Art Blocks. “Ecumenopolis #10 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/119000010. Accessed 17 September 2026. II 119
  2303. Joshua Bagley / Art Blocks. “Ecumenopolis #20 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/119000020. Accessed 17 September 2026. II 119
  2304. Joshua Bagley / Art Blocks. “Ecumenopolis #590 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/119000590. Accessed 17 September 2026. II 119
  2305. Joshua Bagley / Art Blocks. “Ecumenopolis collection.” https://www.artblocks.io/collection/ecumenopolis-by-joshua-bagley. Accessed 17 September 2026. I Bagley; II 119
  2306. Joshua Bagley. “Dreams #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/89000000. Accessed 17 September 2026. II 092
  2307. Joshua Bagley. “Dreams #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/89000001. Accessed 17 September 2026. II 092
  2308. Joshua Bagley. “Dreams #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/89000010. Accessed 17 September 2026. II 092
  2309. Joshua Bagley. “Dreams #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/89000020. Accessed 17 September 2026. II 092
  2310. Joshua Bagley. “Dreams #419.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/89000419. Accessed 17 September 2026. II 092
  2311. Joshua Davis / PrayStation, Art Blocks. “Organized Disruption #0 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/133000000. Accessed 17 September 2026. II 131
  2312. Joshua Davis / PrayStation, Art Blocks. “Organized Disruption #1 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/133000001. Accessed 17 September 2026. II 131
  2313. Joshua Davis / PrayStation, Art Blocks. “Organized Disruption #10 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/133000010. Accessed 17 September 2026. II 131
  2314. Joshua Davis / PrayStation, Art Blocks. “Organized Disruption #20 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/133000020. Accessed 17 September 2026. II 131
  2315. Joshua Davis / PrayStation, Art Blocks. “Organized Disruption #652 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/133000652. Accessed 17 September 2026. II 131
  2316. JPEG by Jan Robert Leegte on Art Blocks: project and token pages documenting the generative traits (colour field, orientation). artblocks.io I Leegte
  2317. Julien Gachadoat. “Radiance #0: original token canvas and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/106000000. Accessed 17 September 2026. II 107
  2318. Julien Gachadoat. “Radiance #10: original token canvas and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/106000010. Accessed 17 September 2026. II 107
  2319. Julien Gachadoat. “Radiance #184: original token canvas and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/106000184. Accessed 17 September 2026. II 107
  2320. Julien Gachadoat. “Radiance #1: original token canvas and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/106000001. Accessed 17 September 2026. II 107
  2321. Julien Gachadoat. “Radiance #20: original token canvas and token page.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/106000020. Accessed 17 September 2026. II 107
  2322. Junia Farquhar. “Dipolar official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-junia-farquhar-on-dipolar. Accessed 19 September 2026. II 392
  2323. Jürg Lehni and Jonathan Puckey. “Paper.js 0.12.15 licence.” https://raw.githubusercontent.com/paperjs/paper.js/v0.12.15/LICENSE.txt. Accessed 17 September 2026. II 156
  2324. k0ch. “Origami Dream #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/43000000. Accessed 17 September 2026. II 043
  2325. k0ch. “Origami Dream #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/43000001. Accessed 17 September 2026. II 043
  2326. k0ch. “Origami Dream #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/43000010. Accessed 17 September 2026. II 043
  2327. k0ch. “Origami Dream #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/43000020. Accessed 17 September 2026. II 043
  2328. k0ch. “Unknown Signals #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/142000000. Accessed 18 September 2026. II 141
  2329. k0ch. “Unknown Signals #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/142000001. Accessed 18 September 2026. II 141
  2330. k0ch. “Unknown Signals #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/142000010. Accessed 18 September 2026. II 141
  2331. k0ch. “Unknown Signals #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/142000020. Accessed 18 September 2026. II 141
  2332. k0ch. “Unknown Signals #377.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/142000377. Accessed 18 September 2026. II 141
  2333. kai. “27-Bit Digital #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/21000000. Accessed 17 September 2026. II 021
  2334. kai. “27-Bit Digital #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/21000001. Accessed 17 September 2026. II 021
  2335. kai. “27-Bit Digital #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/21000010. Accessed 17 September 2026. II 021
  2336. kai. “27-Bit Digital #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/21000020. Accessed 17 September 2026. II 021
  2337. kai. “Pixel Glass #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/24000000. Accessed 17 September 2026. II 023
  2338. kai. “Pixel Glass #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/24000001. Accessed 17 September 2026. II 023
  2339. kai. “Pixel Glass #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/24000010. Accessed 17 September 2026. II 023
  2340. kai. “Pixel Glass #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/24000020. Accessed 17 September 2026. II 023
  2341. KALA. “Pizza 1o1 #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/240000000. Accessed 18 September 2026. II 236
  2342. KALA. “Pizza 1o1 #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/240000001. Accessed 18 September 2026. II 236
  2343. KALA. “Pizza 1o1 #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/240000010. Accessed 18 September 2026. II 236
  2344. KALA. “Pizza 1o1 #178.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/240000178. Accessed 18 September 2026. II 236
  2345. KALA. “Pizza 1o1 #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/240000020. Accessed 18 September 2026. II 236
  2346. Kazuhiro Tanimoto. “Memories of Digital Data official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-kazuhiro-tanimoto-memories-of-digital-data. Accessed 19 September 2026. II 421
  2347. Kjetil Golid on Art Blocks. Art Blocks' artist profile gathers Golid's biography, social links, and projects released on the platform. https://www.artblocks.io/artists/kjetil-golid. I Golid
  2348. Kjetil Golid. “Paper Armada #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/37000000. Accessed 17 September 2026. II 037
  2349. Kjetil Golid. “Paper Armada #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/37000001. Accessed 17 September 2026. II 037
  2350. Kjetil Golid. “Paper Armada #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/37000010. Accessed 17 September 2026. II 037
  2351. Kjetil Golid. “Paper Armada #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/37000020. Accessed 17 September 2026. II 037
  2352. Kristy Glas. “Scoundrels #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/203000001. Accessed 18 September 2026. II 201
  2353. Kristy Glas. “Scoundrels #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/203000010. Accessed 18 September 2026. II 201
  2354. Kristy Glas. “Scoundrels #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/203000020. Accessed 18 September 2026. II 201
  2355. Larva Labs on Art Blocks. Art Blocks' artist profile identifies Larva Labs as Matt Hall and John Watkinson and gathers their platform activity. https://www.artblocks.io/artists/larva-labs. I Larva Labs
  2356. Laya Mathikshara & Santiago. “Cerebellum official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-laya-mathikshara-and-santiago-on-cerebellum. Accessed 19 September 2026. II 405
  2357. Leo Villareal. “Cosmic Reef #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/250000000. Accessed 18 September 2026. II 240
  2358. Leo Villareal. “Cosmic Reef #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/250000001. Accessed 18 September 2026. II 240
  2359. Leo Villareal. “Cosmic Reef #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/250000010. Accessed 18 September 2026. II 240
  2360. Leo Villareal. “Cosmic Reef #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/250000020. Accessed 18 September 2026. II 240
  2361. Leo Villareal. “Cosmic Reef #322.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/250000322. Accessed 18 September 2026. II 240
  2362. Live From Marfa. OpenSea's Marfa conversation covers Processing, creative coding, 923 Empty Rooms, and art's algorithmic histories. https://opensea.io/blog/articles/live-from-marfa-in-conversation-with-casey-reas. I REAS
  2363. Loren Bednar / Art Blocks. “phase #0 token record.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/143000000. Accessed 18 September 2026. II 143
  2364. Loren Bednar / Art Blocks. “phase #1 token record.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/143000001. Accessed 18 September 2026. II 143
  2365. Loren Bednar / Art Blocks. “phase #10 token record.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/143000010. Accessed 18 September 2026. II 143
  2366. Loren Bednar / Art Blocks. “phase #20 token record.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/143000020. Accessed 18 September 2026. II 143
  2367. Loren Bednar / Art Blocks. “phase #849 token and held artwork record.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/143000849. Accessed 18 September 2026. II 143
  2368. Loren Bednar. “Traversals #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/65000000. Accessed 18 September 2026. II 068
  2369. Loren Bednar. “Traversals #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/65000001. Accessed 18 September 2026. II 068
  2370. Loren Bednar. “Traversals #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/65000010. Accessed 18 September 2026. II 068
  2371. Loren Bednar. “Traversals #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/65000020. Accessed 18 September 2026. II 068
  2372. Loren Bednar. “Traversals #9 original and interaction.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/65000009. Accessed 18 September 2026. II 068
  2373. Louis-André Labadie. “Maps for grief #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/235000000. Accessed 18 September 2026. II 234
  2374. Louis-André Labadie. “Maps for grief #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/235000001. Accessed 18 September 2026. II 234
  2375. Louis-André Labadie. “Maps for grief #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/235000010. Accessed 18 September 2026. II 234
  2376. Louis-André Labadie. “Maps for grief #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/235000020. Accessed 18 September 2026. II 234
  2377. Louis-André Labadie. “Maps for grief #93.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/235000093. Accessed 18 September 2026. II 234
  2378. LoVid. “Tide Predictor official description.” https://info.artblocks.io/spectrum/in-conversation-with-lovid. Accessed 19 September 2026. II 369
  2379. Luca Ionescu. “Roamings #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/252000000. Accessed 18 September 2026. II 245
  2380. Luca Ionescu. “Roamings #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/252000001. Accessed 18 September 2026. II 245
  2381. Luca Ionescu. “Roamings #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/252000010. Accessed 18 September 2026. II 245
  2382. Luca Ionescu. “Roamings #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/252000020. Accessed 18 September 2026. II 245
  2383. Luca Ionescu. “Roamings #26.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/252000026. Accessed 18 September 2026. II 245
  2384. Luke Shannon. “The Opera #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/50000000. Accessed 18 September 2026. II 061
  2385. Luke Shannon. “The Opera #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/50000001. Accessed 18 September 2026. II 061
  2386. Luke Shannon. “The Opera #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/50000010. Accessed 18 September 2026. II 061
  2387. Luke Shannon. “The Opera #147.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/50000147. Accessed 18 September 2026. II 061
  2388. Luke Shannon. “The Opera #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/50000020. Accessed 18 September 2026. II 061
  2389. luxpris. “Pathfinders #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/25000000. Accessed 17 September 2026. II 026
  2390. luxpris. “Pathfinders #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/25000001. Accessed 17 September 2026. II 026
  2391. luxpris. “Pathfinders #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/25000010. Accessed 17 September 2026. II 026
  2392. luxpris. “Pathfinders #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/25000020. Accessed 17 September 2026. II 026
  2393. luxpris. “Pathfinders #401.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/25000401. Accessed 17 September 2026. II 026
  2394. luxpris. “Wave Schematics #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/134000000. Accessed 18 September 2026. II 136
  2395. luxpris. “Wave Schematics #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/134000001. Accessed 18 September 2026. II 136
  2396. luxpris. “Wave Schematics #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/134000010. Accessed 18 September 2026. II 136
  2397. luxpris. “Wave Schematics #161.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/134000161. Accessed 18 September 2026. II 136
  2398. luxpris. “Wave Schematics #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/134000020. Accessed 18 September 2026. II 136
  2399. Machine Mythology. OpenSea maintains a collection catalogue for Machine Mythology by Louis-André Labadie. https://opensea.io/collection/machine-mythology-by-louis-andre-labadie. I Labadie
  2400. Marcin Ignac / Art Blocks. “Seadragons official collection and artist statement.” https://www.artblocks.io/collection/seadragons-by-marcin-ignac. Accessed 18 September 2026. II 171
  2401. Marcin Ignac. “Seadragons #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/160000000. Accessed 18 September 2026. II 171
  2402. Marcin Ignac. “Seadragons #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/160000001. Accessed 18 September 2026. II 171
  2403. Marcin Ignac. “Seadragons #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/160000010. Accessed 18 September 2026. II 171
  2404. Marcin Ignac. “Seadragons #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/160000020. Accessed 18 September 2026. II 171
  2405. Marcin Ignac. “Seadragons #376 held output.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/160000376. Accessed 18 September 2026. II 171
  2406. Marfa Yucca on OpenSea. OpenSea's collection record for the 390 minted Marfa Yucca works. https://opensea.io/collection/marfa-yucca-by-daniel-calderon-arenas. I Calderon Arenas
  2407. Mark Cotton. “Gizmobotz #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105000000. Accessed 18 September 2026. II 109
  2408. Mark Cotton. “Gizmobotz #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105000001. Accessed 18 September 2026. II 109
  2409. Mark Cotton. “Gizmobotz #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105000010. Accessed 18 September 2026. II 109
  2410. Mark Cotton. “Gizmobotz #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105000020. Accessed 18 September 2026. II 109
  2411. Mark Cotton. “Gizmobotz #78.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/105000078. Accessed 18 September 2026. II 109
  2412. Marketplace and valuation records confirm the edition size, release timing, and collector activity surrounding Good, Computer by Dean Blacc. OpenSea I Blacc
  2413. Marketplace collection page documenting secondary market activity and collector base for Augmented Sequence. OpenSea: Augmented Sequence Collection I toiminto.eth
  2414. Marketplace trait data reveals the depth of generative parameters including track configurations and color variations. OpenSea traits · 2022 I Blockwares
  2415. Mathias Isaksen. “Gumbo official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-mathias-isaksen-on-gumbo. Accessed 19 September 2026. II 459
  2416. Mathikshara's current Art Blocks profile records her 2008 birth in Chennai, current location, and the platform's present association of all three projects with her profile. Art Blocks artist profile I Mathikshara
  2417. Matt DesLauriers on Art Blocks. Art Blocks' artist profile gathers DesLauriers' biography and two foundational projects. https://www.artblocks.io/artists/matt-deslauriers. I DesLauriers
  2418. Matt Jacobson. “Watercolor Dreams #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/59000000. Accessed 18 September 2026. II 059
  2419. Matt Jacobson. “Watercolor Dreams #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/59000001. Accessed 18 September 2026. II 059
  2420. Matt Jacobson. “Watercolor Dreams #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/59000010. Accessed 18 September 2026. II 059
  2421. Matt Jacobson. “Watercolor Dreams #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/59000020. Accessed 18 September 2026. II 059
  2422. Matt Jacobson. “Watercolor Dreams #399.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/59000399. Accessed 18 September 2026. II 059
  2423. Matto. “Ensō #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/34000000. Accessed 17 September 2026. II 033
  2424. Matto. “Ensō #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/34000001. Accessed 17 September 2026. II 033
  2425. Matto. “Ensō #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/34000010. Accessed 17 September 2026. II 033
  2426. Matto. “Ensō #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/34000020. Accessed 17 September 2026. II 033
  2427. Matty Mariansky / Art Blocks. “Brushpops #0: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/135000000. Accessed 17 September 2026. II 138
  2428. Matty Mariansky / Art Blocks. “Brushpops #101: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/135000101. Accessed 17 September 2026. II 138
  2429. Matty Mariansky / Art Blocks. “Brushpops #10: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/135000010. Accessed 17 September 2026. II 138
  2430. Matty Mariansky / Art Blocks. “Brushpops #1: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/135000001. Accessed 17 September 2026. II 138
  2431. Matty Mariansky / Art Blocks. “Brushpops #20: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/135000020. Accessed 17 September 2026. II 138
  2432. Matty Mariansky / Art Blocks. “Brushpops collection.” https://www.artblocks.io/collection/brushpops-by-matty-mariansky. Accessed 17 September 2026. I Mariansky; II 138
  2433. Matty Mariansky. “Para Bellum #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261000000. Accessed 19 September 2026. II 255
  2434. Matty Mariansky. “Para Bellum #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261000001. Accessed 19 September 2026. II 255
  2435. Matty Mariansky. “Para Bellum #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261000010. Accessed 19 September 2026. II 255
  2436. Matty Mariansky. “Para Bellum #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261000020. Accessed 19 September 2026. II 255
  2437. Matty Mariansky. “Para Bellum #659.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/261000659. Accessed 19 September 2026. II 255
  2438. Melissa Wiederrecht, featured artist profile, Art Blocks. artblocks.io I Wiederrecht
  2439. Meridian. Meridian comprises 1,000 stratified landforms released through Playground in September 2021. https://www.artblocks.io/collection/meridian-by-matt-deslauriers. I DesLauriers
  2440. Michael Connolly. “Divisions #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/108000000. Accessed 18 September 2026. II 105
  2441. Michael Connolly. “Divisions #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/108000001. Accessed 18 September 2026. II 105
  2442. Michael Connolly. “Divisions #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/108000010. Accessed 18 September 2026. II 105
  2443. Michael Connolly. “Divisions #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/108000020. Accessed 18 September 2026. II 105
  2444. Michael Connolly. “Divisions #393.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/108000393. Accessed 18 September 2026. II 105
  2445. Michael Connolly. “Elementals #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/41000000. Accessed 17 September 2026. II 042
  2446. Michael Connolly. “Elementals #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/41000001. Accessed 17 September 2026. II 042
  2447. Michael Connolly. “Elementals #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/41000010. Accessed 17 September 2026. II 042
  2448. Michael Connolly. “Elementals #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/41000020. Accessed 17 September 2026. II 042
  2449. MightyMoose. “P:X #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/54000000. Accessed 18 September 2026. II 055
  2450. MightyMoose. “P:X #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/54000001. Accessed 18 September 2026. II 055
  2451. MightyMoose. “P:X #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/54000010. Accessed 18 September 2026. II 055
  2452. MightyMoose. “P:X #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/54000020. Accessed 18 September 2026. II 055
  2453. MightyMoose. “P:X #308.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/54000308. Accessed 18 September 2026. II 055
  2454. Minter Suite. Art Blocks explains that its Minter Suite provides artists with several methods for distributing work to collectors. https://help.artblocks.io/Minter-Suite-145d98121deb4c62889e43b8471fdd0d. I usnea
  2455. Minter Suite Overview. The Art Blocks minter overview describes the transparent, on-chain system through which project tokens are distributed. https://docs.artblocks.io/developer/minter-suite/overview/. I Cyclops Group
  2456. Miragem collection record. OpenSea catalogues the Miragem collection as a 256-work Art Blocks series on Ethereum. https://opensea.io/collection/miragem-by-third-vision?traits=%5B%7B%22traitType%22%3A%22dash+color%22%2C%22values%22%3A%5B%22. I Third Vision
  2457. Mitchell F. Chan. “LeWitt Generator Generator #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/118000000. Accessed 18 September 2026. II 115
  2458. Mitchell F. Chan. “LeWitt Generator Generator #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/118000001. Accessed 18 September 2026. II 115
  2459. Mitchell F. Chan. “LeWitt Generator Generator #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/118000010. Accessed 18 September 2026. II 115
  2460. Mitchell F. Chan. “LeWitt Generator Generator #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/118000020. Accessed 18 September 2026. II 115
  2461. Mitchell F. Chan. “LeWitt Generator Generator #563.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/118000563. Accessed 18 September 2026. II 115
  2462. MODNAR WOLF. “Dear Hash, #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/49000000. Accessed 18 September 2026. II 050
  2463. MODNAR WOLF. “Dear Hash, #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/49000001. Accessed 18 September 2026. II 050
  2464. MODNAR WOLF. “Dear Hash, #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/49000010. Accessed 18 September 2026. II 050
  2465. MODNAR WOLF. “Dear Hash, #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/49000020. Accessed 18 September 2026. II 050
  2466. Monica Rizzolli on Art Blocks. Art Blocks' artist profile records Rizzolli's biography and foundational project. https://www.artblocks.io/artists/monica-rizzolli. I Rizzolli
  2467. MountVitruvius. “Trichro-matic official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-anthony-hiley-mann-mountvitruvius. Accessed 19 September 2026. II 481
  2468. mpkoz. “Chimera #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/233000000. Accessed 18 September 2026. II 230
  2469. mpkoz. “Chimera #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/233000001. Accessed 18 September 2026. II 230
  2470. mpkoz. “Chimera #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/233000010. Accessed 18 September 2026. II 230
  2471. mpkoz. “Chimera #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/233000020. Accessed 18 September 2026. II 230
  2472. mpkoz. “Chimera #765.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/233000765. Accessed 18 September 2026. II 230
  2473. Murano Fantasy project. The legacy project record provides an alternate institutional entry for Murano Fantasy. https://www.artblocks.io/project/193. I Pandelune
  2474. Nathaniel Stern and Sasha Stiles. “Still Moving official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-nathaniel-stern-and-sasha-stiles-on-still-moving. Accessed 19 September 2026. II 428
  2475. Nebula collection page and description. artblocks.io I RVig
  2476. NimBuds comprises exactly 400 unique generative artworks released on Art Blocks Curated in January 2021. Art Blocks NimBuds Collection I Brinkman
  2477. Non Either. Non Either is a 100-work Playground project released in February 2022. https://www.artblocks.io/collection/non-either-by-rafael-rozendaal. I Rozendaal
  2478. nonfigurativ / Art Blocks. “The Liths of Sisyphus #0: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/124000000. Accessed 17 September 2026. II 126
  2479. nonfigurativ / Art Blocks. “The Liths of Sisyphus #10: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/124000010. Accessed 17 September 2026. II 126
  2480. nonfigurativ / Art Blocks. “The Liths of Sisyphus #1: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/124000001. Accessed 17 September 2026. II 126
  2481. nonfigurativ / Art Blocks. “The Liths of Sisyphus #20: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/124000020. Accessed 17 September 2026. II 126
  2482. nonfigurativ / Art Blocks. “The Liths of Sisyphus #95: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/124000095. Accessed 17 September 2026. II 126
  2483. Ode to Penrose 9. Art Blocks preserves Ode to Penrose output 9 as part of umatha's Factory series. https://www.artblocks.io/token/307000009. I umatha
  2484. Official Art Blocks artist page for Loren Bednar with collection overview. Art Blocks Artist Page I Bednar
  2485. Official artist profile including birth year, location, practice description, and complete list of Art Blocks collections. Art Blocks I Moore
  2486. Official artist profile presenting steganon as a pseudonymous generative artist who examines technology's overlap with art through algorithmic processes. Art Blocks Artist Profile I steganon
  2487. Official token catalogue entry recording release date and edition count for a representative Assorted Positivity output. Assorted Positivity Token Entry I steganon
  2488. Official token catalogue entry recording release date and edition count for a representative Autology output. Autology Token Entry I steganon
  2489. oliveskin. “Fernweh #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000000. Accessed 18 September 2026. II 247
  2490. oliveskin. “Fernweh #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000001. Accessed 18 September 2026. II 247
  2491. oliveskin. “Fernweh #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000010. Accessed 18 September 2026. II 247
  2492. oliveskin. “Fernweh #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000020. Accessed 18 September 2026. II 247
  2493. oliveskin. “Fernweh #40.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/254000040. Accessed 18 September 2026. II 247
  2494. On-chain Generator. The Art Blocks Generator documentation explains how scripts, token hashes, and dependencies are assembled into browser-viewable works. https://docs.artblocks.io/protocol/on-chain-generator/. I Alexander; I Cyclops Group; I MODNAR WOLF; I Orpheusk; I REMO x DCsan; I Third Vision; I espina; I n e o; I steen; I thetechnocratic
  2495. On-chain storage. The on-chain storage guide explains how the generator retrieves scripts and dependencies to assemble viewable HTML. https://docs.artblocks.io/protocol/on-chain-storage/. I Alexander; I Cyclops Group; I MODNAR WOLF; I Orpheusk; I Third Vision; I espina; I n e o
  2496. onlygenerated / Art Blocks. “[Dis]entanglement #75, AB5D collection.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/97000075. Accessed 18 September 2026. II 101
  2497. onlygenerated. “[Dis]entanglement #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/97000000. Accessed 18 September 2026. II 101
  2498. onlygenerated. “[Dis]entanglement #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/97000001. Accessed 18 September 2026. II 101
  2499. onlygenerated. “[Dis]entanglement #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/97000010. Accessed 18 September 2026. II 101
  2500. onlygenerated. “[Dis]entanglement #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/97000020. Accessed 18 September 2026. II 101
  2501. OpenSea. OpenSea provides a secondary-market collection archive for Star Flower. https://opensea.io/collection/star-flower-by-ruben-alexander. I Alexander
  2502. OpenSea. OpenSea collection page for The Field documenting 369 items and market activity. https://opensea.io/collection/the-field-by-beervangeer. I Beervangeer
  2503. OpenSea. An OpenSea portfolio record demonstrates the continued presence of Gizmobotz in collector holdings. https://opensea.io/0xc36261bd4fac1b7c76645d54656848d22a4f11b6/portfolio. I Cotton
  2504. OpenSea. A second OpenSea portfolio search result records Gizmobotz among a broader generative-art holding. https://opensea.io/aquatan/portfolio. I Cotton; I WAWAA; I Watson
  2505. OpenSea. OpenSea's collection page indexes ♫ ByteBeats market activity and collection metadata for the secondary NFT context. https://opensea.io/collection/bytebeats-by-dadabots-x-kai. I dadabots
  2506. OpenSea. OpenSea indexes all 81 Lumina works and their collection traits. https://opensea.io/collection/lumina-by-distcollective. I DistCollective
  2507. OpenSea. The marketplace record independently identifies the collection and its 196 works. https://opensea.io/fr/collection/squares-by-martin-grasser. I Grasser
  2508. OpenSea. OpenSea's Renders Game collection page records a 325-token supply launched January 2023 with 884 ETH in total trading volume. https://opensea.io/collection/renders-game-by-mountvitruvius. I Hiley-Mann
  2509. OpenSea. OpenSea secondary market for Brushpops by Matty Mariansky. https://opensea.io/collection/brushpops-by-matty-mariansky. I Mariansky
  2510. OpenSea. OpenSea provides secondary-market catalogue context for the Kubikino collection. https://opensea.io/collection/kubikino-by-carolina-melis. I Melis
  2511. OpenSea. OpenSea's secondary market page for Electriz records floor price, holder count, and trait distribution for the 910-token collection. https://opensea.io/collection/electriz-by-che-yu-wu. I Wu
  2512. OpenSea. “444(4) by Shvembldr collection page.” https://opensea.io/collection/444-4-by-shvembldr. Accessed 18 September 2026. II 186
  2513. OpenSea activity. OpenSea preserves the collection's transaction activity, including identified Bright works. https://opensea.io/collection/bright-by-heeey/activity. I Heeey
  2514. OpenSea archives the collection’s 200-work supply, launch month, and trait structure. marketplace archive I VES3L
  2515. OpenSea blog profile. OpenSea published a profile framing Xie as a generative artist fusing code, myth, and textile traditions. https://opensea.io/blog/articles/emily-xie. I Xie
  2516. OpenSea collection. OpenSea records Such A Lovely Time as a collection comprising 325 items. https://opensea.io/collection/such-a-lovely-time-by-petitsapin. I Dautheribes
  2517. OpenSea collection. OpenSea maintains a secondary-market collection page for Voyager by DisruptedStar. https://opensea.io/collection/voyager-by-disruptedstar. I DisruptedStar
  2518. OpenSea collection. The OpenSea collection record independently identifies InC as a 64-work Art Blocks collection launched in January 2022. https://opensea.io/collection/inc-by-hex6c. I hex6c
  2519. OpenSea collection. OpenSea preserves marketplace metadata and the secondary-market catalogue for the Art Blocks collection. https://opensea.io/collection/maps-for-grief-by-louis-andre-labadie. I Labadie
  2520. OpenSea collection. OpenSea maintains a secondary-market collection page for Perpetua. https://opensea.io/collection/perpetua-by-punch-card-collective. I Punch Card Collective
  2521. OpenSea collection data records ownership distribution and trading activity for Abstraction. OpenSea Abstraction I Hevey
  2522. OpenSea collection data showing CatBlocks secondary market activity. OpenSea I Glas
  2523. OpenSea collection explorer. OpenSea's collection view records the 450 works, traits, listings, and market activity. https://opensea.io/collection/imperfections-by-kalis/explore. I Kalis
  2524. OpenSea collection page. OpenSea maintains an active marketplace collection page for Bloom by Blockchance, documenting secondary market transactions and token metadata. https://opensea.io/collection/bloom-by-blockchance. I Blockchance
  2525. OpenSea collection page for phase providing market and ownership data. OpenSea phase I Bednar
  2526. OpenSea collection record. The marketplace record identifies Gels as an Art Blocks collection comprising 190 works and launched in July 2022. https://opensea.io/collection/gels-by-jason-brown-shawn-douglas. I Brown
  2527. OpenSea collection records provide marketplace context and historical sales data for the Gazettes project. OpenSea Collection I redlioneye
  2528. OpenSea contract index. OpenSea indexes the Art Blocks contract associated with the supplied collection renders. https://opensea.io/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270. I Hapeyenka
  2529. OpenSea creator record. OpenSea's creator profile identifies ryley-o.eth as a generative artist and Art Blocks engineer. https://opensea.io/ryley-o. I ryley-o.eth
  2530. OpenSea data shows Trichro-matic by MountVitruvius trading with a floor price of 0.1785 ETH and total volume of 1,385.66 ETH. OpenSea I Hiley-Mann
  2531. OpenSea documentation. OpenSea’s documentation explains its metadata classifications, including its treatment of Art Blocks generative art as on-chain metadata. https://support.opensea.io/en/articles/13355231-what-is-the-metadata-field-on-nft-pages. I onlygenerated
  2532. OpenSea documents Bright's formal and chromatic trait categories. Bright collection I Heeey
  2533. OpenSea documents Strata’s 650-item collection and its range of generative trait categories. strata-market-archive I Isaksen
  2534. OpenSea documents the collection supply and its Formation, Mental state, Palette, and World trait groups. marketplace-record I Rosenlykke
  2535. OpenSea edition 34. OpenSea's item record identifies Faceless edition 34 as an Ethereum ERC-721 from the greatjones collection. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/311000034. I greatjones
  2536. OpenSea hosts secondary market records confirming the 186-edition structure and ongoing collector activity for the series. OpenSea marketplace I AMNDA
  2537. OpenSea hosts the marketplace record for the Blockbob Rorschach collection, confirming on-chain status and trading history. OpenSea I eBoy
  2538. OpenSea identifies an individual asset as Fernweh by oliveskin and records its Ethereum token identifier. OpenSea asset I oliveskin
  2539. OpenSea identifies D-D-Dots #78 as an Ethereum token belonging to tuplart's collection. OpenSea token record I tuplart
  2540. OpenSea identifies Dot Grid as an Art Blocks collection launched in September 2021 and displays its traits and listings. marketplace-archive I TheElephantNL
  2541. OpenSea identifies Galaxiss #30 as an Ethereum ERC-721 in the Galaxiss by Xenoliss collection. marketplace record I xenoliss
  2542. OpenSea identifies Lacunae as a 111-work Art Blocks collection and lists its generative traits. OpenSea I Dalessandro
  2543. OpenSea identifies Seadragons by Marcin Ignac as an Art Blocks collection. OpenSea collection I Ignac
  2544. OpenSea identifies the Seasky collection and its 100 works. OpenSea I Ralgo
  2545. OpenSea independently records Gumbo as a collection of 400 works launched in July 2023. OpenSea I Isaksen
  2546. OpenSea indexes Center Pivot by Craig Hughes & Eric Hughes as a 222-item Art Blocks collection and lists project traits. OpenSea collection I Hughes
  2547. OpenSea interviews Jiwa about DDUST, Marfa and the relationship between pixels, dust and community. DDUST interview I Jiwa
  2548. OpenSea item page. OpenSea item listings further illustrate collector engagement with individual Bloom pieces through pricing history and ownership data. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000253. I Blockchance
  2549. OpenSea lists Exhibition: 3291 by cryptobauhaus as a 400-item Ethereum collection launched in February 2022. OpenSea collection I cryptobauhaus
  2550. OpenSea lists Facets by conundrumer as a 267 item Ethereum collection launched in January 2022, with visible trait categories. market-archive I Lu
  2551. OpenSea lists the Asemica collection as an Art Blocks Ethereum collection with 980 items. OpenSea I Ofman
  2552. OpenSea maintains a collection archive for Lava Glow by JEANVASCRIPT. opensea-collection I JEANVASCRIPT
  2553. OpenSea maintains a collection page for Inspirals by Radix that provides additional marketplace context and collector information alongside the primary Art Blocks release. OpenSea Inspirals Collection I Dixon
  2554. OpenSea maintains a marketplace archive for the Semblance collection. OpenSea I iyer
  2555. OpenSea maintains an item record for Orthogone #554 with traits, activity, and collection context. OpenSea record I Pandelune
  2556. OpenSea maintains the marketplace collection record for autoRAD under the names of both collaborators. OpenSea I sgt_slaughtermelon & Tartaria Archivist
  2557. OpenSea Ode to Roy Token. OpenSea preserves market and provenance records for Ode to Roy editions. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000631. I artplusbrad
  2558. OpenSea Ode to Roy Token 1. OpenSea preserves additional token records from the Ode to Roy collection. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000001. I artplusbrad
  2559. OpenSea Ode to Roy Token 2. OpenSea preserves further token records from the Ode to Roy collection. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/63000189. I artplusbrad
  2560. OpenSea. “Parade collection page, OpenSea.” https://opensea.io/collection/parade-by-loren-bednar. Accessed 18 September 2026. II 188
  2561. OpenSea profile of 0x9e427ebcca41cd9423516e0c19769ca1a1f2fc25, linking to oncyber.io/jell888. opensea.io III No. 23
  2562. OpenSea profile of 0xd6468d57646e73af0f6485216b9a851c94ae01d6, username TheoHMP. opensea.io III No. 39
  2563. OpenSea profile of metamix.eth. opensea.io III No. 47
  2564. OpenSea profile of ultrarareaf.eth, username UltraRareAF. opensea.io III No. 48
  2565. OpenSea published a Marfa Weekend interview with DADABOTS on AI music, live neural synthesis, and the Art Blocks community. OpenSea interview I dadabots
  2566. OpenSea records 212 Time Squared works and traits for arrangement, color strategy, palette, pattern, size, and speed. Time Squared traits I n e o; I steen
  2567. OpenSea records Ad Extremum Terrae as a 200-work collection launched in January 2023 and exposes its trait categories. marketplace-record I umatha
  2568. OpenSea records Aerial View by daLenz as an Art Blocks Ethereum collection with 1,000 items. OpenSea collection I daLenz
  2569. OpenSea records Bright as a 360-work collection launched in May 2023. Bright traits I Heeey
  2570. OpenSea records Calendart as a collaborative collection of 365 works and lists its background, chaos, frame, opacity, and palette traits. Calendart record I n e o; I steen
  2571. OpenSea records Dendro as a 275-work Art Blocks collection launched in May 2023 and lists its traits. dendro-market-archive I Isaksen
  2572. OpenSea records for specific editions document provenance and trading history for Gazettes tokens. OpenSea Gazettes #479 I redlioneye
  2573. OpenSea records Mental pathways as a 128-work collection jointly attributed to Fabiano Speziari and donnoh. OpenSea collection I Speziari; I donnoh
  2574. OpenSea records planets #18 within planets by donnoh and identifies its Ethereum token. OpenSea asset I donnoh
  2575. OpenSea records Roamings as a 128-work Art Blocks collection launched in January 2022 and lists its visual traits. collection-record I Ionescu
  2576. OpenSea records Sigils #6 as an Ethereum ERC-721 belonging to espina’s Sigils collection. Sigils market record I espina
  2577. OpenSea records the Art Blocks collection and its 750-item supply. OpenSea collection I sturec
  2578. OpenSea records the collection total and its principal trait categories. marketplace-record I Oesterling
  2579. OpenSea records the collection's page-oriented traits, including annotations, footnotes, highlights, illustrations, line height, and misprints. opensea-record I encapsuled
  2580. OpenSea records the collection’s 120 editions and its landscape, time, format, and reflection traits. OpenSea I Ento
  2581. OpenSea records Warp #300 as an Ethereum ERC-721 belonging to espina’s Warp collection. Warp market record I espina
  2582. OpenSea reproduces the Fleur project description, including its nature, mathematics, and evolving canvas language. opensea I AnaPet
  2583. OpenSea token metadata. Specific token pages on OpenSea, such as for edition #143, reproduce the project's descriptive text detailing the life cycle concept and parametric variations. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/168000143. I Blockchance
  2584. OpenSea token records document secondary-market sales and provenance for individual Cells editions. OpenSea Cells Token I Hevey
  2585. OpenSea tracks secondary market activity for the Implications collection, including sales volume and pricing. OpenSea Collection I Boyarsky
  2586. OpenSea's 2026 interview traces Larino's education, illustration career, generative transition, Marfa residency, and development of Gift of Time. OpenSea interview I Larino
  2587. OpenSea's Art Blocks collection page summarizes the platform categories, including the Presents program that succeeded Factory and Playground. artblocks-overview I AnaPet; I Beesley; I Kapoor; I REMO x DCsan
  2588. OpenSea's collection page records Synapses by Chaosconstruct as a 700 item Art Blocks collection. OpenSea collection I Kapoor
  2589. OpenSea's collection record confirms the 444-item collection and enumerates traits including palette, composition, displacement, item count, and layout. collection archive I Vromans
  2590. OpenSea's collection record identifies Summoning Ritual by PZS as a 110-work Art Blocks collection. collection record I PZS
  2591. OpenSea's dated interview covers Kovach's Haskell practice, influences, education, and transition from software work to art. OpenSea interview I Kovach
  2592. OpenSea's Fleur collection page preserves market, ownership, and collection description data for the project. opensea-analytics I AnaPet
  2593. OpenSea's Marfa interview addresses physical imperfection, drawing robots, and permanence. OpenSea interview I Merrill
  2594. OpenSea, "In Conversation with Erick Calderon," 28 August 2025. opensea.io III No. 1
  2595. opensea.io. The OFF Dakar Biennale 2022 includes the artist's work grandir vers les cieux in its exhibition program. https://opensea.io/item/ethereum/0xABB3738f04Dc2Ec20f4AE4462c3d069d02AE045B/12943000. I Aggott-Hönsch
  2596. opensea.io. OpenSea collection page for Right Place & Right Time, Bitcoin Volatility Art, documenting the 210-edition series and sales history. https://opensea.io/collection/right-place-right-time-bitcoin-volatility-art. I Kane
  2597. opensea.io. OpenSea collection page for ANONS by Matt Kane, showing 11 vintage photobooth portrait NFTs and market activity. https://opensea.io/collection/anons-by-matt-kane. I Kane
  2598. opensea.io. OpenSea collection page for Proof of Origin - Picture of the Planets by Matt Kane, the 50-edition PROOF Grails III release. https://opensea.io/collection/proof-of-origin-picture-of-the-planets-by-matt-kan. I Kane
  2599. opensea.io. Geometry Runners #72 on OpenSea, showing current offers and trait data. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000072. I Lord
  2600. opensea.io/assets/101000971. OpenSea item page for Enchiridion #971, documenting ownership, rarity, and last sale price. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/101000971. I Generative Artworks
  2601. opensea.io/blog. OpenSea's profile surveys Calderon's transition from tile to generative art, the founding of Art Blocks, and the reception of Chromie Squiggle. https://opensea.io/blog/articles/snowfro-erick-calderon. I Calderon; III No. 1
  2602. opensea.io/blog/articles/what-is-art-blocks. OpenSea blog guide to Art Blocks, contextualizing generative art platforms and the role of curated collections in the NFT ecosystem. https://opensea.io/blog/articles/what-is-art-blocks. I Generative Artworks; I REMO x DCsan; I matto; I pxlq
  2603. opensea.io/blog/features. OpenSea feature: In Conversation with Han of CryptoCubes, exploring his journey from architecture to blockchain art. https://opensea.io/blog/features. I Saglam
  2604. opensea.io/collection/algorhythms-by-han-x-nicolas-daniel. OpenSea collection page for AlgoRhythms by Han x Nicolas Daniel, showing trading volume and ownership statistics. https://opensea.io/collection/algorhythms-by-han-x-nicolas-daniel. I Saglam
  2605. opensea.io/collection/alien-insects-by-shvembldr. OpenSea collection page for Alien Insects, documenting floor prices, trading volume, and ownership statistics. https://opensea.io/collection/alien-insects-by-shvembldr. I Shvembldr
  2606. opensea.io/collection/bokeh-by-mpkoz. OpenSea collection page for Bokeh by mpkoz, with the secondary market for the 300 digital works. https://opensea.io/collection/bokeh-by-mpkoz. I Kozlowski
  2607. opensea.io/collection/bokeh-lamps-by-mpkoz. OpenSea collection page for the Bokeh (lamps) by mpkoz, the physical sculptural-lighting counterpart edition. https://opensea.io/collection/bokeh-lamps-by-mpkoz. I Kozlowski
  2608. opensea.io/collection/chimera-by-mpkoz. OpenSea collection page for Chimera by mpkoz, used as a benchmark of the work's early secondary trading. https://opensea.io/collection/chimera-by-mpkoz. I Kozlowski
  2609. opensea.io/collection/democracity-by-generative-artworks. OpenSea collection page for Democracity, documenting trading volume, floor price, and collector distribution across the 1,024-edition set. https://opensea.io/collection/democracity-by-generative-artworks. I Generative Artworks
  2610. opensea.io/collection/empath-by-mpkoz. OpenSea collection page for Empath by mpkoz, the gravity-powered mechanical sculpture series with NFT blueprints. https://opensea.io/collection/empath-by-mpkoz. I Kozlowski
  2611. opensea.io/collection/enchiridion-by-generative-artworks. OpenSea collection page for Enchiridion, showing secondary market activity, trait breakdowns, and ownership statistics. https://opensea.io/collection/enchiridion-by-generative-artworks. I Generative Artworks
  2612. opensea.io/collection/neogen-space-monkeys-by-dalek-x-generative-artwork. OpenSea collection page for the NEOGEN Space Monkeys collaboration between Dalek and Generative Artworks. https://opensea.io/collection/neogen-space-monkeys-by-dalek-x-generative-artwork. I Generative Artworks
  2613. opensea.io/collection/pigments-by-darien-brito. OpenSea collection page for Pigments, showing secondary market activity, floor price, and ownership distribution across 630 unique owners. https://opensea.io/collection/pigments-by-darien-brito. I Brito
  2614. opensea.io/item/162000057. OpenSea item page for Democracity #57, showing rarity ranking, trait composition, and transaction history. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/162000057. I Generative Artworks
  2615. OpenSea’s 2025 interview presents Chan’s account of software artworks as systems for examining real economic structures. interview I Chan
  2616. OpenSea’s 2025 interview records RalenArc’s sixteen-year multidisciplinary practice, sketch-led process, use of p5.js, and interest in natural textures and organic forms. OpenSea interview I RalenArc
  2617. OpenSea’s 2025 Marfa interview documents Shivdasani’s entry into creative coding, iterative method, and barrier-grid animation project. OpenSea interview I Shivdasani
  2618. OpenSea’s Art Blocks collection record identifies Divenire as a 222-work collection launched in May 2022. OpenSea collection I Pasin
  2619. OpenSea’s asset record documents Lava Glow #92 and its item-level token data. opensea-asset I JEANVASCRIPT
  2620. OpenSea’s collection archive records Växt as a January 2024 collection with 150 works and enumerates its generative traits. marketplace-record I Tengil
  2621. OpenSea’s collection record associates 3 Minute Meditations with Art Blocks, 159 works, and an August 2022 launch. OpenSea record I thetechnocratic
  2622. OpenSea’s collection record confirms the supply and indexes the project’s trait families. OpenSea collection I Orpheusk
  2623. OpenSea’s collection record corroborates Primordial’s total of 333 works and publishes its trait groupings. primordial-market-record I Gold
  2624. OpenSea’s collection record corroborates the total of 186 works and displays the project’s trait vocabulary. curved-air-market-record I Gold
  2625. OpenSea’s collection record enumerates visual trait categories used by the project. OpenSea traits I Struhl
  2626. OpenSea’s collection record exposes named Talking Blocks traits related to hue, angle, and glitch. Talking Blocks traits I REMO x DCsan
  2627. OpenSea’s collection record exposes the 1,000-work Gizmobotz set and its positional trait vocabulary. OpenSea collection I Cotton
  2628. OpenSea’s collection record identifies Pointila by Phaust as a 200-work Art Blocks collection. OpenSea record I Phaust
  2629. OpenSea’s collection record reports 400 items in Spectron. OpenSea collection I De Mai
  2630. OpenSea’s dated interview discusses Rayner’s geometric media, meditation, and identity as a picture maker. opensea-interview I Rayner
  2631. OpenSea’s indexed collection record identifies Mental pathways as an Art Blocks collection containing 128 works. OpenSea I Speziari
  2632. OpenSea’s interview with Butcher addresses Gas Wars, intentional damage, collector behavior, and the mint as an experiment. OpenSea interview I Butcher
  2633. OpenSea’s item record attributes Where The Wind Blows to MODNAR WOLF and identifies it as an Ethereum ERC-721 work. opensea-item I MODNAR WOLF
  2634. OpenSea’s Marfa interview discusses Chan’s 2017 Digital Zones and its inquiry into ownership. interview I Chan
  2635. OpenSea’s Marfa interview discusses Griffith’s JavaScript process, physical installation, and understanding of software as a medium. Marfa interview I Griffith
  2636. OpenSea’s substantive Terroir collection record identifies the project and its April 2022 launch context. Terroir archive I Milligan
  2637. OpenSea’s trait record enumerates the project’s palette, background, silhouette-density, haze, mirage, breeze, refraction, and pattern attributes. Trait record I de la Rouviere
  2638. Operator. “Human Unreadable official description.” https://www.artblocks.io/info/spectrum/conversation-operator-ania-catherine-dejha-ti-human-unreadable. Accessed 19 September 2026. II 443
  2639. Owen Moore. “Flux official collection copy.” https://www.artblocks.io/collections/curated/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/296. Accessed 19 September 2026. II 291
  2640. Owen Moore. “Spaghettification #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/99000000. Accessed 18 September 2026. I Moore; II 099
  2641. Owen Moore. “Spaghettification #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/99000001. Accessed 18 September 2026. II 099
  2642. Owen Moore. “Spaghettification #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/99000010. Accessed 18 September 2026. II 099
  2643. Owen Moore. “Spaghettification #136.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/99000136. Accessed 18 September 2026. II 099
  2644. Owen Moore. “Spaghettification #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/99000020. Accessed 18 September 2026. II 099
  2645. p5.js contributors. “p5.js 1.0.0 2D renderer.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/src/core/p5.Renderer2D.js. Accessed 17 September 2026. II 031
  2646. p5.js contributors. “p5.js 1.0.0 licence.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/license.txt. Accessed 17 September 2026. II 004; II 005; II 007; II 012; II 015; II 017; II 019; II 026; II 027; II 029; II 030; II 031; II 033; II 035; II 038; II 040; II 042; II 043; II 044; II 046; II 048; II 049; II 050; II 051; II 052; II 055; II 056; II 057; II 058; II 059; II 060; II 061; II 063; II 066; II 068; II 069; II 070; II 072; II 073; II 074; II 081; II 084; II 085; II 086; II 087; II 088; II 089; II 090; II 091; II 092; II 093; II 094; II 095; II 097; II 098; II 099; II 101; II 102; II 103; II 104; II 105; II 106; II 108; II 109; II 110; II 112; II 115; II 117; II 119; II 122; II 130; II 131; II 137; II 139; II 142; II 145; II 148; II 151; II 153; II 158; II 160; II 198; II 201; II 204; II 208; II 209; II 226; II 228; II 231; II 232; II 233; II 235; II 236; II 238; II 239; II 241; II 243; II 245; II 247; II 248; II 249; II 253; II 254; II 255; II 256; II 454
  2647. p5.js contributors. “p5.js 1.0.0 noise implementation.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/src/math/noise.js. Accessed 17 September 2026. II 026
  2648. p5.js contributors. “p5.js 1.0.0 package manifest.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/package.json. Accessed 18 September 2026. II 063; II 066; II 069
  2649. p5.js contributors. “p5.js 1.0.0 random implementation.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/src/math/random.js. Accessed 18 September 2026. II 247
  2650. p5.js contributors. “p5.js 1.0.0 shape vertices implementation.” https://raw.githubusercontent.com/processing/p5.js/1.0.0/src/core/shape/vertex.js. Accessed 17 September 2026. II 031
  2651. Pandelune. “Rendered preview images for Orthogone invocations 0, 476, 3 and 20 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/88000476.png. Accessed 18 September 2026. II 089
  2652. Paolo Tonon. “Rendered preview images for Panelscape invocations 0, 10, 20 and 103 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/83000103.png. Accessed 18 September 2026. II 085
  2653. Petro National by John Gerrard on Art Blocks (Art Blocks × Pace, 196 editions, 2022): 196 nations as gasoline spills set by per-capita petroleum consumption, the first WebGL piece online and on-chain, with production by Werner Poetzelberger and Helmut Bressler. artblocks.io I Gerrard
  2654. Piter Pasma on Art Blocks. Art Blocks' artist profile gathers Pasma's biography, recognition, and platform project. https://www.artblocks.io/artists/piter-pasma. I Pasma
  2655. Plottables. Art Blocks describes Plottables as Jacobson's curated onchain platform for pen-plotter generative art. https://www.artblocks.io/partners/plottables. I Jacobson
  2656. PLS&TY. “Synesthesia #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/239000000. Accessed 18 September 2026. II 235
  2657. PLS&TY. “Synesthesia #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/239000001. Accessed 18 September 2026. II 235
  2658. PLS&TY. “Synesthesia #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/239000010. Accessed 18 September 2026. II 235
  2659. PLS&TY. “Synesthesia #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/239000020. Accessed 18 September 2026. II 235
  2660. PLS&TY. “Synesthesia #29.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/239000029. Accessed 18 September 2026. II 235
  2661. Pre-Process. Pre-Process presents all 120 significant permutations of a system whose roots reach to 2003. https://www.artblocks.io/collection/pre-process-by-casey-reas. I REAS
  2662. Preserving the Infinite. Merrill's Art Blocks essay explains BUSY's random systems, hand-drawn vectors, physical plotting, and preservation model. https://www.artblocks.io/articles/preserving-the-infinite-my-journey-with-busy. I Merrill
  2663. PrimiEnd #5 is one of 256 unique artworks in the Factory collection, illustrating the project's terminal geometric vocabulary. Art Blocks Token I Benhorin
  2664. PrimiEnd is described as the final chapter in the Primitive Trilogy, bringing the series to a terminal configuration. OpenSea I Benhorin
  2665. Primordial activity record. OpenSea’s Primordial activity record supplies a marketplace overview of the 333-work Art Blocks set. https://opensea.io/collection/primordial-by-jacob-gold/activity. I Gold
  2666. Programmable art. OpenSea’s Async Art essay provides historical context for programmable digital works whose rendered states can change. https://opensea.io/blog/articles/async-art-paving-the-way-for-programmable-dynamically-changing-art-on-the-blockchain. I REMO x DCsan
  2667. Project documentation and artist statements describe the conceptual foundation of Rapture as an exploration of overflowing magical seals and dissolution. Rapture Token Example I Pedersen
  2668. Project page documenting Assorted Positivity as a 400-edition generative collection released 3 June 2022 on Art Blocks. Assorted Positivity Project Page I steganon
  2669. Project page documenting Autology as a 1,024-edition generative collection released 22 November 2021 on Art Blocks. Autology Project Page I steganon
  2670. Project reference confirming October 2021 release and conceptual framing for Quarantine. Art Blocks I Moore
  2671. Protocol overview. The protocol overview describes deterministic rendering from token-specific hashes and artist scripts. https://docs.artblocks.io/protocol/overview/. I Alexander; I Brukhman; I Cohen; I Cyclops Group; I MODNAR WOLF; I Third Vision; I espina; I n e o; I steen; I tuplart
  2672. pxlq. “Cyber Cities #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/14000000. Accessed 17 September 2026. II 015
  2673. pxlq. “Cyber Cities #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/14000001. Accessed 17 September 2026. II 015
  2674. pxlq. “Cyber Cities #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/14000010. Accessed 17 September 2026. II 015
  2675. pxlq. “Cyber Cities #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/14000020. Accessed 17 September 2026. II 015
  2676. pxlq. “Cyber Cities #255.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/14000255. Accessed 17 September 2026. II 015
  2677. pxlq. “Dynamic Slices #0.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/4000000. Accessed 17 September 2026. II 004
  2678. pxlq. “Dynamic Slices #1.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/4000001. Accessed 17 September 2026. II 004
  2679. pxlq. “Dynamic Slices #10.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/4000010. Accessed 17 September 2026. II 004
  2680. pxlq. “Dynamic Slices #20.” 12 December 2020. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/4000020. Accessed 17 September 2026. II 004
  2681. pxlq. “Hieroglyphs #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/30000000. Accessed 17 September 2026. II 031
  2682. pxlq. “Hieroglyphs #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/30000001. Accessed 17 September 2026. II 031
  2683. pxlq. “Hieroglyphs #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/30000010. Accessed 17 September 2026. II 031
  2684. pxlq. “Hieroglyphs #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/30000020. Accessed 17 September 2026. II 031
  2685. PZS. “Summoning Ritual #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/236000000. Accessed 18 September 2026. II 231
  2686. PZS. “Summoning Ritual #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/236000001. Accessed 18 September 2026. II 231
  2687. PZS. “Summoning Ritual #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/236000010. Accessed 18 September 2026. II 231
  2688. PZS. “Summoning Ritual #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/236000020. Accessed 18 September 2026. II 231
  2689. PZS. “Summoning Ritual #44.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/236000044. Accessed 18 September 2026. II 231
  2690. Quine collection. Quine is the 497-work final release in the Art Blocks Curated AB[500] collection. https://www.artblocks.io/collection/quine-by-larva-labs. I Larva Labs
  2691. Quine exhibition. The exhibition page explains the ranked auction, self-reproducing programs, quinity, and collector-selectable display generations. https://www.artblocks.io/exhibitions/quine-by-larva-labs. I Larva Labs
  2692. r4v3n. “Moments #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/156000000. Accessed 18 September 2026. II 154
  2693. r4v3n. “Moments #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/156000001. Accessed 18 September 2026. II 154
  2694. r4v3n. “Moments #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/156000010. Accessed 18 September 2026. II 154
  2695. r4v3n. “Moments #1015.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/156001015. Accessed 18 September 2026. II 154
  2696. r4v3n. “Moments #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/156000020. Accessed 18 September 2026. II 154
  2697. Radix / Art Blocks. “Eccentrics #11, AB5D collection.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/104000011. Accessed 18 September 2026. II 104
  2698. Radix / Art Blocks. “Eccentrics 2: Orbits #0: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/139000000. Accessed 17 September 2026. II 140
  2699. Radix / Art Blocks. “Eccentrics 2: Orbits #10: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/139000010. Accessed 17 September 2026. II 140
  2700. Radix / Art Blocks. “Eccentrics 2: Orbits #1: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/139000001. Accessed 17 September 2026. II 140
  2701. Radix / Art Blocks. “Eccentrics 2: Orbits #20: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/139000020. Accessed 17 September 2026. II 140
  2702. Radix / Art Blocks. “Eccentrics 2: Orbits #471: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/139000471. Accessed 17 September 2026. II 140
  2703. Radix / Art Blocks. “Eccentrics 2: Orbits collection.” https://www.artblocks.io/collection/eccentrics-2-orbits-by-radix. Accessed 17 September 2026. I Dixon; II 140
  2704. Radix. “Eccentrics #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/104000000. Accessed 18 September 2026. II 104
  2705. Radix. “Eccentrics #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/104000001. Accessed 18 September 2026. II 104
  2706. Radix. “Eccentrics #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/104000010. Accessed 18 September 2026. II 104
  2707. Radix. “Eccentrics #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/104000020. Accessed 18 September 2026. II 104
  2708. Radix. “Inspirals #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/29000000. Accessed 17 September 2026. II 030
  2709. Radix. “Inspirals #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/29000001. Accessed 17 September 2026. II 030
  2710. Radix. “Inspirals #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/29000010. Accessed 17 September 2026. II 030
  2711. Radix. “Inspirals #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/29000020. Accessed 17 September 2026. II 030
  2712. Rafaël Rozendaal. “Dive #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/212000000. Accessed 19 September 2026. II 207
  2713. Rafaël Rozendaal. “Dive #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/212000001. Accessed 19 September 2026. II 207
  2714. Rafaël Rozendaal. “Dive #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/212000010. Accessed 19 September 2026. II 207
  2715. Rafaël Rozendaal. “Dive #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/212000020. Accessed 19 September 2026. II 207
  2716. Rafaël Rozendaal. “Dive #308.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/212000308. Accessed 19 September 2026. II 207
  2717. Rafaël Rozendaal. “Endless Nameless #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/120000000. Accessed 18 September 2026. II 118
  2718. Rafaël Rozendaal. “Endless Nameless #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/120000001. Accessed 18 September 2026. II 118
  2719. Rafaël Rozendaal. “Endless Nameless #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/120000010. Accessed 18 September 2026. II 118
  2720. Rafaël Rozendaal. “Endless Nameless #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/120000020. Accessed 18 September 2026. II 118
  2721. Rafaël Rozendaal. “Endless Nameless #470.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/120000470. Accessed 18 September 2026. II 118
  2722. raregonzo (Shane Richardson). “Rendered preview images for Breathe You invocations 0, 1, 10, 20, 4, 32, 141 and 160 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/75000000.png. Accessed 18 September 2026. II 083
  2723. Raymond Hill. “Javascript-Voronoi MIT licence.” https://raw.githubusercontent.com/gorhill/Javascript-Voronoi/master/LICENSE.md. Accessed 18 September 2026. II 106
  2724. Redlioneye Gazette / pxlq. “Gazettes #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/36000000. Accessed 17 September 2026. I redlioneye; II 038
  2725. Redlioneye Gazette / pxlq. “Gazettes #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/36000001. Accessed 17 September 2026. II 038
  2726. Redlioneye Gazette / pxlq. “Gazettes #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/36000010. Accessed 17 September 2026. II 038
  2727. Redlioneye Gazette / pxlq. “Gazettes #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/36000020. Accessed 17 September 2026. II 038
  2728. Reflection. Reflection, 100 editions, a Bright Moments New York project that connects colour to memory and relationships. https://www.artblocks.io/collection/reflection-by-jeff-davis. I Davis
  2729. REMO x DCsan. “Dream Engine #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/223000000. Accessed 18 September 2026. II 228
  2730. REMO x DCsan. “Dream Engine #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/223000001. Accessed 18 September 2026. II 228
  2731. REMO x DCsan. “Dream Engine #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/223000010. Accessed 18 September 2026. II 228
  2732. REMO x DCsan. “Dream Engine #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/223000020. Accessed 18 September 2026. II 228
  2733. REMO x DCsan. “Dream Engine #403.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/223000403. Accessed 18 September 2026. II 228
  2734. REMO x DCsan. “Talking Blocks #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/55000000. Accessed 18 September 2026. II 057
  2735. REMO x DCsan. “Talking Blocks #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/55000001. Accessed 18 September 2026. II 057
  2736. REMO x DCsan. “Talking Blocks #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/55000010. Accessed 18 September 2026. II 057
  2737. REMO x DCsan. “Talking Blocks #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/55000020. Accessed 18 September 2026. II 057
  2738. REMO x DCsan. “Talking Blocks #56.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/55000056. Accessed 18 September 2026. II 057
  2739. Reva. “Through the Window #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/207000001. Accessed 18 September 2026. II 204
  2740. Reva. “Through the Window #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/207000010. Accessed 18 September 2026. II 204
  2741. Reva. “Through the Window #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/207000020. Accessed 18 September 2026. II 204
  2742. Rich Lord. “Geometry Runners #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000000. Accessed 18 September 2026. II 134
  2743. Rich Lord. “Geometry Runners #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000001. Accessed 18 September 2026. II 134
  2744. Rich Lord. “Geometry Runners #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000010. Accessed 18 September 2026. II 134
  2745. Rich Lord. “Geometry Runners #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000020. Accessed 18 September 2026. II 134
  2746. Rich Lord. “Geometry Runners #863.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/138000863. Accessed 18 September 2026. II 134
  2747. Rich Lord. “Octo Garden #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000000. Accessed 17 September 2026. II 103
  2748. Rich Lord. “Octo Garden #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000001. Accessed 17 September 2026. II 103
  2749. Rich Lord. “Octo Garden #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000010. Accessed 17 September 2026. II 103
  2750. Rich Lord. “Octo Garden #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000020. Accessed 17 September 2026. II 103
  2751. Rich Lord. “Octo Garden #216.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/103000216. Accessed 17 September 2026. II 103
  2752. Roll Some Bones. Art Blocks documents Iyer’s later Studio project Roll Some Bones. https://www.artblocks.io/collection/roll-some-bones-by-rahul-iyer?attributes=%7B%22Palette%22%3A%7B%22type%22%3A%22enum%22%2C%22options%22%3A%7B%22Baby+powder%22%3Atrue%7D%7D%7D. I iyer
  2753. Roman Janajev. “a heart and a soul #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/158000000. Accessed 18 September 2026. II 158
  2754. Roman Janajev. “a heart and a soul #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/158000001. Accessed 18 September 2026. II 158
  2755. Roman Janajev. “a heart and a soul #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/158000010. Accessed 18 September 2026. II 158
  2756. Roman Janajev. “a heart and a soul #186.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/158000186. Accessed 18 September 2026. II 158
  2757. Roman Janajev. “a heart and a soul #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/158000020. Accessed 18 September 2026. II 158
  2758. Roni Block. “Machine Comics #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/257000000. Accessed 19 September 2026. II 256
  2759. Roni Block. “Machine Comics #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/257000001. Accessed 19 September 2026. II 256
  2760. Roni Block. “Machine Comics #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/257000010. Accessed 19 September 2026. II 256
  2761. Roni Block. “Machine Comics #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/257000020. Accessed 19 September 2026. II 256
  2762. Roni Block. “Machine Comics #71.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/257000071. Accessed 19 September 2026. II 256
  2763. Ruben Alexander. “Star Flower #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000000. Accessed 18 September 2026. II 052
  2764. Ruben Alexander. “Star Flower #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000001. Accessed 18 September 2026. II 052
  2765. Ruben Alexander. “Star Flower #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000010. Accessed 18 September 2026. II 052
  2766. Ruben Alexander. “Star Flower #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000020. Accessed 18 September 2026. II 052
  2767. Ruben Alexander. “Star Flower #63.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000063. Accessed 18 September 2026. II 052
  2768. Rune Madsen. “Rune.Noise.js README.” https://raw.githubusercontent.com/runemadsen/rune.noise.js/master/README.md. Accessed 17 September 2026. II 009
  2769. RVig / Art Blocks. “Flowers #0 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/116000000. Accessed 17 September 2026. II 117
  2770. RVig / Art Blocks. “Flowers #1 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/116000001. Accessed 17 September 2026. II 117
  2771. RVig / Art Blocks. “Flowers #10 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/116000010. Accessed 17 September 2026. II 117
  2772. RVig / Art Blocks. “Flowers #20 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/116000020. Accessed 17 September 2026. II 117
  2773. RVig / Art Blocks. “Flowers #822 original.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/116000822. Accessed 17 September 2026. II 117
  2774. RVig / Art Blocks. “Flowers collection.” https://www.artblocks.io/collection/flowers-by-rvig. Accessed 17 September 2026. I RVig; II 117
  2775. Ryan Bell. Art Blocks maintains an artist archive connecting Bell with his platform release. https://www.artblocks.io/artists/ryan-bell. I Bell
  2776. Samsy. “Jiometory No Compute #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000000. Accessed 18 September 2026. II 227
  2777. Samsy. “Jiometory No Compute #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000001. Accessed 18 September 2026. II 227
  2778. Samsy. “Jiometory No Compute #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000010. Accessed 18 September 2026. II 227
  2779. Samsy. “Jiometory No Compute #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000020. Accessed 18 September 2026. II 227
  2780. Samsy. “Jiometory No Compute #972.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/232000972. Accessed 18 September 2026. II 227
  2781. Santiago. “Cosmodesias #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/258000000. Accessed 19 September 2026. II 252
  2782. Santiago. “Cosmodesias #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/258000001. Accessed 19 September 2026. II 252
  2783. Santiago. “Cosmodesias #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/258000010. Accessed 19 September 2026. II 252
  2784. Santiago. “Cosmodesias #112.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/258000112. Accessed 19 September 2026. II 252
  2785. Santiago. “Cosmodesias #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/258000020. Accessed 19 September 2026. II 252
  2786. Sarah Rossien / Owen Moore. “In Conversation with Owen Moore.” 14 April 2022. https://www.artblocks.io/articles/in-conversation-with-owen-moore. Accessed 18 September 2026. II 099
  2787. Scribbled Boundaries #170. OpenSea’s record for Scribbled Boundaries #170 documents a specific output’s contract, token identifier, ownership, and market history. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000170. I Tan
  2788. Secondary-market listing enumerating the collection's on-chain traits: style, shape, size, peg length, target rings, confetti colors, monochrome, and lights on. OpenSea: Transitions collection traits I Bilfield
  2789. sgt_slaughtermelon & Tartaria Archivist. “autoRAD #0 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/144000000. Accessed 17 September 2026. II 145
  2790. sgt_slaughtermelon & Tartaria Archivist. “autoRAD #1 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/144000001. Accessed 17 September 2026. II 145
  2791. sgt_slaughtermelon & Tartaria Archivist. “autoRAD #10 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/144000010. Accessed 17 September 2026. II 145
  2792. sgt_slaughtermelon & Tartaria Archivist. “autoRAD #20 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/144000020. Accessed 17 September 2026. II 145
  2793. sgt_slaughtermelon & Tartaria Archivist. “autoRAD #376 original and token record.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/144000376. Accessed 17 September 2026. II 145
  2794. Shippori Mincho Project Authors. “Shippori Mincho font licence.” https://raw.githubusercontent.com/fontdasu/ShipporiMincho/master/OFL.txt. Accessed 18 September 2026. II 149
  2795. Shvembldr / Art Blocks. “Alien Insects #0: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/137000000. Accessed 17 September 2026. II 135
  2796. Shvembldr / Art Blocks. “Alien Insects #10: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/137000010. Accessed 17 September 2026. II 135
  2797. Shvembldr / Art Blocks. “Alien Insects #1: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/137000001. Accessed 17 September 2026. II 135
  2798. Shvembldr / Art Blocks. “Alien Insects #20: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/137000020. Accessed 17 September 2026. II 135
  2799. Shvembldr / Art Blocks. “Alien Insects #966: original renderer.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/137000966. Accessed 17 September 2026. II 135
  2800. Shvembldr / Art Blocks. “Alien Insects collection.” https://www.artblocks.io/collection/alien-insects-by-shvembldr. Accessed 17 September 2026. I Shvembldr; II 135
  2801. Shvembldr. “Alien Clock #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/112000000. Accessed 18 September 2026. II 112
  2802. Shvembldr. “Alien Clock #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/112000001. Accessed 18 September 2026. II 112
  2803. Shvembldr. “Alien Clock #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/112000010. Accessed 18 September 2026. II 112
  2804. Shvembldr. “Alien Clock #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/112000020. Accessed 18 September 2026. II 112
  2805. Shvembldr. “Alien Clock #64.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/112000064. Accessed 18 September 2026. II 112
  2806. Shvembldr. “The Blocks of Art #1, original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/74000001. Accessed 18 September 2026. II 074
  2807. Shvembldr. “The Blocks of Art #10, original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/74000010. Accessed 18 September 2026. II 074
  2808. Shvembldr. “The Blocks of Art #20, original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/74000020. Accessed 18 September 2026. II 074
  2809. Shvembldr. “The Blocks of Art #319, original renderer.” Art Blocks. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/74000319. Accessed 18 September 2026. II 074
  2810. Simon De Mai. “Spectron #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/17000000. Accessed 17 September 2026. II 018
  2811. Simon De Mai. “Spectron #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/17000001. Accessed 17 September 2026. II 018
  2812. Simon De Mai. “Spectron #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/17000010. Accessed 17 September 2026. II 018
  2813. Simon De Mai. “Spectron #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/17000020. Accessed 17 September 2026. II 018
  2814. Sketch for a Storm. A second Art Blocks collection by the same artist demonstrates continued exploration of generative form in a 100-edition release. https://www.artblocks.io/collection/sketch-for-a-storm-by-0xphiiil. I 0xphiiil
  2815. Sotheby’s and Art Blocks. Sotheby’s case study describes its use of Art Blocks Engine for Vera Molnár’s on-chain generative project. https://engine.artblocks.io/case-studies/sothebys. I steen
  2816. Specific token pages on Art Blocks illustrate the presentation and attributes of individual editions from the series. Art Blocks Token I cyberia
  2817. Speckled Summits #42. OpenSea records Speckled Summits #42 and the collection’s market history and traits. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/109000042. I Rockland
  2818. Spectron #370. OpenSea preserves an individual Spectron token record with ownership, contract, and trait information. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/17000370. I De Mai
  2819. SPINᵗ. Art Blocks records SPINᵗ, Jacobson's December 2023 project for Bright Moments. https://www.artblocks.io/collection/spin-by-numbersinmotion. I Jacobson
  2820. Staccato #102. A token record situates Staccato #102 within Bell’s Art Blocks collection and identifies its on-chain token. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/351000102. I Bell
  2821. Star Flower #83. An OpenSea object record documents Star Flower #83 as an ERC-721 token on Ethereum. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/52000083. I Alexander
  2822. steen & n-e-o. “Calendart #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000000. Accessed 18 September 2026. II 127
  2823. steen & n-e-o. “Calendart #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000001. Accessed 18 September 2026. II 127
  2824. steen & n-e-o. “Calendart #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000010. Accessed 18 September 2026. II 127
  2825. steen & n-e-o. “Calendart #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000020. Accessed 18 September 2026. II 127
  2826. steen & n-e-o. “Calendart #78.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/125000078. Accessed 18 September 2026. II 127
  2827. steen x n-e-o. “Time Squared #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000000. Accessed 18 September 2026. II 232
  2828. steen x n-e-o. “Time Squared #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000001. Accessed 18 September 2026. II 232
  2829. steen x n-e-o. “Time Squared #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000010. Accessed 18 September 2026. II 232
  2830. steen x n-e-o. “Time Squared #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000020. Accessed 18 September 2026. II 232
  2831. steen x n-e-o. “Time Squared #3.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/237000003. Accessed 18 September 2026. II 232
  2832. Stefano Contiero / Art Blocks. “Rinascita #0: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/121000000. Accessed 17 September 2026. II 122
  2833. Stefano Contiero / Art Blocks. “Rinascita #10: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/121000010. Accessed 17 September 2026. II 122
  2834. Stefano Contiero / Art Blocks. “Rinascita #1: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/121000001. Accessed 17 September 2026. II 122
  2835. Stefano Contiero / Art Blocks. “Rinascita #20: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/121000020. Accessed 17 September 2026. II 122
  2836. Stefano Contiero / Art Blocks. “Rinascita #955: token and original renderer.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/121000955. Accessed 17 September 2026. II 122
  2837. Stefano Contiero. “Frammenti #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/72000000. Accessed 18 September 2026. II 070
  2838. Stefano Contiero. “Frammenti #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/72000001. Accessed 18 September 2026. II 070
  2839. Stefano Contiero. “Frammenti #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/72000010. Accessed 18 September 2026. II 070
  2840. Stefano Contiero. “Frammenti #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/72000020. Accessed 18 September 2026. II 070
  2841. Stefano Contiero. “Frammenti #281 live interaction.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/72000281. Accessed 18 September 2026. II 070
  2842. Stefano Contiero. “Saturazione #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/200000001. Accessed 18 September 2026. II 198
  2843. Stefano Contiero. “Saturazione #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/200000010. Accessed 18 September 2026. II 198
  2844. Stefano Contiero. “Saturazione #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/200000020. Accessed 18 September 2026. II 198
  2845. steganon. “Autology #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/209000001. Accessed 18 September 2026. II 203
  2846. steganon. “Autology #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/209000010. Accessed 18 September 2026. II 203
  2847. steganon. “Autology #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/209000020. Accessed 18 September 2026. II 203
  2848. Steve Pikelny / Art Blocks. “I Saw It in a Dream #0 original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/102000000. Accessed 17 September 2026. II 108
  2849. Steve Pikelny / Art Blocks. “I Saw It in a Dream #1 original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/102000001. Accessed 17 September 2026. II 108
  2850. Steve Pikelny / Art Blocks. “I Saw It in a Dream #10 original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/102000010. Accessed 17 September 2026. II 108
  2851. Steve Pikelny / Art Blocks. “I Saw It in a Dream #20 original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/102000020. Accessed 17 September 2026. II 108
  2852. Steve Pikelny / Art Blocks. “I Saw It in a Dream #223 original generator.” https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/102000223. Accessed 17 September 2026. II 108
  2853. Steve Pikelny. “CryptoGodKing #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/44000000. Accessed 17 September 2026. II 044
  2854. Steve Pikelny. “CryptoGodKing #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/44000001. Accessed 17 September 2026. II 044
  2855. Steve Pikelny. “CryptoGodKing #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/44000010. Accessed 17 September 2026. II 044
  2856. Steve Pikelny. “CryptoGodKing #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/44000020. Accessed 17 September 2026. II 044
  2857. Steve Pikelny. “Dopamine Machines official description.” https://www.artblocks.io/info/spectrum/in-conversation-with-steve-pikelny-on-dopamine-machines. Accessed 19 September 2026. II 456
  2858. Steve Pikelny. “Fake Internet Money #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/152000000. Accessed 18 September 2026. II 149
  2859. Steve Pikelny. “Fake Internet Money #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/152000001. Accessed 18 September 2026. II 149
  2860. Steve Pikelny. “Fake Internet Money #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/152000010. Accessed 18 September 2026. II 149
  2861. Steve Pikelny. “Fake Internet Money #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/152000020. Accessed 18 September 2026. II 149
  2862. Steve Pikelny. “Fake Internet Money #29.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/152000029. Accessed 18 September 2026. II 149
  2863. Steve Pikelny on Art Blocks. Art Blocks' artist record gathers Pikelny's platform biography and six AB[500] collections. https://www.artblocks.io/artists/steve-pikelny. I Pikelny
  2864. Stina Jones. “Algobots #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000000. Accessed 17 September 2026. II 045
  2865. Stina Jones. “Algobots #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000001. Accessed 17 September 2026. II 045
  2866. Stina Jones. “Algobots #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000010. Accessed 17 September 2026. II 045
  2867. Stina Jones. “Algobots #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/40000020. Accessed 17 September 2026. II 045
  2868. Stipple Sunsets #29. OpenSea records Stipple Sunsets #29 and its collection association. https://opensea.io/assets/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000029. I Rockland
  2869. Stipple Sunsets archive. An OpenSea work record identifies an individual token from Stipple Sunsets and its parent collection. https://opensea.io/item/ethereum/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/51000129. I Rockland
  2870. Streamlines. Art Blocks records Streamlines as Jacobson's 500-work Plottables release from December 2021. https://www.artblocks.io/collection/streamlines-by-numbersinmotion. I Jacobson
  2871. sturec. “sail-o-bots #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/98000000. Accessed 17 September 2026. II 098
  2872. sturec. “sail-o-bots #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/98000001. Accessed 17 September 2026. II 098
  2873. sturec. “sail-o-bots #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/98000010. Accessed 17 September 2026. II 098
  2874. sturec. “sail-o-bots #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/98000020. Accessed 17 September 2026. II 098
  2875. sturec. “sail-o-bots #377.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/98000377. Accessed 17 September 2026. II 098
  2876. Superblob / Art Blocks. “Tangled #0 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/132000000. Accessed 17 September 2026. II 130
  2877. Superblob / Art Blocks. “Tangled #1 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/132000001. Accessed 17 September 2026. II 130
  2878. Superblob / Art Blocks. “Tangled #10 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/132000010. Accessed 17 September 2026. II 130
  2879. Superblob / Art Blocks. “Tangled #20 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/132000020. Accessed 17 September 2026. II 130
  2880. Superblob / Art Blocks. “Tangled #302 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/132000302. Accessed 17 September 2026. II 130
  2881. Tabor Robak. “Colorspace official collection copy.” https://www.artblocks.io/collections/curated/projects/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/309. Accessed 19 September 2026. II 304
  2882. Technical Requirements. Art Blocks’ technical requirements describe hashes as unique seeds controlling variables in artist scripts. https://help.artblocks.io/Technical-Requirements-7f9a9aaf39ea4f20b2d5b948cf08d5aa. I MODNAR WOLF; I WAWAA; I n e o; I usnea
  2883. Terroir contract. Etherscan preserves the deployed Terroir contract code and embedded project title. https://etherscan.io/address/0x5e2a7ea1a13014d7235befe92883cee6c7312287. I Milligan
  2884. The Art Blocks artist page situates the collaboration between henrysdev and AMNDA within the platform's generative ecosystem. Art Blocks artists I AMNDA
  2885. The Art Blocks artist profile aggregates on-platform activity and collection history for Hevey. Art Blocks Artist Profile I Hevey
  2886. The Art Blocks artist profile outlines Pedersen's background as a data scientist and generative artist based in Copenhagen and provides context for his major on-chain projects. Art Blocks Artist Profile I Pedersen
  2887. The Art Blocks artist profile page for the duo serves as a central directory entry for their platform activity and collections. Art Blocks Artist Profile I Verkhovskiy
  2888. The Art Blocks artist profile page provides context on cyberia within the platform ecosystem. Art Blocks Artist I cyberia
  2889. The Art Blocks artist profile supplies core biographical facts including birth year and current location together with an overview of exhibition history. Art Blocks Artist Profile I Koskela
  2890. The Art Blocks artists directory includes Berubara among the platform's generative creators. Art Blocks artists I Berubara; I Blockwares; I Daniel; I Dianov; I Electralina; I Kapoor; I Rizzle, Sebi, Miguelgarest; I daLenz; I redlioneye
  2891. The Art Blocks collection record dates Nära to 15 May 2023 and identifies 280 unique artworks. nara-record I Tengil
  2892. The Art Blocks collection record dates Växt to 24 January 2024 and identifies 150 unique artworks. vaxt-record I Tengil
  2893. The Art Blocks conversation article presents the artist's own framing of Blind Spots themes, including visibility, circulation, and digital mediation. Art Blocks Conversation I Koskela
  2894. The Art Blocks platform maintains a detailed artist profile page for Rob Dixon (Radix), outlining his background as a generative artist, game designer, and software developer based in California. Art Blocks Artist Profile I Dixon
  2895. The Art Blocks project page records the release of Gazettes by Redlioneye Gazette as a Factory collection of 1024 unique artworks on March 29, 2021. Art Blocks Project Page I redlioneye
  2896. The Art Blocks record for edition 27 documents the project's eye, chin, neck, border, mosaic, collage, palette, texture, symmetry, and arrangement attributes. edition 27 I greatjones
  2897. The Art Blocks record for edition 59 provides a contrasting combination of formal attributes. edition 59 I greatjones
  2898. The Art Blocks record for Mazinaw #74 documents variables including loops, roots, poles, palette, and complexity. Mazinaw attributes I De Giuli
  2899. The Art Blocks token record demonstrates Dot Grid metadata fields including base hue and grid size. token-record I TheElephantNL
  2900. The Art Blocks token record exposes Miragem’s collection affiliation and its programmed trait categories. token-record I Third Vision
  2901. The Art Blocks token record for 3 Minute Meditations #144 documents the project’s visual, musical, wave, and arpeggiation traits. Token record I thetechnocratic
  2902. The Art Blocks token record identifies Perpetua as an Art Blocks Factory project and exposes collection attributes generated by its system. Art Blocks I Punch Card Collective
  2903. The Art Blocks token record identifies Pizza 1o1 and documents its extensive ingredient and presentation traits. Art Blocks Pizza I KALA
  2904. The central Art Blocks website serves as the canonical platform where generative artists like Blockchance publish their algorithmic projects for collector engagement. Art Blocks platform I Blockchance; I Hevey; I Kapoor; I daLenz; I redlioneye; I steganon
  2905. The Cyclops Group. The Art Blocks artist record identifies The Cyclops Group within the platform archive. https://www.artblocks.io/artists/0x9c85b2ec4e22e012cd885fe4ea1b6b2d62c0880c. I Cyclops Group
  2906. The Field draws on machine learning image synthesis trends and latent space aesthetics. OpenSea I Beervangeer
  2907. The Glass marketplace record confirms 300 works and documents the collection’s generative attributes. Glass record I De Giuli
  2908. The Inter Project Authors. “Inter font licence.” https://raw.githubusercontent.com/rsms/inter/master/LICENSE.txt. Accessed 19 September 2026. II 255
  2909. The official Art Blocks artist profile credits both Devi Parikh and Abhishek Das for the Cushions collection in the Art Blocks Factory. Art Blocks artist profile I Das
  2910. The official Art Blocks collection record dates the release to December 16, 2021, and lists 80 unique artworks. Art Blocks collection I Hapeyenka
  2911. The official Art Blocks collection record gives Balletic's release date and total of 200 unique artworks. balletic-record I Motus Art
  2912. The official Art Blocks collection record gives Divisions’ 500-work supply and 2 July 2021 release date. divisions-record I Connolly
  2913. The official Art Blocks collection record gives Dream Engine’s 476-work total and 21 December 2021 release date. Dream Engine record I REMO x DCsan
  2914. The official Art Blocks collection record gives KARMA's edition total and release date. Art Blocks KARMA I KALA
  2915. The official Art Blocks collection record gives Mind Maze’s release date and edition count. Art Blocks I Parse/Error
  2916. The official Art Blocks collection record gives ORI's release date and 450-work count. ORI record I Merrill
  2917. The official Art Blocks collection record gives the October 14, 2022 release date and total of 300 unique artworks. Art Blocks collection I Lobato
  2918. The official Art Blocks collection record gives the project’s artist, 67-work edition size, and 29 August 2022 release date. Art Blocks collection I Devereux
  2919. The official Art Blocks collection record gives the project’s release date and total of 200 unique works. Art Blocks collection I Lin
  2920. The official Art Blocks collection record gives the release date and confirms 14 unique artworks. Art Blocks I Richardson
  2921. The official Art Blocks collection record gives the release date and confirms that Daisies contains 200 unique artworks. art-blocks I Susanthitanon
  2922. The official Art Blocks collection record gives the release date and confirms that InC comprises 64 unique artworks. Art Blocks I hex6c
  2923. The official Art Blocks collection record gives the release date and total of 111 unique artworks. art-blocks-record I Oesterling
  2924. The official Art Blocks collection record gives the release date and total of 256 unique artworks. Art Blocks collection I Vallejo
  2925. The official Art Blocks collection record gives the release date, edition count, pregnancy-based scene structure, visual parameters, and full-term-pregnancy rationale. artblocks-collection I Hollowell
  2926. The official Art Blocks collection record gives the series size and 10 December 2021 release date. Art Blocks collection I SAB; I SAB & K2xL
  2927. The official Art Blocks collection record identifies 500 unique artworks and a 27 July 2022 release. Art Blocks record I Karim
  2928. The official Art Blocks collection record identifies Torrent as 300 unique artworks released on September 6, 2023. Art Blocks record I Schoenherr
  2929. The official Art Blocks collection record identifies while true as 60 unique artworks released on December 10, 2024. Art Blocks collection I Wander
  2930. The official Art Blocks collection record lists Avalon as 208 unique artworks released on August 26, 2022. Art Blocks I r0zk0
  2931. The official Art Blocks collection record lists Tout tracé as 300 unique artworks released on 8 February 2023. Art Blocks I Zumbrunn
  2932. The official Art Blocks project record identifies Synesthesia as a 123-work Factory collection released January 14, 2022. Art Blocks I PLS&TY
  2933. The official Art Blocks record dates Giving Shape, identifies its Foundation for Art and Blockchain context, and explains its geometric and revenue-sharing premise. Art Blocks Giving Shape I ippsketch
  2934. The official Art Blocks record dates the release of Figs. and identifies its collection size. Art Blocks Figs. I Ridgley
  2935. The official Art Blocks record gives BUSY's concept, release date, and 50-work count. BUSY record I Merrill
  2936. The official Art Blocks record identifies 3:19 as a 19-work Factory release dated 15 July 2022 and describes its layered rocks and time-navigation controls. Art Blocks collection I Mathikshara; I Santiago
  2937. The official Art Blocks record identifies Imposter Syndrome as a 100-work Presents release dated 28 November 2022 and provides its rationale, format, and four-stage interaction. Art Blocks Imposter Syndrome I ippsketch
  2938. The official Art Blocks record identifies Space Debris [warning] as an 81-work WhaleStreet x pxlq release dated 24 August 2021. Art Blocks warning I WhaleStreet x pxlq
  2939. The official Art Blocks token record displays the collection’s named generative attributes and their distribution. Art Blocks token record I Janajev
  2940. The official Art Blocks token record identifies Placement and exposes the collection's mode, palette, and composition traits. placement-record I Jamieson
  2941. The official Art Blocks token record identifies the project, artist, platform category, and its recurring generative attributes. Art Blocks record I Dautheribes
  2942. The official asset record documents the collection's named generative traits and their distribution. Art Blocks asset I Stoveland
  2943. The official collection page and token examples establish Screens as a 1,000-edition generative series focused on layered visual architectures and graphic composition. Screens Collection Page I Pedersen
  2944. The official collection record dates Sigils to June 19, 2021 and lists 133 unique artworks. Sigils record I espina
  2945. The official collection record dates Warp to September 9, 2021 and lists 444 unique artworks. Warp record I espina
  2946. The official collection record gives the release date and confirms 400 unique artworks. Art Blocks I Stoveland
  2947. The official collection record identifies Ruben Alexander, 1,000 unique artworks, the Factory program, and the 20 April 2021 release date. Art Blocks I Alexander
  2948. The official record for Scribblines #42 enumerates the project’s drawing-related feature categories. Token record I Orpheusk
  2949. The official token record documents the combined traits assigned to Enigma #5. Art Blocks token I RalenArc
  2950. The official token record for Crypt #21 lists its puzzle group, glyph count, and default puzzle attribute. Crypt #21 I Cyclops Group
  2951. The OpenSea collection archive enumerates visible trait categories used across Speckled Summits. OpenSea I Rockland
  2952. The OpenSea collection overview for Recursion supplies market statistics and confirms the 256-edition count. OpenSea Recursion I Hevey
  2953. The OpenSea collection page for Cushions documents secondary market activity and trading history for the 200 editions. Cushions marketplace I Das
  2954. The OpenSea collection page for High Tide archives collector activity and metadata for all 745 editions. OpenSea High Tide I Verkhovskiy
  2955. The OpenSea collection page for Low Tide documents the 373-edition series and its marketplace history. OpenSea Low Tide I Verkhovskiy
  2956. The OpenSea collection page for Total Strangers records the 555-edition figurative project and secondary market data. OpenSea Total Strangers I Verkhovskiy
  2957. The OpenSea marketplace maintains a dedicated collection page for Ottocento by Berubara with trading data and ownership statistics. OpenSea collection I Berubara
  2958. The Plottables marketplace records projects by NumbersInMotion and collaborators within the platform. Plottables marketplace I Jacobson; I WAWAA
  2959. The Pxlq profile page on Art Blocks references involvement in the Gazettes project alongside other generative works. Art Blocks Pxlq Profile I redlioneye
  2960. The Sliderverse collection by Che-Yu Wu x White Castle comprises 5,001 generative artworks released on Art Blocks in December 2021 as the platform's first documented brand collaboration using its generative minting system. Art Blocks Sliderverse Collection I Wu
  2961. TheElephantNL / Art Blocks. “Dot Grid #0 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/115000000. Accessed 17 September 2026. II 137
  2962. TheElephantNL / Art Blocks. “Dot Grid #1 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/115000001. Accessed 17 September 2026. II 137
  2963. TheElephantNL / Art Blocks. “Dot Grid #10 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/115000010. Accessed 17 September 2026. II 137
  2964. TheElephantNL / Art Blocks. “Dot Grid #20 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/115000020. Accessed 17 September 2026. II 137
  2965. TheElephantNL / Art Blocks. “Dot Grid #478 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/115000478. Accessed 17 September 2026. II 137
  2966. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/alexis-andre.json. I André
  2967. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/claudia-hart-and-andrew-blanton.json. I Blanton
  2968. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/daniel-calderon-arenas.json. I Calderon Arenas
  2969. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/dmitri-cherniak.json. I Cherniak
  2970. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/julien-gachadoat.json. I Gachadoat
  2971. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/martin-grasser.json. I Grasser
  2972. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/licia-he.json. I He
  2973. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/tyler-hobbs.json. I Hobbs
  2974. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/aleksandra-jovani.json. I Jovanić
  2975. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/zach-lieberman.json. I Lieberman
  2976. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/anna-lucia.json. I Lucia
  2977. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/william-mapan.json. I Mapan
  2978. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/jen-stark.json. I Stark
  2979. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/sasha-stiles.json. I Stiles
  2980. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/iskra-velitchkova.json. I Velitchkova
  2981. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/lars-wander.json. I Wander
  2982. This artist's dossier as JSON. Artists may reuse this dossier's CC0 prose and verified bibliography on their own websites through the public AB5D API or MCP server. No key is required. Artwork rights remain with their respective artists and holders. https://ab5d.xyz/api/artists/florian-zumbrunn.json. I Zumbrunn
  2983. This marketplace record confirms on-chain details and edition structure for Ancient Courses of Fictional Rivers. OpenSea collection I Hodgin
  2984. This page provides the official artist biography, project history, and background for Andrew Badr on the Art Blocks platform. Art Blocks Artist Profile I Badr
  2985. This page serves as the primary project listing and minting information for Asemica on Art Blocks, confirming the 980-edition count and November 2021 release. Art Blocks Project Page I Badr
  2986. This profile confirms Hodgin has created digital art since the 1990s and highlights his institutional exhibitions. Art Blocks artist profile I Hodgin
  2987. Thomas Lin Pedersen. “Rapture #0 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/141000000. Accessed 17 September 2026. II 142
  2988. Thomas Lin Pedersen. “Rapture #1 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/141000001. Accessed 17 September 2026. II 142
  2989. Thomas Lin Pedersen. “Rapture #10 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/141000010. Accessed 17 September 2026. II 142
  2990. Thomas Lin Pedersen. “Rapture #20 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/141000020. Accessed 17 September 2026. II 142
  2991. Thomas Lin Pedersen. “Rapture #48 original artwork.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/141000048. Accessed 17 September 2026. II 142
  2992. Thomas Lin Pedersen. “Screens #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/255000000. Accessed 18 September 2026. II 244
  2993. Thomas Lin Pedersen. “Screens #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/255000001. Accessed 18 September 2026. II 244
  2994. Thomas Lin Pedersen. “Screens #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/255000010. Accessed 18 September 2026. II 244
  2995. Thomas Lin Pedersen. “Screens #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/255000020. Accessed 18 September 2026. II 244
  2996. Thomas Lin Pedersen. “Screens #90.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/255000090. Accessed 18 September 2026. II 244
  2997. Three.js authors. “Three.js r124 licence.” https://raw.githubusercontent.com/mrdoob/three.js/r124/LICENSE. Accessed 17 September 2026. II 034; II 113; II 126; II 128; II 134; II 157; II 199; II 227; II 230; II 240; II 250; II 252
  2998. Timepiece holdings record. A second OpenSea portfolio record identifies multiple Timepiece holdings and associated collection metrics. https://opensea.io/dgener8/portfolio. I WAWAA
  2999. Token documentation on Art Blocks for mid-range editions illustrates compositional variety within the fixed edition count. Art Blocks Gazettes #568 I redlioneye
  3000. Token page confirming release date and edition count for AlphaModica. Art Blocks token I Danooka
  3001. Token page for edition 183000042 illustrating characteristic output of Quarantine. Art Blocks I Moore
  3002. Token page for edition 296000166 illustrating characteristic output of Flux. Art Blocks I Moore
  3003. Token page for edition 362000133 illustrating characteristic output of Erratic. Art Blocks I Moore
  3004. Trait listings on token pages document parameters such as layout, height, block count, and eye features that drive compositional variation. Art Blocks token example I Dianov
  3005. Tyler Hobbs on Art Blocks. Art Blocks' artist profile gathers Hobbs's biography, two AB[500] releases, editorial features, and recognition. https://www.artblocks.io/artists/tyler-hobbs. I Hobbs
  3006. Uncovering the Plausibilities. Art Blocks' exhibition essay introduces Paysages Plausibles and Mapan's continuing inquiry into computational landscape. https://www.artblocks.io/articles/william-mapan-paysages-plausibles. I Mapan
  3007. Unigrids token record. An official token record demonstrates the collection’s artwork, live-view, ownership, and trait structure. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/12000126. I Zeblocks
  3008. Vamoss. “Patterns of Life #0, #10 and #20, original renderers.” Art Blocks media proxy. https://generator.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/87000000. Accessed 18 September 2026. II 087
  3009. Verse partner archive. Art Blocks documents Verse’s presentation of Provencher’s circle(s). https://www.artblocks.io/partners/verse. I provencher
  3010. View Card. View Card, 41 editions, an early study in geometric composition and colour. https://www.artblocks.io/collection/view-card-by-jeff-davis. I Davis
  3011. WAWAA. “Freehand #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/211000000. Accessed 19 September 2026. II 208
  3012. WAWAA. “Freehand #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/211000001. Accessed 19 September 2026. II 208
  3013. WAWAA. “Freehand #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/211000010. Accessed 19 September 2026. II 208
  3014. WAWAA. “Freehand #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/211000020. Accessed 19 September 2026. II 208
  3015. WAWAA. “Freehand #92.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/211000092. Accessed 19 September 2026. II 208
  3016. WAWAA. “Timepiece #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/126000000. Accessed 18 September 2026. II 124
  3017. WAWAA. “Timepiece #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/126000001. Accessed 18 September 2026. II 124
  3018. WAWAA. “Timepiece #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/126000010. Accessed 18 September 2026. II 124
  3019. WAWAA. “Timepiece #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/126000020. Accessed 18 September 2026. II 124
  3020. WAWAA. “Timepiece #400.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/126000400. Accessed 18 September 2026. II 124
  3021. William Tan. “Scribbled Boundaries #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000000. Accessed 18 September 2026. II 132
  3022. William Tan. “Scribbled Boundaries #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000001. Accessed 18 September 2026. II 132
  3023. William Tan. “Scribbled Boundaries #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000010. Accessed 18 September 2026. II 132
  3024. William Tan. “Scribbled Boundaries #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000020. Accessed 18 September 2026. II 132
  3025. William Tan. “Scribbled Boundaries #695.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/131000695. Accessed 18 September 2026. II 132
  3026. wuwa (Ben Benhorin). “Rendered preview images for PrimiDance invocations 0, 1, 10 and 200 (platform media proxy).” Art Blocks media proxy. https://media-proxy.artblocks.io/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/84000000.png. Accessed 18 September 2026. II 084
  3027. wuwa / Art Blocks. “PrimiLife collection.” https://www.artblocks.io/collection/primilife-by-wuwa. Accessed 17 September 2026. I Benhorin; II 150
  3028. wuwa. “PrimiLife #0.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/150000000. Accessed 18 September 2026. II 150
  3029. wuwa. “PrimiLife #1.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/150000001. Accessed 18 September 2026. II 150
  3030. wuwa. “PrimiLife #10.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/150000010. Accessed 18 September 2026. II 150
  3031. wuwa. “PrimiLife #20.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/150000020. Accessed 18 September 2026. II 150
  3032. wuwa. “PrimiLife #622.” Art Blocks. https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/150000622. Accessed 18 September 2026. II 150
  3033. Xeno activity. OpenSea maintains an activity record for the artist’s Xeno collection. https://opensea.io/collection/xeno-by-stranger-in-the-q/activity. I Stranger in the Q
  3034. Xenoliss. “Galaxiss #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/31000000. Accessed 17 September 2026. II 034
  3035. Xenoliss. “Galaxiss #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/31000001. Accessed 17 September 2026. II 034
  3036. Xenoliss. “Galaxiss #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/31000010. Accessed 17 September 2026. II 034
  3037. Xenoliss. “Galaxiss #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/31000020. Accessed 17 September 2026. II 034
  3038. xnmtrc. “Freeplan #0.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/245000000. Accessed 18 September 2026. II 238
  3039. xnmtrc. “Freeplan #1.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/245000001. Accessed 18 September 2026. II 238
  3040. xnmtrc. “Freeplan #10.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/245000010. Accessed 18 September 2026. II 238
  3041. xnmtrc. “Freeplan #20.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/245000020. Accessed 18 September 2026. II 238
  3042. xnmtrc. “Freeplan #7.” https://www.artblocks.io/token/1/0xa7d8d9ef8d8ce8992df33d8b8cf4aebabd5bd270/245000007. Accessed 18 September 2026. II 238